38s are suspended with rigid copper tubing. In 2014 Mallett Antiques played host to a large collection of 38s tumbling down the exterior walls of their building on Dover Street. 38 was "highly commended" at the Architectural Review Emerging Architecture Awards in 2012. 57 explores a technique similar to that used to create closed-cell foam, but using molten glass, resulting in an irregularly shaped pendant with random interior bubbles. The bubbles are invisible until the lamp is turned on, revealing hidden complexity. 57 premiered during Bocci's first showing at Euroluce in 2013 and has since received a Good Design Award from the Chicago Athenaeum Museum of Design. A large installation of 57 pendants was recently unveiled at the re-opening of Canada House on Trafalgar Square in London on 19 February 2015. 73 previewed at the Paris design exhibition Maison & Objet in January 2015. Glass is blown into a heat-resistant ceramic fabric, creating a unique shape and texture for each piece. 73 is meant to be clustered in groups to emphasize the effect of glass "clouds." 73's full range of application will be shown at Euroluce 2015 in Milan alongside 16. Projects Bocci often participates in large public installations, which allow an ambitious and uninhibited expression of its internal culture and collective ideals. In 2013, 280 of the 28 series glass pendants were suspended in the entrance of the Victoria and Albert Museum in London, cascading more than 30 metres down in a tangle of copper wires. In 2014, Arbel worked with Mallett Antiques to infuse their entire showroom with contemporary light installations - examples of 28, 38, and 57 crept through the entire building and spilled out onto Dover Street. Canada's embassy in London was closed for renovations and reopened by Queen Elizabeth II in February 2015 with 157 of Bocci's 57 series highlighting the central staircase. On 5 March 2014, Bocci and Omer Arbel unveiled the new 16 as a large outdoor installation at the entrance to Vancouver's Fairmont Pacific Rim hotel. These ambitious public works appear to have been warmly received. The Royal Architectural Institute of Canada (RAIC) announced on 16 March 2015 that Omer Arbel would be awarded the Allied Arts Medal for 2015 based on the 28.280 at the Victoria and Albert Museum. The award is given once every two years to a Canadian artist or designer for outstanding achievement in artwork designed to be