the mid-1990s that hip hop gained mainstream popularity with successful groups such as Tiro de Gracia, MC Rode, Los Tetas, Makiza, Zaturno and La Pozze Latina. Commercial success was confirmed in 1997, when “Tiro de Gracia” and “Makiza” got Golden and Silver Discs and filled venues along the country. During the 2000s, some bands connected hip hop with other styles like dancehall, reggae, and Latin rhythms. Also in the 2000s, political rap became popular, with groups like, “Panteras Negras”, “LB1”, “Subverso”, “Guerrillerokulto” and “Salvaje Decibel”. Como Asesinar a Felipes is the first Experimental hip hop band that has achieved a considerable success, being produced by Koolarrow Records. Most recently, Chilean rapper Ana Tijoux (formerly of Makiza) has become one of the most successful rap artists, collaborating with Mexican musician Julieta Venegas and having tracks featured on the EA Sports video game FIFA 11. Her music has appeared in the popular TV series Breaking Bad (season 4, episode 5). Chilean electronic music The electronic music movement as we know it today reached Chile in the 1990s, but there are some earlier milestones worth mentioning, like the sound experiments of engineer and scientist Jose Visencio Asuar in 1959 after the 1958 visit of physicist Werner Meyer-Eppler, and the production of the first electronically generated music records in the 1960s. “Electronica” has given Chile more international success than any other style of music; Chilean DJs and electronic music producers are among the most important in the international scene. Many Chilean DJs are based in Europe, particularly in Germany. Some were children of political exiles while others moved to Europe to develop their careers and then stayed following their great success. Some of the most important and best known electronic music artists are: Ricardo Villalobos, Andrés Bucci, Cristian Vogel, Latin Bitman, Danieto, Luciano, Pier Bucci, Nicolas Jaar and Jorge González. Chilean cumbia Cumbia style has its origins in the caribbean climates of Colombia, Venezuela and Panama, and was introduced to Chile in the mid 1960s by the Venezuelan Luisín Landáez. Later in the same decade, Colombian musician Amparito Jiménez would record and release albums in Chile and had great success with the song “La pollera colora”, one of the most emblematic Colombian songs. Later, the Chilean band Sonora Palacios would bring cumbia to mass popularity among the Chilean population. Since the beginning, Chile has developed its own kind of cumbia known as "cumbia sonora"