Derek and Clive was a double act of comedic characters created by Dudley Moore (Derek) and Peter Cook (Clive) in the 1970s. The performances were captured on the records Derek and Clive (Live) (1976), Derek and Clive Come Again (1977), and Derek and Clive Ad Nauseam (1978), as well as in a film documentary, Derek and Clive Get the Horn (1979). Upon release, more than 100,000 copies of Derek and Clive (Live) were sold in the United Kingdom. A greatest hits album containing some previously unreleased material, called Rude & Rare: The Best of Derek and Clive, was released in 2011. The characters are foul-mouthed extensions of the earlier characters Pete and Dud. Considered highly offensive by many at the time, the sketches primarily took the form of bizarre, sometime drunken streams of consciousness led by Cook, with interjections from Moore. Memorable moments from the records include Clive claiming that the worst job he ever had was retrieving lobsters from Jayne Mansfield's arsehole, Derek claiming his worst job was cleaning up Winston Churchill's bogeys (leading the pair to conclude that the Titanic was one such bogey), Clive claiming that he was sexually aroused by the sight of a deceased Pope lying in state, Derek's account of a stranger accosting him and the ensuing profanity-laden conversation between them, followed by Clive's reminiscence of viciously assaulting a man who had said "Hello" to him at a football match, and a horse-racing 'commentary' featuring horses given the names of sexual organs, often in their vulgar forms. Though the recordings were far too crude for a mainstream audience, Derek and Clive bootleg recordings circulated. They were mostly unscripted dialogues incorporating copious swearing – including frequent use of the word "cunt". Characters The characters, supposedly two lavatory attendants (although in one sketch, 'Back of the Cab', they play the roles of two London taxi drivers) first surfaced in the mid-1970s. Development of the show Cook and Moore were performing on Broadway with their revue show Good Evening, a live version of their television series Not Only... But Also. The relationship between the two men had become strained as a result of Cook's worsening alcoholism. To reassure Moore, Cook hired a recording studio in New York, where the two could simply relax, drink and ad-lib. The resulting recording was padded out with live performances of old favourites, such as "Bo Duddley" and began to circulate as