of the purity, richness, power and wide range of her voice, her conviction of style and her clear enunciation. H. Brewster-Jones spoke of the "richness of quality and expression in her well produced voice, and makes a striking appeal to a concert audience with her platform manner and interpretive abilities" in a 1938 review of a concert performance at the Adelaide Town Hall. Later years In May 1924, Moncrieff married Thomas Henry Moore, at St James' Church, Sydney in a ceremony that attracted a large crowd. Moore became her manager. While honeymooning in England and France, she made her first gramophone recordings for the Vocalion Company. In Australia she was hugely successful as a musical comedy performer. She earned £150 a week, which made her one of the highest-paid performers in the history of Australian theatre. She left Australia for the stage in England in 1926. Her first show there was poorly received, but when she appeared in Franz Lehár's The Blue Mazurka in 1927, her success in England was assured. While in England she made 37 more gramophone recordings, which were sold locally and exported to Australia where they sold successfully. Her marriage was not successful and she began to live apart from her husband, and then returned to Australia to appear in John Fuller's Rio Rita. The production was a commercial success and her career in Australia bloomed. She had a radio show in Australia and in the 1930s undertook tours for the New Zealand Broadcasting Service with New Zealand pianist Gil Dech. She also appeared in the Australian musicals Collits' Inn and The Cedar Tree for producer F. W. Thring. Her career was put on hold in March 1938 when she was involved in a motor vehicle accident, and she did not return to the stage until June 1940. She returned to perform in musical comedy, and was engaged to entertain Australian troops fighting in the Second World War at home and in New Guinea, and she became very active raising funds for war-related charities. In 1951 she toured Japan and Korea to entertain British and Australian occupation forces. For her wartime contributions, she was made an Officer of the Order of the British Empire in 1952 for services to patriotic and charitable movements. She continued her stage and radio work, and during 1958 and 1959 began her farewell stage tour of Australia and New Zealand. Her