The Monkees is the debut studio album by the American band the Monkees. It was released in October 1966 by Colgems Records in the United States and RCA Victor in the rest of the world. It was the first of four consecutive U.S. number one albums for the group, taking the top spot on the Billboard 200 for 13 weeks, after which it was displaced by the band's second album. It also topped the UK charts in 1967. The Monkees has been certified quintuple platinum by the RIAA, with sales of over five million copies. The song "Last Train to Clarksville" was released as a single shortly before the release of the album and went to the top of the Billboard Hot 100 chart. It was the only hit single from the album. "I'll Be True to You" was previously released as a single by the Hollies in January 1965 under the title "Yes I Will". Background In late 1965, a pilot for the TV series The Monkees was approved by Screen Gems, the television branch of Columbia Pictures. Producers Bob Rafelson and Bob Schneider (also known as Raybert Productions)'s idea on a sitcom about a garage band, inspired on Richard Lester's A Hard Day's Night and Rafelson's own experiences as a musician, was initially to gather funds to produce experimental movies. After advertising an open casting call on Variety magazine and doing several applications with 437 aspirants, actor/musician Micky Dolenz, British singer/stage actor Davy Jones, recording artist/songwriter Michael Nesmith and Greenwich Village folk musician Peter Tork impressed Raybert enough to be chosen as the Monkees in September 1965. Despite their different backgrounds and initial tensions, the Monkees got along during the filming rehearsals. Before the pilot was filmed in November 1965, songwriters Tommy Boyce and Bobby Hart were brought to the project by their songs publisher, Screen Gems head of music division Don Kirshner, and commissioned by Raybert to score the episode. There were vague promises that Nesmith and Tork would record their own music. Boyce and Hart then composed and recorded four songs that were used on the original pilot. In February 1966, Columbia ordered 32 episodes of the show after the second screening of the pilot was a success. Soon after, Rafelson and Schneider called Kirshner to be the musical supervisor over the show, because he could supply music enough to the weekly episodes with his extensive