“Fanfare”. For wind and percussion instruments. 1974 — Music for two pianos, trumpets, percussion and violins. скрипок. В четырех частях. In 4 parts. 1975 — Third Symphony. For full symphony orchestra, duduk and zurna. In three parts. Dedication “Herman R. Terteryan”. 1975 — Symphonic picture №2. For full symphony orchestra. 1975 — Music for winds and percussion instruments, electronic synthesizer and piano. 1976 — Fourth Symphony. For full symphony orchestra. Dedication “David Khanjyan.” 1977 — “Hymn”. Cantata for mixed choir and symphony orchestra. Words by G. Emin. 1978 — Fifth Symphony. For full symphony orchestra, kyamancha and large bells. Dedication “Gennady Rozhdestvensky." 1979 — “Monologues of Richard III”. The ballet in two parts. Libretto: H. Kaplanyan and V. Galstyan on Shakespeare’s tragedy “Richard III”. 1981 — Sixth Symphony. For Chamber Orchestra, Chamber Choir and nine phonograms with recording of groups of full symphony orchestra, choirs, harpsichords and large bells. Dedication “Irina G. Tigranova”. 1981 — “ A boy and a girl playing” Romance for voice and chamber orchestra. Words by A. Isahakyan. 1984 — “Earthquake”. Opera in two parts. Libretto: Hertha Shteher, Avet Terteryan, based on the novel by Heinrich von Kleist’s “Earthquake in Chile”(in German). 1985 — The choir and a cappella. For a mixed choir а cappella. 1987 — Seventh Symphony. For full symphony orchestra, dap and tape recording. Dedication “Alexander Lazarev.” 1989 — Eighth Symphony. For full symphony orchestra, two voices (soprano) and phonograms. Dedication “Murad Annamamedov.” 1991 — String Quartets №2. For two violins, viola and cello. 1994 — Ninth Symphony (unfinished). For full symphony orchestra, choir and tape recordings. Music for films 1973 — “Chronicle of Yerevan Days”. Feature film. Film-maker F. Dovlatyan. Production studio “Armenfilm” n. Hamo Beknazaryan. 1985 — “The rider, who was expected” (“Master thief"). The co-author V. Rubashevsky. Art telefilm in two runs. Directed by D. Kesayants. A. Terteryan Music was used in many films, giving them a special significance. To name just a few: 1988 — “Our Armored Train” (film-maker M. Ptashuk, Minsk, Belarus) "Interpretation of Dreams” (film-maker L. Saakyants, Yerevan, Armenia); 1989 — “The creative biography of Ernst Neizvestny and music of A. Terteryan” (film-maker Bondarev, Moscow, USSR); 1990 — “Public Enemy” (cond. L. Maryagin, Moscow, USSR); Qamin unaynutyan (Wind of Oblivion) 1991 — “Vox Clamantis in Deserto” (Dzayn barbaro ... , film-maker Vigen Chaldranyan, Yerevan, Armenia) “The Way of Kings” (film-maker E. Shiffers, Leningrad, USSR), “Return to the