of which appears to have a crane for loading and unloading ships. The first Harbour Master was appointed to the Port of Sydney in 1811. Ninety years later the Sydney Harbour Trust took over the administration of the Port of Sydney. In 1936 the Maritime Services Board was formed to take control of all NSW ports with the exception of Port Kembla. The MSB was responsible for ports with jurisdiction over all navigable waters until it was dissolved in 1995 under the Port Corporatisation and Waterways Management Act 1995. The foreshore land at Weston Street and Peacock Point came under the management of the MSB and was used as a lumber yard until State Planning Authority planners Nigel Ashton and Lindsay Robertson acquired the site along with other harbour side sites for public open space. In 1968 Ashton engaged Bruce Mackenzie to undertake the landscape design which was constructed in two stages: Stage One in 1970 and Stage Two in 1981. Iloura Reserve was enlarged in 2008 following Leichhardt Council's acquisition of the adjacent Fenwick & Co Boat Store site. The Modern Movement in landscape design and its use at Iloura The influence of the Modern Movement in landscape design in Australia was seen early in the 20th century in the works of Walter Burley Griffin and Marion Mahony Griffin. At Castlecrag they demonstrated how buildings could be integrated with the natural environment. After World War II young Australian architects, like Richard Clough, Bruce Rickard, Peter Spooner and Allan Correy, returned from overseas with qualifications in landscape architecture, having been exposed to the Modern Movement. In the 1950s Rex Hazelwood advised Willoughby Municipal Council, planting spotted gums, turpentines and other native trees. Modern architect designed homes of the 1940s and 1950s were set in contrast to a natural setting or were integrated with a natural setting; both approaches relied upon the retention of native trees whilst building. In the 1940s and 1950s notable Australian landscape designer Edna Walling had begun to regularly use Australian plants in her designs and advocated for them in her book The Australian Roadside (1952). The 1960s and the 1970s saw the rise of the Sydney School of architecture. This was an architecture practised within the Sydney region that expressed a natural affiliation with the Australian landscape; it integrated nature and architecture through spatial arrangements and choice of rustic simple materials and the application of craftsmanship.