Wings at the Speed of Sound is the fifth studio album by the British–American rock band Wings, released on 25 March 1976. Issued at the height of the band's popularity, it reached the top spot on the US album chart—the band's fourth consecutive album to do so—and peaked at number 2 on the UK album chart. Both singles from the album also reached the top 5 of the UK and US singles charts, with "Silly Love Songs" reaching number 1 in the US. The album was recorded and released in the midst of Wings' highly successful Wings Over the World tour, with songs from the album performed on the tour after its release. Subsequently, performances of "Let 'Em In", "Time to Hide", 'Silly Love Songs' and "Beware My Love" were included on the live album Wings over America, released in December 1976. As a reaction to critics who believed Wings was merely a vehicle for Paul McCartney, the album featured every member of the band taking lead vocals on at least one song, and two songs from the album are written or co-written by band members other than the McCartneys. History After a series of concerts in Australia in November 1975, Wings took a break from the tour to spend the holidays with their families and in January 1976 booked time at Abbey Road Studios in London to record Wings at the Speed of Sound. It was the first time McCartney had fully recorded an album in England since Red Rose Speedway. Because of the tour commitments, Wings were not afforded the opportunity to record in another locale. By the end of February, the album was complete, and Wings went back on the road. Around the time of the studio sessions for Wings at the Speed of Sound, Wings were facing criticism for being merely a vehicle for McCartney. He encouraged each of the band members to contribute a song during the sessions. McCartney had previously attempted to create a democratic album in Red Rose Speedway, though it would be rejected by his record label. Engineer Peter Henderson later commented, "I remember one of my first engineering jobs, working with Paul McCartney on Wings at the Speed of Sound — he'd do two vocal takes and ask, 'Which is the better one?' And when he played guitar, he'd really lean into it and give it everything he got." Two tracks