The Ostern (Eastern; , Istern; or остерн) or Red Western was a film genre created in the Soviet Union and Eastern Bloc as a variation of the Western films that originated in the United States. The word "Ostern" is a portmanteau derived from the German word Ost, meaning "East", and the English word "western". The term now includes two related genres: Proper Red Westerns, set in America's "Wild West" but involving radically different themes and interpretations than US westerns. Examples include Lemonade Joe (Czechoslovakia, 1964), or The Sons of Great Bear (East Germany, 1966) or The Oil, the Baby and the Transylvanians (Romania, 1981), or A Man from the Boulevard des Capucines (USSR, 1987). These were mostly produced in Eastern European countries like East Germany and Czechoslovakia, rather than USSR. Easterns (Osterns), set usually on the steppes or Asian parts of the USSR, especially during the Russian Revolution or the following Civil War, but presented in a style inspired by American western films. Examples of these include The Elusive Avengers (1966) and its two sequels, White Sun of the Desert (1970), Dauria (1971), At Home among Strangers (1974), The Burning Miles (1957), The Bodyguard (1979), and The Sixth (1981). Outside of the USSR, there was Polish Wolves' Echoes (1968), set in Bieszczady Mountains. While influenced by Westerns, Easterns form a specific and distinct genre. Red Westerns of the first type are often compared to Spaghetti Westerns, in that they use local scenery to imitate the American West. In particular, Yugoslavia, Mongolia and the Southern USSR were used. Some of the East German films were called Sauerkraut Westerns. "Eastern" films typically replaced the Wild West setting with by an Eastern setting in the steppes of the Caucasus or deserts of Central Asia. Western stock characters such as "cowboys and Indians" were also replaced by Caucasian or Asian stock characters, such as bandits and harems. A famous example of the genre was White Sun of the Desert, which was popular in the Soviet Union. Red Westerns in an international context Red Westerns which use the actual American west as a setting include, the Romanian The Oil, the Baby and the Transylvanians (1981) which dramatises the struggles of Romanian and Hungarian settlers in a new land. The Czech Lemonade Joe and the Soviet A Man from the Boulevard des Capucines plump for pastiche or satire, making fun of the hard worn conventions of