its cast through various travails. In Companions on the Road (1975) the companions are the villains, a trio of hellish revenants who kill through their control of Dreams as they search for the holders of a magic chalice. The Winter Players (1976) – assembled with the previous book as Companions on the Road and The Winter Players: Two Novellas (1977) – dramatises the interaction between a young woman and the accursed wanderer whom she ultimately redeems. Even in these early works, several characteristic motifs dominate: the Rite of Passage whereby a young protagonist comes to terms – often via Metamorphosis – with his or her extraordinary nature, and strives for Balance in a riven world; vivid, but indeterminate, landscapes serving as almost interchangeable backdrops for psychic dramas; and a fine indifference to any moralistic settling of scores, her tales tending to close with Good and Evil characters settling into uneasy equipoise. Her first professional sale came from "Eustace," a ninety-word vignette at the age of 21 in 1968. She continued to work in various jobs for almost another decade, due to rejection of her books. Her first novel (for children) was The Dragon Hoard, published in 1971 by Macmillan. Her career took off with the acceptance in 1975 by DAW Books USA of her adult fantasy epic The Birthgrave – a mass-market paperback. Many British publishers rejected The Birthgrave so she approached DAW Books. Lee subsequently maintained a prolific output in popular genre writing. The Birthgrave allowed Lee to be a full-time writer and stop doing "stupid and soul-killing jobs." During the nineties her "career went through the doldrums" because of trends in publishing. Major publishing companies were less accepting of Lee's later works. The companies which Lee worked with for years refused to look at her proposals. Smaller companies were publishing just a few of Lee's works. The refusals did not stop her from writing and she had numerous unpublished novels and short stories. Letters from fans asked if she were dead because no new work had been published. Lee tried changing her genre, but to no success. However, Internet sales succeeded in reviving her writing. Book sales Lee had "quietly phenomenal sales" at certain periods throughout her career. When she tried changing genre some of her works were liked by critics and published by small publishers, but it made no difference. The royalties were good before the publishers