of the musical High Button Shoes, with Nanette Fabray and Phil Silvers, which stayed for almost a year before transferring again. The Maxwell Anderson play Anne of the Thousand Days with Rex Harrison then opened at the Shubert in late 1948, and Lunt and Fontanne appeared the next year in I Know My Love. A plaque celebrating the Shuberts' achievements was installed on the theater's east wall in 1949. Subsequently, Cole Porter's musical comedy Kiss Me, Kate relocated to the Shubert in 1950, staying for a year. Lerner and Loewe's musical Paint Your Wagon opened at the Shubert in 1951 and featured James Barton for 289 performances. Next, the Shaw play The Millionairess opened in 1952 and featured Katharine Hepburn and Cyril Ritchard. The Shubert hosted the Peter Ustinov play The Love of Four Colonels in 1953 with Rex Harrison and Lilli Palmer. For the next two years, the theater hosted Porter's musical Can-Can. This was followed in 1955 by Rodgers and Hammerstein's musical Pipe Dream, one of the team's less successful ventures. Next, the Theatre Guild presented Betty Comden, Adolph Green, and Jule Styne's musical Bells Are Ringing in 1956, featuring Judy Holliday and Sydney Chaplin; it ran for two years, relocating only because of a booking conflict. Afterward, A Majority of One opened in 1959 with Gertrude Berg and Cedric Hardwicke, and Bob Merrill's musical Take Me Along opened the same year. 1960s to 1980s In 1962, the Shubert hosted the musical I Can Get It for You Wholesale, which marked both Barbra Streisand's first Broadway show and Harold Rome's final large Broadway musical. The same year, David Merrick produced Anthony Newley and Leslie Bricusse's musical Stop the World – I Want to Get Off at the Shubert. Next was the Meredith Willson musical Here's Love, which opened in 1963 with Janis Paige and Craig Stevens, but it was not as successful as Willson's previous hits. Also in 1963, to celebrate Shubert Alley's 50th anniversary, the Shubert family embedded a plaque in a corner of the Shubert Theatre. Newley and Bricusse had another hit at the Shubert in 1965, The Roar of the Greasepaint – The Smell of the Crowd. The Shubert next presented Jerry Bock and Sheldon Harnick's The Apple Tree, a set of three one-act musicals, in 1966. The Shubert hosted its first Tony Awards in 1967, an occasion for which the surrounding stretch of 44th