to admit natural light to a central core surrounding a fireplace. The building is intact and in good condition. A nearby stone wall appears to be remnant section of another early outbuilding / storage shed (close to the gates and lodge/gate house) which partially collapsed in 2009 (grant application, 1/2011) The Wynstay residence This is a two-storey, face sandstone building designed by Joseland & Gilling architects in the Inter-War Georgian Revival style. The original integrity and fabric of the building is superb. Physical description The property of Wynstay occupies a dominant position on top of a hill at the end of The Avenue at Mount Wilson. The original cottage Wynstay, and the second Wynstay, a U-Shaped timber residence surrounded on three sides by verandahs, still remain on the site. The main house Wynstay, a sandstone Georgian Revival manor house, is sited above the northern boundary of the property. The grounds of Wynstay are bordered by extensive stone walling which runs in a semicircle on the western side of the property. At the end of The Avenue are a set of stone gate posts incorporating decorative wrought iron work, and beside the main gate stands a pentagonal stone gate lodge. From the gate lodge run remnants of a carriage drive that continued along a terrace with almost a mile of rubble walling before arriving at the stables. The stables building is constructed on a U-Shaped plan and built randomly of coursed basalt with some dressed sandstone. This structure includes battlements and crenellations which match the stone walling which runs around the boundary of the garden. A Turkish bath house of decorative brickwork, wrought iron and ceramic floor tiles is sited below the northern wall of the garden. Design elements The garden is laid out in the style of an English park estate, in the picturesque or gardenesque style. The various structures (gate House, stables and Turkish bath house) serve as pictureesque elements in the garden of Wynstay. Richard Wynne's siting of these structures, and the three houses built in the grounds, did not address the spectacular views to the north of the property over the Wolleongambe Wilderness. The natural landscape was deliberatley kept separate from the picturesque garden that Wynne created within the circular walk which defines the garden and grounds. The main house, Wynstay of 1923, is however sited to address these views rather than the garden. The garden is