through a Kickstarter campaign, and supported it by touring with Jamie O'Neal and Andy Griggs. Matt Bjorke of Roughstock reviewed the album favorably, praising Herndon's vocals on the ballads in particular. His next album was 2016's House on Fire, which once again featured several songs he co-wrote. It was his first release on the BFD label, and he co-produced with Drew Davis and Erik Halbig, a guitarist in Herndon's road band. Herndon described the title track as autobiographical, while in comparison, "All Night Tonight" came from Davis and Halbig wanting to write a "beach song". This was followed in 2019 by Got It Covered, which featured re-recordings of his hit singles along with cover songs. Among the songs covered were Marc Cohn's "Walking in Memphis", Carrie Underwood's "So Small", and Bonnie Raitt's "I Can't Make You Love Me". Herndon said that he had almost considered retiring from country music due to the lack of success of his last few albums until he heard "So Small" on the radio. When Underwood found that Herndon had covered the song, she spoke favorably about it on social media. In 2020, Herndon collaborated with Kristin Chenoweth and Paul Cardall on a single titled "Orphans of God". Herndon's next single release was "Till You Get There" in June 2022 on Pivotal Records. This was the lead single to his next studio album Jacob, released one month later. It included more songs that Herndon had written about his personal life. Country musicians Terri Clark, Emily West, and Shelly Fairchild provided guest vocals on individual tracks, as did jazz singer Wendy Moten. Herndon told Spin that the album's title came from the account of Jacob wrestling with the angel in the Book of Genesis. This was followed in late 2022 by another single titled "God or the Gun", which was accompanied by a music video. Musical style Herndon's singing voice has generally been met with critical favor. Stephen Thomas Erlewine of AllMusic wrote of Ty Herndon's musical style, "His earnest delivery was a good match for the kind of streamlined country he sangmusic that didn't shun tradition but was aligned with the anthemic, rock-influenced arena-country pioneered by Garth Brooks at the dawn of the '90s." In a review of Lies I Told Myself, Matt Bjorke of Roughstock wrote that "Ty's always been at his best on the ballads" and "sings his ass off showcasing a vocal many