Solon Hannibal de la Mothe Borglum (December 22, 1868 – January 31, 1922) was an American sculptor. He is most noted for his depiction of frontier life, and especially his experience with cowboys and native Americans. He was awarded the Croix de Guerre by France for his work with Les Foyers du Soldat service clubs during World War I. Early life Born in Ogden, Utah, Borglum was the younger brother of Gutzon Borglum and uncle of Lincoln Borglum, the two men most responsible for the creation of the carvings at Mount Rushmore. Solon's Danish immigrant father James Borglum was a Mormon polygamist, being married to two sisters, Ida and Christina Michelson. When the family – each wife had two children – moved to Nebraska they could no longer openly be husband and wives, so Solon and Gutzon's mother Christina was listed as the family servant. When the father moved the family again to St. Louis in 1871, so that he could attend medical school, the decision was made to leave Christina behind. The children were told to never talk about her again. Solon was about three years old at the time. Solon grew up in Fremont, Nebraska and Omaha and spent his early years as a rancher in western Nebraska. Solon’s father was a physician but had worked as a wood-carver, which almost certainly influenced Solon’s older brother, Gutzon, to pursue a career as an artist. Having shown little interest in formal schooling, the younger son spent his teens working on his father’s ranch near Fremont, Nebraska. He showed a talent for drawing horses, and his careful studies of their movements prompted Gutzon to encourage Solon to pursue art as a profession. Education In 1893 Solon went to Omaha to study with J. Laurie Wallace, a former pupil of Thomas Eakins. Following this early, and evidently brief, formal training, he joined his brother Gutzon at his home in the Sierra Madre mountains. A personality clash with Gutzon’s first wife Lisa however, forced Solon to move on; he went to Los Angeles, where he painted portraits and to Santa Ana, California, where he taught art privately. He had little success, however, and in November 1895 he traveled to Cincinnati, Ohio, where he entered the Cincinnati Art Academy. One of his instructors, the sculptor Louis Rebisso, encouraged him to try sculpting. His first effort was a sculpture of a group of horses