has moved from large-scale, complex, grids to more spare works of pencil and ink on paper that she describes as "merging precision with spontaneity." In addition to the earlier exhibitions cited, Diehl's work has been shown in one-person exhibitions at the Berkshire Museum (2011), Richard Sena Gallery (2006), Gary Snyder Fine Art (2002), and Hirschl & Adler Modern (1996 and 1998). She has also shown her paintings in group exhibitions at, among others, the Queens Museum of Art, the Aldrich Contemporary Art Museum, and the Sidney Janis Gallery. Reviews of her work have appeared in 'Art in America', ARTnews, The New York Times, New York, The Village Voice, and Review. Her work is widely held in corporate collections in New York and Chicago. Diehl is the recipient of artists' fellowships from the New York Foundation for the Arts (1994) and the Pollock-Krasner Foundation (1995), as well as residency fellowships from the MacDowell Colony for the Arts (most recently, 2006), and the Millay Colony for the Arts (1992). Art criticism and blog Diehl was a Contributing Editor to Art in America (2007-2016), where she wrote cover articles on Olafur Eliasson, Robert Irwin, Wolfgang Laib and Christian Marclay, as well as numerous other features and reviews. Her writing about contemporary art has also appeared in ARTnews, Art + Auction, Art & Antiques, New York, Civilization, and Metropolis. Diehl has written essays for numerous artists' catalogues and contributed essays to several books, including Olafur Eliasson Studio's Unspoken Spaces (2016), Along a Long Line by Michael Glier (2009), and A Place for the Arts: The MacDowell Colony, 1907-2007 (2007). Known for her clear, insightful and candid writing style, Diehl has created a popular blog, Art Vent. In 2011, she received an Arts Writers Grant from the Creative Capital/Warhol Foundation for the blog. Teaching Diehl taught painting and writing in the Graduate Fine Art Program of the School of Visual Arts in New York (1996–2006) and served on the Core Visual Arts faculty at Bennington College (1998-2002). She has been a visiting artist and lecturer at Yale University, Stanford University, Massachusetts College of Art and Design, the University of Iowa, Columbia College Chicago, the Vermont Studio Center, Vermont College of Fine Arts, the Fine Arts Work Center (MA), Rochester Institute of Technology, and the University for the Creative Arts in Canterbury, U.K.; Senior Critic in the University of Pennsylvania Visual Arts Program; and the Forkosh-Hirshman