street. Office space occupied the third through tenth floor and featured marble floors and wainscoting in the corridors. Office doors featured full-length glass with glass transoms above to allow light and ventilation into the corridors. Many of these features remained when the 1987 restoration began with the exception of the seventh floor which was altered in the 1970s to accommodate a Social Security Administration office. The theatre entrance on Woodward has 16 doors that open onto the storm lobby. It has a black and white marble floor and small ornate plaster alcoves in the ceiling. The storm lobby opens into the main lobby which is approximately deep and six floors high. The floor is terrazzo with brass inlays that was unseen until the 1988 renovation. Lore says that Eve Leo, wife of Fox President William Fox, was unhappy when she learned that the theatre was to have a bare floor. She insisted it needed carpeting, so it was covered with what was the largest single-piece wool rug ever manufactured. The rug covered of the lobby floor and weighed . Above the entrance doors are faux organ pipes fashioned from plaster and in a balcony to the upper left is a 3-manual, 13-rank Moller organ with the real pipes in the chamber above the console. The Fox's Moller is the only one still in situ. On each side of the lobby are eight vermillion scagliola columns. The columns rise from black octagonal bases and are adorned with eagles, flowers, glass jewels highlighted by silver leaf to a height of approximately . The Corinthian capitals are silver leafed and bear images of a variety of animals and birds. The columns support plaster beams decorated with faces, starbursts and cartouches. Between the columns are small balconies on the mezzanine and balcony levels that overlook the main floor. The ceiling is blue with a sunburst design surrounded by Fox griffins. At the rear of the lobby, the grand staircase leads to the mezzanine level. Two plaster lions with jeweled eyes guard the base of the stairs. Fish-like creatures adorn the balustrades. On the mezzanine level, four columns frame two-story windows enclosing the auditorium. A loggia above the windows allows patrons on the balcony level to look down into the lobby. Beside the grand stairs are doors leading to the 2,898 orchestra-level seats. The auditorium is high and wide. An inner lobby wraps around the