professional path for women designers during the early part of the twentieth century. She played an integral part during the Bauhaus movement in Dessau and Berlin in Germany and served on professional boards, such as the Deutscher Werkbund (German Work Federation). Lilly Reich managed her own interior design firm and was a faculty member at the Berlin University of Arts. Lilly Reich collaborated and co-designed the Brno Chair, the famous Barcelona Chair, and the Barcelona Pavilion along with Mies on behalf of the German government for the 1929 World Exhibition in Barcelona, Spain. The Barcelona Pavilion is considered to be a masterpiece of modern design, however, Lilly Reich is rarely mentioned in textbooks, nor given proper credit for her contributions. She also worked with Josef Hoffmann on the design of the Kubus armchair and sofa. Lilly Reich traveled to the United States, England, and Austria to study and work with the designers of her time. She also curated exhibitions on behalf of her government. In 2018, the in Spain presented the first edition of the Lilly Reich Grant for equality in architecture. The grant was specifically addressed to the study of the work by Lilly Reich herself, and to delving into the knowledge and dissemination of an essential figure in the history of modern architecture. Exhibitions and shows In 1911, after working for many of Berlin's most fashionable department stores, Reich designed clothing installations for Wertheim. She also was a member of the Deutscher Werkbund since 1912, which worked in collaboration with German retailers to make modern window displays. Their 1913 yearbook carried a series of photographs which included one by Reich. One of her larger expositions was during the International Exposition of 1929 in Barcelona. During this, she stressed the need for connection to the industry and serial production. With this she created mass-produced objects, neatly stacked side by side by the hundreds in elegant, tailored contexts, Reich in fact dissolved the individual unit in an abstract and global image. Later on, in 1937, Reich displayed and installation at the 1937 Paris World's Fair. Her installation would become a part of Albert Speer's Nazi Pavilion, during an extremely tense World's Fair. Other works include: German People – German Work, 1934 The Dwelling in Our Time Berlin, 1931. "Material Show": Wood exhibit. Lilly Reich, Elephant Pharmacy, Berlin 1913. Jahr Buch des Deutschen Werkbundes The war years In 1938, just before