more open than before. The result was Blue Green Orange, which was released in 1999. It was somewhat of a departure from the band's earlier work, opting for more textured, spacier sounds and less of an emphasis on the band's hard-rock reputation. The album's lead single, "Summertime in the Void", was a hit on rock radio in Canada and showed that the band was still commercially viable with a different singer and a change in sound. Subsequent singles "All Awake" and "When Did You Get Back from Mars?" also received radio and video airplay. The album was certified Gold in Canada, but was seen as a disappointment by many compared to the previous albums. Tanna and Northfield won a Juno Award in 2000 for "Best Recording Engineer", and the album was nominated for "Best Album Design". IME came off the road and in 2001 the band members settled into their own Toronto studio, The Mother's Hip. However, this period was plagued with problems. Brian Byrne had ruptured his vocal cords and required surgery. Christian Tanna broke his forearm and was unable to play drums. After those injuries healed the band decided to scrap the entire session, which was reportedly filled with radio-friendly material, and start from the beginning. This occurred after a false story circulated in the media that the album was finished and tentatively titled Save the Last Disco. Furthermore, the band also dealt with the EMI release of Earth, Sky, and Everything in Between, an album of B-Sides and live recordings from the EMI years. The Tannas and Gordon issued a statement insisting the record was unauthorized and was nothing more than a cash grab by EMI. Edwin offered no comment on the album. IME then went to work on the proper new album in 2002 with producer David Bottrill (alongside Jag Tanna), taking only a short break to headline the "Canadian MTV Campus Invasion Tour", then releasing a song as a preview of the new material. The song "Juicy" was pressed as a promo single for the Vin Diesel movie xXx, and despite no push from the label and no video, it received rock radio airplay on its own. It was later included on The Quicksilver Meat Dream, released in early 2003. The album was an even larger departure from past works, with industrial elements replacing the Latin percussion (but not Mansilla, who still toured with the