on Rhino Records' Best of Gary Wright: The Dream Weaver – a 1998 compilation spanning his solo career from 1970 onwards, and featuring extensive liner notes by Wright. Human Love (1999) included new versions of "Wildfire" and "The Wrong Time", as well as "If You Believe in Heaven", a song written with Graham Gouldman that had first appeared on Best of Gary Wright. The album was co-produced by German world-music producer Marlon Klein and released on the High Wave Music label. Contributors to the sessions, held at High Wave and at Exil Musik in Bielefeld, included Hindustani classical vocalist Lakshmi Shankar, Lynne and German composer Roman Bunka. Later career Having dedicated much of his time during the 1990s to his family, Wright subsequently resumed a more active musical career, starting with Spooky Tooth's 2004 reunion. Their album and DVD Nomad Poets Live in Germany (2007) features Wright, Mike Harrison and Kellie from the band's original lineup. Wright's past work has continued to inspire rap and dance tracks in the 21st century; samples of "Heartbeat" appear in songs by Jay-Z and Diam's, while Topmodelz covered the song in 2007. Other artists who have used samples from Wright's 1975–81 recordings include Dilated Peoples, Atmosphere, Infamous Mobb, T.I. and Armand Van Helden, the last of whom incorporated part of "Comin' Apart" (from The Right Place) in his 2004 club hit "My My My". In addition, Eminem used "interpolations" from Spooky Tooth's "Self Seeking Man" in his song "Spend Some Time" (released on Encore in 2004). In the summer of 2008, Wright joined Ringo Starr & His All-Starr Band for a North American tour, with Edgar Winter also in the lineup. The All-Starr Band's album and DVD Live at the Greek Theatre 2008 (2010) includes Wright's performance of "Dream Weaver". Wright later described the tour as "a lot of fun" and "a big boost" for his career. Waiting to Catch the Light and Connected Two solo releases by Wright followed in late 2008, including the new-age album Waiting to Catch the Light. A collection of instrumental pieces from "several years" before, he describes it as "an atmospheric, ambient music kind of an album", performed on "vintage analog synthesizers ... all [recorded] on analog tape". Also issued on Larkio, Wright's own record label, the EP The Light of a Million Suns consisted of unreleased tracks from his previous album projects, together with a new version