Among Women." Reading Edith Wharton Through a Darwinian Lens: Evolutionary Biological Issues in Her Fiction. Jefferson: McFarland & Company, 2009. 139 - 166. Stoner, Ruth. “The Perfect Short Story: How Edith Wharton’s 'Roman Fever' Has Crossed the Boundaries of Time.” The Short Story in English: Crossing Boundaries. Eds. Gema Castillo García, Rosa Cabellos Castilla, Juan Antonio Sánchez Jiménez, Vincent Carlisle Espinola. Alcalá de Henares: Servicio de Publicaciones de la Universidad de Alcalá, 2006. 920-931. Sweeney, Susan Elizabeth. “Edith Wharton’s Case of Roman Fever.” Wretched Exotic: Essays on Edith Wharton in Europe. Ed. Katherine Joslin and Alan Price. New York: Peter Lang, 1993. 313 - 331. Tuttleton, James W., Kristin O. Lauer, Margaret P. Murray, eds. "The World Over." Edith Wharton: The Contemporary Reviews. New York: Cambridge UP, 1992. 531 - 538. Tyler, Lisa L. “Wandering Women and the Dangers of Contagion in Edith Wharton’s The Old Maid and ‘Roman Fever.” MLA Conference. December 30, 2007. Conference Presentation. Wankey, Stan. “Wharton Hears a WHO.” EastWesterly Review 12 (Summer 2003): <http://www.postmodernvillage.com/eastwest/issue12/12a-0002.html>. Wheeler, Kathleen. “The Attack on Realism: Edith Wharton’s In Morocco and ‘Roman Fever.’” “Modernist” Women Writers and Narrative Art. New York: New York UP, 1994. 77-98. Wright, Sarah Bird. "Roman Fever." Edith Wharton A to Z: The Essential Guide to the Life and Work. New York: Facts on File, 1998. 215. Adaptations KPFA broadcast a radio adaptation of "Roman Fever" in September 1964, starring Pat Franklin and Shirley Medina, adapted and directed by Erik Bauersfeld. Hugh Leonard's one-act adaptation of "Roman Fever" was first staged in Dublin in 1983. Robert Ward's opera adaptation (with libretto by Roger Brunyate) premiered in 1993 at Duke University. Hungarian composer Gyula Fekete's opera Roman Fever ("with additional lyrics by Lisa Radetski") premiered in 1996 at Budapest's Merlin Theatre. Alan Stringer's "opera in one scene" premiered in 1996 at New York's Manhattan School of Music. Philip Hagemann's 1989 one act opera based on Wharton's story has been performed as recently as 2003 in New York at the Lincoln Center's Clark Studio. An extensive accounting of the story's adaptation history can be found by consulting the scholarship of Scott Marshall (1998), Hermione Lee (2008), and Daniel Hefko (2016). See also Daisy Miller by Henry James References 1934 short stories Short stories by Edith Wharton Works originally published in Liberty (general interest magazine)