to van Deel, the 'Willem' in the title referred to Willem Thies, and was now typical network poetry by network poets. However, Gerrit Komrij in his Poetry Calendar calls Benders 'one of the greatest talents of our time', and he observes that 'The supervisors who hand out the talent cards are too busy in their own playgrounds to read Benders'. In the Groene Amsterdammer, Piet Gerbrandy called the collection 'outstanding'. Bert in the Turing Benders, under the pseudonym 'Bert', delivered strong criticism of the Turing National Poetry Contest in 2010. The same year, he submitted a song Kom nou Mijnheer Komrij (2), while Komrij was on the jury. The song failed to make the top 1000. Ramsey Nasr, who was Dichter des Vaderlands (Nederland) at the time, launched a tirade against 'Bert' in 2011 in the opening speech of the festivity, which he said was jealous because he himself could not make the top 100. Benders responded by sending a Alexis de Roode dressed in a Bert costume onto the stage in 2012. One of those poems was an adaptation of a poem by Bill Knott, the unsung American poet who always complained that he never got into the prizes. Wôld, Wôld, Wôld! This was followed in 2013 by the voluminous collection Wôld, Wôld, Wôld!, which Benders himself said was the world's first personalised book of poetry. The poetry collection provided commentary on the reader's life, which Benders managed by spying on the reader before each order. At the same time, Benders published a list of 50 prominent literature lovers who were not allowed to buy the book.By his own admission, the full list also complied with that command. WWW was also the first poetry collection in the Netherlands with its own unboxing video.(4) In the collection, Piet Gerbrandy provides live commentary on the poems contained in facebook balloons. Reissue In 2013, he fell into a divorce and was forced to return to the Netherlands, moving in with his parents, addicted to alcohol. Until that point, he managed to make ends meet on his own, but that was no longer the case and knocking on the Dutch Foundation for Literature's door, they informed him that he could only qualify for a work grant if he republished his previous collection with what they called a 'regular' publisher there. Benders did so after talking to van Gennep publishers: 'What do I buy