Now". Tillis made her debut on Arista Nashville in late 1990 with "Don't Tell Me What to Do". It peaked at number five on the Billboard country charts in early 1991, thus becoming her first successful single release. The song also went to number one on the country music charts of the former Radio & Records. Marty Stuart also recorded the song for Columbia Records in 1988, although his rendition was not released until 1992. The song served as the lead single to her breakthrough album Put Yourself in My Place, which was issued in January 1991. Paul Worley (a producer and guitarist known at the time for his work with Eddy Raven and Highway 101) co-produced the project with Ed Seay. A re-recording of "One of Those Things" was the album's next single, also reaching top ten on the country charts. After it came the album's title track, which Tillis co-wrote with Carl Jackson. The album's highest charting single was "Maybe It Was Memphis", which peaked at number three in early 1992. "Maybe It Was Memphis" has since been described as Tillis's signature song. Tillis had originally recorded the song while on Warner, but did not release this version at the time. According to Billboard, Arista Nashville executives were initially reluctant to release "Maybe It Was Memphis" as a single until Tillis was "firmly established" as an artist, due to the song's more country pop sound. The album's fifth and final single was "Blue Rose Is", another song which Tillis co-wrote. This song was less successful on the charts. All of the singles off Put Yourself in My Place except "Blue Rose Is" also made top 20 on the Canadian country music charts then published by RPM. Another cut from the album, "Ancient History", was later a single for the Canadian band Prairie Oyster in 1996. Alanna Nash of Entertainment Weekly gave Put Yourself in My Place a "B+" rating, saying that it "shows how well she can craft smart and sassy country material...and also sell it with a commanding, big-voiced presence". Kevin John Coyne wrote in a 2007 retrospective of Tillis, "It’s easy to overlook Put Yourself in My Place when discussing Pam’s body of work because of the much stronger albums that would follow...However, that’s more of a tribute to the quality of the music to come than any deficiency of the album itself." Brian Mansfield of