Frank Richard Jones (September 7, 1893 – December 14, 1930) was an American director, screenwriter, and producer. Early life and career Born in St. Louis, Missouri, Dick Jones was sixteen years old when he became involved in the fledgling film industry in his hometown with the Atlas film company. A technician, Jones worked in the film laboratory and other departments but his real interest lay behind the camera, creating the visual product. With the industry's shift to Hollywood, in 1915 he joined Mack Sennett at his Keystone Studios where he put together a few scripts and was given the opportunity to direct. Initially his directorial work was difficult but he dedicated himself to learning the job. Jones first came to prominence when Mabel Normand promoted him to co-direct the troubled feature Mickey (released 1918). The film was a major success and Normand always credited Jones with having rescued the project. He gained a solid reputation among his peers after directing Mabel Normand in Molly O' (1921). Unfortunately, the film came out after the murder of William Desmond Taylor and many movie-goers boycotted the film because of the negative publicity surrounding Normand's involvement in the matter. While at Keystone, Dick Jones met and married Irene Lentz, a young actress who would go on to become one of Hollywood's leading costume designers. In 1923 Dick Jones began producing films but after directing and/or producing forty-five films for Keystone, including feature-length productions, in 1925 he was lured away from Hal Roach Studios. Although he directed films for Roach, Dick Jones worked mainly as an executive coordinator, serving as a production supervisor and a supervising director. In 1926, Jones was responsible for signing Mabel Normand to a contract with Roach Studios after health and drug addiction problems had kept the star actress out of films for three years. He would direct or produce Normand in all five of her films made at Roach Studios until her permanent retirement in 1927. As well, during his time with Roach, Jones worked on nineteen different film projects with Stan Laurel. In later years, Laurel would state that it was Dick Jones who taught him everything about comedy filmmaking. Leaving Roach Studios at the end of 1927, Jones directed Douglas Fairbanks in the highly acclaimed adventure epic The Gaucho. Now much in demand for his skills and filmmaking versatility, in 1928 Jones signed on with Paramount Pictures where