also be used as an umbrella to group bands with a hard-to-pin-down style, like the neo-surf pop of Super Ratones (from Mar del Plata), and neo-fusionists La Portuaria with their world music touches. "Nuevo Rock" would be the dominant form of rock in Argentina until the middle of the decade when it lost ground to so-called "rock suburbano". In 1992, Soda Stereo presented Dynamo, their sixth album, arguably the most conceptual (the other being "Signos"), and the most experimental to that point. It apparently took fans by surprise, and was the lowest seller of the group's works (it didn't help that in the middle of all this the band changed labels; Sony wouldn’t promote a band that was leaving, and BMG wouldn't promote another label's album). On the other hand, Babasónicos had in 1992 their first major breakthrough of their careers with the hit D-generación from their 1992 album Pasto, which would herald future international success for a band that would define the sound of "sonic" rock. Juana La Loca was another band in the so-called sonic scene that started in the early 1990s and would breakthrough a few years later. The band that founded the Sonic Movement in Buenos Aires was Iguana Lovers, started in 1990. Now with collaborations of the shoegaze British indie Ride members, Mark Gardener and Loz Colbert, they were positioned as the most important new band of the Buenos Aires indie scene in 1991. Los Brujos would have a great year 1992; the single "Kanishka" was an instant chart-topper. Los Visitantes equalled the success of Los Brujos the next year with their album Salud Universal, an offbeat mix of guitar rock and tango tinges. Todos Tus Muertos was a punk response to the Argentine rock being made in the late 1980s, consciously choosing to be far more direct and explicit in their musical (and political) statements. The band gained rapid acclaim with the rise of New Rock, and were one of the favorite bands of the period. Slowly the group would evolve from their early punk to a more diverse style that include afro-Latin rhythms. The odd-group out that appeared in the early 1990s was the outrageously named Illya Kuryaki and the Valderramas (a reference to Colombian footballer Carlos Valderrama). More rappers than rockers, the group nonetheless made a mark in the rock scene as time progressed and they were able to more successfully integrate