statue was subsequently moved to a location in front of the Victoria Memorial, where it was sited on a large architectural podium. Lord Curzon, the driving force behind the Memorial project, came to dislike Frampton's depiction of an elderly and vulnerable Victoria and commissioned Thomas Brock to create a second statue, in marble, of a younger Queen to be placed in the central hall of the completed building. The death of Queen Victoria in January 1901 led to Frampton receiving several commissions for memorials to the Queen. Frampton based several of these on his design of a seated figure he used for the Kolkata statue but with some variations. He used the same cast for the statues in Leeds and St Helens but changed the style of the decorative details and pedestals between them. A further version was created for the grounds of the Manitoba Legislative Building in Winnipeg in 1904. A different design of a much younger, standing Victoria was created for the Royal Victoria Infirmary in Newcastle upon Tyne in 1906 and was unveiled by her son King Edward VII in the same year. Among Frampton's other notable public sculptures are the figures of Peter Pan playing a set of pipes, the lions at the British Museum and the Edith Cavell Memorial that stands outside the National Portrait Gallery, London. Frampton's original statue of Peter Pan in Kensington Gardens, London, was commissioned by J.M. Barrie in 1912. Barrie was said to be disappointed at Frampton's depiction of Peter Pan, in particular at his choice of model for the figure of the boy. However such was the popularity of the statue, six more casts were made which are now situated in: Perth, Western Australia, Australia Parc d'Egmont, Brussels, Belgium Bowring Park, St. John's, Newfoundland, Canada Toronto, Canada Sefton Park, Liverpool, England Camden, New Jersey, United States. By March 1905, Aston Webb, the architect of the Cromwell Road extension to the Victoria and Albert Museum had commissioned over twenty sculptors to provide statues, carvings and decorations for the facade of the building. Webb allocated what he considered the two most important areas to Frampton and Alfred Drury. The area over the main entrance arch was allocated to Frampton who created spandrel figures of Truth and Beauty for the space while the remainder of the main entrance was assigned to Drury. A number of Frampton's works can be seen at the