would then go on to design the Cathedral of Saints Peter and Paul, which showed a complete departure to the Russian ecclesiastical architecture of the six centuries prior. Instead of the inscribed cross typology that had been in use, he designed a basilical structure with a tower, rather than the modest dome, as the main focal point. Instead of the small windows, large windows amply illuminated the interior of the cathedral, another departure from the typical Russian church prototype. Trezzini would also design the architecture of the Alexander Nevskii Monastery, in a style that was distinctly secular and more closely resembled the administrative buildings and Palaces such as the Twelve Colleges on Vasilevskii Island (also designed by Trezzini). Among his other contributions were the design of model houses to be built throughout the city, and combined the plans of the city with the architectural views that would result. Trezzini would also design the original, more modest, Winter Palace in the city for Peter which would then be engulfed into the larger Winter Palace constructed later. Many of these original Petrine palaces built in St Petersburg would either be demolished or incorporated into larger structures in the decades that followed. More examples of these palaces are found in the countryside around St Petersburg, and include the Summer Palace (1711–1714, designed by Trezzini), Menshikov Palace (1710-1720s, designed by Giovanni Mario Fontana and Gottfried Johann Shädel). These country palaces also serve as more untouched examples of this early Petrine palace architecture. Another significant architect was the French architect Jean-Baptiste Alexandre Le Blond, who had been a student of the landscape architect André Le Nôtre (landscape architect of the Palace gardens of Versailles) and in June 1716 Peter hired him as "General-architect" of Saint Petersburg. He would design the original main palace, Peterhof, which would then be expanded by later architects and rulers. One main difference with Petrine Baroque that departed from previous Russian architectural construction was that there was also large scale secular development, not just ecclesiastical construction. This reflected Peter the Great's ideals, and the development of his new capital city. Large projects for the military, civil administration, and palace architecture was undertook, and the same imported architects were central figures in their construction. Late Baroque After Peter the Great's death and the ascension of Empress Anna to the throne, baroque construction in Saint Petersburg continued, this time under the employ of