released on John Williams and Alfred Hitchcock compilation albums. For years afterwards, the original soundtrack was not available, spawning many bootleg copies of the complete scoring sessions of the film over the internet. Finally in 2010, Varèse Sarabande officially released a limited edition of the complete Original Motion Picture Soundtrack, 34 years after the film's initial release. Reception Family Plot has received praise from critics. Vincent Canby of The New York Times called the film "a witty, relaxed lark", adding that it was "certainly Hitchcock's most cheerful film in a long time, but it's hardly innocent." Roger Ebert gave the film three out of four stars, saying of it: "And it's a delight for two contradictory reasons: because it's pure Hitchcock, with its meticulous construction and attention to detail, and because it's something new for Hitchcock—a macabre comedy, essentially. He doesn't go for shock here, or for violent effects, but for the gradual tightening of a narrative noose." Variety called the film "a dazzling achievement for Alfred Hitchcock. Masterfully controlling finely-tuned shifts from comedy to drama throughout a highly complex mystery-suspense plot, Hitchcock has created a film that has the involving detail work and teasing fascination of a novel to be read in front of a crackling fire on a rainy evening." Charles Champlin of the Los Angeles Times praised the film as "atmospheric, characterful, precisely paced, intricately plotted, exciting and suspenseful, beautifully acted and, perhaps more than anything else, amusing." Penelope Gilliatt of The New Yorker called the film "one of the saltiest and most endearing" films Hitchcock ever directed, adding, "Sometimes in his career, Hitchcock has seemed to manipulate the audience; in this, his fifty-third film, he is our accomplice, turning his sense of play to our benefit." Richard Combs of The Monthly Film Bulletin praised "the compact allusiveness and crisp elegance of Ernest Lehman's writing, which so deftly builds its own tongue-in-cheek attitudes into the material," and found that Bruce Dern and Barbara Harris made "a delightfully nuanced comic duet." Dave Kehr of the Chicago Reader called the film "[A] small masterpiece, one of Hitchcock's most adventurous and expressive experiments in narrative form." However, some reviews were more critical. Gene Siskel of the Chicago Tribune gave the film two-and-a-half stars and called it a "disappointment", finding that it "descends into dull jokes, plastic characters, and a television sitcom conclusion." Gary Arnold of The Washington Post called the