with Bolívar soy yo (I Am Bolívar, 2002) by Jorge Alí Triana. Law of Cinema In 2003, the Colombian government passed the Law of Cinema, which standardized help for local film production. Numerous films were sponsored by the government generating a success in the local box office such as Soñar no Cuesta Nada (Dreaming Costs Nothing) by Rodrigo Triana, with 1,200,000 spectators, an unprecedented attendance at the time, or the film El Colombian Dream (the last word being in English to highlight a play on the concept of the "American Dream") by Felipe Aljure, which achieved technical innovations and employed a narrative never before seen in Colombian cinema. Law 814 of 2003, also known as the Law of Cinema, was approved after a second debate in the Colombian senate. The senate established the funding of Colombian cinema through taxes collected from distributors, exhibitors and film producers. The collection was set up to be destined to support film producers, short films documentaries and public projects. Funds collected are administered by the PROIMAGENES Cinematographic Production Mixed Fund. During the second term of President Álvaro Uribe Vélez the government presented a tax reform to cut funding to the Law of Cinema. The president was criticized for this, but the minister of Culture, Elvira Cuervo de Jaramillo,lobbied in the Ministry of Finance to impede this law from affecting the financial resources destined to Colombian cinema. The Minister of Finance agreed to protect the benefits for the film industry. International projection Despite Colombian cinema having had a very small presence in international events, some documentaries during the 1970s had relative success, such as "Chircales" (1972) by Marta Rodríguez and Jorge Silva, which won international prizes and recognition. During the 1990s Silva gained notoriety with the film La estrategia del caracol (The Strategy of the Snail) and Víctor Gaviria did so with his films Rodrigo D: No futuro (1990) and La vendedora de rosas (1998), which was nominated for a Palme d'Or at the Cannes Film Festival. In the 2000s (decade) actress Catalina Sandino Moreno was nominated for an Academy Award for her acting in the Colombian American production Maria Full of Grace. Moreno was also nominated for best female acting at the Berlin International Film Festival in 2004 and won, sharing it with actress Charlize Theron. Documentary films Documentary productions in Colombia have varied in quality. Nevertheless, they have not seen wide distribution due to