$48.9 million. Dead Poets Society was the highest earner among the Best Picture nominees with $95.8 million in the domestic box office receipts. The film was followed by Field of Dreams ($64.4 million), Born on the Fourth of July ($48.6 million), Driving Miss Daisy ($35.6 million) and My Left Foot ($2.1 million). Of the 50 grossing movies of the year, 43 nominations went to 14 films on the list. Only Parenthood (8th), Dead Poets Society (9th), When Harry Met Sally... (10th), Field of Dreams (17th), Born on the Fourth of July (25th), Driving Miss Daisy (36th) and Sex, Lies, and Videotape (45th) were nominated for Best Picture, acting, directing, or screenwriting. The other top 50 box office hits that earned nomination were Batman (1st), Indiana Jones and the Last Crusade (2nd), Lethal Weapon 2 (3rd), Back to the Future II (6th), The Little Mermaid (12th), The Abyss (22nd), and Black Rain (27th). Critical reviews The show received a mixed reception from media publications. Some media outlets were more critical of the show. Film critic Janet Maslin of The New York Times gave an average review of Crystal but lamented, "The effort to make this year's Academy Awards show an international media miracle led to nothing but headaches." The Washington Post television critic Tom Shales bemoaned, "while Crystal's opening monologue seemed to hit the right notes, he hit fewer and fewer as the evening wore on; his interjected quips between awards were mostly uninspired." He also criticized the dance numbers and numerous "Around the World" cutaways calling it pointless. Howard Rosenberg of the Los Angeles Times quipped that the broadcast was "a conventional telecast that was arguably an extension of an industry calcified by convention." He gave positive remarks toward Crystal but felt that "The Oscarcast was an old kid on the block." Other media outlets received the broadcast more positively. USA Today television critic Matt Roush lauded "To the glib and savvy Billy Crystal, who kept things as lively and funny as he could all night long. What a chore, too." He concluded that, "Hollywood no doubt went to bed happy (maybe early), because for a change Oscar didn't embarrass himself." Mike Drew of the Milwaukee Journal Sentinel remarked, "While too "inside" and not as funny as Hollywood thinks he is, Crystal was an efficient host." Film critic Carrie Rickey of The Philadelphia Inquirer wrote, "It was encouraging that director