the moon while the Hero and Heroine row by on a cerebrum." No. 11: Mirror Animations (1956–57) 16 mm, color, 3:35 or 8 min. Features Thelonious Monk's "Misterioso". Cut-up and collage animation. Later expanded to No. 17. No. 12: Heaven and Earth Magic a.k.a. The Magic Feature a.k.a. Heaven and Earth Magic Feature (1943-58 or 1950-60 or 1950-61 or 1957-62 or 1959-61) (reedited several times between 1957–62) 16 mm, black & white, mono, initially 6 hours, later versions of 2 hours and 67 min. Extended version of No. 8. Collage animation culled from 19th century catalogs meant to be shown using custom-made projectors fit out with color filters (gels, wheels, etc.) and masking hand-painted glass slides to alter the projected image. Smith explains, "The first part depicts the heroine's toothache consequent to the loss of a very valuable watermelon, her dentistry and transportation to heaven. Next follows an elaborate exposition of the heavenly land, in terms of Israel and Montreal. The second part depicts the return to Earth from being eaten by Max Müller on the day Edward VII dedicated the Great Sewer of London." Jonas Mekas gave the film—which is often regarded as Smith's major work—its title in 1964/65. No. 13: Oz a.k.a. The Magic Mushroom People of Oz (1962) 35 mm widescreen (scope), color, stereo, 3 hours or 108 min. but only 20-30 min. are known to survive. Unfinished commercial adaptation of L. Frank Baum's The Wonderful Wizard of Oz which was shelved after Smith's close friend, the executive producer and primary financial backer Arthur Young died of cancer. Portions released as No. 16, 19, and 20. From the reported three to six hours of camera test footage (rushes) only ca. 15 minutes, in the form of non-color-corrected rushes, is known to be extant. The only completed part is The Approach to Emerald City, a 5 (other sources say 9 resp. 12) minute sequence set to music from Charles Gounod's Faust. No. 14: Late Superimpositions (1963-64-65) 16 mm, color, 29 min. Structured 122333221. Features the beginning of the opera Aufstieg und Fall der Stadt Mahagonny by Kurt Weill and Bertolt Brecht as recorded in 1956 by Lotte Lenya, the NDR Chor (Max Thurn) and the Norddeutsches Radio-Orchester (Wilhelm Brückner-Rüggeberg). Later expanded to No. 18. "I honor it the most of my films, otherwise a not very popular one before 1972." Shot in New York City and Anadarko. No.