a Michael Jackson album or compilation, except on the third disc of the French & UK versions of Jackson's greatest hits album King of Pop. Music video The accompanying music video for "Black or White" was directed by John Landis, who previously directed the "Thriller" music video (1983). It was filmed from late September to early October 1991. It was choreographed by Jackson and Vincent Paterson. It contains a Dolby Surround sound mix. Along with Jackson, the video features Macaulay Culkin, Tess Harper, and George Wendt pictured as a family unit in the opening scene, which the Los Angeles Times criticized as "almost exactly a replay" of the 1984 Twisted Sister video for "We're Not Gonna Take It". The dance scene with the Native Americans shown in the video was filmed at Vasquez Rocks Natural Area Park in Agua Dulce, California. The Native American dancers were organized by Jackson's schoolfriend Joanelle Romero, founder of the Red Nation International Film Festival, featuring her daughter Sage as child dancer. The Native American dancers used their own traditional wardrobe and became the first Native Americans in a non-Native American music video. The production enabled Romero to become an established producer. The scene where Michael Jackson and a dancer appear on the freeway was filmed at 11779 Sheldon Street in Sun Valley, Los Angeles. This morphing effect had previously been used only in films such as Willow and Terminator 2: Judgment Day. The morphing visual effects were created by Pacific Data Images. The video premiered simultaneously in 27 countries, with an audience of 500 million viewers, the most ever for a music video. It premiered on MTV, BET, VH1, and Fox (giving them their highest Nielsen ratings ever at the time) as well as the BBC's Top of the Pops in the UK on November 14, 1991. Synopsis The video begins with a boy (Macaulay Culkin) dancing to rock music in his bedroom. His father (George Wendt) yells at him to stop. The boy retaliates by playing an electric guitar loudly enough to fire his father into space, to finally landing in Africa. Jackson performs "Black or White" with dancers from different cultures, including African Zulu hunters, traditional Thai dancers, Plains Native Americans, a Sri Lankan Tamil Odissi dancer and Hopak dancers. Jackson walks defiantly through visual collages of fire (declaring "I ain't scared of no sheets; I ain't scared of nobody"), referring to