Parque Vidal (also known by its previous names of Plaza Central and Plaza Mayor) is a park located in the center of Santa Clara, Cuba, covering an entire square block of the city. Due to its surrounding architecture, combining eclectic neo-classical and colonial-style buildings, as well as the large number of historic monuments dating from different historical periods, the park was designated as a National Monument in a ceremony in 1998. Monuments in the park The Glorieta gazebo in the center of the park, erected in 1911, still serves for weekly public concerts by the city's Philharmonic Band. North of the Glorieta is a bust of Leoncio Vidal, the War of Independence colonel who died on that spot fighting Spanish forces, and for whom the Park is named. Next to this bust is an obelisk, the first monument erected in the park, dedicated to the priest who migrated from the coastal town of Remedios with other families and founded the city. Between these monuments is a statue of “el niño de la bota” (The Boy with the Leaking Boot), one of the symbols of the city. This bronze statue depicts a boy with a leaking boot in his hand. The original base was changed to a more contemporary red granite in the 1960s, and remained that way until the 1990s when, in an effort to recover the original design, the city restored it to its original form; however, the use of cheap materials has corroded the base. South of that statue is another, a 1924 bronze statue of Marta Abreu, a local patron much loved by the people of Santa Clara. The base of her statue is said to be a time capsule, containing papers, magazines and objects collected during the construction and placed inside for future generations to find. Buildings around the park At the border of the park is the Santa Clara Libre Hotel (formerly the Santa Clara Hilton), considered by critics and the public to be very unattractive compared to the rest of the park, as it clashes with all the surrounding architecture both in scale and design. It is thought that the Cuban Revolution of 1959 caused the cancellation of further projects for higher towers in the plaza, which would have contributed to further destroying the existing colonial and eclectic architectural style of the plaza. However, the building is rich in history. The walls of the