1-1/3' - 1’ - 2/3’ - 1/2' C#38 4’ - 2-2/3' - 2’ - 1-1/3' - 1’ - 1' - 2/3' C#50 5-1/3' - 4’ - 2-2/3' - 2’ - 1-1/3' - 1’ - 1' Note Pitches on that note and above Cymbale V-VI (St Jean De Luz Symphonie Hall) C#1 2/3' - 1/2’ - 1/3' - 1/4' C#13 1’ - 2/3' - 1/2’ - 1/3' 1/4' C#25 1-1/3' - 1’ - 2/3' - 1/2’ - 1/3' C#37 2’ - 1-1/3' - 1’ - 2/3' - 1/2’ F#45 2-2/3' - 2’ - 1-1/3' - 1’ - 2/3' Note Pitches on that note and above Plein jeu V (St Jean De Luz Symphonie Hall,Pau st Jacques,Leeds Town Hall/Dusseldorf/Pau St Martin/Vatican/Chartres Cathedral/St Eustache) C1 1-1/3' - 1’ - 2/3' - 1/2’ - 1/3' C13 2’ - 1-1/3' - 1’ - 2/3' - 1/2’ C25 2-2/3' - 2’ - 1-1/3' - 1’ - 2/3' C37 4' - 2-2/3' - 2’ - 1-1/3' - 1’ C49 4' - 4' - 2-2/3' - 2’ - 1-1/3' - 1’ Note Pitches on that note and above Plein jeu V (St Eustache) C1 2’ - 1-1/3' - 1’ - 2/3' - 1/2’ - 1/3' C13 2-2/3' - 2’ - 1-1/3' - 1’ - 2/3' - 1/2’ C25 4' - 2-2/3' - 2’ - 1-1/3' - 1’ - 2/3' C37 5-1/3' - 4' - 2-2/3' - 2’ - 1-1/3' - 1’ Note Pitches on that note and above Plein jeu V (Vatican) C1 1-1/3' - 1’ - 2/3' - 1/2’ C13 2’ - 1-1/3' - 1’ - 2/3' - 1/2’ C25 2-2/3' - 2’ - 1-1/3' - 1’ - 2/3' C37 4' - 2-2/3' - 2’ - 1-1/3' - 1’ C49 4' - 4' - 2-2/3' - 2’ - 1-1/3' Treizieme Mixture III-VII(Pau st martin Transept organ): C1 1-1/3' - 1’ - 8/13’ C13 2’ - 1-1/3' - 1’ - 8/13’ C25 2-2/3' - 2’ - 1-1/3' - 1’ - 8/13’ C37 4’ - 2-2/3' - 2’ - 1-1/3' - 1' - 8/13’ C49 5-1/3' - 4’ - 2-2/3' - 2’ - 1-1/3' - 1' - 8/13 oR a Special Cymbal IV ranks by Cucherousset in the Barton 3/7: C1 1/4' - 1/5’ - 1/7’ - 1/10’ C13 2/7’ - 1/4' - 1/6’ - 1/8’ C25 1/2' - 2/5’ - 1/4' - 1/6’ C37 2/3’ - 1/2' - 1/3’ - 1/4' C49 3 1/5 1' - 4/5’ -