heel of one foot marks the initial line of scrimmage. The box man places his indicator to mark this position and sets the box to display "1". The operator of the rear rod marks the same position, while the other rod man moves ten yards toward the defense's goal line to mark the line to gain. The linesman, the box man, or a fourth member of the chain crew attaches a "clip" to the chain to line up with the rear edge of the closest five-yard line to the rear rod. A device on the clip indicates which numbered line this is. The clip and the device let the chain crew restore the position of the rods after a mishap. In leagues such as the NFL with Instant Replay, there may be multiple clips to let the rods be repositioned after a play is reviewed and reversed. After a typical play, the box man increments the displayed number and realigns that pole to the new line of scrimmage, again as directed by the linesman. After a play that results in a first down, all three members move and reset their signals to mark a new series of downs. The chain crew must not move until the referee or linesman signals whether the play finished without a penalty. On a penalty, the chain crew stays put so that the officials can see the original state. When the referee and linesman walk off the appropriate number of yards, the box man moves as well. The box man does not change the number displayed, except on a penalty that results in a loss of down. On a penalty that results in a first down, the entire chain crew moves and resets. When possession of the ball switches to the other team, the forward rod becomes the rear rod and vice versa to minimize the distance the rod men have to move. However, at the end of the first and third quarters, when players switch directions on the field, the chain crew also moves (for example, a marker may move from one 32-yard line to the other 32-yard line). The rear rod man moves past the forward rod man and continues to mark the start of the series of downs, in the new orientation. The linesman and other officials supervise this movement, using one or more clips to exactly reposition the chains. On plays