Luxorius was an ancient Roman poet and writer of epigrams who lived in Carthage, Africa during the last years of the Vandal rule in the 6th century, under the reign of the Vandal Kings Thrasamund, Hilderic, and Gelimer (AD 496–534). He greatly admired the notable Roman author Martial, whom he used as a model when composing his works. Luxorius's writings served as a bridge between the end of the classical period and the beginning of medieval Latin. Life Little is known about the life of Luxorius. As with many poets and thinkers of his day, the only information available has been deduced from the analysis of primary texts, namely his epigrams in the Latin Anthology. While his birth and death dates are unknown, it is clear that Luxorius was alive and writing during the last years of the Vandal rule of Carthage, North Africa. Religion Luxorius' writings refer to pagan deities, but it is unclear to scholars whether he aligned himself with such beliefs. Rosenblum believes that he may have had valid reasoning for aligning himself more with the pagans than the Christians at the time; "The Vandals might have been more unlikely to persecute pagans than Catholics". In A Latin Poet Among the Vandals, Rosenblum precedes the translated epigrams with a somewhat detailed account of Luxorius' life and times. He indicates that Luxorius was held in esteem by his contemporaries. In fact in a line from one of his poems Luxorius seems to refer to himself as vir clarus, a Latin expression denoting a title of honor. Rosenblum specifies, however, that it is most likely that Luxorius did not hold a public office; the title was more honorary than substantive. Works Composed in Latin, Luxorius's ninety-one surviving poems are the largest single element included in the Latin Anthology, presumably compiled during his time. The corpus of his works has been translated into English by a few editors, most notably Morris Rosenblum in his 1961 edition. Luxorius's epigrams range from 3 line poems to longer poems, extending for pages. The subject(s) of the epigrams are equally varied; ranging from titles such as To a Noisy and Raging Dwarf and To a Fat and Unlucky Falconer to the more serious About a Stone Coffin in Which Foul Deeds Have Been Sculptured. His works, modeled after his mentor Martial, tell the reader about himself as well as the time in which he