(1947, revised 1955) Nocturne (1947, revised 1955) Old Polish Suite, based on 16th and 17th century Polish works (1950, revised 1955) Heroic Overture (1952, revised 1969) Rhapsody (1956) Polonia (1959) Autumn Music, for three flutes, three clarinets, percussion, celesta, piano, harp, violas, cellos, and double basses (1962, revised 1965) Landscape, for string orchestra (1962, revised 1965) Jagiellonian Triptych, for string orchestra (based on early Polish works, 1966) Katyń Epitaph (1967. revised 1969) Concerto Festivo, for orchestra [without conductor] (1979) Paean, for brass ensemble (1980) Arbor Cosmica, for twelve string soloists or string orchestra (1983) Harmony, for chamber orchestra (1989) Concertante Concerto in modo antico, for solo trumpet, two harps, harpsichord and string orchestra [originally titled Koncert Gotycki, "Gothic Concerto"] (based on early Polish works, 1951, revised 1955) Piano Concerto (1962, revised 1970, re-composed 1972, first movement Intrada added 1982) Hommage à Chopin, for flute and small string orchestra (1966 arrangement of 1949 vocal work) Violin Concerto (1971) Concertino for timpani, percussion and string orchestra (1979–80) Bassoon Concerto (1985) Cello Concerto (1991) Vocal Psalm, for soloist, chorus and orchestra (1936, Panufnik's diploma piece, lost 1944) Five Polish Peasant Songs, for sopranos or trebles, two flutes, two clarinets and bass clarinet (1940, lost 1944, reconstructed 1945, anonymous Polish text) Four Underground Resistance Songs, for voice or unison voices and piano (1943–44, Polish text by Stanisław Ryszard Dobrowolski) Hommage à Chopin, vocalises for soprano and piano, originally titled Suita Polska (1949, revised 1955) Symphony of Peace, for chorus and orchestra (1951, subsequently withdrawn and not included in the composer's symphonic canon, setting of Polish text by Jarosław Iwaszkiewicz) Song to the Virgin Mary, for unaccompanied chorus or six solo voices (1964, revised 1969, anonymous Latin text) Universal Prayer, for soprano, alto, tenor and bass soloists, chorus, three harps and organ (1968–69, setting of English text by Alexander Pope) Invocation for Peace, for trebles, two trumpets and two trombones (1972) Winter Solstice, for soprano and baritone soloists, chorus, three trumpets, three trombones, timpani and glockenspiel (1972, English text by Camilla Jessel) Love Song, for mezzo-soprano and harp or piano (1976, optional string orchestra part added in 1991, setting of English text by Sir Philip Sidney) Dreamscape, for mezzo-soprano and piano (1977, wordless) Prayer to the Virgin of Skempe, for solo voice or unison chorus, organ and instrumental ensemble (1990, setting of Polish text by Jerzy Peterkiewicz) Ballets While Panufnik's music has been used often