display which is located at the top, between two towers, was repaired and became operational. At the public sale on 6 February 2023, the commercial part of the property was purchased by the Belgrade-based hospitality entrepreneur Aleksandar Kajmaković, nicknamed Aca Bosanac, for RSD2.4 billion (~€20 million), three times its listed price. Kajmaković's company Eureka bar, which reportedly outbid six other entities vying for the property, owns numerous hospitality venues around Belgrade such as the traditional Skadarlija kafanas Tri šešira, Dva jelena, and Zlatni bokal, eatery Boutique, and Lafayette cabaret nightclub Police had to intervene as few members of the opposition hеckled the bidding. Kajmaković is connected to major criminal clans in Serbia, being a right-hand man of the "controversial businessmen" . He was also apprehended by the police as part of the process against the top Serbian gang kingpin for suspicion of Kajmaković acting as the legal owner of Belivuk's properties which were safeguarded by the Belivuk's gang members, and for money laundering. A bomb was placed under Kajmaković's car in 2002 in Budva, Montenegro. Because of his history, the opposition considers Kajmaković a front for the real owner, and called for the annulment of the sale due to the general infringement of the entire process. Architecture The two towers which make up the building are not the same height. The two buildings have serve different functions, with the taller one serving as a residential tower with 30 floors and the shorter tower housing businesses within its 26 floors. The bridge connects them at the 26th floor. The building is tall. The building was designed in the brutalist style, with some elements of structuralism and constructivism. It is considered a prime representative of the brutalist architecture in Serbia and one of the best of its style built in the 1960s and the 1970s in the world. The treatment of the form and details is slightly associating the building with postmodernism and is today one of the rare surviving representatives of this style's early period in Serbia. The artistic expression of the gate marked an entire era in Serbian architecture. Commission which declared the building a cultural monument prized the simplicity of solutions, proportional order of two towers and the cylindrical top extension with the rotating mechanism, located above the central axis of the complex. The commission also described the design as specific and bold architectural creation, commending mural, too. The