and 2 was filmed mainly on RED Dragon cameras. Starting with season 3, Panasonic VariCam Pure were incorporated due to their extra low-light sensitivity. This allowed the crew to shoot extra wide exterior shots at night as well as during the day, and to shoot on sets in near total darkness, such as nighttime in Chuck's unelectrified house. For scenes requiring to film from cramped spaces, Panasonic Lumix GH4 point-and-shoot camera was used. In season 4, three RED and two VariCam Pure cameras were used. For seasons 5 and 6, mostly Arri ALEXA LF was used. Episode title sequences Each episode's title sequence features a different low-quality image that recalls Saul Goodman's days on Breaking Bad. This includes the inflatable Statue of Liberty balloon that sat atop Saul's office, a drawer of burner phones kept in his desk, and a bus stop bench that advertised his business. Gould and Gilligan were inspired by the poor quality of early VHS tapes and the notoriously low production values of 1980s public-access television, and from the fact that Saul Goodman's ads on Breaking Bad were done in a similar style. They intended for the title sequences to appear "purposefully shitty" in order to stand out from those of its contemporaries, which generally had increased visual quality and production standards. Some of the title sequences were put together from unused footage from Breaking Bad, but others were filmed specifically to create new ones. The title sequences were put together by assistant editor Curtis Thurber, and scored by Little Barrie guitarist Barrie Cadogan. When Cadogan was putting the music together, he was told the producers wanted a piece of music that would be cut abruptly at 15 seconds. As every season except for the last has ten episodes each, the title credits for every season's corresponding episode number would reuse the same image. However, beginning with the second season, each of the episode's title sequences would continue to decline in picture quality by intermittently flashing black and white, and continue to lose color with each passing season. This caused many to theorize that this symbolized Jimmy McGill's storyline gradually transitioning to that of his post-Breaking Bad alter-ego Gene Takavic, whose scenes were entirely in black and white. With the final season featuring thirteen episodes instead of the usual ten, the title sequences would take a new format. During "Nippy", the title sequence features Saul Goodman's