Two-Way Mirror Triangle, One Side Perforated Steel (2000), Museum of Contemporary Art, Tokyo, Japan; Two Different Anamorphic Surfaces (2000), Wanås Castle, Sweden; Walkway for Hypo-Bank (1999), Bayerische Hypotheken und Wechselbank AG, Munich, Germany; Star of David Pavilion (1999), Tel Aviv Museum of Art; Elliptical Pavilion (1995/1999), Vattenfall Europe, Michaelkirchstrasse, Berlin; Café Bravo (1998), Kunst-Werke Institute for Contemporary Art, Berlin; Two-Way Mirror Curved and Straight and Open Shōji Screen Triangle (1998), Museum Ludwig, Cologne; Argonne Pavilion II (1998), Argonne National Laboratory, Argonne, Illinois; Triangular Solid With Circular Insert (1997), Chiba City Museum of Art, Hikari, Areba; Two Two-Way Mirrored Parallelograms Joined with One Side Balanced Spiral Welded Mesh (1996), National Galleries of Scotland, Edinburgh; Two-Way Mirror Curved Hedge Zig-Zag Labyrinth (1996), Middlebury College, Middlebury; Two-Way Mirror Triangle with One Curved Side (1996), Vågan, Norway; Two-Way Mirror and Punched Aluminum Solid Triangle (1996), originally created for the garden of the Royal Shooting Club in Copenhagen, now at the Arken Museum of Modern Art; Parabolic Triangular Pavillon I (1996), Nordhorn; Two-Way Mirror Punched Steel Hedge Labyrinth (1994–1996), Walker Art Center, Minneapolis; Star of David Pavillon for Schloss Buchberg (1991–1996), Gars am Kamp; Double Exposure (1995/2003), initially proposed for a 1995 exhibition in Germany, later installed at Serralves Foundation, Porto; Cylinder Bisected by Plane (1995), Benesse House Museum, Naoshima; Double Cylinder (The Kiss) (1994), San Francisco Museum of Modern Art; New Labyrinth for Nantes (1992–1994), Place Commandant Jean l'Herminier, Nantes; Triangular Bridge Over Water (1990), Laumeier Sculpture Park, St. Louis; Star of David Pavillon/Triangular Pavilion with Triangular Roof Rotated 45° for Hamburg (1989/99), Hamburg; Triangular Solid with Circular Inserts, Variation D (1989), Carnegie Museum of Art, Pittsburgh; Triangular Solid with Circular Inserts (1989), Peggy Guggenheim Collection, Venice; Triangular Pavilion with Circular Cut-Out (1989–2000), various places; Skateboard Pavilion (1989), various places; Octagon for Münster (1987), Münster, Germany; Two-Way Mirror Pergola Bridge I, Fonds Régional d’Art Contemporain des Pays de la Loire, Clisson, France; Pavilion Sculpture II (1984), Moderna Museet, Stockholm, Sweden; Rooftop Urban Park Project (1981/91-2004) for Dia:Chelsea, New York; Two Adjacent Pavilions (1981), Rijksmuseum Kröller-Müller, Otterlo, Netherlands; Pavilion / Sculpture for Argonne (1978–81), Argonne National Laboratory, Argonne, Illinois; Gate of Hope (1993), Leibfriedscher Garten, Stuttgart, Germany. Writings Graham produced a notable body of writing. He worked as an art critic, writing revealing articles about fellow artists, art, architecture, video, and rock music. His writings and works are collected in several catalogues and books as