one source to another. Therefore all available information has been added to the following list, inevitably resulting in a loss of clarity but having the advantage of giving the whole picture. The films are also known by variant designation, i.e. Film No. 1, Film # 1 or simply # 1. Since the 1970s, Smith's films have been archived and preserved by Anthology Film Archives in New York City. The Academy Film Archive preserved "Abstractions," films 1-3, and "Freedom and Famine" by Harry Smith. Visual art Smith's early efforts in the field of fine art painting were freeform abstractions intended to visually represent notes, measures, beats and riffs of the beatnik era jazz music that inspired him. There is photographic evidence of Smith's large paintings created in the 1940s; however, the works themselves were destroyed by Smith himself. He did not destroy his work on film (although he did misplace a few) and this legacy supplements the nature and design of his paintings. Smith created several later works, some of which have been serially printed in limited editions. Much of his imagery is inspired by Kabbalistic themes such as the Sephirah, where the Planetary Spheres are distributed like musical notes upon a staff. Occult interests Smith said he had become acquainted with the Lummi Indians through his mother's teaching work and claimed to have participated in shamanic initiation at a young age. He recorded Lummi songs and rituals using homemade equipment and notation of his own devising, and had an important collection of Native American religious objects. The Tarot was another of Smith's interests. A set of "irregularly-shaped Tarot cards" he designed was apparently used for the degree certificates for a branch of the Ordo Templi Orientis founded by occult "magus" Aleister Crowley. In the late 1940s in California Smith is said to have worked with Charles Stansfeld Jones, the one-time acolyte of Ipissimus Crowley,. Smith would later study under Jones's "trusted student", Albert Handel in New York. Smith frequented the Samuel Weiser Antiquarian Bookstore, a used book store on New York's "Book Row" that specialized in works on comparative religion, hermeticism, and the occult. The store's publishing house, Weiser Books, used Smith's designs for its paperback edition of Aleister Crowley's Holy Books of Thelema. Sanders recounts that Smith was the key advisor for Allen Ginsberg and The Fugs's effort to levitate The Pentagon. "In the fall of 1967", Sanders wrote: