Christmas laudes of BWV 243.1 inserted them, transposed, in the D major version BWV 243.2 of the Magnificat. In this form Helmuth Rilling's recording with the Bach-Collegium Stuttgart and the appeared in 1967 with a performance time of 40:06. Wolfgang Gönnenwein's Bach: Magnificat in D (Including Christmas Interpolations), with the Deutsche Bachsolisten and the Süddeutscher Madrigalchor appeared in the 1970s. Bruno Maderna recorded BWV 243.1, with the choir and orchestra of the Südwestdeutscher Rundfunk, and Hedy Graf, Hildegard Laurich, Adalbert Kraus and Michael Schopper as vocal soloists, in 1971. Its CD-release as volume 8 of the Maderna Edition by Arkadia was in 1991. The first recording on period instruments of Bach's Magnificat, with the four choral Christmas interpolations (BWV 243.1), was released by Simon Preston and the Academy of Ancient Music in 1978 (L'Oiseau Lyre / Decca), coupled with Vivaldi's Gloria. Nicolaus Harnoncourt's first recording of the D major version followed in 1984. Also Helmuth Rilling and John Eliot Gardiner had by then recorded the D major version of the Magnificat. 20th century Magnificat composers often refer to Bach's composition in their new setting: Vaughan Williams (1932) and Rutter (1990) include hymns and songs outside the liturgical text in their extended settings, like Bach's Christmas version; Penderecki's extended setting (1973–74) makes musical associations to Bach's D major setting; Pärt uses a SSATB choir in his a cappella setting (1989). Before the end of the century CD recordings of the D major version of Bach's Magnificat by Sigiswald Kuijken, Robert Shaw, Andrew Parrott, Philippe Herreweghe, Neville Marriner, Peter Schreier, Harry Christophers, Ton Koopman, and by the Bach Collegium Japan had been released. Philip Pickett's 1995 recording of the E-flat major version appeared on L'Oiseau Lyre. Other CD releases with BWV 243.1 that became available before the end of the century include a recording by Rilling and the Gächinger Kantorei, one with the Regensburger Domspatzen, and one with Rolf Schweizer, the Motettenchor Pforzheim and L'arpa festante playing on period instruments. Novello published both the E-flat major and the D major version of the Magnificat in a single publication in 2000, edited by Neil Jenkins. This edition also offered a transposed version of the Christmas 1723 laudes so that they could be fitted in performances of the D major version of the Magnificat. The last measures of the Virga Jesse, missing from the autograph score, were in this edition completed on the base