slung over part of the double height great hall along the west side, acting as a minstrels gallery. The third floor of the central block contains further bedrooms in the roof space, lit by large dormer windows. Electrical services were provided at the time of building and included lights, bells, telephones and hot water. Whilst some drawings for such fittings exist for some of Prior's buildings there is only photographic evidence for the furniture and fittings at Home Place. He almost certainly designed further fitted furniture, in, for example, the kitchen and bedrooms of which there is no accurate record. Photographs taken just after completion reveal that a simple approach was taken to the treatments of the interior, with the extensive use of white distemper and untreated or oiled and blackened oak and waxed timber floors, very much in the idiom of the medievalism of Webb's Red House, designed for Morris. The Great Hall has the character of a late medieval timber-framed building. The timbers supporting the gallery are plain and untreated, whilst the roof timbers and supports appear oiled and blackened, a technique Prior used elsewhere. The floor treatment in the hall was polished wood with Persian runners. Furniture included chairs by Morris and Co., ranging from country chairs to heavy medieval styles, but also Regency period chairs and vernacular craft designs. A series of framed Burne-Jones prints line the gallery and tapestries the other walls. Other furniture includes a dresser similar to those by Morris & Co. The corridor to the west wall has a heavily beamed and ribbed oak roof, again originally blackened and polished. The doors originally located at either end of the corridor were purpose designed in untreated oak as part of a glazed and top lit oak screen dividing the hall portion of the corridor from the remainder of the passage. They were half glazed with small panels similar to those of the main fenestration. Scratch plates were designed by Prior in brass, probably with the "tree of life" pattern he used in other buildings. The inglenook included built settles within the nooks with full height leather backs. The French windows to the garden terrace were full height and oak framed, with small glazing panels. Heavy plain curtains were hung on what appear to be plain tubular rails, probably of brass. The stair hall shows a similar approach to finishes and furnishings. The stair