of their wartime resistance Paper Bullets, for Cahun and Moore, “fighting the German occupation of Jersey was the culmination of lifelong patterns of resistance, which had always borne a political edge in the cause of freedom as they carved out their own rebellious way of living in the world together. For them, the political was always deeply personal.” In 1944, Cahun and Moore were arrested and sentenced to death, but the sentence was never carried out, as the island was liberated from German occupation in 1945. However, Cahun's health never recovered from her treatment in jail, and she died in 1954. Cahun is buried in St Brelade's Church with partner Marcel Moore. At the trial, Cahun said to the German judge (according to the documentary on the Occupation of the Channel Islands, by John Nettles) that the Germans would have to shoot her twice, as she was not only a Resister but a Jew. This apparently brought a peal of laughter from the court and is said to have been one reason the execution was not carried out (Martin Sugarman, AJEX Archivist). Social critique and legacy Cahun made work for herself and did not want to be famous. It wasn't until 40 years after her death that Cahun's work became recognized. In many ways, Cahun's life was marked by actions which revolted against convention and her public image has since become a commentary which challenges the public's notions of gender, beauty, and logic. Her work was meant to unsettle the audience's understanding of photography as a documentation of reality. Furthermore, her poetry challenged gender roles of the time and attacked the increasingly modern world's social and economic boundaries. Also, Cahun's participation with the Parisian Surrealist group brought an element of diversity to the group's output which ushered in new representations. Most Surrealist artists were men, whose primary images of women depicted them as isolated symbols of eroticism rather than as the chameleonic, gender non-conforming figure that Cahun presented. Cahun’s photographs, writings, and general life as an artistic and political revolutionary continues to influence artists. Cahun's collected writings were published in 2002 as Claude Cahun – Écrits (), edited by François Leperlier. In 2018, a street of Paris took the name of "Allée Claude Cahun – Marcel Moore" (area of Saint-Germain-des-Prés – Montparnasse, near the rue Notre-Dame-des-Champs where Claude and Suzanne lived). Rupert Thomson's 2018 novel, Never Anyone But You, was