Reader (Cambridge: Cambridge Univ. Press, 1992). Probably the most important book-length study of Richardson after the first wave of Kinkead-Weakes, Doody, Flynn, and others in the 1970s and 1980s. David C. Hensley, "Thomas Edwards and the Dialectics of Clarissa's Death Scene", Eighteenth-Century Life 16, no. 3 (1992): 130–152. Lois A. Chaber, "A 'Fatal Attraction'? The BBC and Clarissa", Eighteenth-Century Fiction 4 (April 1992): 257–263. Mildred Sarah Greene, "The French Clarissa", in Man and Nature: Proceedings of the Canadian Society for Eighteenth-Century Studies, ed. Christa Fell and James Leith (Edmonton: Academic Printing & Publishing, 1992), pp. 89–98. Elizabeth W. Harries, "Fragments and Mastery: Dora and Clarissa", Eighteenth-Century Fiction 5 (April 1993): 217–238. Richard Hannaford, "Playing Her Dead Hand: Clarissa's Posthumous Letters", Texas Studies in Literature and Language 35 (Spring 1993): 79–102. Lois E. Bueler, Clarissa's Plots (Newark, DE: Associated Univ. Presses, 1994). Tom Keymer, "Clarissa's Death, Clarissa's Sale, and the Text of the Second Edition", Review of English Studies 45 (Aug. 1994): 389–396. Martha J. Koehler, "Epistolary Closure and Triangular Return in Richardson's 'Clarissa'", Journal of Narrative Technique 24 (Fall 1994): 153–172. Margaret Anne Doody, "Heliodorus Rewritten: Samuel Richardson's 'Clarissa' and Frances Burney's 'Wanderer'", in The Search for the Ancient Novel, ed. James Tatum (Baltimore: Johns Hopkins Univ. Press, 1994), pp. 117–131. Joy Kyunghae Lee, "The Commodification of Virtue: Chastity and the Virginal Body in Richardson's 'Clarissa'", The Eighteenth Century: Theory and Interpretation 36 (Spring 1995): 38–54. Mary Vermillion, "Clarissa and the Marriage Act", Eighteenth-Century Fiction 10 (1997): 395–412. Daniel P. Gunn, "Is Clarissa Bourgois Art?" Eighteenth-Century Fiction 10 (Oct. 1997): 1–14. Brian McCrea, "Clarissa's Pregnancy and the Fate of Patriarchal Power", Eighteenth-Century Fiction 9 (Jan. 1997): 125–148. Mary Patricia Martin, "Reading Reform in Richardson's 'Clarissa' and the Tactics of Sentiment", SEL 37 (Summer 1997): 595–614. Paul Gordon Scott, "Disinterested Selves: Clarissa and the Tactics of Sentiment", ELH 64 (1997): 473–502. Donnalee Frega, Speaking in Hunger: Gender, Discourse, and Consumption in "Clarissa" (Columbia, SC: Univ. of South Carolina Press, 1998). Laura Hinton, "The Heroine's Subjection: Clarissa, Sadomasochism, and Natural Law", Eighteenth-Century Studies 32 (Spring 1999): 293–308. Murray L. Brown, "Authorship and Generic Exploitation: Why Lovelace Must Fear Clarissa", SNNTS 30 (Summer 1998): 246–259. Derek Taylor, "Clarissa Harlowe, Mary Astell, and Elizabeth Carter: John Norris of Bemerton's Female 'Descendants'", Eighteenth-Century Fiction 12 (Oct. 1999): 19–38. . Townsend, Alex, Autonomous Voices: An Exploration of Polyphony in the Novels of Samuel Richardson, 2003, Oxford,