Geoffrey Lamont Holder (August 1, 1930 – October 5, 2014) was a Trinidadian-American actor, dancer, musician, and artist. He was a principal dancer for the Metropolitan Opera Ballet before his film career began in 1957 with an appearance in Carib Gold. In 1973, he played the villainous Baron Samedi in the Bond film Live and Let Die. He also carried out advertising work as the pitchman for 7 Up. Early life Born in Port of Spain, Trinidad, Holder was one of four children of Bajan and Trinidadian descent. He was educated at Tranquility School and Queen's Royal College in Port of Spain. He made his performance debut at the age of seven in his brother Boscoe Holder's dance company. Career After seeing him perform in St. Thomas, Virgin Islands the choreographer Agnes de Mille invited Holder to work with her in New York. Upon arriving he joined Katherine Dunham's dance school where he taught folkloric forms for two years. From 1955 to 1956, he performed with the Metropolitan Opera Ballet as a principal dancer. He left the ballet to make his Broadway debut in the Harold Arlen and Truman Capote musical House of Flowers. While working on House of Flowers, Holder met Alvin Ailey, with whom he later worked extensively, and Carmen de Lavallade, his future wife. After the show closed he starred in an all-black production of Waiting for Godot in 1957. Holder began his movie career in the 1962 British film All Night Long, a modern remake of Shakespeare's Othello. He followed that with Doctor Dolittle (1967) as Willie Shakespeare, leader of the natives of Sea-Star Island. In 1972, he was cast as the Sorcerer in Everything You Always Wanted to Know About Sex (But Were Afraid to Ask). The following year he was a henchman—Baron Samedi—in the Bond movie Live and Let Die. He contributed to the film's choreography. In addition to his movie appearances, Holder was a spokesman in advertising campaigns for the soft drink 7 Up in the 1970s and 1980s, declaring it the "uncola", and, in the 1980s, calling it "crisp and clean, and no caffeine; never had it, never will". In 1975, Holder won two Tony Awards for direction and costume design of The Wiz, the all-black musical version of The Wizard of Oz. Holder was the first black man to be nominated in either category. He won the Drama Desk Award for