chief of police Cécile Ricard as Marie, a hotel maid Jacqueline Staup as Lucienne Chauvelot Ave Ninchi as Mme Georges Pierre Saintons as Hippolyte, a black collaborator Gilberte Rivet as Lucien's mother Jacques Rispal as M. Laborit, the proprietor Production Malle wrote the screenplay with novelist Patrick Modiano. Originally, they titled the script Le faucon ("The Falcon") and intended to set it in present-day Mexico, but Malle was not allowed to shoot in Mexico (nor in Chile), so he rewrote the script, giving it a wartime French setting. The script was retitled Le milicien ("The Milice Man"). The movie was filmed in the town of Figeac in southwestern France. Reception Critical response Vincent Canby, film critic for The New York Times, gave it a positive review. He wrote, "Lacombe, Lucien is easily Mr. Malle's most ambitious, most provocative film, and if it is not as immediately affecting as The Fire Within or even the comic Murmur of the Heart, it's because—to make his point—he has centered it on a character who must remain forever mysterious, forever beyond our sympathy." Pauline Kael wrote of her admiration for Malle's expressive camerawork and visual capabilities. Behind Lucien's blasé, almost empty visage, Kael saw a world of dialogue: "Malle’s gamble is that the cameras will discover what the artist’s imagination can’t, and, steadily, startlingly, the gamble pays off. Without ever mentioning the subject of innocence and guilt, this extraordinary film, in its calm, dispassionate way, addresses it on a very deep level." Film critic Dan Schneider liked the film, especially Malle's casting of Blaise. Schneider wrote, "Every so often a director makes an inspiring casting choice to not hire a real actor for a role, but go with an unknown, an amateur. Perhaps the best example of this was in Vittorio De Sica's 1952 film Umberto D ... Yet, not that far behind has to be Louis Malle's decision to cast the lead character for his 1974 film, Lacombe, Lucien with an amateur named Pierre Blaise. No actor would likely be able to capture the natural ferality that Blaise brings to the role of a none-too-bright French farm boy who unwittingly, at first, becomes an accomplice and collaborator with the Gestapo in the final months of Vichy France, in late 1944." Film critic Wheeler Winston Dixon discussed why the film was controversial: "Louis Malle's drama Lacombe, Lucien is one of the most effective films