producer. She exhibited all of this work at the Cannes Film Festival in 2002 at the Hôtel Martinez. Self-hybridizations(1998-2002): digital images featuring the artist in physical metamorphoses (virtual this time) questioning the canons of beauty of other civilizations (Amerindian, pre-Columbian and African). Using computer processes, ORLAN transforms her image in a way that brings her closer to pre-Columbian (such as the deformation of the Mayan skull), African, Egyptian, Amerindian, and Merovingian cultural traditions. This work is in the continuity of her previous works where she denounced the social pressures that our society inflicts on the body and appearance. Here she stages the absurdity of these criteria, which are opposed according to the time or the civilization in which one lives. The image of the ideal body becomes completely abstract and ironic. Le Manteau d'Arlequin: it is an installation mixing art and biotechnologies, created with living cells of ORLAN, cells of different origins, and even animal cells. This work is inspired by Michel Serres' text, Laïcité, placed as a preface to his book Le Tiers Instruit. Michel Serres uses the figure of the Harlequin as a metaphor for crossing, accepting the other, conjunction, intersection. Le Manteau d'Arlequin develops and continues to explore the idea of crossing using the more carnal medium of skin. It also questions the relationship between biotechnology and artistic culture. This installation has been presented in Perth, Liverpool, Luxembourg. Her ultimate work would be to place her mummified body in a museum, but it seems that the artist has not yet found a public collection to display this work. ORLAN's works can be found in the collections of various museums, including the Musée National d'Art Moderne, Maison européenne de la photographie, Fonds nation d'art contemporain, the Los Angeles County Museum of Art, the Getty Center, the National Museum of Art, Osaka, the Museum of Modern Art, as well as various private collections, including the François Pinault Collection. Bibliography Monographs 2019 Yann Toma (dir.), ORLAN, "Les femmes qui pleurent sont en colère", par femme avec tête(s), Paris, Sorbonne Artgallery, éditions Jannink Ceysson B., Chauvel-Lévy L., Hill E., ORLAN avant ORLAN, Ceysson éditions d'Art 2018 Devilliers Laurence, Kyrou Ariel, ORLAN, Martin V., ORLAN-oïde robot hybride avec intelligence artificielle et collective, Éditions Lienart 2017 Neutres J., Rice S., Franck T., Monterosso J.-L., ORLAN EN CAPITALES, Éditions SKIRA Acquaviva F., ORLAN Exogène, Éditions AcquAvivA 2016 Park Moon Soon, Soukyoun L., Jinsang Y.,