divergences between the band and their label. The guitarist Rodrigo Amarante, now had more space in the band, with compositions like "Retrato Pra Iaiá", "Sentimental", "Cher Antoine" and "A Flor" (this one with Marcelo Camelo). Their road back to a bigger audience was followed by their participation in "Fordsupermodels" (the band played on a stage, doing the soundtrack for the fashion show) and Luau MTV, a MTV show on which were included, in acoustic versions, songs from the first and second CDs, to later be released on DVD. Bloco do Eu Sozinho, in spite of being considered (nowadays) as one of the best Brazilian rock albums of all time, did not have much impact in the media, mainly due to the conflicts with the label Abril Music. Ventura (2003–05) The follow-up to Bloco do Eu Sozinho, Ventura, was released in 2003, and the band's sound was even more influenced by samba, choro and bossa nova. Although these albums weren't as commercially successful as Los Hermanos, they were acclaimed by critics and generated a strong cult following which propelled the band to be regarded as one of the defining alternative rock acts in Brazil, mainly because of their elaborate lyrics and their mixture of Brazilian rhythms with rock. The year 2003 arrived and already in BMG (now Sony Music), the Hermanos released the album "Ventura". Called "Bonança" at first, it was the first Brazilian disc to virtually "leak" in its pre-production phase. The third album featured a multi-faceted Los Hermanos. Of "Samba a Dois" to the pop rock of "O Vencedor", or with the dialogues of "Conversa de Botas Batidas" and "Do Lado de Dentro", "Ventura" was the album that consolidated the band on the national scene. The first single, "Cara Estranho", had good presence on the radio and was nominated to some music video awards. Then came "O Vencedor" and "Último Romance", the latter composed by Rodrigo Amarante, who wrote five of the 15 songs on the CD and started to stand out as a songwriter. The singer Maria Rita, in her eponymous album, recorded three songs of Marcelo Camelo: "Santa Chuva", "Cara Valente" and "Veja Bem, Meu Bem". The shows began to house a legion of fans who had become the trademark of the band. It was on the tour of "Ventura" that it was shot the concert that became the DVD "Live at Cine Íris". Recorded in Rio