editors of Književne novine literary magazine. In 1970 his second novel, Hodočašće Arsenija Njegovana (The Pilgrimage of Arsenije Njegovan) was published, in which an echo of the students protests of 1968 in Yugoslavia can be found. Despite his ideological distance from the mainstream opposition movements, the new political climate further complicated his relationship with the authorities, who refused him a passport for some time. The novel, nevertheless, won the NIN award for the best Yugoslav novel of the year. An English translation The Houses of Belgrade appeared in 1978 and it was later published in Polish, Czech and Romanian. Exile and further work Following Pekić's emigration to London in 1971, the Yugoslav authorities still considered him persona non grata and for several years they prevented his books from being published in Yugoslavia. Finally, in 1975, Uspenje i sunovrat Ikara Gubelkijana ("The Rise and Fall of Icarus Gubelkian") appeared. It was later translated into Polish in 1980, Hungarian in 1982, Czech in 1985 and French in 1992. In 1977 he sent the manuscript of Kako upokojiti Vampira ("How to Quiet a Vampire") to an anonymous literary competition. The Association of Yugoslav Publishers recognized it as the best novel of the year and promptly published it. Kako upokojiti Vampira was subsequently translated into Czech in 1980, Polish in 1985, and Italian in 1992, with an English translation finally appearing in 2005. Based in part on Pekić's own prison experiences, this novel offers an insight into the methods, logic and psychology of a modern totalitarian regime. Odbrana i poslednji dani ("The Defense and the Last Days", 1977) was published in Polish and Hungarian in 1982, Czech in 1983, French in 1989 and Swedish in 2003. These three novels essentially dealt with contrasting types of collaboration in Yugoslavia at different levels during World War II. In 1978, after more than two decades of preparation, investigation and study, the first volume of Zlatno runo ("The Golden Fleece", 1978-1986) was published, fully establishing Pekić as one of the most important Serbian authors. In 1987 he received Montenegrin Njegoš award for this work, marking it as one of the most important contemporary prose writings in Yugoslavia. The Golden Fleece prompted comparison by international critics to James Joyce’s Ulysses and its narrative patterns of classical myths, to Thomas Mann's Buddenbrooks and its long family history and evolution of pre-war society, and to Aldous Huxley's Point Counter Point and