of interior refurbishment from major department stores, specialty retailers, financial institutions and commercial offices through to hotels, clubs and pharmacies. In the 21st century Sidgreaves ranks many national and international companies amongst its clients in Australia including Burberry, Versace, Jimmy Choo, Saba and Sheridan. Otto Steen Otto Steen studied at the Royal Academy, Copenhagen under Utzon Frank 1923–1925. He studied under Raynor Hoff at East Sydney Technical College from 1928 to 1930 and worked as Hoff's assistant on the ANZAC memorial. As Hoff's student, Steen was part of perhaps the only instance of coherent (European) group production of sculpture in Australia. The unity of style and subject matter of the sculptures created by Hoff and his students was so great that the works have been designated as part of 'the Hoff School". The theme of Greek mythology in Steen's work at The Paragon reflected the influence of his work as a member of the Hoff School with its classicist tendencies. It was a local decision made on behalf of the local community with input from appropriate experts. Steen completed reliefs at King George V Hospital in Sydney (1941) as well as those at the Trocadero, Sydney, 1936 (frieze), the AWA building, Sydney, 1939 (mosaic, relief), Everglades and The Paragon. Henry White The New South Wales Heritage Register entry for the Paragon Cafe states that "the design of the 1925 and 1930s interiors has generally been attributed to Henry Eli White", however there is no direct record of his involvement. The 1920s work was by local architect Harry Lindsay Blackwood and Harry and Ernest Sidgreaves shopfitters, rather than Henry White. The 1930s work could not have been by White as he had ceased practicing by 1930, instead George Newton Kenworthy is recorded as the architect. Kenworthy had worked as a senior architect in White's office in the 1920s, before starting his own practice in 1929, and this perhaps is where the confusion comes from. George Newton Kenworthy G N Kenworthy was a lead architect and project manager in the offices of prolific theatre architect Henry Eli White in the 1920s, before branching out on his own in 1929. Kenworthy went on to design a number of theatres and cinemas in the 1930s in the Art Deco style, notably the Cremorne Orpheum, as well as the Royal Hotel, Orange, and the Simos' house Olympus in 1940. In 1934, he was also the