the narrator, who is nicknamed the Tenderfoot, and the Virginian come to know one another as the Tenderfoot slowly begins to understand the nature of life in the West, which is very different from what he expected. This meeting is the beginning of a lifelong friendship and the starting point of the narrator's recounting of key episodes in the life of the Virginian. The novel revolves around the Virginian and the life he lives. As well as describing the Virginian's conflict with his enemy, Trampas, and his romance with the pretty schoolteacher, Molly Stark Wood, Wister weaves a tale of action, violence, hate, revenge, love, and friendship. In one scene, the Virginian is forced to participate in the hanging of Steve, an admitted cattle thief who had been his close friend. The hanging is represented as a necessary response to the government's corruption and lack of action, but the Virginian feels it to be a horrible duty. He is especially stricken by the bravery with which the thief faces his fate, and the heavy burden that the act places on his heart forms the emotional core of the story. A fatal shootout resolves the ongoing conflict with Trampas after five years of hate. After Trampas shoots first in a duel, the Virginian shoots Trampas in self defense and leaves to marry his young bride. The Virginian and Molly ride off together to spend a month in the mountains and then journey back East to Vermont to meet her family. They are received a bit stiffly by the immediate Wood family, but warmly by Molly's great-aunt. The new couple returns to Wyoming, and the Virginian is made a partner of Judge Henry's ranch. The book ends noting that the Virginian became an important man in the territory with a happy family. Cultural influence The 1902 novel had an enormous influence on publishing, and later movies and television, establishing the Western genre and especially the cowboy ideal as an American icon. Its climactic gun duel is the first "showdown" in fiction. The novel is also the first known use of the phrase: "When you call me that, smile!" This line, in many versions, became common in later Western works, from movies to music. Twenty-first century scholars of Western fiction debate whether The Virginian should be considered as the first cowboy novel outside the dime novel tradition. Victoria Lamont, for example, argues that