music magazine New Musical Express writes: »In the first three minutes, a lovelorn Hecker bemoans how he’s spent seven days without a glance from Kate Moss. But if the former busker has something of the stalker about him, he’s not one of those men who have bad fringes and still live with their mum. "Rose", Hecker's second LP, is as beautiful and barbed as the flower itself and proves that sinister can also be suave and beautiful. While his sexless Germanic vocals threaten to get smothered in drippy melancholy, he’s wise enough to ease off with the string quartets as things progress, transmuting his snail pace into the kind of pin-drop quiet electro Fischerspooner would make after a pint of heroin. Lovely.« Then Neil Tennant from Pet Shop Boys, having taken notice of Hecker, started to communicate Hecker's music to others on his website. In May and June 2003, soon after releasing Rose, Hecker went on his second European tour, followed by his third one in September and October of the same year, opening for Cat Power in Clermont-Ferrand, France, and this time supported by live musicians Jens Friebe on keyboard, Hans Narva on bass and Chris Imler on drums. In September 2003, South Korean record company Pastel Music released Hecker's first two albums in South Korea, and from October 2003 to March 2004, Hecker and German musician Barbara Morgenstern were sent on a worldwide tour through 34 cities by German cultural institution Goethe-Institut. Lady Sleep In January 2005, Hecker released his third studio album Lady Sleep (produced by Israelite, Berlin-based producer Guy Sternberg) in Europe and later that year in South Korea. In January and February, he went on his fourth tour of Europe, supported by Johannes Feige on electric guitar, Philipp Neumann on bass and Snorre Schwarz respectively Nicolai Ziel on drums. Jim Butler of BBC Collective about Lady Sleep: »On 'Lady Sleep', his third album, the criminally underrated Maximilian Hecker returns to his recurring fascination with affairs of the heart. Although simpler (ie, less electronic) than his last album, 'Rose', 'Lady Sleep' is just as evocative: opulent orchestral symphonies sway with a shimmering elegance, the neo-Baroque chamber pop hints at stunning torch songs for the 21st Century and Hecker’s softly spoken vocals are gently affecting. Less camp than Antony And The Johnsons, although just as grand, Berliner Hecker, in anyone’s language, deserves to be a star.« In