and respected Steve's dream, and passion and energy, I didn't seem to fit in. Moore decided to leave to join Tanz Der Youth soon afterwards, as he felt keyboards did not suit the sound Iron Maiden were looking for at the time. Iron Maiden would later use keyboards to enhance the more progressive direction the band took on in the late 1980s, with keyboards featured on every album since 1988, played at various times by Steve Harris, guitarist Adrian Smith, and bass tech Michael Kenny. In Tanz Der Youth, he began working with Brian James (from The Damned) releasing a single I'm Sorry on RADAR Records, touring in support for Black Sabbath and The Stranglers, before moving on to join a progressive rock band called England. In the early 1980s, he formed his own group called Radio Java and made an album at Abbey Road Studios that spawned a number-one hit single in the Netherlands, before disbanding after the label closed down. Cutting Crew In 1986, Moore was invited to play live keyboards with a new band called Cutting Crew who went on to have a worldwide hit with "(I Just) Died in Your Arms". For two more years he toured the world and recorded with the band, at which point he signed a solo deal with a small independent label in London. He released one single to critical acclaim (including airplay from Bob Harris) before joining forces with Argentine singer-songwriter Marie Claire D'ubaldo. He co-wrote and co-produced tracks for her debut album on Polydor, which sold over 250,000 copies worldwide. A Song For Europe In 2001, Moore performed his own composition, "That's My Love" in the A Song For Europe contest, hoping to represent the UK in the Eurovision Song Contest. He finished second in the competition, behind Lindsay Dracass. He had written other songs for the contest in earlier years; "A Little Bit of Heaven" performed by Lorraine Craig in 1991, "Waiting in the Wings" performed by internally selected Frances Ruffelle in 1994 and both of Catherine Porter's entries ("The Answer" and "Crazy") in 2000. Perfect and Beautiful In 2005, after several years concentrating on club management, Moore resumed his solo musical career and began recording his own material independently. He announced his intention to produce an album, with almost no budget, no major record company backing and only nine days to record, mix and master the final