when it was made available on Netflix in 2016, plus numerous successful projects that have revived interest in older shows, such as Fuller House. The revival was officially announced by the streaming service Hulu in January 2018 in partnership with Spielberg and Warner Bros. Domestic Television Distribution. The broadcast rights for the new series also included rights for Hulu to stream all episodes of Tiny Toon Adventures, Animaniacs, Pinky and the Brain, and Pinky, Elmyra & the Brain. Hulu considered the show its first original series targeted for families. Spielberg returned to serve as executive producer, alongside Sam Register, president of Warner Bros. Animation and Warner Digital Series, and Amblin Television co-presidents Justin Falvey and Darryl Frank. The show was produced by Amblin Television and Warner Bros. Animation. Wellesley Wild, a writer for Family Guy, was named the showrunner, while Gabe Swarr was named as co-executive producer. In addition to Wild and Swarr, Carl Faruolo served as supervising director. Wild and Swarr developed the revival to be respectful of the original series as closely as possible. Wild stated "There's lightning in a bottle here and the first thing I'm going to do is keep that lightning in the bottle, vigilantly." In addition, with the show's 20-plus year hiatus, Wild and Swarr believed that a good portion of their audience would be parents who had watched the show as children themselves and were introducing their own children to the new show; they wanted to create a similar Jurassic World effect due to the similar gap from the original Jurassic Park film, and thus partially inspired the series' introductory short being a parody of Jurassic Park. Wild wanted to make sure to keep the same type of bi-level humor that the original show had, with more slapstick and visual comedy that would appeal to younger audiences, while having a higher level of humor that parents and adults would catch on to, often where some of the more risque humor could be included without evoking any censoring. According to Wild, Spielberg was at every pitch meeting and insisted on maintaining most of the elements of the original show, including the original voice cast and orchestrated music, as well as producing the show as typical of most adult animated shows with a full writers' room in contrast to typical children's animated shows. Spielberg was also heavily involved throughout the storyboarding process to make sure