Jason to be the film's scariest moment. Additionally, McLoughlin was made to extend Sissy's death, adding the shots of Jason dragging her to the ground and twisting her head off; as originally filmed, Sissy was simply pulled out of the cabin window, and wasn't seen again until Megan finds her head in the squad car. McLoughlin also found himself in contention with the producers over how the film should end. In the original script, the movie was supposed to have concluded in the graveyard, with Martin the gravedigger meeting Jason's father, Elias—a heretofore unseen character in the series—with the implication that Elias knows Jason has been resurrected and has come looking for him. The studio balked at the scene, as they did not want the responsibility of having to introduce Elias' backstory in the next installment. Additionally, the added murder of Martin made the scene a continuity error. This ending would have tied up a continuity error from A New Beginning, when it is mentioned that Jason was cremated. A deleted scene from Jason Lives had Tommy asking Sheriff Garris why Jason wasn't cremated, as had been planned, at which point Garris informs him that someone paid the city to bury Jason; Elias' handing Martin a wad of money would have indicated that he was the man who paid for Jason's burial. The scene was later storyboarded for inclusion on the film's "Deluxe Edition" DVD release, with Bob Larkin reprising his role as Martin to provide voiceover. Elias, like Jason, was scripted to be completely silent. McLoughlin ultimately shot three endings, two of which were not included on the film's DVD release. In one ending, Jason's mask floats to the surface of Crystal Lake, having become detached during his struggle with Megan. In another, Deputy Cologne tries to reach the jail cell keys after having been locked in by Tommy and Megan; the door to the police station opens and the film abruptly ends, indicating that Jason managed to get free. The producers disliked both of these endings, as each one left Jason's survival ambiguous, and wanted it explicitly shown onscreen that he was still capable of returning for a sequel. As a result, McLoughlin shot the film's used ending, showing a closeup of Jason's open, twitching eye. Music The film's music was composed by Harry Manfredini, who composed the scores to all of the series' previous installments. In addition