side, the northeast facade is entirely Serra’s work, since in Gaudí’s project this side of the house shared a dividing wall with the neighbouring convent. The roof has an area of 150 m², of which 85 m² belongs to the original house designed by Gaudí and the rest to Serra’s extension. The two projects also differ in their roofs: the original roof has four pitched sides built on the wooden beams of the attic roof, covered by rows of Arabic tiles, with a walkway of ceramic tiles that allows access to the small pavilion on the corner and the chimneys; the area built by Serra has a flat terrace, with steps leading to the other small pavilion at the opposite angle. These small pavilions – Serra’s is an exact replica of Gaudí’s original – are clad in tiles, combining carnations with green and white check, and a cupola crowned with a bronze flame. The fireplaces are made of brick and also clad in tiles. Access to this space features the old entrance gate from Carrer de les Carolines, when the main access was located on the southeast side, removed in the 1925 renovation. It displays floral motifs with round stems. At the entrance to the street is the gate decorated with palm leaves and carnation flowers designed by Matamala and made by Oñós. It has a height of 2.3 m. The gate features two lamps above it which were included in the 1925 renovation and are attributed to the Bonaventura Batlle studio. The current property has a garden which is much smaller than the original, but which tries to recreate the garden designed by Gaudí as far as possible. It includes palm trees (Phoenix, Trachycarpus), magnolias, roses and climbing plants. The garden also contains a niche which replicates the former chapel that contained the image of Saint Rita, rebuilt by the architects who carried out the renovation of the property, although without the effigy of the saint. Interior The house’s interior consists of masonry walls, with partitioned vaults in the basement and wooden beams on the other floors. Gaudí distributed the various rooms with small hexagonal hallways, so that they could be isolated by closing the doors. The architect designed a functional structure, using each one of the floors for a specific purpose: the basement as a wine cellar and storage room; the main floor for general family use, including