Glenn Robertson Yarbrough (January 12, 1930 – August 11, 2016) was an American folk singer and guitarist. He was the lead singer (tenor) with the Limeliters from 1959 to 1963 and also had a prolific solo career. Yarbrough had a restlessness and dissatisfaction with the music industry which led him to question his priorities, later focusing on sailing and the setting up of a school for orphans. Early life Glenn Yarbrough was born in Milwaukee on 12 January 1930, later moving to New York where his parents were practicing social workers. However, because there were few jobs available during the Great Depression, his father traveled around the country from one job to another, and Yarbrough lived with his mother in New York City helping to support her as a paid boy soprano in the Choir of Men and Boys at Grace Church in Manhattan. He was offered a scholarship at St. Paul's School, located at Brooklandville, Maryland, graduating in 1948. After a year travelling around the US, Canada and Mexico, he enrolled in college at St. John's College in Annapolis, Maryland, where his roommate was Jac Holzman, later the founder of Elektra Records. Yarbrough said that initially Holzman had wanted to call the label Elektra-Stratford Records, but "I suggested Elektra Records because it was a little shorter, and that's what we went with: Elektra Records." When Woody Guthrie performed an impromptu performance for the roommates, Yarbrough became interested in folk music and learned the guitar. Holzman would later record Here We Go Baby, (also known as Songs by Glenn Yarbrough) an early solo album by Yarbrough in 1957. Greg Adams noted that the album was "ahead of the game in terms of combining pop and folk music" and while not a success commercially [was] "an entertaining and fascinating artifact from the pre-dawn of the folk boom." The album was also described in the liner notes as a departure from the more traditional folk music on the Elektra label, and a "showcase to highlight and display [Yarbrough's] virtuosity...undertaken for the sake of an unusual talent." Yarbrough was approached by Fred Hellerman and asked if Pete Seeger could play the banjo on some tracks and this put Yarbrough in touch with the politics of the McCarthyism era of blacklists of musicians. Yarbrough felt at the time that having Seeger on the record was a risk and expressed disappointment with his attitude and