the exact beats of the bars, resulting in a slick but sequenced feel. For making Songs of Faith and Devotion, the band wanted the sound to be looser and less programmed. Tracks such as "I Feel You" included drums performed live by Wilder which were then sampled and sequenced to form drum loops using Cubase, in a different structure to how they were originally performed, keeping all the dynamics and inherent mistakes of a human performance. Embellishments like reversed cymbals were added later at the behest of Wilder, who often suggested such experimentation. Further techniques used in recording included the reversed piano on the outro to the track "Mercy in You". The introduction of the track "Judas" has uilleann pipes recorded with reversed reverberation mixed into the sound, to achieve a haunting, atmospheric feel. "Walking in My Shoes" included a piano part which was processed through a guitar processor to add distortion. A harpsichord sample was then played and recorded over the top, giving a unique, layered sound to the riff. Early demos for "Condemnation" included all four band members performing in the same space—Andy Fletcher bashing a flight case with a pole, producer Flood and Dave Gahan clapping, Alan Wilder playing a drum and Martin Gore playing an organ. The sound produced was very embryonic; however, it gave the band a direction as to how the track should sound. Guitars were processed through devices such as Leslie tone cabinets, originally designed for organs, to achieve different sounds. Recording Following the success of Violator and the subsequent tour, the band had taken a long break from each other. Upon returning, they found it difficult to collaborate, with several factors contributing to the more difficult atmosphere that the band experienced recording the album. The band living and working together in the same house meant that they rarely got breaks from each other as opposed to previous albums whereby the band would go to work in a studio, and then return to their respective homes or hotels at the end of each day. Fletcher described the band living together as "claustrophobic", and the lack of a break from each other as a factor in contributing to the stress. Gore felt pressured to write tracks that could live up to the success of the previous album, Violator, despite encouragement from Fletcher that he wrote better under pressure. Gahan had moved to Los Angeles