Household Furniture, In the Most Fashionable Taste. His designs provided a guide for intricate chinoiserie furniture and its decoration. His chairs and cabinets were often decorated with scenes of colorful birds, flowers, or images of exotic imaginary places. The compositions of this decoration were often asymmetrical. The increased use of wallpaper in European homes in the 18th century also reflects the general fascination with Chinoiserie motifs. With the rise of the villa and a growing taste for sunlit interiors, the popularity of wallpaper grew. The demand for wallpaper created by Chinese artists began first with European aristocrats between 1740 and 1790. The luxurious wallpaper available to them would have been unique, handmade, and expensive. Later wallpaper with chinoiserie motifs became accessible to the middle class when it could be printed and thus produced in a range of grades and prices. The patterns on Chinoiserie wallpaper are similar to the pagodas, floral designs, and exotic imaginary scenes found on chinoiserie furniture and porcelain. Like chinoiserie furniture and other decorative art forms, chinoiserie wallpaper was typically placed in bedrooms, closets, and other private rooms of a house. The patterns on wallpaper were expected to complement the decorative objects and furniture in a room, creating a complementary backdrop. Architecture and gardens European understanding of Chinese and East Asian garden design is exemplified by the use of the word Sharawadgi, understood as beauty, without order that takes the form of an aesthetically pleasing irregularity in landscape design. The word traveled together with imported lacquer ware from Japan where shara'aji was an idiom in appraisal of design in decorative arts. Sir William Temple (1628–1699), referring to such artwork, introduces the term sharawadgi in his essay Upon the Gardens of Epicurus written in 1685 and published in 1690. Under Temple's influence European gardeners and landscape designers used the concept of sharawadgi to create gardens that were believed to reflect the asymmetry and naturalism present in the gardens of the East. These gardens often contain various fragrant plants, flowers and trees, decorative rocks, ponds or lake with fish, and twisting pathways. They are frequently enclosed by a wall. Architectural features placed in these gardens often include pagodas, ceremonial halls used for celebrations or holidays, pavilions with flowers and seasonal elements. Landscapes such as London's Kew Gardens show distinct Chinese influence in architecture. The monumental 163-foot Great Pagoda in the centre of the gardens, designed and built by