Kentucky Colonels Following the recording sessions for the Country Boys' debut album, the band changed its name to the Kentucky Colonels in September 1962, at the suggestion of country guitarist and friend Joe Maphis. The band's album was released by Briar International under the title The New Sound of Bluegrass America in early 1963. Around this time, Clarence's flatpicking guitar style was becoming a much more prominent part of the group's music. After attending a performance by Doc Watson at the Ash Grove folk club in Los Angeles, where he also met the guitarist, Clarence began to explore the possibilities of the acoustic guitar's role in bluegrass music. At that time, the guitar was largely regarded as a rhythm instrument in bluegrass, with only a few performers, such as Doc Watson, exploring its potential for soloing. White soon began to integrate elements of Watson's playing style, including the use of open strings and syncopation, into his own flatpicking guitar technique. His breathtaking speed and virtuosity on the instrument was largely responsible for making the guitar a lead instrument within bluegrass. The Kentucky Colonels became well known on the bluegrass circuit during this period and made many live appearances throughout California and the United States. Between bookings with the Colonels, White also made a guest appearance on Eric Weissberg and Marshall Brickman's New Dimensions in Banjo & Bluegrass album, which would be re-released in 1973 as the soundtrack album to the film Deliverance (with Weissberg and Steve Mandell's version of "Dueling Banjos" added to the album's track listing). In 1964 the Colonels recruiting fiddle player Bobby Sloan into their ranks and continued to make live appearances at various clubs, concert halls and festivals. The Colonels' second album, Appalachian Swing!, was a commercial success and saw White's flatpicking permanently expand the language of bluegrass guitar. Music critic Thom Owens has remarked that White's playing on the album, "helped pioneer a new style in bluegrass; namely, he redefined the acoustic guitar as a solo instrument." Shortly after the recording of the Appalachian Swing! album, Roland and Clarence undertook some session work backing dobroist Tut Taylor on a Dobro-themed album that was released by World Pacific in late 1964 as Dobro Country. Although the brothers were employed as session musicians, the album was credited to Tut Taylor, Roland and Clarence White upon release. Although they were a successful recording act, it was becoming increasingly