fourth in B minor. This presentation of "Grim Grinning Ghosts" is by far the loudest and most noticeable in the ride. In early years, the pop up ghosts in the graveyard would loudly scream at the end of each verse. Although the screams were later removed, the ghosts still pop up in time with the end of each verse. Exit: Guests exit their Doombuggies and proceed through the exit crypt, which leads back up to the themed land. A final, somber a capella refrain can be faintly heard with different lyrics. One of the voice talents in the attraction is Thurl Ravenscroft, who was recognizable from other Disney projects, the annual Chuck Jones/Dr. Seuss Christmas special How The Grinch Stole Christmas and as the voice of Tony the Tiger. He leads the five "singing busts" in the graveyard scene with his characteristic voice. A projected film loop is used to animate the busts, with Ravenscroft and the other vocalists appearing as "themselves." The Ravenscroft bust, which is the second one in from the left, is "broken" and has often been misidentified as being an image of Walt Disney himself. The other four voices of the busts are Jay Meyer, Chuck Schroeder, Verne Rowe, and Bob Ebright. A variation of this song is also used at Disney World's Magic Kingdom HalloWishes fireworks show and Disneyland's Halloween Screams fireworks show. It's also used in parades at Disneyland Paris Resort and Hong Kong Disneyland during the Halloween season. The seasonal "Haunted Mansion Holiday" overlay at the original Anaheim attraction and Tokyo attraction mixes the tune with Danny Elfman's melody lines from The Nightmare Before Christmas and with Jolly Old Saint Nicholas and Jingle Bells in the graveyard. One of the most prominent instances of this is a straight orchestral statement of the "Grim grinning ghosts come out to socialize" melody line that plays at the end of the cue for the stretching room. Phantom Manor On April 12, 1992, Phantom Manor was opened at Disneyland Park Paris. Based on the original Disneyland ride but with a new backstory tied into Frontierland, Big Thunder Mountain and Thunder Mesa, Phantom Manor featured a more coherent storyline and an all-new orchestral soundtrack by composer John Debney. Phantom Manor takes a different approach to the same concept as the Haunted Mansion attractions. The intended mood is one of corrupted elegance, rather than morbid kookiness. As a result,