all custom-built. The house remained on the ranch lot until it burnt down in 2012. Additional photography for the film's grocery store scenes took place at a small market in Green Valley, California. Because of the newness of the 3-D camera lenses, the shooting process was extensive, with the crew sometimes taking hours to set up a shot, and the cast performing multiple takes of scenes in order for the cinematographer to properly capture the 3-D effects. Actor Larry Zerner recalled that perfecting the 3-D effects often superseded the actors' performances: "It quickly became clear that most of the time, the performances didn't matter. When we were shooting the scene at the convenience store with the gang members and I had to throw a wallet at the camera, it was, "Hit the camera!" Then, after ten takes it was "Hit the camera, asshole!"" Actress Tracie Savage echoed this sentiment, stating that "it didn't matter how the lines were delivered." The decision to dress Jason Voorhees in his now-signature hockey mask occurred during a lighting check on set; the film's 3-D effects supervisor Martin Sadoff was a hockey fan, and supplied a Detroit Red Wings goaltender mask to Miner. Miner loved the mask, but during test shots found it was too small. Using a technique called VacuForm, makeup effects director Doug White enlarged the mask and created a new mold to work with. After White finished the molds, art director Terry Ballard placed new red triangles on the mask to give it a unique appearance. Holes were also punched into the mask, and the markings were altered, making it different from Sadoff's original template. There were two prosthetic face masks created for Richard Brooker to wear underneath the hockey mask. One mask was composed of approximately 11 different appliances, and took about six hours to apply to Brooker's face; this mask was used for scenes where the hockey mask was removed. In the scenes where the hockey mask is over the face, a simple head mask was created. This one piece mask would simply slip on over Brooker's head, exposing his face but not the rest of his head. Music The film's music was composed by Harry Manfredini, who previously composed the scores of the series' first two installments. A disco theme was also included in the film, co-written by Manfredini and Michael Zager, who shared a credit with a fictional