of the Archdiocese. Proper Roman Catholic cathedral in Belgrade, after continuous failed offering of various locations during the Interbellum, was ultimately never built. A monument to vojvoda Petar Bojović was placed in the park, today called after him, in 1993. The bust is work of Drinka Radovanović. The monument was fully renovated in 2020. 21st century The name of the neighbourhood, just like the adjoining Grantovac, later fell into obscurity and is not used much today. One of the rare official usage is for one of the exchanges of Telekom Srbija, until it resurfaced in the late 2010s in the media, regarding demolitions in the neighborhood. In August 2018 part of the neighborhood was placed under the protection. Concurrently, private investors announced partial demolition of the eastern section of the neighborhood (around the streets of Topolska, Petrovgradska and Vojvode Dragomira) and construction of several highrise buildings in the area. Inhabitants of Vračar organized, protesting against the project and stressing the necessity of preserving such refined ambient entireties. Architect Bojan Kovačević, president of the Serbian Academy of Architecture, said that "there are parts of the city which are docile units, and which can't resist the pressures from the investors. In the Topolska Street, someone is trying to capitalize on the ambient fineness by constructing the buildings which kill that very fineness". Deputy mayor Goran Vesić said that he supports the motion for preserving the old neighborhood. Still, the demolition began. In September 2018, the 1927 villa, designed by Milan Štangl, was demolished. It was considered one of the earliest representatives of the moderna in Belgrade. It was demolished to make way for a residential building. Only after it was demolished, the city decided to draft the detailed regulatory plan for the eastern section of the neighborhood which stipulates that the façades of the new buildings must be in accordance with the "ambient unit" of the neighborhood, and can't have modern glass-like façades, for example. The villa continued to make headlines, including the summer and fall of 2021. It was disclosed that the investor had no permits for the various adaptations and additions, including the construction of elevator shaft in the building's skylight. Several inspections ordered halting of the works and restoration of previous appearance, but the investor ignored them and street protests of the neighbors continued. At Resavska 25, just below the crossing with the Krunska, there was a House of