said that at first the relationship was troubled due to him not replying to her letters. She announced "After a pretty heated letter calling out his rudeness, I received one back in the same tone." Clark subsequently goes on to talk about how the relationship ended up being a strong one, which still exists today. Career In 1982, Clark published her first album, The Sitting Room, with songs written by herself, the album placed in 11th place on The Top 100 Albums of 1983. On the following albums, Changing Places (1983), Joined up Writing (1984) and Hopeless Cases (1987), Clark benefited from an acquaintance from the Warehouse: keyboardist David Harrow contributed all the music as the co-author and producer. The music created by Harrow that Clark read poetry to, such as "Sleeper in Metropolis," "Our Darkness," and "Wallies," have since been considered milestones of the 1980s and 1990s. David Harrow's music of "Our Darkness" is sampled in Benny Benassi's 2003 hit "Love is Gonna Save Us." The song was also the main feature in the 2016/17 Women's Versace catwalk. Our Darkness has been considered as one of the 20 best industrial records of all time. Factmag describe it as "An influential proto-house record". Clark mentions in her autobiography Notes Taken Traces Left that she has no vivid memory of the creative phase of Our Darkness however, clearly remembers the exact time and place of writing the words to her other club anthem hit Sleeper in Metropolis. Clark was set to start touring in the United States of America in the late 80's however, was subsequently in disagreements with Richard Branson which led her breakthrough in America to be cancelled. Nevertheless, Clark has become a very famous and well respected artist across Europe, especially in Germany where she has a cult following. In 1985, Clark released the album Pressure Points. It was created in collaboration with John Foxx, who wrote the music and plays on the first five tracks.. The album features the song Heaven which was considered a moderately successful hit across Europe. The song was even meant to be a hit globally, but instead the promotion schedule for the single and subsequently, the album, lead for it to not be as successful as it could. In 1987, Clark went to Norway for three years, where she worked with Tov Ramstad and Ida Baalsrud, among others. In co-operation with Charlie