by Edgar Lustgarten The Screaming Mimi (1949) by Fredric Brown Terror Over London (1957) by Gardner Fox Ritual in the Dark (1960) and The Killer (1970) by Colin Wilson Sagittarius (1962) by Ray Russell A Feast Unknown (1969) by Philip José Farmer A Kind of Madness (1972) by Anthony Boucher Nine Bucks Row (1973) by T. E. Huff The Michaelmas Girls (1975) by John Brooks Barry Jack's Little Friend (1975) by Ramsey Campbell By Flower and Dean Street (1976) by Patrice Chaplin The Private Life of Jack the Ripper (1980) by Richard Gordon Hasfelmetsző Jack (1981) by Gyula Hernádi White Chappell, Scarlet Tracings (1987) by Iain Sinclair The Women of Whitechapel and Jack the Ripper (1991) by Paul West Beasts in Velvet (1991) by Jack Yeovil Anno Dracula (1992) by Kim Newman A Night in the Lonesome October (1993) by Roger Zelazny Ladykiller (1993) by Martina Cole Savage (1993) by Richard Laymon The Pit (1993) by Neil Penswick Dan Leno and the Limehouse Golem (1994) by Peter Ackroyd Pentecost Alley (1996) by Anne Perry Matrix (1998) by Mike Tucker and Robert Perry The Name of the Star (2011) by Maureen Johnson Stalking Jack the Ripper (2016) by Kerri Maniscalco The Cutthroat (2017) by Clive Cussler and Justin Scott The Hypno-Ripper: Or, Jack the Hypnotically Controlled Ripper; Containing Two Victorian Era Tales Dealing with Jack the Ripper and Hypnotism (2021) by Donald K. Hartman Theatre, opera and music theatre The Ripper features at the end of Frank Wedekind's morality play Die Büchse der Pandora (1904), in which the Ripper murders Lulu, the central character. Lulu is the personification of sinful Lust who meets her comeuppance when she unwittingly flirts with the Ripper. In the original stage production, Wedekind played the part of the Ripper. The play was later adapted into the film Pandora's Box (1928, directed by Georg Wilhelm Pabst), and the opera Lulu (by Alban Berg), both of which also end with the murder of Lulu by the Ripper. It was also made into three films in 1923, 1962 and 1980 respectively, and a play Lulu by Peter Barnes premièred in 1970. André de Lorde's Jack l'Eventreur was part of the Grand Guignol's output in Paris. Marie Belloc Lowndes' novel and short story The Lodger was adapted for the stage as The Lodger: Who Is He? by Horace Annesley Vachell. In 1917, Lionel Atwill's first role in Broadway theatre was