reproduced by production label Rotana in 2002 among the famous collection musical record Mahrajan Nagham Watarab 2002 (Festival of Melodies and Oriental 2002). However, Angham's relationship with her father started to deteriorate when he discovered her intention of separating from him. He felt stress over the public's reprisal of his daughter's as a person and artist. Among the four records, it was the last one that had a phenomenal success. The latter featured the hit "Ya Tayeb" (Humble Person), which tackled the subject of humanity and stabilized Angham's position as a celebrity. In 1992, the feud between Angham and her father resulted in her working less with her father to conceive her seventh record, "Intal Alam" ("You Are The World") which was produced by "Sawt elCahira" ("Voice of Egypt") Records. The 1993 record Ella Ana ("Except Me"), produced by Rocky Records, was the best record for Angham between 1987 and 1994. This fact was attributed to the critical and commercial success of such tracks as "Telephonak Kam" ("What's Your Number"), "Shantet Safar" ("Luggage") and "Ella Ana". 1995–2000: Search for expansion After her separation from her father, Angham collaborated with music composer, Ameer Abdel Mageed. He worked subsequently on "Baollak Eih" (Tell You What) record in 1995 and musically composed all its tracks. The record was produced by Laser Records owned by Mustafa Dagher. The track "Tekdar Aal Meshwar" ("Up for the Journey") was sung in 7.6 octave voice with a rich oriental music background. "Law Hasseit" which was filmed as a music video is the first track to contain quick Latin/Spanish beats, and perhaps helped Angham gain more popular in the young demographic. The sound engineering was taken care by Ameen Akef, Hussein Aahdy, and Omro Hashem, while the record was co-produced by Angham and Adel Othman Helal. In 1996, under Laser Records' production, Angham's tenth record Akdar ("I Can") saw the light. It was entirely composed by Ameer Abdel Mageed. The record was released in a second copy featuring the unreleased track "el Amar" ("The Moon"). Angham stepped up to show that she can make it without father's guidance. International composer, Abdo Dagher, also worked with Ameer Abdel Mageed in the construction of the tracks' melodies. Angham started to experiment recording in the Lebanese dialect, but could not master it. However, she rehearsed for the Gulf dialect and released "Shay Daa" ("Something Got Lost") in 1996, which was her