Margaret Anna Gordon (19 May 1939 – 31 December 1989), born Margaret Anna Eastoe, was a children's book illustrator, best known for depicting The Wombles in Elisabeth Beresford's books and her own series about Wilberforce the mischievous bear, which she both wrote and illustrated. Career Born in London on 19 May 1939 to musician parents, Margaret Anna Eastoe (who was known professionally after 1964 by her husband Giles Gordon's surname), studied at St Martin's School of Art, but moved to Camberwell College of Arts because, she said, all the women at Saint Martin's were there to find husbands and she wanted to be an artist, and the Central School of Arts and Crafts. She then became a part-time teacher in Bexhill, but continued to paint, exhibiting her first work in 1965. She illustrated a number of books for Macmillan, including George MacBeth's Noah's Journey, before producing her own picture book The Green Children (with Macmillan's Kevin Crossley-Holland) in 1966. This won the best children's book prize from the Arts Council in 1968. She and Crossley-Holland published The Callow Pit Coffer and The Peddler of Swaffham in 1968 and 1971 respectively, and she then published Walter and the Balloon with her husband. As well as her usual colour work, she also produced black and white sketches to illustrate Alison Jezard's series of Albert books about a teddy bear. Her most well-known illustrations were for Elisabeth Beresford's The Wombles series of books, first published in 1968 and later adapted into the popular television series. Beresford provided more Womble stories in response to their popularity, and Margaret worked long hours, seven days a week to complete the accompanying illustrations for twenty books. For this reason, after the Wombles, she would only illustrate a book if she was paid a royalty rather than an outright fee. The demand for more Womble books meant additional illustrators were enlisted by the publisher Ernest Benn, but the definitive visual interpretation of the animals was Margaret Gordon's. In the mid-1980s, she began to both write and illustrate books, including her successful series about a mischievous bear named Wilberforce. She intensely disliked the razzamatazz of the publishing world and was utterly uninterested in its gossip. She was particularly happy to be taken up by Walker books in the last years of her life as she much admired their books. She was a versatile artist and excelled in both black