KKK torch ceremonies. Culkin and other children (including Michael's niece Brandi; Wade Robson; and Mark Pugh and David Shelton of Another Bad Creation) perform the rap sequence. The group states, "I'm not gonna spend my life being a color." Jackson performs atop the Statue of Liberty, surrounded by other world landmarks. At the end of the video, people of different ethnicities and nationalities dance and morph into one another. A young Tyra Banks can be seen in this sequence. In the extended version of the music video, after the song, a black panther walks out of the studio into an urban street and transforms into Jackson, who dances furiously and destroys a glass beer bottle, a building window, and a parked car. He tears off his shirt and screams with grand drama as the hotel neon sign falls. After his damage and rampage, he re-emerges as a panther. Finally, Bart Simpson from The Simpsons jams to the song while watching it on the TV. Homer yells at him to "Turn off that noise!" Bart replies, "Chill out, Homeboy." Then, Homer angrily turns the TV off. The static then cuts to a close-up of Jackson with the tagline "prejudice is ignorance". Controversy and censorship Controversy was generated concerning the last four minutes of the original music video. A black panther walks out of the studio and then morphs into Jackson. Then he walks outside to perform some of his most physically slick dance moves, in a similar way to "Billie Jean". This part contained sexually suggestive scenes when Jackson starts to grab his crotch, and then zips his pants up. In the original version, Jackson is seen smashing windows, destroying a car with his arm and a crowbar, destroying windows with a steering wheel and a trash can, and causing an inn (called the "Royal Arms Hotel") to explode. Jackson was sharply criticized for the final scene, especially by Entertainment Weekly which ran a featured article titled "Michael Jackson's Video Nightmare". Jackson asked his fans for forgiveness, saying that the violent and suggestive behavior had been a dance-style interpretation of the animalistic instincts of a panther. Jackson ordered the removal of the video's final scenes from subsequent broadcast. In 2001, Jackson re-issued the video with the final scenes restored in a digitally altered form: the glass windows smashed are now marred with racist and anti-Semitic graffiti displaying epithets like "Nigger" (styled