transposed to the subdominant to create B-section. The tune was recorded again July 1957 for the album Thelonious Monk with John Coltrane. Live versions of the tune appear on the albums from Carnegie Hall and the Five Spot. Margo Guryan also wrote lyrics for the tune. O Off Minor A 32-bar tune in AABA-form that is notoriously difficult to play. The tune was first titled "What Now", and part of the A-section was borrowed from Elmo Hope. It was first recorded on January 10, 1947, by Bud Powell and appears on the album Bud Powell Trio. Monk later recorded the tune the same year on October 24, for the Genius of Modern Music sessions. The tune later appears on the albums Piano Solo, Monk's Music, The Thelonious Monk Orchestra at Town Hall, and on Monk in France. Oska T. An 8-bar tune in A that only appears on the album Big Band and Quartet in Concert. Two unrelated explanations have been reported regarding the origin of the title. The plausible explanation is that the title is a reference to the radio personality and jazz broadcaster Oscar Treadwell (after whom Charlie Parker named a different jazz composition, "An Oscar for Treadwell"). The other explanation is that title is a corruption of the British English pronunciation of "ask for tea". Ethan Iverson speculates that this tune was Monk's response to the modal jazz movement, as the tune mostly lies on one chord. P Pannonica A 33-bar tune in AABA-form (8-8-8-9) that is one of Monk's most popular ballads. The tune was written around the summer of 1956, and was dedicated to Pannonica de Koenigswarter. The tune was first recorded on October 9, 1956, for Brilliant Corners. It later appears on Monk's albums Les Liaisons dangereuses 1960, Thelonious Alone in San Francisco, Criss-Cross, Monk in Tokyo, and Monk. Jon Hendricks wrote lyrics to tune and called it ”Little Butterfly”, and was first recorded by Carmen McRae on Carmen Sings Monk. Played Twice A 16-bar tune in AABA-form that was first recorded on June 1, 1959, for the album 5 by Monk by 5. The B-section rhythmically displaces the concluding phrase from the preceding A-section. It later appears on the album Big Band and Quartet in Concert. R Raise Four A 12-bar blues in B featuring a one-bar riff built on the interval of a raised fourth (or augmented fourth), also known as a