language to show what it means to be a stranger in France with the "wrong" skin colour. 1980s and 1990s Souleymane Cissé's Yeelen (Mali, 1987) was the first film made by a Black African to compete at Cannes. Cheick Oumar Sissoko's Guimba (Mali, 1995) was also well received in the West. Many films of the 1990s, including Quartier Mozart by Jean-Pierre Bekolo (Cameroon, 1992), are situated in the globalized African metropolis. Nigerian cinema experienced a large growth in the 1990s with the increasing availability of home video cameras in Nigeria, and soon put Nollywood in the nexus for West African English-language films. Nollywood produced 1844 movies in 2013 alone. The last movie theatre in Kinshasa, Democratic Republic of the Congo, shut down in 2004. Many of the former cinemas were converted to churches. In 2009 the UN refugee agency screened Breaking the Silence in South Kivu and Katanga Province. The film deals with rape in the Congolese civil wars. In neighboring Brazzaville, Republic of the Congo, a 200-seat cinema, MTS Movies House, opened in 2016, and in April 2018, construction began on another new cinema . A first African Film Summit took place in South Africa in 2006. It was followed by FEPACI 9th Congress. The African Movie Academy Awards were launched in 2004, marking the growth of local film industries like that of Nigeria as well as the development and spread of the film industry culture in sub-Saharan Africa. 2000s and 2010s Contemporary African cinema deals with a wide variety of themes relating to modern issues and universal problems. Migration and relations between African and European countries is a common theme among many African films. Abderrahmane Sissako's film Waiting for Happiness portrays a Mauritanian city struggling against foreign influences through the journey of a migrant coming home from Europe. Migration is also an important theme in Mahamat Saleh Haroun's film Une Saison en France, which shows the journey of a family from the Central African Republic seeking asylum in France. Haroun is part of the Chadian diaspora in France, and uses the film to explore aspects of this diasporan experience. Africanfuturism and Afrofuturism is a growing genre, encompassing Africans both on the continent and in the diaspora who tell science or speculative fiction stories involving Africa and African people. Neill Blomkamp's District 9 is a well-known example, portraying an alien invasion of South Africa. Wanuri Kahiu's short film Pumzi