on their excellent vocal, commenting "Houston dominates the track, though Winans makes a strong-enough impression that those who have yet to hear her fine recordings will yearn to hear more." The single debuted at number thirty-two and number eleven, on the Hot 100 and Hot R&B Singles chart, the issue of March 23, 1996, respectively. And it peaked at number eight on the Hot 100 and number seven on the Hot R&B Singles chart in May 1996, in addition to reaching number four on Adult Contemporary chart. The song peaked at #32 on the Billboard Mainstream Top 40 becoming Cece's only appearance on that chart. It was certified Gold by the RIAA on May 1, 1996, with 800,000 copies sold in the United States. The album's fifth single, "Let It Flow" by Toni Braxton, was released as a two-sided single with "You're Makin' Me High" from Braxton's second album, Secrets, in May 1996. The double-A side single debuted at number seven on the Hot 100 and number two on the Hot R&B Singles chart, the issue dated June 8, 1996, becoming her highest-debuting single. It eventually topped the Hot 100 chart for a week, and the Hot R&B Singles chart for two weeks, which was her first number one single on both charts. Due to its staying power on the Hot R&B Singles chart, it was the #1 R&B Single on the 1996's Billboard year-end charts. The single sold over 1,500,000 copies in the United States and was certified Platinum by the RIAA on July 17, 1996. Just as soon as the soundtrack was released, the song received critical acclaim, being chosen as one of the best tracks on the album by critics. Stephen Holden, the music critic of the New York Times, called it "small pop coup" and added "Braxton snaps out the words with a choked intensity, her dark, grainy contralto conveying a potent mixture of fury and sensuality." "It Hurts Like Hell" by Aretha Franklin was released as the sixth single from the album in June 1996. It failed to enter on the Hot 100 chart, but peaked at number fifty-one on the Hot R&B Singles chart, the issue date of July 20, 1996. The song wasn't hit as big as some of the set's other tracks, but got good reviews at large from critics. Stephen Holden of the New York Times wrote "Franklin rises to heights