Jane Morris (née Burden; 19 October 1839 – 26 January 1914) was an English embroiderer in the Arts and Crafts movement and artists' model who embodied the Pre-Raphaelite ideal of beauty. She was a model and muse to her husband William Morris and to Dante Gabriel Rossetti. Her sister was embroiderer and teacher Elizabeth Burden. Life Jane Burden was born in Oxford, the daughter of a stableman, Robert Burden, and his wife Ann Maizey, who was a domestic servant or a laundress. At the time of her birth, her parents were living at St Helen's Passage, in the parish of St Peter-in-the-East, off Holywell Street in Oxford which has since been marked with a blue plaque. Her mother Ann was illiterate and probably came to Oxford as a domestic servant. Little is known of Jane Burden's childhood, but it was certainly poor. In October 1857, Burden and her sister Elizabeth, known as Bessie, attended a performance of the Drury Lane Theatre Company in Oxford. Jane Burden was noticed by Dante Gabriel Rossetti and Edward Burne-Jones who were members of a group of artists painting the Oxford Union murals, based on Arthurian tales. Struck by her beauty, they asked her to model for them. Burden sat mostly for Rossetti as a model for Queen Guinevere and afterwards for William Morris, who was working on an easel painting, La Belle Iseult, now in the Tate Gallery. During this period, Morris fell in love with Burden and they became engaged, though by her own admission she was not in love with Morris. Burden's education was limited, and she probably was destined to go into domestic service like her mother. After her engagement, she was privately educated to become a gentleman's wife. Her keen intelligence allowed her to recreate herself. She was a voracious reader who became proficient in French and Italian, and she became an accomplished pianist with a strong background in classical music. Her manners and speech became refined to an extent that contemporaries referred to her as "queenly." Later in life, she had no trouble moving in upper-class circles. She was the model for the heroine of the 1884 novel Miss Brown by Vernon Lee and may also have influenced George Bernard Shaw in creating the character of Eliza Doolittle in his play Pygmalion (1914) and the later film My Fair Lady (1964). She also became a skilled needlewoman, self-taught in