Ruth Berghaus (2 July 1927 – 25 January 1996) was a German choreographer, opera and theatre director, and artistic director. Life and career Berghaus was born in Dresden and studied Expressionist dance and Dance direction with Gret Palucca there and was an advanced student at the German Academy of Arts in Berlin, at least part of the time under Walter Felsenstein – associated with the Komische Oper East Berlin he founded – along with his two other first leading protégés, Götz Friedrich and Joachim Herz (1924–2010). All three would mark a departure from Felsenstein's insistence on textual accuracy in favor of Brechtian interpretation, but were in part inspired by also his insistence on maintaining an even balance between the musical and dramatic aspects of an opera being staged. From 1951 to 1964, Berghaus worked as choreographer on many stages, including the Deutsches Theater Berlin, the Deutsche Staatsoper Berlin and the Berliner Ensemble. Her work as a director began with the Die Verurteilung des Lukullus of Paul Dessau and Bertolt Brecht, at the Deutsche Staatsoper, in 1960. Brecht's work would represent a major part of Berghaus's career. She became well known for her choreography of the slaughter scenes in Brecht's adaptation of Shakespeare's Coriolanus at the Berliner Ensemble in 1964. In 1954, Berghaus married the composer Paul Dessau, whose works for the theater she directed. Her association with the Berliner Ensemble culminated with her directorship of that theater, starting in 1971. After two decades of an aesthetic and intellectual standstill—driven by the strict regiment of the Brecht heirs—Ruth Berghaus’ direction brought an audacious and innovative approach to the Berliner Ensemble. She supported nonconformist authors and directors, such as Einar Schleef and Heiner Müller. One of her greatest achievements in that period was her own experimental staging of Brecht's first version of "The Mother" in 1974, based on Gorky. Objected by the Brecht heirs, Berghaus’ theatrical approach was generally questioned from that moment on. With the support of the Brecht heirs and the Central Committee of the SED, Manfred Wekwerth—who later was recognized as an “informal collaborator” of the Stasi—succeeded in disempowering Ruth Berghaus and installing himself as director in 1977. From 1980 to 1987, Berghaus worked at the Frankfurt Opera. Her notable productions there included a 1980 Die Zauberflöte of Wolfgang Amadeus Mozart, 1981 Mozart's Die Entführung aus dem Serail, 1982 Les Troyens of Hector Berlioz (designs by Hans-Dieter Schaal), Věc