the art and architectural heritage not only of the Rohtak District but also the entire Haryana on his own. He has a large collection of photographs of the heritage properties besides documenting history of the heritage value buildings, historical villages and towns of the district. Early in 2009, Singh completed detailed profiles of about 40 heritage value properties both in private as well as public domain with photographs and handed over the documents to the convener of the Haryana chapter of INTACH. This documentation, appreciated both by architects as well as art historians, has also been placed for reference in the archives in the central library of INTACH Headquarters located at Lodi Estate, New Delhi. Architectural descriptions of several properties including many topics that belong to the life and culture of the people of Haryana have been published in an illustrated book, Traditions of North India - Art, Crafts and Architecture of Haryana, authored by Bhup Singh Gulia and edited and contributed by Ranbir Singh. A couple of illustrated articles on the old skills of woodcrafts persons of Haryana are under consideration of publication in Marg, a magazine on art and culture. This magazine also published his illustrated article on the antiquity of Farrukhnagar (dist. Gurgaon) in issue No.63 (2). The 12th-century Asthal Bohar Monastery has also been modernized by its present Mahant Chand Nath. The oldest shrine at this place was built above the Smadh of Sidh Baba Chaurangi Nath (Bhagat Pooran Mall, son of Raja Shalivan of Sialkot, now in Pakistan) under which also lay the grave of Sidh Baba Masth Nath who lived in the mid-eighteenth century AD. The shrine of Sidh Baba Tota Nath, in this campus, had frescoes painted in the early nineteenth century and done in Rajput style. Some of these near the dome have had the colors chipped off and are fading fast. The present Mahant was indifferent to the preservation of these fine frescoes, which are very important for art historians. In January 2012, Chand Nath, the present Mahant of the Mutt, had all the old memorial chhatris that belonged to Siddh Baba Mast Nath, Tota Nath, Megh Nath, Mohar Nath and Chet Nath demolished in one go to create way for a fabulously planned temple structure to be raised on the same lines as that of Akshardham at Delhi. Along with these, the old vestiges of frescoes in the chhatris too