second of the five days on location, with the majority of them played by stunt men. According to Bakula, the set used for the colony was the largest build so far for Enterprise. Robertson Dean played the sole speaking Klingon, he had previously appeared in the Star Trek: The Next Generation episode "Face of the Enemy". Other members of the guest cast included Cedar, portraying the colonist Tessic, who had previously appeared in individual episodes of both Star Trek: Deep Space Nine and Voyager. Likewise, Bari Hochwald also appeared in those two series. While appearing in "Marauders", she was also performing in the play Fedunn at the Odyssey Theatre in Los Angeles. Reception "Marauders" was first broadcast on the UPN within the United States on October 30, 2002. It was watched by 5.6 million viewers, equating to Nielsen ratings of 3.6/6 percent. This meant that the episode was watched by 3.6 percent of possible viewers, and 6 percent of those watching television at the time. This was the second most watched episode of the season, behind "A Night in Sickbay", which was broadcast a week prior. J.C. Maçek III, writing for PopMatters, described "Marauders" as forming the first part of a loose trilogy of episodes within the second season focusing on re-introducing the Klingons to the series. The following episodes in the group were said to be "Judgment" and "Bounty". Jamahl Epsicokhan at his website "Jammer's Reviews" gave the episode two out of four, said that there was nothing exciting in "Marauders" and that the action sequences towards the end were unrealistic because despite all the apparent violence, not a single person even gets injured during the scene. He called the general premise "classic trek", but that it lacked depth and didn't pose any interesting questions. He summed it up by saying it was "a bloodless, light-as-a-feather action show with handsome production values but absolutely and positively no edge." Michelle Erica Green, reviewing the episode for TrekNation, said that the episode seemed to follow the same story as the 1998 animated film A Bug's Life, but was very much set in the western genre which inspired Roddenberry's original Star Trek pitch with other comparisons to the 1960 film The Magnificent Seven. She felt that there was several scenes which enabled some character building moments for Hoshi, Travis Mayweather and Tucker, and described it overall as "a decent genre piece with