Frankie Armstrong (born 13 January 1941) is an English singer and voice teacher. She has worked as a singer in the folk scene and the women's movement and as a trainer in social and youth work. Her repertoire ranges from traditional ballads to music-hall and contemporary songs, often focusing on the lives of women. She is a key mover of the natural voice movement and is the president of the natural voice network, and has been a voice coach for theatrical groups, including at the National Theatre for 18 years. Involved with folk and political songs from the 1950s, she has performed and/or recorded with Blowzabella, The Orckestra (with Henry Cow and the Mike Westbrook Brass Band), Ken Hyder's Talisker, John Kirkpatrick, Brian Pearson, Leon Rosselson, Dave Van Ronk and Maddy Prior. She is blind from glaucoma. Biography Armstrong was born on 13 January 1941 in Workington, Cumberland. She moved to Hoddesdon, Hertfordshire, as a young child. She began singing in a group with her brother singing Elvis Presley and Little Richard numbers, and in 1957 joined the Stort Valley Skiffle Group which a few years later changed its name to the Ceilidh Singers as its repertoire moved towards folk music. The group founded the Hoddesdon Folk Club. In 1963 she qualified as a social worker for blind people and began working with Louis Killen and performing solo (Louis Killen's advice led to her developing the harder voice quality for which she is noted.). In 1964, at Killen's suggestion she joined The Critics Group directed by Ewan MacColl and Peggy Seeger. In 1965 she sang at the Edinburgh Festival "Poets in Public", with John Betjeman, Stevie Smith and Ted Hughes. Her first recording, in 1965, was at the invitation of Bert Lloyd who as director of Topic Records was putting together an album of erotic songs with Anne Briggs, released as The Bird in the Bush (12T135, 1966). In 1968 she recorded songs for the radio programme The Blind Set produced by Charles Parker about the treatment of visually impaired people which led to the formation of the Blind Integration Group. In 1973 she spent several weeks in the US and met Ethel Raim. She was inspired by Raim's Balkan singing workshops and in the mid-1970s pioneered her own workshops developing her own approach to singing with a natural voice. Her conviction that singing is for everyone has underpinned her