between these two colours, amongst blood stains and pills. Shultz said the packaging was as "cohesive, riveting, and picturesque as the story is alone". Between September and November 2005, the band toured the US as part of the Nintendo Fusion Tour, which was headlined by Fall Out Boy. Prior to this, the band played two in-store performances on the US East Coast. Between January and March 2006, the band went on a cross-country US tour with Armor for Sleep and Chiodos, titled the Invisible Sideshow. On March 23, 2006, the Fullblast announced their breakup and said that their drummer Andy Lewis had joined Boys Night Out as a guitarist. The split had caused some controversy, with Davis needing to clarify that they "didn't steal him from the [Full]blast, and we did not break up the band". In May 2006, the band toured the US with Anterrabae, Just Surrender, and Drive By, prior to the Canadian tour with The Receiving End of Sirens, Rosesdead, and Machete Avenue. Around this time, Davis said Dupuy quit the band, which he explained that she "never toured before. It just wasn't her thing". On June 27, 2006, the band released their first video album Dude, You Need to Stop Dancing, which includes a live performance filmed in March 2006 in Toronto, Canada, music videos, and a documentary directed by Simon Bruyn and Matt Unsworth. In the following two months, the band performed at the Scene Music Festival and Wakestock, both in Canada. In September and October 2006, the band went on a Canadian tour with Moneen, and performed at the launch party for the 2006 Canadian Open. Reception Trainwreck was met with generally favourable reviews from music critics. The staff at AllMusic wrote that Lovat-Fraser was "still prone to abrupt bursts of shouting, most of his vocals are melodic and energetic, reflecting the guitar-heavy (and sometimes complex) tunes on offer". Seabaugh called it "active listening at its finest". Melodic writer Kaj Roth said it sounded "top notch, but the music is what makes this so interesting - you will find new things every time you listen to this record". Gaston felt that the band "manages to weave in some supremely catchy hooks" amongst the morbid lyricism. Shultz noted the "fluid number of tempo, pace, and dynamic changes through and through". He said compared to other acts doing concept releases, Boys Night Out were "mostly to