EMI issued a remastered collector's edition of City to City featuring previously unheard demo versions of "Baker Street", "Mattie's Rag", "City to City", and other tracks from the album. Other artists continue to be inspired by Rafferty's work. In 2012, Cuillin Recordings issued Paisley Spin, a remix of three tracks from Can I Have My Money Back? by Celtic fusion artist Martyn Bennett. Bonnie Raitt recorded a reggae treatment of "Right Down the Line" for her Slipstream album released 10 April 2012. Barbara Dickson released a tribute album of 13 Rafferty songs, To Each and Everyone: The Songs of Gerry Rafferty, in September 2013, including cover versions of "Baker Street", "The Ark", and "Steamboat Row". On 3 September 2021 Parlophone UK released "Rest In Blue" an album on which Martha Rafferty completed a project started by her father from demos left by Rafferty. The collection of blues, rock, and folk demos had been planned for a new album before his death. Attitude toward the music industry Rafferty drew a clear distinction between the artistic integrity of a musician, on the one hand, and the music industry's need to create celebrities and sell products, on the other. In an interview with Colin Irwin in 1988, he said: "There's a thin line between being a songwriter and a singer and being a personality... If you feel uncomfortable with it you shouldn't do it. It's not for me – there are too many inherent contradictions." Two decades later, speaking to the press after Rafferty's funeral, Charlie Reid of The Proclaimers confirmed Rafferty's dislike of celebrity: "He was not entirely comfortable with fame. Even more so than most people who work in this business, he saw it as not a good thing." Reid believed Rafferty was fundamentally unsuited to the pressures of celebrity: "He struck me as a very, very sensitive man and for someone like that, fame was probably not appropriate."<ref name="telefuneral">Mourners pay tribute to Gerry Rafferty , 'The Daily Telegraph (London), 21 January 2011.</ref> Billy Connolly agrees that Rafferty had different priorities: "I wanted success and fame and I got it, to a degree. Gerry wanted respect. He wanted his talent to be respected. He wanted his songs to be respected. And he certainly got that." Generally an autobiographical writer, Rafferty returned to this theme often, in the lyrics of Stealers Wheel songs such as "Stuck in the Middle With You" and