planting of about 8,000 trees, the transplanting of 200 trees, the converting lawn areas to meadows, and the restoration of streams that flowed through the campus. Glenstone's landscaping is managed using organic products only. This outdoor space hosts large art installations by artists including Jeff Koons, Félix Gonzalez-Torres, Michael Heizer, and Richard Serra. Reception In a review for The Washington Post in 2018, Philip Kennicott wrote that Glenstone is a "must-see" museum and that its creators successfully "integrate art, architecture, and landscape". Referring to the natural setting of the museum, he wrote that "everything is quietly spectacular, with curated views to the outdoors that present nature as visual haiku". Kennicott tempered his review by mentioning that the museum's distinctive architecture and layout continually confront visitors with "strange visions" that will make it "interesting to see how it is received". Kriston Capps of Washington City Paper called Glenstone's 2018 expansion successful and enchanting, with a sublime viewing experience. He wrote that the museum's collection excels in its focus on conventional paintings, sculptures, and installations but excludes more modern media, such as video or performance art. Concerning this conservative focus, Capps wrote, "Glenstone is not promoting equity, addressing inequality, or solving accessibility — not yet anyhow." In Washingtonian, Dan Reed praised Glenstone's suburban setting, saying it "has little in common with the crowded downtown art meccas" and describing it as soothing, contemplative, and stunningly landscaped. Writing for the National Review, Brian T. Allen described Glenstone as "a gift to the public of rare size and consequence". He wrote that it "is a huge success on many levels, but among its triumphs is fashioning a mood and space to look intently and even to fall in love with art that most will be disposed to find difficult, forbidding, or inscrutable." Regarding the landscape, Allen wrote, "Getting people out of their cars for the long walk to the exhibition spaces creates a time of orientation and decompression. Few museums can even try this because they don't have the land." Sebastian Smee wrote in The Washington Post about Glenstone's potential to appeal to some types of visitors but not others. Smee called it "the most exciting new private museum in America, " saying that for some visitors, "the Glenstone experience can feel, at least initially, a little weird. A little too...controlling." He said the museum "wants you to have your own experience" and "proposes that