victory against the American boxer "is taken as a sign of Japanese physical, moral, and spiritual superiority". He also noted that "Sanshiro comes to the aid of defenseless Japanese who are being beaten up by a drunken American sailor". Historian David Conrad has contextualized the film as a "crude bit of wish-fulfillment" during the last weeks of World War II when Japan's leaders "moved the war's frontlines to the only place it could still be won: the realm of fantasy." Christian Blauvelt however saw merit in the film as illustrated in the battle against the brothers of Gennosuke Higaki, the original film's villain: "Their battle takes place on a snow-covered hillside and matches the natural beauty of the first film's windstorm finale. In his years apprenticing at P.C.L. [Photo Chemical Laboratories, which later became Toho], Kurosawa had become exposed to the films of John Ford, many of which played in Japan, before the foreign-film embargo that accompanied Japan's declaration of war on the United States in 1941. Like Ford, Kurosawa would emphasize the place of landscape in his films, often pairing his characters' emotional turmoil with the Elements. The rain in One Wonderful Sunday, Rashomon, or Seven Samurai, the beating sun in Stray Dog, the sinkhole in Drunken Angel, the snowfall in The Idiot, the wind in Dersu Uzala, and the crashing waves of Kagemusha would express some emotional anguish of the characters and, as a kind of cinematic synecdoche, society as a whole." Home media The film was released in 2010 as part of a 4 DVD box set of Kurosawa's early films under the following designation: Eclipse Series 23: The First Films of Akira Kurosawa. The Criterion Collection. References External links Sanshiro Sugata PartII at the Japanese Movie Database 1945 films Films directed by Akira Kurosawa Toho films Japanese black-and-white films Films with screenplays by Akira Kurosawa Japanese action adventure films 1940s action adventure films Films set in 1887 Films set in Yokohama