public arenas, outside of established art galleries and institutions. His performances centered on Reichian breath exercises conducted onstage and in public, including Cast performed on the floor of the women's public toilet at the 'Second Annual Alternative Media Conference' in Tokyo in 1986. The collage series that he produced for display in strategically selected public men's toilets called The Toilet Exhibition combined graphic war-damage images from world events with commercial pornography to emphasize links between them, in private stalls frequented by men from government offices (Kokkai-gijidomae), the banking sector (Hibia) and the fashion industry (Shibuya), at moments of absentminded contemplation. In the mid-1980s he began pirate radio and television broadcasts with portable custom-made transmitters built by Duncan himself, operating illegally from apartment block roofs in central Tokyo and an abandoned US Army hospital near Sagamihara, as well as periodic broadcasts made from his own home. Radio Code broadcasts featured the early live work of musician Keiji Haino and Butoh soloist Hisako Horikawa, which were also relayed throughout Tokyo via other pirate radio stations, particularly Radio Homerun in Shimokitazawa. TVC-1 television broadcasts were transmitted from central Tokyo rooftops, over the frequency assigned to NHK 1 after the station had concluded its broadcast day, limited to 12 minutes in order to avoid contact with Tokyo police. His work in film and video included the Super-8 films Trigger with a solo soundtrack, Brutal Birthday with a live soundtrack performed by Duncan's group C.V. Massage, and a support film for the performance event Move Forward that included images from hardcore pornography and animated technical drawings of nuclear attack strategies. He also directed a series of commercial adult videos for Kuki Inc. under the name John See, for which he also wrote the scripts, edited, composed soundtracks and occasionally acted in incidental roles. Several re-edited versions of John See videos were broadcast over TVC-1, also appearing in the 2003 video installation See. Amsterdam In 1988 Duncan moved to Amsterdam, where his work became more introspective, especially following a month-long stay at a Buddhist monastery in Chiang Mai, Thailand in 1993. The Kick performance series of Reichian exercises was conducted before live audiences throughout Europe, from 1989 at Ars Electronica in Linz, Austria, to 1993. The final event was held on the altar of the Parochiale Kirche in Berlin, concluding a live solo concert. His audio installation Stress Chamber consists of three independent motors vibrating the