were very loyal guys. We said no, and it really boiled down to that." The decision to replace Donner was controversial amongst the cast and crew. Creative consultant Tom Mankiewicz was approached by Terry Semel, then a Warner Bros. vice president, to return for the sequel, but he declined out of loyalty to Donner. Mankiewicz recounted, "I have a lot of respect for [Lester]. Friendship is more important than anything. And Dick [Donner] brought me on the picture and my loyalty was with Dick and I couldn't believe that they fired him." Editor Stuart Baird also declined to return for the sequel. Gene Hackman declined to return for re-shoots, which necessitated the need for a stand-in actor and a voice double for several scenes. Production under Richard Lester To replace Mankiewicz, Superman co-screenwriters David and Leslie Newman were then brought back to re-tool the script constructing a new opening and ending. The new script featured newly conceived scenes such as a new opening involving Superman thwarting the nuclear terrorists at the Eiffel Tower, Clark rescuing Lois at Niagara Falls, and a new ending in which Clark causes Lois to forget his secret identity through a hypnotic kiss. Furthermore, cinematographer Geoffrey Unsworth had died before the release of Superman. Now director, Lester was not sympathetic to Donner's filmmaking style: "Donner was emphasizing a kind of grandiose myth. There was a kind of David Lean-ish attempt in several sequences, and enormous scale. There was a type of epic quality which isn't in my nature, so my work really didn't embrace that...That's not me. That's his vision of it. I'm more quirky and I play around with slightly more unexpected silliness." Lester then brought on cinematographer Robert Paynter to have the film evoke the garish color scheme of the comics. Another replacement happened when set designer John Barry suddenly collapsed on the nearby set of The Empire Strikes Back (1980) and died from meningitis. Peter Murton was then hired in Barry's place. Before filming was to begin, Christopher Reeve was initially unavailable as he had accepted to star in the film Somewhere in Time, five months into the production shutdown by which time his contract to shoot both Superman films back-to-back had expired. Reeve had claimed that twelve hours after his casting was announced, he received a letter from the producers to be available for Superman II on July 16, which was only