the Hameau de la Reine, a mock farming village built around an artificial lake at the northeastern corner of the estate. During the Revolution, he was arrested along with his son as participants in a conspiracy to save the life of Marie Antoinette, whose favorite architect he had been. He was brought before a revolutionary tribunal and, after a summary trial on 7 July 1794, both father and son were condemned to death and executed the following day. This was just three weeks before the fall of Robespierre and the end of the Reign of Terror. Pierre de Nolhac, the historian of the Château de Versailles, in Le Trianon de Marie-Antoinette (1914), found Mique to have been "un artiste savant, habile, et digne de plus de gloire" A street in the city of Versailles commemorates his name. Works 1762 : His first known design, for a kiosk in the gardens of Lunéville. 1763-64 Two gates for the city of Nancy: the Porte Sainte-Catherine and the Porte Stanislas already show the neoclassical taste.. 1765 : Plans for the Sainte-Catherine barracks at Nancy. 1767-72 : Buildings for an Ursuline convent in the town of Versailles for Maria Leszczyńska. The convent now houses the Lycée Hoche. Mique's first two plans were rejected. The third executed design is similar to Jacques-Germain Soufflot's Church of Sainte-Geneviève in Paris. 1775-84 : All the structures, including the bridge, that form the picturesque hamlet, the Hameau de la Reine in the garden of the Petit Trianon at Versailles. Mique carried it out in its naturalistic jardin anglo-chinois probably laid out in collaboration with the painter Hubert Robert; for inspiration, he was directed to visit the Anglo-Chinese park at Ermenonville (Higonnet 2002: 29). 1775-85 : Church of the Carmelites Basilica of Saint-Denis, for the aunt of Louis XVI, Madame Louise, who had become a nun in the convent at Saint-Denis. Madame Louise dictated in detail the subjects she wanted for the sculptural decorations. The neoclassical building, with a Corinthian portico adapted from the Roman Maison Carrée at Nîmes, was consecrated 28 May 1784. 1778-79 : The private theatre of Marie Antoinette at the Petit Trianon. 1778-81 : The octagonal Belvedere (1778–81), consecrated to the Seasons, the Pavillon du Rocher and the Temple de l'Amour in the newly-informal gardens of the Petit Trianon at Versailles. The Temple of Love, visible from the Queen's bedroom, was the setting for many fêtes