"It's My Life" after rehearsing the song with producer Nellee Hooper, referring to it as a "feel-good" song. Stefani stated: "It's My Life" later became one of the band's biggest hits, being certified platinum by the Australian Recording Industry Association (ARIA) and gold by the Recording Industry Association of America (RIAA). The song was nominated for Best Pop Performance by a Duo or Group with Vocals at the 47th Grammy Awards, but lost out to Los Lonely Boys' "Heaven". Stuart Price (also known as Jacques Lu Cont), the song's programmer, created the Thin White Duke mix of "It's My Life", which won the award for Best Remixed Recording, Non-Classical. Critical reception The Singles 1992–2003 received generally positive reviews from music critics. Mike McGuirk of Rhapsody described the album as "a real joy for anyone who has a taste for Gwen Stefani's yearning vocals and her band's uncanny ability to mix ska, teen pop and hip-hop." Stephen Thomas Erlewine of AllMusic called the album a "stellar collection", concluding that it is "the kind of compilation that satisfies fans of all stripes and converts skeptics. It's the greatest-hits package that [No Doubt] deserve[s]." Anthony Thornton of NME stated, "Despite being an album packed with as much drama as the band themselves have suffered, it'll be the pop anthems you come back for and fortunately there's enough here to keep even the soap addicts happy." Sara McDonnell of musicOMH wrote that the album's music had "sheer diversity" due to the band's "pick 'n mix approach to musical styles". The high points were "Gwen Stefani's lyrics, which deal principally with coming to terms with her own femininity" and "the band's collaborations with various hip producers", such as The Neptunes, Nellee Hooper and Sly and Robbie; and the low points were the album's "hotch-potch feel", "random tracklisting" and the "forays into reggae". Ruth Mitchell of the BBC Music viewed the album as a typical Christmas album that was "unlikely to stand out from the crowd" and "too long, [getting] tiresome about half way through", although complimenting "Just a Girl", "Hey Baby" and "Underneath It All". However, she also expressed disappointment at the placement of "Don't Speak", "the foursome's most glorious pop moment", at the end of the album. The Rolling Stone Album Guide later gave the album four stars out of five. Commercial performance The Singles 1992–2003 debuted at number two on the Billboard 200,