"Arcadia" connotes not a human civilization, yet rather a spontaneous result of life lived naturally and thus not corrupted by civilization. Of particular note is Et in Arcadia Ego by Nicolas Poussin, which has become famous both in its own right and because of its (possible) connection with the gnostic histories or the Rosicrucians. In 1502 Jacopo Sannazaro published his long poem Arcadia that fixed the Early Modern perception of Arcadia as a lost world of idyllic bliss, remembered in regretful dirges. In the 1580s Sir Philip Sidney circulated copies of his influential heroic romance poem The Countess of Pembroke's Arcadia, which established Arcadia as an icon of the Renaissance; although the story is plentifully supplied with shepherds and other pastoral characters, the primary characters are all royal visitors of the countryside. In 1598 the Spanish playwright and poet Lope de Vega published Arcadia: Prose and Verse, which was a bestseller at the time. Though depicted as contemporary, this pastoral form is often connected with the Golden Age. It may be suggested that its inhabitants have merely continued to live as persons did in the Golden Age, and all other nations have less pleasant lives because they have allowed themselves to depart from original simplicity. Acadia The 16th-century Italian explorer Giovanni da Verrazzano applied the name "Arcadia" to the entire North American Atlantic coast north of Virginia. In time, this mutated to Acadia. The Dictionary of Canadian Biography says: "Arcadia, the name Verrazzano gave to Maryland or Virginia 'on account of the beauty of the trees', made its first cartographical appearance in the 1548 Gastaldo map and is the only name on that map to survive in Canadian usage. . . . In the 17th century Champlain fixed its present orthography, with the 'r' omitted, and Ganong has shown its gradual progress northwards, in a succession of maps, to its resting place in the Atlantic Provinces". Revival of Mi'kmaq language has provided strong reason to believe that Verrazzano was informed by the name the Mi'kmaq gave to this place. The name Acadie may be derived from the Mi'kmaq, because in their language the word “cadie” means "place of abundance” and can be found in names such as “Tracadie” and “Shubenacadie”. 19th century Arcadia has been a popular setting for artists of the 19th and 20th centuries. In 1848, Judge Samuel Treat, of St. Louis described life of the early settlers