Graffiti (New Haven: Pharos Books, 1981). Reprinted in Fracture (Santa Barbara: Black Sparrow Press, 1983). 4 pages. Hades in Manganese (Santa Barbara: Black Sparrow Press, 1981). 114 pages. Visions of the Fathers of Lascaux (Los Angeles: Panjandrum Books, 1983). 27 pages. Fracture (Santa Barbara: Black Sparrow Press, 1983). 145 pages. The Name Encanyoned River: Selected Poems 1960-1985 (Santa Barbara: Black Sparrow Press, 1986). Introduction by Eliot Weinberger. 245 pages. Mistress Spirit (Los Angeles: Arundel Press, 1989). Reprinted in Hotel Cro-Magnon (Santa Rosa: Black Sparrow Press, 1989). 38 pages. Under World Arrest (Santa Rosa: Black Sparrow Press, 1994). 197 pages. Nora's Roar (Boulder, CO: Rodent Press, 1996). Reprinted in From Scratch (Santa Rosa: Black Sparrow Press, 1998). 32 pages. Hades en manganese. (Paris: Belin, 1998). French translation by Jean-Paul Auxemery. Erratics (Rosendale, NY: Hunger Press, 2000). Reprinted in My Devotion (Boston: Black Sparrow Books, 2004). 85 pages. Sweetheart (Ypsilanti, MI: Canopic Press, 2002). Reprinted in My Devotion (Boston: Black Sparrow Books, 2004). 10 pages. Bands of Blackness (Coulimer, France: Estepa Editions, 2002). Japanese translation by Eda Takaomi, French translation by Auxemery, with an engraving by Matsutani. Boxed edition, 24 pages. Everwhat (Canary Islands: Zasterle Press, 2003). Partially reprinted in Reciprocal Distillations (Boulder, CO: Hot Whiskey Press, 2007), An Alchemist with One Eye on Fire (Boston: Black Widow Press, 2006), and Archaic Design (Boston: Black Widow Press, 2007). 58 pages. An Alchemist with One Eye on Fire (Boston: Black Widow Press, 2006). 107 pages. , a collection of poems on art and artists, including Caravaggio, Leon Golub, Unica Zürn, Henri Michaux, Corot, Joan Mitchell, Henry Darger, African sculpture, Neolithic standing stones, and the Upper Paleolithic Chauvet Cave. Deep Thermal (Santa Barbara: Simplemente Maria Press, 2007). With digital prints by Mary Heebner. A 17” x 13” portfolio of six pigment prints and six letterpress poems printed in an edition 26 copies. 6 pages. A Shade of Paden (Hopewell, NJ: Piedoxen Printers, 2007). With a woodcut by Bill Paden. 10 pages. The Grindstone of Rapport: A Clayton Eshleman Reader (Boston: Black Widow Press, 2008). Selected poetry, prose, and translations, 619 pages. Hashigakari (Belgium: Tandem / Estepa, 2010). Translated by Jean-Paul Auxeméry and Takaomi Eda. Sign limited edition, 30 English / French, 30 English / Japanese, signed and numbered in a case with an etching by Matsutani. Reprinted in Anticline. Eternity at Domme / The French Notebooks (Paris: Estepa Editions, 2010). Translated by Jean-Paul Auxeméry,