Adémar de Chabannes (988/989 – 1034; also Adhémar de Chabannes) was a French/Frankish monk, active as a composer, scribe, historian, poet, grammarian and literary forger. He was associated with the Abbey of Saint Martial, Limoges, where he was a central figure in the Saint Martial school, an important center of early medieval music. Much of his career was spent copying and transcribing earlier accounts of Frankish history; his major work was the Chronicon Aquitanicum et Francicum (Chronicle of Aquitaine and France). He is well-known for forging a Vita, purportedly by Aurelian of Limoges, that indicated Saint Martial was one of the original apostles. Though he successfully convinced the local bishop and abbot of its authenticity, the traveling monk Benedict of Chiusa exposed his forgery and damaged Adémar's reputation. Life and career Besides perhaps Guillaume de Machaut, more is known about the life of Adémar than any other medieval composer. Part of this was from the well-recorded notoriety he would achieve from various infamous events, but also because the Abbey in which he worked preserved a huge amount of his literary and musical manuscripts. Unlike other documents there, the Adémar collection was later purchased by Louis XV, and thus spared from the substantial destruction of documents there during the French revolution. Adémar was born at Chabannes, a village in today's Haute-Vienne département of France. Educated at the Abbey Saint-Martial de Limoges, he passed his life as a monk, both there and at the monastery of Saint-Cybard at Angoulême. Adémar died around 1034, most probably at Jerusalem, where he had gone on a pilgrimage. Works Music Adémar composed his musical Mass and office according to the local school of his uncle Roger who worked as a cantor between 1010 until his death in 1025 at St. Martial Abbey using those modal patterns, as they have been documented in the tonaries of the new troper-prosers, chant books to which Adémar had partly contributed as a notator. Concerning the Apostolic feast of the patron he composed as well the hymns as the music which had become the metier of a cantor at Saint Martial. For this liturgical occasion which he had to create, he contributed like other cantors with own compositions, especially in the tropes (extended musical items added to existing liturgical texts). Writings When Adémar joined the Abbey Saint Martial of Limoges, he was educated by his uncle Roger de Chabannes, cantor of