5, 3. University of Warwick, edited by Hugh Denard and C.W. Marshall. Weinberg, Alan M. “Religion and Patriarchy in Shelley's The Cenci.” Unisa English Studies, 28, 1 (April 1990): 5–13. White, Harry. "Beatrice Cenci and Shelley's Avenger." Essays in Literature, 5.1 (Spring, 1978). White, Harry. "Relative Means and Ends in Shelley's Social-Political Thought." SEL: Studies in English Literature 1500–1900, 22, 4, Nineteenth Century (Autumn, 1982), pp. 613–631. Whitman, Robert F. (1959). "Beatrice's 'Pernicious Mistake' in the Cenci." Modern Language Association. Wilson, James D. “Beatrice Cenci and Shelley's Vision of Moral Responsibility.” Ariel, 9, 3 (July 1978): 75–89. Worton, Michael. "Speech and Silence in The Cenci." Essays on Shelley, pp. 105–24.. Edited by Miriam Allott. Liverpool: Liverpool UP, 1982. External links Text at Bartleby.com Introductory note at Bartleby.com New York Times review of 2008 performance based on Artaud adaptation. 2008 New York Times review "It’s Not Just Cruel; It’s Unusual, Too" of the Artaud adaptation 2008 University of Guelph, Ontario, Canada production of The Cenci Vassar College production of The Cenci directed by Michael Barakiva 1997 premiere of Havergal Brian opera based on the play Plays by Percy Bysshe Shelley 1819 plays Incest in fiction Works by Percy Bysshe Shelley 1810s works Plays adapted into operas Plays based on real people Plays set in Italy Plays set in the 16th century Cultural depictions of Beatrice Cenci