Anymore (1974), Jonathan Demme's Crazy Mama (1975), Ridley Scott's Thelma & Louise (1991), and Herbert Ross' Boys on the Side (1995), in that they show a "less traditional" and more "visible, innovative, introspective, and realistic" type of woman onscreen. Spanish road movies about women include Hola, estas, sola, Lisboa, Fugitivas, Retorno a Hansala, and Sin Dejar Huella address social issues about women, such as the "injustice and mistreatment" that women experience under "authoritarian patriarchal order." Fugitivas depicts an American road movie genre convention: the "disintegration of the family and the community" and the "journey of transformation", as it depicts two fugitives on the run, whose distrust fades as the two women learn to trust each other from their adventures on the road. The images in the film are blend of homage to US road movie conventions (gas stations, billboards) and "recognizable Spanish types", such as the "embittered drunkard". Other European road films include Ingmar Bergman's Wild Strawberries (1957), about an old professor travelling the roads of Sweden and picking up hitchhikers and Jean-Luc Godard's Pierrot le fou (1965) about law-breaking lovers escaping on the road. Both of these films, as well as Roberto Rossellini's Voyage in Italy (1953) and Godard's Weekend (1967) have more "existential sensibility" or pauses for "philosophical digressions of a European bent", as compared with American road films. Three Men and a Leg (1997) features several sketches from filmmakers and producers' Aldo, Giovanni & Giacomo's previous comedy productions overlaid with the rest of the movie's road-trip and romantic comedy atmosphere. Other European road films include Chris Petit's Radio On (1979), a Wim Wenders-influenced film set on the M4 motorway; Aki Kaurismäki's Leningrad Cowboys Go America ( 1989), about a fictional Russian rock band which travels to the US; and Theo Angelopoulos' Landscape in the Mist, about a road trip from Greece to Germany. Latin America Road movies made in Latin America are similar in feel to European road films. Latin American road movies are usually about a cast of characters, rather than a couple or single person, and the films explore the differences between urban and rural regions and between north and south. Luis Buñuel's Subida al Cielo (Mexican Bus Ride, 1951), is about a poor rural person's trip into a big city to help his mother, who is dying. The road trip on this film is shown as a "carnivalesque pilgrimage" or "travelling circus", an approach