Christi, motet. Sei nun wieder zufrieden, motet. Gedenke meiner, mein Gott, funeral motet. Ich habe dich ein klein Augenblick verlassen, motet. Kyrie–Gloria Mass in E minor, Missa super cantilena "Allein Gott in der Höh sei Ehr", a.k.a. BWV Anh. 166, formerly attributed to Johann Nicolaus Bach. Short addition by J. S. Bach in his Leipzig copy of this composition. The text of the Gloria is partly in German: it intersperses the Latin text of the Gloria with, as cantus firmus, all four stanzas of "Allein Gott in der Höh sei Ehr" (which is itself a paraphrase of the Gloria), a Lutheran hymn by Nicolaus Decius and Joachim Slüter. Movements: Kyrie: "Kyrie eleison" – "Christe eleison" – "Kyrie eleison" Gloria: "Gloria in excelsis" – "Laudamus te" – "Domine Fili unigenite" – "Quoniam tu solus sanctus" – "Cum Sancto Spiritu" Concerto for two violins and orchestra in D major. Further there is a sacred cantata for the second Sunday after Trinity, Kommet, es ist alles bereit, JLB deest, with a manuscript dated 1719. Compositions that are sometimes attributed to Johann Ludwig Bach: BWV Anh. 25 – Kyrie–Gloria Mass in C major, copied & performed by J. S. Bach 1740-1742. BWV Anh. 167 – Kyrie–Gloria Mass for double choir in G major, according to 21st-century scholarship attributable to Christoph Bernhard, Johann Philipp Krieger or David Pohle. Older scholarship attributed the mass to Antonio Lotti or Johann Ludwig Bach, after it had been considered Johann Sebastian Bach's up to the middle of the 19th century. Score publications In 1852 Denn du wirst meine Seele nicht in der Hölle lassen, JLB 21, was published as J. S. Bach's 15th cantata by the Bach-Gesellschaft. Carus Verlag published the Kyrie-Gloria Mass (JLB 38), the Suite in G major (JLB 20), the motets, and a few cantatas (JLB 5, 8 and 9). Facsimiles of several 18th-century manuscripts containing Johann Ludwig Bach's works are available at the Bach Digital website. Ulrich Leisinger's edition of the Trauermusik, JLB 19, was published by Hofmeister. Recordings Sacred cantatas JLB 1–17: JLB 5, 8, 9 and 11: Barbara Schlick, Mary Nichols, Wilfried Jochens, Jugendkantorei Dormagen and Das Kleine Konzert conducted by Hermann Max (1981) JLB 7, 13 and 14: Maria Zadori, Kai Wessel, David Cordier, Wilfried Jochens, Hans-Georg Wimmer, Stephan Schreckenberger, Harry van der Kamp, Rheinische Kantorei, Das Kleine Konzert, conducted by Hermann Max (2004) JLB 8: Susanne Gorzny, Steve Wächter, Michael Zabanoff,