returned, with its title unpunctuated, in 1970, as a monthly with national mass market distribution, first as a quarterfold newsprint tabloid, then as a standard-sized magazine. Crawdaddy continued through the decade, led by editor-in-chief Peter Knobler (who first wrote for the original Crawdaddy under Williams in October 1968), with senior editor Greg Mitchell, featuring contributions from Joseph Heller, John Lennon, Tim O'Brien, Michael Herr, Gilda Radner, Dan Aykroyd, P.J. O'Rourke and Cameron Crowe, plus a roster of columnists including at times William S. Burroughs, Paul Krassner, David G. Hartwell, the Firesign Theater, and sometimes Paul Williams himself. While on the run from the law, Abbie Hoffman was Crawdaddys travel editor. As the decade progressed, the Crawdaddy staff included Timothy White (later, an editor of Billboard), Mitch Glazer, Denis Boyles, Noe Goldwasser, John Swenson, and Jon Pareles, plus notable freelance photographers including David Gahr, Francesco Scavullo, and Ed Gallucci. Because of such notable talent, Crawdaddy has been described as the Buffalo Springfield of the rock magazine world. Crawdaddy was a generational magazine known for its well-written, insightful profiles particularly of musicians, but also a diverse mix of filmmakers, athletes, politicians, comedians and other celebrities prominent in 1970s pop culture, including Sly Stone, Bob Marley, the Who, Eric Clapton, the Rolling Stones, Mel Brooks, John Belushi, Jack Nicholson, Gregg Allman, Muhammad Ali, Joni Mitchell, Bonnie Raitt, Linda Ronstadt, Roxy Music, Little Feat, George Carlin, Randy Newman, Paul Butterfield, Brian Eno and Roy Orbison. Under Knobler, Crawdaddys editors often assigned artists to write about other artists; Al Kooper profiled Steve Martin, Martin Mull interviewed Woody Allen, William S. Burroughs talked magic, mysticism and Aleister Crowley with Jimmy Page. The magazine's record reviews, capsule reviews and film reviews sections, driven by editors Goldwasser and Swenson, shared an iconoclastic reputation that was well known by the music and film industries for its fierce independence. Crawdaddys features section regularly covered scenes from New Orleans funk to Austin, Texas' cosmic cowboys to Scientology, est and disco. Its renowned sense of humor produced the Crawdoodah Gazette, The Whole Earth Conspiracy Catalogue and "The Assassination Please Almanac". In 1976 the magazine published the first in-depth article on the life and bizarre death of country-rock pioneer Gram Parsons, anticipating the wealth of information published about him in later years. Greg Mitchell, who wrote that piece, went on to write various books concerning U.S. political events. Discovers Bruce Springsteen Among Crawdaddys