crowd sing and it wasn't just a few people, it was everyone. I thought it was amazing and thought – why not write the crowd into the songs, and so we got round to 'Mama Weer All Crazee Now' and 'Cum On Feel the Noize' and all the chants were written into the tunes." In a 1986 fan club interview, guitarist Dave Hill said: "The song was based around audiences and things that were happening to us. They were just experiences. Obviously, when you are on the road, you are writing about being on the road, you're writing about what's going on." Release "Cum On Feel the Noize" was released as a 7" single by Polydor Records in the UK, Ireland, across Europe, Scandinavia, Yugoslavia, America, Israel, South Africa, Australia, New Zealand, Argentina, Brazil, Mexico, Singapore, Japan and Lebanon. The B-side, "I'm Mee, I'm Now, an' That's Orl", was exclusive to the single and later appeared on the band's 2007 compilation B-Sides. In December 1983, the song was re-issued by Polydor in the UK as both 7" and 12" singles. It reached No. 98 and remained in the charts for two weeks. The 7" version featured "Take Me Bak 'Ome" and "Gudbuy T'Jane" as the extra tracks, while the 12" version added "Coz I Luv You". Promotion A music video was filmed to promote the single. It was created by Caravelle and recorded at the band's concert at the Hague in the Netherlands. The song was also performed on numerous UK and European TV shows upon release, including the UK music show Top of the Pops. Critical reception Upon release, Disc commented: "Slade do this pop/rock stomping better than anyone. Perhaps there's a more obvious melody, but Slade always include a bit of a tune anyway and therein lies their success, and there's a soccer sing-a-long chorus that'll grab you." Sounds described the song as a "rousing, raucous, rocker that follows its predecessors with an instantly recognisable sound". American magazine Cash Box listed the single as one of their "picks of the week" during April 1973. They felt it was another "rollicking rock effort", "teaming [sic] with commercial appeal". In a retrospective review of the song, Dave Thompson of AllMusic described the song as "a deafening roar in the classic Slade mould" with a "distinctive lyric". He also commented on the "Baby, baby, baby" introduction, stating it was "one of