was "Step Back in Time" and Minogue removed her cowboy hat for the rest of the segment. She performed the tracks "Say Hey", "Drunk" and "Free". The projection for "Free" was an ongoing open road. For the fourth segment, Minogue arrived in crop top and black pants for "Did it Again", and performed "Limbo" and "Shocked" for this segment. Minogue "reclined" from the staircase for "Confide in Me" in the fifth segment, wanting to "graceful" for the opening of that segment. After performing the tracks "The Locomotion" and "Should I Stay or Should I Go?", Minogue returned for an encore to perform "Better the Devil You Know" in a showgirl-devil costume, complete with devil horns. Reception Intimate and Live received positive reviews from music critics. Darrin Farrant from The Age wrote "No more "Singing Budgie" cracks. Minogue proved in her first official, public gig in Melbourne in seven years that the doubters were wrong: she can sing and she also knows how to put on a sensational show." He favored the Impossible Princess tracks for giving more "vocal flair." Despite favorable reviews in Australia, Minogue and Baker were worried about the reception in the UK. Minogue and Baker had suffered from depression during the time, and worried that they would turn up to the concerts to "emptiness." Jeff Kennett, who was the 43rd Premier of Victoria, congratulated Minogue at the end of her Australian leg, calling her a "wonderful ambassador for Australia wherever she travels,". Performing at the Shepherd's Bush Empire, the tour received rave reviews from most music critics and Baker commented that "perhaps slightly altering London's perception that Kylie was over." Melody Maker writer David Benedict wrote that none of her recent music was exciting, and said "Her audience may be loyal, but they're also deeply conservative; none of the recent singles have delivered like the mega-hits of yore and tonight the newer material has a comparatively muted reception." However, he said that all "changed", labeling it a "blinding show" and "so much fun", and said that was some "Kylie does best." Victoria Sega from NME gave it a mixed review. She wrote "There are moments of boredom – indistinguishable balladry that's not so much torch-song drama as fluorescent-tube flash [...]" However, she concluded saying "yet Kylie loves this, she lives for it, and she damns all those svengalis with one twist of her knife-edge heels." She had