Harriet Backer (21 January 1845 – 25 March 1932) was a Norwegian painter who achieved recognition in her own time and was a pioneer among female artists both in the Nordic countries and in Europe generally. She is best known for her detailed interior scenes, communicated with rich colors and the interplay of light and shadow. Biography Backer was one of four daughters born to an affluent family at Holmestrand in Vestfold, Norway. Her parents were Nils Backer (1815–1877) and Sofie Smith Petersen (1819–1882), and she was the aunt of the painter Astri Welhaven Heiberg (1881–1967). Her father was a shipping merchant and her mother was from a wealthy family. Her family moved to Christiania (Oslo) in 1856. She attended Wilhemine Autentrieth Girls' School (1857–1860) and Hartvig Nissen School (1863). At 12, she first took lessons in drawing and painting, notably with Joachim Calmeyer (1857). She studied with art instructor Johan Fredrik Eckersberg (1861–65), in Berlin with Alphons Holländer (1866–1867), with artist Christen Brun (1867–1868) and attended the painting school of Knud Bergslien (1871–74). Later, she was a student of Eilif Peterssen in Munich (1874–1878). She was a student of Léon Bonnat and Jean-Léon Gérôme in Paris (1878–1780). She also spent a summer in the town of Rochefort-en-Terre in Morbihan painting with Léon Germain Pelouse, whom she called "the most natural man I have ever met." Additionally, Backer traveled extensively as a companion to her sister, noted concert pianist Agathe Backer Grøndahl (1847–1907), on her concert tours throughout Europe. She took further lessons in the course of these trips. From 1880 to 1888, she stayed in Paris where she shared a studio with fellow Norwegian artist, Kitty Lange Kielland. She was also associated with Salon Marie Trélat in Paris. In 1888, Backer moved back to Norway permanently and settled in Sandvika, outside of Christiania. From 1889 until 1912, she operated an art school and was an influence on a number of younger artists including Marie Hauge, Lars Jorde and Henrik Lund. She also gave art lessons to the novelist Cora Sandel. Backer produced just around 180 works of art mostly based upon local themes. Her work was both slow and thorough. In 1880, she debuted in Paris with the painting Solitude, and in 1883 exhibited Blått interiør at the Autumn Exhibition in Oslo. She was influenced by impressionism. She never belonged to any school but her work is often compared