The Alley Theatre is a Tony Award-winning theatre company in Houston, Texas. It is the oldest professional theatre company in Texas and the third oldest resident theatre in the United States. Alley Theatre productions have played on Broadway at Lincoln Center, toured more than 40 American cities, and played internationally in Berlin, Paris, and St. Petersburg. History Under the leadership of Nina Eloise Whittington Vance (1914–1980), the Alley Theatre was founded in 1947 in a "former dance studio with an opening on Main Street. A brick corridor led from Main to the back of the studio, hence the name Alley Theatre." In 1948, early paying members scouted Houston for a new location for the Alley, finally landing on an abandoned fan factory on Berry Avenue. The Alley re-opened on February 8, 1949, with a production of Lillian Helmann's The Children’s Hour. In 1954, Ms. Vance brought in Albert Dekker to guest-star in Death of a Salesman. The Alley then became a fully professional/Equity company. The Alley Theatre was invited by the United States State Department to represent the American Regional Theatre at the Brussels World’s Fair in 1958. In 1962, the Houston Endowment gifted land worth $800,000 and grants worth $2.5 million were awarded to the Alley from the Ford Foundation for the new building at 615 Texas Ave. In the summer of 1963, the theatre raised more than $900,000 from Houstonians. These funds helped the theatre grow from its modest beginnings into one of the most prestigious non-profit resident theatres in the United States. Paul Zindel's The Effect of Gamma Rays on Man-in-the-Moon Marigolds was staged at the Alley in 1964 and in 1971 Zindel won the Pulitzer Prize for Drama for the work. In 1996, the Alley Theatre won the Regional Theatre Tony Award and has toured 40 American cities and abroad. and is regarded as “one of the most respected resident companies in the country.” In 1977, Nina Vance was invited on the State Department tour of Russian theater, which led to an invitation from Nina to Galina Volchek, director of the Sovremennik Theater of Moscow, to come to Houston to produce Mikhail Roschin’s play, Echelon. This marked the first time a Russian had been invited to the U.S. to recreate a play precisely as it appeared in the Soviet Union. Having forged alliances with such international luminaries as Edward Albee, Vanessa Redgrave and Frank Wildhorn, landmark