Chicago, Illinois. There, they got a new deal with ABC-Paramount Records in 1961, and released their first post-Butler single. That single, "Gypsy Woman", was their biggest single to date, hitting No. 2 on the R&B chart and No. 20 on the pop chart. Successive singles failed to match "Gypsy Woman"′s success, and Richard and Arthur Brooks ended up leaving the group in 1962. The Impressions returned to Chicago as a trio, and soon aligned themselves with producer Johnny Pate, who helped to update their sound and create a more lush soul sound for the group. The result was "It's All Right", a 1963 million-selling gold single that topped the R&B chart and made it to No. 4 on the pop chart, and became one of the group's signature songs. "It's All Right" and "Gypsy Woman" were the anchors of the Impressions' first LP, 1963's The Impressions. 1964 brought the first of Mayfield's Black pride anthem compositions, "Keep on Pushing", which became a top 10 smash on both the Billboard Pop and R&B chart, peaking at No. 10 Pop. It was the title cut from the album of the same name, which also reached the top 10 on both charts. Future Mayfield compositions featured an increasingly social and political awareness, including the following year's major hit and the group's best-known song, the gospel-influenced "People Get Ready", which hit No. 3 on the R&B chart and No. 14 on the pop chart. Increasing social consciousness In the mid-1960s, the Impressions were compared with Motown acts such as the Temptations, the Miracles, and the Four Tops. Their 1966 single "Can't Satisfy" was deemed to share significant similarities with "This Old Heart Of Mine (Is Weak For You)" by Motown group the Isley Brothers; Motown sued and Curtis Mayfield had to share writing credits with songwriting-production team Holland-Dozier-Holland and Sylvia Moy for his song. "Can't Satisfy" was nevertheless a top 20 R&B hit for the Impressions, peaking at No. 12, and has since become a Northern Soul classic. After 1965's "Woman's Got Soul", and the No. 7 pop hit "Amen", the Impressions failed to reach the R&B top ten for three more years, finally scoring in 1968 with the #9 "I Loved and Lost". "We're a Winner", which hit No. 1 on the R&B chart that same year, represented a new level of social awareness in Mayfield's music. Mayfield created his own label, Curtom,