of Dancin’, famed librettist Alan Jay Lerner sent Fosse a telegram that said: “You finally did it. You got rid of the author”. Fosse started working on the show in August 1977; intimidated by the idea of having to choreograph two hours worth of material, he asked dancer and choreographer Graciela Daniele to contribute a few numbers to the show, but she declined, saying: "When you are out of ideas, call me. I have the feeling that once you get into it, you're going to want to do it all." He didn't call, eventually devising choreography for the entire show, except for the finale, "Yankee Doodle Disco", which was choreographed by cast member Christopher Chadman. That month, Variety reported that Fosse’s all new dance revue would be called Dancers– the title eventually changed to Dancin’, with the subtitle “A New Musical Entertainment”. For his cast, Fosse saw over 1,000 dancers during auditions, settling on 16, including his muse, Ann Reinking; Charles Ward, a principal dancer with the American Ballet Theatre; Edward Love, who had danced with Alvin Ailey; Fosse stalwarts Christopher Chadman, John Mineo, and Richard Korthaze; and new members of the Fosse family like Wayne Cilento. Three months of rehearsal (instead of the usual eight weeks) began at the end of 1977: on the first day, Fosse told the assembled cast: “This is a show about dancing. You have to love to dance, or you should not be in this show. If you do not love it, get out, please. It’s going to be hard work for the next three months. You’re going to be exhausted, but that’s what this show is about.” Despite the lack of creative partners, Fosse still had to negotiate with his co-producer Bernard Jacobs, the president of The Shubert Organization. While the show was out of town in Boston, Jacobs objected to the old-fashioned, literal minded Broadway-style ballet “Big City Mime”, which depicted a tourist in Time Square coming in contact with prostitutes, massage parlors, and dance halls. Jacobs also objected to “The Dream Barre”, another more risqué number featuring Ann Reinking and Charles Ward. Fosse bowed to Jacobs on "Big City Mime", cutting the number, but stood his ground on "The Dream Barre", which would remain in the show until being cut years later on tour. The rest of the show's numbers impressed audiences, and because Fosse co-produced the show, it became his