Neoclassicism Neoclassicism was a style cultivated between the two world wars, which sought to revive the balanced forms and clearly perceptible thematic processes of the 17th and 18th centuries, in a repudiation of what were seen as exaggerated gestures and formlessness of late Romanticism. Because these composers generally replaced the functional tonality of their models with extended tonality, modality, or atonality, the term is often taken to imply parody or distortion of the Baroque or Classical style. Famous examples include Prokofiev's Classical Symphony and Stravinsky's Pulcinella, Symphony of Psalms, and Concerto in E-flat "Dumbarton Oaks". Paul Hindemith (Symphony: Mathis der Maler), Darius Milhaud, Francis Poulenc (Concert champêtre), and Manuel de Falla (El retablo de maese Pedro, Harpsichord Concerto) also used this style. Maurice Ravel's Le Tombeau de Couperin is often seen as neo-baroque (an architectural term), though the distinction between the terms is not always made. Jazz-influenced classical composition A number of composers combined elements of the jazz idiom with classical compositional styles, notably: Malcolm Arnold Leonard Bernstein Marc Blitzstein Aaron Copland George Gershwin Constant Lambert Darius Milhaud Maurice Ravel Gunther Schuller (third stream) John Serry Sr. Dmitri Shostakovich Karlheinz Stockhausen Igor Stravinsky Movements Impressionism Impressionism started in France as a reaction, led by Claude Debussy, against the emotional exuberance and epic themes of German Romanticism exemplified by Wagner. In Debussy's view, art was a sensuous experience, rather than an intellectual or ethical one. He urged his countrymen to rediscover the French masters of the 18th century, for whom music was meant to charm, to entertain, and to serve as a "fantasy of the senses". Other composers associated with impressionism include Maurice Ravel, Albert Roussel, Isaac Albéniz, Paul Dukas, Manuel de Falla, Charles Martin Loeffler, Charles Griffes, Frederick Delius, Ottorino Respighi, Cyril Scott and Karol Szymanowski. Many French composers continued impressionism's language through the 1920s and later, including Albert Roussel, Charles Koechlin, André Caplet, and, later, Olivier Messiaen. Composers from non-Western cultures, such as Tōru Takemitsu, and jazz musicians such as Duke Ellington, Gil Evans, Art Tatum, and Cecil Taylor also have been strongly influenced by the impressionist musical language. Modernism Futurism At its conception, Futurism was an Italian artistic movement founded in 1909 by Filippo Tommaso Marinetti; it was quickly embraced by the Russian avant-garde. In 1913, the painter Luigi Russolo published a manifesto, L'arte dei rumori (The Art of Noises), calling for the incorporation of noises of every