their sloth and comfortable lifestyles. In a review of a book about Kozma Prutkov, Richard Gregg, professor of Russian at Vassar College, notes that the satirical collective pseudonym Prutkov claimed "Frère Jacques" was derived from a Russian seminary song about a "Father Theofil". Published record First publication AllMusic states that the earliest version of the melody is on a French manuscript circa 1780 (manuscript 300 in the manuscript collection of the Bibliothèque Nationale in Paris). The manuscript is titled "Recueil de Timbres de Vaudevilles", and the Bibliothèque Nationale estimates that it was written between 1775 and 1785. The "Frère Jacques" melody is labelled "Frère Blaise" in this manuscript. Sheet music collector James Fuld (1916–2008) states that the tune was first published in 1811, and that the words and music were published together in Paris in 1869. An earlier publication in 1825 included the words together with a description of the melody in solfège, but not in musical notation. The words and music appear together in Recreations de l'enfance: Recueil de Rondes avec Jeux et de Petites Chansons pour Faire Jouer, Danser et Chanter les Enfants avec un Accompagnement de Piano Très-Facile by Charles Lebouc, which was first published in 1860 by Rouart, Lerolle & Cie. in Paris. This book was very popular and it was republished several times, so many editions exist. French musicologist Sylvie Bouissou has found some evidence that composer Jean-Philippe Rameau had written the music. A manuscript at the French National Library contains "Frère Jacques" among 86 canons, with Rameau listed as author. In 1926, the tune was used in a patriotic anthem written by officers of the Chinese Whampoa Military Academy, "Revolution of the Citizens" (). Comparison with Fra Jacopino "Frère Jacques" bears resemblance to the piece Toccate d'intavolatura, No. 14, Capriccio Fra Jacopino sopra L'Aria Di Ruggiero composed by Girolamo Frescobaldi, which was first published around 1615—"Fra Jacopino" is one potential Italian translation for "Frère Jacques". Edward Kilenyi pointed out that "Fra Jacopino" shares the same "Frère Jacques"-like melody as "Chanson de Lambert", a French song dating from 1650, and a Hungarian folk tune. The "Frère Jacques" tune is one of the most basic repeating canons along with the melody of "Three Blind Mice". It is also simple enough to have spread easily from place to place. For example, Barbara Mittler in a conference abstract points out that the melody of "Frère Jacques" is so