from the Universities of Trinity College, Toronto, and Victoria B.C. All in all, his honorary degrees numbered over fifty. He was also President of the City of Bath Bach Choir and Exeter Festival Chorus. For the 1981 wedding of Prince Charles and Diana Spencer, Willcocks served as guest director of music and conducted the Bach Choir, who sang during the signing of the registers. The event was watched by an estimated global TV audience of 750 million. After stepping down from the Royal College, Willcocks resumed conducting and editing scores as his primary activities. A 1990 profile in The New York Times noted that he had made nine visits to the United States in the previous year, including conducting Evensong at St. Thomas Church in Manhattan and conducting the Mormon Tabernacle Choir. In live performance, he regularly conducted Mozart's Requiem at the Mostly Mozart festival in New York. On 15 May 2010, a celebration of his contribution to music took place at the Royal Albert Hall in London, where pieces selected by Willcocks were performed by singers who are part of the Really Big Chorus. Special guests included choristers from King's College Choir, Cambridge, who performed three pieces. He died at home in Cambridge on the morning of 17 September 2015. Recordings and broadcasts Willcocks made recordings with the (London) Bach Choir, the English Chamber Orchestra, the Academy of St Martin in the Fields, the Jacques Orchestra, the Philharmonia Orchestra, and the London Symphony Orchestra as well as with the Choir of King's College, Cambridge, with whom he regularly conducted the Nine Lessons and Carols service on Christmas Eve, broadcast by the BBC every year since 1931. With The Bach Choir, in particular he recorded works by Johann Sebastian Bach, especially his motets and, sung in English, his St John Passion and a stately rendition of the St Matthew Passion, a piece he regularly conducted for broadcast Easter performances. He also served as general editor of the Church Music series of the Oxford University Press. During his years at King's, an early and frequently reissued recording of the Allegri Miserere was made in March 1963 by the choir, conducted by David Willcocks, and featuring a 12-year old Roy Goodman, later a distinguished conductor, as the treble soloist. In 1965, he made his famous recording, with the Choir of King's College, of Tallis's Spem in alium. He is particularly known for