Johannes van Mildert or Hans van Mildert (alternative names: Joannes van Mildert, Johannes Van Milder, and nickname den Duyts; 1588 in Königsberg – 1638 in Antwerp) was a Flemish sculptor, who is best known for his baroque sculptures found in many Belgian and Dutch churches. Van Mildert played an important role in the development of the design of Flemish Baroque religious furniture. Life Johannes van Mildert was the son of the Antwerp painter Anthoon van Mildert (d. 1597) who had migrated to Königsberg. He was probably the pupil of Willem van den Blocke, another Fleming who had settled in Königsberg. After the death of his father he went to Antwerp, where he became a master in the Guild of Saint Luke in 1610. He possibly undertook a trip to Rome around 1608. It is believed that after 1620 he spent some time in Paris. He became a citizen of Antwerp in 1628. In Antwerp he became friends with Rubens who had a similar background as they were both Flemings who were born abroad and had returned to their home town. When in 1633 Rubens was elected dean of the Antwerp Guild of Saint Luke he was allowed to leave the actual administration in the hands of van Mildert. His nickname 'den Duyts', which means 'the German', refers to the fact that he was born and raised in Königsberg, which was then part of Germany. He was married to Elisabeth Waeyens and his son Cornelis van Mildert was also a sculptor and draughtsman. His daughter Elizabeth married the sculptor Gerard van Opstal. His son Cornelis and his son-in-law Gerard van Opstal completed some of the works left unfinished at the time of his death. Work From about 1617 onwards van Mildert received multiple large commissions as a sculptor-architect and maker of small-scale architectural stone church furniture. He thus became the main competitor of the workshop of the brothers Hans and Robert Colyns the Nole that had dominated the Antwerp market from the beginning of the seventeenth century. He initially worked in a mannerist style. The monumental alabaster mantelpiece which he made in 1618 for the wedding hall of the Antwerp City Hall followed the Mannerist style of Cornelis Floris de Vriendt and may have been based on a drawing of Floris. Around this time van Mildert started working in the Baroque style of his friend Rubens. In 1618 he executed a