addition to the first ten volumes of this fifty volume work (which concerned worship and the Department of Worship), sections in subsequent volumes addressing the Ministry of Ceremonies (治部省) and the Ministry of the Imperial Household (宮内省) also regulated Shinto worship and contained liturgical rites and regulation. Felicia Gressitt Brock published a two-volume annotated English language translation of the first ten volumes with an introduction entitled Engi-shiki; procedures of the Engi Era in 1970. Arrival and influence of Buddhism The arrival of Buddhism in Japan in around the sixth century introduced the concept of a permanent shrine. A great number of Buddhist temples were built next to existing shrines in mixed complexes called to help priesthood deal with local kami, making those shrines permanent. Some time in their evolution, the word , meaning "palace", came into use indicating that shrines had by then become the imposing structures of today. Once the first permanent shrines were built, Shinto revealed a strong tendency to resist architectural change, a tendency which manifested itself in the so-called , the tradition of rebuilding shrines faithfully at regular intervals adhering strictly to their original design. This custom is the reason ancient styles have been replicated throughout the centuries to the present day, remaining more or less intact. Ise Grand Shrine, still rebuilt every 20 years, is its best extant example. The tradition of rebuilding shrines or temples is present in other religions, but in Shinto it has played a particularly significant role in preserving ancient architectural styles. Izumo Taisha, Sumiyoshi Taisha, and Nishina Shinmei Shrine in fact represent each a different style whose origin is believed to predate Buddhism in Japan. These three styles are known respectively as taisha-zukuri, sumiyoshi-zukuri, and shinmei-zukuri (see below). Shrines were not completely immune to change, and in fact show various influences, particularly that of Buddhism, a cultural import which provided much of Shinto architecture's vocabulary. The , the haiden, the , the tōrō, or stone lantern, and the komainu, or lion dogs (see below for an explanation of these terms), are all elements borrowed from Buddhism. Shinbutsu shūgō and the jingūji Until the Meiji period (1868–1912), shrines as we know them today were rare. With very few exceptions like Ise Grand Shrine and Izumo Taisha, they were just a part of a temple-shrine complex controlled by Buddhist clergy. These complexes were called , places of worship composed of a Buddhist