of Silesia (girdle and color), Germany (color) and Poland (color of the field). In the 15th century appearances Sulima was featured in three Western rolls of arms. The most famous of these is the Burgundian Armorial Toison d'Or by Jean Le Fèvre de Saint-Remy from around 1435. Armorial repeats the color scheme of the familiar Fraternal Book, but the upper field is thinner, coming closer to a third of the shield instead of the usual half. That version lacks any jewels or mantling. Two other Western armorials Codex Bergshammar and Armorial Lycenich from 1420s/30s, publish a similar image, also shrinking the top field. At the same time in Poland images of Sulima have already had a clear division into two fields. An example of this are the seals of Władysław from Oporów, bishop of Wrocław in the years 1435-1441. Images in the same style were also preserved at the castle in Oporów. An interesting variant of the look comes from the decoration of the reliquary of St. Barbara from the years 1484-1493. The shield alongside the already established division has an additional element in the form of decorative fringes, the emblem is red, and the field is gold. Subsequent elements of the full coat of arms next to labrów and jewel, appeared on the bell of the Dmosin and, dating back to 1,500 years, the foundation of a family member Oporowski. It is worth noting that this is the first presentation of Sulima labrami and the jewel in Poland. Additionally, the helmet had a crown. The first performance Sulima with a top field gold comes from the portrait of Peter Gamrat from the years 1541-1545. Here, however, the top field more like a head. Division two-pole and gold upper field shows while so-called. Herbal Arsenalski from about 1535 to 1555. In addition, the stones are all silver. Although silver tincture upper field appears even in the sixteenth century, but it can be assumed that the tincture of gold then became dominant. Much of the merits of a new compendium of heraldic from 1584 - Herby rycerstwa polskiego by Bartosz Paprocki. It shows the image of the coat of arms full, but does not identify the color of stones. In addition, due to an engraver's error, eagle jewel and emblem is facing to the left, which was replicated in later times. Moreover, this coat of arms is found on several gothic