to new issues, back issues, and archival collections from its fiction and poetry sections—along with the complete interview series and the Paris Review Daily. In November 2015, The Paris Review published its first anthology of new writing since 1964, The Unprofessionals: New American Writing from The Paris Review, including writing by well-established authors like Zadie Smith, Ben Lerner, and John Jeremiah Sullivan, as well as emerging writers like Emma Cline, Ottessa Moshfegh, Alexandra Kleeman, and Angela Flournoy. In late 2021, for the first issue with Stokes as editor-in-chief and Na Kim as art director, the journal was given a redesign by Matt Willey of Pentagram that hearkened back to the look that it had in the late 1960s and early 1970s, with a minimalist style, a cover with a sans serif font and a great deal of white space, a smaller trim size, and paper that was physically softer. Emerging writers The Review has published several emerging writers who have gone to notable careers, including Adrienne Rich, Naipaul, Philip Roth, T. Coraghessan Boyle, Mona Simpson, Edward P. Jones and Rick Moody. Selections from Samuel Beckett's novel Molloy appeared in the fifth issue. The magazine was also among the first to recognize the work of Jack Kerouac with the publication of his short story, "The Mexican Girl", in 1955. Other works which made their first appearance in The Paris Review include Italo Calvino's Last Comes the Raven, Philip Roth's Goodbye Columbus, Donald Barthelme's Alice, Jim Carroll's The Basketball Diaries, Matthiessen's Far Tortuga, Jeffrey Eugenides's The Virgin Suicides, and Jonathan Franzen's The Corrections. Aisha Sabatini Sloan is an emerging writer with a monthly column, "Detroit Archives". The series explores her family history through iconic landmarks in Detroit. Interviews An interview with E. M. Forster — an acquaintance of Plimpton's from his days at King's College, Cambridge — became the first in a long series of author interviews, now known as the Writers at Work''' series. Prints and posters In 1964, The Paris Review initiated a series of prints and posters by contemporary artists with the goal of establishing an ongoing relationship between the worlds of writing and art—Drue Heinz, then publisher of The Paris Review, shared credit with Jane Wilson for initiating the series. In the half century since its inception, the series has featured notable New York artists of the postwar decades, including Louise Bourgeois, Willem de Kooning, David Hockney, Helen