side of the photo, indicating that the victims may have been forced to dig their own graves. The identity of the photographer is unknown, but he was probably a German soldier. Many German soldiers photographed atrocities in which they were complicit. Discovery and publication The Polish resistance infiltrated the postal office in Warsaw in order to intercept sensitive correspondence, which they sent to the Polish government-in-exile in London. Poles and Jews were forbidden to own cameras, but the Polish resistance established underground workshops for developing clandestine photographs of Nazi atrocities. A teenage boy named Jerzy Tomaszewski worked with an underground lab called "Foto-Rys", and he intercepted a photograph with the words "Ukraine 1942, Judenaktion [Jewish Action], Iwangorod [Ivanhorod]" written on the reverse. He kept the original, which remains in his personal archive; a copy was sent to the government-in-exile in London. The photograph was first published in Poland in 1959 by the Society of Fighters for Freedom and Democracy on the cover of a book of photographs entitled 1939–1945. We have not forgotten / Nous n'avons pas oublié / Wir haben es nicht vergessen. Tomaszewski worked as one of the editors, although he knew that the book was using the photographs for Communist propaganda; he supported the publication because there was no other way to print the photographs. Many publications crop the image to the one soldier, the woman, and the child. Photography historian Janina Struk states that cropping the image omits "the less emotional and more confusing parts of the picture". Educator Adam Muller states that while the cropped version highlights "the catastrophic intensity of the mother–child bond", it also removes the surroundings and context from consideration. The full version reveals that the scene is not one of personal suffering and individual brutality, but a mass execution. Since then, the Ivanhorod photograph has been reproduced in many books, museums, and exhibitions relating to the Holocaust. In her book Reading the Holocaust, it was described by Inga Clendinnen as "iconic in its distillation of German atrocity". According to Robert Fisk, the photograph is "one of the most impressive and persuasive images of the Nazi Holocaust". Struk stated that it "has become a symbol of the barbarity of the Nazi regime and of the murder of 6 million European Jews". Falsification allegations The far-right West German newspaper Deutsche Soldaten Zeitung (DSZ, German Soldiers' Newspaper) printed an allegation on 26 January 1962