his childhood. One of his last works was a collaboration with Carol Dunlop, The Autonauts of the Cosmoroute, which relates, partly in mock-heroic style, the couple's extended expedition along the autoroute from Paris to Marseille in a Volkswagen camper nicknamed Fafner. As a translator, he completed Spanish-language renderings of Robinson Crusoe, Marguerite Yourcenar's novel Mémoires d'Hadrien, and the complete prose works of Edgar Allan Poe. Influence and legacy Michelangelo Antonioni's film Blowup (1966) was inspired by Cortázar's story "Las babas del diablo", which in turn was based on a photograph taken by Chilean photographer Sergio Larraín during a shoot outside of Notre Dame Cathedral in Paris. Cortázar's story "La autopista del sur" ("The Southern Thruway") influenced another film of the 1960s, Jean-Luc Godard's Week End (1967). The filmmaker Manuel Antín has directed three films based on Cortázar stories, Cartas de mamá, Circe and Intimidad de los parques. Chilean novelist Roberto Bolaño cited Cortázar as a key influence on his novel The Savage Detectives: "To say that I'm permanently indebted to the work of Borges and Cortázar is obvious." Puerto Rican novelist Giannina Braschi used Cortázar's story "Las babas del diablo" as a springboard for the chapter called "Blow-up" in her bilingual novel Yo-Yo Boing! (1998), which features scenes with Cortázar's characters La Maga and Rocamadour. Cortázar is mentioned and spoken highly of in Rabih Alameddine's 1998 novel, Koolaids: The Art of War. North American novelist Deena Metzger cites Cortázar as co-author of her novel Doors: A Fiction for Jazz Horn, written twenty years after his death. In Buenos Aires, a school, a public library, and a square in the Palermo neighborhood carry Cortázar's name. Bibliography Novels Divertimento (1949, first published in 1986) El examen (Final Exam) (1950, first published in 1985) Los premios (The Winners) (1960) Rayuela (Hopscotch) (1963) 62/modelo para armar (62: A Model Kit) (1968) Libro de Manuel (A Manual for Manuel) (1973) Short story collections Bestiario (1951) Final del juego (End of the Game) (1956) Las armas secretas (1959) Historias de cronopios y de famas (Cronopios and Famas) (1962) Todos los fuegos el fuego (All Fires the Fire) (1966) Blow-up and Other Stories (1968); a compilation of stories from Bestiario, Final del juego and Las armas secretas, in an English-language translation. Octaedro (1974) Alguien que anda por ahí (1977) Un tal Lucas (A Certain Lucas) (1979) Queremos tanto a Glenda (We Love Glenda So Much) (1980) Deshoras