out of four stars, saying "The short attention spans of directors David Bowers and Sam Fell are mostly forgivable because the movie is filled with so many entertaining characters." Richard Corliss of Time gave the film a negative review, saying "Deficient in the comedy of reticence discouragement that is Aardman's (or maybe just Nick Park's) unique strength. I don't want to say the Englishmen were corrupted, but I think they allowed their strongest, quirkiest instincts to be tethered." Ted Fry of The Seattle Times gave the film three and a half stars out of four, saying "Fans of Wallace and Gromit may be puzzled by a visual disconnect in Flushed Away. They will certainly, however, be delighted by the unrelenting whimsy and fast-paced gags of a story that never slows down to think about where it's going next." Ty Burr of The Boston Globe gave the film two and a half stars out of five, saying "Kids will probably be in stinky-sewage heaven with the new computer-animated critter comedy Flushed Away, but even they may realize they're up the proverbial creek in a boat with a faulty motor." Jack Mathews of the New York Daily News gave the film two and a half stars out of four, saying "Though Flushed Away duplicates the stop-motion, clay animation look of Aardman's earlier Chicken Run and Wallace & Gromit, it was made using computer software and its liberated action sequences are truly dazzling." Kyle Smith of the New York Post gave the film three out of four stars, saying "How this thing got made in Hollywood is a mystery, but I laughed at most of it, especially the mean stereotypes about the French and the even meaner stereotype about England's soccer team." Box office Flushed Away collected $64.6 million in the United States, which was below the average of other CGI films from DreamWorks Animation, and $113.6 million from international markets for a worldwide total of $178.2 million, making it the 24th highest grossing film of 2006, and the sixth Highest-Grossing Animated film of 2006. The film opened to number three in its first weekend, with $18,814,323, behind Borat and The Santa Clause 3: The Escape Clause. Produced on a budget of $149 million, poor box office reception resulted in a $109-million write-down for DreamWorks Animation, and in turn a termination of the partnership with Aardman Animations. Video game Coinciding with the film's