objects onto the stage. One evening, having exhausted the list of amateur talent, the compere called on Little Tich and his tin-whistle to take up the next turn. The performance was a success and Little Tich returned every night, often accompanying his tin-whistle piece with impromptu dance routines. News of his performances spread, and he was soon signed up by the proprietor of the neighbouring Royal Exchange music hall, who bought his new signing a pair of clogs. Little Tich became a popular draw at the hall and often sang thirty songs a night. It was here that he discovered the art of blackface, a popular type of entertainment widely performed around the British Isles at the time. 1880s Early London engagements At the start of the 1880s, Little Tich assumed the stage name "The Infant Mackney" and graduated to the world of open-air theatre. The following year, he joined a blackface troupe who performed regularly at the Rosherville Pleasure Gardens; the local historian J.R.S. Clifford described them as "a band of minstrel darkies of a superior type". Little Tich's transition from amateur to professional performer came when he appeared in a weekly spot at Barnard's Music Hall in Chatham. Lew Barnard, the hall's proprietor, offered him 35 shillings a week. Thrilled at the prospect of appearing in a proper music hall, Little Tich changed his name from The Infant Mackney to Young Tichborne, a nickname he had gained while living in Cudham years earlier. He enjoyed initial success at Barnard's, but audience numbers soon diminished and his pay was reduced to 15 shillings a week as a result. To supplement his income, he resumed his position in the barber's shop and took on a string of menial jobs that lasted six months. In 1881 Little Tich left home with his sister Agnes, who chaperoned her young brother around the music halls and variety clubs throughout England. By now, he had swapped the tin-whistle for a picco pipe which he used to accompany his clog dancing routine. He despised his early experiences of provincial touring as he was often forced to sleep in dosshouses with very little money or food. To survive, he would often return to busking outside music halls to the waiting audiences. In the early months of 1884, he secured an engagement at a rundown public house called The Dolphin in Kidderminster, where he was paid £2