Alice Anderson (born 1972) is a French-British artist who studied Fine Art at the École nationale supérieure des Beaux-Arts in Paris and Goldsmiths College, London. She currently lives and works in London. Anderson works primarily with copper-coloured wire, colour paint, oil pastel, corten steel, and is associated with the Postdigital movement: as a way of finding spirituality through the developing technologies. James Bridle: Work Alice Anderson was mainly known for her films until 2007 when she started to create objects and sculptures with elements of her own body. In 2011, Anderson's practice took a new direction following her personal exhibition at the Freud Museum in London, where she worked on Anna Freud’s loom and initiated geometrical works of lines and grids in the spirit of Agnes Martin. This is also when Anderson began to use copper wire. With the ‘Wire’ project, Anderson wound copper wire around the objects, furniture and architectural elements in her London studio. On her relationships to objects, Anderson says, "I always worry about breaking or losing an object, therefore I have established rules: When one of the object around me is likely to become obsolete or is lost in the stream of our lives, I memorise it with wire before it happens. If an object breaks, I encapsulate it in steel, I leave it outside for few weeks until it rusts, then I perform a ritual and when the dance is over, everything is repaired. The broken relation is healed". In 2015 she exhibited her objects in copper wire at the Wellcome Collection in London. Jonathan Jones of The Guardian described the work as "glutinous in the memory. The reason it works is because she takes the whole thing so stupendously seriously. This is passionate, obsessive, intensely concentrated work." Visitors were asked to help the artist record a Ford Mustang in wire through a collective sculpture. Anderson also uses rough material such as recycled steel and works with metallic meshes to create sculptures from repetitive gestures. Anderson's works make prevalent use of copper wire, a signature material which originated from the artist being drawn to copper wire's 'shiny, hypnotic' properties which triggered the thought that copper represents the connectivity of a digital world and provide a means of 'memorising' objects. Anderson's first large-scale project using copper thread was to bind the façade of the Freud Museum with 3000 metres of thread in 'Housebound' (2011), which replicated