Invincible () is a 2001 drama film written and directed by Werner Herzog. The film stars Tim Roth, Jouko Ahola, Anna Gourari, and Max Raabe. The film tells the story of a Jewish strongman in Germany. While basing his story on the real-life figure Zishe Breitbart (a.k.a. Siegmund Breitbart), Herzog uses the bare facts of Breitbart's life to weave fact and fiction (e.g., the story is set in 1932 Berlin, a full seven years after Breitbart's death in 1925) to create an allegory of human strength, knowing oneself with honesty and pride in one's heritage. The film features an original score composed by German composer Hans Zimmer, co-written with fellow composer Klaus Badelt. Along with films like The Pledge (also co-written with Zimmer) this marks one of the first projects of Badelt in the feature film industry, and one of several collaborations with Herzog as well. Plot Zishe Breitbart (Jouko Ahola) is the son of an Orthodox Jewish blacksmith in rural Poland. He is fantastically strong, largely from working at hard labour all day. A talent agent sees how strong Breitbart is in his Jewish shtetl home and convinces him to move to Berlin, where he can find work as a strongman. Hanussen (an allusion to the real-life figure Erik Jan Hanussen, played by Tim Roth), an epic con-man and supposed mystic, runs a cabaret variety show. Hanussen gives Breitbart a blonde wig and a Nordic helmet and calls him "Siegfried" so as to identify him with the Aryan notion of physical superiority. This appeals to the largely Nazi clientele, and he is a big hit. This is a dark comedy but is equally a deeply dramatic story, involving the mainly secular Jews of Berlin. Included is interaction between Breitbart, an attractive stage musician Marta, their boss Hanussen, who abuses her, and some very top level Nazis. Ultimately Breitbart becomes disgusted and dismayed. A visit from Breitbart's young brother, Benjamin (Jacob Benjamin Wein), convinces Breitbart to be proud of his Jewish heritage, and so, without warning, he takes off the blonde wig in the middle of his act to announce that he is not an "Aryan", and calls himself a new Jewish Samson. This has the effect of making him a hero to the local Jews, who flock to the cabaret to see their new Samson. The Nazis aren't as pleased, and Hanussen tries to discredit Breitbart. He tries to