ships and railroads Watercolors by James Couper Wright, Joseph DeMers, Milford Zornes, and Everett L. Bryant A report in the Los Angeles Post-Record said the show was drawing "huge crowds." Baltimore The Baltimore Museum of Art showed works by 30 PWAP artists from April 1–21, 1934, including a painting of the waterfront by Charles H. Walther. A second show was put on at the Maryland Institute in December 1934. Cincinnati The Cincinnati Museum of Art hosted a PWAP show April 22 to 29, 1934, including drawings of local subjects by local artist Glen Tracy. Washington, D.C. On Tuesday, April 24, 1934, FDR and First Lady Eleanor Roosevelt attended the opening of National Exhibition of Art by the Public Works of Art Project, a Corcoran Gallery of Art show of 500 pieces created by PWAP artists. New York Times critic Edward Alden Jewell listed the following "smaller paintings" as those he wanted on the record as "especially successful": Tenement Flats by Millard Sheets San Pedro Harbor by Paul Starrett Vendue by Robert Tabor Old Baltimore Waterfront by Herman Maril Barge Dock by Erle Loran Old Pennsylvania Farm by New England House by H.A. Coon Spring Plowing by Helen Dickson Waterfront Scene by Pino Lanni The Young Artist by Gertrude A. Lambert Winter Afternoon, Central Park by Agnes Tait The Snow Shovelers by Jacob Getlar Smith Paper Workers by Douglass Crockwell Interior by Josephine Wupper The Covered Bridge by Ivan Hoon The New York Times featured photographs of three other paintings: Central Park by Carl Gustaf Nelson, Family Quilting by Dorothea Tomlinson, and The Squall by Gerald Foster. About half of the pieces of art from the Corcoran show became part of a traveling show. The first stop was the Museum of Modern Art in New York City, where about 150 pieces where exhibited from September 19 to October 7. MoMA selected Employment of Negroes in Agriculture for inclusion in their show; "Earle Richardson's lush portrayal of four black cotton workers was the sole painting by a black artist" included in the show, and the first-ever exhibition of black art at MoMA. The Everhart Museum in Scranton, Pennsylvania hosted a further scaled-down version of this show from October 24 to 30, 1934, with an exhibit of 50 oil paintings and watercolors. Birmingham In June 1934, the Birmingham Public Library exhibited an oil painting of the Tannehill Furnace by Carrie Hill, a portrait