in Germany during this period. She bought and lived in a small garden house in Berlin-Heiligensee, a remote area on the outskirts of Berlin. She married businessman and pianist Kurt Matthies in 1938 and divorced him in 1944. She suffered from the Nazi censorship of art, and her work was deemed "degenerate art", which made it even more difficult for her to show her works. Though her work was not acclaimed after the war as it had been before the rise of the Third Reich, she continued to produce her photomontages and exhibit them internationally until her death in 1978, in Berlin. Her house and garden can be visited at the annual Tag des offenen Denkmals. The 128th anniversary of her birthday was commemorated on 1 November 2017 by a Google Doodle. Dada Dada was an artistic movement formed in 1916 in Zurich, Switzerland. The movement rejected monarchy, militarism, and conservatism and was enmeshed in an "anti-art" sentiment. Dadaists felt that art should have no boundaries or restrictions and that it can be whimsical and playful. These sentiments arose after the Great War, which caused society to question the role of government, and to reject militarism after seeing the atrocities of war. Many Dada pieces were critical of the Weimar Republic and its failed attempt at creating a democracy in post-war (WWI) Germany. The Dada movement had a tone of fundamental negativity in regards to bourgeois society. The term "dada" has no actual meaning – it is a childlike word used to describe the lack of reason or logic in much of the artwork. The main artists involved in the movement include George Grosz, John Heartfield and Raoul Hausmann. Some claim that it was Höch's relationship with Hausmann that allowed her into the sphere of Dada artists. George Grosz and John Heartfield were against Höch exhibiting with them in the 1920 First International Dada Fair, and only allowed her participation after Raoul Hausmann argued for her inclusion. Hausmann, however, still attempted to deny Höch a place in the movement, by writing in his memoirs that "she was never a member of the club." She nonetheless held the title of “Dadasophin“ within the movement. Höch is best known for her photomontages. These collages, which borrowed images from popular culture and utilized the dismemberment and reassembly of images, fit well with the Dada aesthetic, though other Dadaists were hesitant to accept her