"City of Blinding Lights" is a song by Irish rock band U2. It is the fifth track on their eleventh studio album, How to Dismantle an Atomic Bomb (2004), and was released as the album's fourth single on 6 June 2005. It was produced by Flood, with additional production by Chris Thomas and Jacknife Lee. The song reached number one in Spain, and peaked in the top ten in Canada, Ireland, the United Kingdom, and several other countries. The music video was shot at the General Motors Place in Vancouver, British Columbia, Canada. The earliest incarnation of the song was developed during sessions for the band's 1997 album, Pop. The lyrics were written by the band's lead vocalist Bono, taking partial inspiration from his recollection of his first trip to London, and from the band's experience playing in New York City in the aftermath of the September 11 attacks during their Elevation Tour in 2001. Other lyrics refer to Bono's relationship with his wife Ali. The song's underlying theme reflects lost innocence and was inspired by an image Bono saw of himself from the early 1980s. The sound has been compared to the tone of U2's 1984 album, The Unforgettable Fire and their 1987 single "Where the Streets Have No Name". "City of Blinding Lights" was well received by critics and won a Grammy Award for Best Rock Song at the 2006 ceremony. The song made its live debut on the group's 2005–2006 Vertigo Tour, when it was commonly played as the opening song. It has been performed at nearly every show from a U2 concert tour since. The track has been used in episodes of The Simpsons and Entourage, and in the film The Devil Wears Prada. Former U.S. President Barack Obama used the song at his campaign events during the 2008 and 2012 U.S. presidential elections, and listed it as one of his favourite songs; U2 performed it at his 2009 inaugural celebration at the Lincoln Memorial. Writing and inspiration U2 developed "City of Blinding Lights" from a song called "Scott Walker", an outtake from the band's 1997 album Pop. This incarnation, written as an homage to the singer of the same name, was only an outline when the recording sessions for Pop concluded. The group reworked it in preparation for their 2000 album All That You Can't Leave Behind, but the song was still unfinished when that