body modeled in 3D. It is a manifesto insisting both on the "flayed" nature of artists and on his responsibility concerning this notion of freedom to be constantly defended. Robes sans corps, Sculptures de plis, 2010: sculptures of drapery without body, in gold leaf resin or platinum Le Slow de l'artiste, 2021 Emblematic works Among the most emblematic works of her career we can mention : Orlan accouche d'elle-m'aime, 1964: in this black and with photography, ORLAN gives birth to a character like an inert and androgynous body, neither man nor woman. This work symbolizes the artist's desire to give birth to herself, to invent a new identity. This series is part of the Corps-sculptures. It is created a few months after an abortion of the artist. MesuRages (1974-2011): the name chosen for this series of actions insists on the word "Rage" since the artist refuses to play the role that one wants to impose on her. Using the "Orlan-body", a new unit of measurement, the artist will measure St. Peter's Square in Rome, Chateaubriand Street in Nice, the Georges Pompidou Center in Paris, the St. Peter's Museum in Lyon, the Andy Warhol Museum in Pittsburgh, the Museum of Contemporary Art in Antwerp and the Guggenheim Museum in New-York. On the Place Saint-Lambert in Liège, ORLAN's "MesuRage" takes on a political character, since the artist was invited by an association campaigning for the defense of this square, which is threatened by an urban planning operation. Le Baiser de l'artiste: a 1977 performance at the Grand Palais, where the International Contemporary Art Fair was taking place. Seated behind life-size photography of her naked bust, treated like an ATM, ORLAN calls out to the public: "Come closer, come to my pedestal, that of the myths: the mother, the whore, the artist" . On a black platform, she monetizes her kisses, while to her right another photographic silhouette pasted on wood shows her as a Virgin to whom one can, for the same price, offer a candle. This action caused a great scandal and was highly publicized. This work was exhibited in 2008 in the exhibition WACK! Art and the Feminist Revolution at the National Museum of Women in the Arts in Washington D.C, the Vancouver Art Gallery, MOCA Gefen in Los Angeles, and the P.S 1 Contemporary Art Center in New York. Le Drapé-le Baroque (1979-1986): this series of photographs constitutes a