end with the same partner with which they started. “El Pavo” This is a partner dance which simulates the courting rituals of the turkey, or “el pavo” in Spanish. The music of El Pavo is very similar to the cueca, though it lacks the concluding couplet, and its structure is based on an octosyllabic quatrain and rollovers. “Vals chilote” The “Vals Chilote”, or Chilote Waltz, is deeply rooted in southern folklore and is also common in the central area of Chile. In the Chilote waltz, the man and woman dance in hold and the main difference with a normal Waltz is that the pace is more pronounced, resulting in very intense and energetic steps. Southern Chilean musical instruments Rapa Nui (Easter Island) Easter Island folk music has different origins from those of continental Chilean music. Instead, traditional music from the island consists of choral singing and chanting, similar to Tahitian music and the traditions of other Polynesian cultures. Families often performed as choirs, competing in an annual concert. They accompanied their chanting with a trumpet made from a conch and a percussive dancer jumping onto a stone which is set over a calabash resonator. Other instruments used include the kauaha, created from the jaw bone of a horse; the accordion; and stones, which are clapped together for percussive effect. The most characteristic dances are: The "Sau Sau", a dance of Samoan origin that was introduced in the 1940s. The dance emphasizes female grace and sensuality and in the choreography, the couple performs flexible movements of the hips and hands. The "Ula Ula", a dance of Tahitian origin that is usually performed during local festivities. The couples dance separated undulating their hips laterally. The "Tamuré" also a Tahitian dance, is very fast and acrobatic and requires highly skilled dancers. The Rainsick, Ukulele, Drum, and flute are instruments typically used in Rapa Nui music. City folk music "Música Tipica" From the 1920s onwards, Chilean folk music or "Música Tipica" (traditional music) experienced a rebirth. This rebirth brought rural music and folklore into the cities, on to the radios and caught the attention of a flourishing music industry, which took some of the more refined versions of Chilean "Tonada" and transformed them into a spectacle for the cities. One of the first groups that can be linked to this style are "Los Huasos de Chincolco", who started a trend that inspired the public,