circulation in manuscript form during the Renaissance. The most well known and best preserved copy of the Libro is a profusely illustrated manuscript known as the Codex Magliabechiano (probably drafted 1465; now held in the archives of the ). The fact that the Codex Magliabechiano is dedicated to Piero de' Medici and was conserved in Florence suggests that Filarete was well regarded in his native Florence despite his loyalty to Milan. The book, which is written as a fictional narrative, consists principally of a detailed account of the technical aspects of architecture (e.g., site and material selection, drawing, construction methods, and so on) and a sustained polemic against the Gothic style of Northern Italy, which Filarete calls the "barbarous modern style." Filarete argues instead for the use of classical Roman models. The most famous part of his book is his plan for Sforzinda, an ideal city named after Francesco Sforza, then Duke of Milan. Although Sforzinda was never built, certain aspects of its design are described in considerable detail. The basic layout of the city is an eight-point star, created by overlaying two squares so that all the corners were equidistant. This shape is then inscribed within a perfect circular moat. This shape is iconographic and probably ties to Filarete’s interest in magic and astrology. Consistent with Quattrocento or fifteenth century notions concerning the talismanic power of geometry and the crucial importance of astrology, Filarete provides, in addition to pragmatic advice on materials, construction, and fortifications, notes on how to propitiate celestial harmony within Sforzinda. His architectonical drawings and even more his allegorical drawings traced on the margins of the Codex Magliabechianus – such as the Allegory of Vertue and the Allegory of the Reason and Will – Filarete shows a remarkable possession of classical sources, maybe known also through the advice of his friend Francesco Filelfo da Tolentino, the main humanist then at the court of Milan. In terms of planning, each of the outer points of the star had towers, while the inner angles had gates. Each of the gates was an outlet of radial avenues that each passed through a market square, dedicated to certain goods. All the avenues finally converged in a large square which was centrally located. The town contained three squares – one for the prince’s palace, one for the cathedral, and one for the market. Because the Renaissance was much taken with the