films of Herman Asselberghs, Sven Augustijnen, Renzo Martens and Els Opsomer, T.J. Demos and Hilde Van Gelder (Eds.), Leuven University Press, 2012 'Immorality as Ethics: Renzo Martens’ Enjoy Poverty', Ruben De Roo, in: Art & Activism in the Age of Globalization / Reflect #08,' NAi Publishers, Rotterdam, 2011 Exhibition catalogues 9 Artists, Bartholomew Ryan (Ed.), Walker Publications, 2013 Artists come to bring Kindness, A conversation with renzo martens, Artur Zmijewski, in: Forget Fear (reader of the 7th Berlin Biennale), KW Institute for Contemporary Art, 2012 Monumentalism, Stedelijk Museum Amsterdam, 2010, Kersin Winking 6th Berlin Biennial, KW Institute for Contemporary Art, Berlin, 2010, Kathrin Rhomberg The Human Condition, Kunsthaus Graz, Graz, Austria, Adam Budak Academic essays 'Evidence, Subjectivity and Verité in Renzo Martens’ Episode III: Enjoy Poverty – a Shot-By-Shot Analysis''', Image and Narrative, Vol 18 n.2, p. 83-113, 15 July 2017, S. Sinnige 'Enjoy Poverty: Humanitarianism and the Testimonial Function of Images', Visual Studies, Vol 32 n.1, p. 24-32, 5 January 2017, N. Perugini, F. Zucconi 'Gentrification After Institutional Critique: On Renzo Martens’ Institute for Human Activities', Afterall Journal, Autumn/Winter 2015, T.J. DemosPress articles 'Congolese artists mint NFTs to challenge US museum's ownership of indigenous sculpture', The Art Newspaper, 15 June 2022, Tom Seymour 'Colonial Confrontations: CATPC and Renzo Martens at KOW Berlin', BerlinArtLink, 18 March 2022, William Kherbek '‘We Reappropriated What Belongs to Us’: Congolese Artists Minted NFTs of a Colonial-Era Sculpture—and the Museum That Owns It Is Not Happy', Artnet, 22 February 2022, Kate Brown 'Congolese Sculpture Held by Virginia Museum Is at the Center of a Dispute Involving NFTs', ARTnews, 22 February 2022, Angelica Villa 'Row about Congolese statue loan escalates into legal battle over NFTs', The Guardian, 19 February 2022, Daniel Boffey 'Renzo Martens’ White Cube: gedurfd manifest voor een gedekoloniseerde kunstwereld', Recto Verso, 7 May 2021, Anneleen van Kuyck 'Renzo Martens’ Film ‘White Cube’ Embodies the Phrase ‘Joy to the World’', Ocula Magazine, 23 December 2021, Sam Gaskin 'Site of Extraction: Renzo Martens’s ‘White Cube’ in a Congolese Palm Oil Plantation', ArtReview, 10 November 2021, J.J. Charlesworth 'With a New Museum, African Workers Take Control of Their Destiny', The New York Times, 13 April 2021, Nina Siegal 'An OMA-Designed Museum With Subversive Goals Opens on a ‘Post-Plantation’ in DR Congo', Artnet, 24 April 2017, Alyssa Buffenstein 'Chocolate Sculpture, With a Bitter Taste of Colonialism', The New York Times, 2 February 2017, Randy Kennedy 'How Artist