Russia would unite the colored races to facilitate the Oriental invasion, conquest, and subjugation of the West; said white supremacy is in the Christian eschatology of verse 16:12 in the Book of Revelation: "Then the sixth angel poured out his bowl on the great Euphrates River, and it dried up so that the kings from the east could march their armies toward the west without hindrance". As an Old-Testament Christian, Rupert believed the racialist doctrine of British Israelism, and said that the Yellow Peril from China, India, Japan, and Korea, were attacking Britain and the US, but that the Christian God himself would halt the Asian conquest of the Western world. In The Rising Tide of Color Against White World-Supremacy (1920), the eugenicist Lothrop Stoddard said that either China or Japan would unite the colored peoples of Asia and lead them to destroy white supremacy in the Western world, and that the Asian conquest of the world began with the Japanese victory in the Russo–Japanese War (1905). As a white supremacist, Stoddard presented his racism with Biblical language and catastrophic imagery depicting a rising tide of colored people meaning to invade, conquer, and subjugate the white race. Political opposition In that cultural vein, the phrase "yellow peril" was common editorial usage in the newspapers of publisher William Randolph Hearst. In the 1930s, Hearst's newspapers conducted a campaign of vilification (personal and political) against Elaine Black, an American communist, whom he denounced as a libertine "Tiger Woman" for her interracial cohabitation with the Japanese American communist Karl Yoneda. In 1931, interracial marriage was illegal in California, but, in 1935, Black and Yoneda married in Seattle, Washington, where such marriages were legal. Socially acceptable Asian In the 1930s, Yellow Peril stereotypes were common to US culture, exemplified by the cinematic versions of the Asian detectives Charlie Chan (Warner Oland) and Mr. Moto (Peter Lorre), originally literary detectives in novels and comic strips. White actors portrayed the Asian men and made the fictional characters socially acceptable in mainstream American cinema, especially when the villains were secret agents of Imperial Japan. American proponents of the Japanese Yellow Peril were the military-industrial interests of the China Lobby (right-wing intellectuals, businessmen, Christian missionaries) who advocated financing and supporting the warlord Generalissimo Chiang Kai-shek, a Methodist convert whom they represented as the Christian Chinese savior of China, then embroiled in the Chinese Civil War (1927–1937, 1946–1950). After