Billboard Top LPs & Tape chart on 10 December, both Rio and the reissued Duran Duran were still high on the chart. It reached number eight and within months achieved platinum status with sales of one million units, eventually going double platinum. Elsewhere, Seven and the Ragged Tiger topped the chart in the Netherlands and reached number two in Australia, three in Finland, seven in Canada, 11 in Austria and New Zealand, 12 in Italy, 14 in Norway, 16 in Switzerland, 17 in Germany and 19 in Sweden. "New Moon on Monday" was issued as the second single on 14 January 1984, backed by "Tiger Tiger". Its ambitious video, directed by Mulcahy's colleague Brian Grant, contained images of a medieval French town and was shot during a two-day shoot in Paris before the tour resumed in Japan. Although hated by the band members, the video received heavy airplay on MTV. The single itself stalled at number nine in the UK and number ten in the US. With both singles performing below the label's expectations, EMI executives grew concerned that Sadkin lacked the skill to produce a great single for Duran Duran. The third single, a remix of "The Reflex" by Chic member Nile Rodgers, was released on 16 April 1984. The B-side was a live rendition of Rio "New Religion" in the US and a live version of Steve Harley & Cockney Rebel's "Make Me Smile (Come Up and See Me)" in the UK. While in Australia on tour, John Taylor had heard a prerelease copy of the INXS single "Original Sin", produced by Rodgers and engineered by Jason Coruso, and felt a remix of "The Reflex" would perform well as a single. For the remix, Rodgers made the song more dance-oriented, adding looping vocals, additional percussion, increased the tempo and cut the runtime. It initially received backlash from EMI and Capitol, who felt it was "too black" for Duran Duran. Executives were eventually convinced and upon release, the remixed song became the band's first US and second UK number-one single. Its success also boosted sales for Seven and the Ragged Tiger five months after its release. The single's accompanying video was shot by Mulcahy over two days at the Maple Leaf Gardens in Toronto; John wanted the video to be taken from a live show as a way to showcase their strength as a live band and to dismiss