Jones noted that "watching Q5, we almost felt as if our guns had been Spiked! We had been writing quickies or sketches for some three years and they always had a beginning, a middle and a tag line. Suddenly, watching Spike Milligan, we realized that they didn't have to be like that". Also, in the Pythons' (2004) autobiography, Cleese cites a conversation between himself and Terry Jones: "We both happened to watch Spike Milligan's Q5, and one or the other of us phoned up and said kind of jokingly but also rather anxiously, 'I thought that's what we were supposed to be doing?' And the other one said, 'That's what I thought too.' We felt that Spike had got to where we were trying to get to, but if you'd asked us the previous day, we couldn't have described very well what that was. However, when we saw it on the screen we recognised it, and in a way the fact that Spike had gone there probably enabled us to go a little bit further than we would otherwise have gone" (p. 191). In the Python autobiography, Michael Palin mentions meeting their directors. "One was Ian MacNaughton, director of the Spike Milligan Q5 series which we all thought was one of the best comedy shows on TV and certainly the most far ahead..." (p. 218). He describes himself and Terry Jones as being so impressed with the Q... show that they specifically sought out McNaughton to direct their own series. Development While Flying Circus had four series between 1969 and 1974, because of Milligan's tempestuous relationship with the BBC, he had to wait until 1975 for his second series, Q6, to be commissioned. The series continued sporadically after this. Q7 appeared in 1978, Q8 shortly after in 1979 (two years before the Kuwait Petroleum Corporation registered the trademark; the TV series' opening credits showed the characters 'Q8' being formed from the word 'Kuwait'), Q9 in 1980 and There's a Lot of It About in 1982. Milligan resented the BBC for the cold attitude they took towards the series in comparison with series like Flying Circus, and always maintained that, given the opportunity, he would have produced more. The shows were written by Milligan and his writing collaborator Neil Shand, with occasional episodes (especially in later years) giving "additional contribution" credit to any or all of David Renwick, Andrew Marshall, and