a reference to "Warszawa". Wilcken writes that Joy Division imitate the "split mentality" of Low on their final album Closer (1980), a record which contains progressively darker track sequencing. Joy Division's drummer Stephen Morris told Uncut magazine in 2001 that when making their 1978 An Ideal for Living EP, the band asked the engineer to make the drums sound like "Speed of Life"; "Strangely enough he couldn't." Like Morris, many musicians, producers and engineers tried to imitate Lows drum sound. Visconti refused to explain how he crafted the sound, asking them instead how they thought it had been done. Approximations began appearing throughout the rest of the 1970s and, by the 1980s, were found on almost every record on the charts. Seabrook credits Bowie as being indirectly responsible for the "thumping backbeat" heard on tracks ranging from Phil Collins' "In the Air Tonight" to Duran Duran's "Hungry Like the Wolf". In an interview with Musician magazine in 1983, Bowie expressed his dismay, stating, "That depressive gorilla effect was something I wish we'd never created, having had to live through four years of it with other English bands." Many musicians have discussed the album's influence. On learning the title of the album was Low (without an "e"), English singer-songwriter Nick Lowe "retaliated" by naming his 1977 EP Bowi (without an "e"). Robert Smith, of the English rock band the Cure, listened to the record frequently while making their 1980 album Seventeen Seconds. In 1994, musician Trent Reznor of the American rock band Nine Inch Nails cited Low as a key inspiration for The Downward Spiral (1994), crediting its "song-writing", "mood" and "structure[s]" as influences. Dave Sitek of the American rock band TV on the Radio stated: "That particular album, that song 'Warszawa', that's when I knew music was the ultimate force, at least in my own life." Bowie worked with the band in 2003. In 1992, the American composer and pianist Philip Glass produced a classical suite based on the album, titled "Low" Symphony, his first symphony. It consisted of three movements based on Low tracks: "Subterraneans"; "Some Are" (an outtake); and "Warszawa". The Brooklyn Philharmonic Orchestra recorded the symphony at Glass' Looking Glass Studios in New York and it was released in 1993. Speaking of the album, Glass said: "They were doing what few other people were trying to do—which was to create an art within the realm of popular