Foreigner is the debut studio album by British-American rock band Foreigner, released on 8 March 1977. It spun off three hit singles, "Feels Like the First Time", "Cold as Ice" and "Long, Long Way from Home". It also features album tracks such as "Headknocker" and "Starrider", the latter of which features a rare lead vocal from lead guitarist and co-founder Mick Jones. Writing and recording Jones had written several songs that wound up on Foreigner prior to the formation of the band. Lead singer Lou Gramm sang three of them – "Feels Like the First Time", "Woman, Oh Woman" and "At War with the World" in his audition to form the band. After the formation of the band, Gramm and Jones worked on several other songs, including "Long, Long Way from Home" (along with Ian McDonald), "Cold as Ice" and "I Need You". McDonald claimed that although he received a writing credit only on "Long, Long Way from Home" he had a significant role in writing several of the other songs on the album. According to McDonald: Jones had wanted Roy Thomas Baker to produce the album, but he was not available. Instead, Sarm Studios owners Gary Lyons, who had worked as an engineer on several Queen albums that Baker produced, and John Sinclair served as producers along with Jones and McDonald. There is some disagreement about the roles that Jones and McDonald played in producing the album. According to Lyons: On the other hand, Jones says that: The first attempt at mixing the album was done at Sarm Studios, London, but as they were dissatisfied with the result, the album was re-mixed at Atlantic Recording Studios by Jones, McDonald and Jimmy Douglass. Reception Los Angeles Times critic Robert Hilburn summed up his contemporary review of Foreigner saying "The production work is crisp, the melodies are serviceable and the vocals are eager. But there is far too little point of view to make any of it commanding." Hartford Courant critic Henry McNulty said "There's something good beginning here, and the sooner you get in on it the better." Annison Star reviewer Mike Stamler felt that most of the songs were "sanforized, sanitized and safely sterilized into three basic chords" with "immature lyrics," leaving little variety on the album, and suggested that more instrumental solos would have been beneficial. Allmusic critic Andy Hinds said that for suburban teenagers in the 1970s