of Ulysses then recorded five songs with Primal Scream in nine hours, though of course only after a quick errand for some tin foil to smoke a bit of crack, according to Tim Green. These recordings are known as Memphis Demos, and include the demos of N-Sub Ulysses, 50,000 Watts, Mockingbird, Yeah, and Shakedown. Musical ideology and style Nation of Ulysses' music was noisy and manic, but they also had a strong free-jazz influence. The group embodied a rejection of the 1960s and 1970s music and styling by rejecting drug use and advocating that punk youth dress nicely and sensibly. To this end, the liner notes of 13-Point Program to Destroy America states the band's aim "To dress well, as clothing and fashion, are the only things which we -- the kids -- being utterly disenfranchised, have any control over." Much of the band admitted to not knowing how to play their instruments well, stating "All you need is a concept. There's no reason you have to sound like Led Zeppelin." Political concepts Nation of Ulysses described themselves not as a rock 'n' roll group in the traditional sense, but "as a political party" and as "a shout of secession." Explaining their intent, Svenonius said "it's basically a new nation underground for the dispossessed youth colony. It's all about smashing the old edifice, the monolith of rock and roll." Allmusic's Steve Huey described Nation of Ulysses' philosophy as "a relentlessly provocative (and entertaining) jumble of teenage rock 'n' roll rebellion, leftist radicalism, anarchist punk polemics, and abstract intellectual rambling, [...] [which gives the sense of] an off-kilter, almost tongue-in-cheek approach to a 'perpetual 18-year old's' view of America, and life in general." This tongue-in-cheek political attitude was echoed by a spoken-word introduction to the song "The Sound of Jazz to Come", from their 1992 Plays Pretty for Baby, in which the band describes themselves as "the seriously unserious, reverently irreverent, amoral moralists." Asked about their use of the medium they claimed to counteract – rock 'n' roll – Svenonius declared "Well, it's a camouflage, to allow for movement, revolutionary liberation from the constraints of everyday composure, basically allowing anybody to move in anyway that they want and to lift spirit to a plateau to destroy 'parent culture.' " Nation of Ulysses claimed to make weapons, not records. Discussing their second release, Svenonius asserted: "it's like a blueprint for the destruction