poll conducted for the authoritative Italian newspaper Il Corriere della Sera. The following year de Gregori released a mini-LP containing his most long-standing success, La Donna Cannone, a song that De Gregori asked initially Mia Martini to sing. The 1985 album Scacchi e tarocchi ("Chess and Tarots"), was not as successful, but contained another classic, "La Storia" ("History"). De Gregori's new melancholic inspiration was confirmed by the subsequent Terra di nessuno ("No man's Land"). On the other hand, Miramare 19-4-89 showed a more bitter mood, but again was not as successful as his albums of the 1970s and early 1980s. 1990s and 2000s De Gregori recovered his bestseller status in 1992 with Canzoni d'amore ("Love Songs"). In the 1990s he released fewer studio albums than collections and live albums. His next original work was Prendere e lasciare ("Take and Leave", 1996): from this point his song and his musical performance were marked by an increasing Bob Dylan influence. Il bandito e il campione of 1993 was a live collection that had remarkable success: the title track, its only studio song, was sung by De Gregori but the lyrics were by his brother Luigi Grechi. The title track of La valigia dell'attore ("The Actor's Suitcase", 1998) showed De Gregori at the best of his poetical and emotional capabilities again. The rest of the album, however, contained old pieces, plus some Dylan covers. In 2001 De Gregori released his next studio album, Amore nel pomeriggio ("Love in the Afternoon") which is unanimously included amongst his best works. The song "Il cuoco di Salò" ("The Cook of Salò"), arranged by Franco Battiato, is one of De Gregori's best and shows his typical attention to "everyday" figures (including outcasts and underdogs) and lives while dealing with historical themes. Il fischio del vapore ("The Whistle of the Steam", 2002) was a collaboration with the folksinger Giovanna Marini, who had already worked with De Gregori in a song for Titanic. The album is a collection of old popular and social Italian songs from the 19th and the early 20th centuries. A biography of Francesco De Gregori, "Quello che non so, lo so cantare" ("What I Don't Know, I Know How to Sing"), edited by Enrico Deregibus, was published by Giunti in 2003. In 2005, De Gregori won the Targa Tenco for the best Italian album of the year with Pezzi, an album with strong rock elements.