album was released. They rewrote the song for their 2004 album How to Dismantle an Atomic Bomb. Bassist Adam Clayton said, "There was a melody and a groove that ultimately didn't go anywhere and we kind of threw out everything, found chords that worked with that melody and built it back up, new drum parts, new bass parts, new guitars." A photographic exhibition in the Netherlands by longtime band photographer Anton Corbijn served as a thematic inspiration for the song. Lead vocalist Bono saw an image of himself boarding a helicopter, taken in 1982 during filming of the music video for "New Year's Day." A journalist asked him what he would say to his younger self if given the chance; Bono replied, "I'd tell him he's absolutely right and stop second guessing himself." He explained his comments later, saying, "I realized how much I'd lost ... that way of looking at the world. There was such a clarity to it, but it was so defiant in a way." The chorus was inspired by U2's first concert in New York City following the September 11 attacks during their 2001 Elevation Tour. When the lights illuminated the audience during a performance of "Where the Streets Have No Name," the band saw tears streaming down the faces of many fans. Upon seeing this raw release of emotion, Bono shouted, "Oh you look so beautiful tonight"; later, the band integrated the line into the chorus. The fans' passion, along with the resolve of the city following the attack, were the primary inspirations for many of the song's other lyrics. Composition and theme "City of Blinding Lights" is played in common time at a tempo of 139 beats per minute in two keys: A♭ major in the verses, and E♭ major in the chorus. The album version of the song runs for 5:47. It begins with a low note played on an electric guitar with heavy delay and distortion. The note is sustained for ten seconds as its harmonics gradually feed back. A pulsing rhythm guitar part with muted staccato chords by the Edge then begins underneath. After a further ten seconds it is joined by lower-register guitar drones played by the Edge, and a repetition of eight descending piano notes performed by the Edge and Bono. Forty-five seconds into the song, halfway through the introduction, Clayton's bass and percussion by drummer Larry Mullen Jr.