Universal had for 1943's Frankenstein Meets the Wolf Man but more than the $97,000 that the poverty row studio PRC spent on the 1940 film The Devil Bat. Lewton selected most of the film's main crew, including director Jacques Tourneur and writer DeWitt Bodeen, who all worked on the treatment. These were people Lewton had connections with through their work with Selznick, as Tourneur had worked as part of the second unit teams for Selnick's production of A Tale of Two Cities (1935) and Bodeen had been a research assistant on what would become Jane Eyre (1943). Tourneur and Bodeen offered conflicting accounts as to how Cat People was conceived. Tourneur said that Lewton called him from RKO to direct the film after Koerner attended a party where it was suggested to him that he develop a film with the title Cat People. Tourneur added that Lewton was not sure what to do with the title and recalled Lewton deciding to not make a "cheap horror movie that the studio expected but something intelligent and in good taste". Bodeen's version involved him being hired by Lewton at RKO as a contract writer. He had previously watched British and American horror and suspense films that he felt were "typical of what we did not want to do". According to Bodeen, Koerner felt that werewolves, vampires and man-made monsters were over-exploited, and that "nobody has done much with cats". Bodeen added that Lewton was unhappy with the proposed title of Cat People and said, "if you want to get out now, I won't hold it against you". Bodeen then began researching cat-related literature, including Ambrose Bierce's "The Eyes of the Panther" and Margaret Irwin's "Monsieur Seeks a Wife". Lewton decided to base the film on Algernon Blackwood's 1906 short story "Ancient Sorceries". Blackwood's story had a contemporary setting and involved a Medieval architecture French town inhabited by a group of devil-worshipping cat people. According to Bodeen, as the rights were about to be purchased, Lewton changed his mind at the last minute and told Bodeen that the film would be set in contemporary New York and involve a love triangle between a man, a foreign woman obsessed with abnormal fears, and a female office worker. According to Tourneur, he was not content with the period setting of "Ancient Sorceries", stating, "if you're going to have horror, the audience must be able to