two other stations WHNS in Asheville, North Carolina and KPDX in Portland, Oregon. In June 1997, Meredith swapped WCPX to what was then known as Post-Newsweek Stations in exchange for Hartford, Connecticut's WFSB (which at the time was Post-Newsweek's flagship station). The trade reunited WCPX with KSAT-TV in San Antonio, which Outlet, in 1986, sold to H&C Communications (former owner of WESH and of another Post-Newsweek sister station, KPRC-TV in Houston) and then sold by H&C to Post-Newsweek in 1994. On January 30, 1998, the station changed its callsign to WKMG in honor of longtime Washington Post publisher, Katharine M. Graham, with the WCPX call letters going to Chicago's Pax TV (now Ion Television) station in August of that same year. As of recently, WKMG is the last "Big Six" affiliate in Orlando that is not part of any television duopoly (Fox's WOFL and WRBW, Cox Media Group's WFTV and WRDQ, and Hearst Television's WESH and WKCF). Post-Newsweek Stations became Graham Media Group on July 28, 2014. Programming As a CBS affiliate, WKMG-TV clears the network's entire lineup of programs. Syndicated programs currently airing on WKMG-TV include Inside Edition and Rachael Ray. Its late-evening Saturday schedule includes two original programs from the station's news department: After the Whistle and Getting Answers. In the early 1990s, WCPX decided to move the CBS program Picket Fences from Friday evenings to 11:35 p.m. on Saturdays, instead airing the syndicated Star Trek: The Next Generation in prime time on Fridays, a rarity for a big three network affiliate. WCPX also preempted some CBS Sports programs as well. In 1994, WCPX hired a new general manager, Brooke Spectorsky, from WUAB in Cleveland (Spectorsky is now general manager of that city's NBC affiliate WKYC). Under Spectorsky and after the ending of Star Trek: The Next Generation, WCPX put Picket Fences back at its normal time and the station added stereo sound capability as well in July 1995. In 1995, WCPX was one of the first CBS affiliates to air Guiding Light at 10 a.m. instead of 3 p.m., which was the network's recommended timeslot for the program. Under this arrangement, the program would air on a delay with episodes running one day behind (three days with the Friday editions). However, CBS soon discovered that several of its owned-and-operated stations were using the same scheduling for the program as WCPX. CBS then decided to provide two (eventually