the band), stating that "[Prenter] wanted our music to sound like you'd just walked in a gay bar...and I didn't". May also noted that the making of the album in Munich took much longer than usual and that all of the band got into "deep emotional trouble" in the city, blaming a mixture of drink, drugs and partying as the reason for the relatively lengthy recording sessions. According to Mack, Queen's producer, Prenter loathed rock music and was in Mercury’s ear throughout the Hot Space sessions. Prenter also refused all requests from US radio stations to speak to Mercury. May states, "this guy, in the course of one tour, told every record station to fuck off. But not just "fuck off", but "Freddie says, ‘fuck off’". Queen roadie Peter Hince wrote "None of the band cared for him [Prenter], apart from Freddie", with Hince regarding Mercury's favouring of Prenter as an act of "misguided loyalty". Side one "Staying Power" The horn arrangement for Mercury's "Staying Power" was added by Arif Mardin (who also produced Chaka Khan and added horn sections to Bee Gees and Aretha Franklin records). "Staying Power" would be performed on the band's accompanying Hot Space Tour, albeit much faster and heavier, with real drums replacing the drum machine and guitars and keyboards replacing the horns. (This arrangement contained no actual bass guitar, as John Deacon played guitar in addition to May.) It was also played on Queen's The Works Tour, until it was dropped from the setlist halfway through the European leg of the tour. In Japan, the band released "Staying Power" as a single in July 1982. Mardin's contributions were recorded at Record Plant Studios in New York. The original demo of the track featured a guitar instead of horns. "Dancer" The bassline of May's "Dancer" was played on an Oberheim OB-Xa synthesiser by him. The song itself – a fusion of rock and disco – is something of a follow-up to "Dragon Attack" from the band's 1980 album The Game in that it fuses heavy elements of music with danceable ones, as Led Zeppelin did. The phone message at the end of "Dancer" ("Guten Morgen, Sie wünschten, geweckt zu werden.") is in German, and was recorded in a hotel room in Munich; it translates as "Good morning, you wanted to be woken up.". The lyrics of "Dancer" are also notable for being the only ones