"Against All Odds (Take a Look at Me Now)" (also titled "Against All Odds") is a song by English drummer, singer and songwriter Phil Collins. It was recorded for the soundtrack to the 1984 film of the same name. It is a power ballad in which its protagonist implores an ex-lover to "take a look at me now," knowing that reconciliation is "against all odds," but worth the gamble. The single reached No. 1 on the Billboard Hot 100 in the United States, the first of seven US No. 1's for Collins in his solo career. "Against All Odds (Take a Look At Me Now)" also topped the charts in Canada, Ireland, and Norway, while peaking at No. 2 in the United Kingdom. The song has been covered by several singers, some versions of which have been successful in both the US and UK markets. The song has twice reached No. 1 in the UK singles chart: the pairing of Mariah Carey and boyband Westlife, in September 2000, and then again by Steve Brookstein, the first winner of The X Factor, in January 2005. Phil Collins version Background, writing and recording Collins was approached to write the title song to the film Against All Odds while it was still in its preliminary "rough cut form". At the time the soundtrack was being completed, Collins was on tour with Genesis. Director Taylor Hackford flew into Chicago to see one of the band's concerts. Collins watched the movie on a videocassette recorder in his hotel room and agreed to appear on the soundtrack. Originally titled "How Can You Just Sit There?", the song's music was written by Collins during sessions for his debut solo album Face Value (1981), but it fell by the wayside as it was his least favourite of the several ballads he wrote at the time. Neither was it included on Hello, I Must Be Going!, as many newer songs were written for it. Eventually, Collins presented the demo to Taylor Hackford when approached to write a song for the Against All Odds movie, which he loved. Then Collins penned the lyrics, which were for the film. Due to lack of time available (as he was on tour with Genesis), he had arranger Arif Mardin produce it, and they worked on it over two days. The piano performance is by New York musician Rob Mounsey. Piano, keyboard bass and