Phyllis Baldino (born 1956) is an American visual artist whose art engages in a conceptual practice that merges performance art, video art, sculpture, and installation in an exploration of human perception. Her single-channel videos are distributed by Electronic Arts Intermix in New York, NY. She currently lives and works in Brooklyn, New York. Biography Baldino earned a BFA in sculpture from the Hartford Art School in Connecticut. She has taught at New York University, and conducted workshops at the Royal Danish Academy in Copenhagen, Denmark; the Malmö Art Academy in Sweden; and the Statens Kunstakademi in Oslo, Norway. She has given lectures throughout the U.S. at major institutions, including Rhode Island School of Design in Providence; Pratt Institute in Brooklyn, New York; Bemis Center for Contemporary Arts, Omaha, Nebraska; Parsons The New School in New York; the Art Institute of Chicago, Chicago, Illinois; and Art In General, New York. In 2001 and 1996, Baldino was a finalist for an international media / art award at the Center for Art and Media Karlsruhe / Sudwestrundfunk and International Video Arts Award (respectively) in Baden-Baden. In 2011 and 1999, she was an Artist-in-Residence at the Wexner Center for the Arts, Ohio State University, Columbus, Ohio; and in 2005, at the Experimental Television Center, Newark Valley, NY. She has received grants from the New York State Council on the Arts (NYSCA), Jerome Foundation, Art Matters Inc., and the California Community Foundation. Work Baldino explores the intangible boundaries between the material and metaphysical world by mounting large-scale video installations, which address perception, memory, and scientific phenomena. Ironically approaching the medium of video, her topics include quantum physics, parallel universes, nano-technology, and fuzzy logic. Many of her installations have also been presented as single-channel videos. With April 1994: The Gray Band (1994) Baldino asked Los Angeles musicians Dez Cadena, Lynn Johnston, Tom Watson, and Mike Watt to reassemble instruments, including a microphone, metal clarinet, sawed-up guitar, and bass, and then asked them to play "I Will Survive," which she then recorded on video. In her next film, In the Present (1996), Baldino was inspired by William James' temporal definition of the present, which can only occur in a span of time ranging from three to 12 seconds. Within this definition, Baldino ties time to perception by offering 50 discrete experiences of information in the present time – with videos ranging in time from three to 12