crew, including the director Robinson, who had little initial interest in the project but had always wanted to work with Redford. At one point during the project, Robinson received a visit from men claiming to be representatives of the Office of Naval Intelligence, who indicated that for reasons of national security, the film could not include any references to "a hand-held device that can decode codes". Robinson was highly concerned, as such a device was a key to the film's plot, but after consulting with a lawyer from the film studio he realized that the "visit" had been a prank instigated by a member of the cast, possibly Aykroyd or Redford. "I can't remember having so much fun on a movie," Stephen Tobolowsky recalled in 2012 for a 20th-anniversary piece about the film for Slate. He had initially scoffed at the script based on its title alone, but his agent persuaded him to read it, and he reconsidered. Afterward, he told his agent, "Now I know what a hundred million dollars at the box office reads like." "It was one of the most spectacular casts I've ever been lucky enough to be a part of," Tobolowsky wrote. When he was shooting the scene where he and McDonnell eat at a Chinese restaurant, Robinson told him he could do anything he wanted to make her laugh. "Dangerous words. It set the tone for the rest of the shoot," he recalls. "I played with my food. I made up lines (including one about pounding chicken breasts in the kitchen during our second date)." The rest of the cast and crew felt similarly. Near the end of the shoot, Robinson said the only way it could have been better would have been if the lab lost the film, so they would have had to do it all over again. Leonard Adleman was the mathematical consultant on this movie. Release The film's press kit was accompanied by a floppy disk containing a custom program explaining the movie. Parts of the program were quasi-encrypted, requiring the user to enter an easily guessable password to proceed. It was one of the first electronic press kits by a film studio. Reception The film received positive reviews from critics upon its release. Writing for the Los Angeles Times, Kenneth Turan called Sneakers "[a] caper movie with a most pleasant sense of humor," a "twisting plot," and a "witty,