Lone Justice was an American country rock band formed in 1982 by guitarist Ryan Hedgecock and singer Maria McKee in Los Angeles. The band released two albums, Lone Justice in 1985 and Shelter the following year, before disbanding in 1987. History Early era Lone Justice began as part of the L.A. cowpunk scene of the 1980s, inspired by Hedgecock and McKee's shared affection for rockabilly and country music. The group started out as a strict cover band, but after the additions of bassist David Harrington and drummer Don Willens, they began to compose their own material. Marvin Etzioni was initially brought in as producer, arranger and songwriter for the band, but ended up replacing Harrington as bassist in 1983. By 1984, Don Heffington had replaced Willens as drummer. Their early sound was a fusion of country music and punk rock with rockabilly elements, but by the time of their first album, the band had begun to incorporate elements of roots rock and singer-songwriter styles. Benmont Tench of Tom Petty and the Heartbreakers was a frequent guest musician at their live shows. The band earned early support from Dolly Parton, who attended one of their club shows and later recalled McKee as "The greatest girl singer any band could ever have." Lone Justice developed their initial following within the Los Angeles music scene. Local rock journalist Stann Findelle reported in Performance magazine that the band "stole the show" at the Whisky a Go Go from headliner Arthur Lee, who was attempting a comeback that night, but left after two songs. Linda Ronstadt was introduced to the band by wardrobe stylist Genny Schorr. Linda Ronstadt made a call to David Geffen and they were signed to Geffen Records amid a flurry of publicity. Their self-titled debut appeared in 1985, followed by a tour in support of U2. For touring, the band augmented their line-up with guitarist Tony Gilkyson, who left the band in 1986. Produced by Jimmy Iovine, the album received some significant critical reviews, including that of Jimmy Guterman, then a critic at Rolling Stone, who placed it in his list of the best albums ever made. The Village Voice'''s Pazz & Jop Critics Poll for 1985 ranked it No. 24. Nonetheless, the album failed to connect with country or rock audiences, and the whole enterprise suffered from excessive pre-release promotion that "raised expectations... [the album] couldn't possibly satisfy". Two singles