gun barrel sequence appears in The Living Daylights trailer. Pierce Brosnan 1995–2002 Following Maurice Binder's death in 1991, Daniel Kleinman became the designer of the Bond opening graphics. Beginning with GoldenEye (1995), the barrel was computer-generated (but still resembles the original images of the barrel itself) emphasising light and shade variations in the rifling spiral as the reflected light shifts with the gun's movement. Like Dalton, Brosnan shoots one-handed. Unlike the previous Bonds, he remains bolt upright as he fires, with his gun arm extended straight at the camera. The blood in this sequence is noticeably darker and falls faster than in previous incarnations; in keeping with this new pace, the main melody line of the James Bond theme is omitted in two of Brosnan's gun barrel sequences, Tomorrow Never Dies and The World Is Not Enough. In prior versions of the sequence, the white dot would open up to reveal the gun barrel before it reaches the right edge of the screen; in all four of Brosnan's films, however, the dot continues moving right until it disappears off screen. Then the gun barrel scrolls in leftward from off screen. The World Is Not Enough is the first Bond movie where the white dot opens up to reveal Bond, this gun barrel also shows Bond's final pose as uncentered, possibly due to a scanning error. The teaser trailer for GoldenEye featured its own gun barrel sequence in which Bond, appearing in shadow, quickly shoots away six times the onscreen text "ON ONE MAN", before shooting his seventh shot on the letter "M" into a "7" to only leave "007". Bond walks into the foreground, revealing Brosnan's face and proclaiming "You were expecting someone else?", introducing him as the first actor to play Bond since 1989. The theatrical trailer for Tomorrow Never Dies featured its own gun barrel sequence in which Bond, in a dinner suit, fires with both hands à la Roger Moore at the six-grooved gun barrel. In Die Another Day (2002), Lee Tamahori, the film's director requested a CG bullet be added into the sequence, which is seen zooming from Bond's gun at the screen and disappearing, suggesting that Bond has fired straight into his opponent's weapon. This was the last gun barrel sequence until No Time to Die where Bond wears a dinner suit and the last one until Spectre where the sequence opens the film. Daniel