through a hole they had cut in the bag. The two men shot thirty thousand feet of film and escaped to Austria shortly afterwards. In 1958 Zsigmond and Kovács arrived in the United States as political refugees and sold the footage to CBS for a network documentary on the revolution narrated by Walter Cronkite. In 1962, Zsigmond became a naturalized citizen of the United States. He settled in Los Angeles and worked in photo labs as a technician and photographer. The first film he worked on in the United States was the 1963 black-and-white exploitation film The Sadist, starring Arch Hall Jr. Throughout the 1960s, he worked on many low-budget independent and educational films as he attempted to break into the film industry. Some of the films that he worked on during this period credited him as "William Zsigmond", including The Sadist, the classic horror B movie The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies, and the Second City satirical science fiction movie The Monitors. Kovács, who shot the 1969 film Easy Rider for Peter Fonda and Dennis Hopper, recommended Zsigmond to Fonda for his 1971 Western film The Hired Hand. Later that same year Zsigmond was hired by Robert Altman for his revisionist western film McCabe & Mrs. Miller, which became Zsigmond's breakthrough film and marked his first time working on a major Hollywood production. Over the following decade, Zsigmond became one of the most in-demand cinematographers in Hollywood. Some of the major films he shot in the 1970s include John Boorman's Deliverance, Altman's The Long Goodbye, Brian De Palma's Obsession as well as Steven Spielberg's The Sugarland Express and Close Encounters of the Third Kind, the latter of which won him the Academy Award for Best Cinematography at the 50th Academy Awards. In 1978, Zsigmond worked on Michael Cimino’s drama The Deer Hunter, starring Robert DeNiro, Meryl Streep and Christopher Walken. Zsigmond's visual work on the film earned him the 1980 BAFTA Award for Best Cinematography and another Academy Award nomination. Zsigmond again worked with Cimino on his 1980 epic Western Heaven's Gate. Zsigmond continued to be in demand in the years that followed, working multiple times with several directors. He again worked with De Palma on his films Blow Out, The Bonfire of the Vanities, and The Black Dahlia. He worked with Mark Rydell on Cinderella Liberty, The Rose, The River, and Intersection. He