condition, as it is now being used as a crack house by addicts and vagrants. Jesse is adamant nothing can connect him to Gale's murder, but when he is asked if he picked up the shell casing from the gun (which could have his fingerprints on it), it is revealed he did not. When he is further questioned about the murder, Jesse starts to panic due to the memory of it and pays two druggies to kick Walter out of the house. Walter later laments to Saul Goodman about how the meth business is falling apart because no one is acting professionally, and rejects an offer to go into hiding. Jesse's detached complacency eventually leads to all of his meth money being stolen from his house, but Mike quickly recovers it and warns Jesse that he's on thin ice. Jesse is apathetic about the loss and recovery, leading Mike to tell Gus Fring that Jesse's lack of professionalism is a problem for the organization, and they must intervene. Jesse does not show up at the lab the next day and Walter realizes that he has been kidnapped. The episode ends with Mike driving Jesse to an unknown destination. When he asks Jesse if he would like to know where they are going, the only reply is a simple "nope." Production "Bullet Points" was written by Moira Walley-Beckett and directed by Colin Bucksey, the third Breaking Bad episode he directed after "Phoenix" in season two and "I See You" in season three. During the cold open scene, one of Gus' drug-smuggling trucks is attacked by members of a Mexican drug cartel. This is a reference to what series creator Vince Gilligan refers to as a brewing "cold war" between Gus and the cartel due to Gus' actions against them during the third season. The scene in "Bullet Points" is the first reference to this storyline since the third-season finale "Full Measure", when Mike killed several cartel henchmen who had taken over one of Gus' chemical supply warehouses. To create the bullet holes that strike the truck Mike is hiding inside, the special effects department drilled, wired and hand-planted 380 squib explosives onto the truck, including 150 on each side of the vehicle and 80 for the back door. Two sets of the back door were used, one for the view of shots being fired at the exterior of the door and