1945. Education and career When Viktor Lowenfeld left Hampton to teach art education at Pennsylvania State University, he persuaded Biggers to follow. In 1946, Biggers enrolled at Pennsylvania State where he earned bachelor's and master's degrees in art education in 1948. In that same year, he married Hazel Hales. He earned a doctorate from Pennsylvania State in 1954. He was awarded an honorary doctor of letters degree from Hampton University in 1990. His works can be found at Hampton University in Hampton, Virginia, primarily in the campus library. The University Museum at Houston's Texas Southern University houses a collection of Biggers's works. Biggers was hired to be founding chairman of the art department in 1949 at Houston's Texas State University for Negroes (now Texas Southern University). "Over the next thirty-four years Biggers trained the next generation of African American artists and teachers that form a vital part of Biggers's legacy." Mr. Biggers retired from Texas Southern University in 1983. He lived at 3527 Ruth Street while he taught at TSU. In 1950, Biggers won first prize for his painting The Cradle at the annual exhibition at the Museum of Fine Arts in Houston. "Segregationist policies, however, allowed black visitors into the museum only on Thursdays, so he could not attend the show's opening." From 1950 to 1956 Biggers painted four murals in African-American communities in Texas, the beginning of his work in murals. He painted many public murals in Houston and elsewhere, including two in 1991 for Winston-Salem State University in North Carolina. Most are still in place. Biggers received a mural commission by the Young Women's Christian Association of Houston in 1952, for the Blue Triangle branch. Thinking of the YWCA as a place for African-American girls and women to be empowered, Biggers was inspired to draw from his mural for his doctoral thesis. His mural was titled The Contribution of the Negro Woman to American Life and Education. Biggers wanted the mural to represent the world of the girls and women who would see it. It honors the sacrifices and endeavors of African American women on behalf of their families and communities, and human rights for women of all races. The mural was revolutionary, symbolizing the sociological, historical, and educational influences of heroic women. UNESCO fellowship Biggers received a fellowship in 1957 from UNESCO, the United Nations Educational Scientific and Cultural Organization. With it, he was one of