{{Infobox person | image = Celeste Yarnall 1967.jpg | caption = Yarnall in 1967 | birth_name = Celeste Jeanne Yarnall | birth_date = | death_date = | birth_place = Long Beach, California, U.S. | death_place = Westlake Village, California, U.S. | resting_place = Forest Lawn Memorial Park (Glendale) | occupation = Actress | yearsactive = 1962–2018 | spouse = | children = 1 | website = Celeste Jeanne Yarnall (July 26, 1944 – October 7, 2018) was an American actress primarily of the 1960s and 1970s. She started her career on television before moving to feature film roles. Career A native of Long Beach, California, Yarnall was discovered by Ozzie Nelson and his son Ricky in 1962 and appeared on their show The Adventures of Ozzie & Harriet. She was named Miss Rheingold 1964 (the last person to hold that title) while modeling and appearing in TV commercials. She made her film debut in The Nutty Professor (1963) and, after appearing at the 1967 Cannes Film Festival, was spotted by producer Harry Alan Towers, who scouted her to appear as the central character in his film Eve. She also appeared as a "Scream Queen" who is terrorized by a headless monster in the horror film Beast of Blood (1971). Yarnall was known for her role as Yeoman Martha Landon in the Star Trek: The Original Series episode "The Apple" (1967), a character she would return to in the fan-made film Star Trek: Of Gods and Men (2006). She was cast in a small role opposite Elvis Presley in Live a Little, Love a Little (1968), as a party-goer wearing a glittery silver mini-dress and briefly a white fur coat, who captures Presley's attention and prompts him to sing "A Little Less Conversation". After she attended the Cannes Film Festival in 1968, the National Association of Theatre Owners named her "Most Promising New Star" for 1968, and the Foreign Press Corps named her "Most Photogenic Beauty of the Year". In 1971, she starred as the titular vampire in Stephanie Rothman's low-budget film The Velvet Vampire, of which Dave Kehr of the Chicago Reader said, "Given the genre (horror) and the budget (extremely low), it may seem perverse to say that Stephanie Rothman's 1971 film is among the best women's films ever made, but so it is." Personal life Yarnall was married to Sheldon Silverstein from 1964 until 1970, with Silverstein, she