the middle of the night. Aldrick is able to observe her silhouette in the dark from his window, but hesitates to approach her as he believes that she is the most dangerous women on the hill because she has the ability to "capture him in passion but to enslave him in caring, to bring into his world those ideas of love and home and children that he [has] spent his whole life avoiding" (31). Nonetheless, their first verbal exchange is full of desire and temptation as she questions him about love and reveals that Mr. Guy will be the one buying her a costume that year. While the conversation drags on regarding costumes for Carnival, the real meaning and significance is of Sylvia and Aldrick revealing an attraction for one another. 3. The Dragon Aldrick is in his small room working on his dragon costume, which he recreates every year for Carnival. While at work, thoughts of Sylvia keep coming to his head, when all of a sudden she appears at his doorstep. Her visit represents an invitation for him to take her as his woman, however, Aldrick nervously refuses to acknowledge her and instead continues working on his costume. The impasse is broken by Philo's arrival to the scene and his desire to touch Sylvia forces her to leave the scene. It is getting late and Aldrick forces Basil, a boy who always sits by him and helps him create his costume, to go home. When the boy refuses to leave, Aldrick learns that his stepfather, Fisheye, constantly abuses him at home. Aldrick's knowledge of Fisheye's violent reputation makes him hesitant to intervene, but the boy's refusal to leave forces him to walk him home and confront Fisheye. 4. The Bad John The novel jumps back in time to reveal Fisheye's violent family history, describing them as "tall strong men who could handle their fists, and were good, each one of them, with a stick, since their father, before he became a preacher, was a champion stickfighter who had himself schooled each one of them in the art of stickfighting". Fisheye's family injected so much fear into society that no one dared to call them anything more derogatory than John. Through Fisheye's character, we see the introduction of musical bands, whose behavior emulates street gangs. Fisheye becomes the center of the Calvary Hill steelband, and as their leader, he