erased lesbian past. With the suppressing history, the historical materials of the lesbian community were hard to find. To solve this problem, Hammer uses many commercial materials, including pornography, pulp fiction, etc. Those footages are juxtaposed with comic intent, making the style of the film relatively light and comedic. My Babushka: Searching Ukrainian Identities (2001): In My Babushka: Searching Ukrainian Identities, Hammer explores her Ukrainian Identity and focuses on the geography, culture, and history of Ukraine. A Horse is Not a Metaphor (2009): A Horse is Not a Metaphor is an autobiographical depiction of Hammer's fight with and the remission of her third-stage ovarian cancer. Evidentiary Bodies (2018): Evidentiary Bodies is Hammer's final piece. It includes a melding of performance, artistic installation, and film, acting as a culmination of her involvement with the right-to-die movement. Awards Hammer created more than 80 moving image works throughout her life, and also received a great number of honors. In 2007, Hammer was honored with an exhibition and tribute at the Chinese Cultural University Digital Imaging Center in Taipei. In 2010, Hammer had a one-month exhibition at the Museum of Modern Art in New York City. Additionally, in 2013, she was granted a Guggenheim Fellowship for her film Waking Up Together. She also had exhibitions at the Tate Modern in London and at the Jeu de Paume in Paris in 2012; for the 2013 Toronto International Film Festival; and at the Koch Oberhuber Woolfe in Berlin in both 2011 and 2014. Hammer received numerous awards during the span of her career. She was chosen by the Whitney Biennial in 1985, 1989, and 1993, for her films Optic Nerve, Endangered, and Nitrate Kisses, respectively. In 2006, she won both the first ever Shirley Clarke Avant-Garde Filmmaker Award from New York Women in Film and Television and the Women in Film Award from the St. Louis International Film Festival. In 2008, Hammer received The Leo Award from the Flaherty Film Seminar. Her films Generations and Maya Deren's Sink both won the Teddy Award in 2011 for Best Short Film. Her film A Horse Is Not a Metaphor won the Teddy Award for Best Short Film in 2009; it also won Second Prize at the Black Maria Film Festival. It was also selected for several film festivals: the Torino Gay and Lesbian Film Festival, Punta de Vista Film Festival, the Festival de Films des Femmes Creteil, and