Laurie Hill is an American sitcom that ran on ABC from September 30, 1992 until October 28, 1992. It starred DeLane Matthews as Dr. Laurie Hill, a pediatrician who tried balancing her roles as a doctor, wife and a mother to her young son. The series was created by Neal Marlens and Carol Black and produced by Touchstone Television. Synopsis Laurie Hill (Matthews) was a pediatrician who partnered in a local neighborhood clinic known as Wiseman, Kramer & Hill. She was as fiercely loyal to her clinic and profession as she was compassionate in all aspects of her life. Constantly on call, Laurie was also on the emergency staff of the large St. John's Hospital, where cases often brought this otherwise low-key and gentle series into more adult territory. Balancing her personal and professional lives was another matter, as Laurie tried her best to make time for her husband Jeff (Robert Clohessy), a freelance writer who worked from home, and to be a pro-active mother to her rambunctious, adorable five-year-old son Leo (Eric Lloyd). Jeff, who was a kid at heart, took Laurie's schedule in stride as he reveled in the joys of being home for Leo. Father and son bonded over televised football games and other forms of manhood, which helped Leo cope with the longing he often felt for his busy mother. However, Jeff would sometimes wish for Laurie to slow down as well, expressing his desire for them to have more children. Laurie was not opposed to the idea, but wasn't sure how it would all work. Laurie's colleagues at the clinic were truly family as well. She often engaged in silly, but more often witty banter with fellow doctors Spencer Kramer (Kurt Fuller), a neurotic and somewhat vain practitioner who had an aversion to treating children, and Walter Wiseman (Joseph Maher), the senior partner who was considering whether or not to retire. Adding to the office camaraderie were motherly receptionist Beverly Fielder (Doris Belack) and flaky nurse Nancy MacIntyre (Ellen DeGeneres), who became something of soul sisters to Laurie. Stories alternated between Laurie's personal and professional fronts, and the variety of patients and cases assigned to her. Some of the latter were lighthearted and simplistic; to further add to the comedy/drama aspect of the series, some stories dealt with more serious issues, such as a patient's run-in with domestic violence, and Laurie and Nancy's suspicion that