which Keith and Keeler were members. Her first assignment was to edit Songs from Bohemia, a book of poems by Daniel O'Connell, Bohemian Club co-founder and journalist, following his death. Her salary was $50 each month, less than she had been earning in Oakland, but her duties were light enough that she was able to devote a greater proportion of her time to writing, and she signed on as sometime staff of Charles Fletcher Lummis's The Land of Sunshine magazine. As a personal project, she began to work on a history of California literature. Earthquake and fire By February 1906, Coolbrith's health was showing signs of deterioration. She was often sick in bed with rheumatism, and hard-pressed to continue her work at the Bohemian Club. Still, in March 1906 she gave a lengthy reading to the Pacific Coast Woman's Press Association entitled "Some Women Poets of America." Coolbrith, third vice president and life member of the club, briefly discussed the most prominent early American women poets but focused more fully on ones that became known in the second half of the 19th century, reciting example verse, and critically evaluating the work. A month later, disaster struck in the form of the calamitous fire that followed the great San Francisco earthquake in April 1906: Coolbrith's home at 1604 Taylor Street burned to the ground. Directly after the earthquake but before fire threatened, Coolbrith had left her house carrying a pet cat, thinking she would soon return. Her student boarder Robert Norman and her companion Josephine Zeller were unable to carry more than another cat, a few small bundles of letters and Coolbrith's scrapbook. Immediately after he spotted heavy smoke from across the bay, Joaquin Miller took the ferry from Oakland to San Francisco in order to assist Coolbrith in saving her valuables from the approaching fire, but was prevented from doing so by soldiers who had orders to use deadly force against looters. In the blaze, Coolbrith lost 3,000 books including priceless signed first editions, artwork by Keith, many personal letters from famous people such as Whittier, Clemens, George Meredith and, worst of all, her nearly complete manuscript that was part autobiography and part history of California's early literary scene. Coolbrith never resumed the work of writing the history, as she was unable to balance its revelatory autobiographical truth with the scandal that would then ensue. In her life, there were