Mohamed Abdel Wahab (), also transliterated Mohamed Abd El-Wahhab, (March 13, 1902 – May 4, 1991), was a prominent 20th-century Egyptian singer, actor, and composer. He is best known for his Romantic and Egyptian patriotic songs. He was known for his Egyptian nationalist and revolutionary songs like "Ya Masr tam El-Hanna" (O Egypt, happiness is here), "Hay Ala El-Falah" (The call of duty), "El Watan El Akbar" (The Greatest Homeland), "Masr Nadetna falbena El-nedaa" (Egypt Called us and we Have Answered), "Oulo le Masr" (Tell Egypt), "Hob El-watan Fard Alyi" (Patriotism is my Obligation), "Sout El-Gamaheer" (Voice of the Masses), "Ya Nessmet El-Horria" (O The Breeze of Freedom), "Sawae'd men Beladi" (Compatriot Hands). He also composed the national anthem of Libya which was adopted from 1951 to 1969 and again since 2011. Life Mohamed Abdel Wahab was born in 1902 in Cairo, Egypt, in a neighborhood called Bab El-Sheriyah, where there is now a statue of him. He began his singing career at an early age and made his first public performances at age seven at local productions. He was 13 when he made his first recording. Mohamed Abdel Wahab was a very close friend to compatriot singer Abdel Halim Hafez. Film career In 1933, Abdel Wahab began composing his own style of Egyptian film musical after visiting Paris and familiarizing himself with French musical film. He introduced a lighthearted genre of musical film to Egyptian culture eventually composing eight musical comedies between 1933 and 1949. His films portrayed Western social elite and included music that veered off from the traditional Egyptian tune. He starred in his 1934 film The White Flower which broke records in attendance and still plays frequently in Egyptian theaters. In 1950 Abdel Wahab left film to focus on being a more profound singer. Contribution to Egyptian and Arabic music Abdel Wahab composed more than 1820 songs. Abdel Wahab is considered to be one of the most innovative Egyptian musicians of all time, laying the foundation for a new era of Egyptian music with his use of non-local rhythms and refined oud playing. Despite the fact that Abdel Wahab composed many songs and musical pieces of classical Arabic music, he was notably criticized for his orientation to Western music. In fact, he introduced Western rhythms to Egyptian songs in a way appropriate to the known then very classical forms of Egyptian songs. For example, in 1941,