sets to King Charles IV in return for a pension for his son. Later in life, Goya wrote that he had felt it prudent to withdraw the prints from circulation due to the Inquisition. Subsequently, the set has been very influential, and not only in the visual arts. Its influence can be seen, for example, in: Granados' piano suite Goyescas, a work which has entered the standard piano repertory since its 2 parts were premiered in 1911 and 1914 respectively. It includes a number called El amor y la muerte (a title shared with no. 10 of the caprichos) Mario Castelnuovo-Tedesco's guitar work 24 caprichos de Goya, Op. 195 (1961) Gallery See also List of works by Francisco Goya Notes References Albert Boime, A Social History of Modern Art. University of Chicago Press, 1991. . John J. Ciofalo, "Quixotic Dreams of Reason." The Self-Portraits of Francisco Goya. Cambridge University Press, 2001. Francisco Goya, Los Caprichos''. New York: Dover Publications, 1969. Further reading External links Caprichos (PDF in the Arno Schmidt Reference Library) Translation of the 1799 Advertisement for sale of the series Pruebas de estado 1799 books 1797 prints 1798 prints Capric 18th-century etchings Satirical works Anti-clerical art