regimes. The Italian film Era lui... sì! sì! (1951), for example, also had a French version which included topless actresses in the harem scene. This version was especially made for the French market, where censorship was less rigorous than in Italy. Social and official attitudes to toplessness and nudity had eased by the 1960s and the Hays Code came under repeated challenge. For example, in Mutiny on the Bounty (1962) all Tahitian girls were topless and there was a long native dance scene, though the topless female dancers' breasts were covered by leis. The historical epic film Hawaii (1966) also featured scenes of topless native girls, their breasts being strategically covered by leis. In 1968 the Hays Code was replaced by the MPAA film rating system. Women now appear topless in mainstream cinema, although usually somewhat briefly. Film critic Roger Ebert argued that there was a double standard in relation to the toplessness of "native" women. He wrote that the producers of Rapa-Nui (1994), which featured repeated scenes of bare-breasted native women, got away with ongoing toplessness because of the women's brown skin: Besides those actresses who have appeared nude or partially nude in films, it has also become increasingly common for actresses to appear topless in movies. Notable actresses who have appeared topless include Jane Fonda (Coming Home, 1978), Julie Andrews (S.O.B., 1981), Kate Winslet (Titanic, 1997), Gwyneth Paltrow (Shakespeare in Love, 1998), Reese Witherspoon (Twilight, 1998), Rene Russo (The Thomas Crown Affair, 1999), Katie Holmes (The Gift, 2000), and Halle Berry (Swordfish, 2001). In an interview in March 2007, Halle Berry said that her toplessness in Swordfish was "gratuitous" to the movie, but that she needed to do the scene to get over her fear of nudity, and that it was the best thing she did for her career. Having overcome her inhibitions, she went on to a role in Monster's Ball, which included a nude scene and which won her an Oscar for Best Actress. Some actresses prefer not to expose their breasts and use a body double. Pasties were and may still be worn by some actresses while filming an otherwise apparently topless or nude scene, which is not caught by the camera angle. Topless dancing On 12 June 1964, the San Francisco Chronicle featured a woman wearing a monokini with her exposed breasts on its first page. Two weeks later on 22 June 1964, Carol