Italian, Japanese and Spanish tracks with multiple subtitle options including English SDH and no special features. The film was released again in Australia from Shock Records via their Cinema Cult subsidiary with the only addition being a slipcover. In Germany, a "Limited Edition" Digibook was made available on May 27, 2016 and was, at the time, the most definitive Blu-ray edition to date. It contains both German and English DTS-HD Master Audio 2.0, German and English subtitles and special features including audio commentary, featurettes, storyboards and original trailer. A standard edition set was released in Germany on July 29, 2016. Several standard Blu-ray editions eventually became available in France, Italy, Spain, Japan, Denmark, Finland and Sweden throughout 2011 and 2012. On July 20, 2018, it was announced that Candyman would be released on Blu-ray in a "Collector's Edition" on November 20, 2018 in the United States via Scream Factory, a subsidiary of Shout! Factory. The set contains a newly-remastered 2K restoration from a new 4K scan as well as a number of new special features including an unrated cut, commentaries and featurettes. The following week, on July 27, 2018, Arrow Films announced a "Limited Edition" Blu-ray set in the United Kingdom which includes the same scan and special features as the Scream Factory edition. It was confirmed for this edition that the film would contain a new DTS-HD Master Audio 5.1 track for the first time. The set includes a collector's booklet, six lobby cards, a reversible poster and reversible cover artwork. It was released on October 29, 2018. Arrow issued a limited edition of Candyman on 4K Ultra HD Blu-ray in the UK on May 23, 2022. It features a new 4K restoration from the original negative, both the US R-rated version and the original UK theatrical version featuring alternate footage, two booklets, six UK lobby card reproductions and a poster. Scream Factory also issued a 4K edition in the United States and Canada on May 24. Controversy There was some controversy that the film was depicting racism and racial stereotypes. According to Rose, "I had to go and have a whole set of meetings with the NAACP because the producers were so worried and what they said to me when they'd read the script was 'Why are we even having this meeting? You know, this is just good fun.' Their argument was 'Why shouldn't a black actor be