heart of Anastasio Bustamante is preserved here. In this chapel is a sculpture alluding to the first Mexican saint: San Felipe de Jesús. This work, as seen by many art critics, is the best elaborated, carved and polychrome sculptured sculpture from Latin America. Organs The cathedral has had perhaps a dozen organs over the course of its history. The earliest is mentioned in a report written to the king of Spain in 1530. Few details survive of the earliest organs. Builders names begin to appear at the end of the sixteenth century. The earliest disposition that survives is for the Diego de Sebaldos organ built in 1655. The first large organ for Mexico City Cathedral was built in Madrid from 1689 to 1690 by Jorge de Sesma and installed by Tiburcio Sanz from 1693 to 1695. It now has two, which were made in Mexico by José Nassarre of Spain, and completed by 1736, incorporating elements of the 17th-century organ. They are the largest 18th-century organs in the Americas; they are situated above the walls of the choir, on the epistle side (east) and the gospel side (west). Both organs, damaged by fire in 1967, were restored in 1978. Because both organs had fallen into disrepair again, the gospel organ was re-restored from 2008 to 2009 by Gerhard Grenzing; the restoration of the epistle organ, also by Grenzing, was completed in 2014, and both organs are now playable. Choir The choir is where the priest and/or a choral group sings the psalms. It is located in the central nave between the main door and the high altar, and built in a semicircular fashion, much like Spanish cathedrals. It was built by Juan de Rojas between 1696 and 1697. Its sides contain 59 reliefs of various saints done in mahogany, walnut, cedar and a native wood called tepehuaje. The railing that surrounds the choir was made in 1722 by Sangley Queaulo in Macao and placed in the cathedral in 1730. Crypt The Crypt of the Archbishops is located below the floor of the cathedral beneath the Altar of the Kings. The entrance to the crypt from the cathedral is guarded by a large wooden door behind which descends a winding yellow staircase. Just past the inner entrance is a Mexica-style stone skull. It was incorporated as an offering into the base of a cenotaph to Juan de Zumárraga, the first archbishop