2007, the exhibit "WACK! Art and the Feminist Revolution" presented works of 120 international artists and artists’ groups at the Museum of Contemporary Art, Los Angeles. It was the first show of its kind that employed a comprehensive view of the intersection between feminism and art from the late 1960s to the early 1980s. WACK! “argues that feminism was perhaps the most influential of any postwar art movement-on an international level-in its impact on subsequent generations of artists.” Today Rosemary Betteron's 2003 essay, “Feminist Viewing: Viewing Feminism”, insists that older feminist art criticism must adapt to newer models, as our culture has shifted significantly since the late twentieth century. Betterton points out: Feminist art criticism is no longer the marginalized discourse that it once was; indeed it had produced some brilliant and engaging writing over the last decade and in many ways has become a key site of academic production. But, as feminist writers and teachers, we need to address ways of thinking through new forms of social engagement between feminism and the visual, and of understanding the different ways in which visual culture is currently inhabited by our students. According to Betterton, the models used to critique a Pre-Raphaelite painting are not likely to be applicable in the twenty-first century. She also expresses that we should explore ‘difference’ in position and knowledge, since in our contemporary visual culture we are more used to engaging with "multi-layered text and image complexes" (video, digital media, and the Internet). Our ways of viewing have changed considerably since the 1970s. See also Feminist aesthetics Feminist art movement Guerilla Girls Joanna Frueh List of feminist art critics References Art criticism Feminist criticism