Prose of the Republic of Turkey covers the "Turkish Prose" beginning with 1911 with the national literature movement. Stylistically, the prose of the early years of the Republic of Turkey was essentially a continuation of the National Literature movement, with Realism and Naturalism predominating. This trend culminated in the 1932 novel Yaban ("The Strange"), by Yakup Kadri Karaosmanoğlu. This novel can be seen as the precursor to two trends that would soon develop: social realism, and the "village novel" (köy romanı). Çalıkuşu ("The Wren") by Reşat Nuri Güntekin addresses a similar theme with the works of Karaosmanoğlu. Güntekin's narrative has a detailed and precise style, with a realistic tone. The social realist movement is perhaps best represented by the short-story writer Sait Faik Abasıyanık (1906–1954), whose work sensitively and realistically treats the lives of cosmopolitan Istanbul's lower classes and ethnic minorities, subjects which led to some criticism in the contemporary nationalistic atmosphere. The tradition of the "village novel", on the other hand, arose somewhat later. As its name suggests, the "village novel" deals, in a generally realistic manner, with life in the villages and small towns of Turkey. The major writers in this tradition are Kemal Tahir (1910–1973), Orhan Kemal (1914–1970), and Yaşar Kemal (1923– ). Yaşar Kemal, in particular, has earned fame outside of Turkey not only for his novels; many of which, such as 1955's İnce Memed ("Memed, My Hawk"), elevate local tales to the level of epic; but also for his firmly leftist political stance. In a very different tradition, but evincing a similar strong political viewpoint, was the satirical short-story writer Aziz Nesin (1915–1995) and Rıfat Ilgaz (1911–1993). Another novelist contemporary to, but outside of, the social realist and "village novel" traditions is Ahmet Hamdi Tanpınar (1901–1962). In addition to being an important essayist and poet, Tanpınar wrote a number of novels; such as Huzur ("Tranquillity", 1949) and Saatleri Ayarlama Enstitüsü ("The Time Regulation Institute", 1961); which dramatize the clash between East and West in modern Turkish culture and society. Similar problems are explored by the novelist and short-story writer Oğuz Atay (1934–1977). Unlike Tanpınar, however, Atay—in such works as his long novel Tutunamayanlar ("The Disconnected", 1971–1972) and his short story "Beyaz Mantolu Adam" ("Man in a White Coat", 1975)—wrote in a more modernist and existentialist vein. On the other hand, Onat Kutlar's İshak ("Isaac", 1959), composed of nine short stories which are written mainly from