used in the decorative arts. Most imaginable virtues and virtually every Roman province was personified on coins at some point, the provinces often initially seated dejected as "CAPTA" ("taken") after its conquest, and later standing, creating images such as Britannia that were often revived in the Renaissance or later. Lucian (2nd century AD) records a detailed description of a lost painting by Apelles (4th century BC) called the Calumny of Apelles, which some Renaissance painters followed, most famously Botticelli. This included eight personifications of virtues and vices: Hope, Repentance, Perfidy, Calumny, Fraud, Rancour, Ignorance, Suspicion, as well as two other figures. Platonism, which in some manifestations proposed systems involving numbers of spirits, was naturally conducive to personification and allegory, and is an influence on the uses of it from classical times through various revivals up to the Baroque period. Literature According to Andrew Escobedo, “literary personification marshalls inanimate things, such as passions, abstract ideas, and rivers, and makes them perform actions in the landscape of the narrative.” He dates “the rise and fall of its [personification's] literary popularity” to "roughly, between the fifth and seventeenth centuries". Late antique philosophical books that made heavy use of personification and were specially influential in the Middle Ages included the Psychomachia of Prudentius (early 5th century), with an elaborate plot centred around battles between the virtues and vices, and The Consolation of Philosophy (c. 524) by Boethius, which takes the form of a dialogue between the author and "Lady Philosophy". Fortuna and the Wheel of Fortune were prominent and memorable in this, which helped to make the latter a favourite medieval trope. Both authors were Christians, and the origins in the pagan classical religions of the standard range of personifications had been left well behind. A medieval creation was the Four Daughters of God, a shortened group of virtues consisting of: Truth, Righteousness or Justice, Mercy, and Peace. There were also the seven virtues, made up of the four classical cardinal virtues of prudence, justice, temperance and courage (or fortitude), these going back to Plato's Republic, with the three theological virtues of faith, hope and charity. The seven deadly sins were their counterparts. The major works of Middle English literature had many personification characters, and often formed what are called "personification allegories" where the whole work is an allegory, largely driven by personifications. These include Piers Plowman by William Langland ( c. 1370–90), where