Urnes Stave Church () is a 12th-century stave church at Ornes, along the Lustrafjorden in the municipality of Luster in Vestland county, Norway. The church sits on the eastern side of the fjord, directly across the fjord from the village of Solvorn and about east of the village of Hafslo. It is among the oldest stave churches in Norway, with parts of the lumber construction dating from the latter half of the 11th century. The church was built in a long church basilica plan inspired by medieval Christian churches, with cylindrical columns and semi-circular arches inside. The decoration on capitals of the columns and outside of the church embodies the visual evidence of the Viking culture’s transformation, assimilation, and adoption of Christianity. The north portal of the church is defined as the Urnes style, which contains decorations derived from Norwegian mythology dating back to the 12th century. It has been owned by Fortidsminneforeningen (Society for the Preservation of Norwegian Ancient Monuments) since 1881. In 1979, the Urnes Stave Church was listed as a World Heritage Site by UNESCO. Context Stave churches in Norway can be dated back to 10th–11th century. Stave churches are wooden buildings in a three-dimensional cubic structure covered with wall planks; the frame of the overall structure is constructed with timber balks and the wall planks are fitted into the frames where convenient. The word "Stave" () means sturdy wood columns that are the corner posts and columns which uphold the overall architectural structure. The Stave Style can be defined as using the upright wall planks. The Urnes Stave Church was built around the year 1130 or shortly thereafter, and still stands in its original location; it is believed to be the oldest of its kind. The 1956 excavation revealed that there are two prior churches built on the same site. The first church was built during the period of transition to Christianity in the palisade style, in which structural members were embedded into the ground. The second one was built in the latter half of the 11th century. Both of them were small structures with the nave-and-chancel design. In the middle of the 12th century, the second church was torn down; the third church, based on some part of the second one, was vastly different from it. It incorporated a central section of nave which is higher above the rest of the building; the framework contains