The Disney Afternoon (later known internally as the Disney-Kellogg Alliance when unbranded), sometimes abbreviated as TDA, was a created-for-syndication two-hour programming block of animated television series. It was produced by Walt Disney Television Animation and distributed through its syndication affiliate Buena Vista Television. Each show from the block has aired reruns on Disney Channel and Toon Disney. Disney Channel reaired four shows (Darkwing Duck, TaleSpin, DuckTales, and Chip 'n Dale: Rescue Rangers) on "Block Party," a two-hour block that aired on weekdays in the late afternoon/early evening. The Disney Afternoon's block had four half-hour segments, each of which contained an animated series. As each season ended, the lineup would shift - the remaining three would move up a time slot and a new show would be added to the end. The Disney Afternoon itself featured unique animated segments consisting of its opening and "wrappers" around the cartoon shows. The Disney Afternoon originally ran from September 10, 1990, to August 29, 1997. For the 1997 and 1998 television seasons, it lost its name but was known internally as Disney-Kellogg Alliance, shortened to 90 minutes, followed by its gradual replacement by Disney's One Too for UPN in 1999. Some of the shows also aired on Saturday mornings on ABC and CBS concurrently with their original syndicated runs on The Disney Afternoon. Goof Troop is the only show to reach the 2000s, with the 2000 direct-to-video finale An Extremely Goofy Movie. The 2010s and 2020s saw revivals of some shows such as DuckTales as a reboot and Darkwing Duck as a show within the reboot on Disney Channel (and Disney XD), a reboot on Disney+, and Chip 'n Dale: Rescue Rangers with a live-action animation hybrid film on Disney+, released in 2022. Background The Disney Afternoon goes back to Michael Eisner becoming Disney's CEO in 1984 and his push into steady animated television production, which would be based on new characters to bring in new young fans, with a newly launched TV animation department. He set up a Sunday meeting at his house days consisting of creatives. They included Tad Stones from feature animation and Jymn Magon and Gary Kriesel from the music division. Mickey and the Space Pirates was pitched by Stones, but was turned down being that Mickey Mouse is the company symbol, thus wanting to do him right. Stones also pitched a Rescuers TV series – the sequel was already