"Why have there been no Great Women Artists?" (first published in Women Artists Slide Library Journal no. 15 (February 1987) and then in Hilary Robinson (ed.), Visibly Female (London: Camden Press, 1987); also reproduced in Collective Black Women Writers, Charting the Journey: An Anthology on Black and Third World Writers (London: Sheba Publishers). Her work appeared on the bookjacket of Meera Syal's two novels on first publication: Anita and Me (Doubleday/Transworld, 1996); Life Isn't All Ha Ha Hee Hee (Doubleday/Transworld, 1999), as well as on the covers of James Proctor (ed.), Writing Black Britain, 1948–1998 (Manchester University Press, 2001); Roger Bromley (ed.), Narratives for a New Belonging: Diasporic Cultural Fictions (Edinburgh University Press, 2000); and Peter Childs and Patrick Williams, An Introduction to Post-Colonial Theory (Prentice Hall, 1998). Burman's work features in the 2018 exhibition publication No Colour Bar: Black British Art in Action 1960–1990, edited by Beverley Mason and Margaret Busby. Selected writings 2000: "Storm in a D-Cup", Artists Newsletter 1999: Artist's statements in Frances Borzello, Women and Self Portraiture (Thames and Hudson) Artist's Statement in "West Coast Line Here and There Between South Asia's", New Writing from Canada and India, nos. 26 and 27 "Crossing Cultures", artist's statement in "KHOJ International Workshops", Artists Newsletter Magazine, January 1998: "Objects of Désireé", Artists Pages with Lucretia Knapp n.paradoxa: international feminist art journal, Vol. 1, January Artist's statement in Sue Golding, Eight Technologies of Otherness (London: Routledge) 1995: "Automatic Rap", in Catherine Ugwu (ed.), Let's Get It On: The Politics of Black Performance (London: ICA, and Seattle: Bay Press), p. 113 "Right to Hope", in One World Art (UNESCO) 1993: "Enough is Enough", Feminist Art News, Vol. 4, No. 5 1992: "Power to the People: Fear of a Black Community", Feminist Art News, Vol. 3, no.9 "Ask How I feel/ Automatic Rap/ My New Work", Third Text, No. 19, Summer 1991: "Ask How I Feel", Feminist Arts News, Vol. 3, No. 6 (also guest editor for this issue on "Working Class Women Artists") "Power to the people: fear of a black community", Feminist Arts News, vol. 3, no. 9, pp. 14–15 1990: "Talking in Tongues", in Maud Sulter (ed.), Passion: Discourses on Black Women's Creativity (Hebden Bridge: Urban Fox Press) "Mash it up", in Rozsika Parker and Griselda Pollock, Framing Feminism: Art and the Women's Movement, 1970-1985 (London: Pandora Press) Selected reviews, articles, broadcasts, publications 2022: Bernardine Evaristo, "They are totally