being terrorized by an intruder in her home. In 1995, Germano contributed the song "The Mirror Is Gone" to the AIDS benefit album Red Hot + Bothered produced by the Red Hot Organization. Excerpts From a Love Circus (1996) was praised by Spin and Rolling Stone. Earlier that year, Watts-Russell approached 4AD's musicians with the idea that each act would find another person or band to collaborate with on three songs. The recordings would then be released by the label as a monthly series of EPs. Germano worked with rock band Giant Sand, but after their tracks had been recorded, the label decided that the series would be unfeasible and rejected the idea. Germano and the members of Giant Sand liked the results and enjoyed collaborating, and despite the labels' lack of interest in the recordings, recorded an album in less than a week. Managers for Germano and Giant Sand made a deal with Thirsty Ear Recordings to release the album as a one-off project under the name OP8, and the album Slush was released in February 1997. In April 1997, 4AD began promoting "I Love a Snot" (remixed by Tchad Blake) to radio and retail stores in America, but sales of the album remained static at best. "Lovesick" from Excerpts from a Love Circus was remixed by Trevor Jackson (a.k.a. The Underdog), and released by his label, Output Recordings. Sales began to sag noticeably with the release of Slide, produced by Tchad Blake, in July 1998. The distribution deal with Warner Bros. ended, returning 4AD to independent status, and without Warner Bros. Slide received less promotion. Before the album was released she was invited to sing backup vocals on tour for The Smashing Pumpkins. Although she rejected the offer at first, singer Billy Corgan persuaded her that she would have a more collaborative role, and she agreed to join the tour. She rehearsed with the band for four weeks in Chicago. The night before the tour was supposed to begin, Corgan dismissed her (via the tour manager) with no explanation. Intent on resuming the promotion of Slide, she went on tour, opening for the Eels and then headlining smaller clubs. While on tour she was notified by 4AD that they were dropping her from the label. By the end of 1998, she announced that she was done with the music business. She fired her management. Nonetheless, in 1999 she