Storia dell'Arte di Palazzo Venezia in Rome (Vessella Collection). Smaller Italian collections are in the Pasini Collections at the Conservatorio Luca Marenzio in Brescia, at the Conservatorio Cherubini of Florence, at the Conservatorio Paganini di Genoa, at the Biblioteca Estense di Mantova, at Casa Verdi in Milan, at the Conservatorio San Pietro a Majella in Naples, and at the Biblioteca Casanatese di Roma (Marefoschi Collection and more). The Musical Documentation Center of Tuscany preserve three manuscripts of single parts of other chamber music compositions in the Venturi Music Collection in Montecatini Terme. Cities around the world that preserve at least five manuscripts are: Basel (Universitätsbibliothek), Cheb (Státní okresní archiv), Keszthely (Helikon Kastélymúzeum Könyvtára), Leutkirch im Allgäu (Fürstlich Waldburg-Zeilsches Archiv), Lille (Bibliothèque Municipale), Lund (Universitetsbiblioteket), New Haven (Music Library at Yale University), Prague (Biblioteca Nazionale Ceca), Steinfurt (Fürst zu Bentheimsche Musikaliensammlung Burgsteinfurt Collection, managed by Westfälische Wilhelms-Universität within the Universitäts- und Landesbibliothek di Münster), Stockholm (Musik- och teaterbiblioteket) and Västerås (Stadsbibliotek). Printed editions The Conservatoire de Paris and the Bibliothèque Nationale de France are the institutions that preserve the majority of the printed editions during Cambini's life, followed by the British Library of London, the Rossijskaja Gosudarstvennaja Biblioteka of Moscow, the Fürst zu Bentheimsche Musikaliensammlung Burgsteinfurt of Steinfurt, the Gesellschaft der Musikfreunde of Vienna, the Biblioteca Nacional of Spain, the Kongelige Bibliotek of Copenhagen, the Biblioteca Estense of Modena, and the Biblioteca Nazionale Universitaria of Turin (in the Foà and Giordano collection). Compositions Operas Les romans (ballet-héroïque, libretto by L.-C.-M. de Bonneval, 1776 at the Académie Royale de Musique of Paris) Rose et Carloman (comédie-héroïque, libretto by A.D. Dubreuil, 1779) La statue (comédie, libretto by M.-R. de Montalembert, 1784) La bergère de qualité (comédie, libretto by M.-R. de Montalembert, 1786) Le tuteur avare (opéra bouffon, libretto by J.-L. Gabiot de Salins, 1788) La croisée (comédie, 1788, Beaujolais) Colas et Colette (opéra bouffon, 1788, Beaujolais) Le bon père (opéra bouffon, libretto by J.-F. Le Pitre, 1788, Beaujolais) La prêtresse du soleil (drama, 1789, Beaujolais) La revanche, ou Les deux frères (comédie, libretto by P.U. Dubuisson, 1790, Beaujolais) Adèle et Edwin (opéra, 1790, Beaujolais) Nantilde et Dagobert (opéra, libretto di P.-A.-A. de Piis, 1791, Louvois) Les trois Gascons (opéra, libretto by Cambini, 1793, Louvois) Encore un tuteur dupé (comédie, libretto by P.-J.-A. Roussel, 1798, Montansier) Doubted attribution Alcméon (tragédie lyrique, libretto by A.D. Dubreuil, 1782, never performed) Alcide (opéra, libretto by A.D. Dubreuil,