St George's Hall is a strategic grade II* listed Victorian building located in the centre of Bradford, West Yorkshire, England. Originally designed with a seating capacity of 3,500, the hall seats up to 1,335 people and 1,550 for standing concerts. It is one of the oldest concert halls still in use in the United Kingdom. German Jewish wool merchants who had moved to Bradford because of its textile industry, partly financed the building of St George's Hall, and were instrumental in its construction. Design The building's design, by Henry Francis Lockwood and William Mawson, was chosen from more than twenty-two designs submitted during an 1849 competition. Built of ashlar sandstone masonry in neoclassical style, the building was opened on 29 August 1853. Its stone was obtained from Leeds, as the Bradford quarries were not able to supply the stone needed for the venture, as they were not in full production. The architectural sculpture, including all the exterior swags and keystone heads, was executed by Robert Mawer. The style of the building was based on the Birmingham Town Hall and Liverpool St George's Hall, and was the first building in Bradford that was in an Italianate rather than a Greek Revival style. Despite being well received by the locals, having a classical influence and its architects being awarded other lucrative contracts for other buildings in the city centre, the building was not liked by Nikolaus Pevsner. In his book on the West Riding of Yorkshire, he said it was a "...poor relation of Liverpool St George's Hall and Birmingham Town Hall..." The interior underwent extensive remodelling after the Second World War and again after fires in the 1980s. In March 2016 a £9 million restoration scheme was started. St George's Hall reopened in February 2019 with improved seating and sightlines, a flexible stage and newly refurbished Bars and Foyers. History In the early nineteenth century, as Bradford grew in size, it became clear there was a need in the city for a venue for public meetings and concerts. The buildings that were in use for this purpose – the Exchange Buildings and Mechanics' Institute – were proving insufficient for the city's needs. As a result, a group of shareholders was brought together by the city's mayor, Samuel Smith, in 1849 for the purpose of building a music hall. £16,000 of capital was raised, in £10 shares and a site on the