right before the song came on she said, 'I wrote this for all my ladies' and then the song came on ... The song is a co-write. I wrote the lyrics, I wrote all the lyrics. Beyoncé helped me with the melodies and the harmonies and the vocal arrangement and that makes it a co-write. Meaning my contribution and her contribution made that song what it is." In 2011, Ne-Yo said that he wrote the song for himself, but thought that it would suit Beyoncé better, and later regretted giving the song to her. Some of Beyoncé's fans read Ne-Yo's remark as disrespectful towards her. However, he clarified his comment later through Twitter, writing: "I said I originally wrote the song for me. ... Once I realized how the song comes across if sung by a guy, that's when I decided to give it away." In 2007, Beyoncé appeared on billboards and newspapers across Australia holding an antiquated cigarette holder. Taken from the back cover artwork of B'Day, the image provoked response from an anti-smoking group, stating that she did not need to add the cigarette holder "to make herself appear more sophisticated". The same year, three weeks after their release, the deluxe edition of B'Day and the B'Day Anthology Video Album were temporarily ceased for retail in stores. A copyright infringement lawsuit was filed due to breach of contract of using "Still in Love (Kissing You)", a cover version of British singer Des'ree's original song "Kissing You". Not intended for the album's inclusion, Des'ree's deal also stipulated that the title of the song was not to be altered, and a music video was not to be made. After the infringement case, the song was removed from the reissue of the deluxe edition, and was replaced by "If". The lawsuit was dismissed with prejudice in October 2007. Impact and legacy According to an editor of web publication The Boombox in an article published on September 4, 2016, to celebrate the tenth anniversary of the release of B'Day, the album was a "monumental moment for music fans worldwide and would elevate Beyoncé from princess-in-waiting to a full-fledged queen in the musical landscape". The editor also called the album Beyoncé's "most liberating body of work and its impact still echoes ten years later." In an article published by Revolt on the same day, B'Day was called Beyoncé's "first REAL visual album", as