drawings show oriental, especially Chinese, scenes. The southern part also includes the Toskanasaal. The highlight of the Northern Apartment is the Green Lacquered Room. Its multilayered wall coverings consist of a metallic green color decorated with paintings and golden ornaments. Court Chapel (Hofkirche) The Court Chapel is a prime example of the sacral Baroque style in Germany. The interior design is dominated by the curving walls and three intergradient oval dome vaults. It extends upwards through both of the main floors of the Residence. The supporting columns are made from agate-coloured marble. The columns of the two side altars and the six statues are made from white marble, carved at Genoa. The side altars are based on designs by Hildebrandt and were painted in 1752 by Tiepolo (Assumption of Mary to the south, War in Heaven to the north). The high altar is made from stucco created to look like marble by Antonio Bossi. Above the altar is a matroneum with a statue of the Immaculate Conception in the centre and oratories on both sides. Bossi was also responsible for the colourful stucco work on the ceiling (1735) and with painters Högler and Thalhofer created the frescoes in the domes (1735–6): martyrdom of the three Franconian apostles Kilian, Totnan and Kolonat (over the choir), Coronation of the Virgin (in the centre) and War in Heaven (above the organ). Court Gardens The Residence was built when Würzburg was still a fortified town. Therefore, the garden had to be planned within the fortifications. The solution included two bastions of the fortified town wall, using its differences in height to create a very special landscape. From west to east there is a rise in ground, until the level of the wall is reached. Near the residence itself, the Hofgarten (or Court Gardens) is designed in a very formal, Baroque style. Farther away, the style changes to an English garden with small forests and meadows. Designs for the former part were made by Johann Lukas von Hildebrandt, Neumann and François de Cuvilliés. It was mainly created in 1759–70. Johann Peter Alexander Wagner added putti, vases, urns and two monumental sculpture groups, the Rape of Europa and the abduction of Proserpina, sited in the central axis between the Orangery and the southern pavilion of the Residence. The figures were added to the park under Prince-Bishop Adam Friedrich von Seinsheim, who had the park at Veitshöchheim