with lyrics, that was never recorded. It was supposed to be recorded for the Underground sessions, but was never ultimately recorded due to Monk's failing health. It was first released as a piano version by Benny Green and a vocal version by Dianne Reeves in Blue Note's Christmas album "Yule Struttin': A Blue Note Christmas" in 1990. Misterioso "Misterioso" was the very first 12-bar blues that Monk wrote, and it was first recorded on July 2, 1948, for the Wizard of the Vibes sessions, featuring Milt Jackson. The tune later appears on Sonny Rollins, Vol. 2, Misterioso, Big Band and Quartet in Concert, Live at the It Club and Live at the Jazz Workshop. Monk's Dream A 32-bar tune in AABA-form, and was first recorded October 15, 1952, and written around the same time. It first appeared on the album Thelonious Monk Trio. It later appears on the album Monk's Dream. Jon Hendricks later wrote lyrics to the tune, and retitled it "Man, That Was a Dream", and was first recorded by Carmen McRae for the album Carmen Sings Monk. Monk's Mood A ballad in AABA-form that was written around 1943–1944, and went through many working titles, including "Feeling That Way Now", and "Be Merrier Sarah", until Monk settled for the title "Monk's Mood". It was first recorded on October 24, 1947, for the Genius of Modern Music sessions. The tune later appears on Thelonious Himself, featuring John Coltrane and Wilbur Ware. It later appears on the live albums from Carnegie Hall and Town Hall. Monk's Point A 12-bar blues in B, described as Monk's "homage to the bent note", it first appeared on Solo Monk, then a second (and final) time on Monk's Blues with the Oliver Nelson Orchestra. N North of the Sunset A 12-bar blues in B built on a short riff similar to one later used in "Raise Four". It was only recorded once, in the afternoon session on October 31, 1964, for the album Solo Monk. The recording session was in Los Angeles during a West Coast tour by the quartet, suggesting that the title probably refers to Sunset Boulevard. Nutty A 32-bar tune in AABA-form in B that written in the studio and first recorded on September 22, 1954, for the album Thelonious Monk Trio. The tune is structured like "Bemsha Swing" and "Good Bait", in that in their respective B-sections, that A-part is