Edward Blore (13 September 1787 – 4 September 1879) was a 19th-century English landscape and architectural artist, architect and antiquary. Early career He was born in Derby, the son of the antiquarian writer Thomas Blore. Blore's background was in antiquarian draughtsmanship rather than architecture, in which he had no formal training. Nevertheless, he designed a large palace for Count Vorontsov in Alupka, Crimea, and important ecclesiastical furnishings designed by him included organ cases for Winchester Cathedral and Peterborough Cathedral (the Peterborough case since removed) and the choir stalls in Westminster Abbey. Charles Locke Eastlake, writing in 1872, believed that he had been apprenticed to an engraver, but other sources dispute this. He illustrated his father's History of Rutland (1811), and over the next few years he made the drawings of York and Peterborough and measured drawings of Winchester for John Britton's English Cathedrals, and drew architectural subjects for various county histories. In 1816 he was introduced to Walter Scott and worked with William Atkinson on the design of Abbotsford House. In around 1822 Blore supplied the illustrations to Thomas Frognall Dibdin's Aedes Althorpianæ. In 1823 he toured Northern England, making drawings for a work called the Monumental Remains of Noble and Eminent Persons. It was issued in parts with text by the Rev. Philip Bliss, and completed in 1826. Blore engraved many of the plates himself. Westminster Abbey and Lambeth Palace In 1826, he was appointed Surveyor of the Fabric of Westminster Abbey. The following year he was engaged to furnish plans for the chancel fittings of Peterborough Cathedral. Shortly afterwards he was employed to restore Lambeth Palace, then in a state of near ruin. His work there included the construction of a fire-proof room for the preservation of manuscripts and archives. Eastlake praised Blore's careful detail in his work at Westminster Abbey, adding "this was, in short, his great forte. He had studied and drawn detail so long and zealously that its design came quite naturally to him, and in this respect he was incomparably superior to his contemporaries". Later career Blore is most notable for his completion of John Nash's design of Buckingham Palace. Following Nash's dismissal, he completed the palace in a style similar to but plainer than that intended by Nash. In 1847, Blore returned to the palace and designed the great facade facing The Mall thus enclosing the central quadrangle. He also worked on St