although he continued to appear occasionally, usually as part of a benefit performance for himself, often playing Act I of The Yiddish King Lear: the title character remains seated throughout the entire act. In 1924, he was well enough to perform in the title role of a revival of Gordin's The Stranger, inspired by Tennyson's "Enoch Arden": the character is "a sick and broken man", so the Adler was able to integrate his own physical weakness into the portrayal. However, March 31, 1926, he collapsed suddenly, dying almost instantly. He is buried in Old Mount Carmel Cemetery in Glendale, Queens. Family Adler was married three times, first to Sophia (Sonya) Oberlander (died 1886), then to Dinah Shtettin (m. 1887- divorced. 1891) and finally to actress Sara Adler (previously Sara Heine) (m. 1891), who survived him by over 25 years. His and Sonya's daughter Rivkah (Rebecca) died at the age of 3. Sonya died from an infection contracted while giving birth to their son Abram in 1886. Abram's son Allen Adler (1916–1964) was, among other things, the screenwriter of Forbidden Planet. While still married to Sonya, Adler had an affair with Jenny "Jennya" Kaiser, with whom he had a son, stage actor Charles Adler (1886–1966). He and Dinah had a daughter, Celia Adler (1889–1979). He and Sara had six children: the well-known actors Luther (1903–1984) and Stella Adler (1901–1992) and the lesser-known actors Jay (1896–1978), Frances, Julia, and Florence. Jacob and Stella Adler are both members of the American Theater Hall of Fame. His sister Sarah/Soore Adler and her seven children emigrated to New York in 1905. His niece, Francine Larrimore, Sarah's daughter, became a Broadway actress, who also appeared in films. He was also the great-uncle of actor Jerry Adler. Memoir Adler's memoirs were published in the New York socialist Yiddish-language newspaper Die Varheit in 1916–1919, and briefly resumed in 1925 in an unsuccessful revival of that paper; his granddaughter Lulla Rosenfeld's English translation was published only in 1999. The 1916–1919 portion of the memoir gives a detailed picture of his Russian years. The 1925 portion gives a comparably detailed picture of his time in London, although with some evasions around the relative timing of his relationships with his wife Sonya and with Jennya Kaiser and Dinah Shtettin. It contains only a relatively fragmentary description of his New York career. In the English-language book of these memoirs, Rosenfeld attempts to