outbreak of the French Revolution. Both projects failed: the planned journal Ilirske novice was blocked by the Viennese censorship, and Linhart's play would be staged only in 1848, without Prešeren's assistance. Smole died suddenly in 1840, literally in Prešeren's arms, while celebrating his 40th birthday. Prešeren dedicated a touching, yet unexpectedly cheerful and vitalist poem to his late friend. The later years After 1840, Prešeren was left without any interlocutor who could appreciate his works, but continued to write poetry, although much less than in the 1830s. He gradually departed from the typical romantic trend, adopting an increasingly diverse and innovative style. In 1843, an important breakthrough for Prešeren happened: Janez Bleiweis started publishing a new daily journal in Slovene and invited Prešeren to participate in its cultural section. The two men came from rather different backgrounds: Bleiweis was a moderate conservative and staunch supporter of the ecclesiastical and imperial establishments and alien to the Romantic culture. He nevertheless established a fair relationship with the poet. Prešeren's participation in Bleiweis' editorial project was the closest he would come to public recognition during his lifetime. In 1844, he wrote the patriotic poem "Zdravljica" (A Toast), the most important achievement of his late period. In 1847, a volume of his collected poems was published under the simple title Poezije dr. Franceta Prešerna (Poems of Dr. France Prešeren). Prešeren spent the last two years of his life occupied with private life and his new job as a lawyer in Kranj. According to some accounts, he was planning several literary projects, including a novel in the realistic style and an experimental play, but he was struck with liver disease caused by his excessive drinking in prior years. The revolution of 1848 left him rather indifferent, although it was carried out by the young generation who already saw him as an idol of democratic and national ideals. Before his death, he did however redact his Zdravljica, which was left out from the 1847 volume of poems, and made some minor adjustments for a new edition of his collected poems. Reception and influence Today, Prešeren is still considered one of the leading poets of Slovene literature, acclaimed not only nationally or regionally, but also according to the standards of developed European literature. Prešeren was one of the greatest European Romanticists. His fervent, heartfelt lyrics, intensely emotional but never merely sentimental, have made him the chief representative