as a 12-inch single instead, making the No.1 spot as well. It also contained the remixed b-side Babylon and sold 354,000 overall. She then released "Sand Beige (Sabaku e)" which sold 461,000 copies and debuted at number 1. Her next single, "Solitude" also debuted at number 1 and sold 336,000 copies. She also released two albums in 1985. Firstly, Bitter and Sweet, which contained the album version of the earlier hit of "Kazari ja Nai no yo Namida wa" and "BABYLON." It sold 556,000 copies and debuted at number 1 again. Her next album, D404ME, only had a remix version of the hit single "Meu amor é..." among other new songs and sold 651,000 copies, debuting at number 1. In 1986, Nakamori's first single of that year, "Desire (Jōnetsu)" marked a more mature style of singing and song choice. It was the theme song of the Pioneer Private commercial and was awarded the Grand Prix at the 28th Japan Record Awards in 1986. She became the youngest winner of two consecutive years. It sold 516,000 copies and debuted at number 1. Her next single "Gypsy Queen" was a calmer song than "Desire (Jōnetsu)" and sold 358,000 copies, debuting at number 1. The single "Fin" followed, and sold 318,000 copies, debuting at number 1. To commemorate her first four years in the business, Nakamori released her first "BEST" album. It sold 766,000 copies and debuted at number 1. Nakamori then released Fushigi, a concept album with echoing singing and obscure musical arrangement. It was a shock for the mainly conservative Japanese public, and thus sold 464,000 copies, nearly 200,000 less than Crimson, an album composed in entirety by only women, which sold 601,000 copies. Both debuted at number 1, but Fushigi stayed at number 1 for only three weeks while Crimson topped the charts for four. 1987–1989 In 1987, she released "Tango Noir," which sold 348,000 copies and debuted at number 1. Even though sales of singles were declining, "Tango Noir" still became the second best-selling single in 1987. Her next single was "Blonde", a Japanese-language version of "The Look That Kills" from her English-language album Cross My Palm. It sold 301,000 copies and added to her No.1 singles. Her most critically acclaimed single of that year was a heartfelt ballad called "Nanpasen," an emotionally draining song that many people attributed to her rocky relationship with her then-boyfriend, Masahiko Kondō and