"Yankee Doodle". One example in popular culture that illustrates this cliché is at the end of the Bugs Bunny cartoon, A Wild Hare, in which the bunny marches into the sunset playing the tune on a fife (in reality, a carrot) and affecting a stiff leg as with the fifer in the painting. Bugs later plays it at the end of Bunker Hill Bunny, accompanied by Yosemite Sam. The title of Chapter 30 of William Thackeray’s Vanity Fair (published in serial form in 1847-1848) is “‘The Girl I Left Behind Me’”. Within the chapter is a further reference to the song: “Jack or Donald marches away to glory with his knapsack on his shoulder, stepping out briskly to the tune of ‘The Girl I left behind me’." The title of Eastman Johnson's painting, made shortly after the American Civil War, was drawn from this ballad. In the 1980 movie The Long Riders, set several years after the American Civil War, Keith Carradine sings a variant of the song which Oscar Brand has recorded under the title "The Wayward Boy", beginning: "I walk the street with a tap to my feet. I heard a voice above me." Ewan MacColl's song "Ivor" uses the tune to wryly mock the supposedly favourable treatment given to Ivor Novello in prison during World War II. The tune appears in the Popeye cartoon Popeye the Sailor Meets Sindbad the Sailor. Popeye mumbles to it under his breath as he marches toward his final confrontation with Sindbad. An uptempo version of the tune recorded by Pete Rugolo and His Orchestra served as the opening and closing theme of the 1961–1962 CBS situation comedy Ichabod and Me. "The Frogs and the Lobsters", an episode of the Hornblower television series, features the tune being played by a band of the Royal Marines, along with the first few bars of "Rule Britannia". Chapter 3 of Hornblower in the West Indies opens with the first few lines of the lyrics. The song appears several times in the TV movie Sharpe's Company. Emphasizing its popularity with British soldiers during the Napoleonic wars it features prominently in the 1970 movie Waterloo. In particular, it is played during the advance of a British division under the command of Sir Thomas Picton and when the Duke of Wellington orders a general advance at the end of the battle. In a 1960s Beverly Hillbillies episode, the