during the course of which they demolished the family home of Jaradat and the houses of two of her neighbours. Victims Honors and awards Jaradat was proclaimed by the Islamic Jihad as the "Bride of Haifa" to honor her "marriage to the soil of her homeland", an honor previously reserved only to men. Within several days of the bombing, trophy cards with her picture, labelled "Hanadi the Bride of Haifa", were being handed out in Gaza. In 2005, the Palestinian daily Al-Ayyam published a special supplement entitled "What Did Hanadi Say", consisting of poems honoring Jaradat and calling for Jihad. In October 2012, the Arab Lawyers Union presented their top award to Hanadi Jaradat, and sent a delegation to her family to present them with the award. Ayman Abu Eisheh, who is a member of the Palestine Committee at the Arab Lawyers Union, explained that the ALU were proud of Jaradat, and that her suicide bombing was "in defense of Palestine and the Arab nation." Snow White and The Madness of Truth Jaradat was the subject of Snow White and The Madness of Truth, a controversial item of installation art by Swedish, Israeli-born composer and musician Dror Feiler, and his Swedish wife, artist Gunilla Sköld-Feiler. The installation consisted of a portrait of Hanadi Jaradat floating on a small white boat named "Snövit" ("Snow White") in a long pool of blood red water. This tableau was accompanied by written text on nearby walls and the sound of Bach's Cantata 199, Mein Herze schwimmt im Blut, BWV 199 (English: My heart swims in blood). Translated into English, Cantata 199 begins, "My heart swims in blood / because the brood of my sins / in God's holy eyes / makes me into a monster". The artwork became the centre of controversy when the Israeli ambassador to Sweden, Zvi Mazel, vandalized the installation. After pushing some lightstands into the pool, causing a short-circuit and disabling the light, Mazel told Feiler that "This is not a work of art. This is an expression of hatred for the Israeli people. This has glorified suicide bombers". Further he said to the press that the piece constituted a "complete legitimization of genocide, the murder of innocent people, innocent civilians, under the guise of culture". Feiler rejected charges that their intention was to glorify suicide bombers and accused Mazel of "practicing censorship". He said the installation was made to