- a bit that sprung from Martin's own issues with MENSA." The Albuquerque Journal describes the MindHead organization "a rather thinly veiled but nevertheless amusing blast at Scientology," and the Fort Worth Star-Telegram characterizes it as an "organization that comes across as a thinly veiled send-up of Scientology." Some critics perceived the 2000 film Bless the Child to be mocking Scientology because the fictionalized cult "The New Dawn" in the film mimicked Scientology's symbols and rhetoric. The following year in 2001, a film titled The Profit parodied Scientology and L. Ron Hubbard. Paul Thomas Anderson's 2012 film The Master features a religious organization called "The Cause" that has many similarities to Scientology. Also, the character of Lancaster Dodd, played by Philip Seymour Hoffman shares a physical resemblance to Scientology founder L. Ron Hubbard. Two other films that feature new religious movements similar to Scientology are Schizopolis, and The L.A. Complex. Music Frank Zappa's 1979 concept album/rock opera Joe's Garage lampoons Scientology in the song "A Token of My Extreme". Zappa uses terminology such as "L. Ron Hoover" and "Appliantology", telling the main character "Joe" that he "must go into the closet" to pursue his latent appliance fetishism. Gary Numan had popular songs laced with Scientology references in the 1980s such as "Me! I Disconnect from You", "Praying to the Aliens", and "Only a Downstat", influenced directly by William S. Burroughs' Scientology-based writings. The progressive metal band Tool has voiced criticism of Scientology. After releasing their first full-length album Undertow in 1993, the band began touring to promote their new work. In May 1993, Tool was scheduled to play the Garden Pavilion in Hollywood but learned at the last minute that the Garden Pavilion belonged to the Church of Scientology, which the band felt clashed with "the band's ethics about how a person should not follow a belief system that constricts their development as a human being". The band's vocalist Maynard James Keenan recalled that he "spent most of the show baa-ing like a sheep at the audience". Scott Schalin reported in Bay Area Music: "Between songs, Keenan, staring first at the lush grounds paid for by devoted L. Ron followers and then into the eyes of his own audience, bayed into the mic like a sheep looking for his shepherd's gate. "Baaaaa! Baaaaa!" the singer bleated." The lyrics to the Tool song "Ænema" contain the phrase: "Fuck L. Ron Hubbard,