Poco, had co-written "It Must Be Love" for Great Plains, another band he was a member of at the time. When they did not record the song, it became available for Herndon. "Hands of a Working Man" was also a top-five country hit from Big Hopes. Walter Allread of Country Standard Time thought that the tracks produced by Gallimore, such as the title track, were stronger due to their "smaller" production style relative to those produced by Johnson. Thom Owens of AllMusic was mixed toward the album, as he thought that it had "filler" tracks and "glossy production", although he praised Herndon's singing on "A Man Holdin' On" and "Hands of a Working Man". Uncredited reviews of "A Man Holdin' On" and "Hands of a Working Man" in Billboard were both favorable. The former was praised for Gallimore's production and the "unique perspective...of men in difficult transitions", while the latter was described as being appealing to working class listeners due to its lyrical focus on a father's struggles. In 1999, Epic released his next studio album Steam. Herndon selected a new producer for this album, as he thought his previous albums did not reflect the energy of his live performances. He chose Joe Scaife because of that producer's work with K.T. Oslin, a 1980s country artist Herndon referred to as "one of [his] all-time favorites". Herndon selected the songs for the album by performing them in concert so he and Scaife could gauge the audience's reaction to each. In addition, Herndon recorded demos with his road band, which he then played for the album's session musicians to give them an idea of how he wanted each song to sound. Among the involved musicians were drummer Paul Leim, steel guitar player Dan Dugmore, and guitarist Chris Leuzinger of Garth Brooks' studio band The G-Men. The album also included a horn section fronted by Jim Horn, and a string section including members of the Nashville String Machine. "Steam", the album's title track, was also its lead single. It reached top twenty by the end of 1999, but was less successful than the lead singles of Herndon's previous albums. Two other singles, "No Mercy" and "A Love Like That", peaked even lower. Also included on the album was a cover of Joe Cocker's "You Can Leave Your Hat On", which Herndon had sung in concert for many years prior. While not a single,