2016, The Top Tens Most Satanic Bands listed Radio Werewolf, "Yes!, Since when does Heavy Metal have to be the only satanic music. Why not dark organ Gothic/Deathrock." In 2019, Amy Haben's article "Subversive Grooves: Music From the Dark Side," for the February 25 edition of online zine Please Kill Me, describes Radio Werewolf and Zeena, "Radio Werewolf is one of the coolest bands you probably never heard of. It's a dark trip on to the set of a vintage horror movie.[...] Zeena's version of Nancy Sinatra's, "These Boots Are Made For Walkin’," features a World War II-esque sample sound of marching boots to kick it off the song followed by a deep bass line reminiscent of Nilsson's "Jump into The Fire." Zeena seduces with sultry vocals and smacks a bit of German into the middle of the tune. Solo music career Performa 13, New York On November 8, 2013, the visual art performance biennial Performa presented Zeena accompanied by New York musician Hisham Bharoocha (first percussion) and Danish musician Anders Hermund (second percussion), for a vocal based work that tapped into the ritual use of sacred syllables from Vajrayana, Shaktism and Sethian-Typhonian left-way tantric practices, "originating from emptiness, gradually transforming into a sound and voice collage on a stage set design by Frank Haines." This was Zeena's first solo performance in her native country since her expatriation to Europe in 1990. David Sanderson described the event, "Jingling bells and padded footsteps echoed in the darkness. The curtains silently parted, dramatically revealing an electrified, vermilion environment. Dead center, with hands held in the Mudra position, stood the seemingly twenty-foot tall goddess Zeena. With a painted gong behind her, Bharoocha and Hermund adorned her sides. Bharoocha lit incense that swept through the audience as Zeena's commanding gaze pierced us all (everyone I talked to after the show swore she was staring directly at them)." Wave-Gotik-Treffen music festival On May 23, 2015, after a 24-year retreat from musical performances, Zeena made her official return to music in Europe, now as a solo artist, at the Wave-Gotik-Treffen festival in Leipzig, Germany. The concert, held amid "the sacred, magically charged ancient artifacts housed in Leipzig's Egyptian Museum (at the Leipzig University)," was a unique ritual soundscape which Zeena composed especially for the theme of that environment. She was accompanied by Cory Vielma and John Murphy. This was John Murphy's penultimate performance. Having suffered a