a whole new kind of language breaks through in the middle of the collection, a whole new style. The collection is based on the business plan to open a Nachtefteling, a plan for which he still sat down with Steven Brunswijk. Baah Baaah Krakschaap After a period of heavy alcoholism in the Black Mountains combined with the benzodiazepine Lorazepam, Benders was lying down one winter night and a moth started fluttering in his face in the middle of the night. Suddenly, he remembered the words of one of the characters from Carlos Castaneda's worldview, Don Juan de Matos, who said that moths "carry the dust of infinity on their wings" and he decided to stop the benzodiazepine, and subsequently the alcohol, immediately, all on his own. The double collection Baah Baaah Krakschaap / The P of Winter Sleep is written entirely from the perspective of a swarm of moths. The title is taken from an English children's song, and also a song by Sleaford Mods, and on the cover the P of Wintersleep is shaped like a scythe. Benders moved to Noordwijkerhout after finding a new love, Veronique Hogervorst. After his arrival, the house was full of all kinds of moths for a year, and Benders wrote the collection between them. In the Volkskrant, swinging critic Arjan Peters discussed the collection, calling it better than T.S. Eliot. The Cinnamon Factory After publishing house Atlas Contact informed him that Baah Baaah Krakschaap did not resemble other Dutch-language poetry enough and thus could not be good for their logic, Benders had seen it with the canal-belt publishing houses and approached Ruud Poppelaars and Monique van der Kubbe with the idea of starting a publishing house that would deal with literature in a less monotonous and uniform way. Stichting de Kaneelfabriek was founded in 2018 and they published some 30 books in four years. Benders works mainly as a designer for the Foundation. He also became editor-in-chief of the literary-philosophical magazine De Honingzaag. Ginneninne A Christmas collection full of Celtic lyricism, which Benders sent with a seal 1cp-LSD to some critics, including Piet Gerbrandy who had written about Baah Baaah Krakschaap "that sober analysis doesn't amount to much". When professor Marc van Oostendorp sat typing a very positive review of the collection on Christmas Eve, Benders refused to read it. According to Benders 'because on Christmas Eve the LSD gate would close', referring