the company's founder Alain Platel, for whom Bausch was a friend and mentor. In 2010 the choreographer Sidi Larbi Cherkaoui and dancer Shantala Shivalingappa premiered their work 'Play', which was dedicated to Pina Bausch's memory. Bausch was the main impetus for the piece as she had brought Cherkaoui and Shivalingappa to collaborate in 2008 to perform for the final edition of her festival. Wenders' documentary, Pina, was released in late 2011 in the United States, and is dedicated to her memory. Influence on other artists Bausch's style has influenced performers such as David Bowie, who designed part of his 1987 Glass Spider Tour with Bausch in mind. For the tour, Bowie "wanted to bridge together some kind of symbolist theatre and modern dance" and used Bausch's early work as a guideline. Florence + The Machine's vocalist was also influenced by Bausch's work. She became very fond of Bausch's work and explained that her "work expresses the human condition in a way that I’ve never seen before—she’d do amazing pieces where it would just be a huge pile of rose petals that someone would ski down, or a dance that would be two people playing tag for two hours. It was incredibly visceral and emotional, and very experimental. So dancing for me is just a very calm place to be—you’re just with your body." Influence on popular culture Promotional trailers for the third season of American Horror Story: Coven included a clip for the episode "Detention" and were likely influenced by Bausch's work . Stills from the performance and the episode show a group of women seemingly defying gravity as they cling to the walls high above the ground, toes pointed down and hands pressed above them. The photo of Bausch's performance was previously released on Reddit as well as Twitter with the implication that it was from a Russian mental institution, but its source was quickly identified. Works The following table shows works since 1973. Several of Pina Bausch's works were announced as because she chose a title late in the development of a work. The typical subtitle from 1978 was (A piece by Pina Bausch). The translations are given as on the website of Tanztheater Wuppertal Pina Bausch. Some of the German titles are ambiguous. "Kontakthof" is composed of Kontakt ("contact") and Hof ("court, courtyard"), resulting in "courtyard of contact," which is also a technical term for an area