Global Underground label's sales, a New York office was opened in on Ninth Avenue in Manhattan. The Mekka Electronic Music Festival, otherwise known as the "electronic Lollapallooza" took place in ten cities in the United States and Canada during August and September, including New York City, Los Angeles, Toronto and San Francisco. The event featured Oakenfold amongst other electronic artists. Oakenfold next moved to Los Angeles to work on film soundtracks and to focus his DJing stateside. His experiences with the United States influenced the creation of his Perfecto Presents series of mix albums. Launched with Perfecto Presents: Travelling (2000), the series built on his eclectic usage of music and the albums were themed. Perfecto Presents: Another World was the second instalment in the series. Music Oakenfold continues with the style of progressive trance and Goa trance styles had first explored six years earlier on Goa Mix (1994). As with Goa Mix, samples of Lisa Gerrard's vocals and snatches of dialogue from the Blade Runner soundtrack are dropped into the mix (notably Roy Batty's final speech), which is used between the last two tracks on the first disc. As with another of his other mix albums, Perfecto Fluoro (1996), snatches of dialogue from other films are present as they form part of the tracks used. For example, the dialogue sample he inserted into Tatonie's "Music" is from the film Contact (1997). John Bush of Allmusic said, "perhaps realizing that the market for progressive trance mix albums was fast approaching saturation amidst a raft of inferior products, Paul Oakenfold displayed a touch more variety" with this album, noting that whilst the album contains tracks from "the usual trance producers" such as Timo Maas, Salt Tank, Tone Depth and LSG, as well as signings to Oakenfold's Perfecto Records label, the album "incorporates snippets from more atmospheric sources, including Dead Can Dance and Vangelis' soundtrack classic, Blade Runner. And he even tapped Perfecto stalwart Quivver to apply the trance treatment to Led Zeppelin's "Babe I'm Gonna Leave You"", a remix that he noted "applies a sleek backing to a few of Robert Plant's bluesier vocal lines." Release The album was released in the United States and Canada on September 19, 2000. In the United States, it was released on Sire Records. In Canada, the album was released as a collaboration between both Sire Records and London Records. To promote the album, a sample