is amplified, making it resonate. The boy kicks the ball around the Church like an object. This work is anti establishment. Don´t let the T Rex Get The Children. The video begins with a close-up of a child's face. They lick the screen and then smile. As the camera reveals the child's face in incongruous rapturous laughter, the viewer, first discovers his shaved head and then a bright green straight jacket and a velvet padded cell. These discordant elements are disturbing as they play with our suspension of disbelief. I Should Be Older Than All Of You, (2000). Using a motion control camera filming the rib cage of a child breathing, it pulls out in slow motion to reveal a child lying still in a box of red and orange silks. With the precision of a Donald Judd structure and Rothko tones. As the camera shows the whole image, slithering in the gold silk edge are snakes, reminiscent of a baroque frame. The snakes slither towards the child who is unperturbed.When are we there?, (2001). The viewer walks up a marble staircase, along a paneled corridor and into a room where a woman stands unflinching. The viewer examines the woman and with the gaze appears indentations on the skin, movements, as if it was invisibly touched by the viewer's gaze.I Love You Mummy - I Hate You. A hammock, containing two little boys, rocks. One says "Í love you Mummy", the other says´"I hate you". As the hammock repeatedly rocks rhythmically to the voice, the hammock is presented without the boys. Initiating a sense of loss.Dance for freedom- Thought. Marshall's alter ego Sufi whirls all around the world.I can see the wood for the trees. Positioned on two opposite screens one shows a tank shooting across the space at "Thought" holding a crying baby. A paintbrush appears in "Thought"'s hand and she makes paint strokes that are simulated on the opposite screen eradicating the tank from the image with the brush strokes. Solo exhibitions 1998, Team Gallery, New York. 1999, Team Gallery, New York - Real Art Ways, Hartford, Connecticut. 2000, Galerie Vaclava Spaly, Prague - Yves St Laurent, Paris - Oliver Art Center, CCAC Institute, Oakland; San Francisco, Larry Rinder - Gallery 400, University of Illinois, Chicago. 2001, Freiburger Kunstverein, Freiburg - Team Gallery, New York. 2002, Fonds Régional d'Art Contemporain, Provence-Alpes-Côte d'Azur - Palais de Tokyo, Paris -