Empire silhouette, Empire line, Empire waist or just Empire is a style in clothing in which the dress has a fitted bodice ending just below the bust, giving a high-waisted appearance, and a gathered skirt which is long and loosely fitting but skims the body rather than being supported by voluminous petticoats. The outline is especially flattering to pear shapes wishing to disguise the stomach area or emphasize the bust. The shape of the dress also helps to lengthen the body's appearance. While the style goes back to the late 18th century, the term "Empire silhouette" arose over a century later in early 20th-century Britain; here the word empire refers to the period of the First French Empire (1804–1815); Napoleon's first Empress Joséphine de Beauharnais was influential in popularizing the style around Europe. The word "empire" is pronounced with a special quasi-French pronunciation in the fashion world. History The style began as part of Neoclassical fashion, reviving styles from Greco-Roman art which showed women wearing loose fitting rectangular tunics, known as peplos or the more common chiton, which were belted under the bust, providing support and a cool, comfortable outfit suitable for the warm climate. The last few years of the 18th century first saw the style coming into fashion in Western and Central Europe (and European-influenced areas). In 1788, just before the Revolution, the court portraitist Louise Élisabeth Vigée Le Brun had held a "Greek supper" where the ladies wore plain white "Greek" tunics. Shorter classical hairstyles, where possible with curls, were less controversial and very widely adopted. Hair was now uncovered even outdoors; except for evening dress, bonnets or other coverings had typically been worn even indoors before. Thin Greek-style ribbons or fillets were used to tie or decorate the hair instead. Empire dresses were light and loose, usually white, and were often made with short sleeves. A tie around the waistline, sitting just below the bust, was often in a different color. A long rectangular shawl or wrap, very often red with a decorative border in portraits, was also worn, and was lain around the midriff when seated—for which sprawling semi-recumbent postures were favored. By the turn of the 19th century, such styles had spread widely across Europe. In France the style was sometimes called "à la grecque" after the decorations found on the pottery and sculpture of Classical Greek art, though the empire dress had multiple