walls of a shipping container at its resonant frequency, remote-controlled from outside. Participants enter one at a time, nude, to be locked inside, allowing the vibrations to move at random around and through the participant's body. Stress Chamber was premiered in Amsterdam at the Absolute Threshold Machine Festival. Initially the festival organizers threatened to cancel the work due to its tendency to vibrate the grounds of the surrounding area to a 90-meter radius, concerned that it would become a 'torture device'. Finally the work was allowed, and the queue it created kept the entire festival open several hours longer than anticipated. In 1988 and 1989 several of his films were broadcast over Rabotnik TV along with Anthem, a Reichian exercise performed for the Rabotnik TV camera in a derelict building used by heroin addicts. Location sound for Anthem was recorded by Andrew M. McKenzie. Between 1990 and 1993, Radio Code FM broadcasts continued as weekly programs which he produced and hosted over pirate stations Radio 100 and Radio Patapoe. The Maze event in June 1995 involved a group of seven volunteer participants, including Duncan and an infant child, locked naked and blind overnight in an Amsterdam cellar in order to directly experience workings of the mind in a situation of unexpected sensory deprivation. The event ended when several participants pried open the exit door with their fingernails and broke it down. The infant child slept through the entire event. A video created from infrared photos taken during the event was produced later that year at Contained in Linz, Austria. Music from this period includes CD releases Contact with Andrew M. McKenzie, Send with tracks by McKenzie and Zbigniew Karkowski and The Crackling, composed with Max P. Springer in 1996 from field recordings made by Duncan at the Stanford Linear Accelerator Center. A 1997 review by Rob Young claimed The Crackling rendered the Stanford research facility '...perhaps the largest musical instrument ever created'. Scrutto di San Leonardo In 1996 he met Giuliana Stefani when she posed as a model for Duncan's photo project Icons. Her academic training in mathematics, work in photography and practice of meditation quickly catalyzed a bond between them. In autumn 1996 they left Amsterdam and set up a studio in Scrutto di San Leonardo, a village of fewer than 100 inhabitants in the Friuli-Venezia-Giulia province of Italy at the border with Slovenia. They were married in Scrutto