'reverse gentrification program'. Since 2014, it works in close collaboration with the Cercle d’Art des Travailleurs de Plantation Congolaise (CATPC), a cooperative of plantation workers that develops new ecological initiatives based on the production of art. CATPC operates from a former Unilever plantation, where they built a fully equipped arts center designed by OMA. The plantation workers who cannot earn a living from production labor, live off of their artistic engagement with plantation labor. The profits from the art sales are partly used to buy back the land, which has been exhausted after 100 years of monoculture. Subsequently, a lot of work is done to make the land fertile and usable again. This way, the residents regain control of the means of production on the plantation. Opening Seminar In 2012, Human Activities organised an opening seminar on a palm oil plantation in Boteka, DR Congo. Congolese and international speakers gathered at the plantation to discuss the history of the plantation, gentrification, and the possibilities for art to deal meaningfully with the conditions of its own existence. For two days, two-hundred people from the local community participated in a conference with art historian TJ Demos, philosopher Marcus Steinweg, activist René Ngongo, architect Eyal Weizman, economist Jérome Mumbanza, curator Nina Möntmann, anthropologist Katrien Pype, and artist Emmanuel Botalatala. Urban theorist Richard Florida delivered the keynote lecture via satellite. Exhibitions Human Activities has facilitated the global dissemination of works by CATPC in the art world, which resulted in exhibitions in places such as the Van Abbemuseum in Eindhoven, Middlesbrough Institute of Modern Art, Artes Mundi in Cardiff, and Kunst-Werke in Berlin, WIELS in Brussels, EYE Film Institute Netherlands in Amsterdam, M HKA in Antwerp, Art Basel, Kunsthal Charlottenborg in Copenhagen, Murray Art Museum Albury, the Art Gallery of New South Wales in Sydney, Mori Art Museum in Tokyo, Hayy Jameel in Jeddah and KOW gallery in Berlin. In January 2017, the cooperative opened its US debut at the SculptureCenter in New York. After earlier reviews in Artforum and The New York Times by amongst others Claire Bishop, Princeton professor Chika Okeke-Agulula heated the debate by questioning if this was "The latest frontier in the Western art world’s self-congratulatory and all-too-sporadic missionary work?" Meanwhile, The New York Times added the exhibition to their list of 'The Best Art of 2017'. The Matter of Critique Human Activities started the international conference series titled The Matter