Ignaz Brüll (7 November 184617 September 1907) was a Moravian-born pianist and composer who lived and worked in Vienna. His operatic compositions included Das goldene Kreuz (The Golden Cross), which became a repertory work for several decades after its first production in 1875, but eventually fell into neglect after being banned by the Nazis because of Brüll's Jewish origins. He also wrote a small corpus of finely crafted works for the concert hall and recitals. Brüll's compositional style was lively but unabashedly conservative, in the vein of Mendelssohn and Schumann. Brüll was also highly regarded as a sensitive concert pianist. Johannes Brahms regularly wanted Brüll to be his partner in private performances of four-hand piano duet arrangements of his latest works. Indeed, Brüll was a prominent member of Brahms's circle of musical and literary friends, many of whom he and his wife frequently entertained. In recent years, Brüll's concert music has been revived on CD, and well-received recordings are available of his piano concertos, among other non-vocal works. In 1872 he was appointed professor at the Horak Institute in Vienna. Biography Early years Brüll was born in Prostějov (Proßnitz) in Moravia, the eldest son of Katharina Schreiber and Siegmund Brüll. His parents were prosperous Jewish merchants and keen social musicians; his mother played piano and his father (who was closely related to the Talmudic scholar Nehemiah Brüll) sang baritone. In 1848 the family relocated their business to Vienna, where Brüll lived and worked for the rest of his life. Brüll started learning piano from his mother around the age of eight and he quickly showed talent. Despite being the heir to the family business, his promise at the keyboard encouraged his parents to provide him with a serious musical training. By the age of ten, he was taking piano lessons from Julius Epstein, a professor at the Vienna Conservatory and friend of Brahms. A year later, in 1857, he began studying composition with Johann Rufinatscha; instrument instruction followed with Felix Otto Dessoff. In 1860, while aged fourteen, Brüll started writing his Piano Concerto No. 1, which received its first public performance the following year in Vienna with Epstein as soloist. Further encouragement to pursue a musical career came with endorsement from the distinguished pianist-composer Anton Rubinstein. Success and Das goldene Kreuz Brüll scored another success with his Serenade No. 1 for Orchestra, which was premiered in Stuttgart in 1864. By