development in Argentine metal of the 1990s was the rise of A.N.I.M.A.L. The acronym translated literally stands for "Abused (accosted), Our Indians Died While Fighting". And their themes lived up to that title: the band would be one of the most outspoken advocates for indigenous people and even nationalism, while also (as such bands tend to do), blasting against the current world order. Their sound is equal parts hardcore, heavy metal, and thrash. Another important band formed in 1990 was Tren Loco, whom long after went to Japan and won second place in a major battle-of-the-band event at famous Budokan Stadium in Tokyo. The metal underground also flourished in the 1990s, with bands like Alakrán, Jezabel, Jason, Logos, and Jeriko, among others. Other developments Solo artists from the earlier generations were by the 1990s established figures in the medium. Some stars were Charly García and Luis Alberto Spinetta. Garcia enjoyed a prolific 1980s with many of his albums turning into classics. Spinetta had a more uneven body of work but nonetheless was successful. Pappo continued putting out blues and heavy rock records, Miguel Mateos remained a popular rock figure in Latin America even as he dropped almost off the radar in Argentina. León Gieco's unique "folk-rock meets world music" approaches made him an internationally acclaimed musician. Fito Páez's pop career continued to take-off in the early 1990s. In 1992 he released El Amor después del Amor, becoming the best selling Argentine rock album. The title "love after love" was not by chance: he had just ended a well-publicized relationship with female rocker Fabiana Cantilo (herself an important 1990s singer in the movement), and was getting involved with movie actress Cecilia Roth. With the album Paez was confirmed an international pop star. Meanwhile, Andrés Calamaro had enjoyed some popularity since his solo career begun, but never managed a complete breakthrough with the public. He left for Spain, and there met two local musicians forming Los Rodriguez in 1991. Two years later the hit single "Sin Documentos" finally gave Calamaro an international hit, and the band gained overnight vogue in Spain and Latin America. Tropical, Fusion, and Latin influenced rock continued its ascent. 1992 was the year of "La Pachanga": Rosario's Vilma Palma e Vampiros single was an across the board mega hit in the Spanish-speaking world; there was no way of escaping it unless one did not have any kind of