George Pal (born György Pál Marczincsak; ; February 1, 1908 – May 2, 1980) was a Hungarian-American animator, film director and producer, principally associated with the fantasy and science-fiction genres. He became an American citizen after emigrating from Europe. He was nominated for Academy Awards (in the category Best Short Subjects, Cartoon) for seven consecutive years (1942–1948) and received an honorary award in 1944. This makes him the second-most nominated Hungarian exile (together with William S. Darling and Ernest Laszlo) after Miklós Rózsa. Early life and career Pal was born in Cegléd, Hungary, the son of György Pál Marczincsak, Sr. and his wife Mária. He graduated from the Hungarian University of Fine Arts in 1928 (aged 20). From 1928 to 1931, he made films for Hunnia Film Studio of Budapest, Hungary. At the age of 23 in 1931, he married Elisabeth "Zsóka" Grandjean, and after moving to Berlin, founded Trickfilm-Studio GmbH Pal und Wittke, with UFA Studios as its main customer from 1931 to 1933. During this time, he patented the Pal-Doll technique (known as Puppetoons in the US). In 1933, he worked in Prague; in 1934, he made a film advertisement in his hotel room in Paris, and was invited by Philips to make two more ad shorts. He started to use Pal-Doll techniques in Eindhoven, in a former butchery, then at villa-studio Suny Home. He left Germany as the Nazis came to power. He made five films before 1939 for the British company Horlicks Malted Milk. In December of that year, aged 32, he emigrated from Europe to the United States, and began work for Paramount Pictures. At this time, his friend Walter Lantz helped him obtain American citizenship. As an animator, he made the Puppetoons series in the 1940s, which led to him being awarded an honorary Oscar in 1943 for "the development of novel methods and techniques in the production of short subjects known as Puppetoons". Pal then switched to live-action film-making with The Great Rupert (1950). He is best remembered as the producer of several science-fiction and fantasy films in the 1950s and 1960s, such as When Worlds Collide, four of which were collaborations with director Byron Haskin, including The War of the Worlds (1953). He himself directed Tom Thumb (1958), The Time Machine (1960), and The Wonderful World of the Brothers Grimm (1962). Death In May 1980, he died in Beverly Hills, California, of