Günther Edward Arnold Schneider (February 18, 1890 – April 26, 1956) was an American actor of the stage and screen. Early life Arnold was born on February 18, 1890, in Lower East Side of New York City, the son of German immigrants Elizabeth (Ohse) and Carl Schneider. His schooling came at the East Side Settlement House. Acting career Stage Arnold was interested in acting ever since he appeared on stage as Lorenzo in The Merchant of Venice at age 12. He made his professional stage debut in 1907 and had important roles in several plays on Broadway in the 1920s and 1930s. Among them is the 1927 revival of The Jazz Singer, with Arnold as the second lead to the star, George Jessel. Film He found work as an extra for Essanay Studios and World Studios, before landing his first significant role in 1916's The Misleading Lady. He returned to the stage in 1919, and did not appear in movies again until his talkie debut in Okay America! (1932). He recreated one of his stage roles in one of his early films, Whistling in the Dark (1933). His role in the 1935 film Diamond Jim boosted him to stardom. He reprised the role of Diamond Jim Brady in the 1940 film Lillian Russell. He played a similar role in The Toast of New York (1937), another fictionalized version of real-life business chicanery, for which he was billed above Cary Grant on posters, with his name in much larger letters. Arnold appeared in over 150 movies. Although he was labeled "box office poison" in 1938 by an exhibitor publication (he shared this dubious distinction with Joan Crawford, Greta Garbo, Marlene Dietrich, Mae West, Fred Astaire and Katharine Hepburn), he never lacked work. Rather than continue in leading man roles, he gave up losing weight and went after character parts instead. He said, "The bigger I got, the better character roles I received." He was so sought-after, he often worked on two pictures at once. Arnold was expert as rogues and authority figures, and superb at combining the two as powerful villains quietly pulling strings. He was best known for his roles in Come and Get It (1936), Sutter's Gold (1936), the aforementioned The Toast of New York (1937), You Can't Take It with You (1938), Mr. Smith Goes to Washington (1939), Meet John Doe (1941), and a larger than life star