and ordered to pay $19 million ($15 million in damages and $4 million in legal costs) to Murray Hill, with Webster to receive a portion. Laurel died a few months after the verdict, before receiving any of the money. On appeal, the damages figure was lowered to $1.5 million, before the verdict itself was quashed in 2004 after a judge decided the idea was not stolen, as Fox had bought Kornfield's screenplay before he or anybody else at Fox had read Could This Be Christmas? Reception Box office Opening on November 22, Jingle All the Way made $12.1 million in its first weekend, opening at #4 behind Star Trek: First Contact, Space Jam and Ransom; it went on to gross $129 million worldwide, recouping its $75 million budget. The film was released in the United Kingdom on December 6, 1996, and topped the country's box office that weekend. Critical response On Rotten Tomatoes, the film has an approval rating of 19% based on 47 reviews and an average rating of . The site's critical consensus reads, "Arnold Schwarzenegger tries his best, but Jingle All the Way suffers from an uneven tone, shifting wildly from a would-be satire on materialism to an antic, slapstick yuk-fest." On Metacritic the film has a score of 34% based on reviews from 23 critics, indicating "generally unfavorable reviews". Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale. Emanuel Levy felt the film "highly formulaic" and criticized Levant's direction as little more advanced than a television sitcom. Although he felt that the script did not provide sufficient opportunity for Hartman, Wilson and Conrad to give exceptional performances, he opined that "Schwarzenegger has developed a light comic delivery, punctuated occasionally by an ironic one-liner," while "Sinbad has good moments". Neil Jeffries of Empire disagreed, feeling Schwarzenegger to be "wooden" and Sinbad to be "trying desperately to be funnier than his hat" but praised Lloyd as the "saving grace" of the film. The New York Times critic Janet Maslin felt the film lacked any real plot, failed in its attempt at satire, should have included Myron's only mentioned son and "mostly wasted" Hartman, while Levant's direction was "listless". Similarly, the BBC's Neil Smith criticized the film's script, its focus on the commercialization of Christmas, as well as Schwarzenegger's performance which shows "the comic timing of a dead moose," but