State Penitentiary at Angola, a twelve-string guitar player by the name of Huddie Ledbetter, better known as "Lead Belly," whom they considered one of their most significant finds. During the next year and a half, father and son continued to make disc recordings of musicians throughout the South. In contrast to earlier amateur collectors, the Lomaxes were also among the first to attempt to apply scholarly methodology in their work, though they did not adhere to the strict empirical positivism adopted by the subsequent generation of academic folklorists, who believed in refraining from drawing conclusions about the data they amassed. The following year (in July 1934), they visited Angola once again. This time Lead Belly begged them to make a recording of a song he had written to take to the Governor requesting parole, which they did. However, unbeknownst to them, Lead Belly was released in August for good time (and because of cost-cutting due to the Depression) and not because of the Lomaxes' recording, which the Governor may not have listened to. In September 1934, Lead Belly wrote to Lomax requesting employment, since he needed to have a job in order not to be sent back to prison. At the urging of John Jr., Lomax engaged Lead Belly as his driver and assistant, and the pair traveled the South together collecting folk songs for the next three months. Then, in December 1934, Lead Belly famously performed illustrating John Lomax's scheduled lecture of folk songs at a smoker and sing-along held at the national MLA meeting in Philadelphia (see Lead Belly). Their association continued for three more months until the following March (1935). In January, Lomax, who knew nothing whatever about the recording business, became Lead Belly's manager and, through a friend, cowboy singer Tex Ritter, got Lead Belly a recording contract with the famous A&R man Art Satherley of ARC records. Satherly had publicity photos made of the singer wearing overalls and sitting on sacks of grain, garb and setting that were customary in commercial publicity photos of country singers in those days. But Lead Belly's recordings, marketed as race music, failed to sell. A filmed re-enactment in early 1935 for The March of Time newsreel of Lomax's discovery of Lead Belly in prison, led to the myth that John Lomax made Lead Belly perform in prison stripes (which is inaccurate). He did perform in overalls, however. During Lomax's