Rose in 1953 and A Walk by Villa d'Este in 1959. She held a Rockefeller Foundation Fellowship, which allowed her to travel to Paris in 1954, and in 1960, she was a member of the Guggenheim Fellowship. In the 1960s, Garrigue published collections including Country Without Maps (in 1964) and New and Selected Poems (in 1967). She published a critical study of Marianne Moore in 1965 and a prose publication, Essays and Prose Poems, in 1970. She also contributed to several publications, including The New Leader, The New Republic, Saturday Review of Literature, The Kenyon Review, Tomorrow, Botteghe Oscure, Poetry, Commentary, Arts Magazine, and the New York Herald Tribune. Garrigue received awards for her works; The Kenyon Review awarded her two of their first prizes, one for a 1944 short story and the other for her 1966 novella The Animal Hotel, which George Plimpton claims was based on people Herbst met while staying at the Hotel Helvetia in Paris but was more likely based on Garrigue's stays at Erwinna with Herbst. She was nominated for a National Book award for Country Without Maps. She was also awarded and honored by the Rockefeller Foundation, Guggenheim Museum, National Academy of Arts and Letters, The Hudson Review, and Radcliffe Institute. Garrigue was a teacher of English, creative writing, and poetry at several different universities, including the University of Iowa, Bard College, Queen's College, the New School, the University of Colorado, Smith College, and the University of Washington. Along with teaching, Garrigue was poet-in-residence for several institutions, including the University of California, Riverside, where she was resident in the Spring of 1972; she taught at Rhode Island College that fall until her health entered terminal decline. Garrigue's poems were published posthumously in Studies for an Actress and Other Poems in 1973, which included her poem "The Grand Canyon." Reception Garrigue's works were well-received and praised by her contemporaries, including John Ashbery, but her work has not received the same attention since her death, which Alfred Kazin called described as one of the literary mysteries of the twentieth century. A critical study of Garrigue's work was published by Lee Upton in 1991. The following year, many of her poems were collected and released as Selected Poems. Garrigue's manuscript archives were acquired by the Berg collection of the New York Public Library, where they now reside. Of the intensity and challenging nature of her poems, Randall