for POP using vintage clothes from Chanel’s archive, a more recent series of large-scale pictures from 2012 depict outsized enigmatic female figures standing in striking isolation before ominous painterly landscapes the artist had photographed in Iceland during the 2010 eruptions of Eyjafjallajökull and on the isle of Capri. In 2017, she collaborated on a "selfie" project with W Magazine that was based on the concept of the "plandid," or "the planned candid photograph". Sherman utilized a variety of photo-correction apps to create her Instagram portraits. From 2019 she showed self-portraits executed as tapestries by a Belgian workshop.Liam Freeman (March 25, 2021), Cindy Sherman on Her First Ever Non-Photographic Works Vogue; accessed June 11, 2021. Fashion Sherman's career has also included several fashion series, including designs for Prada, Dolce & Gabbana, and Marc Jacobs. In 1983, fashion designer and retailer Dianne Benson commissioned her to create a series of advertisements for her store, Dianne B., that appeared in several issues of Interview magazine. Sherman also created photographs for an editorial in Harper's Bazaar in 1993. In 1994, she produced the Post Card Series for Comme des Garçons for the brand's autumn/winter 1994–95 collections in collaboration with Rei Kawakubo. In 2006, she created a series of fashion advertisements for designer Marc Jacobs. The advertisements themselves were photographed by Juergen Teller and released as a monograph by Rizzoli. For Balenciaga, Sherman created the six-image series Cindy Sherman: Untitled (Balenciaga) in 2008; they were first shown to the public in 2010. Also in 2010, Sherman collaborated with Anna Hu on a design for a piece of jewelry. Music and films In the early 1990s, Sherman worked with Minneapolis band Babes in Toyland, providing photographs for covers for the albums Fontanelle and Painkillers, creating a stage backdrop used in live concerts, and acting in the promotional video for the song "Bruise Violet." She also worked as a film director. Sherman moved from photographs to film with her movie Office Killer in 1997, starring Jeanne Tripplehorn, Molly Ringwald and Carol Kane. Dorine, played by Carol Kane, is a stand-in for Sherman. They have a shared interest in arranging bodies, like a puppeteer, in diorama-like scenes. According to author Dahlia Schweitzer, Office Killer is full of unexpected characters and plot twists. Schweitzer considers the film to be a comedy, horror, melodrama, noir, feminist statement, and an art piece. The film got negative reviews. In a review for