group's take on The Bee Gees' "More Than A Woman". Both groups' versions were featured in the landmark 1977 movie and soundtrack to Saturday Night Fever. The Bee Gees recorded another of their own compositions, "If I Can't Have You", for the film and its soundtrack, but after hearing the Perren-produced version by Yvonne Elliman, preferred it to their own, which was relegated to a b-side. The Elliman production topped the Hot 100 and went Gold for U.S. sales over 1 million. The Saturday Night Fever soundtrack album sold over 15 million copies and in 1979 Perren received a Grammy Award for Album of the Year for his contribution, the first of two back-to-back Grammys he earned. MVP Productions and "Reunited" In 1978, Perren signed Peaches & Herb to his production company, MVP Productions. Through him, the duo inked a deal with Polydor Records. Their first Polydor album, 2 Hot, included the Gold single and Top Five pop and R&B hit "Shake Your Groove Thing" as well the number-one crossover smash "Reunited" and third single "We've Got Love". 2 Hot went Platinum on the strength of those three hits, occupying the number-two pop albums spot for six weeks in early 1979. Peaches & Herb follow-up Twice the Fire went Gold and yielded the singles, "Roller Skate Mate (Part 1)", and "I Pledge My Love". "Survive": the peak and death of disco He received his second accolade from the Recording Academy by winning the first Grammy Award for Best Disco Recording in 1980 for Gloria Gaynor's "I Will Survive." Gaynor's recording went to number one in both the U.S. and the UK, eventually being certified Double Platinum by the RIAA for sales of over four million copies in the U.S. The song became a disco classic and has been recorded by dozens of artists in the decades since its debut including charting versions by Cake, Chantay Savage, and Diana Ross. However, the disco craze had been so overwhelming in some quarters that it caused a backlash so strong that the Recording Academy reacted by omitting the category before the following year; this, then, was the only Grammy specifically awarded for the disco genre. After leaving Polydor in 1981, Perren attempted to produce acts on other labels such as Warner Bros. Records (for Atkins in 1982) and Atlantic (for The Spinners' 1982 album Grand Slam and Johnny Gill's self-titled debut). Later years