this period he played on Joe Cocker's 1969 album Joe Cocker!, Randy Newman's 1970 album 12 Songs, and the Everly Brothers' Stories We Could Tell from 1972. In early 1971, White also contributed guitar to Paul Siebel's Jack-Knife Gypsy album and the title track of the L.A. Getaway album by Joel Scott-Hill, John Barbata and Chris Ethridge. Other albums that White contributed his guitar playing to while he was a member of the Byrds include Linda Ronstadt's Hand Sown ... Home Grown (1969), Rita Coolidge's Rita Coolidge (1971), Marc Benno's Minnows (1971), Jackson Browne's Jackson Browne (1972), Gene Clark's Roadmaster (1973), and a trio of Arlo Guthrie albums: Running Down the Road (1969), Washington County (1970) and Hobo's Lullaby (1972). Post-Byrds In mid-February 1973, just prior to the break up of the White-era version of the Byrds, White joined with guitarist Peter Rowan, mandolinist David Grisman, fiddler Richard Greene, and banjoist Bill Keith to form the bluegrass supergroup Muleskinner. The musicians initially assembled as a one-off pickup band to back bluegrass pioneer Bill Monroe for a television program, but ended up performing on their own when Monroe's tour bus broke down on the way to the television studios. A recording of this broadcast, which was once thought lost, was released as an album in 1992, under the title Muleskinner Live. A VHS video cassette of the broadcast was also released in 1992 and later re-issued on DVD. As a result of the success of their appearance on the television broadcast, the band was offered a one album recording contract with Warner Bros. Records. Recording sessions for the album took place at the Record Plant in Los Angeles between March 27 and April 14, 1973, with Richard Greene and Joe Boyd producing. The music the band recorded for the Muleskinner album (a.k.a. A Potpourri of Bluegrass Jam) was in the vein of country rock, traditional bluegrass and progressive bluegrass (or "newgrass"). It was also one of the first bluegrass albums to feature a full drum kit. The album was released in the latter half of 1973 and is nowadays regarded by critics as a milestone in the development of progressive bluegrass, with ex-band members Greene, Keith, Grisman, and Rowan all going on to become important figures in the development of that genre. In addition to his work with Muleskinner, White also undertook a number of sessions between late 1972 and early