Ralph Edmund Stanley (February 25, 1927 – June 23, 2016) was an American bluegrass artist, known for his distinctive singing and banjo playing. Stanley began playing music in 1946, originally with his older brother Carter Stanley as part of The Stanley Brothers, and most often as the leader of his band, The Clinch Mountain Boys. He was also known as Dr. Ralph Stanley. He was part of the first generation of bluegrass musicians and was inducted into both the International Bluegrass Music Hall of Honor and the Grand Ole Opry. Biography Stanley was born, grew up, and lived in rural Southwest Virginia—"in a little town called McClure at a place called Big Spraddle, just up the holler" from where he moved in 1936 and lived ever since in Dickenson County. The son of Lee and Lucy Stanley, Ralph did not grow up around a lot of music in his home. As he says, his "daddy didn't play an instrument, but sometimes he would sing church music. And I'd hear him sing songs like 'Man of Constant Sorrow,' 'Pretty Polly' and 'Omie Wise.'" He learned to play the banjo, clawhammer style, from his mother: He graduated from high school on May 2, 1945, and was inducted into the Army on May 16, serving "little more than a year." He immediately began performing when he got home: Clinch Mountain Boys After considering a course in "veterinary", he decided instead to join his older guitar-playing brother Carter Stanley (1925–1966) to form the Clinch Mountain Boys in 1946. Drawing heavily on the musical traditions of the area, which included the unique singing style of the Primitive Baptist Universalist church and the sweet down-home family harmonies of the Carter Family, the two Stanley brothers began playing on local radio stations. They first performed at Norton, Virginia's WNVA, but did not stay long there, moving on instead to Bristol, Virginia, and WCYB to start the show Farm and Fun Time, where they stayed "off and on for 12 years". At first they covered "a lot of Bill Monroe music" (one of the first groups to pick up the new "bluegrass" format). They soon "found out that didn't pay off—we needed something of our own. So we started writing songs in 1947, 1948. I guess I wrote 20 or so banjo tunes, but Carter was a better writer than me." When Columbia Records signed them as The