as a progression of the Dream Warriors concept from the previous film. Risher explained that: Initially, I approached Wes for an idea for the fourth film. I always go to Wes first each time. His idea was illogical. It was about time travel within dreams that broke all the rule of dreams. We decided not to go with that. When we decided to go with [William] Kotzwinkle's 'Dream-master' idea, which we thought was terrific, I told Wes we were doing that. Shaye felt that Craven's idea did not have the impact the producers were looking for. Craven and his writing partner Bruce Wagner were later contacted about doing rewrites for the script, but turned down the offer as Craven felt that they should have been approached as artists of the original material. Brian Helgeland was at New Line Cinema around Christmas 1987 about a script named Highway to Hell, a pitch that was turned down by them and would not be realized until 1992; the company was desperate to get Nightmare 4 going as they lacked both a script and a director for the film at the time. Mike De Luca begged Helgeland to have a try at it and come up with a script within two weeks; he went to his parents' house and finished the script within nine days, sending it to New Line Cinema with FedEx. Helgeland's script was a rewrite of William Kotzwinkle's original script. Ken and Jim Wheat were brought in next for further polishes; the Writers Guild credited the shooting script to the Wheat brothers. In an interview with Midnight's Edge, director Tom McLoughlin said that after completing Jason Lives: Friday the 13th Part VI, New Line offered him the job on The Dream Master. His one caveat was that he wanted creative control. The studio could not adhere to the demand, specifically because they had already begun filming without any director. McLoughlin said, "When I finished Friday, I was offered Nightmare 4 and went to New Line, met with them, and I said, 'I love Freddy, I would love to do one of these, but I really want to do what I just did, where I had creative control'," he explained. "And they go, 'Well, we're already shooting.' 'What?' 'Yeah, we're already shooting, we're shooting like two different units for the visual effects' and something else, puppets or something. And I said, 'Without