he is a form of the universal God (Tian or Shangdi) symbolising the axis mundi (Kunlun), or the intersection between the Three Patrons and the Five Deities, that is the center of the cosmos. He is therefore described in the Shizi as the "Yellow Emperor with Four Faces" ( Huángdì Sìmiàn). His human incarnation, the "Yellow Emperor (or Deity) of the Mysterious Origin" ( Xuānyuán Huángdì), is said to be the creator of the Huaxia civility, of marriage and morality, language and lineage, and patriarch of all the Chinese together with the Red Deity. Xuanyuan was the fruit of virginal birth, as his mother Fubao conceived him as she was aroused, while walking in the country, by a lightning from the Big Dipper. Mother goddess worship The worship of mother goddesses for the cultivation of offspring is present all over China, but predominantly in northern provinces. There are nine main goddesses, and all of them tend to be considered as manifestations or attendant forces of a singular goddess identified variously as Bixia ( "Blue Dawn"), the daughter or female consort of the Green God of Mount Tai, or Houtu ( the "Queen of the Earth"). Bixia herself is identified by Taoists as the more ancient goddess Xiwangmu, Goddesses are commonly entitled mǔ ( "mother"), lǎomǔ ( "old mother"), shèngmǔ ( "holy mother"), niángniáng ( "lady"), nǎinai ( "granny"). Altars of goddess worship are usually arranged with Bixia at the center and two goddesses at her sides, most frequently the Lady of Eyesight and the Lady of Offspring. A different figure but with the same astral connections as Bixia is the Qixing Niangniang ( "Goddess of the Seven Stars"). There is also the cluster of the Holy Mothers of the Three Skies ( Sanxiao Shengmu; or "Ladies of the Three Skies", Sanxiao Niangniang), composed of Yunxiao Guniang, Qiongxiao Guniang and Bixiao Guniang. In southeastern provinces the cult of Chen Jinggu () is identified by some scholars as an emanation of the northern cult of Bixia. There are other local goddesses with motherly features, including the northern Canmu ( "Silkworm Mother") and Mazu ( "Ancestral Mother"), popular in provinces along the eastern coast and in Taiwan. The title of "Queen of Heaven" ( Tiānhòu) is most frequently attributed to Mazu and Doumu (the cosmic goddess). Worship and modalities of religious practice Adam Yuet Chau identifies five styles or modalities of "doing" Chinese