by composing works based on historical Polish music; to this end he wrote his Old Polish Suite. His Nocturne was singled out for criticism, and later General Włodzimierz Sokorski, Secretary of Culture, announced that Panufnik's Sinfonia Rustica had "ceased to exist". Panufnik later described the symphony as "a patently innocent work", and he found it particularly galling that one of the panel that decided on the work's proscription had earlier been on the panel that had awarded it first prize in the Chopin Composition Competition. The work was nevertheless published by the State Publishing House and, as Adrian Thomas has shown, performances of the work continued sporadically in Poland. While his compositions were branded at home as formalist, Panufnik was promoted abroad as a cultural export, both as composer and conductor. The authorities awarded him their highest accolade, Standard of Labour First Class. In 1950, Panufnik visited the Soviet Union as part of a Polish delegation to study Soviet teaching methods. He met Dmitri Shostakovich, whom he had befriended at previous conferences, and Aram Khachaturian. During conversations with other composers, Panufnik was pressed to say what he was working on. Having to say something acceptable, he casually mentioned that he had an idea for a Symphony of Peace. This was seized upon, and on returning to Poland he was granted a stay in quiet surroundings so that he could finish the piece (Panufnik interpreted this as an order to complete it). He wrote a three movement work, ending with a setting of words by his friend, the poet Jarosław Iwaszkiewicz. Panufnik hoped to work his own conception of peace into the composition, rather than the official Soviet ideology. The piece was not a success with the authorities. While he was writing the Symphony of Peace, he was struck by the beauty of an Irish woman he met, Marie Elizabeth O'Mahoney, who was known as "Scarlett" because of her likeness (both physical and temperamental) to Scarlett O'Hara from Margaret Mitchell's novel Gone with the Wind. Even though she was honeymooning with her third husband, she and Panufnik started an affair. Panufnik soon discovered she was epileptic, but in spite of his doubts the couple were married in 1951 and soon had a baby daughter, Oonagh. Panufnik now had a young family to support, and so threw himself into his lucrative work for the Film Unit. For one film he again turned