Sun, Moon, Earth (2012) and Four Gardens (2014). A new work for wind ensemble outdoors was premiered on Sunday September 18, 2022 by the Eastman Wind Ensemble at Durand Eastman Park in Rochester, New York. This new composition is entitled Sounds, Trees, Meadows and was premiered as a part of the Centennial celebration of the Eastman School of Music. Books In addition to his music, Morris has written three books and over 50 articles and reviews which have appeared in the Journal of Music Theory, In Theory Only, Music Theory Spectrum, Journal of the American Musicology Society, and Perspectives of New Music, contributing to theories of musical analysis and aesthetics, compositional design, and electronic and computer music. Morris was the recipient of the "Outstanding Publication Award" of the Society for Music Theory in 1988 for his book, Composition with Pitch-Classes: A Theory of Compositional Design, published by Yale University Press, and in 2001 for his article "Voice Leading Spaces" in Music Theory Spectrum 20/2. Advanced Class Notes for Atonal Theory, is available from Frog Peak Music. Morris is currently co-editor of Perspectives of New Music and contributing editor of The Open Space Magazine. His most recent book is The Whistling Blackbird: Essays and Talks on New Music (2010). Notable students References Further reading Alegant, Brian. 2014. "On Robert Morris's Refrains". Perspectives of New Music 52, no. 2: 42–65. Barkin, Elaine. 2014. "Liner Notes in the Form of a Suite". Perspectives of New Music 52, no. 2: 14–16. Brody, Martin. 2006. "Down to Earth: Robert Morris's Restaging of the Sublime". The Open Space Magazine, nos. 8–9 (Fall–Spring): 74–81. Czerner, Dorota. 2014. "A poem for Robert Morris at 70'". Perspectives of New Music 52, no. 2: 26–30. Dembski, Stephen. 1989. "The Context of Composition: The Reception of Robert Morris's Theory of Compositional Design". Theory and Practice 14–15:187–202. Forshee, Jon. 2004. "Reflex-Ions of Robert Morris' Four or Five Mirrors". The Open Space Magazine, no. 6 (Fall): 144–50. Hanninen, Dora. 2014. "Nature and Composition in Robert Morris's Indoor Music: On strange flowers, occasional storms". Perspectives of New Music 52, no. 2: 66–85. Hanninen, Dora. 2003. "A Theory of Recontextualization in Music: Analyzing Phenomenal Transformations of Repetition". Music Theory Spectrum 25, no.2: 59-98. Haskins, Rob. 2014. "Differing Evocations of Buddhism in Two Works by Robert Morris and John Cage". Perspectives of New Music 52, no. 2: 345–58. Leong, Daphne. 2014. "Time's 'Suchness' in Morris's Clear