sixteenth century German Christian mystic Jakob Böhme, who also speaks of the Sophia in works such as The Way to Christ (1624). Jakob Böhme was very influential to a number of Christian mystics and religious leaders, including George Rapp, William Law, and the Harmony Society. Personification Sophia is not a "goddess" in classical Greek tradition; Greek goddesses associated with wisdom are Metis and Athena (Latin Minerva). By the Roman Empire, it became common to depict the cardinal virtues and other abstract ideals as female allegories. Thus, in the Library of Celsus in Ephesus, built in the 2nd century, there are four statues of female allegories, depicting wisdom (Sophia), knowledge (Episteme), intelligence (Ennoia) and valour/excellence (Arete). In the same period, Sophia assumes aspects of a goddess or angelic power in Gnosticism. In Christian iconography, Holy Wisdom or Hagia Sophia was depicted as a female allegory from the medieval period. In Western (Latin) tradition, she appears as a crowned virgin; in Russian Orthodox tradition, she has a more supernatural aspect of a crowned woman with wings in a glowing red colour. The virgin martyrs Faith Hope and Charity with their mother Sophia are depicted as three small girls standing in front of their mother in widow's dress. Allegory of Wisdom and Strength is a painting by Paolo Veronese, created circa 1565 in Venice. It is a large-scale allegorical painting depicting Divine Wisdom personified on the left and Hercules, representing Strength and earthly concerns, on the right. Modern reception A goddess Sophia was introduced into Anthroposophy by its founder, Rudolf Steiner, in his book The Goddess: From Natura to Divine Sophia and a later compilation of his writings titled Isis Mary Sophia. Sophia also figures prominently in Theosophy, a spiritual movement which Anthroposophy was closely related to. Helena Blavatsky, the founder of Theosophy, described it in her essay What is Theosophy? as an esoteric wisdom doctrine, and said that the "Wisdom" referred to was "an emanation of the Divine principle" typified by "…some goddesses—Metis, Neitha, Athena, the Gnostic Sophia…" Since the 1970s, Sophia has also been invoked as a goddess in Dianic Wicca and related currents of feminist spirituality. The 1979 installation artwork The Dinner Party features a place setting for Sophia. There is a monumental sculpture of Holy Wisdom depicted as a "goddess" in Sofia, the capital of Bulgaria (the city itself is named after Saint Sofia Church). The sculpture was erected