Comfort) during its final season in 1986; and as Gussie Holt, the mother of Suzanne Somers's lead character in the syndicated sitcom She's the Sheriff (1987–1989). From the late 1980s on, Carroll had a great deal of voice-over work on animated programs such as A Pup Named Scooby-Doo, Galaxy High, and Foofur, and the film A Goofy Movie. On TV's Pound Puppies, she voiced Katrina Stoneheart. On two Garfield television specials (A Garfield Christmas and Garfield's Thanksgiving), she portrayed Jon's feisty Grandmother. She also voiced the character of Granny in the 2005 re-release of Hayao Miyazaki's My Neighbor Totoro. In 1989, Carroll portrayed the sea witch Ursula in Disney's The Little Mermaid and sang "Poor Unfortunate Souls". In interviews, Carroll referred to the role, her first as a villain, as one of the favorites of her career. She later reprised the role in other forms of media, including the Kingdom Hearts series of video games, the spinoff television series, the Disney+ series The Wonderful World of Mickey Mouse, and various Disney theme parks attractions and shows, as well as voicing Ursula's sister Morgana in the direct-to-video sequel The Little Mermaid II: Return to the Sea. Carroll also appeared on a variety of game shows including Celebrity Sweepstakes, You Don't Say, To Tell the Truth, Match Game 73, Password, and I've Got a Secret. A member of the Actors Studio, she also enjoyed a successful career in the theater, appearing in numerous plays including productions of Our Town and Sophocles's Electra. In 1990, she starred in The Merry Wives of Windsor at the Shakespeare Theatre at the Folger in the role of Sir John Falstaff, a balding knight with whiskers. When drama critic Frank Rich of The New York Times reviewed her performance he wrote, "Her performance is a triumph from start to finish, and, I think, a particularly brave and moving one, with implications that go beyond this one production. Ms. Carroll and Mr. Kahn help revivify the argument that the right actresses can perform some of the great classic roles traditionally denied to women and make them their own. It's not a new argument, to be sure; female Hamlets stretch back into history. But what separates Ms. Carroll's Falstaff from some other similar casting experiments of late is that her performance exists to investigate a character rather than merely as ideological window dressing for a gimmicky production." Personal life