Versailles (1982) Linotype Centennial (1986) Avenir (1988) Westside (1989): a complete departure, a Wild West-themed slab serif on the French Clarendon model. Frutiger had been considering creating such a design for many years before its release. (1990) Vectora (1990) Linotype Didot (1991) Pompeijana (1992) Rusticana (1993) Frutiger Stones (1998) Frutiger Symbols (1998) Linotype Univers (1999) Frutiger Next (2000) Nami (2006): a playful unicase sans. Based on sketches from the 1980s and developed in collaboration with Akira Kobayashi. Frutiger Arabic (2007): designed by Lebanese designer Nadine Chahine in consultation with Frutiger. It is based on the Kufi style. Frutiger Serif (2008) (2009) Univers Next (2010) Prizes and awards 1950 — Federal department of the Interior Prize, Bern, Switzerland 1960 — Advertising campaign award, Amsterdam, The Netherlands 1970 — , Paris, France 1971 — Silver medal in competition for "Most Beautiful Swiss Books" with for , International Book Art Exhibition, Leipzig, Germany 1974 — Honoured with a coat of arms by the city of Interlaken, Switzerland 1984 — Paul-Haupt Prize from the city of Bern, Switzerland 1986 — Gutenberg Prize of the International Gutenberg Society and the City of Mainz (Germany) 1987 — Gold Medal of the Type Directors Club of New York 1990 — (Order of Arts and Letters), , Paris, France 1993 — (France). 2006 — Typography Award from The Society of Typographic Aficionados (SOTA) 2006 — TDC2 award in the Type System / Superfamily category 2007 — , Federal Office of Culture, Bern, Switzerland 2009 — European Design Hall of Fame 2013 — Users of Frutiger's typefaces Prominent users of Frutiger's typefaces include: Univers: , Swiss International Air Lines, the , Ordnance Survey, ICICI and CNN Frutiger: the Swiss government, NHS, Dutch rail network, Scania, Dutch emergency services, UBS and the universities of Ohio, Lausanne, Iceland, Cornell and the London School of Economics Avenir: Apple Maps, the BBC, and Best Buy Other work In 2003, the Swiss watchmaker Ventura commissioned him to design a new watch face for a limited-edition line of wristwatches. To celebrate Swiss graphic design he designed three stamps for the Swiss post office. He also designed a word mark for the National Institute of Design in Ahmedabad, India. Originally, the institute was named National Design Institute, however, the institute renamed itself to match Adrian Frutiger's stylized NID logotype alongside the name "National Institute of Design." For the Fondation Frutiger he created a set of symbols