Mutemath (sometimes styled as MuteMath or MUTEMATH) is an American alternative rock project founded by American singer-songwriter, multi-instrumentalist and record producer Paul Meany. Originally co-founded as a band with Darren King in 2002, Meany decided to continue Mutemath as a solo project following King's departure in 2017. Mutemath draws heavily from influences in 1960s and 1970s soul, psychedelic rock, and jam band styles, utilizing vintage guitars and amplifiers as well as Rhodes keyboards, synthesizers, and other electronic instruments such as the keytar. History Formation Mutemath started in 2002 as a long-distance collaboration between Paul Meany in New Orleans, Louisiana and Darren King in Springfield, Missouri. The two had known each other from their work together in Meany's previous band Earthsuit. Occasionally Paul would receive instrumental demo CDs from Darren. Fairly impressed with his efforts, Paul contacted Darren and asked if he could mess with the demos a bit, adding some ideas of his own. Darren obliged and the two would set in motion a sort of songwriting ping-pong match that would carry on for several months. In February 2002, Darren moved to New Orleans to work closer with Paul in hopes to at least turn their efforts into some kind of side-project. Calling it "Math", the two explored many of their shared influences ranging from DJ Shadow to Björk, yielding a lot of their earlier works to be more sample based electronica. After Meany's band officially broke up by that summer, Darren and Paul moved in together into a house they found in Mandeville, Louisiana where they spent all their time writing new songs and considering how to turn their side-project into a full band. By 2003, they had recruited guitarist Greg Hill, another Springfield, MO native and longtime friend of Darren's. All now living in Southern Louisiana, the three worked on expanding their collection of songs while broadening the sound to a more rock infused hybrid. With the addition of more of their collective band influences like The Police and U2 the music began to find a sound of its own. Paul took the early demos to friend and producer Tedd T, who fell in love at first listen. The trio continued to work on demos with Tedd for a possible EP while playing shows on the side with different bass players experimenting with the idea of eventually becoming a four-piece. After months of considering different options for their