The Gardens of Lucullus () were the setting for an ancient villa on the Pincian Hill on the edge of Rome; they were laid out by Lucius Licinius Lucullus about 60 BC. The Villa Borghese gardens still cover of green on the site, now in the heart of Rome, above the Spanish Steps. History Lucullus The fabled gardens of Lucullus were among the most influential in the history of gardening. For introducing the Persian garden, Pompey mockingly nicknamed Lucullus "the Roman Xerxes", and Tubero called him "Xerxes in a toga". These comments demonstrate that it was well understood in Rome that this new luxury of gardening originated in Persia. Lucullus had firsthand experience of the Persian gardening style, in the satraps' gardens of Anatolia ("Asia" to the Romans) and in Mesopotamia and Persia itself. As Plutarch pointed out, "Lucullus [was] the first Roman who carried an army over Taurus, passed the Tigris, took and burnt the royal palaces of Asia in the sight of the kings, Tigranocerta, Cabira, Sinope, and Nisibis, seizing and overwhelming the northern parts as far as the Phasis, the east as far as Media, and making the South and Red Sea his own through the kings of the Arabians." Lucullus' rural villas in the hills at Tusculum, near modern Frascati, and at Naples were also set in lavish garden settings. Plutarch, 'Lucullus' ch. 37 mentions "the chambers and galleries, with their sea-views, built at Naples by Lucullus, out of the spoils of the barbarians.", and Pliny writes of Lucullus cutting a channel through a mountain on his Naples estate to allow seawater to circulate in his fishpond, which recalled the channel that had been cut through the isthmus at Mount Athos by the Persian king. Plutarch, like most of Lucullus' Roman contemporaries, thought these occupations of Lucullus' retirement unbecoming to a Roman, and mere play: Though a Lucullan feast has passed into proverb, Lucullus was not a mere conspicuous consumer. He formed a fine library and kept it open to scholars, wrote himself and supported writers. His garden was filled with works of art, particularly Greek sculpture, both originals and copies of “old masters”, and has thus been a rich archaeological source of ancient sculpture – the statue of the Scythian knife sharpener (now thought to depict the executioner getting ready to flay Marsyas), which the Medici removed to Florence, for example, was found in this