certificate. In 2015 noted documentary film makers Jharana Jhaveri And Anurag Singh's Charlie and the Coca Cola Company: Quit India ran into trouble with the CBFC and the case is pending since. In the 20 pages the appellate sited 20 odd objections to the release of the documentary, thought did not suggest a single cut. The two-hour twenty minute documentary exposes the Cola companies of abusing ground water, land, livelihoods, rivers & the laws of the land. The documentary also hold actors & TV guilty and accountable having violated the ethical and moral boundaries for profit over sustainability. In 2015 Porkalathil Oru Poo a biopic of Isaipriya a television journalist raped and murdered by members of the Sri Lankan Army ran into trouble with the Central Board of Film Certification with board refusing to certify the movie as it would damage India-Sri Lanka relationship. In 2016, the film Udta Punjab, produced by Anurag Kashyap and Ekta Kapoor among others, ran into trouble with the CBFC, resulting in a very public re-examination of the ethics of film censorship in India. The film, which depicted a structural drug problem in the state of Punjab, used a lot of expletives and showed scenes of drug use. The CBFC, on 9 June 2016, released a list of 94 cuts and 13 pointers, including the deletion of names of cities in Punjab. On 13 June, the film was cleared by the Bombay High Court with one cut and disclaimers. The court ruled that, contrary to the claims of the CBFC, the film was not out to "malign" the state of Punjab, and that it "wants to save people". Thereafter, the film was faced with further controversy when a print of it was leaked online on a torrent site. The quality of the copy, along with the fact that there was supposedly a watermark that said "censor" on top of the screen, raised suspicions that the CBFC itself had leaked the copy to spite the filmmakers. It also contained the only scene that had been cut according to the High Court order. While the CBFC claimed innocence, the lingering suspicions resulted in a tense release, with the filmmakers and countless freedom of expression advocates taking to social media to appeal to the public to watch the film in theatres, as a conscious challenge against excessive censorship on art in India. Kashyap, in a Facebook post, urged