Flareit in Love's Last Shift, Lucy Lockit, Lady Haughty in the Silent Woman, Doll Common, Mrs. Termagant in The Squire of Alsatia, Pert, Mrs. Foresight, Berinthia in The Relapse, Araminta, and afterwards Belinda, in the Old Bachelor, Lady Anne, Duchess of York in King Richard III, Angelica in Love for Love, Lady Macduff, Anne Boleyn, Leonora in The Libertine, Mrs. Sullen, Monimia, Desdemona, Rosalind, Viola in Twelfth Night, and Nerissa in The Merchant of Venice. A couple of original parts stand prominently out – Dorothea to the Maria of Mrs. Clive in Miller's Man of Taste, 6 March 1735, and Peggy in Dodsley's King and the Miller of Mansfield, 1 Feb. 1737. On 1 Jan. 1742, as Arabella in The London Cuckolds of Ravenscroft, she first appeared at Covent Garden, where she played, among other parts, Sylvia in The Recruiting Officer, Paulina in The Winter's Tale, Nottingham in Essex, Queen in Hamlet, Elvira in the Spanish Fryar, Mrs. Frail, and Doris in Æsop, Next year she returned to Drury Lane, playing Amanda in The Relapse, Margarita in Rule a Wife and have a Wife, Elvira in Love Makes a Man, Jane Shore, Belvidera, and Kitty Pry in the Lying Valet, and was, on 17 Feb. 1743, the original Clarinda in Fielding's Wedding Day. In January 1744 she was once more at Covent Garden, where she remained until 1747, adding to her repertory Isabella in Measure for Measure, Queen Katharine, Calista, Andromache, Lady in Comus, Abra-Mulé, Lady Macbeth, Queen in Richard III, Portia in Julius Cæsar, Aspasia, Lætitia in Old Bachelor, Evadne in Maid's Tragedy, Mariamne, Lady Brute, Maria in the Nonjuror, Mrs. Ford, Portia in Merchant of Venice, Beatrice, Helena in All's well that ends well, Marcia in Cato, and numerous parts of corresponding importance. Her only 'creations' were Constance in Colley Cibber's Papal Tyranny in the Reign of King John, 15 Feb. 1745; Tag in David Garrick's Miss in her Teens, 17 Jan. 1747; and Clarinda in Hoadley's The Suspicious Husband, 12 Feb. 1747. When in 1747–8 Garrick became patentee of Drury Lane, Mrs. Pritchard accompanied him thither, reappearing on 23 Nov. 1747 as Lady Lurewell in The Constant Couple. She was advertised to act George Barnwell for the benefit of her husband, who was then connected with the management of the theatre, but the piece was changed. She played Oroclea in John Ford's Lover's Melancholy, "not acted these