store animals from straw piles. Remains of this building have been found on this layer. Its walls are woven from thick sticks and dipped into clay. The roof of the building is covered with wooden shells, and the ground floor is covered with a mat. Clay bottles on the floor, clay stoves were found inside the scattered hearth. Frosted metal alloy was found inside the clay bush found in the oven. Teas, lugs and stone molds from tea stones were obtained near the quarry. This house was painted by K. Kushnareva as a "cast house". Clay items found in this layer are divided into two groups, kitchen and household utensils. Ceramic products are cooked in gray or black color. Household appliances are thoroughly polished. The boards are designed with various motifs of gray ornaments. The thickness of the middle layer selected by rich oak residues, economic wells and rich archeological materials is 1.5 m. The ruins of the magnificent protective wall, which depicts the entire habitat, have been discovered on this layer. The wall of the protective wall is 35 m in length and 3 m in width and 1 m in height. One of its entrance doors is reinforced with counterfeit. Remnants of ground-based and wood-covered houses were found on the inside of the defensive wall. During this period, the place of residence was exposed to a double fire. As a result of the collapse of the houses and the accumulation of the cultural layer, the defense wall has lost its significance and has been calibrated. The third building period was located on the wall of the defense. In spite of the fact that it was extremely bad, the ground floor and the household items kept on them were found on this layer. Ceramics of the second and third classes were accepted by K. Kushnaryeva as a single complex. During this period, there was considerable progress in the production of clay products. The sculptural ornament used in the substrate was replaced by a more perfect ornament. During this period, painted containers, which are completely different from the black colored ceramics of Oterliktepe, appear. K. Kushnaryeva links the formation of the painted containers with the progress made in the development of pottery. Monochrome painted dishes, differing from the black polished ceramic, reflect the effect of another culture and will be further explained below. At the moment, it can be said