world", Marston wrote. In a 1943 issue of The American Scholar, Marston wrote: Marston was an outspoken feminist, polyamorist, and firm believer in the superiority of women. He described bondage and submission as a "respectable and noble practice". Marston wrote in a weakness for Wonder Woman, which was attached to a fictional stipulation that he dubbed "Aphrodite's Law", that made the chaining of her "Bracelets of Submission" together by a man take away her Amazonian super strength. Golden Age Initially, Wonder Woman was an Amazon champion who wins the right to return Steve Trevora United States intelligence officer whose plane had crashed on the Amazons' isolated island homelandto "Man's World" and to fight crime and the evil of the Nazis. During this period, Wonder Woman joined the Justice Society of America as the team's secretary. Silver Age During the Silver Age, under writer Robert Kanigher, Wonder Woman's origin was revamped, along with other characters'. The new origin story increased the character's Hellenic and mythological roots: receiving the blessing of each deity in her crib, Diana is destined to become as "beautiful as Aphrodite, wise as Athena, strong as Hercules, and swift as Hermes." At the end of the 1960s, under the guidance of Mike Sekowsky, Wonder Woman surrendered her powers in order to remain in Man's World rather than accompany her fellow Amazons to another dimension. Wonder Woman begins using the alias Diana Prince and opens a mod boutique. She acquires a Chinese mentor named I Ching, who teaches Diana martial arts and weapons skills. Using her fighting skill instead of her powers, Diana engaged in adventures that encompassed a variety of genres, from espionage to mythology. This phase of her story was directly influenced by the British spy thriller The Avengers and Diana Rigg's portrayal of Emma Peel. Bronze Age In the early 1970s the character returned to her superhero roots in the Justice League of America and to the World War II era in her own title. This, however, was ultimately due to the popularity of the TV series at the time also having Wonder Woman set in the WWII era, and was shifted back to the 1970s era once the TV show did the same. With a new decade arriving, DC president Jenette Kahn ordered a revamp in Wonder Woman's appearance. Artist Milton Glaser, who also designed the "bullet" logo adopted by DC in 1977, created a