is mainly present in ecclesiastical architecture with a few secular examples. Naryshkin Baroque shows an evolution from previous, seemingly "Baroque" examples, which might seem Baroque in decoration, but still maintained the traditional structural form. There are several components characteristic to these newer structures, such as a focus on a balance of symmetry, carved limestone cornices, attached columns, and a more classical style. Some of these churches are tower-like, showing a return to the Russian preference for a vertical silhouette, with cubic and octagonal floors placed atop each other (the Saviour Church at Ubory, 1697); others have a ladder-like composition, with a bell tower rising above the church itself (the Intercession Church at Fili, 1695). The decoration characteristic in this style would also tend to be extreme in quantity (e.g., the Trinity Church at Lykovo, 1696). One of the most impressive of the Naryshkin Baroque structures was the multi-domed Assumption Church on the Pokrovka Street in Moscow (built 1696–99, demolished 1929). Its architect was also responsible for the "red and white" reconstruction of several Moscow monastic structures, notably the Novodevichy Convent and the Donskoy Monastery. Petrine Baroque and St. Petersburg Petrine Baroque is called thus due to Peter the Great's preference of this style. The style of Petrine Baroque reflects the preference for the more modest styles of Scandinavian and Dutch Baroque By Peter. Construction in this style is most apparent in Saint Petersburg, which was founded by Peter the Great in 1703 as the new capital. The three radiating streets of the urban plan were based on Versailles, and the city was also crossed by tree-bordered canals inspired by those in Amsterdam. To make way for this new Petrine Baroque capital, Peter forbade masonry construction in other parts of the country in 1714 to ensure a more stable supply of both materials and labour for construction in the city. Forty thousand peasants would be conscripted for the construction of the city, as well as Swedish prisoners of war. One of the main architects during the early development of the city was Domenico Trezzini, an Italian-swiss architect that worked closely with Peter to design the new city. Trezzini initially started by supervising the construction of the Kronshlot bastion, where he demonstrated his skill as an engineer, and was then commissioned to rebuild the fortifications in Narva, and the design of the Peter-Paul fortress would remain one of his main duties. Trezzini