A New Way to Pay Old Debts (c. 1625, printed 1633) is an English Renaissance drama, the most popular play by Philip Massinger. Its central character, Sir Giles Over-reach, became one of the more popular villains on English and American stages through the 19th century. Performance Massinger probably wrote the play in 1625, though its debut on stage was delayed a year as the theatres were closed due to bubonic plague. In its own era it was staged by Queen Henrietta's Men at the Cockpit Theatre in Drury Lane. It was continuously in the repertory there and at the Red Bull Theatre, under the managements of Christopher Beeston, William Beeston, and Sir William Davenant, down to the closing of the theatres at the start of the English Civil War in 1642. Though Massinger's play shows obvious debts to Thomas Middleton's A Trick to Catch the Old One (c. 1605), it transcends mere imitation to achieve a powerful dramatic effectiveness – verified by the fact that, apart from the Shakespearean canon, it was almost the only pre-Restoration play that was continuously in the dramatic repertory through much of the modern era. After David Garrick's 1748 revival, the play remained popular throughout the nineteenth century and into the twentieth. (It was praised by Thomas Jefferson.) Edmund Kean's version of Sir Giles, which debuted in 1816, was in particular a tremendous popular success, and drove the play's reputation through the remainder of the century. The play remains in the active theatrical repertory; modern stagings are usually amateur or student productions, though the Royal Shakespeare Company performed the play in 1983, directed by Adrian Noble and with Emrys James as Sir Giles. Publication The play was first published in 1633 in quarto by stationer Henry Seyle (his shop was "in S. Pauls Church-yard, at the signe of the Tygers head"). The 1633 quarto carries a dedication of "this trifle" to Robert Dormer, 1st Earl of Carnarvon, Master Falconer of England (he'd succeeded to his hereditary title, Chief Avenor and Keeper of the King's Hawks and Falcons, at the age of six). In this dedication, Massinger states that he "born a devoted servant to the thrice noble family of your incomparable Lady," that lady being Anna Sophia Herbert, daughter of Philip Herbert, 4th Earl of Pembroke, then serving as Lord Chamberlain. Massinger's connection to the Herbert family, derived from his father, is well known; whether