23 October, respectively. On 27 October, a special edition of the album was released. It featured five acoustic versions of album tracks and a DVD. The acoustic versions were recorded with producer Stephen Street. "Forgive and Forget" was released as a single on 9 December. Touring In September and October 2013, the group went on a headlining US tour with support from Cute Is What We Aim For, Conditions, Tonight Alive and Dinosaur Pile-Up. Following this, the band supported Thirty Seconds to Mars on their headlining UK tour. In January 2014, the group supported Paramore on their headlining Australian tour. In March, the group went on a mainland European tour, followed by a number of UK shows running into April. They were supported by Don Broco and Young Kato. In May, the band performed at BBC Radio 1's Big Weekend. In August, the band appeared at the Reading and Leeds Festivals. In September, the group went on a co-headlining Australian tour with Tonight Alive. They were supported by Call the Shots, With Confidence, Masketta Fall and Day Break. Between September and November, the group went on a headlining US tour. The tour was initially meant to take place in April and May, but was postponed due to Franceschi suffering from vocal exhaustion. It was meant to last two weeks, before being expanded into 37 shows. In February 2015, the group went on a co-headlining UK arena tour with All Time Low. They were supported by Walk the Moon. In April and May, the band played a few Australian shows with Luca Brasi around their appearance at the Groovin' the Moo festival. Later in May, the group headlined the Slam Dunk Festival, and performed at the Isle of Wight Festival the following month. Reception Critical reception Cavalier Youth was met with generally favourable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 66, based on nine reviews. AnyDecentMusic? gave it an average score of 5.7, based on seven reviews. Lewis Corner of Digital Spy wrote that the band had a "slightly more mature outlook on life, while still connecting with an audience submerged in adolescent angst". This Is Fake DIY Sarah Jamieson write that the band offered an "array of songs that will undoubtedly allow them access to the upper echelons of arena pop-rock