Mountain following a five-city tour in celebration of Orange'''s release. The album isn't a "true live" album however, as much of the content presented was remixed by ZAK in studio to improve sound quality and add interesting sounds to create a unique home listening experience. The recordings included on the album originated from a total of 11 different concerts. It was the spring after the release of Oh! Mountain that Fishmans signed with Polydor Records. Polydor had supplied the group with their own recording studio, Waikiki Beach, where they began recording new material in August. That September, a celebratory live concert titled Let's Polydor was held to encourage the move away from Media Remoras. Unfortunately, Hakase-Sun was to leave the group immediately following this concert, and the resulting trio would work with a series of guest musicians on their next records, primarily Honzi (keyboards, violin, accordion and vocals) of A Decade-In Fake (later Honzi's World) and Shinya Kogure (guitar) of Hicksville. The further solidification of ZAK on sound mixing rounded out this second phase of the band, which further evolved its sound to incorporate space rock, ambient and psychedelic elements. Song length and scope continued to grow as well, as these new tendencies blended with their dub foundation. Following this significant lineup change, Fishmans released what is possibly the band's most recognizable single, "" on November 25. The song was a sudden yet welcome shift towards dream pop, serving as an introduction to what would become their next studio album. On February 1, 1996, Fishmans would release their fifth studio album , which readily flaunted a more stripped-down, tight production quality. Producer ZAK and writer Sato would often work together on the record to create songs that were more stripped down to their most basic elements, instead of flooding them with lush backgrounds, which contributed to a simpler, cleaner and more crisp output. This, along with the group's much more mature dream pop sensibilities helped to cement the group as a serious, legitimate rock act in the wider world stage. This would become a consistent style of Fishmans' music for the remainder of their career, further separating them from their earlier days of simple reggae music. The album was also printed on limited edition colored vinyl, making this the first of Fishmans' albums to be printed on vinyl records. In celebration of a successful album release, the group embarked on