at First Light was published on July 7, 1999 with a print run of 200,000. For the publicity campaign, Patrick Hemingway appeared on the Today Show on the day of publication. The book became the main selection for the Book of the Month Club (BOMC), was serialized in the New Yorker, and rights were sold for translations to Danish, French, German, Icelandic, Italian, Norwegian, Polish, Spanish, and Swedish. A sound recording was released in 2007. Genre In The New York Times James Woods described True at First Light as a travel journal that became a "fanciful memoir" and then a novel of sorts. Patrick Hemingway believed adamantly the manuscript was more than a journal. He emphasized the storyline because, as he explains, "the essential quality of the book is an action with a love interest". He tightened the hunting scenes, and to honor his father's statement to the reader that "where I go, you go" he emphasized the mid-20th century Africa scenes and "the real relation between people ... on that continent". Although he fictionalized the storyline, Patrick Hemingway said of the characters, "I knew every single one ... very well indeed". Hemingway scholar Robert Fleming (who reworked the manuscript as Under Kilimanjaro) considers Patrick Hemingway's editing essentially to be correct because he believes the work shows evidence of an author unable to "turn off the mechanism that produces fiction". The marital conflict is where Fleming believes the book took "a metafictional turn". The published book is marketed as fiction. Fleming considers True at First Light similar to Hemingway's Green Hills of Africa and A Moveable Feast—a book that presents a primary topic as a backdrop interspersed with internal dialogue. Unlike the other two books, True at First Light is without a preface "indicating the intentions of the author or dictating how he intended to have the book read". Fleming thinks Hemingway regarded Green Hills of Africa as experimental and A Moveable Feast as fiction. Rose Marie Burwell, author of Hemingway: The Postwar Years and the Posthumous Novels, believes Hemingway enjoyed writing the "strange combination of memoir and fiction". She thinks in the fictional aspects of True at First Light he is free to imagine a second wife and to jettison his Protestant background. Themes Hemingway is "most definitely on vacation" in True at First Light writes Fleming; and Burwell sees an author who is willingly and happily enjoying a