Later in 1978, Sherman began taking shots in outdoor locations around the city. E.g. Untitled Film Still #21 Sherman later returned to her apartment, preferring to work from home. She created her version of a Sophia Loren character from the movie Two Women. (E.g. Untitled Film Still #35 (1979)) She took several photographs in the series while preparing for a road trip to Arizona with her parents. Untitled Film Still#48 (1979), also known as The Hitchhiker, was shot by Sherman’s father at sunset one evening during the trip. The remainder of the series was shot around New York, like Untitled #54, often featuring a blonde victim typical of film noir. The Museum of Modern Art in Manhattan purchased the series for an estimated $1 million in 1995. 1980s In addition to her film stills, Sherman has appropriated a number of other visual forms—the centerfold, fashion photograph, historical portrait, and soft-core sex image. These and other series, like the 1980s Fairy Tales and Disasters sequence, were shown for the first time at the Metro Pictures Gallery in New York City. It was with her series Rear Screen Projections, 1980, that Sherman switched from black-and-white to color and to clearly larger formats. Centerfolds/Horizontals, 1981, are inspired by the center spreads in fashion and pornographic magazines. The twelve (24 by 48 inches) photographs were initially commissioned — but not used — by Artforum's Editor in Chief Ingrid Sischy for an artist's section in the magazine. She poses either on the floor or in bed, usually recumbent and often supine. About her aims with the self-portraits, Sherman has said: "Some of them I'd hope would seem very psychological. While I'm working I might feel as tormented as the person I'm portraying." In 1982, Sherman began her Pink Robes series which includes Untitled #97, #98, #99 and #100. In Fairy Tales, 1985, and Disasters, 1986–1989, Cindy Sherman uses visible prostheses and mannequins for the first time. Provoked by the 1989 NEA funding controversy involving photographs by Robert Mapplethorpe and Andres Serrano at the Corcoran Gallery of Art, as well as the way Jeff Koons modeled his porn star wife in his "Made in Heaven" series, Sherman produced the Sex series in 1989. For once she removed herself from the shots, as these photographs featured pieced-together medical dummies in flagrante delicto. Between 1989 and 1990, Sherman made 35 large, color photographs restaging the settings of various