on the domination of symbolic systems in social life, as well as the idea of social orders which would ultimately be transformed by Bourdieu from a sociology of religion into a theory of fields. From Marx he gained his understanding of 'society' as the ensemble of social relationships: "what exist in the social world are relations – not interactions between agents or intersubjective ties between individuals, but objective relations which exist 'independently of individual consciousness and will'." (grounded in the mode and conditions of economic production), and of the need to dialectically develop social theory from social practice. (Arnold Hauser earlier published the orthodox application of Marxist class theory to the fine arts in The Social History of Art (1951).) From Émile Durkheim, through Marcel Mauss and Claude Lévi-Strauss, Bourdieu inherited a certain structuralist interpretation of the tendency of social structures to reproduce themselves, based on the analysis of symbolic structures and forms of classification. However, Bourdieu critically diverged from Durkheim in emphasizing the role of the social agent in enacting, through the embodiment of social structures, symbolic orders. He furthermore emphasized that the reproduction of social structures does not operate according to a functionalist logic. Maurice Merleau-Ponty and, through him, the phenomenology of Edmund Husserl played an essential part in the formulation of Bourdieu's focus on the body, action, and practical dispositions (which found their primary manifestation in Bourdieu's theory of habitus). Bourdieu was also influenced by Wittgenstein (especially with regard to his work on rule-following) stating that "Wittgenstein is probably the philosopher who has helped me most at moments of difficulty. He's a kind of saviour for times of great intellectual distress". Bourdieu's work is built upon an attempt to transcend a series of oppositions which he thought characterized the social sciences (subjectivism/objectivism, micro/macro, freedom/determinism) of his time. His concepts of habitus, capital, and field were conceived with the intention of overcoming such oppositions. As a public intellectual During the 1990s, Bourdieu became more and more involved in political debate, becoming one of the most important public faces of intellectual life in France. While a fierce critic of neoliberalism, Bourdieu was also critical of the "total intellectual" role played by Jean-Paul Sartre, and he dismissed Sartre's attempts to intervene in French politics as "irresponsible" and "opportunistic." Bourdieu saw sociology not as a form of "intellectual entertainment" but as a serious discipline of a scientific nature. There is an