John Alton (October 5, 1901 – June 2, 1996), born Johann Jacob Altmann, in Sopron, Kingdom of Hungary, was an American cinematographer of Hungarian-German origin. Alton photographed some of the most famous films noir of the classic period and won an Academy Award for the cinematography of An American in Paris (1951), becoming the first Hungarian-born person to do so in the cinematography category. Career Alton moved to the US to attend college and first became involved in the film industry when he was spotted by a gateman at Cosmopolitan Studios in New York looking for extras. He began as a lab technician in Los Angeles in the 1920s, later becoming a cameraman within four years. He moved to France with Ernst Lubitsch to film backgrounds for The Student Prince in Old Heidelberg (1927) and ended up staying for one year heading the camera department of Paramount Pictures's Joinville Studios. He claimed he discovered Maurice Chevalier. In 1932, he moved to Argentina where he shot many Spanish-language films and designed the country's first sound film studio for Lumiton and Argentina Sono Film. He intended to stay for a year but ended up staying for seven. He won a prize for best photography in Argentina in 1937. He returned to Hollywood in the late 1930s, and shot 30 B-movies in seven years, mostly for Republic Pictures and RKO. He then worked with director Anthony Mann to make T-Men (1947) and became one of the most sought-after cinematographers of the time being known for unconventional camera angles—especially low camera shots. His style is most notable in the films noir: He Walked by Night (1948), The Amazing Mr. X (1948), Raw Deal (1948) and The Big Combo (1955). Alton also photographed many color movies including Slightly Scarlet (a color film noir). He worked with Vincente Minnelli at MGM for 10 years including on Father of the Bride (1950) and An American in Paris (1951), for which he won the Academy Award for Best Color Cinematography with Alfred Gilks. He also worked multiple times with Richard Brooks including on Battle Circus (1953) and The Brothers Karamazov (1958). Alton resigned from the American Society of Cinematographers (ASC) in January 1944, reportedly due to conflicts with ASC founding member and MGM camera department head John Arnold. He was reinstated at his request less than a year later, with the help of Leon Shamroy, but ended up