"Right Turn Clyde" features a chorus parodying Pink Floyd's hit single "Another Brick in the Wall Part II"; "All in all you're just another dick with no balls." Because of the issue, the album was delayed in the US. It was eventually resolved and the album was finally released in the US. In Europe, the album was initially released without the song or "Take the Long Way Home", thus containing only 45 CD tracks. Later pressings featured the complete track list. The original version of "Take the Long Way Home", containing samples of someone saying "May I have your attention please? May I have your attention please?" before the verses and "That's enough. I said that's enough!" at the end of the song, can be heard on the 1999 acetate CD and a 2016 CD reissue of the album. Australian editions of the album only ever contained 45 tracks – the album was never reissued there with the complete track list, however in recent years, US imports with the complete track list have been available for sale in Australian shops. A "clean" version of the CD was released titled simply Hooray. It featured an alternative cover image of a cow's udder. The track "The Inevitable Return of the Great White Dope" appeared on the Scary Movie soundtrack. The track "Magna Cum Nada" appeared in the movie Loser. A double vinyl version of the album, with the American track listing, was released in 2000 and is currently out of print. A new single vinyl release, on blue vinyl and with the original European track list, was released on 22 July 2016. Neither vinyl release includes the hidden track. A third reissue was announced for 28 February 2020 as a double album, with "Take the Long Way Home" and "Right Turn Clyde", on transparent vinyl. Reception Critical response Hooray for Boobies received generally positive reviews. Many reviewers complimented the album's duncical, but ultimately enjoyable, humor. AllMusic reviewer Stephen Thomas wrote, "on one hand, it's easy to hate the Bloodhound Gang. [...] On the other hand, you almost have to admire the lengths that they go to be, well, defiantly stupid." Many reviewers also complimented the album's eccentric plunderphonic-esque approach to music. PopMatters reviewer Patrick Schabe compared the Bloodhound Gang to Beck, saying, "if anomalous characterization, synthesis, and a popular culture repertoire make Beck the big brother of postmodern music, then surely he’s