Quase sem Querer ("Almost by Accident"), Eduardo e Mônica, Andrea Doria and "Índios" ('"Indians"') were particularly popular. The song "Indios" is particularly culturally relevant as it mentions Brazil's troubled history with indigenous people, and remains one of the band's most popular songs to this day. Que País É Este The band's success was cemented in 1987, with Que País É Este ("What Country Is This"). They developed a devoted following, and the band came to carry the nickname "Religião Urbana" (meaning "Urban Religion"), something Renato Russo professed to hate. This was the heaviest album Legião Urbana released during its existence, the only one which can be classified as punk rock. Two of the songs, "Conexão Amazônica" ("Amazonic Connection" – censored to contain heavy texts about drug trafficking and its routes via the Amazon, and critical intellectuals.) and the Dylan-esque "Faroeste Caboclo" – the latter with 168 different lines and ten minutes long – were censored because they contained what was then considered obscene content. "Faroeste Caboclo" was a huge success, nevertheless. Others, such as Que País é Este? ("What Country Is This?"), Eu Sei ("I Know"), Química ("Chemistry"), Angra dos Reis (a reference to a homonymous nuclear power plant that exists in Brazil) and Mais do Mesmo ("More of the Same") were hits. In the first concert in Brasília after the release of their first album, 200 people were wounded in a riot. The band would never again perform publicly in Brasília, the city from which Russo and other band members hailed. As Quatro Estações In 1989, before the release of As Quatro Estações ("The Four Seasons"), Renato Rocha decided to quit under pressure from Bonfá and Villa-Lobos. Russo returned to play bass, but he joined three touring musicians (bassist Bruno Araújo, keyboardist Mu Carvalho and guitarist Fred Nascimento). Although this album had the most financial success of any released by the group (and nearly every song on the disc garnered significant radio play), many fans disliked the big changes in the band's style, especially punk rock fans. The songs would now talk about love and soul. "Pais e Filhos" ("Parents and children"), about broken, intact, happy and dysfunctional families, included the lyrics "É preciso amar/as pessoas como se não houvesse amanhã/Porque se você parar/pra pensar/Na verdade não há" ("We must love people as if there was no tomorrow/Because if you stop to think about it/There really isn't"). 1990s V