mining town of Kumara on New Zealand's South Island, Albert married Annie Beaton, stage name Annie Wyniard, an opera singer. The couple registered the births of three children - Dorothy Saretta, born 1893; Ernest Gustav, 1895; and Leonore Frances, 1896. During this time Albert was managing the Frances Ross Dramatic Company. In August 1897 Albert left for London to find work. London news clippings from February to June 1898 show that Albert was on stage in London. Albert returned to New Zealand in September 1898; in the same year he began touring there with the Robert Henry Theatrical Company. The Brandon-Cremer Players Touring Company In 1900 the family moved to Australia, with Albert travelling back and forth to New Zealand during that year for work. By this time Albert had already met Isora ‘Dolly’ Grey (an actress, stage name - Kathleen ‘Nora’ Arnold), a member of his new acting troupe, the ‘A. Brandon-Cremer Dramatic Company’. Albert's Company toured Australia for years to come and visited towns across both Australia and New Zealand. Albert and Isora would marry and produce two children who would both go on to successful careers on stage and early television in Australia. The first: Kathleen Gertrude 'Gertie' Dora Barbara Cremer in 1902. The second: Mollie Stella Sadie Mascot Cremer in 1907. Over the next 20 years Albert and Isora would have great success leasing theatres and running a repertory company across Australia and New Zealand. His work intertwined with such greats as J.C. Williamson as Isora, Albert's wife described in an interview covering this period. One of Albert's greatest successes was a 54-week production run in 1917 while leasing the Kings Theatre (now Mercury Theatre, Auckland), New Zealand, a record at the time. Tasmania at Work and Play By 1927, Albert was in Hobart, Tasmania, making a silent film entitled, ‘Tasmania at Work and Play’, starring his daughter Mollie as the central character. The short silent travelogue features scenes with Mollie as a tourist playing ‘Mollie from the Mainland’. The film has survived and is retained by Tasmanian State archives. The film was credited as the first such movie shot in Tasmania. The cinematographer was Bert Cross from Sydney who worked at Cinesound with Albert's son, Ernest. In 1929, Albert made another short silent film entitled, ‘Nursery Rhymes’, shot by his son Ernest on Bronte Beach, which was shown across Australia. This movie has been lost.