and eventually left off the album after the record company felt it would not fit in with the rest of the tracks, despite Grant Nicholas' protests but was included on the Japanese release. A petition was set up to release the song as a single, and was also included alongside album track "Tender" on the end credits of the European dub of the Russian film Night Watch. The single reached number eleven in the UK singles chart. "Tender" was described by Grant as "a healing song" and was written on the piano. "Bitterglass" was one of the earlier songs written for the album, while being one of Grant's favourite songs it is also seen by him as one of the darker songs on the record, and refers to the events of Jon Lee's suicide although Grant noted that it is also uplifting and gives an optimistic feeling in its chorus, while also giving a hypnotic feel alongside stating that the piano in the verses gives "a kind of haunting melody". Other tracks on the album that did not see a single release such as "Morning Life" was a track Grant wanted to be "very atmospheric", and "something that would be great when you are driving around in your car", while also wanting it to have a "cinematic intro". Grant later claimed that "Morning Life" was a track many of the band's fans started to "pick up on" after buying the album, and also said "another version is a possibility". "Pilgrim Soul", the eighth track on the album was described by Grant as its most heaviest and said it will appeal to older fans. He said the album needed the track to "give it a lift at the end of the record" and that the "sing-a-long chorus" is what makes a song work. The chorus was explained as positive and the verses as dark, with the answer to the verses revealed in the chorus. The album closes with two similarly sounding tracks titled "Pain on Pain" and "Dove Grey Sands". Grant stated he wanted the album to end so the listener wanted the album to last longer, but also leave the listener with the feeling that "you have been on a really nice journey" and that it "felt like the perfect outro". It also "evolves round the acoustic guitar". "Pain on Pain" on the other hand was seen as "quite a