these originals ... and 'Wildfire' is ample proof that Gary could have written for the Temptations if he really wanted to." The band released a follow-up, Witness, in November 1973, by which point Graham had departed, with Mike Kellie returning on drums. By February 1974, Stewart and Harrison had also left. In January that year, Wright accompanied George Harrison to India, where they journeyed to Varanasi (Benares), the Hindu spiritual capital of India, and home to Harrison's friend Ravi Shankar. The visit would influence the spiritual quality of Wright's lyrics when he returned to his solo career. In England, he and Harrison worked together on The Place I Love (1974), the debut album by English duo Splinter. In addition to playing keyboards, Wright served as what author Simon Leng terms "a sounding board and musical amanuensis" on the project, which was the first album released on Harrison's Dark Horse record label. Wright regrouped with Spooky Tooth for a final album, The Mirror (1974), with Mike Patto as their new vocalist. Following further personnel changes, The Mirror was issued by Goodear Records in the UK in October 1974, a month after Wright had disbanded the group. 1975–1981: Solo career on Warner Bros. Records The Dream Weaver After Spooky Tooth's break-up, Wright returned to New Jersey and began compiling songs for his third solo album. Under the guidance of new manager Dee Anthony, he chose to sign with Warner Bros. Records, mainly because the company had no keyboard virtuosos among its other acts. Wright says that it was while routining his songs with all his stage equipment set up – Hammond organ, Hohner Clavinet, Fender Rhodes electric piano, Minimoog and ARP String Ensemble – together with a drum machine, that he decided to record the album "all on keyboards", without guitars. He acknowledges that artists such as Stevie Wonder had similarly released keyboard-dominated music, but "[Wonder] used brass and he used other things as well". On Wright's debut album for Warner Bros., The Dream Weaver (1975), he, David Foster and Bobby Lyle played a variety of keyboard instruments, supported only by drummers Jim Keltner and Andy Newmark, apart from a guitar part on the track "Power of Love" by Ronnie Montrose. Jason Ankeny of AllMusic describes The Dream Weaver as "one of the first [rock albums] created solely via synthesizer technology". The album was issued in July 1975 and enjoyed minimal success