geniuses, just as much as men, and that Hosmer's work was pioneering a new women's art that celebrated female strength and power. Artistic style Hosmer was drawn to the Neoclassical style, which was easy to study given her presence in Rome. She enjoyed studying mythology, and she created various representations of mythological icons, such as the sculpture of The Sleeping Faun, which includes intricate details of elements such as his hair, the grapes, and the cloth draped over him. Later life She also designed and constructed machinery, and devised new processes, especially in connection with sculpture, such as a method of converting the ordinary limestone of Italy into marble, and a process of modeling in which the rough shape of a statue is first made in plaster, on which a coating of wax is laid for working out the finer forms. Hosmer later lived in Chicago and Terre Haute, Indiana. Hosmer exhibited her sculpture of Queen Isabella, commissioned by the Queen Isabella Association, in the California State Building at the 1893 World's Columbian Exposition in Chicago, Illinois. The statue was exhibited again in 1894 at the California Midwinter International Exposition. For 25 years she was romantically involved with Louisa, Lady Ashburton, widow of Bingham Baring, 2nd Baron Ashburton (died 1864). Lady Ashburton provided Harriet a studio close to the Ashburton home in Knightsbridge, London. Hosmer died at Watertown, Massachusetts, on February 21, 1908, and is buried in the family plot at Mount Auburn Cemetery, Cambridge. Aside from the work she produced, Harriet Hosmer made her mark on art history and feminist and gender studies. As the National Museum of Women in the Arts put it, "Harriet Goodhue Hosmer defied 19th-century social convention by becoming a successful sculptor of large scale, Neoclassical works in marble." Context In the 19th century women did not usually have careers, especially careers as sculptors. Women were not allowed to have the same art education as men, they were not trained in the making "great" art such as large history paintings, mythological and biblical scenes, modeling of figure. Women usually produced artwork that could be done in their home, such as still lives, portraits, landscapes, and small scale carvings, although even Queen Victoria allowed her daughter, the Princess Louise, to study sculpture. Hosmer was not allowed to attend art classes because working from a live model was forbidden for women, but she took classes in anatomy