Benjamin Frankel (31 January 190612 February 1973) was a British composer. His best known pieces include a cycle of five string quartets, eight symphonies, and concertos for violin and viola. He was also notable for writing over 100 film scores and working as a big band arranger in the 1930s. During the last 15 years of his life, Frankel also developed his own style of 12-note composition which retained contact with tonality. Biography Frankel was born in London on 31 January 1906, the son of Polish Jewish parents. He began to learn the violin at an early age, showing remarkable talent; at age 14, his piano-playing gifts attracted the attention of the American pianist and teacher Victor Benham (1867-1936) who persuaded his parents to let him study music full-time. He spent six months in Germany in 1922, then returned to London, where he won a scholarship from the Worshipful Company of Musicians and attempted his first serious compositions while earning his income as a jazz violinist, pianist and arranger. Known then as Ben Frankel, his jazz work can be heard on recordings by Fred Elizalde's band. He also played violin with Carroll Gibbons and the Savoy Hotel Orpheans. By the early 1930s, Frankel was in demand as an arranger and musical director in London, working with several dance bands. He wrote several popular dance band arrangements for Henry Hall's BBC Dance Orchestra, including "Learn To Croon", "Don't Blame Me", "Weep No More My Baby", "April in Paris" and "In Town Tonight". He wrote many arrangements and scores for theatre and film music but gave up theatre work in 1944. He did, however, retain an interest in film composing until his death, writing over 100 scores. These included The Seventh Veil (1945), The Man in the White Suit (1951), The Importance of being Earnest (1952), Night of the Iguana (1964), and Battle of the Bulge (1965), as well as the first British (partly) serial film score, to The Curse of the Werewolf (1961). From 1941 until 1952 he was a member of the Communist Party of Great Britain, but resigned his membership in protest against the Slánský trial. During and after the war Frankel started to become widely known as a composer of works in traditional classical form. One of the first to gain attention was the Sonata No 1 for solo violin of 1942, which was dedicated to the Austrian-born