Glenn Adamson (born 1972) is an American curator, author, and historian whose research and work focuses on the intersections of design, craft, and contemporary art. Adamson is currently editor-at-large of The Magazine Antiques, editor of Journal of Modern Craft, a freelance writer and a curator. Adamson has held previous notable appointments as the Director of the Museum of Arts and Design, Head of Research at the Victoria and Albert Museum, and as Curator at the Chipstone Foundation. Personal life Glenn Adamson was born in 1972 and raised in Boston, Massachusetts along with his identical twin brother Peter Adamson. Glenn Adamson earned his B.A. in History of Art from Cornell University in 1994 and his PhD in Art History from Yale University in 2001. Adamson is currently based in Brooklyn, New York. Museum and curatorial work Museum of Arts and Design From 2013 to 2016 Glenn Adamson served as the Nanette L. Laitman Director of the Museum of Arts and Design in New York City, NY. Adamson's hire at the Museum of Arts and Design came as a somewhat surprise. Previously, Adamson had been a critic of the museum, using a 2011 review of the exhibition The Global Africa Project in the magazine Art in America to critique the institution itself. Adamson's critiques included the architecture of the museum's new building and their gallery layouts, the 2002 name change, and the "incoherent execution" of exhibitions. Holly Hotchner, director of the Museum of Arts and Design from 1996 to 2013, responded to Adamson's critiques in a letter to the editor of Art in America in 2011 where she defended many of the topics Adamson critiqued. In spite of this previous tension, the museum found Adamson to be the "most exciting candidate" when searching for Hotchner's replacement in 2013. In 2016, when Adamson stepped down from his post as Director at the Museum of Arts and Design, the museum stated: "During his tenure, Dr. Adamson led the institution through a period of significant growth of its programming and resources, and built a new leadership team. Dr. Adamson spearheaded an exhibitions program that explored and expanded MAD's unique mission and role in the arts ecology of New York and the nation, including NYC Makers: The MAD Biennial; Ralph Pucci: The Art of the Mannequin; Pathmakers: Women in Art, Craft, and Design, Midcentury and Today; Wendell Castle Remastered; Studio Job: MAD HOUSE; and Voulkos: The