Adolf Hitler Hotel, all surrounded by huge boulevards and a parade ground. Located south of the historic section of Linz, the main buildings, including the Führermuseum, were to be aligned along one main avenue, In den Lauben, which after the war was called "a typical National Socialist axis street." It would be anchored at the other end by the new railway station. The design of the many buildings of the cultural center were assigned to various architects Hitler favored. The museum itself was designed by Roderich Fick based closely on Hitler's sketches and specifications, modeled somewhat after Paul Ludwig Troost's Haus der Deutschen Kunst ("House of German Art") in Munich – itself strongly influenced by Hitler's participation in the design process – and would feature a colonnaded facade about 500 feet (150 meters) long. It would stand on the site of the Linz railroad station, which was to be moved four kilometers to the south. Should the volume of German art bought, confiscated and plundered for the museum be such that expansion was needed, an additional building could easily be integrated into the planned district. By January 1945, Hitler became obsessed with seeing a model of the planned cultural complex; he had his adjutants and Martin Bormann, his personal secretary and head of the Nazi Party Chancellery, call Giesler's office repeatedly, to ask when the Führer could view the model. Giesler's office worked around the clock to finish it. On the night of 7-8 February, Giesler brought the model to Berlin by truck and had it set up in the cellar of the New Chancellery building, where it was ready for viewing on 9 February by Hitler, Robert Ley, the Leader of the German Labor Front, and SS-Oberguppenfūhrer Ernst Kaltenbrunner, Chief of the Security Police, along with Hitler's personal photographer Walter Frentz and his valet, Heinz Linge. Frentz took some pictures of the event, one of which shows Hitler seated in deep contemplation of the model. Hitler was apparently entranced by what he saw: Bent over the model, he viewed it from all angles, and in different kinds of lighting. He asked for a seat. He checked the proportions of the different buildings. He asked about the details of the bridges. He studied the model for a long time, apparently lost in thought. While Geisler stayed in Berlin, Hitler accompanied him twice daily to view the model, in the afternoon