Horatio McCulloch (November 1805 – 24 June 1867), sometimes written MacCulloch or M'Culloch, was a Scottish landscape painter. Life He was born in Glasgow in November 1805 the son of Alexander McCulloch, a cotton merchant, and his wife, Margaret Watson. Horatio McCulloch was trained in the studio of the Glasgow landscape painter John Knox (1778–1845) for about one year alongside Daniel Macnee (1806–1882) and at first earned his living as a decorative painter. He was then engaged at Cumnock, painting the ornamental lids of snuffboxes, and afterwards employed in Edinburgh by William Home Lizars, the engraver, to colour the illustrations in Prideaux John Selby's British Birds and similar works. After he moved to Edinburgh in 1825, he began painting in the tradition of Alexander Nasmyth. Working unweariedly from nature, he was greatly influenced in his early practice by the watercolours of H. V. Williams. He returned to Glasgow in 1827, and was employed on several large pictures for the decoration of a public hall in St. George's Place, and he did a little as a theatrical scene-painter. About this time by the writings of Sir Walter Scott and the expressive landscape works of John Thomson, friend of Scott's and minister at Duddingston Kirk, Edinburgh. Gradually MacCulloch asserted his individuality, and formed his own style on a close study of nature; his works form an interesting link between the old world of Scottish landscape and the new. In 1829 McCulloch first figured in the Royal Scottish Academy's exhibition. (He was a regular exhibitor year by year afterwards.)By the early 1830s McCulloch’s exhibits with the Glasgow Dilettanti Society and with the Royal Scottish Academy had begun to attract buyers, notably the newly instituted Association for the Promotion of the Fine Arts in Scotland. A commission from Lord Provost James Lumsden helped established the artist's reputation within Scotland. Commissions from book and print publishers allowed him to concentrate on easel painting. On his election as full Academician of the Scottish Academy in 1838, McCulloch settled in Edinburgh and soon became a prominent figure in the artistic life of the capital and a prolific contributor to the Royal Scottish Academy exhibitions. At the same time contact with Glasgow was maintained: McCulloch’s favorite sketching grounds were in the west, he exhibited regularly in the city and his most loyal patrons were wealthy Glasgow industrialists such as David Hutcheson (1799–1881), the steamship owner. He seldom exhibited