three films from Robert Zemeckis and Bob Gale: I Wanna Hold Your Hand, 1941 (directed by Steven Spielberg), and Used Cars. He also produced Hardcore, directed by friend Paul Schrader. Schrader once described Milius's writing as containing too many good lines and scenes. He says Warren Beatty once "told John something I've been telling him too: 'You come too soon and you come too often.'... He's so full of juice he just can't stop coming, rather than holding back and tightening the situation and building characters. That releasing diffuses the energy, the characters are too broad because they never have time to build up the inner strength." Apocalypse Now Milius says he was offered $17,000 to rewrite Skin Game (1971) but then Francis Ford Coppola made a competing offer of $15,000 for Milius to write Apocalypse Now. Apocalypse Now was an adaptation of Heart of Darkness set in the Vietnam War which George Lucas intended to direct as a follow up to his first feature THX 1138 (1971). Milius says Coppola: Offered that wonderful fork in the road where I could go do my own thing rather than just rewrite some piece of crap that would probably be rewritten by somebody else. That was the most important decision I made in my life as a writer. That sort of steered me onto the path of doing my own work and being a little more like a novelist ... I tackled an unpopular subject that no one was going to make a movie about where the chances were really slim that I could pull it off. There was no book, nothing but me and the blank page. And that was wonderful because I had followed my heart. One of the nicest times in my life was writing Apocalypse Now. The commercial failure of THX 1138 delayed production plans for Apocalypse Now. Milius later said of the Apocalypse Now script, "No one would touch it because of the Vietnam War. Everyone loved it, it did more for my career than any other script because it was always considered a work of genius; from the minute it came out, it really stirred people up. It's a good script, it's certainly no work of genius. It churns people up, and that's what they think works of genius are supposed to do." However, the following year saw the release of Apocalypse Now, directed by Francis