Vasily Borisovich Livanov (; born 19 July 1935), MBE, is a Soviet and Russian film actor, animation and film director, screenwriter and writer most famous for portraying Sherlock Holmes in the Soviet TV series. He was named People's Artist of the RSFSR in 1988. Early years Vasily Livanov was born into a famous theatrical family. His paternal grandfather Nikolai Aleksandrovich Livanov (1874–1949) was a Volga Cossack from Simbirsk who moved to Moscow in 1905 and performed at the Struysky Theatre under a pseudonym of Izvolsky; after the revolution he worked at the Mossovet and Lenkom Theatres. Vasily's father Boris Livanov (1904–1972) was also a prominent actor and stage director who served at the Moscow Art Theatre all his life, while his mother Eugenia Kazimirovna Livanova (née Prawdzic-Filipowicz) (1907–1978) was an artist who belonged to Polish szlachta. Vasily was brought up in the artistic milieu. Many famous actors who worked with his father, like Olga Knipper, Alla Tarasova, Vasily Kachalov (whom Livanov was named after), as well as Pyotr Konchalovsky, Boris Pasternak, Valery Chkalov were frequent guests at their house. In 1940 his family was staying in Chernivtsi along with other Moscow actors, and his Polish nanny took him to the local Catholic church where he was baptized, presumably with his mother's permission. Today he belongs to the Russian Orthodox Church despite never officially converting. His family spent the first war years in evacuation and in 1943 returned to Moscow. In 1954 Vasily graduated from the Moscow Secondary Art School under the USSR Academy of Arts, and in 1958 he finished the acting courses at the Boris Shchukin Theatre Institute. His film career started in 1959 with one of the leading roles in the Letter Never Sent. The movie was shot in Taiga at −40 °C, and the director Mikhail Kalatozov decided that Livanov and Samoilova should voice their characters crying not in the studio, but outside, right in the woods. As a result, Livanov lost his voice, and in two weeks it returned as a unique hoarse timbre that would become one of Livanov's trademarks ever since. From 1958 to 1959 he performed at the Vakhtangov Theatre, and from 1960 to 1964 – at the National Film Actors' Theatre. He also starred in the 1960 adaptation of Vladimir Korolenko's Blind Musician along with his father and the 1962 adaptation of Vasily Aksyonov's Colleagues that became his first real breakthrough. Animation