this, his lone surviving opera, was prepared by Opera Ritrovata for streaming performance by Los Angeles Opera and the Colburn School in November 2020. La Fille garçon, opéra comique mélée d'ariettes in 2 acts, libretto by Desmaillot, premiere in Paris, Comédie Italienne, 18 August 1787, lost. Aline et Dupré, ou le marchand de marrons, children's opera, premiere in le Théâtre du comte de Beaujolais, 1788. lost. Guillaume tout coeur ou les amis du village, opéra comique in one act, libretto by Monnet, première in Lille, 8 September 1790, lost. Symphonies Deux Symphonies à plusieurs instruments, Op. XI, No. 1 in G and No. 2 in D. Note: No 1 is listed as 'spurious' by Grove Music Online. No 2 is identical with the overture to Bologne's opéra comique, L'Amant anonyme. The orchestration consists of strings, two oboes and two horns. Concertante Violin concertos Saint-Georges composed 14 violin concertos. Before copyrights, several publishers issued his concertos with both Opus numbers and numbering them according to the order in which they were composed. The thematic incipits on the right, should clear up the resulting confusion. Op. II, No. 1 in G and No. 2 in D, published by Bailleux, 1773 Op. III, No. 1 in D and No. 2 in C, Bailleux, 1774 Op. IV, No. 1 in D and No. 2 in D, Bailleux, 1774 (No. 1 also published as "Op. post." while No. 2 is also known simply as "op. 4") Op. V, No.1 in C and No. 2 in A, Bailleux, 1775 Op. VII, No. 1 in A and No. 2 in B-flat, Bailleux, 1777 Op. VIII, No. 1 in D and No. 2 in G, Bailleux n/d (No. 2 issued by Sieber, LeDuc and Henry as No. 9. No. 1 is also known simply as "op. 8") Op. XII, No. 1 in E-flat and No. 2 in G, Bailleux 1777 (both issued by Sieber as No. 10 and No. 11) Symphonies concertantes Op. VI, No. 1 in C and No. 2 in B-flat, Bailleux, 1775 Op. IX, No. 1 in C and No. 2 in A, LeDuc, 1777 Op. X, for two violins and viola, No. 1 in F and No. 2 in A, La Chevardière, 1778 Op. XIII, No. 1 in E-flat and No. 2 in G, Sieber, 1778 Unlike the concertos, their publishers issued the symphonie-concertantes following Bailleux's original opus numbers, as shown by the incipits