at some point. Take the feel-good romp that’s "Too Good To Be" for example. It's vibrant in every sense, boasting some gloriously breezy guitar riffs and some fine vocal layering, with almost hand-clapping beats." The Salt Lake Tribune said that the album "largely drops the punk-by-numbers that dominated past efforts to get a little more personal lyrically, thus becoming more approachable." Alan Sculley of The Daily Herald explained that, "Coming Home pretty much leaves any punk element behind. The songs still rock - just note the wallop delivered by "Hold My Hand" or "Connected." But the band pulls back on the tempos of virtually all of the songs." Scene Point Blank writer Chris Abraham noted, "Coming Home still encompasses the things that make New Found Glory great. Relatable lyrics, hooks so melodic and catchy that my hands are red from not buying a mitt, and, despite a mellower tone, I could still imagine myself going fucking nuts singing along to these songs live." AbsolutePunk founder Jason Tate warned that, "it's crucial you abandon any pre-conceived expectations for this album. If you're anticipating the band's previous albums re-hashed, you're going to be completely let-down. While the choruses and sing-a-long hooks could compete with the best on any of their previous albums - it's the slower melodic approach to the songs that truly makes the album come alive and fully breathe." Rae Alexandra of Kerrang! magazine called the album a "massive departure" and suggested that, "NFG are taking what will be, by far, the biggest gamble of their career. Some of you won't even recognise them immediately; it's not fast, it's not forced, but - in an entirely new way - it soars." In an earlier Kerrang! article discussing the album, Alexandra wrote that "It's Not Your Fault" displays "more maturity - and piano - than ever before", while "When I Die" is "low key with orchestral accents", making it "one of the most beautiful moments on Coming Home." Corey Apar of AllMusic was in agreement and stated that "from the album's packaging to the comfortable nature of the music, it actually feels more mature in a way that is catchy without seeming to care about radio accessibility." Lyrics Lyrically, the album is specifically about dealing with time apart in relationships and familial issues whilst on the road. The album's more serious tone has been attributed to the developing family life of