to expand rapidly. Hassan Sheikh Mumin was considered one of the most prolific and early playwrights and composers in Somali literature. Mumin's most important work is Shabeel Naagood (1965), a piece that touches on the social position of women, urbanization, changing traditional practices, and the importance of education during the early pre-independence period. Although the issues it describes were later to some degree redressed, the work remains a mainstay of Somali literature. Shabeel Naagood was translated into English in 1974 under the title Leopard Among the Women by the Somali Studies pioneer Bogumił W. Andrzejewski, who also wrote the introduction. Mumin composed both the play itself and the music used in it. The piece is regularly featured in various school curricula, including Oxford University, which first published the English translation under its press house. During one decisive passage in the play, the heroine, Shallaayo, laments that she has been tricked into a false marriage by the Leopard in the title: The Somali filmmaker Ali Said Hassan concurrently served as the SFA's representative in Rome. In the 1970s and early 1980s, popular musicals known as riwaayado were the main driving force behind the Somali movie industry. Epic and period films as well as international co-productions followed suit, facilitated by the proliferation of video technology and national television networks. Said Salah Ahmed during this period directed his first feature film, The Somali Darwish (The Somalia Dervishes), devoted to the Dervish movement. In the 1990s and 2000s, a new wave of more entertainment-oriented movies emerged. Referred to as Somaliwood, this upstart, youth-based cinematic movement has energized the Somali film industry and in the process introduced innovative storylines, marketing strategies and production techniques. The young directors Abdisalam Aato of Olol Films and Abdi Malik Isak are at the forefront of this quiet revolution. Art Somalis have old visual art traditions, which include pottery, jewelry and wood carving. In the medieval period, affluent urbanites commissioned local wood and marble carvers to work on their interiors and houses. Intricate patterns also adorn the mihrabs and pillars of ancient Somali mosques. Artistic carving was considered the province of men, whereas the textile industry was mainly that of women. Among the nomads, carving, especially woodwork, was widespread and could be found on the most basic objects such as spoons, combs and bowls. It also included more complex structures, such as the portable nomadic house, the aqal. In the