Barry collaborated with a high profiled singer for the film's theme song. American singer Donna Summer teamed up with Barry for the film's signature song, titled "Down Deep Inside (Theme From The Deep)". Summer was a singer under contract to the film production company, Casablanca Record & FilmWorks. The song was nominated for a Golden Globe Award and a hit on the U.S. Dance Chart, as well as a top-five singles hit in the UK, and a top-forty hit in the Netherlands. Charts Reception The Deep was released on June 17, 1977, and was well received by the public. For the first time in film history the audience saw the real underwater world filmed in Panavision. The film reportedly cost $8.5 million to market having assured promotional partners that by opening day over 200 million people would have read, seen or heard about The Deep more than 15 times. Upon its release, the film was noted for its opening scene of Jacqueline Bisset swimming underwater while wearing only a thin, white T-shirt and a black bikini bottom. A possibly opportunistic photo of Bisset in character taken underwater by the wreck of RMS Rhone was used to target the men's lifestyle market without her approval. Producer Peter Guber claimed this helped make the film a box office success, and said "That T-shirt made me a rich man!" Variety reported that The Deep opened to $8,124,316 on 800 screens beating the opening weekend record set by Jaws, although it had opened on almost double the number of screens that Jaws had. It was the eighth-highest-grossing film of 1977 in the United States and Canada with a gross of $47.3 million. Overseas, the film was Columbia's highest-grossing film and grossed over $100 million worldwide, although Guber complained in May 1978 that he had not received any profit participation. Vincent Canby of The New York Times gave the film a negative review, stating that "The story, as well as Peter Yates's direction of it, is juvenile without being in any attractive way innocent, but the underwater sequences are nice enough, alternately beautiful and chilling. The shore-based melodrama is as badly staged as any I've seen since Don Schain's The Abductors (1972), which is to remember incompetence of stunning degree." Roger Ebert praised the film for its photography and presenting a romance in a new setting. The Deep holds a 43% rating on Rotten Tomatoes