This is an incomplete list of musical pieces composed in the twelve-tone technique and pieces that use serialism. List of musical pieces composed in the twelve-tone technique Second Viennese School Alban Berg Kammerkonzert, for piano, violin, and winds (1923–25) Lyrische Suite, for string quartet (1925/26) Der Wein, concert aria for soprano and orchestra after a poem by Charles Baudelaire (1929) Lulu, opera after Die Büchse der Pandora by Frank Wedekind (1928–35) Violinkonzert, for violin and orchestra (1935) Hanns Eisler Palmström, song cycle op. 5 (1923/24) Zeitungsausschnitte (Newspaper Clippings), song cycle op. 11 (1926) "14 Arten den Regen zu beschreiben" (1940, for the 1929 short documentary Regen) Arnold Schoenberg Waltz from 5 Klavierstücke, op. 23 Serenade, op. 24 Suite for Piano, op. 25 Wind Quintet, op. 26 Four Pieces for mixed voices, op. 27 Suite for piano, piccolo clarinet, clarinet, bass clarinet, violin, viola, and cello, op. 29 String Quartet No. 3, op. 30 Variations for Orchestra, op. 31 Von heute auf morgen, op. 32 Klavierstück, op. 33a Klavierstück, op. 33b Moses und Aron (incomplete) Begleitmusik zu einer Lichtspielszene [Accompanying music to a film scene], op. 34 Concerto for Violin and Orchestra, op. 36 String Quartet No. 4, op. 37 Concerto for Piano & Orchestra, op. 42 String Trio, op. 45 A Survivor from Warsaw, op. 46 Fantasy for Violin & Piano, op. 47 Anton Webern Three Lieder, op. 17 (1924–1925) Three Lieder, for voice, E flat clarinet and guitar, op. 18 (1925) Two Lieder, for mixed choir, celesta, guitar, violin, clarinet and bass clarinet, op. 19 (1926) String Trio, op. 20 (1927) Symphony, op. 21 (1928) Quartet for violin, clarinet, tenor saxophone and piano, op. 22 (1930) Three Songs on Viae inviae, for voice and piano, op. 23 (1934) Concerto for flute, oboe, clarinet, horn, trumpet, trombone, violin, viola and piano, op. 24 (1934) Three Lieder on texts by Hildegard Jone, for voice and piano, op. 25 (1934–35) Das Augenlicht, for mixed choir and orchestra, on a text by Hildegard Jone, op. 26 (1935) Variations, for solo piano, op. 27 (1936) String Quartet, op. 28 (1937–38) – the tone row of this piece is based around the BACH motif Cantata No. 1, for soprano, mixed choir and orchestra, op. 29 (1938–39) Variations, for orchestra, op. 30 (1940) Cantata No. 2, for soprano, bass, choir and orchestra, op. 31 (1941–43) Milton Babbitt Virtually all published works after 1947 John Cage Sonata