band in 2005 due to illness; she was later diagnosed with late-stage Lyme disease. According to the Le Tigre website, during her time off from the band, Hanna volunteered as a band coach for the Willie Mae Rock and Roll Camp for Girls. She also taught an art class at NYU's grad school in the Fall 2007 semester and attended interior design classes. In 2010, Hanna DJed at the Museum of Modern Art, later joining the Raincoats on stage to cover the Slits' Vindictive. Also in 2010, Hanna announced she was rebuilding her 1997 act Julie Ruin, turning it into a full band called the Julie Ruin with Kenny Mellman and Kathi Wilcox, and that they would be creating a new record. The band played their first show at Knitting Factory in New York City which included songs from Bikini Kill and Le Tigre, and one new composition. From 2010 to 2013, director Sini Anderson worked on a documentary on Kathleen Hanna titled The Punk Singer, documenting her works from Bikini Kill to the Julie Ruin. It premiered at SXSW in 2013. In June 2013, Julie Ruin released its first single, "Oh Come On". An album, Run Fast was released in September 2013 with the band going on tour. The band cancelled the tour planned for May to September 2014 due to Hanna's Lyme disease condition deteriorating. She has since recovered and begun performing again. The Julie Ruin's second album, Hit Reset, was published in July 2016 by Hardly Art. Activism and impact Hanna's outspoken feminism has always influenced her work. She became a voice for third-wave feminism and the Riot Grrrl movement in 1991. In 1991, Bikini Kill spent the summer in Washington, D.C., where Hanna began collaborating with Allison Wolfe, Molly Neuman, and Jen Smith from the band Bratmobile on the zine Riot grrrl, which became a call to action for young women to embrace feminism and equal female involvement in the punk rock scene. The zines "cover[ed] strategies for safety in the mosh pit", "exploration of political ideas", and creating a collective for punk feminist women. The Bikini Kill Zine, which began in 1991, was born from this, along with the desire to present "feminist issues through a punk rock lens." By Issue Two, the Riot Grrrl Manifesto was born, urging women to defy society's expectations upon them as women, and to form a collective for women