1990". The novel has been translated into more than 20 languages." Like Water for Chocolate was developed into a film which premiered in 1992, concurrently with the book's English translation by Carol Christensen and Thomas Christensen. In the United States, Like Water for Chocolate became one of the largest grossing foreign films ever released. The film "dominated" Mexico's film awards and received ten Arieles and, according to Susan Karlin in Variety (1993), the fine-tuned final version of the film garnered "'nearly two dozen' international awards". Esquivel's second novel, La ley del amor (Grijalbo 1995 Mexico), translated as The Law of Love (trans. Margaret Sayers Peden, Crown–Random, 1996), is described by literary critic Lydia H. Rodríguez as a "narrative [that] deconstructs the present to create a twenty-third century where remarkable invention and familiar elements populate a gymnastically-paced text" whose "conflicts . . . set the Law of Love (as a cosmic philosophy) in motion" Literary critic Elizabeth Coonrod Martínez cautions, "Although Esquivel merges science fiction trappings with a love story in the novel, . . . [the author] attempts a blueprint for a harmonious future that remains beyond the experience of present societies, a future anchored by a central philosophy that individual wholeness can be achieved only by participation in and on behalf of the community" Esquivel's non-fiction compilation Between Two Fires (NY: Crown, 2000) featured essays on life, love, and food. Esquivel's third novel, Tan veloz como el deseo (Barcelona: Plaza y Janés, 2001), translated into English as Swift as Desire (Trans. Stephen A. Lytle. NY: Crown-Random, 2001), is set in Mexico City the apartment of Lluvia, a middle-aged divorcée caring for her debilitated father, Júbilo, a former telegraph operator born with a gift for understanding what people want to say rather than what they actually say. For the first time in this novel, according to critic Willingham, "Esquivel asks the reader to consider Mexico’s historical dialogue and [its] enduring truths" in a contemporary setting in which the characters seek a meaningful and lasting reconciliation that rises above historical errors and misunderstandings Esquivel's fourth novel Malinche: novela (NY: Atria, 2006), translated as Malinche: A Novel (Trans. Ernesto Mestre-Reed. NY: Atria, 2006), adopts "Malinalli" as the name of the title character, also known as "Doña Marina," whose pejorative title "La Malinche" means "the woman of Malinche," the Aztecs' (Nahuatl) name for Spaniard Hernán Cortés According to critic Ryan Long, Esquivel's naming