Hopkins Institute of Art building, and the CSD and SFAA facilities, records and art collection. At the time, the replacement value of the building and its contents was estimated at $2.573 million. However, the combined amount of numerous insurance policies yielded less than $100,000 for rebuilding. Nevertheless, within a year, the SFAA built a new but comparatively modest campus in the same location, and adopted the name San Francisco Institute of Art. In 1916, the SFAA merged with the San Francisco Society of Artists and assumed directorship of the San Francisco Museum of Art at the Palace of Fine Arts, which was established to host the 1915 World's Fair, Panama–Pacific International Exposition. In addition, the school was renamed the California School of Fine Arts (CSFA) to better reflect its mission to promote, develop and preserve regional art and culture. In 1926 the school moved to 800 Chestnut Street, which remains the school's main campus . In 1930 Mexican muralist Diego Rivera was hired to paint The Making of a Fresco Showing the Building of a City, which is located in the student-directed art gallery. During its first 60 years, influential artists associated with the school included Eadweard Muybridge, photographer and pioneer of motion graphics; Maynard Dixon, painter of San Francisco's labor movement and of the landscape of the West; Henry Kiyama, whose Four Immigrants Manga was the first graphic novel published in the U.S.; Sargent Claude Johnson, one of the first African-American artists from California to achieve a national reputation; Louise Dahl-Wolfe, an innovative photographer whose work for Harper’s Bazaar in the 1930s defined a new American style of "environmental" fashion photography; Gutzon Borglum, the creator of the large-scale public sculpture known as Mt. Rushmore; Rudolf Hess, German Expressionist painter and art critic, and numerous others. After World War II ended (1945) the school became a nucleus for Abstract Expressionism, with faculty including Clyfford Still, Ad Reinhardt, Mark Rothko, David Park, Elmer Bischoff, and Clay Spohn. Although painting and sculpture remained the dominant mediums for many years, photography had also been among the course offerings. In 1946 Ansel Adams and Minor White established the first fine-art photography department, with Imogen Cunningham, Edward Weston, and Dorothea Lange among its instructors. In 1947 distinguished filmmaker Sydney Peterson began the first film courses at CSFA. In this spirit of advancement, in 1949 CSFA Director Douglas MacAgy organized an international conference, The Western Roundtable