1825, Schubert composed a selection of seven songs from Scott's The Lady of the Lake. They were published in 1826 as his Opus 52. The songs are not intended for a single performer: the three songs of Ellen are for a woman's voice with piano accompaniment, while the songs for Norman and Malcolm Graeme were intended for the baritone Johann Michael Vogl. Of the remaining two songs, one was for a male ensemble and the other for a female ensemble. "Ellens Gesang I", D. 837, Raste Krieger, Krieg ist aus / "Soldier rest! the warfare o'er" "Ellens Gesang II", D. 838, Jäger, ruhe von der Jagd / "Huntsman, rest! thy chase is done" "Bootgesang" (Hail to the Chief), D. 835, Triumph, er naht / "who in triumph approaches", for male voice quartet "Coronach" (Deathsong of the women and girls), D. 836, Er ist uns geschieden / "He is gone to the mountain", for female choir "Normans Gesang", D. 846, Die Nacht bricht bald herein ("Night will soon be falling") "Ellens Gesang III" (Hymne an die Jungfrau / Hymn to the Virgin), D. 839, Ave Maria! Jungfrau mild / "Ave Maria! maiden mild!" "Lied des gefangenen Jägers", D. 843, Mein Roß so müd / "My steed is tired" Schubert composed the songs to the German texts. However, with the exception of No. 5, the songs were clearly intended to be published with the original English texts as well. This meant finding correspondences to Storck's sometimes quite free translations, which entailed significant difficulties. Lyrics Use in Fantasia (1940) Walt Disney used Schubert's song in the final part of his 1940 film Fantasia, where he linked it to Modest Mussorgsky's Night on Bald Mountain in one of his most famous pastiches. The end of Mussorgsky's work blends with almost no break into the beginning of Schubert's song, and as Deems Taylor remarked, the bells in Night on Bald Mountain, originally meant to signal the coming of dawn, which cause the demon Chernobog to stop his dark worship and the ghosts to return to the grave, now seem to be church bells signalling the beginning of religious services. A procession of monks is shown walking along. The text for this version is sung in English, and was written by Rachel Field. This version also had three stanzas, like Schubert's original, but only the third stanza made it into the film (one line in the