"The World Is Not Enough" is the theme song for the 1999 James Bond film The World Is Not Enough, performed by American rock band Garbage. The song was written by composer David Arnold (who also scored the film) and lyricist Don Black, previously responsible for four other Bond songs, and was produced by Garbage and Arnold. "The World Is Not Enough" was composed in the style of the series' title songs, in contrast with the post-modern production and genre-hopping of Garbage's first two albums. The group recorded most of "The World Is Not Enough" while touring Europe in support of their album Version 2.0, telephoning Arnold as he recorded the orchestral backing in London before travelling to England. Garbage later finished recording and mixing the song at Armoury Studios in Canada. The lyrics reflect the film's plot (told from the viewpoint of antagonist Elektra King), with themes of world domination and seduction. The song and its accompanying soundtrack were released internationally by Radioactive Records when the film premiered worldwide at the end of November 1999. "The World Is Not Enough" was praised by reviewers; it reached the top 40 of ten singles charts and the top 10 of four. It was included on the James Bond compilation The Best of Bond... James Bond and Garbage's greatest hits album, Absolute Garbage. Development Background In September 1998 Michael G. Wilson and Barbara Broccoli, owners of Eon Productions and long-time producers of James Bond films, chose David Arnold to compose the score for the nineteenth Bond movie (scheduled for release in November of the following year). Arnold composed the score for Tomorrow Never Dies, the previous film, and oversaw the recording of Shaken and Stirred: The David Arnold James Bond Project (an album of cover versions recorded by contemporary artists including Pulp, Aimee Mann and David McAlmont). Arnold and the film's production team wanted an early rough draft of the song so elements of its melody could be incorporated into the main score. Director Michael Apted thought the use of "Nobody Does It Better" as a love theme throughout The Spy Who Loved Me very effective, and he wanted Arnold to use that as a reference point. Composition Arnold wanted a theme song marrying the "classic Bond sound" with the electronica that would influence most of his score. An orchestra would be required as audiences expect traditional elements in a Bond film,