"Sonnets of Misfortune" (Sonetje nesreče), which were first drafted already in 1832, but were published in the 4th volume of Krajnska čbelica only in July 1834, with some changes. They are the most pessimistic of Prešeren's works. This is a group of six (initially seven) sonnets expressing the poet's despair over life. In the first sonnet, titled "O Vrba," Prešeren reflects on what his life could have been like, had he never left his home village. The other sonnets from the circle have not gained such a widespread popularity, but are still considered by scholars to be among Prešeren's most genuine and profound works. After Čop's death 1835 was Prešeren's annus horibilis. His closest friend Matija Čop drowned while swimming in the Sava River, Julija Primic married a wealthy merchant, and Prešeren became alienated from his friend and editor of the literary journal Krajnska čbelica, Miha Kastelic. Following his best friend's death, Prešeren wrote the epic-lyric poem The Baptism on the Savica (), dedicating it to Čop. Set during the forced Christianisation of the predecessors of Slovenes, the Carantanians, in the late 8th century, the poem addresses the issues of collective identity and faithfulness to the ancestors' ways, as well as the issue of individual and his hope and resignation. The philosopher Slavoj Žižek interpreted the poem as an example of the emergence of modern subjectivity. In 1837, Prešeren met Emil Korytko, a Polish political activist from Galicia, confined by the Austrian authorities to Ljubljana. Korytko introduced to Prešeren the work of Adam Mickiewicz, which had an important influence on his later works. The two even jointly translated one of Mickiewicz's poems ("Resygnacja") from Polish to Slovene and started collecting Slovene folk songs in Carniola and Lower Styria. In 1839, Korytko died, leaving Prešeren without an important interlocutor after Čop's death. In the autumn of the same year, Andrej Smole, one of Prešeren's friends from his youth, returned home after many years of living and travelling abroad. Smole was a relatively rich young intellectual from a well-established merchant family, who supported the development of Slovene culture. The two spent much of the winter of 1839–1840 on Smole's estate in Lower Carniola, where they planned several cultural and literary projects, including the establishment of a daily newspaper in Slovene and the publishing of Anton Tomaž Linhart's comedy Matiček's Wedding which had been prohibited as "politically inappropriate" in 1790, due to the