was a critical and commercial success on both sides of the Atlantic, peaking at number 40 on the Billboard Top LPs chart and reaching number 11 on the UK Albums Chart. Two of the album's studio recordings featured White singing lead vocals: a cover version of the Lowell George composition "Truck Stop Girl" and a rendition of Leadbelly's "Take a Whiff on Me" (the latter also featured White playing mandolin). In addition, excerpts from an instrumental jam, recorded during the (Untitled) album sessions and logged in the Columbia Records' files under the title of "Fifteen Minute Jam", were later released as "White's Lightning" and "White's Lightning Pt.2" on The Byrds box set and the remastered double CD version of (Untitled) respectively. The 1971 Byrdmaniax album saw White singing lead vocals on "My Destiny", written by Helen Carter, and "Jamaica Say You Will", penned by the then little-known songwriter Jackson Browne. In addition, White received a co-writing credit for the album's bluegrass instrumental "Green Apple Quick Step". This song also featured White's father, Eric White Sr., on harmonica. Farther Along, released in November 1971, would prove to be the final album by the White-era Byrds. It featured White singing the Gospel hymn and title track "Farther Along" and a cover of the Larry Murray composition "Bugler". This latter song features White playing mandolin and has been described by Byrds expert Tim Connors as, "the best song on the album, and by far the best vocal ever recorded by Clarence White during his time with the Byrds." Following the release of Farther Along, the band continued to tour throughout 1972, but no new Byrds album appeared. In late 1972, the original five-piece line-up of the Byrds reunited and, as a result, McGuinn decided to disband the existing version of the band. Parsons had been fired in July 1972 and Battin was dismissed by McGuinn in early 1973. The last concert by the White-era version of the Byrds (which at this point featured former Byrd Chris Hillman on bass and Joe Lala on drums) was given on February 24, 1973 at The Capitol Theatre, Passaic, New Jersey, with White and McGuinn jokingly firing each other from the band afterwards. Despite being on tour or in the recording studio with the Byrds for the majority of the time between 1969 and 1972, White continued to undertake selected session work for other recording artists. During