Muslims are in red or maroon. The street drama includes pasa dobles tune marches, rigodon in battles, courtships between a Moro prince and a Christian princess and vice versa, and a conclusion which usually depicts the Muslim converting into Christianity, the Muslim dying, or the appearance of the Virgin Mary or a saint as the intervention figure of the conflict. The komedya usually begins with a loa, followed by a parada. Usually, the main part of the story begins with a Muslim embahador delivering a challenge to an equally-boastful Christian. The street drama became popular in the rural areas due to the inputting of folk traditions in the play and the need of the people for leisure, especially after a hard day at labor. Overall, the Philippine moros y cristianos may last from one to several days, depending on the Philippine-written script being used. In 2011, the performing art was cited by the National Commission for Culture and the Arts as one of the intangible cultural heritage of the Philippines under the performing arts category that the government may nominate in the UNESCO Intangible Cultural Heritage Lists. Music In Spain, a live marching band plays one of three kinds of music called marchas moras, marchas cristianas and pasodobles. The former two are in the medium or quick time pace. The band, alongside the standard instrumentation, also carries a concert bass drum, timpani and tam-tams. Music for the Mexican morisma may be played by a marching band and/or a drum and bugle band. See also Moors and Christians of Alcoy Museu Alcoià de la Festa References Further reading Albert-Llorca, Marlène, and José Antonio González Alcantud, eds. Moros y cristianos: representaciones del otro en las fiestas del Mediterraneo occidental. Presses Univ. du Mirail, 2003. Alcantud, José Antonio González. "Imágenes para el ritual: moros y cristianos en el complejo festivo y ceremonial granadino José Antonio González Alcantud." Fêtes et divertissements 8 (1997): 143. Barceló, Julio Berenguer. Historia de los Moros y Cristianos de Alcoy. 1974. Bataillon, Marcel. Por un inventario de las fiestas de moros y cristianos: Otro toque de atención. Servicio de publicaciones del Teatro Universitario de San Marcos, 1976. Becerra, Salvador Rodríguez. "Las fiestas de moros y cristianos en Andalucía." Gazeta de Antropología 3 (1984). Beutler, Gisela. "Algunas observaciones sobre los textos de moros y cristianos en México y Centroamérica." Actas del VIII Congreso de la Asociación Internacional de Hispanistas: 22-27