the Hot 100 chart (No. 121) or in England. However, Peniston herself seemed to be not worried about losing her audience, when interviewed at the time of I'm Movin' On release by Billboard: "When you're first coming out as an artist, many times label executives have their own vision for you. But as you move forward, it's only fair that you begin determining your own direction. People will make the change with you as long as you’re honest about your craft and display a comfort for what it is that you’re doing," two years later Peniston actually confirmed her doubts, after being questioned by the magazine: "I can speak about this firsthand, believe me. Sometimes doing what you feel isn’t always accepted by the public. You’ve got to choose where you want to go and be consistent," (said by the artist at the 5th annual Billboard Dance Music Summit that urged members of the dance music community to work together toward greater credibility, visibility and sales for the genre, held July 8–10 in 1998). After only two singles released from her R&B set, A&M did not decide to select a song that would cater to another music format, and capitulated to progress with I'm Movin' On album that Peniston promoted also during Bill Clinton's election campaign, on which she performed several track from the set. Clinton commented on her performance on November 4, 1996 in Sioux Falls, South Dakota, mentioning: "I want to thank CeCe Peniston for singing so beautifully." Following her dismissal, Peniston took playing as Glinda the Good Witch in a theatrical production of musical play The Wiz. The staged concert was opened at Oakland's Paramount Theatre for a five-day run on June 11, 1997, and besides herself, Grace Jones and Peabo Bryson appeared to act. In September, A&M re-released the single "Finally" that re-entered the UK Top 75 (No. 26), and also her debut album on CD enhanced with the new remix, Finally (Classic Funk Radio Mix), both re-issued only in the overseas. In February 1998, a David Morales remix of "Somebody Else's Guy", originally popularized by Jocelyn Brown and recorded for the album I'm Movin' On, became a hit in Europe, where it reached No. 13 in the UK Top 75 (as her last entry to date in England), as well as in April No. 26 in Japan, after being picked to promote Peniston's import greatest-hits