organ loft and vestry is to the north side of the chancel. The vestry is connected directly to the pulpit through a door a pulpit level and the organ located through an arch. The sanctuary measures 10’ x 13. The chancel and sanctuary have red and yellow quarry tiled floors with stone borders. The east window has three lancets and a trefoil with decorative stained glass. The porch is set on the relatively sheltered south side and is lit by three trefoil windows on each side. It has a pointed entrance arch that springs from two shafts of unpolished granite and eight internal steps leading up to the door. A small bell turret is located to the south side between the nave and chancel and is carried apart on the gable and part corbelled out from the chancel. Interior Prior provided a heating system using low pressure coils throughout the church and a boiler room to the north of the chancel 3’ below the nave floor level. Electric lighting was not supplied until 1945. Prior disliked the separation in Victorian church building between architecture and furnishings, regarding most interior furnishings as sad failures. He firmly believed in the integration of architecture and furnishings and in the need for an appropriate treatment; "A church is a place of common assembly for worship of God. It should be reverential, simple and honest. Ornate treatment was out of place here, and students should aim at a graceful effect.... not flimsy and coarse." At Bothenhampton Prior designed the font, the altar rails, the choir stalls, and chest, the doors. The altar table was designed with William Lethaby and executed by Augustus Mason. All the furnishings were in English oak. Lethaby designed the altar front in gesso, with intertwined wild roses, leaves and stems. A wrought iron chancel screen was added in 1895. The font has a round alabaster bowl supported on eight polished shafts with moulded Early English style capitals. The base is formed by a square of Keinton stone with two half circular steps. Construction The church took five years to complete largely because of the Incorporated Church Building Society's concerns with the experimental roof structure. The Society provided grants for church construction, but could force changes on the design requested by its panel of architects, as a condition of making the grant. The panel repeatedly rejected Prior's design. Its members included J.