a minimal dub of "Woman's Gotta Have It", features distorted snares. "Kojak", described by Katz as a "mutant dub" of Bunny Rugs' "Move Out of My Way", features Perry assume the role of the detective from the television series of the same name. Eshun describes the track as "an echo chamber of moans in which space staggers and lurches ominously", On "Doctor on the Go", which uses the rhythm of "The Long Way", Perry plays a gentle melody on the piano and sings the title repeatedly to a response of canned laughter sampled from Doctor on the Go itself. At one point, the laugher subsides into incomprehensible chatter, studio applause and the show's theme tune. "Bush Weed", a "pseudo-dub" of "Dushweed Corntrash", highlights Perry's humming. At various points, the drums are reversed, sustaining the backwards shimmer of the cymbal before the snare hits. "Dreadlock Talking" and "Dub the Rhythm" emphasise Perry's slow, minimalist approach to dub. The latter track is a "slow and ghostly" dub of Clancy Eccles' "Feel the Rhythm" and features Perry's belching, which changes the rhythm "into a celebration of dub indigestion", according to Katz. The closing track, "Raindrops", features the sounds of rainfall and a narrator from a nature documentary who announces: "Man has always been a threat to woodland animals." Eshun compares Perry's fragile, trebly voice on the song to Leslie Cheung and highlights his languid tremolo on the song's snare drop. Release and reception Revolution Dub was released in 1975 in the United Kingdom by Cactus, but as with numerous other dub albums by Perry, it was a limited release. However, the record coincided with what British writer James Hamilton felt was dub's arrival as "the roots music of the moment" after two years of growth in Jamaica. Author Christian Habekost described the album title one of several Perry album names to match the spirit of dub's unusual style with a reflection of "the cultural trends and fads of the time." Reviewing the album alongside other new dub releases in Record Mirror & Disc, Hamilton wrote that although Perry elected to use dub as a backing for his "relatively normal singing", the album's best track was "Doctor on the Go", which he described as a "subtle pulsating instrumental" with "snatches" of the Doctor on the Go soundtrack. In a retrospective review for AllMusic, Rick Anderson wrote that despite its short length, the album is