(We've Been Through That), which protests against the recording industry, and "Pronto Pro Suicídio" (Ready For Suicide), a nihilist protest. The heyday After three years touring and composing, the group had reached a level of maturity that most other Brazilian rock groups had only dreamt of. In 1986 they issued Viva! (Live!) -- maybe the first true "live" album by a Brazilian artist, without any post-production, edition or overdubs. This record showed to the country the band's true face: punkish, dirty and noisy. It is also famous for the use of several explicit words that had been censored in the original studio versions. "Eu Não Matei Joana D'Arc", for instance had the line "Nós só nos encontramos para passear no parque" (we only met to walk through the park) replaced by "Nós só nos encontramos para trepar no parque" (we only met to fuck in the park). That same year they issued Correndo o Risco (Taking the Risk), their most successful album ever, with the hits "Só O Fim" (Just The End), "Simca Chambord", "Deus me Dê Grana" (God Give Me Money) and "A Ferro e Fogo" (By Iron and Fire) -- their only recording with a live orchestra (!), something quite unusual given their style. However the band would not last long. In 1987, after a mild reception of their fifth album, Duplo Sentido (Double Meaning), the band split. Marcelo Nova and Raul Seixas Marcelo Nova chose to work with Raul Seixas—who had previously jammed with Camisa de Vênus and composed with them their hit "Muita Estrela, Pouca Constelação" (Too Many Stars, Too Few Constellations) from the album "Duplo Sentido". They produced a quite underrated album called A Panela do Diabo (Devil's Saucepan) which is mostly famous for being Seixas' last recording in life. Raul was actually quite ill then and their live performances were pitiful, with Raul babbling the words and unable to play his guitar. He would die short after, supposedly of cirrhosis, but he also had diabetes and had been addicted to several drugs and to alcohol for years. The comeback In 1995 Marcelo Nova and some of the original members reformed the band for a successful country-wide tour, captured in Plugado! (Plugged!), that same year. Their comeback benefitted from their label promoting them steadily through the years, issuing two compilations, Liberou Geral (All Free), in 1988, and Bota Pra Fudê (Let's F**k It All Up),