demanded him to leave his land or else she would, swearing upon the Sun, "give him more blood than he could drink." Death of Cyrus Tomyris herself led the Massagetaean army into war, and, during the next battle opposing the Massagetae to the forces of Cyrus, Tomyris defeated the Persians and destroyed most of their army. Cyrus himself was killed in the battle, and Tomyris found his corpse, severed his head and shoved it in a bag filled with blood while telling Cyrus, "Drink your fill of blood!" Aftermath According to another version of the death of Cyrus recorded by Ctesias, Cyrus died in battle against the Derbices, who were either identical with the Massagetae or a Massagetaean sub-tribe: according to this version, he was mortally wounded by the Derbices and their Indian allies, after which Cyrus's ally, the king Amorges of the Amyrgians, intervened with his own army and helped the Persian soldiers defeat the Derbices, following which Cyrus endured for three days, during which he organised his empire and appointed Spitaces son of Sisamas as satrap over the Derbices, before finally dying. Little is further known about Tomyris after the war with Cyrus. By around 520 BCE and possibly earlier, her tribe was ruled by a king named Skunxa, who rebelled against the Persian Empire until one of the successors of Cyrus, the Achaemenid king Darius I, carried out a campaign against the Sakas from 520 to 518 BCE during which he conquered the Massagetae, captured Skunxa, and replaced him with a ruler who was loyal to Achaemenid power. Legacy Tomyris became a fairly popular reference in European art and literature during the Renaissance. In art the usual subject was her receiving the head of Cyrus, or putting it into the blood-filled container. This became part of the Power of Women group of women subjects who triumphed in various ways over men. The history of Tomyris has been incorporated into the tradition of Western art; Rubens, Allegrini, Luca Ferrari, Mattia Preti, Gustave Moreau and the sculptor Severo Calzetta da Ravenna are among the many artists who have portrayed events in the life of Tomyris and her defeat of Cyrus and his armies. Eustache Deschamps added Tomyris to his poetry as one of the nine Female Worthies in the late 14th century. In Shakespeare's earliest play King Henry VI (Part I), the Countess of Auvergne, while awaiting Lord Talbot's