Juan Pablo Torres Morell (August 17, 1946 – April 17, 2005) was a Cuban trombonist, bandleader, arranger and producer. He was the director of Algo Nuevo and a member of Irakere, two of the leading exponents of songo and Afro-Cuban jazz in the 1970s and 1980s. He has also directed various Cuban supergroups such as Estrellas de Areito and Cuban Masters. He has been called "one of the best trombone players in the Latin-jazz community of the 1990s". Life and career Torres was born in Puerto Padre (former Oriente Province) on August 17, 1946. His father, who played trumpet and trombone, instilled a love of music in him from a young age. He began his musical work as euphonium player in the municipal band. Before graduating from the Escuela Nacional de Arte, Torres started his career Octavio Sánchez Cotán's ensemble. In the spring of 1967 he joined the Orquesta Cubana de Música Moderna (OCMM), a large jazz ensemble directed by Armando Romeu. Soon after in the early 1970s, he directed his own group with other members of the OCMM: Los Caneyes, which created the new rhythm "chikichaka". He also started his career as a producer in EGREM, Cuba's national record label. In 1979, he was chosen as director for the Estrellas de Areito, an all-star ensemble which recorded several albums of descargas, improvised jam sessions. In 1976, he founded his own group, Grupo Algo Nuevo, recording several seminal albums of the songo genre until its dissolution in 1984. In the mid-1980s, Torres joined Irakere, which had been founded by former members of the OCMM, such as Chucho Valdés, Paquito D'Rivera and Arturo Sandoval. The latter two emigrated from Cuba to the United States in the 1980s, and Torres followed suit in 1992, when he decided to stay in Spain with his wife, Elsa, after the Zaragoza Conservatory offered them a teaching contract. In 1993, they relocated to the US, where he was a member of the TropiJazz All-Stars, Cuban Masters (which he directed) and the Caimán (Cobo Music) All Stars, three all-star ensembles similar to the Estrellas de Areito. During this time he continued to record and release solo albums, while also playing as a session musician with Bebo Valdés, Paquito D'Rivera, Juan Manuel Ceruto, and others. In 2002, he produced Generoso Jiménez's comeback album: Generoso qué bueno toca usted. He contributed to several soundtracks, such as Henry IV (with