which it premiered at the Telluride Film Festival, the Toronto International Film Festival, and the London Film Festival, the first documentary to ever debut at all four festivals in the same year. It debuted in the Philippines on January 29, 2020. The Kingmaker was nominated as best documentary at the London Film Festival and the Stockholm Film Festival, and for the Checkpoints Award at the Bergen International Film Festival. It was nominated for four categories in the 2019 Critic’s Choice Documentary Awards, eventually winning the award for Most Compelling Living Subject of a Documentary. It also received the Audience Award for Best Documentary Film at the Warsaw International Film Festival 2019. The film has a 97% Certified Fresh rating from Rotten Tomatoes, 86% from Google Users, 7.6 from IMDb, and a 76/100 from Metacritic. Collections Her photography, including entire bodies of work like Fast Forward, Girl Culture, "Thin", and "Generation Wealth" is in many major collections such as the Art Institute of Chicago, Los Angeles County Museum of Art, the New Orleans Museum of Art, the J. Paul Getty Museum, the San Francisco Museum of Modern Art, the Smithsonian National Museum of American History, the International Center of Photography, the Center for Creative Photography, the Museum of Fine Arts Houston, the Harvard University Archive, the Smith College Museum of Art, the Clinton Library, and the French Ministry of Culture. Exhibitions Alongside her books, Fast Forward, Girl Culture, "THIN", and "Generation Wealth" Greenfield produced four large-scale traveling exhibitions with the same names, which have been seen in museums and cultural institutions around the world. In concert with the publication of her debut monograph, Fast Forward: Growing Up in the Shadow of Hollywood (Knopf 1997), her first major show, Fast Forward had its US debut at the International Center for Photography (ICP) in 1997. The show was exhibited in France, the Netherlands, Italy, Russia and a number of cultural venues in North America. The success of her second monograph, Girl Culture (2002), and the accompanying show helped to cement her worldwide reputation as a documentary photographer. The book was reprinted five times by Chronicle Books and the show was exhibited at more than 29 venues around the world (France, Germany, the Netherlands, Russia and United States). Her third major exhibition, THIN, accompanied both a feature-length documentary film, Thin (HBO, 2006), and a published photographic book, Thin (2006). The exhibition debuted at The