Thirteen half-hour episodes were produced, each containing two eleven-minute segments. As with the pilot, the focus was on the six core members of the gang, with the other six members making very sporadic appearances. Out of those six, only Braker Turtle had a regular speaking role. Rebroadcast From September 1986 until August 1987, all thirteen DIC-produced episodes were rerun as part of a short-lived syndicated cartoon package called Kideo TV. Other merchandise The brief series spawned a large range of merchandise and spin-off projects including stuffed toys and action figures made by Tomy, and a series of storybooks published by Scholastic Press. The Tomy action figure line and Scholastic Press books actually lasted longer than the cartoon series itself. The characters were also adapted into comic books. In America, their series, which ran for six bi-monthly issues in 1985 and 1986, was published by Marvel Comics' Star Comics imprint. In the United Kingdom, Marvel UK published a weekly Get Along Gang comic, which ran for 93 issues from April 1985 until January 1987. Reception and criticism In 1986, Ralph Novak of People Weekly observed that Nelvana's pilot special "is enlivened by the music of John Sebastian and some relatively sophisticated (for television) animation. Cartoon violence is only the most innocuous sort." The series was the product of an era in the 1980s when television watchgroups held great influence over children's programming, demanding that shows intended for young viewers emphasize positive values rather than violence or conflict. Consequently, critics of the series accused it of "enforcing" the importance of group harmony over individualism. In an August 8, 1997 article written by television/cartoon writer Mark Evanier for his website, POVonline, in which he recalled writing for the Dungeons & Dragons cartoon series, which premiered one year before The Get Along Gang (and aired alongside it on the CBS lineup), Evanier noted: {{blockquote|[Television watchgroups] all seek to make kidvid more enriching and redeeming, at least by their definitions, and at the time, they had enough clout to cause the networks to yield. Consultants were brought in and we, the folks who were writing cartoons, were ordered to include certain "pro-social" morals in our shows. At the time, the dominant "pro-social" moral was as follows: The group is always right...the complainer is always wrong. This was the message of far too many eighties' cartoon shows. If all your friends want to go get pizza