"Rudolph, the Red-Nosed Reindeer" is a song by songwriter Johnny Marks based on the 1939 story Rudolph the Red-Nosed Reindeer published by the Montgomery Ward Company. Gene Autry's recording hit No. 1 on the U.S. charts the week of Christmas 1949. History In 1939, Marks' brother-in-law, Robert L. May, created the character Rudolph as an assignment for Montgomery Ward, and Marks decided to adapt the story of Rudolph into a song. English singer-songwriter and entertainer, Ian Whitcomb, interviewed Marks about the creation of the song in 1972. The song had an added introduction, paraphrasing the poem "A Visit from Saint Nicholas" (in the public domain by the time the song was written), stating the names of the eight reindeer: "You know Dasher and Dancer and Prancer and Vixen, Comet and Cupid and Donner and Blitzen, But do you recall The most famous reindeer of all?" The song was first introduced live on New York Radio (WOR) by crooner Harry Brannon in November 1949. Gene Autry recorded the song on June 27, 1949, and it was released as a children's record by Columbia Records in September 1949. By November, Columbia had begun pushing the record to the pop music market. It hit No. 1 in the US charts during Christmas 1949. The song had been suggested as a "B" side for a record Autry was making. He first rejected it, but his wife convinced him to use it. The official date of its No. 1 status was the week ending January 7, 1950, making it the first No. 1 song of the 1950s. Autry's version of the song also holds the distinction of being the only chart-topping hit to fall completely off the chart after reaching No. 1. The success of the Christmas song gave support to Autry's subsequent popular Easter song, "Here Comes Peter Cottontail". The song was also performed on the December 6, 1949, Fibber McGee and Molly radio broadcast by Teeny (Marian Jordan's little girl character) and the Kingsmen vocal group. The lyrics varied greatly from the Autry version. Autry's recording sold 1.75 million copies its first Christmas season and 1.5 million the following year. In 1969, it was awarded a gold disk by the RIAA for sales of 7 million, which was Columbia's highest-selling record at the time. It eventually sold a total of 12.5 million. Cover versions included, sales exceed 150 million copies, second only to