of excesses... (November 4, 1955) provides some data on the cost of Stalinist excesses, estimated at 30–33% of total costs. Certainly, these examples were selected carefully, but they are reasonable. Alexey Dushkin and Yevgeny Rybitsky received special criticism for triple cost overruns and luxurious floor plans; Rybitsky and Polyakov were deprived of their Stalin Prizes. This was followed with specific orders to develop standardized designs and install an Institute of Standardized Buildings instead of the former Academy. Stalinist architecture continued for five more years – work on old buildings was not a top priority anymore. Some were redesigned; some, structurally complete, lost the "excesses". The last Stalinist building, the Hotel Ukrayina in Kiev, was completed in 1961. The majestic Stalinallee in Berlin, also completed in 1961, was conceived in 1952. the scale and bulk of these buildings are Stalinist, but the modest finishes are similar to Jugendstil and Prussian Neoclassicism. The street would later be extended in an International Style idiom and renamed Karl-Marx-Allee. Legacy and revival Certain buildings of the Brezhnev era, notably the "White House of Russia", can be traced to Stalin's legacy, while the Neo-Stalinist regime of Ceaușescu's Romania produced a vast, late example of the style in its Palace of the Parliament, which was started in 1984. Deliberate recreations of his style have appeared in Moscow since 1996, either as infill into period neighborhoods, or as individual developments. Some are influenced by pure Neoclassicism or Art Deco; with a few exceptions, their architectural quality and function in urban development is disputed. Examples of the least controversial kind are: Triumph Palace in Moscow is one of the most prominent buildings, with a silhouette identical to the Stalinist constructions. Roman Court (Римский Двор, 2005) by Mikhail Filippov; probably better classified as neoclassical, yet related to early Stalinist buildings GALS Tower (Cистема ГАЛС, 2001) by a team of Workshop 14 architects fills a gap between midrise period buildings on Tverskaya. Not intended to dominate the neighborhood, it just marks the corner of a block. Despite mixed citations from Art Nouveau and Art Deco, it blends well with its Tverskaya setting Preobrazhenskaya Zastava (Преображенская Застава, 2003) is a whole block (308 apartments and retail stores) designed during the early 1930s with a style similar to the Art Deco adaptations by of Iofan and Vladimirov. An unusual example which actually looks like a period piece, not a modern replica. See also