his own children's series Snap. In 2017, he appeared in the BBC series Father Brown as Samuel Jacobs in the fifth-season episode "The Penitent Man", and played Harry Tomkins in the third season of Outlander. In December 2021, alongside son Tyler Reddington, he portrayed the role of Frankie Clitheroe in Doctors. Theatre Reddington's theatre work is extensive and started with The Royal Shakespeare Company. He played Master Froth in Measure for Measure, The Tailor in The Taming of the Shrew (Play of the Year), a 'shape' in The Tempest (along with Ruby Wax and Juliet Stevenson), The Churchill Play, The Shepherds Play, the multi-award-winning Piaf and for the RSC in the West End both Wild Oats and Once in a Lifetime. He then went to the Bristol Old Vic to play Kent in Edward the Second and Oh! What A Lovely War. It was then out into repertory theatre with leading roles at Plymouth, Stoke, the British première of Thomas Hardy's The Dynasts for Exeter, and in Nottingham Byron's Cain. For Great Eastern Stage he performed in Travesties. Back at the Bristol Old Vic he appeared in Androcles and The Lion and She Stoops To Conquer and in The Woman Who Cooked Her Husband for Nottingham Playhouse. Then to The Citizen's Theatre, Glasgow where he was seen in world premières of Judith and Saint Joan. In London's fringe he played the title role in Katie Mitchell's Arden of Faversham at the Old Red Lion Theatre, Alec D'Urbaville in Tess at The Latchmere. Also there he performed The Promise with his own company One Word, The Collector at The Spice of Life and Rutherford and Son at The New End. At The Bush Theatre under Mike Bradwell he appeared in the award-winning Hard Feelings (play) and Flamingoes, Black Mas for Foco Novo and Pamela for Shared Experience. A Who's Who of Flapland for Lakeside, Nottingham. World Premieres of In Pursuit of the English and Hangover Square at The Lyric Hammersmith. He worked with English experimental company Lumiere and Son in War Dance and then performed in Italy with the avant-Garde La Zattere Di Babele in Tamburlaine. Further classical work saw him perform Hamlet for the Oxford Stage Company, Richard the Third for the Stafford Festival and Macbeth in London. For the International New Writers Festival in Birmingham he appeared in Akos Nemeth's Car Thieves and also a platform performance of A