him. He refuses, stating "It's not on a ship we'll meet again, but in Hell". Parris fears that John's hanging will cause riots directed at him, so he allows Elizabeth to meet with John to convince him to "confess" and save his life. John agrees and writes the confession. The judges insist that he sign the confession and publicly display it to prove his guilt and to convince others to confess, but John, determined to keep his name pure for his sons, angrily shouts "Leave me my name!", and tears it up. On the gallows, John, Rebecca Nurse and Martha Corey's recitation of the Lord's Prayer is cut short when they are hanged. Cast Background In 1952, Miller's friend Elia Kazan appeared before the House Un-American Activities Committee (HUAC); fearful of being blacklisted from Hollywood, Kazan named eight members of the Group Theatre, including Clifford Odets, Paula Strasberg, Lillian Hellman, and John Garfield, who in recent years had been fellow members of the Communist Party. After speaking with Kazan about his testimony, Miller traveled to Salem, Massachusetts to research the witch trials of 1692. The Crucible, in which Miller likened the situation with the House Un-American Activities Committee to the witch hunt in Salem in 1692, opened at the Beck Theatre on Broadway on January 22, 1953. Miller and Kazan were close friends throughout the late 1940s and early 1950s (the latter had directed the original production of Miller's Death of a Salesman), but after Kazan's testimony to the HUAC, the pair's friendship ended, and they did not speak to each other for the next ten years. The HUAC took an interest in Miller himself not long after The Crucible opened, denying him a passport to attend the play's London opening in 1954. Later Miller was further checked out: when testimony came out that he misled the HUAC, he was sentenced to a $500 fine and a 30-day stay in jail. It was overturned on appeal. Kazan defended his own actions through his film On the Waterfront, in which a dockworker heroically testifies against a corrupt union boss. Though the play was widely considered only somewhat successful at the time of its first production, today The Crucible is Miller's most frequently produced work throughout the world. It was adapted as an opera by Robert Ward, which won the Pulitzer Prize for Music in 1962. Reception The movie was not a