Risque (Ary Barroso/Hermínia Silva) Originally performed as 'fado'. Also well known afterward by a Spanish-language version with the rhythm of bolero. 55 - Folha morta (Ary Barroso/Jamelão) / Duas contas (Garoto/Garoto-Fafá Lemos-Chiquinho do Accordion) 56 - Só louco (Dorival Caymmi/himself) / Resposta (Maysa/herself) / 57 - Ouça (Maysa/herself) / Por causa de você (Dolores Duran & Tom Jobim/Roberto Luna?) / Se todos fossem iguais a você (Tom Jobim & Vinicius de Moraes/Tito Madi or Sylvia Telles) 58 - Estrada do sol (Dolores Duran & Tom Jobim/Agostinho dos Santos) / Meu mundo caiu (Maysa/herself) 59 - A noite do meu bem (Dolores Duran/herself) / Dindi (Tom Jobim & Aloysio de Oliveira/Sylvia Telles) / Eu sei que vou te amar (Tom Jobim & Vinicius de Moraes/Albertinho Fortuna) Other forms There had been another kind of Samba-canção. In the 1930s, 'samba-canção' was the denomination applied to some sentimental tunes written for musical reviews. They were not many. Some representative sambas-canções of this kind are: No rancho fundo (1931, lyrics and music by Ary Barroso and Lamartine Babo), Na batucada da vida (1934, Ary Barroso and Luiz Peixoto") and Serra da Boa Esperança (1937, Lamartine Babo). Referring to the "first" samba-canção of this kind, Paulo Tapajós wrote in an LP jacket: The old modinha has gotten out of fashion. In its place, a new type of Brazilian song appeared telling the misfortunes of love. That led Henrique Vogeler to compose, in 1928, a new musical expression, using the rhythm of samba, but in much slower and much more relaxed tempo. The tune was called Iaiá, but becoming better known as Ai, Ioiô or also Linda Flor. In the piano sheet music the author classified it as "Samba Canção Brasileira" (Samba Brazilian song), fusing the samba with traditional Brazilian song. Afterward the word "Brasileira" disappeared. Henrique Vogeler (Rio de Janeiro 1888–1944) was a composer-pianist with solid musical education, studied at the National Conservatory, but best known as the composer of popular tunes, and wrote this "first" Samba-canção as an opening number of a review. The above-mentioned LP contains some oldies, one Cartola composition and contemporary songs usually associated with bossa nova style. References Brazilian styles of music Samba music genres