Watercolour in 1897. In 1920 she was elected an associate of the Royal Society of Painter-Etchers, becoming a fellow in 1964. In 1950 was elected a Fellow of the Royal Society of Arts. She exhibited widely, including at the Royal Scottish Academy (Edinburgh), the Society of Women Artists, Aitken Dott (The Scottish Gallery, Edinburgh), the Fine Art Society (London), Walker Art Gallery (Liverpool), Annan (Glasgow), James Connell & Sons (Glasgow & London), and Goodspeed's (Boston). Books Illustrated Several were published by T. C. & E. C. Jack of London in its Told to the Children series, edited by Louey Chisholm. The Yellow Book (1897), as one of multiple illustrators Mary Macgregor – Stories of King Arthur's Knights (Jack, 1905) Charles Kingsley - The Water Babies, Told to the Children by Amy Steedman (Jack, 1905) Louey Chisholm - The Storks and Other Stories for the Six Year Old (Jack, 1905) Louey Chisholm – The Enchanted Land (Jack, 1906) Friedrich de la Motte Fouqué - Undine, Told to the Children by Mary Macgregor (Jack) Elizabeth Barrett Browning – Rhyme of the Duchess May (T. N. Foulis, c. 1907) Aucassin and Nicolette (12th Century French Song Story) (1908) Amy Steedman – Legends and Stories of Italy (Jack, 1909) Louey Chisholm – In Fairyland: Tales Told Again (Jack, 1910) Louey Chisholm – Celtic Tales, Told to the Children (Jack, 1910) James Richmond Aitken – In a City Garden (Foulis, 1913) Edward Thomas – The Flowers of Love: An Anthology of Flower Poems A Series of 24 Drawings in Colour (Jack, 1916) US edition, The Flowers I Love: A Series of Twenty-Four Drawings in Colour by Katharine Cameron, with an Anthology of Flower Poems, selected by Edward Thomas (Stokes, 1917), Iolo Aneurin Williams – Where the Bee Sucks: A Book of Flowers (Poems Chosen by I. A. Williams) (Medici Society, 1929) Fiona Grierson – Haunting Edinburgh (John Lane, 1929) Katherine Cameron – Iain the Happy Puppy: Being the Autobiography of a West Highland Terrier (Moray Press, 1934) Later life In 1928, at the age of 54 she married art collector Arthur Kay, whose interest in Jacobite and Scottish artifacts played a role in building the collection of the Scottish Modern Arts Association. They lived in Edinburgh together until Kay's death in 1939. After Kay's death, Cameron carried on painting and exhibiting but stuck predominantly to flowers as there was no one to drive her to