Hot Spot is a musical with the book by Jack Weinstock and Willie Gilbert, lyrics by Martin Charnin, music by Mary Rodgers, and additional lyrics and music by Stephen Sondheim. It had a brief run on Broadway in 1963. The musical is a political satire. Background A Peace Corps volunteer in newly independent Nigeria, Marjorie Michelmore, caused a furor because she had written a postcard on October 13, 1961, describing the primitive living conditions there. Nigerians were indignant, and some accused the volunteers of being American spies. This led to a public relations crisis for the fledgling Peace Corps. Production Hot Spot began out-of-town try-outs on February 11, 1963, at the National Theater, Washington, D.C., and on February 28 at the Shubert Theatre, Philadelphia, Pennsylvania. The musical premiered on Broadway at the Majestic Theater on April 19, 1963, and closed on May 25, 1963, after 43 performances and 5 previews. (Although reporting 5 "official" previews, according to The New York Times, "the musical expects to run up 36 [previews] at the Majestic by the time it opens".) Scenic and costume design was by Rouben Ter-Arutunian, and lighting design by John Harvey. At least five directors worked on the show: the original director was Morton DaCosta, followed by Martin Charnin, Robert Fryer, Richard Quine, Arthur Laurents, and Herbert Ross. The original choreographer was Onna White. There was no credit given to either director or choreographer, although the New York Times review credits read "staged by Herbert Ross". Stephen Sondheim, a friend of Rodgers, was brought onto the creative team, resulting in the show's opening and closing number, "Don't Laugh" and the song "That's Good, That's Bad". The cast starred Judy Holliday and included Conrad Bain, Joe Bova, Joseph Campanella, Mary Louise Wilson, Carmen De Lavallade, Charles Braswell and George Furth. This marked Judy Holliday's final stage performance. (She was quoted as saying "You can only live through one or two Hot Spots in your life.") One of Broadway's most well-known flops, it had 58 "preview" performances, setting a record by cancelling its official opening four times, and then running for only 43 "official" performances. According to Steven Suskin, "it was one of those big-budget, big-advance-sale bonanzas which go wrong and turn into highly public busts." According to the review in Billboard, "Predictions of failure preceded the show and these were confirmed when the New York Critics Circle passed a unanimous negative