solo set on New Year's Eve 1998 at the 40 Watt Club in Athens. Allegedly suffering from poor health and a nervous breakdown, Mangum made few public appearances until February 2001, when he performed a one-off show in New Zealand at the request of Chris Knox. That summer, Mangum released a compilation of field recordings of Bulgarian folk music on the Orange Twin label titled Orange Twin Field Works: Volume I. This was followed by a live solo album Live at Jittery Joe's, recorded by filmmaker Lance Bangs in 1997. In the fall of 2001 he joined Circulatory System and The Instruments on an East Coast tour, providing drums and vocals. While working with the people involved in the Major Organ and the Adding Machine act, a short film by the same name was curated. Mangum provides to the soundtrack (which is a modified version of the album by the same name) as well as playing several very minor roles in the film. In February 2002, Mangum was interviewed by Pitchfork where he discussed his emotional response to In The Aeroplane Over The Sea, his recent interest in Buddhism and Eastern thought, travelling across Europe, and working on new field recordings and sound collage pieces (under the name Korena Pang). He also expressed doubt that he would record another Neutral Milk Hotel album, "I just feel like these windows open up for something to be honest, and they don't stay open for very long. I guess my path feels sort of different now". In the summer and fall of 2002, Mangum hosted several shows on the free-form New Jersey radio station WFMU. His playlists included excerpts from music therapy classes, musique concrète pieces, European folk music, and environmental recordings by Chris Watson. He also played a two-hour drone piece by Tony Conrad, and the entirety of Live at the Village Vanguard Again! by John Coltrane and Rock Bottom by Robert Wyatt. Mangum also debuted a lengthy new sound collage work, entitled "To Animate the Body with the Cocoon of the Her Unconscious Christ the Mother Removes Her Death Body of 1910 Only To Be Reborn in the Same Spirit as a School of Blow Fish Believing in the Coming of the Milk Christ", and credited to The Long Warm Wall of Alfred Snouts. Mangum regularly contributed vocals, drums and sound effects to a number of Elephant 6-related albums throughout the