Stux Gallery is a contemporary fine art dealership located on 520 West End Avenue on the Upper West Side of Manhattan, New York City. Artists represented/exhibited by the gallery have included Doug and Mike Starn, Vik Muniz, Andres Serrano, Dennis Oppenheim, Elaine Sturtevant, Inka Essenhigh, and Orlan. History Boston 1980–1988 Stux Gallery was founded in 1980 in Boston, by Stefan Stux and his wife Linda Bayless Stux. Prior to opening the gallery, Stefan, who holds a Ph.D. in Immunology, had been teaching at Harvard Medical School, while Linda was a performance artist who taught math at Boston Latin School; a shared interest in contemporary art drew them into the gallery business. The gallery opened on Newbury Street in December 1980, representing a group of artists from the Boston area, notably including Doug Anderson, Gerry Bergstein, Alex and Allison Grey, and Paul Laffoley, among others. It became a leader in what the Boston Globe called a "Boston art renaissance" in the early 1980s. Doug and Mike Starn, who attended the School of the Museum of Fine Arts, met Stefan and Linda Stux at their graduation ceremony in May 1985, and received their first show at the gallery in the following September. The success of their early work raised the gallery's profile beyond Boston, leading to the opening of a second location on Spring Street in the SoHo district of Manhattan. Both galleries continued to run simultaneously, until the Boston location was finally closed in 1988. New York 1986–1993 The gallery's presence in the New York art scene was secured when the Starn Twins were selected for the 1987 Whitney Biennial. The gallery developed a roster primarily composed of emerging artists, adding Lawrence Carroll, Vik Muniz, Holt Quentel, and Andres Serrano to their stable, giving each of these artists their first solo shows in New York. Fabian Marcaccio and Cary Leibowitz (aka Candy Ass) also received their first gallery exposure at Stux. In addition to these emerging artists, the gallery also hosted solo shows for senior artists such as Elaine Sturtevant and Gerhard Hoehme. Stux began publishing catalogues for each of its artists’ shows, featuring essays by prominent art critics and historians, including Dan Cameron, Robert Pincus-Witten, Donald Kuspit, and others. It also engaged independent curators such as Collins & Milazzo and Christian Leigh to organize group exhibitions in its space, in order to develop a critical context for its artists. In