The Running Jumping & Standing Still Film is a 1959 British sketch comedy short film directed by Richard Lester and Peter Sellers, in collaboration with Bruce Lacey. The film was released in 1959. It was filmed over two Sundays in 1959, at a cost of around £70 () (including £5 for the rental of a field). It was nominated for an Academy Award, but did not win. It was a favourite of The Beatles, which led to Lester being hired to direct A Hard Day's Night and then Help!, in which Lacey makes a guest appearance as George Harrison's gardener in the sequence where the group arrive at their 'home'. The short film has been made available as a special feature on several home video releases of A Hard Day's Night. It is also featured in The Unknown Peter Sellers and a BFI released collection of rarely seen films from Bruce Lacey's career entitled The Lacey Rituals. It is also included as a special feature of the StudioCanal issue of I'm All Right Jack. Synopsis The short consists of a series of surreal vignettes which transpire in the English countryside and involve a rotating array of protagonists. It begins with a man watching through a telescope how an old woman cleans a meadow with a rag and bucket. Other examples are a photographer who tries to develop a film in the water of a lake after wrapping a black piece of cloth around his head, or an athlete who is performing push-ups and is then used as the seat for the model of a portrait painter. The model has numbers on her face which the painter uses to choose the correct colors from his palette. The same athlete later throws a hammer, which is then shot down like a skeet shooting target by a hunter. The film ends with a man wearing a top hat and one boxing glove knocking out another man he had been luring for a long time. The man then enters a hut, undresses, puts the boxing glove back on and goes to sleep, turning off the light. Cast Richard Lester Peter Sellers Spike Milligan Mario Fabrizi Bruce Lacey David Lodge Leo McKern Norman Rossington Graham Stark Critical reception BFI Screenonline concluded that the film's lasting legacy "was its influence (as part of Milligan's overall body of work) on British comedy in general, and on Monty