of the windmill. In 1830, they replaced milk with wine (especially the local Montmartre wine) and the windmill became a cabaret. Parisians made their way to Montmartre to enjoy "the simple pleasures" of the countryside with a glass of wine, freshly baked bread and a terrace view of Paris and the Seine below. In 1833, one of the Debrays decided to open an area for dancing, dedicated to the Greek muse Terpsichore. His flair for dancing and enthusiasm attracted patrons to the dancing hall and it became a success. Author Émile Zola wrote in 1876, "We rushed off into the countryside to celebrate the joy of not having to listen to any more talk about politics," which often meant reflection of France's defeat in the Franco-Prussian War. Montmartre, attainable by a train ride or a one-hour walk, was still a village with orchards, shops and two remaining windmills. As the nearby fields were replaced with housing and factories, Nicholas Charles Debray sought commercial opportunities to remain a going concern. One of the windmills was turned into a viewing tower and a dance hall was opened adjacently. People came to the relaxed, popular Moulin de la Galette for entertainment and dancing. Over its history, the building has experienced a wide range of uses: open-air cafe, music-hall, television studios and restaurant. It is now a private property. The windmill Radet, however, marks the entrance to a bistro named Le Moulin de la Galette. Gallery The windmill in art The area has been depicted by artists such as Pierre-Auguste Renoir, Henri de Toulouse-Lautrec, Vincent van Gogh, Pablo Picasso, Ramon Casas, Paul François Quinsac, Kees van Dongen and Maurice Utrillo. References External links Post mills in France Buildings and structures in the 18th arrondissement of Paris Monuments historiques of Paris Windmills completed in 1622 Montmartre Grinding mills in France 1622 establishments in France Tourist attractions in Paris