a corseted, natural waistline rather than an empire silhouette (which became popular after the 1790s). A generational divide was established: the older characters dress in mid-eighteenth century fashions while the young wear "a sort of proto-Regency style of hair and dress". Durran's costumes also helped emphasise social rank among the different characters; Caroline Bingley for instance is introduced in an empire silhouetted dress, clothing that would have then been at the height of fashion. During her interview, Durran opined that all the women wear white at the Netherfield Ball due to its contemporary popularity, an idea that Wright credits as his reason for hiring her. Costumes and hairstyles were adjusted to appeal to contemporary audiences, sacrificing historical accuracy. To help differentiate the Bennet sisters, Durran viewed Elizabeth as the "tomboy", clothing her in earthy colours because of her love of the countryside. For the other sisters, Durran remarked, "Jane was the most refined and yet it's still all a bit slapdash and homemade, because the Bennets have no money. One of the main things Joe wanted was for the whole thing to have a provincial feel. Mary is the bluestocking: serious and practical. And then Lydia and Kitty are a bit Tweedledum and Tweedledee in a kind of teenage way. I tried to make it so that they'd be sort of mirror images. If one's wearing a green dress, the other will wear a green jacket; so you always have a visual asymmetry between the two." In contrast to the 1940 film, the 2005 production displayed the Bennet sisters in worn-down but comfortable dresses. Mr Darcy's costume went through a series of phases. Durran noted: Filming Moggach believed the novel was very filmable, "despite it containing no description and being a very unvisual book". To Wright, many other period films had relied on paintings for inspiration rather than photographs, causing them to appear unreal. He thus used "Austen's prose [to give him] many visual references for the people in the story", including using close-up shots of various characters. The filmmakers also changed several scenes to more romantic locales than those in the book. For instance, in the film, Darcy first proposes outdoors in a rainstorm at a building with neoclassical architecture; in the book, this scene takes place inside a parsonage. In the film, his second proposal occurs on the misty moors as dawn breaks; in the book, he and