Ma Rainey's Black Bottom is a 1982 play – one of the ten-play Pittsburgh Cycle by August Wilson, and the only one not set in Pittsburgh – that chronicles the 20th-century African-American experience. The play is set in a recording studio in 1920s Chicago, and deals with issues of race, art, religion, and the historic exploitation of Black recording artists by white producers. The play's title comes from Ma Rainey's song of the same name, which refers to the Black Bottom dance. Rainey, whose life as a well-known blues-singer of the 1920s is an inspiration for the play, is also the titular character. Ma Rainey's Black Bottom was published in the early 1980s and premiered at the Eugene O'Neill Theater Center. Its Broadway debut at the Cort Theatre in 1984 won a New York Drama Critics' Circle award and garnered a Tony Award nomination for Best Play. Plot In a Chicago recording studio in 1927, Ma Rainey's band players Cutler, Toledo, Slow Drag, and Levee gather to record a new album of her songs. As they wait for her to arrive they tell stories, joke, philosophize, and argue. Tension is apparent between the young hot-headed trumpeter Levee, who dreams of having his own band, and veterans Cutler and Toledo. By the time Ma Rainey arrives with entourage in tow, recording has fallen badly behind schedule, enraging producers Sturdyvant and Irvin. Ma's insistence that her stuttering nephew Sylvester speak the title song's introduction wreaks further havoc. As the band waits for various technical problems to be solved, Levee and Cutler come to blows. Levee is then simultaneously fired by Ma for his uncompromising behavior, and rejected by producer Sturdyvant when he tries to get his own record deal. In a rage, Levee fatally stabs Toledo, destroying any possibility of a future for himself. Productions The play had its first staged reading in 1982 at the Eugene O'Neill Theater Center in Waterford, Connecticut. The four main members of the cast -- Charles S. Dutton as Levee, Joe Seneca as Cutler, Leonard Jackson as Slow Drag, and Robert Judd as Toledo—almost immediately developed a very strong sense of ensemble. At that time, the best-known actor in the cast was Theresa Merritt, who played Ma. Direction was by Lloyd Richards, one of August Wilson's most frequent collaborators. Richards and Wilson worked together for almost two years on the play. It opened at the Yale