and then spending his life in obscurity. In reality, Farnsworth won the lawsuit, later received a $1 million payment from RCA for the purchase of his TV patents, and went on to have an illustrious career in technological research. There is a statue of Farnsworth in Statuary Hall in the U.S. Capitol. This issue was later addressed on a Facebook question where Sorkin wrote: Critical reception In The New York Times, Ben Brantley panned the play with faint praise: In the New York Post, Clive Barnes awarded it 2½ out of 4 stars and stated, "Sorkin's take on the Farnsworth/Sarnoff standoff would be better suited to a screen, either big or small. Even now, while crackling with crisp dialogue, The Farnsworth Invention often has the air of a clumsy stage adaptation of, say, Citizen Kane." Joe Dziemianowicz of the New York Daily News described it as "disappointing and ho-hum" and "seldom deeply involving . . . Scenes play out like brief vignettes from a History Channel biopic . . . without stirring emotions." In Newsday, Linda Winer called it "vintage Sorkin and crackling prime-time theater . . . breezy and shrewd, smart-alecky and idealistic." In Variety, David Rooney said, "The plot-heavy drama is light on fully fleshed-out characters or subtext, making it likely to play more satisfyingly when it inevitably reverts to being a film or cable project . . . [it] never fully moves beyond its stream of over-explained factoids." In the Chicago Sun-Times, Hedy Weiss described it as "a firecracker of a play in a fittingly snap, crackle and pop production under the direction of Des McAnuff, the drama has among its many virtues the ability to make you think at the same time that it breaks your heart." Chris Jones of the Chicago Tribune called it "slick yet deeply conflicted" and "restless" and added, "this is one of those Boomer-friendly, media-savvy, self-aware pieces of effective theater that feel like they owe a lot to TV writing and our celebrity-obsessed culture . . . this is a jumpy piece of writing. It feels like the writer is worried the audience might change the channel. That's not entirely a bad thing. As fans of Sorkin's TV shows know well, the internal psyche of Sorkin is a very stimulating place in which to dwell for a couple of hours. His characters are uncommonly articulate and witty—albeit without much differentiation. He