thrill of teen viewers, Kookie spoke a jive-talk "code" to everyone, whether you understood him or not, and Kookie knew, better than others, "the word on the street." Although the Kookie character was at least several years older than Jim Stark, James Dean's character in the film Rebel Without a Cause, Byrnes exuded a similar sense of cool. Kookie was also the progenitor of Henry Winkler's The Fonz character of the Happy Days series (switch hot rod for motorcycle; same hair and comb). By April 1959, Byrnes was among the most popular young actors in the country. "I was a nobody", said Byrnes. "Now I'm dragging in over 400 letters a week and I'm a name." Kookie's constant onscreen tending of his ducktail haircut led to many jokes among comedians of the time, and it resulted in the 1959-charted (13 weeks) 'rap' style recording, "Kookie, Kookie (Lend Me Your Comb)", recorded with actress and recording artist Connie Stevens, and which reached #4 on the Billboard Hot 100. It sold over one million copies and was awarded a gold disc by the RIAA. The song also appeared on the Edd Byrnes album, entitled (what else) Kookie. He and Stevens appeared together on ABC's The Pat Boone Chevy Showroom. During the run of 77 Sunset Strip, Byrnes, as the "Kookie" character, was a popular celebrity, and Byrnes received fan-mail that reached 15,000 letters a week, according to Picture Magazine in 1961; this rivalled most early rock recording-stars of the day. Clashes with Warners Warners put him in the second lead of a Western, Yellowstone Kelly (1959), supporting Clint Walker, star of another Warners show, Cheyenne; it was a minor success at the box office. "I'm not studying", said Byrnes at the time. "Why should I? I get all my experience in front of the camera. You get in front of the camera every day and you've got to learn." Byrnes walked off the show in the second season, demanding a bigger part and higher pay. In November 1959, Warners put him on suspension. They eventually offered $750 a week but he refused. In April 1960, they came to terms and Byrnes went back to work. Owing to restrictions in his Warner Brothers television contract, Byrnes was forced to turn down film roles in Ocean's Eleven (1960); Rio Bravo (1959); North to Alaska (1960) and The Longest Day (1962). He tested for the