Yuan Muzhi (; March 3, 1909 – January 30, 1978) was an actor and director from the Republic of China and later of the People's Republic of China. Career As an actor, Yuan became extremely popular and took on the nickname "man with a thousand faces." He gained prominence in a series of films for the leftist Diantong Film Company. These included the film Plunder of Peach and Plum (1935) (which Yuan also wrote) and the movie Sons and Daughters in a Time of Storm (1935) where he was one of the two original singers (along with Gu Menghe) of the movie's theme song, The March of the Volunteers, which later became the national anthem of China. His career eventually brought him to director's chair. Yuan's filmmaking debut, the innovative musical comedy Scenes of City Life (1935) (Dushi fengguang), was one of the earliest non-silent features made in China, as the Shanghai industry was finally transitioning to sound. The film's blend of screwball humor and romance reflected Yuan's harsh, documentary style social observations of middle class existence in the failing economy in Great Depression-era Shanghai. The father of one main character is a pawn shop owner, who in one humorous scene, is so hard up for cash himself—since no one has any money left to reclaim their pawned goods—he even attempts to pawn items from his own shop with another proprietor. The opening of the film features an extended montage of Shanghai's new, modern cityscape of the time, and its landmarks, such as neon signs, theatre marquees, and the Shanghai Cathedral. Jiang Qing, the future wife of Mao Zedong, appeared in a relatively minor role in the film. She would later lead the denunciation of many of Yuan's leftist colleagues in the Shanghai filmmaking scene, accusing them of being rightists, destroying their careers and lives. Yuan's second film, Street Angel (1937) (Malu tianshi), starred then-unknown Zhou Xuan, who performed He Luting's popular songs written for the film, "Song of the Four Seasons" and "The Wandering Songstress", and became one of China's most adored divas for the remainder of her life. Street Angel is considered one of the most important Chinese films of all time, a highlight of the "second generation" of Chinese cinema. An experimental blend of comedy and tragedy, Yuan's story followed a group of young friends whose lack of financial means and social status frustrated their dreams of