She's So Lovely is a 1997 American romantic drama film directed by Nick Cassavetes, written by John Cassavetes. At the time of its release, it received special attention because, eight years after his death, it was the first (and still only) posthumous film to feature previously unreleased material from John Cassavetes. The film stars Sean Penn and John Travolta as the respective men who bid for the affection of Maureen Murphy Quinn (Robin Wright). Harry Dean Stanton co-stars as a friend of Penn's character, and James Gandolfini plays the abusive neighbor. Plot Eddie Quinn's unruly wife Maureen drinks and smokes to excess, even though she is pregnant. Eddie has troubles of his own, disappearing for days at a time. When she is physically and sexually assaulted by Kiefer, a neighbor, it is more than Eddie can handle. He shoots someone and lands in a psychiatric hospital. Ten years go by. Eddie finally returns, only to find Maureen is now a clean, sober, solid citizen, married to a new man, Joey, and a mother of three children, one of whom is Eddie's own daughter. Eddie's return complicates and endangers all of their lives. Cast Sean Penn as Eddie Quinn Robin Wright as Maureen Murphy Quinn John Travolta as Joey Giamonti James Gandolfini as Kiefer Harry Dean Stanton as Tony "Shorty" Russo Neill Barry as Michael Debi Mazar as Georgie Gena Rowlands as Miss Jane Green Susan Traylor as Lucinda Bobby Cooper as Cooper John Marshall Jones as Leonard Chloe Webb as Nancy Swearingen James Soravilla as Avi Jamie Bozian as Intern #1 (as James Bozian) Paul Johansson as Intern #2 Justina Machado as Carmen Rodriguez as Lady Ticket Taker Tito Larriva as Lead Singer Reception Critical response On Rotten Tomatoes the film has an approval rating of 66% based on 41 reviews. Roger Ebert of the Chicago Sun-Times gave it 3 out of 4 stars and wrote: "What [Nick Cassavetes] understands is that if you want to see true weirdness, you don't look along skid row, where the motives are pretty easy to understand, but out in suburbia, where those green lawns can surround human time bombs." Writing in Time Out New York, Andrew Johnston remarked: "Watching the films of John Cassavetes now, one is struck by how complex and human his characters are, compared with those in even the most sophisticated of today's independent films. This effect is even more