telecasts from the era that was preserved and can be viewed today. In 1961, Susskind conducted a series of interviews with former President Harry Truman in Truman's hometown of Independence, Missouri. After picking Truman up at his home to take him to the Truman Presidential Library for the interviews over a number of days, Susskind asked Truman why he hadn't been invited into the home. According to presidential historian Michael Beschloss, Truman flatly told Susskind, "This is Bess's house" and that there had never been nor would there ever be a Jewish guest in it. Joyce Davidson, with whom Susskind was in a relationship, began working as a co-producer of a television talk show Susskind hosted locally in New York called Hot Line in June 1964. It was a different show from the Open End talk show. Hot Line was the first television show to use the recently invented ten-second broadcast delay. This gave the control room time to delete material deemed unfit for broadcast, especially from telephone call-ins. Davidson had a hand in the on-air version of the show and among other duties screened viewer phone calls. She also made the first approach to some of the people who appeared as guests on Hot Line, including Malcolm X, whom she invited for Hot Line immediately after he gave a speech at The Town Hall. In a now notorious interview with then 25-year-old Muhammad Ali during a recently-unearthed 1968 appearance on the British program The Eamonn Andrews Show, Susskind displayed an intense antipathy and vitriol towards the famous boxer, whom he excoriated with withering criticism for refusing to be conscripted into the U.S. military for the Vietnam War. Some commentators have described this as a racist attack. Producer Susskind was also a noted producer, with scores of movies, plays, and TV programs to his credit. His legacy is that of a producer of intelligent material at a time when TV had left its golden years behind and had firmly planted its feet in programming which had wide appeal, whether or not it was worth watching. Among other projects, he produced television adaptations of Beyond This Place (1957), The Bridge of San Luis Rey (1958), The Moon and Sixpence (1960), Ages of Man (1966), Death of a Salesman (also 1966), Look Homeward, Angel (1972), The Glass Menagerie (1973), and Caesar and Cleopatra (1976); the television films Truman at Potsdam (1976), Eleanor