Hot Space is the tenth studio album by the British rock band Queen. It was released on 4 May 1982 by EMI Records in the UK and by Elektra Records in the US. Marking a notable shift in direction from their earlier work, they employed many elements of disco, funk, rhythm and blues, dance and pop music on the album. This made the album less popular with fans who preferred the traditional rock style they had come to associate with the band. Queen's decision to record a dance-oriented album germinated with the massive success of their 1980 hit "Another One Bites the Dust" in the US. "Under Pressure", Queen's collaboration with David Bowie, was released in 1981 and became the band's second number one hit in the UK. Although included on Hot Space, the song was a separate project and was recorded ahead of the album, before the controversy over Queen's new disco-influenced rock sound. The album's second single, "Body Language", peaked at number 11 on the US charts. Songs Overview Before 1979, Queen had never used synthesisers on their albums. Beginning with The Game, Queen began using Oberheim OB-X synthesisers on their songs, including "Play the Game" and "Save Me". On Hot Space, the band went even further, introducing the drum machine for the first time. A departure from their trademark seventies sound, most of Hot Space is a mixture of rhythm and blues, funk, dance and disco, while the rock songs continued in a pop rock direction similar to their previous album (an exception is the song "Put Out the Fire"). During an interview in 1984, Roger Taylor affirmed that "it was really John [Deacon]" who turned the band towards a more disco sound. Elaborating, he said: "John’s always been R&B orientated, our bass player who wrote 'Another One Bites The Dust', ... which turned out to be the biggest selling record of the year. And I think that was the song that catapulted us into taking that road. I think we went too far and did too much. ... Everybody in the band feels that way now." Disliking the new sound, Brian May and Taylor were critical of the influence that Paul Prenter, Freddie Mercury's personal manager between 1977 and 1984, had on the singer. Recalling the recording process in 2011, Taylor openly criticized the direction in which Prenter was taking Mercury (and thus the rest of