the painted caves, Eshleman continued his work as a translator. Working with José Rubia Barcia, he completed new translations of César Vallejo's Complete Posthumous Poetry. Published by the University of California Press in 1978, the collection won the National Book Award for Translation the following year. Working with Norman Glass, Eshleman translated several major works by Antonin Artaud, published as Four Texts in 1982, and, beginning in 1977, working with Annette Smith, he translated the complete poetry of Aimé Césaire in several volumes. This work was supported by a translation grant from the National Endowment for the Humanities and, in 1981, it won the Witter Bynner award from the Poetry Society of America. Alongside their repeated travels to visit the painted caves, the Eshlemans travelled more widely in Europe. In 1976, the poet lectured on American Literature during a “Summer Seminar” in Frenstat, Czechoslovakia, supported by the State Department. In 1978 and again in 1980, he spent one month in Germany under the auspices of the Visiting Author Program administered by the American Embassy in Bonn, Germany. In 1979, he visited Spain. In 1979, Eshleman began writing regular book reviews for the Los Angeles Times. In 1982, he and Caryl began publishing short pieces of travel writing in magazines and newspapers including Destinations, Diversions, The Chicago Tribune, Frequent Flyer, and Pan Am Clipper. In 1983 and 1984, Eshleman edited a monthly poetry column for Los Angeles Weekly, entitled “Ill Fate and Abundant Wine.” In 1981, while teaching at Caltech, Eshleman founded his second major magazine Sulfur: A Literary Tri-Quarterly of the Whole Art. The journal would continue through 46 issues – across roughly 11,000 pages – the last issue appearing in spring 2000. From 1983 to 1996, Sulfur received partial funding from the National Endowment for the Arts. 1986 to 2003 In 1986, Clayton Eshleman become Professor of English at Eastern Michigan University in Ypsilanti, Michigan, where he would teach primarily introductory courses in poetry and poetry workshops. That year a travel grant from the Soros Foundation funded a one-month trip to Hungary. While in Budapest, Eshleman co-translated a short anthology of contemporary Hungarian poetry with Gyula Kodolanyi, which he subsequently published in Sulfur 22. Over the next three years Eshleman would publish, among other things, three volumes of selected writings: The Name Encanyoned River: Selected Poems 1960-1985 (1986), Antiphonal Swing: Selected Prose, 1962-1987 (edited by Caryl Eshleman, 1989), and