new Wood-Lynne-Bevan band (without Price, who was not under contract with the Move) to a three-album deal with the Harvest Records division of EMI that included a £25,000 (equivalent to £ in ). advance (announced at the time as £100,000 (equivalent to £ in )., but still more money (£8,333 each) (equivalent to £ in ). than the band had seen so far, despite its success). As a result, by the time Looking On was released in December 1970, with five songs composed by Wood and two by Lynne, Fly Records had lost interest in it, despite the fact that the album included a No. 7 hit, "Brontosaurus", which was the band's last recording for Regal Zonophone. The second single from the album, "When Alice Comes Back to the Farm", failed to chart on Fly. The song intended as the B-side of that single, "10538 Overture", was ultimately held by the band for its new Electric Light Orchestra project, and Price's bass line was deleted and re-recorded by Wood, since Price was not part of the new group. Price in fact was unaware that the Move were working without him, until he heard about new material being made in early 1971. He then pursued other projects, including the band Mongrel, although he later rejoined Wood in Wizzard and the short-lived Wizzo Band. He went on to work in musical management, and also formed the duo Price and Lee with his wife Dianne Lee, formerly of the duo Peters and Lee. Toward the first split Although Wood, Lynne and Bevan had intended Looking On to be the final Move album, Harvest requested that the new group first release a new Move album, in the same vein as Looking On, as the first album under its new deal, with the other two albums to be credited to the new group, in order to recoup the advance given to the band. As a result, the band recorded the last Move album and the first Electric Light Orchestra album at the same time—even during the same lengthy recording sessions (due to all the overdubbing by Wood and Lynne). The final Move LP, Message from the Country, was released in summer 1971. Wood's "Ben Crawley Steel Company" featured a Bevan lead vocal that was modelled on Johnny Cash, while Bevan's "Don't Mess Me Up" (sung by Wood) paid homage to Elvis Presley, complete with fake