exhibit centered on Russian artist Kazimir Malevich, who had founded the avant-garde Suprematist movement in the early 1900s. It was published by Harry N. Abrams, Inc. in 2003. The exhibition won Best Monographic Exhibition Organized Nationally from the International Association of Art Critics. From 2006 to 2010, he was executive director of the international artist residency program Artpace in San Antonio, where he produced solo exhibitions of artists Kehinde Wiley, David Adjaye, Kate Gilmore, and Nathan Carter, among others. In 2010, he also curated the yearlong exhibition Felix Gonzalez-Torres: Billboards, the first show devoted to this artist's public work in depth. After this, he was executive director of Lisson Gallery in London, Milan, and New York, where he oversaw its international sales of artists, including Daniel Buren, Tony Cragg, Ryan Gander, Dan Graham, Shirazeh Houshiary, Anish Kapoor, Jason Martin, Jonathan Monk, and Lawrence Weiner. From 2012 to 2013, he was the founding executive director of the Blouin Cultural Advisory Group, and was curator for the Louise Blouin Foundation in London, where he organized exhibitions of work by Chris Marker in 2012 and Olga de Amaral in 2013. He has also served as a visiting professor at Columbia University in both the Graduate School of the Arts and the Avery School of Architecture and at the Fashion Institute of Technology. Boards and committees Drutt serves on numerous boards and committees. He was chair of the Arts Committee for LongHouse Reserve from 2018 - 2020 and he was a founding member of the El Lissitzky Foundation in Eindhoven from 2013 to 2019. He was on the advisory board of the Hermitage Museum Foundation from 2012 to 2015 and The Fabric Workshop and Museum's artist advisory board since 2010. Previously, he was on the advisory boards of the American Academy in Berlin, American Academy in Rome, and Documenta in Kassel, Germany. He was a chair for Luminaria: Arts Night in San Antonio and the American Association of Museum Directors. He had also worked with both Public Art San Antonio and Etant donnés: The French-American Fund for Contemporary Art. Recognition In 2006, the French Government awarded him the Chevalier de l'Ordre des Arts et des Lettres for accomplishments in the international art world. In 2003, his exhibition, Kazimir Malevich: Suprematism, received the award for Best Monographic Exhibition Organized Nationally from the International Association of Art Critics, who also awarded him 2nd place in 1996