art by artists who went into Inner Emigration at the time of the Third Reich and retired to the Lake Constance region like Otto Dix, Max Ackermann, Willi Baumeister, Erich Heckel, Julius Bissier, and others. Héctor Zamora's Sciame de dirigibili – Zeppelin Swarms The first of the art exhibits to be encountered in the museum, these little Zeppelins are part of the art work Zeppelin Swarms by Héctor Zamora (1974, Mexico City, Mexico) which defines the connection between the technology and the art departments. His project, first shown at the 53rd Venice Biennale, stimulates the viewer's imagination. The visitors become witnesses to an event in Venice that actually never happened, an invasion of Venice by a large number of Zeppelins. For this purpose, Zamora shows the Zeppelin swarm in different art genres: post cards, drawings, paintings by venetian street artists, advertisement in the press, and an animated video which was spread on the internet. While actual swarm of zeppelins over Venice did not take place, the photographs are very realistic. The only real and visible element that actually appeared in the cityscape of Venice was an airship, which was shown stuck between two houses. Now, its deflated hull covers the floor of the major exhibition space. Man and Technology – Man and Nature The section Man and Technology demonstrates the high level of creativity and innovation that humans are capable of when it comes to technology and art. The focus is on man and his position in the interplay between technology, nature, and faith. In the section man and nature, it is shown that the relation between humans and nature is an emotional, aesthetic, and religious connection, which changed over the centuries. The term "natural landscape" developed because of the industrialization and its impact on nature and landscape. Archive and library The Zeppelin Collection and LZ Archives form a competency center on the history of German airship building, whilst the art department carries out research in the field of Lake Constance regional art and crafts. LZ archive The corporate archive of the Zeppelin airship-building limited company in Friedrichshafen fills a depot of the Zeppelin Museum. The archive stores documents on every business transaction of the company, from the very beginnings through the 1960s. It also includes Count Zeppelin’s correspondence from the time he conceived his airship-building project. In addition, the archives contain the estates of important personages of Zeppelin history