by images of Dionysos and Aphrodite. It is not clear what caused this change of topic among some of the artists. Suggestions include a context with the horrors of the Peloponnesian War, but also the loss of Athens' dominant role in the Mediterranean pottery trade (itself partially a result of the war). The increasing role of new markets, e.g. Iberia, implied new needs and wishes on part of the customers. These theories are contradicted by the fact that some artists maintained the earlier style. Some, e.g. the Eretria Painter, attempted to combine both traditions. The best works of the Late Classical period are often found on smaller vessels, such as belly lekythoi, pyxides and oinochai. Lekanis, Bell krater(see Typology of Greek Vase Shapes) and hydria were also popular. The production of mainstream red-figure pottery ceased around 360 BCE. The Rich and Simple styles both existed until that time. Late representatives include the Meleager Painter (Rich Style) and the Jena Painter (Simple Style). Kerch Style The final decades of Attic red—figure vase painting are dominated by the Kerch Style. This style, current between 370 and 330 BCE, combined the preceding Rich and Modest Styles, with a preponderance of the Rich. Crowded compositions with large statuesque figures are typical. The added colors now include blue, green and others. Volume and shading are indicated by the use of diluted runny glossy clay. Occasionally, whole figures are added as appliques, i.e. as thin figural reliefs attached to the body of the vase. The variety of vessel shapes in use was reduced sharply. Common painted shapes include pelike, chalice krater, belly lekythos, skyphos, hydria and oinochoe. Scenes from female life are very common. Mythological themes are still dominated by Dionysos; Ariadne and Heracles are the most commonly depicted heroes. The best-known painter of this style is the Marsyas Painter. The last Athenian vases with figural depictions were created around 320 BCE at the latest. The style continued somewhat longer, but with non-figural decorations. The last recognised examples are by painters known as the YZ Group. Artists and works The Kerameikos was the potters' quarter of Athens. It contained a variety of small workshops, and probably a few larger ones. In 1852 CE, during building activity in Ermou Street, the workshop of the Jena Painter was discovered. The artefacts from it are now on display in the University collection of the Friedrich Schiller University of Jena.