to England when war broke out between her country and Argentina. Also in '82 Charly García released his full-album solo debut, the acclaimed Yendo de la Cama al Living. "One could feel the winds of change" in 1983 Argentina. A cliché perhaps, but at no time more appropriately used. Everything was optimism about the future, the country, and music. Even technology cooperated with the palpable change: it was the year the compact disc was introduced. And 1984 was the year of female rock: Patricia Sosa and her heavy rock band La Torre were voted best band of the year and "Solo quiero Rock and Roll" best single, a first for a female lead rock act. Another female-fronted band, Los Twist, and their superbly catchy tunes about nothing were also doing very well, but the group suffered a blow when Fabiana Cantilo left. As the early 1980s progressed it became clear that the new generation of rockers were not like anything before: Los Violadores pioneering punk in Latin America; Virus oxygenating rock with their new-wave sound, followed by Cosméticos with a similar style; Sumo's punkish reggae-rock developing a fanatical cult following (Luca Prodan sung mostly in English, which reduced his band's radio exposure yet their fame expanded unabated); and Soda Stereo the buzz of the underground. ZAS introduced the phrase "rock en tu idioma" (rock in your language). Los Abuelos de la Nada and newcomers G.I.T. found quick success outside Argentina, a preview of things to come. By 1985, year in which Los Fabulosos Cadillacs were formed, several bands began receiving consistent airplay across Latin America. Argentine rock began "climbing" the continent up the Andes: first Chile, then Peru, Ecuador, Colombia, Venezuela. Zeta Bosio member of Soda Stereo said regarding this: "We would leave Argentina and tour in Chile, Peru, etc, and in some places they had never heard a live rock concert before... they said that such music was for another world and wouldn’t work... now it's all joy seeing how it did work and that it now has its own legs..." Argentine rock bands were the first to be signed to multinational record labels for distribution across many nations. The trickle became a flood as 1986 approached, and by the start of that year it had become a continental phenomenon, reaching Central America, Mexico, and crossing the Atlantic to Spain, even as far Italy, France, and Germany. Los Enanitos