new railway through Camden Town (assumed to represent the London and Birmingham Railway constructed between 1833 and 1837). The novel reflects to some extent Dickens's concerns with railway travel and the "railway mania", "a fascination which had a strong ingredient of fear in it", and reflects ambivalence towards the effects of the railways – they generated prosperity and employment, but undermined older ways of living and encouraged speculation. In 1865, many years after this novel was published, Dickens was involved in a train crash. Soon after this incident he wrote two short stories, Mugby Junction and The Signal-Man, which projected a morbid view of the railways. Final thoughts Gissing refers to Dickens's instinctive genius for reflecting the thoughts and morals of the common man in his writing. He observes that the author was in constant communication with Forster, as to the feeling of his readers about some proposed incident or episode; not that he feared, in any ignoble sense, to offend his public, but because his view of art involved compliance with ideals of ordinary simple folk. He held that view as a matter of course. Quite recently it has been put forth with prophetic fervour by Tolstoy, who cites Dickens among the few novelists whose work will bear this test. An instinctive sympathy with the moral (and therefore the artistic) prejudices of the everyday man guided Dickens throughout his career, teaching him when, and how far, he might strike at things he thought evil, yet never defeat his prime purpose of sending forth fiction acceptable to the multitude. Himself, in all but his genius, a representative Englishman of the middle-class, he was able to achieve this task with unfailing zeal and with entire sincerity. Karl Smith, in his turn, gives his specific reasons for what makes Dombey and Son – and the works of Dickens as a whole – worth reading again and again. He observes that this is based in part on Dickens's "recognition that solemn themes require humour and verbal vigour to accompany and complement them" and goes on to conclude: Grim psychological realism, social commentary, comic absurdity and symbolic transcendence are here brought together more than in any previous novel with the possible exception of Oliver Twist. Dombey and Son not only prepares the ground for Dickens's later masterpieces, but demands to be enjoyed for its own energy and richness. Adaptations Theatre: 1848 – a play