but then lauds her mother as a champion. However, the reconciliation ends when Vivie finds out that her mother continues to run the business even though she no longer needs to. Vivie takes an office job in the city and dumps Frank, vowing she will never marry. She disowns her mother, and Mrs. Warren is left heartbroken, having looked forward to growing old with her daughter. Origins Shaw said he wrote the play "to draw attention to the truth that prostitution is caused, not by female depravity and male licentiousness, but simply by underpaying, undervaluing and overworking women so shamefully that the poorest of them are forced to resort to prostitution to keep body and soul together." Shaw "addresses a social problem, organized prostitution, and dramatizes it through the character Vivie Warren." He explained the source of the play in a letter to the Daily Chronicle on 28 April 1898: Miss Janet Achurch [an actress and friend of Shaw’s] mentioned to me a novel by some French writer [Yvette by Guy de Maupassant] as having a dramatisable story in it. It being hopeless to get me to read anything, she told me the story... In the following autumn I was the guest of a lady [Beatrice Webb] of very distinguished ability—one whose knowledge of English social types is as remarkable as her command of industrial and political questions. She suggested that I should put on the stage a real modern lady of the governing class—not the sort of thing that theatrical and critical authorities imagine such a lady to be. I did so; and the result was Miss Vivie Warren ... Mrs. Warren herself was my version of the heroine of the romance narrated by Miss Achurch. The tremendously effective scene—which a baby could write if its sight were normal—in which she justifies herself, is only a paraphrase of a scene in a novel of my own, Cashel Byron's Profession (hence the title, Mrs Warren's Profession), in which a prize-fighter shows how he was driven into the ring exactly as Mrs. Warren was driven on the streets. Performance history The play was originally banned by the Lord Chamberlain (Britain's official theatre censor) because of its frank discussion of prostitution, but was finally performed on Sunday, 5 January 1902, at London's New Lyric Club with the distinguished actor-manager Harley Granville-Barker as Frank, Fanny Brough as Mrs. Warren, George Goodhart as Sir