painted president-elect Jimmy Carter. In 1984 he painted Night Vision to commemorate the Vietnam Veterans Memorial. This piece depicts a soldier of the Vietnam era as though seen through a Starlight scope or similar night vision device. It was later reproduced as a signed limited edition and sold to benefit the Vietnam Veteran's Memorial, colloquially known as "The Wall". Main body of work Portrait of Andrew Wyeth (1969) depicts his father with a sober expression. His eyes, something Wyeth focuses on to indicate character, are determined and focused. The ruddy face of his father, and the large buttons of his naval coat, with all else in black, suggest that the subject had just arrived home fresh from a brisk walk by the sea. In New York during the 1970s, Wyeth painted Andy Warhol, Rudolf Nureyev and Arnold Schwarzenegger. Wyeth and Andy Warhol exchanged portraits of each other. A 1976 show featuring the portraits, at the Coe Kerr Gallery in New York, has been credited with reviving the popularity of the genre, after a period of being eclipsed by Abstract Expressionism. Curator Wendy Wick Reaves has said of the pair: "They were considered polar opposites. Andy was called the Patriarch of Pop, and Jamie was called Prince of Realism. ... Both had become enormously famous but also had endured extraordinary critical censure for the way their art was done. And they had a lot of interests in common: They collected Americana; they were interested in death and morbidity. They really got along splendidly." In Portrait of Andy Warhol (1976), Warhol seems to be "caught off guard without his personal persona". Nureyev's portrait reflects an intense man. Wyeth was fascinated by Nureyev, and found him to have an animal-like presence and strength that is captured in the portrait. Apart from visits to New York, his primary subjects in the 1970s and 1980s were the people, animals, and landscapes of his Pennsylvania home and of Monhegan island in Maine. Some of Wyeth's most famous animal portraits are: Portrait of a Pig (1970), Angus (1974), Islander (1975), and 10W30 (1981). Wyeth knows the animals that he paints and the work grows out of their kinship. When painting animals Wyeth changes the textures of the paint to reflect fur, wool, or feathers. Wyeth's self-portrait Pumpkinhead — Self-Portrait (1972), depicting a figure in black standing in a field with a pumpkin over his head, is as