Bad for Good is the only studio album by American songwriter Jim Steinman. Steinman wrote all of the songs and performed on most, although Rory Dodd contributed lead vocals on some tracks. The songs were originally intended to be recorded by Meat Loaf as a follow up to Bat Out of Hell, titled Renegade Angel. However, Meat Loaf suffered vocal problems and was unable to sing. He would record several tracks from Bad for Good for his later albums. The critical reaction to the album was mixed. Many reviews commented that Steinman's singing voice was inadequate for the songs. Despite this, the album was a major commercial success, breaking the UK Top 10. History In the midst of the success of Bat Out of Hell, management and the record company put pressure on Steinman to stop touring in order to write a follow-up, provisionally titled Renegade Angel. Steinman joined Meat Loaf and his band for a live performance in Toronto, Ontario, Canada in 1978 with the intention of going through the songs for the new album after the show. However, someone broke into their dressing rooms during the show and stole several possessions, including the new lyric book. Many of the stolen songs would later appear on Bad for Good: "Surf's Up", "Left in the Dark" and "Out of the Frying Pan." Meat Loaf jokes that he does not think that Steinman ever got over that theft. Meat Loaf lost his voice and was unable to record Renegade Angel. Steinman says "I spent seven months trying to make a follow-up [to Bat] with him, and it was an infernal nightmare. He had lost his voice, he had lost his house, and he was pretty much losing his mind." Not being able to "bear for people not to hear those songs," Steinman recorded the album, retitled Bad for Good, as a solo project, with Rory Dodd providing lead vocals on some songs. Many musicians and backing vocalists from Bat Out of Hell performed on Bad for Good, including Roy Bittan and Max Weinberg from Bruce Springsteen's E Street Band. Richard Corben illustrated the cover, as he had done for Bat Out of Hell. Describing the cover, Sounds magazine says "the flesh, the puppy-fat on the mid-calf, the breasts, the upturned American nose ... Corben's evocation of teenage femininity is so right! The cover, though, is the product of an alternative universe,