Julia Bryan-Wilson) Things of Beauty Growing: British Studio Pottery (Yale University Press, 2016) (co-edited with Martina Droth, and Simon Olding) Peter Voulkos: The Breakthrough Years (Black Dog Publishing, 2016) (co-authored with Elissa Auther, Barbara Paris Gifford, Jim Melchert, Ruby Neri, Andrew Perchuk, and Jenni Sorkin) Paul Evans: Crossing Boundaries and Crafting Modernism (Arnoldsche, 2014) (co-authored with Edward S. Cooke, Jr., Helen W. Drutt English, Robert Slifkin, and Gregory Wittkopp) Surface tensions: Surface, finish and the meaning of objects (Manchester University Press, 2013) (co-edited with Victoria Kelley) Global Design History (Routledge, 2011) (co-edited with Giorgio Riello and Sarah Teasley) Postmodernism: Style and Subversion (V & A Publishing, 2011) (co-edited with Jane Pavitt) Hand + Made: The Performative Impulse in Art and Craft (Contemporary Arts Museum, Houston, 2010) (co-authored with Valerie Cassel Oliver and Namita Wiggers) Unpacking the Collection: Selections from the Museum of Contemporary Craft (Museum of Contemporary Craft, 2010) (co-authored with Janet Koplos and Namita Wiggers) Articles and essays A Young Designer's Pulpy and Surprisingly Personal Furniture (Hyperallergic, 2018) Katherine Westphal, Fiber Art Pioneer, Dies at 99 (Hyperallergic, 2018) A Shrewd Designer Balances Craft and Commerce (Hyperallergic, 2018) Great Estates: How Contemporary Ceramics Are Keeping Chatsworth Relevant(Frieze, 2018) Fallen Idylls (The Magazine Antiques, 2018) The Future Starts Here: Jes Fan (Crafts Magazine, 2018) The Seamless Weaving of Fine Arts with Crafts (Hyperallergic, 2017) Weaving Together the Story of a Forgotten Pop Artist and Her Rugs (Hyperallergic, 2017) Normal Design (Art in America, 2017) Silver Spoons (Frieze, 2017) The Complexity Complex (Frieze, 2017) Demo Job: Craft, Art, and the Politics of Demonstration (Art Jewelry Forum, 2016) Summer Work: The Art of Pae White (Afterall, 2013) Issues & Commentary: Tsunami Africa (Art in America, 2011) The American Arcanum: Porcelain and the Alchemical Tradition (Ceramics in America, 2007) Mannerism in Early American Furniture: Connoisseurship, Intention, and Theatricality (American Furniture, 2005) The Politics of the Caned Chair (American Furniture, 2002) The Furniture of Sam Maloof (American Furniture, 2002) The Journal of Modern Craft The Journal of Modern Craft (first launched in 2008) is a peer reviewed academic journal focused on interdisciplinary writings on the topics of design, craft, art, architecture, and related fields. The journal is published by Taylor & Francis, and releases three issues a year. The editorial board consists of Glenn Adamson (USA); Tanya Harrod, Independent Scholar (UK); Edward S. Cooke Jr., Yale University (USA); Stephen Knott, Kingston University (UK); Elissa Auther,