(1968), The Only Way (1970), I, Monster (1971), Up Pompeii (1971), Up the Chastity Belt (1971), Rentadick (1972), What Became of Jack and Jill? (1972), Catholics (1973), Man Friday (1975), The Sailor's Return (1978), The French Lieutenant's Woman (1981, for which he won the BAFTA Award for Best Film Music), Champions (1983), King David (1985), The Girl in a Swing (1988), Scandal (1989), The Rainbow (1989), Frankenstein Unbound (1990), The Trial (1993), Widows' Peak (1994), The Great Gatsby (2000), Mothers & Daughters (2004) and The Understudy (2008). Silent film music In the late 1970s, Davis was commissioned by documentarians Kevin Brownlow and David Gill to create music for Thames Television's Hollywood: A Celebration of the American Silent Film (1980). His association with them continued the same year with Abel Gance's epic silent film Napoléon (1927), which was restored and Davis' music was used in its cinematic re-release and television screenings. There was a similar treatment for D. W. Griffith's Intolerance: Love's Struggle Through The Ages (1916). This had orchestral music originally, but Davis's new score was used instead in 1989. In March 2012, Davis conducted the Oakland East Bay Symphony performing his score for Napoleon in the complete Brownlow restoration in a presentation by the San Francisco Silent Film Festival at the Paramount Theatre Oakland. The Hollywood documentary series was followed by the documentaries Unknown Chaplin (1983), Buster Keaton: A Hard Act to Follow (1987) and Harold Lloyd: The Third Genius (1989, see Harold Lloyd). In the 1980s and 1990s, Davis wrote and conducted the scores for numerous Thames Silents releases and television screenings. By 1993, his reputation made him the number one choice for new scores to silent films. Many DVD releases, including Ben-Hur (1925), The Phantom of the Opera (1925), Safety Last (1923), DeMille's The Godless Girl (1928), Chaplin's City Lights (1931) (re-orchestrated by Davis based on Chaplin's and Padilla's original written score) and Erich von Stroheim's Greed (1924), use Davis's music. Davis also created an entire re-scoring of Clarence Brown's Flesh and the Devil (1927). In many of these recordings, he is the conductor as well the composer. On several occasions he has conducted these scores live in the cinema, as well as in concert halls as the film is being screened. Stage works Lady of the Camellias, The - La Dame Aux Camelias is a ballet in two acts and was first performed at the Croatian