Irene Maud Lentz (December 8, 1901 – November 15, 1962), also known mononymously and professionally as Irene, was an American actress turned fashion designer and costume designer. Her work as a clothing designer in Los Angeles led to her career as a costume designer for films in the 1930s. Lentz also worked under the name Irene Gibbons. Early life Born in Baker, Montana to Emil Lents and Maud Walters, Lentz started out as an actress under her birth name, appearing in secondary roles in silent films beginning with Mack Sennett in 1921. She played ingénue parts opposite Sennett's leading comedians, Ben Turpin and Billy Bevan. Lentz was directed in her first film by Sennett's production chief, F. Richard Jones; their professional relationship matured into a personal one. They had been married for less than a year when Jones succumbed to tuberculosis in 1930. Design career Lentz had been taught sewing as a child and with a flair for style, she decided to open a small dress shop. The success of her designs in her tiny store eventually led to an offer from the Bullocks Wilshire luxury department store to design for their Ladies Custom Salon which catered to a wealthy clientele including a number of Hollywood stars. Lentz's designs at Bullocks gained her much attention in the film community and she was contracted by independent production companies to design the wardrobe for some of their productions. Billing herself simply as "Irene", her first work came in 1933 on the film Goldie Gets Along, featuring her designs for star Lili Damita. In the 1936 Mae West vehicle Go West, Young Man she was credited as Irene Jones. However, her big break came when she was hired to create the gowns for Ginger Rogers for her 1937 film Shall We Dance with Fred Astaire. This was followed by more designs in another Ginger Rogers film as well as work for other independents such as Walter Wanger Productions, Hal Roach Studios as well as majors such as RKO, Paramount Pictures and Columbia Pictures. During the 1930s, Irene Lentz designed the film wardrobe for leading ladies such as Constance Bennett, Hedy Lamarr, Joan Bennett, Claudette Colbert, Carole Lombard, Ingrid Bergman, and Loretta Young among others. She "is generally regarded as the originator of the dressmaker suit" that was popular in the late 1930s. Through her work, Lentz met and married short story author and