everything wicked" and "a marvel of satanic cunning." The Peril of the Pacific (1916), by J. Allan Dunn, describes a fantastical, 1920 Japanese invasion of the U.S. mainland realized by an alliance between treasonous Japanese-Americans and the Imperial Japanese Navy. The racist language of J. Allan Dunn's narrative communicates the irrational, Yellow Peril fear of and about Japanese-American citizens in California, who were exempt from arbitrary deportation by the Gentlemen's Agreement of 1907. "The Unparalleled Invasion" (1910), by Jack London, set between 1976 and 1987, shows China conquering and colonizing neighboring countries. In self-defense, the Western World retaliate with biological warfare. Western armies and navies kill the Chinese refugees at the border, and punitive expeditions kill the survivors in China. London describes this war of extermination as necessary to the white settler colonialism of China, in accordance with "the democratic American program". In "He" (1926), by H. P. Lovecraft, the protagonist white-man is allowed to see the future of planet Earth, and sees "yellow men" triumphantly dancing among the ruins of the White man's world. In "The Horror at Red Hook" (1927), features Red Hook, New York, as a place were "slant-eyed immigrants practice nameless rites in honor of heathen gods by the light of the moon." Cinematic Yellow Peril In the 1930s, American cinema (Hollywood) presented contradictory images of East Asian men: (i) The malevolent master-criminal, Dr. Fu Manchu; and (ii) The benevolent master-detective, Charlie Chan. Fu Manchu is "[Sax] Rohmer's concoction of cunning Asian villainy [that] connects with the irrational fears of proliferation and incursion: Racist myths often carried by the water imagery of flood, deluge, the tidal waves of immigrants, rivers of blood." The Mask of Fu Manchu (1932) shows that the white man's sexual-anxiety is one of the bases of Yellow Peril fear, especially when Fu Manchu (Boris Karloff) urges his Asian army to "Kill the white man and take his women!" Moreover, as an example of "unnatural" sexual relations among Asians, father–daughter incest is a recurrent, narrative theme of The Mask of Fu Manchu, communicated by the ambiguous relations between Fu Manchu and Fah Lo See (Myrna Loy), his daughter. In 1936, when the Nazis banned the novels of Sax Rohmer in Germany, because they believed him Jewish, Rohmer denied being racist and published a letter declaring himself "a good Irishman", yet was disingenuous about the why of the Nazi book-ban, because "my stories are