Ruth Palmer is a British violinist. Career She graduated from the Royal Academy of Music in 2000 with 1st class honours, the 'Roth Prize' for best violin final recital and the 'Lesley Alexander Award' for excellence. She won a Hattori Foundation Junior Award in 1999/2000 She went on to study at the Royal College of Music under Dr. Felix Andrievsky, who had been present at the first performance of Shostakovich's 1st Violin Concerto. In 2005 Ruth was made the first ever recipient of the prestigious Ritterman Junior Fellowship at the RCM, having previously been the Mills Williams Junior Fellow in 2004. In 2004 she gave the world première of Irony of Fate, a ballet for one female dancer with solo violinist on-stage created by Rafael Bonachela, Ballet Rambert's Associate Choreographer for the Madrid International Day of Dance 2004, using the solo violin partita of Vytautas Barkauskas. She debuted at Wigmore Hall In London, and she has given recitals at the Ravinia Festival in Chicago, Royal Opera House, Edinburgh Festival, Cheltenham International Festival of Music, Queen Elizabeth Hall, Purcell Room, Teatro Albeniz Madrid, Munich Opera House Gala and Snape Maltings. First Shostakovich CD and DVD In 2006, her début CD "Shostakovich Violin Concerto No 1 & Violin Sonata" was released, with the Philharmonia Orchestra conducted by Ben Wallfisch, and recorded on the "Turkish" Guarneri Del Gesu (1737) loaned to her by Charles Beare. The BBC had commissioned a documentary about her preparation for this called A People's Music and a DVD version of this is included with the CD. This was rated 5-stars by the Independent on Sunday, and 4-stars by The Times and The Guardian. The review in International Record Review described her performance of the Concerto as "a performance which has astounded me...it a truly magnificent account" and on the Sonata commented "although two recordings exist of David Oistrakh playing this work (with Sviatoslav Richter and with Shostakovich himself – the last recorded in the composer's apartment), Palmer's recording is the finest all-round I have experienced – indeed, her intellectual understanding of this extremely difficult work is wholly exceptional, and her musical acuity is admirable". It was selected as Orchestral Disk of the Month in Classic FM Review who gave it 5 stars and declared "for my money, this is the Shostakovich centenary's most outstanding release" She was profiled by Norman Lebrecht in the Evening Standard in Feb 2007