in Dread and Promise. The soundtrack was reworked and released as Atomic on 1 April 2016, through Rock Action Records. The band carried out an extensive live tour of Europe and Japan performing the soundtrack against a backdrop of the screening of the film, beginning in Austria on 1 May 2016. They then announced a North American tour of the album for January 2017. The band also co-wrote the score to Fisher Stevens' 2016 documentary film about climate change Before the Flood. The score was performed and written by Mogwai, Trent Reznor, Atticus Ross, and Gustavo Santaolalla. In 2016 Braithwaite took part in a documentary about Glasgow music, and Chemikal Underground Records, called Lost in France. The film was directed by Niall McCann and brought Braithwaite (along with members of The Delgados, Franz Ferdinand and others) to Mauron, Brittany, to recreate a gig they played just after Mogwai had formed. The film features Mogwai live, as well as footage of Braithwaite playing Mogwai tracks solo and interviews with Braithwaite and his old label-mates such as Alex Kapranos (Franz Ferdinand), Emma Pollock (The Delgados) and Stewart Henderson (The Delgados). It premiered at the Edinburgh International Film Festival to positive reviews and was called "Funny, vital and sobering" by Scotland's arts magazine The Skinny. In August 2018 Mogwai released the soundtrack for the movie Kin, and in May 2020 the soundtrack for the 2020 Sky Italia & Amazon Prime series ZeroZeroZero. As an extra Mogwai released in 2014 their own whisky brand, a year later they even tried out a (limited edition) spirits brand of rum. In July 2022 Mogwai released the soundtrack for the Apple TV+ series Black Bird. Musical style The band's influences include Fugazi, MC5, My Bloody Valentine, Sonic Youth, Pixies, The Cure and post-rock pioneers Slint, and Braithwaite also listed guitarist John McGeoch as an inspiration. Mogwai's style has easily identifiable connections to genres such as shoegaze, math rock, and art rock. Debut album Mogwai Young Team was described as "stunningly dynamic...[shifting] seamlessly from tranquil, bleakly beautiful soundscapes to brain scrambling white noise and sledgehammer riffing". Douglas Wolk, writing for SPIN in 1999 said of the band: "Their compositions have gotten increasingly drawn-out and austere over time, sometimes barely more than a single arpeggiated chord or two evolving for ten minutes or more, whisperingly brutal in a way that recalls Slint more than any other band". Barry Burns