delay, Montenegrin government reacted and placed the monument in Titograd. On 22 June 1989 city assembly decided to place the replica of Stojanović's work in Belgrade, but on another location, on the Faculty of Philosophy Plateau, where the monument was dedicated on 29 June 1994. According to the city's general urban plan (GUP) in the 1960s, Cvetni Trg was envisioned as the location of the future central underground subway station of Belgrade, which would also replace the Belgrade Main railway station. The tunnels would conduct the traffic in the north to south direction. The railroad authorities opposed the project, so the plans were abandoned. In the early 2000s (decade), the section of Njegoševa street north of Cvetni trg was closed for traffic, paved with stone and turned into a series of small stair-like plateaus, used as patios for local coffee shops, thus enlarging the area of the square. 2015 reconstruction Despite previous recent works, after 2013, new city government headed by mayor Siniša Mali decided to do another reconstruction. As soon as the project, headed by architect Ksenija Bulatović, was chosen, both professional and public opinion were already against it. Nevertheless, city government pushed the project and the new square was officially opened on 16 December 2015. The small square which gave a feel of being cosy and tucked in, was completely buried under the white concrete. It was soon nicknamed the “Concrete square”, and seen as a sickly white, empty, sterile and resembling a great tomb or a columbarium. It was soon evident that, apart from being completely botched, it was poorly done and that it may need new reconstruction soon. As the public discontent didn’t stop, Bulatović authored a text in Politika, titled Emptiness is an event, trying to explain her work and saying that the "basic quality of an urban area is reaction of the human senses" and that it is important "whether some area is pleasant or desirable to spend time in it". Preachy and philosophical text only provoked the public opinion even more, and she got a harsh public response from composer Ivana Stefanović titled Great white emptiness replying that the "event" actually makes you feel negative and unpleasant spending time in it and that the spirit of Cvetni trg, that of the small city garden, was killed and replaced by the graveyard silence. Dramaturge and university professor Predrag Perišić said that someone "ripped out