de Janeiro. The same may also apply at designated topless beaches. Public breast-baring fashions In many European societies between the Renaissance and the 19th century, exposed breasts were acceptable while a woman's bared legs, ankles or shoulders were considered risqué. During the Renaissance, many artists were strongly influenced by classical Greek styles and culture, and images of nude and semi-nude subjects in many forms proliferated in art, sculpture and architecture of the period. In aristocratic and upper-class circles the display of breasts also invoked associations with classical Greek nude sculptures and art and a classic breast shape was at times regarded as a status symbol, as a sign of beauty, wealth or social position. To maintain youthful-looking bosoms women could employ wet nurses to breastfeed their children. Breast-baring female fashions have been traced to 15th-century courtesan Agnès Sorel, mistress to Charles VII of France, whose gowns in the French court sometimes exposed one or both of her breasts. (Jean Fouquet's portrayal of the Virgin Mary with her left breast uncovered is believed to have taken Sorel as a model.) Aristocratic women sought to immortalise their breasts in paint, as in the case of Simonetta Vespucci, whose portrait with exposed breasts was painted by Piero di Cosimo in c. 1480. During the 16th century, women's fashions displaying their breasts were common in society, from Queens to common prostitutes, and emulated by all classes. Similar fashions became popular in England during the 17th century when they were worn by Queen Mary II and by Henrietta Maria, wife of Charles I of England, for whom architect Inigo Jones designed a masque costume that fully revealed both of her breasts. In a survey of 190 different societies, researches found that very few associated exposed breasts with sexuality, but that there was an insistence that women conceal their breasts. Different standards apply to art, with one example being the dome of the United States Capitol featuring an 1865 fresco depicting goddesses with their breasts exposed. Social attitudes Although some social attitudes to increased body exposure began to soften during the late 1960s, contemporary Western societies still generally view toplessness unfavorably. During a short period in 1964, "topless" dress designs appeared at fashion shows, but those who wore the dresses in public found themselves arrested on indecency charges. However, toplessness has come to be a feature in contemporary haute couture fashion shows. A wide-ranging review of