& Garden, and New York Magazine. She is also the editor of a collection of creative non-fiction, Private I: Privacy in a Public World. As President of the Poetry Society of America, Molly Peacock was one of the creators of the Poetry in Motion program; coediting Poetry In Motion: One Hundred Poems From the Subways and Buses. She was also the Series Editor of The Best Canadian Poetry in English (Tightrope Books)from 2008–2017, as well as a Contributing Editor of the Literary Review of Canada. Peacock keeps in touch with New York City, her former home, by teaching at the 92nd Street Y every February and March as she has since 1985. Personal life Peacock was born in Buffalo, New York. Currently, she lives in downtown Toronto and holds dual Canadian-American citizenship. She was married to scholar Michael Groden, who died in March 2021. Writings Poetry And Live Apart, University of Missouri Press, 1980, Raw Heaven, Random House, 1984, Take Heart, Random House, 1989, Original Love, Lightning Source Inc, 1996, Cornucopia: New & Selected Poems, W.W. Norton, 2002, The Analyst, W.W. Norton. 2017. Fiction Alphabetique, 26 Characteristic Fictions, McClelland & Stewart, 2014, Non-fiction ; Bloomsbury Publishing USA, 2011, How To Read A Poem and Start A Poetry Circle, Riverhead Books, 1999, Paradise, Piece By Piece, Riverhead Books, 1998, Edited anthologies Poetry in Motion: 100 Poems from the Buses and Subways (co-edited with Elise Paschen and Neil Neches). New York: Norton, 1996. The Private I: Privacy in a Public World. Saint Paul: Graywolf P, 2001. The Best Canadian Poetry in English (each annual volume co-edited with a different Guest Editor). Toronto: Tightrope Books, 2008— . Selected essays "What the Mockingbird Said." Conversant Essays: Contemporary Poets on Poetry. Ed. James McCorkle. Detroit: Wayne State UP, 1990. 343–347. "One Green, One Blue: One Point about Formal Verse Writing and Another About Women Writing Formal Verse." A Formal Feeling Comes: Poems in Form by Contemporary Women. Ed. Annie Finch. Ashland, OR: Story Line P, 1994. "The Poet As Hybrid Memoirist." The Writer 112.2 (February 1999): 20–22. "From Gilded Cage to Rib Cage." After New Formalism: Poets on Form, Narrative, and Tradition. Ed. Annie Finch. Ashland, OR: Story Line P, 1999. 70–78. "Introduction." The Private I: Privacy in a Public World. vii-ix. "Sweet Uses of Adversity." The Private I: Privacy in a Public World. 80–94. "Rhyme and the Line." A Broken Thing: Poets on the