figure from beautiful to disturbing. Exhibitions Höch's work has been exhibited internationally in solo and group exhibitions. The Whitechapel Gallery in London presented a major exhibition of Höch's work from 15 January to 23 March 2014. This exhibition was composed of over one hundred works from international collections that Höch created from the 1910s to 1970s. Highlights included Staatshäupter (Heads of State) (1918–20), Hochfinanz (High Finance) (1923), Flucht (Flight) (1931), and many works from the series From an Ethnographic Museum. Selected solo shows 2017: Hannah Höch – Auf der Suche nach der versteckten Schönheit, (Looking for the hidden beauty), , Hamburg, 20 April – 16 Juni 2017. 2016: Hannah Höch – Revolutionärin der Kunst, Kunsthalle Mannheim und . 2015: Vorhang auf für Hannah Höch (Curtain up for Hannah Höch), , Stade, Germany, 7 November 2015 – 21 February 2016. 2014: Hannah Höch, Whitechapel Gallery, London. 2008: Hannah Höch – Aller Anfang ist DADA (Every Beginning is DADA), Museum Tinguely, Basel. 2007: Hannah Höch – Aller Anfang ist DADA, (Every Beginning is DADA), Berlinische Galerie, Berlin. 1997: The Photomontages of Hannah Höch, Walker Art Center, Museum of Modern Art, and the Los Angeles County Museum of Art, Minneapolis, New York City, Los Angeles. 1993: Hannah Höch, Museums of the City of Gotha, Germany. 1974: Hannah Höch, National Museum of Modern Art, Kyoto. 1961: Hannah Höch: Bilder, Collagen, Aquarelle 1918–1961, Galerie Nierendorf, Berlin. 1929: Hannah Höch, Kunstzaal De Bron, The Hague. Bibliography Bergius, Hanne Das Lachen Dadas. Die Berliner Dadaisten und ihre Aktionen. Gießen: Anabas-Verlag, 1989. . Bergius, H. Montage und Metamechanik. Dada Berlin – Ästhetik von Polaritäten (mit Rekonstruktion der Ersten Internationalen Dada-Messe und Dada-Chronologie) Berlin: Gebr. Mann Verlag 2000. . Bergius, H. Dada Triumphs! Dada Berlin, 1917–1923. Artistry of Polarities. Montages – Metamechanics – Manifestations. Translated by Brigitte Pichon. Vol. V. of the ten editions of Crisis and the Arts. The History of Dada, ed. by Stephen Foster, New Haven, Conn. u. a., Thomson/ Gale 2003. . Biro, M. The Dada Cyborg: Visions of the New Human in Weimar Berlin. Minneapolis: University of Minnesota Press, 2009. Chametzky, Peter. Objects as History in Twentieth-Century German Art: Beckmann to Beuys. Berkeley: University of California Press, 2010. Gaze, Delia. Dictionary of Women Artists, Volume One. London: Taylor & Francis, 1997. Lavin, Maud. Cut With the Kitchen Knife: The Weimar Photomontages of Hannah Hoch. New Haven, Connecticut: Yale University Press, 1993. Lavin, Maud. "The