de la Memoria y los Derechos Humanos, Museo National de Bellas Artes, Santiago, Chile, 2014. Edited volumes Martin Adan, The Cardboard House. Minneapolis, MN: Graywolf Press (The Palabra Sur Series of Latin American Literature), 1988. Rosario Castellanos, The Selected Poems of Rosario Castellanos. Minneapolis, MN: Graywolf Press, 1988. Adolfo Bioy Casares, A Plan for Escape. Minneapolis, MN: Graywolf Press (The Palabra Sur Series of Latin American Literature), 1988. Vicente Huidobro, Altazor. Minneapolis, MN: Graywolf Press (The Palabra Sur Series of Latin American Literature), 1988. Ül: Four Mapuche Poets. Pittsburgh, PA: Latin American Review Press, 1998. The Oxford Book of Latin American Poetry. New York, NY: Oxford University Press, 2009. Visual art Quipus Vicuña has become increasingly recognized for her works featuring raw wool and other fibers, dyed crimson and suspended or draped overhead. Viewers and critics often react to the works as evocative of blood. Vicuña refers to these fiber installations as quipus, referencing the indigenous writing systems suppressed by Spanish colonizing forces. Unlike transportable pre-Columbian quipus, Vicuña's quipus are integrated into the landscape or the gallery in which they appear. Vicuña referred to her first quipu as the "quipu that remembers nothing," it was an empty cord as well as her first precario. Objects Vicuña creates "precarious works" characterized by her use of materials that are often fragile, worn by the elements and/or biodegradable: a return to the environment. She describes her work as a way of "hearing an ancient silence waiting to be heard." In 1966, she began creating sculptural interventions called precarios, combining ritual and assemblage using typically throw-away materials such as yarn, sticks, feathers, leaves, stones and bones. Between June 24, 1973-August 1974, she created over 400 precarios as an act of political resistance in response to General Pinochet's military coup of President Salvador Allende. This series of precarios were called A Journal of Objects for the Chilean Resistance. The 12 books of the journal are now in the collection of the Tate Gallery in London. Films Vicuña has an extensive filmography, having created documentaries, video poems and site specific video installations. In 1980 she made the film ¿Qué es para Usted la Poesía/ What is Poetry to you? while in Bogotá, Colombia, the work is now part of the collection of the Museum of Modern Art. In 2010 her film Kon Kon was released, it follows Vicuña to Con Con Chile where the sea is