tree, and found in it, an image slightly reminiscent to a crucifix. He was so amazed, he decided it he wanted everyone to see his "Father" as he called it, and so, decided to chop the tree down, and take it into the city. Pedro Medina was a poor man, so to get it from up on the mountain, to his ranch, he had to ask his neighbor for a couple of oxen to bring it down. However, when they cut the image down and attached it to the oxen, it would not move, so Medina told his "compadre" to turn the image face up, and as soon as they did this, the oxen moved with immense ease. In town, the veneration to the holy image grew so big, that Don Pantaleon Leal offered Don Pedro Medina his home as a shrine to the image. And after a few years, in 1831, the Shrine erected in his honor stands, and every year, the city fills with over 2 million visitors to venerate the image and ask God for favors. His feast is celebrated on 30 April, day on which he was brought into his current shrine, and grand festivities are held, for he is the patron of the city. Demographics According to the 2020 Census by INEGI, the municipality has a population of 150,190, of which 98,842 live within the city limits of the municipal seat, Tepatitlán, and the rest in the outlying communities and ranches. The city is the state's seventh-largest incorporated community and serves as a significant city outside of the capital, providing the most important university in the region of Los Altos, and an important economic and business center. Around 81% of the population of the municipality is urban, concentrated mostly in the municipal seat, and other large towns. The annual growth rate is at about 18.9%, placing it among the fastest growing populations in the state. Architecture Parroquia de San Francisco de Asís The Parroquia de San Francisco de Asís is neoclassic in style, with baroque reminiscence. This temple was built from 1742 to 1775, from piedra braza. It is topped with two slender neoclassical towers, 63m in height each, and three airy domes, all designed by the tepatitlense mason, Don Martín Pozos. The façade is dominated by a curious architectural element: a semi-hexagonal pórtico, which was added as a support for the heavy and slender