Francis Xavier Aloysius James Jeremiah Keenan Wynn (July 27, 1916 – October 14, 1986) was an American character actor. His expressive face was his stock-in-trade; and though he rarely carried the lead role, he had prominent billing in most of his film and television roles. Early life Wynn was born on July 27, 1916, in New York City, the son of vaudeville comedian Ed Wynn and his wife, the former Hilda Keenan. He took his stage name from his maternal grandfather, Frank Keenan, one of the first Broadway actors to star in Hollywood. His father was Jewish and his mother was of Irish Catholic background. Ed Wynn encouraged his son to become an actor, and to join The Lambs Club, which he did in 1937. Career Theatre and radio Wynn began his career as a stage actor. He appeared in several plays on Broadway, including Remember the Day (1935), Black Widow (1936), Hitch Your Wagon (1937), The Star Wagon (1938), One for the Money (1939), Two for the Show (1940), and The More the Merrier (1941). Wynn starred in the radio show The Amazing Mr. Smith on Mutual Broadcasting System April 7 – June 30, 1941. He played the title role, "a carefree young man who runs into trouble galore and becomes an involuntary detective". Film and television Wynn appeared in hundreds of films and television series between 1934 and 1986. He was a Metro-Goldwyn-Mayer contract player during the 1940s and 1950s. He had a brief role as a belligerent, unsympathetic drunk in the wartime romance The Clock (1945). Arguably his most dynamic performance was a small role in The Hucksters (1948) with Clark Gable. His early postwar credits include The Three Musketeers (1948), playing D'Artagnan's servant; Annie Get Your Gun (1950); Royal Wedding (1951); Kiss Me, Kate (1953); The Man in the Gray Flannel Suit (1956); The Absent-Minded Professor (1961); The Americanization of Emily (1964) and Dr. Strangelove (1964). The Wynns, father and son, both appeared in the original 1956 Playhouse 90 television production of Rod Serling's Requiem for a Heavyweight. The son was returning the favor: according to radio historian Elizabeth McLeod, Keenan had helped his father overcome professional collapse, a harrowing divorce, and a nervous breakdown to return to work a decade earlier, and now helped convince Serling and producer Martin Manulis that the elder Wynn should play the wistful trainer. Both he and his father also