"Questions 67 and 68" is a 1969 song written by Robert Lamm for the rock band Chicago (then known as Chicago Transit Authority) and recorded for their debut album Chicago Transit Authority. It was their first single release. Peter Cetera is the primary lead singer with Lamm also on vocals. In 2015, Dave Swanson, writing for Ultimate Classic Rock, listed the song as ninth in a list of top ten Chicago songs. Writing for Rock Cellar magazine, Frank Mastropolo rated the song as number 11 in a list of "Top 11 Question Songs". Lyrics and music The questions in "Questions 67 and 68" relate to the nature of a romantic relationship Lamm had during 1967 and 1968. In 2008, Lamm said, " 'It’s about a girl I knew during those years with a hint of acid imagery and very Beatles influenced.' " The lyrics include the title phrase only as the last words. With respect to the horn arrangement, James Pankow said in a 2000 Goldmine article, " 'In the old days, however, I used to write horns very harmonically. 'Questions 67 & 68' is probably a very good example of how I used to approach horns. I had no rests. We played from the first bar of the song, which is not very musical anymore. We got away with that then, I guess. Guercio [Chicago's producer then] used to triple, quite often. He'd have three sections, and the one in the middle was me playing pedals, that's why it sounded like Count Basie. It sounded like a big band.' " Billboard described the single as "a soulful, driving rhythm ballad with big band in strong support," and as a "potent chart item." Chart performance Released in July 1969, the song peaked at on the US Billboard Hot 100 and on the Cash Box Top 100. After the band's success with subsequent singles, "Questions 67 and 68" was edited to a more radio-friendly length and was re-released in September 1971, with "I'm a Man" as the B-side. The edited single climbed to on Billboard and on Cash Box. Weekly charts Japanese release Cetera and Lamm recorded Japanese-language vocals for the song in 1971, and the version of the song with those vocals was released as a single in Japan. Columbia Records released the song only as a radio-only promotional 45 rpm single, with the English version on the other side.