Jack the Ripper, the notorious serial killer who terrorized Whitechapel in 1888, features in works of fiction ranging from gothic novels published at the time of the murders to modern motion pictures, televised dramas and video games. Important influences on the depiction of the Ripper include Marie Belloc Lowndes' 1913 novel The Lodger, which has been adapted for the stage and film, and Stephen Knight's 1976 work Jack the Ripper: The Final Solution, which expanded on a conspiracy theory involving freemasons and royalty. The literature of the late Victorian era, including Arthur Conan Doyle's first Sherlock Holmes stories and Robert Louis Stevenson's Strange Case of Dr Jekyll and Mr Hyde, has provided inspiration for story-makers who have fused these fictional worlds with the Ripper. The Ripper makes appearances throughout the science fiction and horror genres and is internationally recognised as an evil character. The association of the Ripper with death and sex is particularly appealing to heavy metal and rock musicians, who have incorporated the Ripper murders into their work. Literature Works of fiction inspired by the Whitechapel murders arose immediately after the atrocities were committed. The short Gothic novel The Curse Upon Mitre Square by John Francis Brewer, which features the murder of Catherine Eddowes in Mitre Square as a key plot element, was published in October 1888. Among works by other authors, In Darkest London by Margaret Harkness, who used the pseudonym John Law, was published in 1889. Harkness depicts the Ripper as a non-Jewish slaughterman who hides among the Jews in the East End of London. Ripper stories appealed to an international audience. A "reputedly unsavoury" anthology of short stories in Swedish, Uppskäraren ("The Ripper") by Adolf Paul, was published in 1892, but it was suppressed by Russian authorities. The character of Sherlock Holmes has been used often in Jack the Ripper fiction. In 1907, Aus den Geheimakten des Welt-Detektivs No. 18 from German publisher Verlagshaus für Volksliteratur und Kunst featured "Wie Jack, der Aufschlitzer, gefasst wurde" (How Jack the Ripper Was Taken), in which Holmes captures the Ripper. In the 1930s the story was translated into Spanish in for Sherlock Holmes Memorias intimas del rey de los detectives No. 3, "El Destripador" (The Ripper), recently reprinted in a new book and translated into English for the first time. Cullen called the story "amusing Sherlock Holmes pastiche". Holmes was also used later in Michael Dibdin's The Last