Swing Mob (sometimes known as Da Bassment Cru) was an R&B/hip hop collective consisting of artists and record labels first discovered by Jodeci member DeVante Swing. The artists on Swing Mob included: Missy Elliott with the group Sista, Timbaland, Magoo, Ginuwine, Playa, Darryl Pearson, Mike "Funky Mike" Jackson, Tweet, Majik, Jimmy Douglass, Stevie J, Maija Max, Bazaar Royale and Chad "Dr. Seuss" Elliot among others, although all official members had never been confirmed. A list of some known artists in Swing Mob at the time of the group's activity can be found in the liner notes of Jodeci's third studio album, The Show, The After-Party, The Hotel. Swing Mob and formation of Da Bassment Cru In the early 1990s, DeVante Swing decided to assemble a large crew of rappers, singers, and producers who could sign to his Swing Mob label and collaborate. He auditioned many local groups and acts; the performers met in Swing's basement studio in Rochester, a location which inspired the moniker "Da Bassment Cru" (also a pun on bass). The group brainstormed and recorded music together in Swing's studio, ultimately aiming to produce a VHS compilation project that could market the group members to record labels. Acts who were recruited into Da Bassment Cru included the R&B groups Fayze (later renamed to Sista) and Playa; the rap duo Timbaland & Magoo; the singer Ginuwine; and a trio called Sugah. Swing also recruited record producers and audio engineers such as Jimmy Douglass and Stevie J. From 1993 to 1995, the collective crew released multiple collaborative EPs, though many of these were commercially unsuccessful. In 1994, Sista released its sole album, 4 All the Sistas Around da World; this album received positive reviews but was shelved due to a lack of commercial success. Swing Mob members also featured on film soundtracks during this period, with their music appearing in titles such as Above the Rim and Dangerous Minds. The Swing Mob label dissolved in 1995. Artists such as Missy Elliott (who had been a member of Sista) and Ginuwine had begun to leave the group and pursue musical careers elsewhere, and other artists from the collective stated that they felt Swing was underpromoting or mismanaging them. Smoke E. Digglera of Playa has stated that artists were forced to choose whether they wanted to sign directly to Def Jam or through Swing Mob instead, weakening some acts' loyalty to the