clubs such as the Montreal Toboggan Club maintained a significant separation between themselves and the lower classes. Large slides were constructed, and privatized by the sports clubs that owned them, ensuring that only those wealthy enough could take part. However, during the carnival week, visitors could be guided by club members and were allowed to use the facilities. The highlight of the carnivals were the ice palaces, constructed each year in Dominion Square. These massive castles were made of over 10,000 blocks of ice and generally around 150 ft in length and were the centerpieces for the festivities. At the climax of Carnival week the ice palace would be site of a great battle, a siege, between "armies" of hundreds of snow-shod soldiers. As the crowds gathered in Dominion Square, the attacking army would approach and arrange in attacking formations outside the castle. The defending soldiers would line the walls and prepare for the oncoming siege. As the battle began, fireworks would be launched both from both armies, and from the walls of the castle. The spectacular light show was described as a "fairy land," with the fireworks and burning colored lights turning the sky into a "rainbow hue" that lasted half an hour. As the battle came to a close, the attacking army would overtake the palace and claim victory. The battle over, both sides would converge and begin a torch-lit snow shoe walk up Mount Royal. From there, more fireworks were set off before the train worked its way back down the mountain. This battle and subsequent walk would be the climax of the Winter Carnival, and the ice palace that served as setting was certainly seen as a landmark of the Carnivals by locals and tourists alike. Discontinuation As time went on, the Montreal Winter Carnivals became much more difficult to sustain. The sports clubs and carnival planners were unable to gather the necessary funding to hold carnivals on a regular basis. In addition, sporting celebrations of this type were beginning to become fairly widespread, lessening the novelty of the Montreal Winter Carnival. In 1885, in part due to an outbreak of smallpox in the summer before, the carnival failed to draw the crowds and revenue that it had in the two previous years. The next carnival in 1887 and the final in 1889, were unable to establish themselves within the cultural practices of Montrealers of the