concerts featured the New York Philharmonic and the Lewisohn Stadium Orchestra along with such operatic luminaries as Richard Tucker, Robert Merrill, and Eileen Farrell. In 1956 Peerce made a sensation in Moscow as a musical "cultural exchange" ambassador, being the first American to sing with the famed Bolshoi Opera. He remained on the roster of the Metropolitan until 1966, appearing again in 1966-1967. He also taught a master class. In 1971 he made his Broadway debut as Tevye in Fiddler on the Roof. He continued to make occasional appearances until his retirement in 1982, remaining in fine voice. His last concert was on May 2, 1982, as the guest artist with the Beth Abraham Youth Chorale in Dayton, Ohio. Recordings Peerce's first recordings were made in 1931-1932, as a vocalist with New York area dance bands, using the names "Jack Pearl" and "Pinky Pearl." Several of these were with the Jack Berger Orchestra, with whom he was appearing at the Hotel Astor. They include popular hits of the day such as "Snuggled on Your Shoulder" and "Dancing on the Ceiling," and were issued on numerous smaller labels including Crown, Perfect, Banner and Melotone. Peerce recorded almost exclusively for RCA Victor as a "Red Seal" artist from the late 1930s to the early 1960s. Among his first RCA Victor recordings were as a featured soloist in Nathaniel Shilkret's 1939 tribute album to Victor Herbert. Peerce had been the tenor soloist in Toscanini's 1938 broadcast concert of Beethoven's Ninth Symphony, which was rejected for commercial release by Toscanini and RCA Victor; it wasn't until 1952 that Toscanini approved a studio recording of that symphony (with Peerce as tenor soloist) for release. Peerce also sang in Toscanini's 1944 performance/broadcast of Beethoven's Fidelio with Rose Bampton, followed by the complete performances of Verdi's La traviata, Puccini's La bohème (both with Licia Albanese), and Verdi's Un ballo in maschera (with Herva Nelli), all eventually released by RCA Victor on LP and CD. Peerce did not sing in Toscanini's broadcasts of Verdi's Otello, Aida, or Falstaff; he was offered the tenor parts in the latter two but declined, believing his voice was not right for those roles. He also sang in the Madison Square Garden concert in 1944, which featured the final act of Rigoletto with Leonard Warren, Zinka Milanov, and Toscanini conducting the combined New York Philharmonic and NBC Symphony Orchestra; this performance was recorded