with previous ceremonies he produced, Cates centered the show around a theme. Inspired by the Year of the Woman in which a record four women were elected to the United States Senate, Cates christened the 1993 show with the theme "Oscar Celebrates Women and the Movies". In tandem with the theme, AMPAS gathered 67 female Oscar winners of every category for a photo that was later shown at the start of the telecast. Actress and singer Liza Minnelli performed "Ladies' Day", a song written by Fred Ebb and John Kander specifically for the broadcast. Oscar-winning documentarian Lynne Littman assembled a montage highlighting women in film. Several other people participated in the production of the ceremony. Bill Conti served as conductor and musical supervisor for the ceremony. Choreographer Debbie Allen supervised the Best Song nominee performances and the "Ladies' Night" musical number. Voice actress Randy Thomas served as announcer of the telecast becoming the first woman to do so. Box office performance of nominees At the time of the nominations announcement on February 17, the combined gross of the five Best Picture nominees at the US box office was $252 million, with an average of $50.4 million per film. A Few Good Men was the highest earner among the Best Picture nominees with $120 million in domestic box office receipts. The film was followed by Unforgiven ($75.2 million), Scent of a Woman ($34.1 million), The Crying Game ($14 million), and finally Howards End ($8.7 million). Of the top 50 grossing movies of the year, 38 nominations went to 13 films on the list. Only A Few Good Men (6th), Unforgiven (17th), Malcolm X (30th) and Scent of a Woman (38th) were nominated for directing, acting, screenwriting, or Best Picture. The other top 50 box office hits that earned nominations were Aladdin (1st), Batman Returns (3rd), Basic Instinct (8th), The Bodyguard (9th), Under Siege (12th), Bram Stoker's Dracula (14th), The Last of the Mohicans (16th), Death Becomes Her (22nd), and Alien³ (26th). Critical reviews and ratings The show received a negative reception from most media publications. Associated Press television critic Frazier Moore lamented that Crystal "seemed incredibly listless". He also questioned the purpose of the "Year of the Woman" theme writing, "The Oscar show itself seemed at odds with its own feminist theme." Robert Bianco from the Pittsburgh Post-Gazette derided Allen's musical production numbers, comparing them to the disastrous opening number at