was awarded the Italian Rotary Clubs' Galileo International Prize at the University of Pisa. Selected bibliography As author “A Documentary History of Music at the Florentine Cathedral and Baptistry in the Fifteenth Century” (diss., Harvard U., 1960). “The Singers of San Giovanni in Florence during the 16th Century”, Journal of the American Musicological Society, xiv (1961), 307-58; reprinted in The Garland Library of the History of Music, ed. E. Rosand, iii/1, New York (1985), 141-92; reprinted in Music in Renaissance Florence: Studies and Documents, Aldershot (2006). “Bernardo Pisano: An Introduction to His Life and Works”, Musica Disciplina, xvii (1963), 115-35. “Heinrich Isaac in Florence: New and Unpublished Documents, The Musical Quarterly, xlix (1963), 464-483; reprinted in Music in Renaissance Florence: Studies and Documents, Aldershot (2006). “Antonio Squarcialupi alla luce di documenti inediti”, Chigiana 23, new series 3 (1966), 3-24. “The Intavolatura di M. Alammano Aiolli: A Newly Discovered Source of Florentine Renaissance Keyboard Music”, Musica Disciplina, xx (1966), 151-174. “Alessandro Coppini and Bartolomeo degli Organi: Two Florentine Composers of the Renaissance”, Analecta musicologica, iv (1967), 38-76; reprinted in Music in Renaissance Florence: Studies and Documents, Aldershot (2006). “Bernardo Pisano and the Early Madrigal”, International Musicological Society: Congress Report, x, Ljubljana (1967), Kassel (1970), 96-107. “Giovanni Mazzuoli, a Late Representative of the Florentine Ars Nova”, L’Ars Nova italiana del Trecento, Certaldo (1968), 22-38. “Le compagnie dei laudesi in Firenze durante l’Ars Nova”, L’Ars Nova Italiana del Trecento, iii, Certaldo (1970), 253-280. ”Some Neglected Composers in the Florentine Chapels, ca. 1475-1525”, Viator: Medieval and Renaissance Studies, i, (1970), 263-288; reprinted in Music in Renaissance Florence: Studies and Documents, Aldershot (2006). “The Musical Chapels at the Florentine Cathedral and Baptistry during the First Half of the 16th Century”, Journal of the American Musicological Society, xxiv (1971), 1-50; reprinted in Music and Musicians in 16th-Century Florence, Aldershot (2007). “Transitional Text Forms and Settings in an Early 16th-Century Florentine Manuscript”, Words and Music: The Scholar’s View, Cambridge (1972), 29-58. “Music and Musicians at Santa Maria del Fiore in the Early Quattrocento”, Scritti in onore di Luigi Ronga, Milan (1973), 99-126; reprinted in Music in Renaissance Florence: Studies and Documents, Aldershot (2006). “Music and Musicians at the Florentine Monastery of Santa Trinita, 1360-1363”, Memorie e contributi alla musica dal medioevo all’età moderna offerti a Federico Ghisi nel settantesimo compleanno (1901-1971), Bologna (1973), 131-151; reprinted in Music in Renaissance Florence: Studies and Documents, Aldershot (2006). “Matteo Rompellini