Klebe Helmut Lachenmann Lori Laitman André Laporte György Ligeti Liza Lim David T. Little Luca Lombardi Missy Mazzoli Richard Meale Olivier Messiaen Robert Moran Nico Muhly Olga Neuwirth Luigi Nono Per Nørgård Michael Nyman Michael Obst Jocy de Oliveira Marcus Paus Henri Pousseur Kevin Puts Einojuhani Rautavaara Kaija Saariaho Aulis Sallinen Carol Sams David Sawer Howard Shore Louis Siciliano Karlheinz Stockhausen Somtow Sucharitkul Josef Tal Stefano Vagnini Claude Vivier Judith Weir Cinema and television Notable composers of post-1945 classical film and television scores include: Michael Abels Elmer Bernstein Howard Blake Bruce Broughton Aaron Copland John Debney Alexandre Desplat Ramin Djawadi Danny Elfman Brad Fiedel Robert Folk Benjamin Frankel Michael Giacchino Ernest Gold Elliot Goldenthal Jerry Goldsmith Bernard Herrmann Joe Hisaishi James Horner Akira Ifukube Shin'ichirō Ikebe Henry Jackman Steve Jablonsky Michael Kamen Aram Khachaturian Wojciech Kilar Ennio Morricone David Newman Alex North John Powell Leonard Rosenman Nino Rota Miklós Rózsa Alfred Schnittke Howard Shore Dmitri Shostakovich Alan Silvestri Tōru Takemitsu Dimitri Tiomkin Brian Tyler Ralph Vaughan Williams William Walton Franz Waxman John Williams Hans Zimmer Contemporary classical music originally written for the concert hall can also be heard on the music track of some films, such as Stanley Kubrick's 2001: A Space Odyssey (1968) and Eyes Wide Shut (1999), both of which used concert music by György Ligeti, and also in Kubrick's The Shining (1980) which used music by both Ligeti and Krzysztof Penderecki. Jean-Luc Godard, in La Chinoise (1967), Nicolas Roeg in Walkabout (1971), and the Brothers Quay in In Absentia (2000) used music by Karlheinz Stockhausen. Chamber Some notable works for chamber orchestra: Composition for Twelve Instruments (1948, rev. 1954) – Milton Babbitt Concerto for seven wind instruments, timpani, percussion, and string orchestra (1949) – Frank Martin Drei Lieder (1950) – Karlheinz Stockhausen Nummer 2 (1951) – Karel Goeyvaerts Oiseaux exotiques (1956) – Olivier Messiaen Requiem for strings (1957) – Tōru Takemitsu Threnody to the Victims of Hiroshima (1960) – Krzysztof Penderecki Double Concerto for harpsichord and piano with two chamber orchestras (1961) – Elliott Carter Stop (1965) – Karlheinz Stockhausen Fantasia for Strings (1966) – Hans Werner Henze Ojikawa (1968) – Claude Vivier Concerto for clarinet and vibraphone with six instrumental formations (1968) – Jean Barraqué Ramifications (1968–69) – György Ligeti Compases para preguntas ensimismadas (1970) – Hans Werner Henze Recital I (for Cathy) (1972) – Luciano Berio Trois airs pour un opéra imaginaire (1982) – Claude