tune in ABAC-form, and is based entirely on cycling dominant chords (or their tritone substitutions). The tune's tonality is completely hidden until the last 4 bars clearly establish A-major. The tune was named after Nellie Monk's sister, whose real name was Evelyn. Its only recording was done on May 30, 1952, for the Genius of Modern Music sessions, but it has since the 2000s became a popular tune, with many cover versions. It is commonly agreed that the "Skippy"'s changes are based on Monk's reharmonization of "Tea for Two" (which he would later record on The Unique Thelonious Monk, and on Criss-Cross,) but Ethan Iverson argues that Monk composed "Skippy", then applied the changes to "Tea for Two". Something in Blue A 12-bar blues in B. It was only recorded once, at the marathon Black Lion Records session of November 15, 1971. Straight, No Chaser A 12-bar blues in B which, as in "Blue Monk", makes creative use of chromatics in the melody. It was first recorded July 23, 1951, for the Genius of Modern Music sessions, and later appears on Mulligan Meets Monk, 5 by Monk by 5, Straight, No Chaser, and on Monk's Blues. Live versions appear on the albums recorded in Italy, Tokyo, It Club and at the Jazz Workshop. Miles Davis recorded a version on his Milestones album, in which the tune is played in F rather than B. It has been recorded numerous times by Monk and others and is one of Monk's most covered songs. Lyrics were written by Sally Swisher and the song was recorded in 1988 by Carmen McRae as part of her studio album Carmen Sings Monk. For copyright reasons, the song was renamed "Get It Straight". Music educator Mark C. Gridley wrote about Monk's composition style: "Monk employed simple compositional devices with very original results. His 'Straight, No Chaser' involves basically only one idea played again and again, each time in a different part of the measure and with a different ending." Stuffy Turkey A 32-bar tune in D major that was only recorded once, on February 10, 1964, for the album It's Monk's Time. The A-section is based on rhythm changes, and is borrowed from Coleman Hawkins's tune "Stuffy". T Teo A 24-bar tune in B minor in ABA-form. "Teo" was written as a tribute to Monk's, and many other of Columbia's jazz musicians', producer, Teo Macero. The changes