amount of its predecessor. The film ultimately earned $31.2 million in the United States. The New York Times reported that one studio president had thought the use of the word "caper" in the title was a mistake. It is the fifth-highest grossing Muppet film behind The Muppets (2011), The Muppet Movie (1979), Muppets Most Wanted (2014) and Muppet Treasure Island (1996). Critical response Roger Ebert of the Chicago Sun-Times gave the film a two star rating (out of four), writing "...Henson and his associates haven't developed a screenplay that pays attention to the Muppet personalities. Instead, they ship them to England and dump them into a basic caper plot, treating them every bit as much like a formula as James Bond." He concluded his review by stating that "the lack of a cutting edge hurts this movie. It's too nice, too routine, too predictable, and too safe." Similarly, Sheila Benson of the Los Angeles Times felt the "Muppets don't belong in a caper movie. They are interpreters of character, relationship and the human condition. (Of the first film's writers, Jerry Juhl and Jack Burns, only Juhl remains, now collaborating with Jack Rose; Tom Patchett and Jay Tarses are the other pair of writers credited. You can frequently scent trouble, or at least a lack of cohesion, as the list of writers mounts.) Somebody let the air out of the jokes and the originality out of the melodies, which this time are by Joe Raposo." Gene Siskel of the Chicago Tribune awarded the film three out of four stars, particularly singling out Miss Piggy for her "fabulous personality, a genuine star quality". However, he felt the film suffers "from a case of the we-know-we're-cute-so-we-can-get-by-with-anything disease. The disease manifests itself in the script that forever interrupts itself with jokes about the movie we're watching ... I expect the screenwriters to try to write a seamless story. Anybody can interrupt the action of a movie for gratuitous remarks such as these, but it's a very cheap laugh." Todd McCarthy, reviewing for Variety, wrote that The Great Muppet Caper "possesses all the charm of the first installment", in which he applauded Henson for showing "a sure hand in guiding his appealing stars through their paces." Vincent Canby of The New York Times compared the romantic chemistry between Kermit the Frog and Miss Piggy to that of Nelson Eddy and Jeanette MacDonald, in which he