"Whole Lotta Shakin' Goin' On" (sometimes rendered "Whole Lot of Shakin' Going On") is a song written by Dave "Curlee" Williams and sometimes also credited to James Faye "Roy" Hall. The song was first recorded by Big Maybelle, though the best-known version is the 1957 rock and roll/rockabilly version by Jerry Lee Lewis. Origins of the song The origins of the song are disputed, but the writing is usually co-credited to singer/songwriter Dave "Curlee" Williams, and pianist and club owner James Faye "Roy" Hall. Hall stated: On 21 March 1955, Big Maybelle made the first recording for Okeh Records. The songwriting was credited to D. C. Williams, and the session was conducted and arranged by Quincy Jones. Roy Hall recorded the song in September 1955 for Decca Records and maintained that he had written it and had secured the legal copyright as co-writer under the pseudonym of "Sunny David". On the Pop Chronicles documentary, Jerry Lee Lewis incorrectly credited Big Mama Thornton. Jerry Lee Lewis version Lewis had been performing the song in his stage act and recorded it at his second recording session for Sun Records in February 1957. Supervised by producer Jack Clement, Lewis radically altered the original, adding a propulsive boogie piano that was complemented by J.M. Van Eaton's energetic drumming and Roland Janes' "muted" guitar and also added suggestive spoken asides. The song was engineered by Jack "Cowboy" Clement, who told Lewis when he entered the studio, "We don't do much country around here. We're in the rock & roll business. You ought to go home and work up some rock & roll numbers." Lewis later stated: "I knew it was a hit when I cut it. Sam Phillips thought it was gonna be too risqué, it couldn't make it. If that's risqué, well, I'm sorry." Sun released the song on a single, which reached No. 3 on the Billboard Hot 100 and No. 1 on the magazine's R&B record charts. A record review appeared in Billboard on 27 May 1957. The single also hit No. 1 on the country charts, and No. 8 in the UK Singles Chart. Lewis became an instant sensation and as music writer Robert Gordon noted: "Jerry Lee began to show that in this new emerging genre called rock 'n' roll, not everybody was going to stand there with a guitar." American music critic Cub Koda described the song as a