Lennon–McCartney–Harrison–Starkey "Flying" (1967): Harrison–Lennon–McCartney–Starkey "Jessie's Dream" (1967): Lennon–McCartney–Harrison–Starkey "Los Paranoias" (1968): Lennon–McCartney–Harrison–Starkey "Dig It" (1969): Lennon–McCartney–Harrison–Starkey "Maggie Mae" (1969): Arrangement by Lennon–McCartney–Harrison–Starkey "Suzy Parker" (1969): Lennon–McCartney–Harrison–Starkey "Free as a Bird" (1995): Original composition by John Lennon; Beatles version credited to John Lennon, Paul McCartney, George Harrison and Ringo Starr "Christmas Time (Is Here Again)" (1995 edit of 1967 fan club version): Lennon–McCartney–Harrison–Starkey The German-language versions of "I Want to Hold Your Hand" and "She Loves You" were also credited to additional songwriters for assisting with the translation. "Komm, Gib Mir Deine Hand" was credited to Lennon–McCartney–Nicolas–Hellmer, and "Sie Liebt Dich" was credited to Lennon–McCartney–Nicolas–Montague. Legacy Cultural impact Lennon–McCartney, as well as other British Invasion songwriters, inspired changes to the music industry because they were bands that wrote and performed their own music. This trend threatened the professional songwriters that dominated the American music industry. Ellie Greenwich, a Brill Building songwriter, said, “When the Beatles and the entire British Invasion came in, we were all ready to say, ‘Look, it’s been nice, there’s no more room for us… It’s now the self-contained group- makes, certain type of material. What do we do?" In 1963, The Sunday Times called Lennon and McCartney the greatest composers since Ludwig van Beethoven. The Lennon–McCartney brand would prove to be a model for several other songwriting teams in the rock genre, including, according to Lennon, the Rolling Stones' Jagger–Richards partnership. Subsequent Beatlesque songwriting teams, sometimes featuring former Beatles, attracted comparisons in the media to Lennon–McCartney. The new wave band Squeeze's partnership of Chris Difford and Glenn Tilbrook was infamously dubbed the "new Lennon–McCartney" by music writers. Difford and Tilbrook expressed ambivalence about the comparison: Tilbrook felt that they "got a bit pompous" as a result, while Difford noted that, although the tag was "very useful" to Squeeze for getting the attention of radio programmers, the label "might have been a burden" on Tilbrook "because he had to live up to the challenge of [the Beatles'] kind of songwriting, which he didn't need to do because he's such an incredible songwriter in his own right." Similarly, when McCartney teamed up with Elvis Costello in 1989, Costello's acerbic style earned him comparisons to Lennon in his role as McCartney's collaborator. McCartney, despite conceding that Costello has "got a bit of Lennon in him", characterized the pairing as "a new thing". Beatles catalogue The Lennon–McCartney songwriting partnership makes up