agents operate according to an implicit practical logic—a practical sense—and bodily dispositions. Instead of confining his analysis of social relations and change to voluntaristic agency or strictly in terms of class as a structural relation, Bourdieu uses the agency-structure bridging concept of field. A field can be described as any historical, non-homogeneous social-spatial arena in which people maneuver and struggle in pursuit of desirable resources. In simpler terms, a field refers to any setting in which agents and their social positions are located. Accordingly, the position of each particular agent in the field is a result of interaction between the specific rules of the field, agent's habitus, and agent's capital (social, economic, and cultural). Fields interact with each other, and are hierarchical: most are subordinate to the larger field of power and class relations. For Bourdieu, social activity differences led to various, relatively autonomous, social spaces in which competition centers around particular capital. These fields are treated on a hierarchical basis—with economic power usually governing—wherein the dynamics of fields arise out of the struggle of social actors trying to occupy the dominant positions within the field. Bourdieu embraces prime elements of conflict theory like Marx. Social struggle also occurs within fields hierarchically nested under the economic antagonisms between social classes. The conflicts which take place in each social field have specific characteristics arising from those fields and that involve many social relationships which are not economic. Social agents act according to their "feel for the game", in which the "feel" roughly refers to the habitus, and the "game", to the field. Media and cultural production Bourdieu's most significant work on cultural production is available in two books: The Field of Cultural Production (1993) and The Rules of Art (1996). Bourdieu builds his theory of cultural production using his own characteristic theoretical vocabulary of habitus, capital and field. David Hesmondhalgh writes that: By 'cultural production' Bourdieu intends a very broad understanding of culture, in line with the tradition of classical sociology, including science (which in turn includes social science), law and religion, as well as expressive-aesthetic activities such as art, literature and music. However, his work on cultural production focuses overwhelmingly on two types of field or sub-field of cultural production…: literature and art.According to Bourdieu, "the principal obstacle to a rigorous science of the production of the value of cultural goods" is the "charismatic ideology of 'creation'" which can be