requirement that all citizens enter into the army at age 18, men for three years and women for two. The army has therefore become a ubiquitous characteristic of Israel and has been engrained within the culture and society so much so that it is nearly impossible to walk the streets of any Israeli city without witnessing soldiers in green. Religious arguments have arisen though, and a compromise was reached that entitled the ultra-Orthodox Jews to abstain from enlisting in the army, since they would be studying in yeshiva or getting married around age 18. Though it is now expected that the army is composed of mostly seculars, there still do exist tense feelings towards those unwilling to fight in the Israeli Defense Forces. Further laws, such as those pertaining to Shabbat, instigate conflict between the religious and secular. Since Israel was founded upon religious beliefs, many Orthodox Jews desire that cities practically shut down on Shabbat, which at one point was true. Recently though, more stores are open on Shabbat and roads are once again covered in cars traversing the country. Therefore, those religious Jews are frustrated that the country is not based on Judaism as much as it used to be, and secular citizens are upset with the manner in which religion is dictating their lifestyle. Such rules and social expectations are often either supported or argued against in Israeli hip-hop music, and one particular song perfectly encompasses the religious aspect, as well as the political and social tensions apparent in Israel. Hadag Nachash’s “Shirat Hasticker,” literally meaning, “The Sticker Song,” has proven to be one of the most popular rap songs, both in Israel and the United States. Unique in its content, the song is entirely composed of various bumper stickers found on cars in Israel. Since bumper stickers are very popular in Israel and are often placed on cars to display the driver's political, religious, and social stances, Hadag Nachash accurately portrays the country's numerous perspectives on all localized issues. By collecting a variety of these bumper stickers and listing them as lyrics in the song, opinions as broad as the citizens within Israel are effectively expressed in the one song alone. While discussing the relationship between global and local influences on Israeli hip-hop to create the effect of “glocalization,” one music video in particular precisely reveals this phenomenon. “Halayla Zeh Ha’zman,” (or “Tonight is the Time”)