atop the chart, as well as topping the charts in Australia, Canada and New Zealand. In Europe, "Fantasy" performed well, peaking within the top five in Belgium, Finland, France, and the United Kingdom. "Fantasy" was the second best-selling single of 1995 in the US, with sales of 1.5 million in 95' alone. "One Sweet Day" was chosen as the follow-up single, achieving similar success. The song once again debuted at the top of the US charts, and became the longest running number one single in US history holding that record for 23 years, spending sixteen consecutive weeks atop the Billboard charts. The song became a success in other regions around the world as well, topping the charts in Canada and New Zealand and peaked within the top five in Australia, France, Ireland, and The Netherlands. Serving as the album's third single in select European countries, "Open Arms" was released on December 5, 1995. The song achieved success in the UK, Ireland and New Zealand, where it peaked at number four, seven and eight. However, "Open Arms" charted weakly in other European countries, such as Belgium, France, and Germany, where it charted outside the top-thirty. "Always Be My Baby" was released as the fourth single. The song debuted at number two on the Hot 100, failing to become Carey's third number one debut (a feat she would accomplish with "Honey" in 1997). The song eventually reached and stayed atop the charts for two weeks, and then kept steady at number two for nine weeks. "Always Be My Baby" performed moderately in other major markets. The song peaked within the top five in Canada, New Zealand and the UK, but charted outside the top-ten elsewhere. "Forever" was chosen as the fifth single from Daydream. The song was ineligible to chart in the Hot 100, but managed to crack the top-ten on the Hot 100 airplay chart. "Forever" charted well in Canada, where it peaked at number thirteen. "Underneath the Stars" was chosen as the sixth and final single from the album. Described by Carey as one of her favorite songs, "Underneath the Stars" received a limited number of pressings in the US, where it charted weakly on the Billboard Hot R&B/Hip-Hop Songs. Critical reception Daydream received acclaim from music critics. Stephen Holden of The New York Times wrote that Carey's songwriting had improved dramatically, "becoming more relaxed, sexier, and less reliant on