the night, while old men and women and children assembled to witness the gleeful dance of the youths. While watching the skill of their young ones, old men, old women sometimes recalling their sweet bygone days even join the dance for a while just for mirth and fun. A gallon of drinks like and in a bamboo tube and a bundle peace of meat in a wrapped-up leaf plate are served to them now and then. Drinks are an essential part of the festival and are distributed in fresh (bamboo tube cups) while meat is served in plaintive leaves. While the old aged group cannot take part in the entertainment, they gather in a Khunang house sitting around the fireplace, chatting, joking and tell stories, drinking, eating to their hearts` content. This is how the third day and night passes by. Fourth to Sixth days : The fourth, fifth and sixth days are called Baikhaoba or Jikhaoba. On these days too community feast are held. The days are spent mainly in eating, drinking, singing and dancing and merrymaking. People go from house to house to share the joy of the festivity and each family provides them with ample food and drinks by each family. During these days they will perform the dances in the courtyard of the selected well to do family and to the leaders house. This is called Baisingba. This Social festivity continues till sixth noon. In the morning of the sixth day the youth go round the village singing, dancing and playing music. This is called digarlaiba. For the last dance, they again assembled in the dancing ground by performing the dance in merry go round. In the middle of the arena they made a pothole in the ground and let a pitcherful of water and the blood of an earlier sacrificial buffalo, and make watery muddy for playing purposes. After singing and dancing for sometime the dancers, children along with their bachelors leader Nagahoja or Mathlahoja facing to the main door of the house of Gajaibao (Hangseu Busu Leader) and proceed as if in the coming and going for three times. In the same time some youths behave like monkeys and pull out the main door of the Gaijaibao's house replace it the new one. Pulling out the door may symbolise the end of the Gajaibao's responsibility. This is known as derga khouma, meaning the door