Howard Bernstein (born 18 April 1963, Glasgow, Scotland), professionally known as Howie B, is a Scottish musician, producer and DJ who has worked with artists including: Björk, U2, Tricky, Siouxsie and the Banshees, Soul II Soul, Robbie Robertson, Elisa, Mukul Deora and The Gift. Early life and career Born into a Jewish family amidst the Catholic-Protestant sectarianism of Glasgow, Bernstein attended socialist Jewish youth clubs in the city while finding a musical education in John Peel's radio shows, recording tracks from the show on a two-track tape recorder and making rudimentary mixes from them. Later, he spent a year in Israel working on a kibbutz as part of Jewish cultural youth movement Habonim before living for a period in the United States. Once back in the UK, he moved to a squat in Limehouse, London. When asked in 2018 "What’s the best gig you’ve ever been to?", he mentioned "Siouxsie and the Banshees in 1978". In the 1980s, he was "heavily influenced" by the London Skating scene and its DIY attitude. He saved to buy an album a week and then listened to it all day long . The bands he liked the most at the time were "Siouxsie and the Banshees - of which I was a big fan - but also Santana, John McLaughlin, Sly & Robbie, a lot of reggae, and Brian Eno". He had a desire to work in the music industry, and after establishing himself as a DJ, he found a job working as a teaboy at Lillie Yard studios – owned by film composer Hans Zimmer. He worked his way up there between 1984 and 1986, from teaboy to tape operator to assistant engineer to engineer. He learnt there all the technical details and procedures. Artist production, engineering and collaboration He started working; mixing and engineering with Siouxsie and the Banshees, on their 1988 singles "Peek-a-Boo" and "The Killing Jar". "I could not believe I was doing it. Four years earlier I'd been jumping up on the stage trying to touch her, and then I'm in the studio with her. That was a big moment". He then engineered and mixed on Soul II Soul's debut album Club Classics Vol. One in 1989, after he befriended the group during regular visits to their parties at London's Africa Centre. By the early 1990s, he was hired by Massive Attack and Goldie. Following the success of these