dying and an ancient tradition is being destroyed. Vicuña has had a long collaboration with American filmmaker Robert Kolodny, with whom she has created dozens of films with. Some of Vicuña and Kolodny's collaborations include La Noche de la Especies, a video animation based on a myriad of drawings and poems by Vicuña, Disappeared Quipu which appeared as the video portion of the show by the same name at the Brooklyn Museum and MFA Boston in 2018 and Death of the Pollinators which tells the story of the death of the Earth's pollinating insects and originally screened as part of Insectageddon at the High Line in New York City. Installations Vicuña's installations often consist of large wool strands of various colors and textures. In her Cloud-Net installation series, she utilized the wool of the sacred wild Andean vicuña animal (linked to her by name) in large-scale warp and weft weavings incorporated into rural and urban environments. This installation in particular linked Vicuña to the Feminist Art Movement's Pattern and Decoration Movement. In her solo exhibition at the Museum of Fine Arts Boston, she combined the use of these wool installations with projection technology and sound systems to create an immersive and atmospheric experience for museum visitors. Paintings Vicuña made numerous paintings in the late 1960s and early 1970s. Many of these paintings make reference to 16th-Century indigenous artists who included their own cultural influences within their paintings of angels and saints for the Catholic Church. In Vicuña's paintings, religious icons are replaced by personal, political, and literary figures such as Karl Marx, Lenin, Salvador Allende, Ho Chi Minh, and members of her own family. In 2018, the Solomon R. Guggenheim Museum, New York acquired the 1972 portrait of Karl Marx from her Heroes of the Revolution series. Later, in 1981, Vicuña performed Parti si Pasión (Share – Yes – Passion) in New York, where she wrote "Parti si Pasión" in the colors of the American and Chilean flags on the road to the World Trade Center. The name of this work is a dissection of the word "participation." Vicuña calls this deconstruction of language palabrarmas, translating to "armswords." This is a combination of the Spanish word "armas" (arms, weapons) and "palabra" (words). Exhibitions Museums that have exhibited her work include the Museo Nacional de Bellas Artes de Santiago, the Institute of Contemporary Arts (ICA), Art in General, the Whitechapel Art