early 1950s, Duryea spoke of career goals and his preparation for roles: Well, first of all, let's set the stage or goal I set for myself when I decided to become an actor ... not just 'an actor', but a successful one. I looked in the mirror and knew with my "puss" and 155-pound weakling body, I couldn't pass for a leading man, and I had to be different. And I sure had to be courageous, so I chose to be the meanest s.o.b. in the movies ... strictly against my mild nature, as I'm an ordinary, peace-loving husband and father. Inasmuch, as I admired fine actors like Richard Widmark, Victor Mature, Robert Mitchum, and others who had made their early marks in the dark, sordid, and guilt-ridden world of film noir; here, indeed, was a market for my talents. I thought the meaner I presented myself, the tougher I was with women, slapping them around in well produced films where evil and death seem to lurk in every nightmare alley and behind every venetian blind in every seedy apartment, I could find a market for my screen characters.... At first it was very hard as I am a very even-tempered guy, but I used my past life experiences to motivate me as I thought about some of the people I hated in my early as well as later life ... like the school bully who used to try and beat the hell out of me at least once a week ... a sadistic family doctor that believed feeling pain when he treated you was the birthright of every man inasmuch as women suffered giving birth ... little incidents with trade-people who enjoyed acting superior because they owned their business, overcharging you. Then the one I used when I had to slap a woman around was easy! I was slapping the over-bearing teacher who would fail you in their 'holier-than-thou' class and enjoy it! And especially the experiences I had dealing with the unbelievable pompous 'know-it-all-experts' that I dealt with during my advertising agency days ... almost going 'nuts' trying to please these 'corporate heads' until I finally got out of that racket!" In his last years, Duryea reteamed with Stewart for the adventure film The Flight of the Phoenix, about men stranded in the Sahara desert by a downed airplane, appearing as a mild-mannered accountant, closer to his real-life