Jack Good made sure that both the audition process and the early months of the show were widely and regularly covered by the British daily press and TV shows. During the Elvis! show's successful and then twice-extended two-year run Shaky made regular TV appearances, firstly on Good's revived British ITV show Oh Boy! and later on his follow-up 30-week-long series Let's Rock that was syndicated in 32 countries, including the United States. This led to his first major chart success with a reworking of the Buck Owens song "Hot Dog", which Owens would re-record using the arrangement created by pedal steel guitar player B.J. Cole. 1980s and 1990s In late 1979, Stevens signed what was to be his most successful management deal with Freya Miller, who immediately advised Stevens to sever his association with the Sunsets and continue developing a more lucrative solo career. Under Miller's hand, in 1981, Stevens scored his first UK chart-topping number 1 with "This Ole House" and would follow up with 10 more songs reaching the top five, including three number 1 hits with "Green Door", "Oh Julie" and "Merry Christmas Everyone", while "You Drive Me Crazy" and "A Love Worth Waiting For" reached number 2 in 1981 and 1984 respectively. His 1984 hit "Teardrops", which reached No. 5 in the UK, featured Hank Marvin on guitar, and since then, Stevens has often featured famous musicians such as Albert Lee, Roger Taylor and Bonnie Tyler on his recordings. Chart successes also included his album Shaky reaching number 1 on the UK Albums Chart. In the mid-1980s, Stevens re-united with former producer Dave Edmunds to record an album Lipstick, Powder and Paint, and the Christmas smash "Merry Christmas Everyone", which was a number 1 hit in 1985. Its original planned release was put back by a year to avoid clashing with the runaway success of Band Aid's charity single "Do They Know It's Christmas?", to which he did not contribute, having been out of the country touring at the time of recording. In a Record Collector magazine feature, writer Kris Griffiths wrote: "This was Shaky at the very zenith of his powers and, perhaps, the breaking-point of marketing overload from which there is only decline. Such concentrated commercial success and ubiquity came with a price." Despite Stevens's chart domination over the previous few years, he was not invited to perform at Live Aid on 13 July