"Shosholoza" is an Nguni song that was sung by the mixed tribes of gold miners in South Africa. It is a mix of Zulu and Ndebele words, and can have various other South African languages thrown in depending on the singers. It was sung by all-male African workers that were performing rhythmical manual labour in the South African mines in a call and response style. The song is so popular in South African culture that it is often referred to as South Africa's second national anthem. History "Shosholoza" is a traditional miner's song, originally sung by groups of men from the Ndebele ethnic group that travelled by steam train from their homes in Zimbabwe (formerly known as Rhodesia) to work in South Africa's diamond and gold mines. The Ndebele live predominantly in Zimbabwe near its border with South Africa. The song uses Ndebele words and is Zimbabwean in origin even though the Zulu and Zimbabwean Ndebele ethnic groups are very similar (see Nguni languages). Some people argue that the song describes the journey to the mines in South Africa, while others say it describes the return to Zimbabwe. It is also sometimes sung "stimela siphume Rhodesia". According to cultural researchers Booth and Nauright, Zulu workers later took up the song to generate rhythm during group tasks and to alleviate boredom and stress. The song was sung by working miners in time with the rhythm of swinging their axes to dig. It was usually sung under hardship in call and response style (one man singing a solo line and the rest of the group responding by copying him). It was also sung by prisoners in call and response style using alto and soprano parts divided by row. The late former South African President Nelson Mandela described how he sang Shosholoza as he worked during his imprisonment on Robben Island. He described it as "a song that compares the apartheid struggle to the motion of an oncoming train" and went on to explain that "the singing made the work lighter". In contemporary times, it is used in varied contexts in South Africa to show solidarity in sporting events and other national events to relay the message that the players are not alone and are part of a team. Climate activists made the song the centrepiece of their Occupy COP17 rally on 9 December 2011, the final day of the United Nations climate