more emotionally engaging."She earned a Master of Fine Arts in fiber from UCLA in 1973. Hassinger discovered the wire rope in a Los Angeles junkyard while a student in the graduate program. This became a signature medium for her. Mid-life In 1969, she moved to New York City to enroll in drafting courses and concurrently work as an art editor at a publishing company. As an editor, she managed the inclusion of African-American images in textbooks, "...a position she has described as 'demeaning." Jenkins married writer Peter Hassinger and returned to Los Angeles with her husband in 1970. From 1984-1985, Hassinger worked at the Studio Museum in Harlem as an artist-in-residence. During the 1980s, the League of Allied Arts sponsored the musical Ain't Misbehavin honoring various Black artists. The League of Allied Arts is the longest running Black women's arts nonprofit arts organization in the Los Angeles area. The musical took place at the Aquarius Theatre in Hollywood and Hassinger was among the several honored artists. Career and influences Maren Hassinger started her artistic experimentation in a Los Angeles junkyard in the early 1970s, where she came across bulks of industrial wire rope. She found that the material could be used sculpturally and as a fiber that could be manipulated to resemble plant life. It was during this period in the 1970s that Hassinger began to collaborate with the sculptor Senga Nengudi. Incorporating both sculptural and performance work, their collaborative sculptures have been considered ahead of their time due to their process of "combin[ing] sculpture, dance, theater, music and more with the collaborative spirit of community meetings and the avant-garde brio of Allan Kaprow's happenings." Additionally, Hassinger utilizes movements of everyday life in her dance. While few of their works from the 1970s remain, Hassinger and Nengudi continue to collaborate, with Hassinger activating Nengudi's sculpture R.S.V.P.X as recently as 2014. Southern fiction writer Walker Percy continued to influence her childhood connection between the natural and the manufactured world with his work, Wreath. Many of Percy's novels, which Hassinger was reading at the time, are about navigating a modern world that was becoming removed from nature. Another influence which struck her was the sculpture work of Eva Hesse. During an exhibition at the Pasadena Art Museum in 1973 Hassinger was introduced to Hesse's work and admired her obsessive exploration of forms and techniques, and ability to convey emotion through fiber methods.