comedy Home; in August, Zamora to Bella Pateman's Juliana, in John Tobin's comedy, The Honeymoon; Athenian Society (London, England). 1903, The Drama; its History, Literature and Influence on Civilization, Volume 16, p. 6. Retrieved 18 January 2014 in October, Bob, the boot-black, to Frank Mayo's Badger, in Dion Boucicault's The Streets of New York;Amusements Daily Evening Bulletin (San Francisco) 20 October 1874, p. 1 col. G in November, Susan to William Florence's Captain Cuttle, in John Brougham's adaptation of Dickens's Dombey and Son; in December, Bridget Maguire to Florence's Bryan O'Farrell, in Edmund Falconer's Eileen Oge; in January 1875, reprised Polly Eccles for her benefit performance of Robertson's Home; and in February, Mrs. Wobbler in Henry J. Byron's drama Blow for Blow. On 7 June 1875, Lee played for the first time Jo, the crossing-sweeper, in H. A. Rendle's stage adaptation of Dickens's Bleak House entitled Chesney Wold, with Fanny Janauschek in the dual roles of Lady Dedlock and Hortense.Amusements. Daily Evening Bulletin (San Francisco), 8 June 1875, p. 3 col. E Later that month Lee was Lady Aubrey to H. J. Montague's Mannel, in an adaptation of Octave Feuillet's comedy Il Romanzo Di Un Giovane Povero (The Romance of a Poor Young Man), and in July, Moya, lover of Conn the Shaughraun Dion Boucicault in The Shaughraun. London On 4 August 1875, Lee was given a farewell benefit at the California Theatre not long before she and Burnett departed San Francisco by train to begin the first leg of their return trip back to England.Personal Notes. Daily Evening Bulletin (San Francisco, California), 6 August 1875, p. 1 col. E On 8 November Lee first appeared on the English stage as Jo at the Prince of Wales's Theatre, Liverpool before joining London's Surrey Theatre late that December for a near eight-week engagement playing Jack in Frank W. Green's, Tom Thumb; or, Harlequin King Arthur and the Knights of the Round Table, a pantomime based on the children's story, Jack the Giant Killer.Surrey. London Daily News, 28 December 1875, p. 2 On 21 February 1876 Lee began a long engagement with Burnett's adaption of Bleak House at the Globe Theatre. The Athenaeum said that she acted the character with "a realism and a pathos difficult to surpass. A more striking revelation of talent has seldom been made. In get-up and in acting the character was thoroughly realized; and the hoarse voice,