Arhat, heavenly generals and also common people are the sculptural themes. The background scenes depict towers, buildings, mountains, rivers, clouds, rocks, grasses, flowers, forested trees, and woodlands. The sculptures are displayed behind caged chambers in a tableaux form. There is also statue of husband and wife who took care of this shrine during the Chinese Revolution. The setting of the scene behind the statues is that of flowing water cascades or clouds, and as result the wooden halls appear like grottoes. Maintenance is reported to be poor as many statues are seen in a bad condition for lack of preservation. The temple's external surface is covered with coal dust and looks musty. Hall of the Devas Sculptures of Vajrapani and the Four Heavenly Kings are displayed in the Hall of the Devas. Arhat Hall Eighteen sculptresses are in the Arhat hall (Luohan Ting; ). These are sculpted as noble figures with amicable facial expressions. The garments are similar to the Cao Jiaxiang's style and have received wide acclaim. The carved garments are tight fitting shirts over loose robes with broad sleeves. The most striking figure among the sculptures in the Arhat hall is that of the holy Guanyin style of sculpting which was popular during the later period of Chinese Buddhism. The gilded sculpted image of Bodhisattva of this period is shown in a cross-legged pose seated on a lotus. A Sumeru throne is sculpted below this image and is fixed over figures of mighty men. The statue is carved in a halo. Hall of a Thousand Buddhas The Skanda statue is in the Hall of a Thousand Buddhas, which are considered masterpieces of sculptural art of the Buddhist culture of the Ming dynasty period. The hall has sculpted feminine figurines in a sitting posture. The chief deity is shown with his legs positioned over a coiled dragon. Bodhisattva Hall Bodhisattva Hall, called the Pusa Ting (), has a thousand-armed Guanyin. The ceiling in this hall contains depictions of a guard in the form of three-clawed round and bellied figure, and is painted green. The Bodhisattva hall has the sculpture of a young, attractive looking woman said to represent the Bodhisattva, which is sculpted with many hands. The clothing is very rich and ornaments decorate the Bodhisattva. The twenty or more arms of the Bodhisattva are well-sculpted, of very fair skin, with hands set behind the head and on torso.