Additionally, a number of standard registrations may be indicated by the following designations: Plein jeu: combination of the organ's principals and flutes, with the mixtures also included. Grand jeu: a loud combination, based on the reed stops, frequently used in homophonic sections of larger pieces or standalone movements. The designations dessus, taille and basse stand for "soprano", "tenor" and "bass", respectively. A rarely used type of voicing is haute-contre (or haulte contre), "high tenor". Such designations are used to point to the position of the solo stop in a récit (see examples above), or of the chant melody in a setting (i.e. the title Kyrie en basse indicates that the chant itself is in the bass). Composers First period: the development of free polyphony Jean Titelouze (c. 1563–1633) Charles Racquet (1598–1664) Louis Couperin (c. 1626–1661) François Roberday (1624–1680) Nicolas Gigault (c. 1627–1707) Second period: the establishing of the French Classical Organ School Nicolas-Antoine Lebègue (1631–1702) Guillaume-Gabriel Nivers (1632–1714) Jean-Nicolas Geoffroy (1633–1694) Jean-Henri d'Anglebert (1635–1691) André Raison (c. 1640–1719) Lambert Chaumont (c. 1645–1712) Gilles Jullien (1650/53–1703) Jacques Boyvin (c. 1650–1706) Mathieu Lanes (1660–1725) Pierre Dandrieu (c. 1660–1733) François Couperin (1668–1733) Charles Piroye (c. 1668/72– c. 1728/30) Louis Marchand (1669–1732) Gaspard Corrette (1671–before 1733) Nicolas de Grigny (1672–1703) Pierre Dumage (1674–1751) Jean-Adam Guilain (c. 1675/80 –after 1739) Third period: 18th century Louis-Nicolas Clérambault (1676–1749) Jean-François Dandrieu (c. 1682–1738) François d'Agincourt (1684–1758) Louis-Antoine Dornel (1685–1765) Christophe Moyreau (c. 1690– c. 1772) Louis-Claude Daquin (1694–1772) Guillaume-Antoine Calvière (1695–1755) Pierre Février (1696– after 1762) Jean Girard (1696–1765) Dom George Franck (c. 1700/10– after 1740) Louis Archimbaud (1705–1789) Michel Corrette (1707–1795) Louis Bollioud-Mermet (1709–1794) Claude-Bénigne Balbastre (1724–1799) Armand-Louis Couperin (1727–1789) Jean-Baptiste Nôtre (1732–1807) Jean-Jacques Beauvarlet-Charpentier (1734–1794) Josse-François-Joseph Benaut (c. 1743–1794) Late 18th century and post-revolutionary period Guillaume Lasceux (1740–1831) Nicolas Séjan (1745–1819) Jean-Nicolas Marrigues (1757–1834) Gervais-François Couperin (1759–1826) Jean-Baptiste Charbonnier (1764–1859) Jacques-Marie Beauvarlet-Charpentier (1766–1834) François-Louis Perne (1772–1832) Alexandre Pierre François Boëly (1785–1858) Louis-Nicolas Séjan (1786–1849) See also French baroque harpsichordists German organ schools List of organ composers Organ repertoire Notes References Apel, Willi. 1972. The History of Keyboard Music to 1700. Translated by Hans Tischler. Indiana University Press. . Originally published as Geschichte der Orgel- und Klaviermusik bis 1700 by Bärenreiter-Verlag, Kassel. Beckmann, Klaus. Repertorium Orgelmusik. Komponisten - Werke - Editionen. 1150-2000 (3., neu bearbeitete und erweiterte Auflage 2001). Vol. I. Schott. Douglass, Fenner. 1995. The Language of the Classical French Organ: A Musical Tradition Before