of Draupadi and Keechaka from the Virata Parva segment of the Hindu epic Mahabharata. Some of Nataraja Mudaliar's relatives objected, feeling that it was an inappropriate story for his debut venture, but Sambandha Mudaliar persuaded him to proceed with making the film as audiences were familiar with the story. Attorney C. Rangavadivelu, a close friend of Nataraja Mudaliar, assisted him in writing the screenplay as the latter was not a writer by profession. The paintings of Raja Ravi Varma provided Nataraja Mudaliar with a source of inspiration for recreating the story on celluloid. Nataraja Mudaliar cast stage actors Raju Mudaliar and Jeevarathnam as Keechaka and Draupadi, respectively. Filming Keechaka Vadham was filmed on a budget of 35,000 (worth 6 crore in 2021 prices). Principal photography began in 1916–1917, and the film was shot over 35–37 days. Nataraja Mudaliar imported the film stock from London with the help of an Englishman named Carpenter, who worked for the Bombay division of the photographic technology company, Kodak. Film historian Randor Guy noted in his 1997 book Starlight Starbright: The Early Tamil Cinema that a thin white piece of cloth was used as a ceiling for filming and sunlight was filtered through it onto the floor. Rangavadivelu was also experienced in playing female roles on stage for the Suguna Vilasa Sabha, and coached the artists on set. The film's production, cinematography and editing were handled by Nataraja Mudaliar himself. The film was shot with a speed of 16 frames per second, which was the standard rate for a silent film, at the India Film Company, with intertitles in English, Tamil and Hindi. The Tamil and Hindi intertitles were written by Sambandha Mudaliar and Devdas Gandhi respectively, while Nataraja Mudaliar wrote the English intertitles himself with the assistance of Guruswami Mudaliar and Thiruvengada Mudaliar, a professor from Pachaiyappa's College. Keechaka Vadham was the first film made in South India; as the cast was Tamil, it is also the first Tamil film. According to Guy, Nataraja Mudaliar established a laboratory in Bangalore to process the film negatives since there was no film laboratory in Madras. Nataraja Mudaliar believed that Bangalore's colder climate "would be kind to his exposed film stock"; he processed the film negatives there each weekend and returned on Monday morning to resume filming. The film's final reel length was . Release, reception and legacy According to Muthiah, Keechaka Vadham was first released at