subsequent releases the dots are white. It is the last gun barrel sequence until Quantum of Solace where Bond wears a business suit. 1977–1985 The anamorphic format was reinstated for The Spy Who Loved Me, necessitating a fifth version of the sequence. Moore's Bond wears a dinner suit (tuxedo) rather than a business suit and again uses both hands to fire his gun. This rendering would feature in all Moore's subsequent films in the series, for a total of five appearances, the most uses of the same footage to date. In this version of the sequence, unlike previous and later incarnations, the prop gun held by the actor is never actually fired until Octopussy, as can be determined by the lack of gunsmoke in the freeze-frame. It is also noticeable that the background of this version of the sequence is tinted, rather than the usual white. The tint changes with every Moore film. The Spy Who Loved Me, for example, features an eggshell tinted background whereas the background in Moonraker has a strong shade of buff. In For Your Eyes Only, once the white dot moves in the middle of the screen, it does not open up to reveal the pre-credits scene, but cuts abruptly. The gun barrel sequence for Moore's final film, A View to a Kill, featured an error in the 2006 Ultimate Edition and subsequent DVD releases of the film. The error was a scanning issue which caused the gun barrel to be cropped off largely along with the opening dots going off of the screen, just like the Brosnan gun barrels. The issue was rectified in one of the latest iTunes releases. Timothy Dalton 1987–1989 A new gun barrel sequence was shot due to the change in actor from Roger Moore to Timothy Dalton and was used for both of Dalton's films. Dalton walks swiftly with a slight bounce before sharply spinning and firing. Dalton crouches down slightly when he fires. Unlike Moore, Dalton shoots one-handed. John Barry orchestrates the music for the gun barrel in The Living Daylights (1987) but Michael Kamen composes a different orchestration for Licence to Kill (1989). This was the last gun barrel sequence to be designed by Maurice Binder before his death in 1991. The Licence to Kill gun barrel alters the gun barrel of the previous film slightly, showing Dalton's walk and pose as more zoomed in. An alternate