in Persian were superior to those in Urdu, and hoped readers would evaluate him by the former: The majority of Ghalib's poetic compositions in Persian were qasidahs dedicated to numerous patron rulers. Ghalib also created ghazals and mathnawis in Persian. His first published work in the language was a collection of poems titled May-ḵāna-ye ārzū, released in 1845. He also created prose works, such as Panj ahang, initially published in 1849. Mehr-e nīmrūz, published in 1855, was a history of the universe from its creation to the death of Mughal Emperor Humayun. Another such historical work was Dastanbu, an eyewitness account of the 1857 revolt and its aftermath. Ghalib's last significant work in Persian was Qaat'i-e Burhaan, a critique of Burhaan-e-Qaat'i, a controversial Persian dictionary. In 2010, Maulana Azad National Urdu University published a compilation of 11,337 poems by Ghalib titled "Kulliyat-e-Ghalib Farsi". A few years before his death, Ghalib had written over 11,000 Persian poems in Persian while also writing over 1,700 Urdu poems. Contemporaries and disciples Ghalib's closest rival was poet Zauq, tutor of Bahadur Shah Zafar, the then emperor of India with his seat in Delhi. There are some amusing anecdotes of the competition between Ghalib and Zauq and exchange of jibes between them. However, there was mutual respect for each other's talent. Both also admired and acknowledged the supremacy of Meer Taqi Meer, a towering figure of 18th century Urdu Poetry. Another poet Momin, whose ghazals had a distinctly lyrical flavour, was also a famous contemporary of Ghalib. One of the towering figures in Urdu literature Altaf Hussain Hali was a shagird () of Ghalib. Hali has also written a biography of Ghalib titled Yaadgaar-e-Ghalib. Ghalib was not only a poet, he was also a prolific prose writer. His letters are a reflection of the political and social climate of the time. They also refer to many contemporaries like Mir Mehdi Majrooh, who himself was a good poet and Ghalib's lifelong acquaintance. The poems written by Ghalib were tough to understand. He sometimes made the sentence syntax so complex that people had difficulty in understanding them. Once, Hakeem Agha Jaan Aish aka Aish Dehlvi, a poet of Ghalib's era, read a couplet in a Mushaira mocking Ghalib: Ghalib felt bad for this and wrote: This style was the definition of his uniqueness In prose Ghalib brought a revolution in Urdu literature by developing an easy, simple