found in the permanent collections of numerous art museums, including Museum of Modern Art, New York; Metropolitan Museum of Art, New York; Whitney Museum of American Art; Solomon R. Guggenheim Museum, New York; Hirshhorn Museum, Washington; Walker Art Center, Minneapolis; Yale University Art Gallery, New Haven; Fogg Art Museum, Harvard University; Worcester Art Museum, Worcester MA; Museum of Fine Arts Boston; The Art Institute Chicago, as well as many other museums throughout the world. Additionally, she has received awards and grants from the National Endowment for the Arts, the Kaiser Wilhelm Museum, the Museum of Fine Arts Boston, as well as other institutions. In 2009, received an honorary Doctorate in Fine Arts from Montserrat College of Art as well. Recent Solo exhibitions Annette Lemieux. Broken, Mazzoli Gallery, Berlin, Germany (2019) Mise en scène. Museum of Fine Arts Boston (2017) Past Present. Elizabeth Dee Gallery, New York, (2016) Everybody wants to be a catchy tune. Kent Fine Art, New York, (2015) Literature Heynen, Julian. Ein Ort der denkt. Stuttgart: Krefelder Kunstmuseen, 2000. Hillstrom, Laurie C, and Kevin Hillstrom. Contemporary Women Artists. Detroit: St. James Press, 1999. Homburg, C. The Matter of History. St. Louis, Missouri: Washington University Gallery of Art. Janson, H.W. The History of Art. New York: Harry N. Abrams, Inc. 4th and 5th editions, 1991, 2009. Lafo, Rachel R, Nicholas J. Capasso, and Jennifer Uhrhane. Painting in Boston: 1950–2000. Lincoln, Mass: DeCordova Museum and Sculpture Park, 2002, pp. 111, 170, 198–200, 217, 230, 244. Le, Thorel-Daviot P. Contemporary Artist 500. Paris: Larousse-Bordas, 1996. "Lemieux, Annette | Biography". www.mutualart.com. Retrieved 2020-03-10. Lemieux, Annette. Memoirs of a Survivor. San Francisco, Calif.: ZG Publications, 1989. Lemieux, Annette, Lelia Amalfitano, Judith H. Fox, Rosetta Brooks, Peggy Phelan, Robert Pincus-Witten, and Lucy Flint-Gohlke. The Strange Life of Objects: The Art of Annette Lemieux. Champaign, Ill: Krannert Art Museum and Kinkead Pavilion, 2010. Lucie-Smith, Edward. Art Today. Phaidon Press Limited, 1995, ill. p. 323. Miller, Dana, Salvo D. M. De, and Joseph Giovannini. Legacy: The Emily Fisher Landau Collection. New York: Whitney Museum of American Art, 2011, pp. 158 – 161. Moos, David. Annette Lemieux: Time To Go. Modena, Italy: Emilio Mazzoli Galleria d'arte contemporanea, 1994. Morgan, Jessica. Collectors Collect Contemporary: 1990–99. Boston: Institute of Contemporary Art, Boston, 1999. Neidhardt, Jane E. and Lorin Cuoco. The Dual Muse, The Writer As Artist – The Artist As Writer. St. Louis: Washington University Gallery of Art, 1997.