Solomon Cutner (9 August 1902 – 2 February 1988) was a British pianist known professionally as Solomon. Biography Solomon Cutner was born in the East End of London in 1902, the seventh child of tailors of German-Jewish and Polish-Jewish extraction. He was a child prodigy whose talent was recognized at the age of seven when, having had no formal tuition, he performed his own arrangement of the 1812 Overture on the family piano. He gave his first concerts in 1912 at the age of ten, retired from public performance in his teens and then resumed his career as an adult performer. He began making records in 1929. As a child he was sent to live with his teacher, Mathilde Verne, who had studied with Clara Schumann. He then studied in Paris with Lazare-Lévy. After establishing a reputation, he toured abroad a good deal, particularly before, during and shortly after World War II, when he gave numerous much-cherished recitals in the United States and Australia. He premiered the Piano Concerto in B-flat by Arthur Bliss at the 1939 New York World's Fair. Renowned especially for his Beethoven, which had an almost legendary status (he broadcast the entire cycle of the 32 piano sonatas for the BBC), he was in the midst of recording the complete cycle of the sonatas for EMI Records when he suffered a devastating stroke in 1956, which paralysed his right arm. He never recorded or performed in public again, but lived on for another 32 years. His recordings of Mozart, Schumann and Brahms are also highly regarded; his Debussy, Bach and Schubert recordings are likewise esteemed. He was appointed a Commander of the Order of the British Empire (CBE) in 1946. He died in London in 1988, aged 85. A biography, Solo: The Biography of Solomon by Bryan Crimp, was published by APR in 1994, , and reissued in paperback by Travis and Emery in 2008, . Solomon's first recordings were made in 1929 for the English Columbia label. He later recorded for HMV. Most of his recordings have appeared on compact disc, either directly through EMI/Warner or under license to the Testament label. Bruce Eder on AllMusic wrote that before the onset of his stroke in 1956 Solomon recorded a handful of works in stereo, but whether in stereo or mono his recordings are all worth hearing; the clarity, tonal beauty and imaginativeness of his playing