different titles, or never existed. Pre-Danzig recordings (Title unknown) This song is commonly bootlegged as "Night of Hate" or "Die for the Demon" and was recorded on a band rehearsal cassette. Former bassist Eerie Von has said this song was more of a jam session idea that never progressed further. "You and Me (Less than Zero)" This track, credited on the soundtrack of the film Less than Zero to Glenn Danzig and the Power and Fury Orchestra, is essentially the earliest released Danzig track. Bassist Eerie Von did not like how Rick Rubin instructed him to play bass for the song, so the duties were handed over to a session musician. Danzig has said in interviews this track was meant for a female vocalist; he only reluctantly performed for the final version because the record's producers liked his vocals on the demo he had provided them. "Twist of Cain", "Am I Demon", "Soul on Fire", "Possession", "When Death Had No Name" and "Descent" Rehearsal demos exist for these tracks and circulate on bootlegs. A finished version of "Descent" was later released on the Samhain album Final Descent. The remaining songs were later recorded for the debut album. Several of these early versions feature different arrangements and lyrics. From the recording sessions of Danzig "I'm the One" (Full band version) Danzig noted in the December 2006 issue of Revolver Magazine that this recording was never given to him by Rick Rubin and will not be featured on the set. "Trouble" (Elvis Presley cover) This recording of the song from the Danzig sessions is not on the set and remains unreleased. The song was recorded at every session up until its release on Thrall-Demonsweatlive. "Pain Is Such a Lovin' Thing" On the "Danzig hotline" then-Danzig bassist Eerie Von ran during the 1990s, Von played a clip of an unreleased song. When later asked its title, he called it "Pain Is Such a Lovin' Thing". This is the chorus of the song, rather than the correct title upon its 2007 'Lost Tracks' release: "Pain Is Like an Animal". In the summer of 2008, Eerie Von stated that the version included in the 'Lost Tracks' set was actually recorded in either 1991 or 1992, during the sessions for How the Gods Kill. Taken together with Danzig's comments in the album liner notes it is possible that there may be at least one unreleased, earlier