charts, though they occasionally appeared in the Top Ten. In the early years, the problem was solved by showing a photo of the artist over a short excerpt from the song. As the show progressed, they had produced many various computer-generated sequences to accompany the audio clips. These included onscreen games of pong, close-ups of turntables playing, cars being crushed, silhouettes of people dancing, lava lamps amongst other stock footage. Due to the lack of an actual music video, the songs in question were never played in full. There were exceptions to this; the first being Ride on Time by Black Box. The music video wasn't completed for several months after the song was released. In its first week at number one on the Top Ten, a photo of Catherine Quinol, the band's vocalist, was shown over a short excerpt from the single. However, as it was still number one the following week, a performance that was filmed for then Saturday morning show Ghost Train was shown, which had Catherine and an unknown organist performing on a stage. Another exception was Always by Bon Jovi. The music video wasn't shown two weeks after being first played. In its first week at number one on the Rock Chart which aired on 17 September 1994, slowed-down clips of Keep the Faith were shown. Another notable example was Music Sounds Better with You by Stardust. This was number one on 15 August 1998 edition of the show and, similarly to Ride on Time, the music video wasn't completed until several months later. This time, a montage of past graphics from the show was put together, partially in response to viewer requests to see old graphics before the final episode. In 1997, The Verve had refused to allow the Chart Show to show the video for their single Lucky Man. When the song was mentioned in the top ten and in the indie chart, a message was shown on the screen explaining that they refused to let the video appear on the show, unless the show was redesigned. It remains unclear whether or not The Verve took a dislike to the new look show, or if the band simply wanted the video to be shown clean and uninterrupted. Accompanying both messages was the music that had been used to introduce the 'Worst Video' on the end of year specials. This was the message that