1966, for one of her most experimental books, El Diario Estúpido, Vicuña wrote 7,000 words a day, recording her emotions and experiences. In 2009, she co-edited the Oxford Book of Latin American Poetry with Ernesto Livon Grosman, an anthology of 500 years of Latin American Poetry, which the Washington Post called "magisterial." Poetry Saborami. Cullompton, United Kingdom: Beau Geste Press, 1973. Siete Poemas. Bogotá, Colombia: Ediciones Centro Colombo Americano, 1979. Precario/Precarious. New York, NY: Tanam Press, 1983. Luxumei o El Traspié de la Doctrina. Mexico City, Mexico: Los Libros del Fakir #33, Editorial Oasis, 1983. PALABRARmas. Buenos Aires, Argentina: Ediciones El Imaginero, 1984. Samara. Valle del Cauca, Colombia: Ediciones Embalaje del Museo Rayo, 1986. La Wik'uña. Santiago, Chile: Francisco Zegers Editor, 1990. Unravelling Words & the Weaving of Water. Minneapolis, MN: Graywolf Press, 1992. PALABRARmas/ WURWAPPINschaw. Edinburgh, Scotland: Morning Star Publications, 1994. La realidad es una línea. Kortrijk, Belgium: Kanaal Art Foundation, 1994. Word & Thread. Edinburgh, Scotland: Morning Star Publications, 1996. The Precarious: The Art & Poetry of Cecilia Vicuña / QUIPOem. Middletown, CT: Wesleyan University Press, 1997. cloud-net. New York, NY: Art in General, 1999. El Templo. New York, NY: Situations, 2001. Instan. Berkeley, CA: Kelsey St. Press, 2002. i tu. Buenos Aires, Argentina. Tsé-Tsé, 2004. Palabrarmas. Santiago, Chile: RIL Editores, 2005. Sabor A Mí. Santiago, Chile: Ediciones Universidad Diego Portales, 2007. V. Lima, Peru: tRope, 2009. Soy Yos: Antología, 1966-2006. Santiago, Chile: Lom Ediciones, 2011. Saborami. Philadelphia, PA: ChainLinks, 2011. Chanccani Quipu. New York, NY: Granary Books, 2012. Spit Temple. Brooklyn, NY: Ugly Duckling Press, 2012. Slow Down Fast, A Toda Raja, Berlin:Errant Bodies Press: DOORMATS8, 2019. Selected Essays "The Coup came to kill what I loved," in Spare Rib, #28, London 1974. "Para Contribuir a la Memoria," in La Bicicleta, #24, Santiago de Chile, 1982. "Quatro Donne in Latinoamerica," Anno V, #13, Roma, Italia, 1984. "The No, at the Latinoamerica Despierta Conference," Massachusetts College of Art, Boston, 1989. (Published as "Transcript of Remarks" in Being America, by Rachel Weiss, White Pine Press, New York, 1991.) "The Invention of Poverty," in America the Bride of the Sun, Royal Museum, Amberesm Belgium, 1992. "The Third Stone," in The Guardian, London, Nov. 26, 1996. "Poetry and string theory, a conversation with James O'Hern," Riffing on Strings, edited by Sean Miller & Shveta Verma, Scriblerus Press, 2008. "Organizar la ensonacion, en Artists for Democracy: El Archivo de Cecilia Vicuna," Museo