Hermann Prey ( Berlin, 11 July 1929 – Krailling, 22 July 1998) was a German lyric baritone, who was equally at home in the Lied, operatic and concert repertoires. His American debut was in November 1952, with the Philadelphia Orchestra and Eugene Ormandy, and his American recital debut took place in 1956, at New York's Carnegie Hall. As a Lieder singer, he was a gifted interpreter of Schubert, including his song-cycles Die schöne Müllerin and Die Winterreise and the collection of songs Schwanengesang, as well as of Robert Schumann, Richard Strauss and Gustav Mahler. He also appeared frequently as a soloist in Bach's Passions and Brahms' A German Requiem. Early life and education Hermann Prey was born in Berlin and grew up in Germany. He was scheduled to be drafted when World War II ended. He studied voice at the Hochschule für Musik in Berlin and won the prize of the Frankfurt contest of the Hessischer Rundfunk in 1952. Career Repertoire and notable roles He began to sing in song recitals and made his operatic debut the next year with the Hessisches Staatstheater Wiesbaden in Bad Salzschlirf (Moruccio in Eugen d'Albert's Tiefland). He joined Hamburg State Opera's resident company, where he sang until 1960. During his last years in Hamburg, he also made frequent guest appearances elsewhere, including the Salzburg Festival. He sang frequently at the Metropolitan Opera between 1960 and 1970 (and as late as the early 1990s), and made his Bayreuth debut in 1965 as Wolfram (Tannhäuser), returning there 1966–67, 1981–84 and 1986. Although he often sang Verdi early in his career, he later concentrated more on Mozart and Richard Strauss. Prey was well known for playing Figaro (Mozart and Rossini), but he played other Mozart roles at least equally often, particularly Papageno and Guglielmo. He also played, and recorded, the Count in The Marriage of Figaro, and occasionally performed as Don Giovanni. He is regarded by some as the best Eisenstein (from Die Fledermaus by Johann Strauss II) ever. He was at home with comic opera Italian-style, displaying scenic intelligence, liveliness and hilarity. His virtuoso agility and great comic acting made him an obvious choice for numerous productions of Mozart's and Rossini's operas in the 1970s. In 1972 he performed as Figaro in Jean-Pierre Ponnelle's television film of Rossini's Il Barbiere di Siviglia with Teresa Berganza as Rosina, Luigi Alva as Almaviva and conductor Claudio Abbado. He