active member of the Georgian Group. He also had an interest in the paranormal and joined the Ghost Club, which at the time was being relaunched as a dinner society dedicated to discussing paranormal occurrences and topics. Writing career Sitwell devoted himself to poetry, art criticism and controversial journalism. Together with his brother, he sponsored a controversial exhibition of works by Matisse, Utrillo, Picasso and Modigliani. The composer William Walton also greatly benefited from his largesse (though the two men afterwards fell out) and Walton's cantata Belshazzar's Feast was written to Sitwell's libretto. He published two books of poems: Argonaut and Juggernaut (1919) and At the House of Mrs Kinfoot (1921). In the mid-1920s he met David Stuart Horner (1900-1983) who was his lover and companion for most of his life. Works Sitwell's first work of fiction, Triple Fugue, was published in 1924, and visits to Italy and Germany produced Discursions on Travel, Art and Life (1925). His first novel, Before the Bombardment (1926), set in an out-of-season hotel, was well reviewed – Ralph Straus writing for Bystander magazine called it 'a nearly flawless piece of satirical writing', and Beverley Nichols praised 'the richness of its beauty and wit'. His subsequent novel The Man Who Lost Himself (1929) was an altogether different affair and did not receive the same critical acclaim. However, for Osbert Sitwell it was an attempt to take further the techniques that he had experimented with in his début, and he ventured to explain this in one challenging sentence in his Preface when he said: "Convinced that movement is not in itself enough, that no particular action or sequence of actions is in itself of sufficient concern to dare lay claim to the intelligent attention of the reader, that adventures of the mind and soul are more interesting, because more mysterious, than those of the body, and yet that, on the other hand, the essence does not reside to any much greater degree in the tangle of reason, unreason, and previous history, in which each action, event and thought is founded, but is to be discovered, rather, in that balance, so difficult to achieve, which lies between them, he has attempted to write a book which might best be described as a Novel of Reasoned Action". Re-edited over three quarters of a century after its initial publication, The Man Who Lost Himself has found new popularity as