That Lovin' Feelin'" by Spector's band the Righteous Brothers. Unterberger praises the guitar solo of it as "one of the group's most tastefully underrated". In the song, Reed claims that he is free from a relationship, though he eventually discovers that this is untrue. "That's the Story of My Life" is minimal in instrumentation, though it also references Name. Originally, Cale played viola for the song in live versions, though no viola was included for this studio version. During the song four lines of lyrics are repeated. The title and lyrics were inspired by a remark from Name, who introduced Reed to one of his largest influences, Alice Bailey. Bockris summarizes the theme of this song: "The difference between right and wrong is the story of [Reed]'s life." "The Murder Mystery" is a spoken word track. It incorporates a raga rhythm, murmuring organ, overlapping spoken-word passages, and lilting counterpoint vocals. During the verses, Lou Reed and guitarist Sterling Morrison recite different verses of poetry simultaneously, with the voices positioned strictly to the left and right. For the choruses, Tucker and Yule sing different lyrics and melodies at the same time, also separated left and right. Unterberger noted that it has "little melody", and its narrative is repetitive, comparing it to "78rpm and 16rpm records played simultaneously", the track closing with "progressively crazed" piano. Of the song, Reed referenced "Sister Ray", elaborating that the song “is part of the novel that's a murder mystery”. It was never performed live in its entirety—Morrison elaborated that it would be too hard to play. Jovanovic described it as an "incomprehensible mix" and homage to White Light/White Heat; Reed labeled it as a failure, as he wanted "one vocal to be saying the [lyrical] opposite of the other". "After Hours" resembles music predating the Great Depression. This was their only release at the time with Tucker singing lead vocals. She does not play percussion and is only backed by a guitar and bass. Tucker counts off by saying "one, two, three"; an older recording disk labeled the track "If You Close the Door (Moe's Song)". Generally, the song discusses intentional isolation. Cover artwork The cover was taken by Billy Name, photographer and archivist of Warhol's Factory, featuring the band sitting sedately on a couch at The Factory. Name was paid 300 dollars for the photograph, which was the most he had been paid at the