short life he helped create a way of seeing that has shaped several generations of British photography." Legacy His book about the English, unfinished at the time of his death, was published posthumously by Thames & Hudson in 1974 as A Day Off: An English Journal. Ray-Jones' archive has been housed at the National Science and Media Museum in Bradford since 1993. It consists of 700 photographic prints, 1,700 negative sheets, 2,700 contact sheets, 10,000 colour transparencies and Ray-Jones' notebooks and correspondence. Publications A Day Off: An English Journal. London: Thames & Hudson, 1974. Hardback . London: Thames & Hudson, 1975. Paperback . Second edition. A Day Off: 120 Photographs. Waterbury, CT: New York Graphic Society, 1977. Paperback . Loisirs anglais: 120 photographies de Tony Ray Jones. Paris: Éditions du Chêne, 1974. . Tony Ray-Jones. Edited by Richard Ehrlich. Manchester: Cornerhouse, 1990. (paper); (cloth). Also New York, NY: Aperture, 1991 . Exhibition catalogue, includes biography and photographs. Tony Ray-Jones. By Russell Roberts. London: Chris Boot, 2004. . Introduction by Russell Roberts; transcript of interview between Bill Jay and Martin Parr. American Colour 1962–1965. London: Mack, 2013. . Introduction by Liz Jobey. Only in England: Photographs by Tony Ray-Jones. Bradford: National Science and Media Museum, 2013. . . Exhibition catalogue. Introductions by Hannah Redler and Greg Hobson, essays by Martin Parr, David Alan Mellor and Ian Walker. The photographs are grouped into 'The English Unseen: Tony Ray-Jones Photographs Newly Selected by Martin Parr' and 'The English Seen: Classic Tony Ray-Jones Photographs'. Tony Ray-Jones. RRB/Martin Parr Foundation, 2019. With an introduction by Martin Parr and an essay by Liz Jobey. French-language edition. Paris: Maison CF, 2019. Exhibitions (incomplete) Current Report 2, Museum of Modern Art, New York, 1968. With others. Vision and Expression, George Eastman House, Rochester, New York, 1969 The English Seen, part of The Spectrum series, Institute of Contemporary Arts (ICA), London, 1969. Solo show. Personal Views, ICA, London, 1970. With others. Rencontre Gallery, Paris, 1970 Photographs of the English, San Francisco Museum of Modern Art, 1972 Four Photographers in Contrast (with Dorothy Bohm, Don McCullin, and Enzo Ragazzini), ICA, London Tony Ray-Jones. Touring exhibition organised by the Photographers' Gallery, 1990 A 'father and son' exhibition for Raymond and Tony Ray-Jones, the Astley Cheetham Art Gallery, Ashton-under-Lyne, England, 1996 A Gentle Madness: The Photographs of Tony Ray-Jones (1941–72), National Museum of Photography, Film & Television, Bradford, England, 2004; and toured