the 1997 Star Wars Special Editions and Star Wars: Episode I – The Phantom Menace. The Dark Crystal Kurtz' next production was The Dark Crystal, a 1982 American-British fantasy film directed by Jim Henson and Frank Oz. The screenplay was written by David Odell, who had previously worked with Henson as a staff writer on The Muppet Show. The film was shot at Elstree Studios, and exterior scenes were shot in the Scottish Highlands; Gordale Scar, North Yorkshire, England; and Twycross, Leicestershire, England. At the scoring stage, Kurtz had composer Trevor Jones scrap his initial notion of reflecting the settings' oddness by using acoustical instruments, electronics and building structures, in favor of a more sweeping orchestral score so as not to alienate audiences. The Dark Crystal was released in 858 theaters in North America on December 17, 1982. Initially going up against heavy Christmas competition, including Tootsie and the already massively successful E.T. the Extra-Terrestrial., the film nevertheless presented substantial staying power in its following weeks and into 1983. By the end of its U.S. box office run, it had made $40,577,001 domestically, profiting over its modest $15 million budget. On its international release later in 1983, The Dark Crystal continued to add to its U.S. box office takings, was the highest-grossing box office release for the year in both France and Japan, and managed to out-gross E.T. as the most successful foreign film in Japan until Titanic took over the spot 14 years later. The film has gained a cult following over the years since its release. Little Nemo: Adventures in Slumberland Japanese producer Yutaka Fujioka had approached George Lucas in 1978 to help produce a film of Little Nemo in Slumberland, but Lucas found problems with the storyline, as did American animator Chuck Jones. The project was officially announced in 1982, and Kurtz' company TMS/Kinetographics began to recruit staff. Kurtz was brought onto the production and appointed producer of the American production side, initially hiring Ray Bradbury and later Edward Summer to write screenplays. Japanese animators Hayao Miyazaki and Isao Takahata were briefly involved, but left due to creative differences with Fujioka. Miyazaki later described his involvement on the film as "the worst experience of his professional career." Kurtz himself would likewise step down in the fall of 1984. Many writers and filmmakers followed Kurtz in boarding and leaving the project over the years. Eventually, the film was