Hen Casey's Oldtime Waltz Cherokee Shuffle Cluck Old Hen Coal Creek March Coleman's March Cotton-Eyed Joe Cripple Creek Cumberland Gap Eighth of January Fire on the Mountain Forked Deer Grey Eagle Hell Among The Yearlings Hell Broke Loose In Georgia Jenny Lind Katy Hill another old-time tune that has become a standard among bluegrass fiddlers Last Gold Dollar Leather Britches Liberty Lost Indian Mississippi Sawyer Old Joe Clark Old Molly Hare Red Wing Sally Ann Sally Goodin' which is also played in bluegrass as are many Old Time tunes Shoot That Turkey Buzzard Snow Deer Soldier's Joy Spotted Pony Sugar Hill Sugar In The Gourd The Sailor's Hornpipe Maritime tune played by old time fiddlers Turkey in the Straw Waltzing in Old San Antone What Are You Going to Do With the Baby O? Whiskey Before Breakfast Whoa Mule Composed music in the tradition Old time music is based upon aural transmission of tunes whose authorship has been lost to antiquity and thus public domain repertoire. Some such tunes as have achieved such acceptance are widely known by most if not all fiddlers, even those who are not Old Time specialists. Wild Rose of the Mountain, J.P. Fraley Blackberry Blossom Orange Blossom Special Tennessee Waltz Wagon Wheel History and subgenres Fiddlin' John Carson is one of the canonical historic figures in old time. Other famous and important figures include Fiddlin' Arthur Smith, Charlie Higgins and countless figures known only in local oral histories. Old time fiddling has recognized regional variants which are distinguished from regional variants of bluegrass, Celtic and other styles. For instance, Texas Old Time fiddle, is distinct from Texas swing fiddle, Texas blues and Texas rock. It is Old Time, like its relatives in other regional genres (or subgenres) but it is a distinct form in its own right, according to its proponents. For instance, the Texas Old Time Fiddler's Association asserts the uniqueness, and superiority, of "Texas-style of old time fiddling". In an essay entitled The Origins of the Texas-Style of Traditional Old Time Fiddling, the organizations asserts that "the Texas fiddler avoids the repetition and monotony of the two-part Appalachian fiddle tune in favor of those tunes that are more complex and exceed the two-part limit". Cajun fiddle is based on French-speaking Acadian culture in Louisiana and Texas and includes copious use of double stops and distinctive rhythms. Preservation and propagation Much of contemporary old