the future - at the same yearly time and date they were recorded. Sounds that it absorbs may possibly be echoed back many times in the future, at the same exact time of day and day of year that they were originally recorded. Feed (2006) and Life Support (2009) both examine ways in which art literally survives according human presence. Early internet art Shane has also created several early Internet art works which still appear at his personal website. Live (1998) is a simulated chatroom, which is actually full of bots. The bots learn new conversations from the humans that come into the room, which is another example of Cooper's recurring theme of the viewer leaving an impression on the artwork itself. It also features a “live webcam” that is actually a series of images that repeat over and over, with only the timestamp changing. Caption (1998) is a black web page showing only an image and a string of text. Usually, the pair appears to have a meaning of some sort, making it seem like the text was written specifically to go with the image. However, the image and text are chosen completely at random. (This can be verified by simply reloading the page until the same image appears twice, in which case it will most likely be matched with a different text string.) The project serves to illustrate how the human mind will find a link between any two randomly matched items. Notable exhibitions Various items at F.I.L.E. Electronic Language International Festival in São Paulo 1999 Various items atVisionNetwork in Tokyo 1999 Remote Control, in net_condition, ZKM, Karlsruhe, Germany 1999-2001 Remote Control, at GFT Creative Lab, Berlin 2001 Remote Control in Graz, Austria 2001 Reflection at Intermedium2, ZKM, Karlsruhe, Germany 2002 Reflection at Volkswagen AG in Berlin 2002 Remote Control in Vectors: Digital Art in our Time, The New York Digital Salon, New York 2003 Remote Control in Experimenta's House of Tomorrow, Melbourne 2003 Reflection in Ciber:Art Bilbao 2004 in Bilbao Spain Remote Control in Reality Show, Aarau, Switzerland, 2005 Live in Radiodays, De Appel Center for Contemporary Art, Amsterdam 2005 Remote Control in Kunstfest Weimar, "Masterpieces of Art from the ZKM Karlsruhe Collection", The Bauhaus, Weimar, Germany, 2005 Reflection at Ottawa School of Art, Ottawa, Canada, 2005 Feed at Massey University, Wellington, New Zealand, 2006 Feed at MOCA Taipei, Taiwan, 2007 Relapse at Gallery 155B Ottawa, Canada,