Lizzy stuff sounded another way. If you're flipping between things all the time, it's quite confusing." He also said he was not keen on the Renegade material: "It didn't do it for me. I stuck with the solo stuff as it was more interesting." Downey added, "There was definitely confusion, absolutely. There was a definite crossover where you didn't know which album the songs were going to appear on... Kit questioned the whole procedure, and I had to agree with him." Young producer Chris Tsangarides was working at Morgan Studios at the time, and he met with the band and reviewed their progress, agreeing to help them finish the album. He expressed concern at the lack of focus within the material, and urged the band to write some new songs. As well as the two covers from the failed single, other songs were dropped. These consisted of songs considered best suited to Lynott's solo project, such as "Beat of the Drum" and "Someone Else's Dream", and unfinished material like "Bad Is Bad", "Only Woman" and "Moving Away From Here". Also abandoned were "For Always" and the "Trouble Boys" soundalike "Kill (Gotta Get a Gun)". New songs brought in included the revamped "Disaster", now titled "Angel of Death", which was also considered as an album title. Gorham expressed his dislike of the title, and the song: "I thought "Angel of Death" was too heavy metal for words, and I hated it." He later clarified, "For a time there, it wasn't one of our favourites... [but] that song, more than any other song convinced me that [Wharton] had a right to be in Thin Lizzy." Also recorded at this stage were "The Pressure Will Blow" and "No-One Told Him", as well as a reworking of an idea of White's from earlier in the year with the title "If You Save Souls". On leaving the studio for a break, Lynott saw a biker with the Thin Lizzy and Motörhead logos on his jacket. Also on the man's jacket was the word "Renegade", which inspired Lynott to rewrite "If You Save Souls" as "Renegade", giving him the idea for the album title at the same time. Lynott was also inspired by reading "The Rebel" by Albert Camus. "It sort of came in a blinding flash: the idea of there being a rebel in us all," he said. Completion "Angel of Death" opened the album