Box" video begins and ends with the band watching the elderly man on a hospital bed being administered medication through an IV drip. Most of the video takes place in what Garr called "a surreal 'outdoor' setting; a field of bright red poppies with a large cross standing in the middle, adjacent to a wood of creepy old trees (both elements in key scenes in The Wizard of Oz)." During the song's first verse, the elderly man, wearing a Santa Claus hat and loincloth, climbs onto the cross, which is covered by crows. The second verse introduces the young girl in what appears to be a Ku Klux Klan robe and peaked hat reaching for human fetuses in a tree, and the overweight woman in a human organ body suit with angel wings affixed to her back, similar to the winged anatomical model on the cover of In Utero. At one point during the second verse, the girl attempts to chase the three crows from the cross while the old man, now wearing a mitre, is tied to it. During the song's guitar solo, the girl's hat is blown off her head and falls into a puddle in the poppy field, where it turns black. A brief shot during the solo reveals a fetus in the IV drip. The third verse features Cobain singing directly into the camera without his guitar, while Grohl and Novoselic stand behind him in a room with stars on the walls. The room is actually a box designed by Corbjin with a large heart on top, but the band initially disapproved of the way it looked, and Novoselic asked that it not be filmed from a distance. A brief shot of the box, with the heart above, appears at the start of the final chorus. The band is featured performing with their instruments during the first two choruses, and without their instruments in what appears to be the same star-decorated box, zoomed out to reveal a bed, nightstand with a lamp on it, and rocking chair, during the final chorus. Both the sky and the walls of the box are blue during the quieter verses, and red during their heavier choruses and the solo. During the video Cobain repeatedly charges the camera, and his face moves in and out of focus. As Garr pointed out, the Ku Klux Klan imagery recalled Cobain's original idea for