an understated English Gothic style that was highly sensitive to site and materials. Inspired by the architecture of Oxford and Cambridge universities, and historicists but not literal copyists, Cope & Stewardson were highly influential in establishing the Collegiate Gothic style. Commissions followed for collections of buildings at the University of Pennsylvania (1895–1911), Princeton University (1896–1902), and Washington University in St. Louis (1899–1909), marking the nascent beginnings of a movement that transformed many college campuses across the country. In 1901, the firm of Shepley, Rutan & Coolidge created a master plan for a Collegiate Gothic campus for the fledgling University of Chicago, then spent the next 15 years completing it. Some of their works, such as the Mitchell Tower (1901–1908), were near-literal copies of historic buildings. George Browne Post designed the City College of New York's new campus (1903–1907) at Hamilton Heights, Manhattan, in the style. The style was experienced up-close by a wide audience at the 1904 Louisiana Purchase Exposition in St. Louis, Missouri. The World's Fair and 1904 Olympic Games were held on the newly completed campus of Washington University, which delayed occupying its buildings until 1905. The movement gained further momentum when Charles Donagh Maginnis designed Gasson Hall at Boston College in 1908. Maginnis & Walsh went on to design Collegiate Gothic buildings at some twenty-five other campuses, including the main buildings at Emmanuel College (Massachusetts), and the law school at the University of Notre Dame. Ralph Adams Cram designed a series of Collegiate Gothic buildings for the Princeton University Graduate College (1911–1917). James Gamble Rogers did extensive work at Yale University, beginning in 1917. Some critics claim he took historicist fantasy to an extreme, while others choose to focus on what is widely considered to be the resulting beautiful and sophisticated Yale campus. Rogers was criticized by the growing Modernist movement. His cathedral-like Sterling Memorial Library (1927–1930), with its ecclesiastical imagery and lavish use of ornament, came under vocal attack from one of Yale's own undergraduates: A modern building constructed for purely modern needs has no excuse for going off in an orgy of meretricious medievalism and stale iconography. Other architects, notably John Russell Pope and Bertram Goodhue (who just before his death sketched the original version of Yale's Sterling Library from which Rogers worked), advocated for and contributed to Yale's particular version of Collegiate Gothic. When McMaster University moved to Hamilton, Ontario, Canadian architect William Lyon