also used in Bye Bye Brazil (1979, Brazil), Guantanamera (1995, Cuba), and Central do Brasil (Central Station, 1998, Brazil). Some Latin American road movies are also set in the era of conquest, such as Cabeza de Vaca (1991, Mexico). Movies about outlaws escaping from justice include Profundo Carmesí (Deep Crimson, 1996, Mexico) and El Camino (The Road, 2000, Argentina). Y tu mamá también (And Your Mother Too, 2001, Mexico) is about two young male buddies who have sexual adventures on the road. Russia and countries of the former USSR Movies involving road movie genre while being rejected by mainstream media, gained huge popularity in Russian art cinema and surrounding post-Soviet cultures, slowly building their way into international film festivals. Well-known examples are My Joy (2010), Bummer (2003), Major (2013), and How Vitka Chesnok Took Lyokha Shtyr to the Home for Invalids (2017). Some other movies incorporate a large portion of road movie style, for example Morphine (2008), Leviathan (2014), Cargo 200 (2007), Donbass (2018). With themes ranging from crime, corruption and power to history, addiction and existence, road movies became an independent part of cinematic landscape. From the strong flow of existentialism, to the black comedy style, the road movie experienced a new revival. Most precious are pieces from Sergei Loznitsa, in his early work My Joy (2010) he used black noir style to tell the story of people falling together with destruction of governments after the fall of the Soviet Union. In his later work Donbass (2018), he takes an opposing style, turning to black comedy and satire to underline actual war tragedies in the Russo-Ukrainian War. India Indian screens saw a series of road movies with experimental filmmaker Ram Gopal Varma's works such as Kshana Kshanam. Rachel Dwyer, a reader in world cinema at the University of London-Department of South Asia, marked Varma's contribution into the new-age film noir. The film received critical reception at the Ann Arbor Film Festival, which led to a series of genre-benders like Mani Ratnam's Thiruda Thiruda, and Varma's Daud, Anaganaga Oka Roju and Road. Subsequently 21st century bollywood movies witnessed a surge of motion-pictures such as Road, Movie, nominated for the Tokyo Sakura Grand Prix Award, the Tribeca Film Festival, and the Generation 14plus at the 60th Berlin International Film Festival in 2010. Liars Dice explores the story of a young mother from a remote village who, going in search of her