features six pop songs performed by Houston. Houston's cover of Dolly Parton's plaintive country ballad "I Will Always Love You" is a grand pop-gospel declaration of lasting devotion to a departing lover. "I Have Nothing" and "Run to You" are ballads featuring Houston's characteristic stentorian delivery, and both received Oscar nominations. "Jesus Loves Me" is sung with Bebe Winans and features a pop arrangement. AllMusic editor Stephen Thomas Erlewine views that the first half is characterized by urban pop songs similar to I'm Your Baby Tonight (1990), while the second half has miscellaneous tracks more "typical of a big-budget soundtrack", including an excerpt from Alan Silvestri's score, instrumentals by Kenny G, and contemporary pop and dance songs. "Someday (I'm Coming Back)", performed by Lisa Stansfield, is an intense pop-disco song. Singles The album is most notable for Houston's version of "I Will Always Love You" (written by Dolly Parton). The song received huge airplay, appealing to the pop, R&B, adult contemporary, and soul radio markets. The single spent 14 weeks at number one on the Billboard Hot 100 singles chart. "I Will Always Love You" was successful worldwide, peaking at number one for 14 weeks in New Zealand, 10 weeks in the UK and Australia, 9 weeks in Norway, 8 weeks in France and Switzerland, 6 weeks in the Netherlands, and 3 weeks in Sweden. With the next two Top 5 singles "I'm Every Woman" (originally a Chaka Khan hit) and "I Have Nothing", following on the heels of "I Will Always Love You", Houston became the first female act to have three songs in the Top 20 simultaneously. Two songs, "Run to You" and "I Have Nothing", were each nominated for the Academy Award for Best Original Song, but lost out to "A Whole New World" from the animated film Aladdin. The same two songs were nominated for Grammy Awards in the category Best Song Written Specifically for a Motion Picture or for Television. Other songs garnering significant radio airplay included "Jesus Loves Me" on gospel stations, and "Queen of the Night" on pop and dance stations. Commercial performance The Bodyguard debuted at number two on the Billboard 200 chart and the Billboard Top R&B/Hip-Hop Albums chart, behind Ice Cube's The Predator, selling 144,500 copies in its first week. In its second week, the album topped both of the charts, with sales of 292,000 units. While the album stayed