and Discovery", a six-channel video and sculptural installation piece. This piece was conceived in 2007 and curated by Emi Fontana, produced by Kelley himself and West of Rome Public Art. The work was first installed at the Sculpture Center, New York in 2009, The Farley Building (former Kelley studio) for West of Rome in 2010, and The BALTIC Center for Contemporary Art in 2011. The artist's last performance video was Vice Anglais from 2011. Kelley's work was inspired by diverse sources such as philosophy, politics, history, underground music, decorative arts and working-class artistic expression. His art often examined class and gender issues as well as issues of normality, criminality and perversion. Kelley lived and worked in various places in Los Angeles, among them the Farley Building in Eagle Rock. Death On January 31, 2012, Kelley was found dead from an apparent suicide at his home in South Pasadena, California. There is some thought that he did so from depression. A spontaneous memorial to Kelley was built in an abandoned carport near his studio in the Highland Park section of L.A. shortly after news of his death. Mourners were invited via an anonymous Facebook page to "help rebuild MORE LOVE HOURS THAN CAN EVER BE REPAID AND THE WAGES OF SIN (1987), by contributing stuffed fabric toys, afghans, dried corn, wax candles…building an altar of unabashed sentimentality." The memorial was active throughout February 2012 and was dismantled in early March 2012, with the contents given to the Mike Kelley Foundation. Exhibitions Kelley began having regular one-man exhibitions at Metro Pictures Gallery in Manhattan in 1982, and at Rosamund Felsen Gallery in Los Angeles the following year. He subsequently started to gain recognition outside Los Angeles in the mid-eighties with the sculptural objects and installations from the series Half-a-Man. In 2005, he had his first solo show at Gagosian Gallery in New York City, which was representing him at his death. A retrospective, "Mike Kelley: Catholic Tastes," appeared at the Whitney Museum of American Art in 1993 and traveled to Los Angeles and Munich; a second retrospective appeared at the Museum of Contemporary Art in Barcelona in 1997; and a third was at the Tate Liverpool in 2004. In 2006, his show "Profondeurs Vertes" was presented at the Musée du Louvre (2006). A major retrospective exhibition was held after the reopening of the Stedelijk Museum, Amsterdam in 2012, and traveled to the