Snape Maltings is an arts complex on the banks of the River Alde at Snape, Suffolk, England. It is best known for its concert hall, which is one of the main sites of the annual Aldeburgh Festival. The original purpose of the Maltings was the malting of barley for the brewing of beer; local barley, once malted, was sent from here to London and exported to mainland Europe. Today a collection of shops, galleries, restaurants and the Concert Hall fill the old buildings. The Alde estuary is known for wildlife and river trips. History The complex of malting buildings was begun in 1846 and extended in the later 19th century. Newson Garrett, a Victorian entrepreneur, built the Maltings in the 1800s; his name appears on plaques around the site. The river made Garrett decide to build a maltings at this already busy port. Newson was ambitious and determined and in 1841 purchased the business of Osborne and Fennell, corn and coal merchants of Snape Bridge. From this port the Maltings began to evolve, using the River Alde to transport barley across Britain and into Europe on Thames barges. Within three years of his arrival, Newson Garrett was shipping 17,000 quarters of barley a year from Snape. Much of this barley would have been destined for breweries, where it had first to be malted. Newson saw an opportunity. Snape was in the heart of good agricultural land, and halfway between the brewing area of Norwich and London. Demand from the London breweries was growing fast, and it was becoming impractical to make malt and brew beer on the same premises. In 1854 he began malting at Snape, and was soon shipping malt, rather than barley to the breweries. The Maltings process at Snape came to an end in the 1960s as Swonnell and Son went into liquidation and seven acres of industrial buildings were left vacant. Thirty acres of land was offered for sale, including dwellings and an inn. It was difficult to imagine how such functional structures could be put to different use. However George Gooderham, a local farmer and businessman, recognised the potential. He purchased the site and set about finding alternative uses for the buildings. By the 1960s the Aldeburgh Music Festival was outgrowing the limited space available in the Jubilee Hall. Benjamin Britten started to look around for somewhere to build a concert hall. Britten had the