which are friezes with scroll decorations. Two of the doorways on the balcony have panels that depict swags and shields. A frieze runs above the balcony, wrapping above the boxes and proscenium. There is a technical booth at the rear of the balcony. On either side of the stage is a splayed wall section, which includes an elliptical arch with one box at the mezzanine level. Similar boxes were installed on the orchestra level but have since been removed. The front railings of the boxes contain motifs of scallops and swags, while the undersides are decorated with scrolled brackets and foliate panels. The archways themselves are mostly filled with paneled plaster walls, with a doorway leading into each box. The doorways have eared surrounds, and the tops of the doorways contain rectangular panels with light fixtures. The archways are surrounded by coved bands with urns and foliate decorations. Above these arches are murals with swags, foliate decorations, and female figures, surrounded by a band of foliate decorations. The boxes were decorated in "old Venetian gold", while the paintings above were predominantly colored "absinthe green and amethyst". Other design features Next to the boxes is a coved, segmental proscenium arch. The coved section has octagonal panels, which are separated either by fan motifs or by sunbursts and foliate decorations. The proscenium opening measures about wide and tall. Above the proscenium arch is an octagonal panel containing a mural. On either side of the mural are female representations of music and drama, surrounded by a band of foliate decorations. A frieze also runs above the proscenium; it depicts female figures alternating with shields and winged figures. The depth of the auditorium to the proscenium is , while the depth to the front of the stage is . The stage itself was described as being deep and wide behind the proscenium. The stage lighting was controlled by a switchboard, placed on a terrace to one side of the stage. The flat ceiling is hexagonal in shape, split into sections by molded bands. There is a square panel at the center of the ceiling, surrounded by hexagonal panels that contain murals. The central panel is itself divided into sections, with smaller panels that surround a square section; the mural in the central square has been removed. Six chandeliers hang from the ceiling: two above the orchestra and four above the second balcony. The ceiling