Years, Moraga cites Capitalist Patriarchy: A Case for Socialist Feminism as an inspiration when realizing her intersecting identity as a Chicana lesbian, saying, "The appearance of these sisters' words in print, as lesbians of color, suddenly made it viable for me to put my Chicana and lesbian self in the center of my movement." Career Literature and writing Moraga co-edited the anthology This Bridge Called My Back: Writings by Radical Women of Color with Gloria Anzaldúa. The first edition was published in 1981 by Persephone Press. In 1983 Barbara Smith, Audre Lorde and Moraga started Kitchen Table: Women of Color Press, which has been credited as the first publisher dedicated to the writing of women of color in the United States. Kitchen Table published the second edition of This Bridge Called My Back. In 1986, the book won the Before Columbus Foundation American Book Award for that year. Along with Ana Castillo and Norma Alarcón, Moraga adapted this anthology into the Spanish-language Este puente, mi espalda: Voces de mujeres tercermundistas en los Estados Unidos. Later that same year Moraga's first sole-authored book, Loving in the War Years: lo que nunca pasó por sus labios, was published. In 2007 Moraga was named a 2007 USA Rockefeller Fellow and granted $50,000 by United States Artists. She won a Creative Work Fund Award in 2008, and the Gerbode-Hewlett Foundation Grant for Playwriting in 2009. Moraga has reflected on her experiences with feminist writing and activism in an oral history conducted by the Voices of Feminism Oral History Project. Still Loving in the (Still) War Years In 2009 Moraga published the essay “Still Loving in the (Still) War Years: On Keeping Queer Queer", which critiqued the mainstreaming of LGBT politics through an emphasis on same-sex marriage. In the essay she also discussed transgender people in queer communities and critiqued the increasing inclusion of trans issues in LGBT politics. She argues that young people are being pressured into transitioning by the larger queer culture, expressing fear that “the transgender movement at large, and plain ole peer pressure, will preempt young people from residing in that queer, gender-ambivalent site for as long and as deeply as is necessary.” Some community members such as Morgan Collado and Francisco Galarte responded by emphasizing how this invalidated and dismissed the lived experience of young people who decide to transition. In this essay Moraga goes further to lament what she