he's about 50 years old, thus born circa 1916. In The Doomsters a sheriff mocks his 6'2" and blue eyes. As old failures plague him, we learn he once "took the strap away from my old man", that he was a troubled kid and petty thief redeemed by an old cop, that he sometimes drank too much, that his ex-wife's name is Sue, and he thinks of her often. During World War II, he served in military intelligence in the United States Army, again mentioned in The Doomsters. Archer is sometimes depressed, often world-weary. An almost Greek sense of tragedy pervades the novels as the sins of omission and crimes of sometimes-wealthy parents are frequently visited upon their children, young adults whom Archer tries desperately to save from disaster. This use of Greek drama was deliberate, e.g., Macdonald based The Galton Case (1959) on a loose interpretation of the Oedipus myth. Key incidents in the novels are typically separated by fifteen years, a scant generation, as evidence from old crimes surfaces to haunt new characters. As suspense in a novel builds toward a climax, Archer often gets little or no sleep, racing the clock and prowling the suburban Southern California landscape day after night after day, trying to put the pieces of a puzzle together in order to prevent new violence. This 36- or 48-hour wakefulness mimes the classic Greek tragic play where everything takes place in one day; here it might be more than a day, but since the character doesn't get to sleep, it essentially honors the tragic convention and contributes to the sense of unalterable impending doom. Tom Nolan in his Ross Macdonald, A Biography, wrote of the author, "Gradually he swapped the hard-boiled trappings for more subjective themes: personal identity, the family secret, the family scapegoat, the childhood trauma; how men and women need and battle each other, how the buried past rises like a skeleton to confront the present. He brought the tragic drama of Sophocles and the psychology of Freud to detective stories, and his prose flashed with poetic imagery." Philosophical references underlined the thoughtful tone of the novels, with The Chill (1964) having mentions of Parmenides, Heraclitus and Achilles and the tortoise, while Black Money (1966) briefly discusses Henri Bergson. The only recurring characters of note are Arnie and Phyllis Walters, who appear in several of the novels and seem to enjoy a