portfolio of Brill Building songwriters in his publishing firm. Dubbed "the Man with the Golden Ear", Kirshner viewed potential in merging television and music, and initially favored Mickie Most, Snuff Garrett, and Carole King for producing the Monkees, but sessions with them did not work well, so Boyce and Hart were called back. Kirshner then negotiated a partnership between Screen Gems and RCA Victor to enter into a joint venture called Colgems Records primarily to distribute Monkees records. Recording The album was recorded in numerous separate sessions around Los Angeles from July 5–25, 1966. Early sessions were produced by the trio of Tommy Boyce, Bobby Hart, and Jack Keller; later sessions were produced by Boyce and Hart. Michael Nesmith produced two sessions scheduled around the work done by Boyce, Hart, and Keller. Famously, the Monkees were not permitted by their management to function as a working band for this album. Although the album cover credits the band as playing instruments (drums for Dolenz; guitar for the other three members), the group's actual contributions were limited almost entirely to vocal tracks. Seven of the album's 12 tracks feature one lone Monkee singing lead vocal over instrumentation and backing vocals recorded entirely by a group of session musicians which varies from song to song. Other tracks feature multiple Monkees singing over session players; only on the two tracks produced by Michael Nesmith does a Monkee (Peter Tork) play an instrument (guitar). (Nesmith wrote or co-wrote these two tracks.) No tracks on the album feature all four Monkees. Artwork The photos in the "film strip" on the left side of the back cover are from two episodes of [[The Monkees (TV series)|The Monkees'''' TV series]]. The first three photos are from "Your Friendly Neighborhood Kidnappers"; the other two are from the episode "The Spy Who Came in from the Cool". Also included are brief stats on each band member (height, weight, age). Early pressings of the LP cover, as well as side 1 of the label, featured the misspelled song "Papa Jean's Blues" (Catalog number COM/COS 101). This was soon corrected as "Papa Gene's Blues" (Catalog number COM/COS 101 RE). It was standard practice for RCA to add an "RE" when any one side of a record or sleeve had a revision. Open copies of both versions are easy to find. In addition, when the album was reissued in 1968 the Colgems' logo