«1888» [] Record and Transcript of the Korea Incident (日光名所) «1888» [6] Famous Places of Nikkō (松の栄) «1889» [ ] The Splendor of the Pines (見立曽我) «1887-9» [7] Parody of the Soga brothers (江戸風俗十二ヶ月の内) «1889» [7] Daily Life in Edo Twelve Months a Year (温故東の花) «1889-9» [ ] Looking into the Past: The Pride of the East (雪月花の内) «1891» [32] Within Serene Beauty (西国雅集) «1892» [ ] A Collection of West Country Elegance (日本三景の内) «1892» [ ] Three Famous views of Japan (全国勝景之内) «1892» [11] Scenic views from around the country (古今倭風俗之内) «1892-3» [6] Customs of Old and Modern Japan (倭風俗) «1892-3» [11] Customs and Manners of Yamato (あづま風俗) «1894» [] Daily Life of the East (千代田の大奥) {42}«1894-6» [3] The Ladies' Chambers of Chiyoda Palace (今様の美人) «1895» [] Contemporary Women (十二ヶ月の内) «1895-8» [] Twelve Months (花鳥風月) «1895» [7] Beauties of Nature (婦人諸禮式の図) «1895-6» [23] Scenes of Various Women's Ceremonies (徳川時代貴婦人) «1896» [2] Ladies of the Tokugawa period (七曜之内) «1896» [11] The Seven Days of the Week (明治風俗) «1896» [] Meiji Customs (松竹梅) «1896» [] Pine, Bamboo, and Plum (Three Friends of Winter) (日本歴史教訓画) «1897» [] Pictoral Lessons of Japanese History (千代田の御表) {33} «1898» [3] Chiyoda Palace: Outside the Walls (女禮式略の図) «1898» [9] Handbook of Ladies' Etiquette (婦人諸礼式の図) «1899» [] Illustrations of Ceremonies when Ladies gather (今とむかし) «1898» [2] Then and Now (竹乃一節) «1898-1904» [15] Verses of the Middle Rank (あずま美人) «1897-1903» [] Beautiful Women of the East (朝鮮變報) - A Report of the Korean Disturbance (流行美人) «~1895-99» [] Fashionable Beauties (上野公園) «1899» [2] Ueno Park (教育幼稚園之図) «1899» [] Scene of Kindergarten Education (倭風俗) «1898» [6] Customs and Manners of Yamato (大磯通之圖) - Scenes of Oisotōri (花之御所) - The Flower Palace (浮世風俗) «1905» [] Everyday Customs In addition, his œuvre contains a very large number of three panel scenes with individual titles, not collated into series. One group of these could be assembled under the heading, "The Royal Household at Play", another could be grouped under "Scenes from the Kabuki", and a third under two sub-titles, "The Satsuma War" and "The Sino-Japanese War.' An album of twenty-five triptychs was published in 1877 by several artists, including Chikanobu, which brought to light the events of an important domestic insurrection (the Satsuma Rebellion). A bound album in ōban tate-e format was conceived and assembled by the publisher, Matsuki Heikichi, under the title of "Kyōdō risshiki" [Self-made Men Worthy of Emulation/Exemplars of Learning and