sober living houses within the San Fernando Valley. He met a "good looking tattooed kid" during a meeting in one such house, who explained that he worked as a film extra and was paid $50 per day to stand there. Intrigued, Trejo considered becoming a film extra, initially due to the easy money and publicity it could afford his work with Western Pacific Med Corp. Trejo signed with an agent and would hand out his details while working on film sets, in the hopes of finding more opportunities to help those in need. Late one night, Trejo received a call from a teenaged patient, asking for his assistance in dealing with cocaine problems on the set of Runaway Train (1985). While there, Trejo was offered a job as an extra in the film's prison scenes. Edward Bunker, himself a former convict and at the time a well-respected crime author who was writing the screenplay for the film, recognized Trejo, with whom he had done time at San Quentin. Remembering Trejo's boxing skills, Bunker played a pivotal role in securing Trejo as Eric Roberts' personal trainer and boxing advisor. Trejo was paid between $320 and $350 per day; "When I got my first paycheck, I thought they made a mistake!" Bunker also convinced director Andrei Konchalovsky to offer Trejo a small acting role, asserting that Trejo's personal experiences of incarceration would provide authenticity to the prison drama. Following his acting debut, Trejo was oblivious to being typecast as a prisoner in similar roles for years to follow; "I [did not] know I was being stereotyped. I just knew I was working." Penitentiary III was his first billed role. While filming he met Anthony Gambino of the Gambino Crime Family; Gambino allegedly had financial interests invested and was there to meet the leading man, Leon Isaac Kennedy. Trejo was paid $120 cash each day, but the project often went into overtime; "We were stacked with cash." On a good month, Trejo was taking home as much as $700 by 1989 from being an extra alone; yet, people often assumed he was far wealthier after a few appearances on television. Trejo says this worked to his advantage as a drug counselor, though, because clients would recognize him as an actor, therefore appreciating his presence and the humility of his work all the more. 1990s: Blood In, Blood Out and career progression Trejo had