follows a similar approach. Bertola used 42 kg of table salt to transform the Great Hall's floor at Temple Newsam by recreating the pattern of an early 17th Century woven linen tablecloth from the house's collection. In the days when Temple Newsam was home to aristocratic dynasties salt had been considered a status symbol because of its great value. The unavailability of salt to the lower classes gave rise to the phrase 'to be below the salt'. The installation explores the social status and the different occupants of the house over its history, including both those who lived there and the staff who worked there. Once the installation was over, some of the salt was used to develop photographic prints of the work - capturing lasting images of the fleeting installation. Also developed at Temple Newsam was In the Between Space (2020), a film which featured three female dancers in the tunnel which connects the North and South wings of the Temple Newsam mansion together. The pathway had allowed staff to transport goods around the house and the choreography in the films reflects the repetitive nature of this daily work. The film gives life back to the unused tunnel. The soundtrack was created from recordings of five clocks at Temple Newsam, marking the passing of time within the house. The film draws on two of Bertola's key themes which run through her works, those being the passing of time. and the uncovering of a site's history and people, this being the historic role of lower class women in society. Earlier in her career, Bertola explored the labour of women in Bluestockings (2009), a series of drawings of the artists' lace tights. The Bluestocking Society was a group of mainly women which emerged in England during the mid 18th Century. The women met in the fashionable London homes of their members to discuss literature and the arts. In 18th Century England working-class women received little if any education, and daughters of wealthy families were educated at the whims of their fathers. Needlework, dancing and music were considered proper 'studies' for women. The women of the Bluestocking Society were tired of being excluded from the company of literate men and of wasting their time on these 'feminine' craft productions. They became patrons to women's art and education. Each of Bertola's drawings is named after one of the original members of this society.