Man) (1988), National Gallery of Art, Washington, D.C. Backlash, Backlash... (1991), Art Institute of Chicago I Feel Most Colored (1992), Blanton Museum of Art, Austin, Texas Untitled (1992), Baltimore Museum of Art Untitled series (1992), Minneapolis Institute of Art Untitled (Black Like Me #2) (1992), Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. Untitled (I'm Turning Into a Specter before Your Very Eyes and I'm Going to Haunt You) (1992), Philadelphia Museum of Art Notes on the Margin of the Black Book (1991–93), Solomon R. Guggenheim Museum, New York Black & White (1993), by Glenn Ligon and Byron Kim, Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C. Runaways series (1993), Addison Gallery of American Art, Andover, Massachusetts; Amon Carter Museum of American Art, Fort Worth, Texas; Birmingham Museum of Art, Alabama; The Broad, Los Angeles; Harvard Art Museums, Cambridge, Massachusetts; Metropolitan Museum of Art, New York; Mildred Lane Kemper Art Museum, St. Louis; Museum of Contemporary Art, Chicago; Museum of Modern Art, New York; National Gallery of Art, Washington, D.C.; Rhode Island School of Design Museum, Providence; St. Louis Art Museum; Tang Teaching Museum and Art Gallery, Saratoga Springs, New York; and Whitney Museum, New York White #15 (1994), Wadsworth Atheneum, Hartford, Connecticut Condition Report (2000), Tate, London Malcolm X, Sun, Frederick Douglass, Boy with Bubbles (version 2) #1 (2000), Walker Art Center, Minneapolis Self-Portrait at Eleven Years Old (2004), Museum of Modern Art, New York Untitled (If I Can't Have Love I'll Take Sunshine) (2006), Warwick Arts Centre, Coventry Rückenfigur (2009), Los Angeles County Museum of Art and Whitney Museum, New York Warm Broad Glow II (2011), Glenstone, Potomac, Maryland and Whitney Museum, New York Double America (2012), National Gallery of Art, Washington, D.C. Stranger #56 (2012), Musée National d'Art Moderne, Centre Pompidou, Paris Live (2014), Crystal Bridges Museum of American Art, Bentonville, Arkansas, and National Portrait Gallery, Smithsonian Institution, Washington, D.C. (jointly owned); and San Francisco Museum of Modern Art In 2012, Ligon was commissioned to create the first site-specific artwork for the New School's University Center building, designed by Skidmore, Owings & Merrill, on the corner of 14th Street and Fifth Avenue in Greenwich Village. The work, For Comrades and Lovers (2015), features about 400 feet of text from Walt Whitman's Leaves of Grass rendered in violet neon light, running around the top of a wall in the center's first-floor café. Recognition In 2003, Ligon was