Diana (stylized on the cover as diana) is the eleventh studio album by American R&B singer Diana Ross, released on May 22, 1980, by Motown Records. The album is the best-selling studio album of Ross's career, spawning three international hit singles, including the number-one hit "Upside Down". In 2020, Rolling Stone named Diana the 394th greatest album of all time. Conception Following the US success of her 1979 album The Boss, Ross wanted a fresher, more modern sound. Having heard Nile Rodgers of Chic's work in the famous Manhattan disco club Studio 54, Ross approached him about creating a new album of material for her that stated where she felt she was in her life and career at the period. On an episode of TV One's Unsung, Nile Rodgers said that the majority of the songs were crafted after direct conversations with Ross. She had reportedly said to Rodgers and Bernard Edwards that she wanted to turn her career “upside down” and wanted to “have fun again.” As a result, Rodgers and Edwards wrote the songs "Upside Down" and "Have Fun (Again)". After running into several drag queens in a club dressed as Ross, Rodgers wrote "I'm Coming Out". Only "My Old Piano" came from their normal songwriting processes. Initially, Ross was not pleased with the album's results. Following a preview of the record to be released in the aftermath of the anti-disco backlash, Frankie Crocker, an influential New York City disc jockey, warned Ross that releasing the album in its original state would even lead to the end of her career. Ross remixed the entire album, assisted by Motown engineer Russ Terrana, removing extended instrumental passages and speeding up the tracks' tempos. Ross also re-recorded all her lead vocals, and they were mixed so that they were front and center and not overshadowed by the music. The remixing of the master tapes was performed without the knowledge or approval of Rodgers and Edwards. When they were presented with the "official" version of diana, the producers publicly objected and, at one point, even considered removing their names from the album's list of credits. Motown and Ross persisted, and the version released was Terrana's more commercial mix of the album. Rodgers and Edwards were contracted by Motown to produce a follow-up album, but, as Ross left the label, it was never created. Rodgers and Edwards sued Motown, unsuccessfully claiming that they