Vodnik and the rich tradition of Slovene folk poetry. In 1825, he completed a collection of "Carniolan poems," which he showed to the philologist Jernej Kopitar. Kopitar was very critical of the young man's literary attempts, and so Prešeren destroyed the entire collection. Kopitar's rejection hindered the development of Prešeren's creativity; he did not publish anything more until 1827, when his satirical poem "To Maidens" (Dekletom) was published by the German-language newspaper (Illyrian News). In 1828, Prešeren wrote his first important poem, "A Farewell to Youth." However, it was published only in 1830, in the literary almanac Krajnska čbelica (The Carniolan Bee), established the same year by the librarian Miha Kastelic in Ljubljana. The journal published another well-known poem by Prešeren that year, the first Slovene ballad. It was titled "The Water Man" () and was a narration about Urška, a flirt from Ljubljana that ended in the hands of a handsome man who happened to be a water man. In 1830, his friend from high school, Matija Čop, returned to Ljubljana and re-established contacts with Prešeren. Čop soon recognized his friend's poetic talent and persuaded him to adopt Romanic poetic forms. Following Čop's advice, Prešeren would soon become a master of the sonnet. His poems were noticed by the Czech scholar František Čelakovský, who published several highly positive critiques of it. Čelakovský's praise was extremely important for Prešeren's self-esteem and gave him the strength to continue in the path on which Čop had orientated him. The most productive years Between 1830 and 1835, Prešeren composed his esthetically most accomplished poems, which were inspired by the setbacks in his personal life, especially by his unrequited love for Julija Primic. Prešeren followed Čop's advice and transformed Julija into a poetic figure, reminiscent of Dante's Beatrice and Petrarch's Laura. A Wreath of Sonnets A Wreath of Sonnets () is Prešeren's most important poem from his early period. It is a crown of 15 sonnets. It was published on 22 February 1834 in the Illyrian Paper. In it, Prešeren tied together the motifs of his own unhappy love with that of an unhappy, subjugated homeland. The poem was recognized as a masterpiece by Matija Čop, but it did not gain much recognition beyond the small circle around the journal Krajnska čbelica. Moreover, Julija was unimpressed. Understandably, Prešeren moved to more bitter verses. Sonnets of Misfortune Another important work from this period are the