bonus tracks, was released by Rhino as part of the box set The Golden Road (1965–1973) in 2001, and as a separate album in 2003. Album outtake "Alice D. Millionaire" was inspired by an autumn 1966 newspaper headline "LSD Millionaire", about the Dead's sound engineer and benefactor Owsley Stanley. The album was reissued for Record Store Day 2011 on 180g vinyl cut from the original analog/mono masters from 1967 - the first time in over 40 years it had been released in this form. The 2013 high-definition digital, remastered release features the edited versions, as originally released, of the four tracks which were extended for the 2003 Rhino release. This edition was given a new version for the album's 50th anniversary in 2017, including a second CD featuring live material from a pair of July 1966 concerts in the Garden Auditorium, Vancouver, Canada. The second CD was released on vinyl as a stand-alone double LP on Record Store Day 2017. Album cover On the originally prepared artwork, the writing for the top of the album cover read "In the land of the dark, the ship of the sun is drawn by the Grateful Dead", a passage taken from the Egyptian Book of the Dead. As the book had become more widely read, some had mistakenly assumed that the band had taken their name from the quote: "We now return our souls to the creator, as we stand on the edge of eternal darkness. Let our chant fill the void in order that others may know. In the land of the night, the ship of the sun is drawn by the grateful dead." They hadn't, and because Garcia worried that it seemed "pretentious", and the band were uneasy about being seen as beholden to any specific philosophy or doctrine, they asked the artist, Stanley Mouse, to stylize the script so that all but the band name were illegible. The central image depicts a 12th-century Chola sculpture of Yoga-Narasimha, an avatar of Vishnu. The sculpture is currently housed at the Nelson-Atkins Museum of Art. Critical reception Reviewing in 1967 for The Village Voice, Richard Goldstein called the album "straight, decent rhythm and blues" and "a perfect illustration" of "a GOOD ALBUM, like those long lasting cold remedies … filled with tiny time capsules which burst open at their own speed. Cuts that astound at first fade as subtle ballads emerge. Great blasts