bomb exploded in the main altar, having arrived hidden inside a flower arrangement. Around 10:30 in the morning it exploded causing damage to the steps of the altar and some more damage to the stained glass windows. Nothing happened to the original ayate, only to a crucifix, which was bent and which is said to have prevented something from happening to the image of the Virgin, later, the repair to the altar to be placed the image one meter higher. Due to this event, the image was replaced by a faithful copy and kept in the house of some devout people, and not returned to its altar until 1929. Religious complex of Tepeyac The enclosure is made up of several churches and buildings, among which are those indicated below. Capilla de Indios (Indian Chapel) It is a temple built in 1649 by Luis Lasso de la Vega. According to tradition, it housed the image of Saint Mary of Guadalupe from 1695 to 1709 —the year in which it was transferred to the temple known as the Old Basilica— and the standard of Miguel Hidalgo from 1853 to 1896. The name is due to the fact that this chapel was originally built for the cult of the indigenous population to the Virgin. The foundations of the first two temples dedicated to the Virgin that Friar Juan de Zumárraga ordered to be built in the place indicated by Saint Juan Diego, days after the declared apparition of the Virgin of Guadalupe, are preserved under it. From 1531 until his death in 1548, Juan Diego lived in this place (and his relics or remains are kept in the same place), in charge of taking care of the first temple. Capilla del Cerrito It is the parish where the miracle of fresh flowers and the first of the apparitions of Santa María de Guadalupe are remembered. A first chapel was built on the Tepeyac hill in 1666 by the will of Cristóbal de Aguirre and Teresa Pelegina. Around 1740, Father J. de Montufar ordered the construction of the current temple, next to which the chaplain's house was built. which, when enlarged, was used for exercises. Inside you can see frescoes by the muralist painter Fernando Leal, who was entrusted with narrating the history of the apparitions, and who captures the meeting of cultures and the roots of faith. In times of New Spain, this