although now boarded up, have architraves and are sashed with glazing bars. The façade of the building was re-fronted in 1865 by Robert Adam to include a porte-cochère which covers the entrance. This consists of four paired Doric columns between rusticated antae, entablature and balustrade. Interior Passing through the front entrance is a large lobby flanked by two main halls. The lobby has marble flooring and an imposing oak fireplace which is one of the buildings original features, having been designed by Adam. Adjacent to the fireplace are three doors with the leftmost allowing access to a kitchen area and a stairwell. The door directly to the fireplace's left leads to an octagonal shaped turquoise room with and a decorated ceiling that contains a circular painting of Frederic Leighton's The Garden of the Hesperides. The door on the right leads to the building's main staircase. Regarding the two main halls, the left side hall is a function room with two full-length windows, a stone set bar and fireplace and a back kitchen area. The hall's ceiling is decorated with painted with gold foliage centred around a bust of a man dressed in 18th-century clothing. On the right side of the building is a dance hall and adjoining tapestry room with high ceilings and oak panelled walls. The dance hall with two large front facing windows is decorated with paintings of previous residents and a large painting of Queen Ann which sits above a brick fireplace. Next to this is a wooden bar area that leads into the tapestry room while at the room's centre is a parquet dance floor which has been damaged to reveal stone flooring underneath. The tapestry room is an elongated semi-circular area decorated with mostly Flemish paintings and two glass candle-style chandeliers. Set back to back with the dance hall's fireplace is another fireplace creating a mirror image, this time with a portrait of King George III hanging above. The principal staircase which ascends to the second floor is another of Adam's original features consisting of wrought iron baluster and a moulded mahogany handrail. The upper floors boast large opens rooms with original Adam's ceilings, as well as many smaller rooms which have acted as bedrooms and classrooms throughout the hall's history. Paintings The hall contains a number of replica paintings including those of former residents; most of the originals have since been relocated to the