Never Enough" – 4:08 "Cherry Lips (Go Baby Go!)" (Howie B remix) – 8:38 "Cherry Lips (Go Baby Go!)" (video) – 3:11 UK CD2 Mushroom MUSH98CDSX "Cherry Lips (Go Baby Go!)" – 3:11 "Use Me" – 4:34 "Cherry Lips (Go Baby Go!)" (Tha S-man's release edit) – 3:41 UK 12" single Mushroom MUSH94T "Cherry Lips (Go Baby Go!)" (Tha S-man's release mix) – 6:48 "Cherry Lips (Go Baby Go!)" (Dark vocal with a cappella) – 7:48 Europe CD maxi [PIAS] 720.0098.122 MUSH98CDM "Cherry Lips (Go Baby Go!)" – 3:11 "Enough is Never Enough" – 4:08 "Cherry Lips (Go Baby Go!)" (Howie B remix) – 8:38 "Cherry Lips (Go Baby Go!)" (Tha S-man's release mix) – 6:48 Europe CD single [PIAS] 720.0098.124 MUSH98CDSE "Cherry Lips (Go Baby Go!)" – 3:11 "Cherry Lips (Go Baby Go!)" (Tha S-man's release mix) – 6:48 Europe 12" single [PIAS] 720.0098.122 MUSH94T "Cherry Lips (Go Baby Go!)" (Tha S-man's release mix) – 6:48 "Cherry Lips (Go Baby Go!)" (Dark vocal with a cappella) – 7:48 Australia CD1 FMR MUSH98CDS "Cherry Lips (Go Baby Go!)" – 3:11 "Use Me" – 4:34 "Enough is Never Enough" – 4:08 "Cherry Lips (Go Baby Go!)" (Howie B remix) – 8:38 Japan CD/Australia CD2 Sony SICP-76/FMR MUSH98CDSX "Cherry Lips (Go Baby Go!)" – 3:11 "Cherry Lips (Go Baby Go!)" (Tha S-man's release (edit) – 3:41 "Cherry Lips (Go Baby Go!)" (Howie B remix) – 8:38 "Cherry Lips (Go Baby Go!)" (Dark vocal with a cappella) – 7:48 "Cherry Lips (Go Baby Go!)" (Tha S-man's release mix) – 6:48 Music video Dawn Shadforth concept Knowing that the song had been inspired by the writing of JT LeRoy, director Dawn Shadforth presented a treatment for a stylized "Cherry Lips" video combining those sensibilities with 1960's biker movies and Japanese manga graphic novels. Shadforth envisioned the visual as a "celebration of extraordinariness and difference" populated by lizard people and set at an alternative universe truck stop where Garbage were the house band. Animated sequences would be cued to the guitar parts. The truck stop people would appear normal at first, but as they started to dance, hints of 'lizardness' would appear (flicking tongues, tails) with subtle prosthetics. The video would end with a hot rod race and a flying saucer, with Manson climbing on-board or the side of one of the cars. The shots were to be stylized: colourful people, cars and clothes against