to promote the superiority of the metal tube construction that was introduced on April 1, 1935, and large quantities of the 6V6 tube were produced in the following decade, many as military supply JAN tubes, and the price of the metal and glass versions were held to closely the same retail price level for the first few years of their production. The introduction of the 6V6GT, RMA Release #201 – 10 July 1939, was sponsored by Hytron Corporation. By 1940, the 6V6G production was largely superseded by this smaller "GT" T-9 glass envelope. On April 17, 1942, the War Production Board ordered radio tube manufacturers to discontinue within seven days the production for civilian use of 349 of the 710 types of radio tubes on the market, amongst these were the 6V6G and 6V6GX. By 1943, we find that the price of the metal version is almost twice that of the GT version, and this proportional difference in price seems to have remained constant, right through to the end of the 1970s. The 6V6GTA – RMA Release #1681 – 2 July 1956, sponsored by Hygrade Sylvania Corporation, has a controlled warm-up period. The various different NOS (new old stock) tubes of the 6V6 family, depending on manufacturer, model, series, strength and condition, will vary enormously in scarcity and therefore usually in price. The metal NOS 6V6 tube, once costing almost twice the price of its now highly valued glass enveloped counterparts, is now considered to be fairly common, and is usually the cheapest NOS tube available, with many current production tubes costing more than its 60 to 80 year older classic predecessor. In the final years of U.S. production, several of the major manufacturers switched to using the so-called "coin" based GT bulb. Current use Now, eighty-five years after its introduction, and still retaining its original characteristics, the 6V6 has one of the longest active lifetimes of any electronic component, having never been out of production in all this long period of time. Although historically widely used in all manner of electronic goods, many of which are still in service, it is in guitar amplifiers where its use has become archetypal. Not only are there very many existing amplifiers in regular use that rely on the 6V6, with contemporary reproductions of the more iconic models still being made, modern designers are still keen to develop new creations that rely on