drain the water and at the top is an elliptical metal mesh that resembles a spider’s web. On either side of this fountain there are wooden benches. The room is decorated with carnation tiles, while the ceiling is decorated with sgraffito, using pomegranate and hydrangea motifs and Trompe-l'œil tempera paintings depicting a sky seen through palm leaves. The separation between the two rooms was formerly made with sliding doors designed by Eudald Puntí. Next to the dining room is the smoking room (10 m²), one of the most special rooms in the house, with a partitioned vault covered with a ceiling of Islamic style muqarnas in the shape of stalactites made of polychrome plaster, that show palm leaves and clusters of dates. The walls are lined with papier mâché tiles in shades of gold, blue, and green, as well as a blue and ochre-coloured wardrobe with oil-painted red and yellow roses. These papier mâché tiles were made by Hermenegild Miralles, one of Gaudí’s clients, for whom he built the entrance gateway to the Miralles estate. This room has a wooden door that gives access to the garden, made with a Chinese-style lattice. It was furnished with a folding coffee table and low stools and had a hookah for smoking tobacco. The Jover family added an Islamic style lamp, of translucent glass with Arabic letters, which was removed in 2020 during the restoration process, as it did not belong to Gaudí’s original project. On the first floor (143 m²) were the bedrooms: the main one was over the dining room, with a terrace located above the lower porch; it also had a living room, located above the smoking room, a bathroom, a dressing room with toilet and other facilities, a guest room and one other room, probably intended for study or as a library. These rooms were decorated with frescoes of plant motifs inspired by the plants of the nearby river Cassoles (reeds, rushes and ferns). The master bedroom (34 m²) has a beamed ceiling with ceramic tiles and pressed papier mâché showing green vine motifs. It also has a terrace located above the covered porch on the lower floor, with a wooden bench with an iron grille. In the living room there is a dome decorated with a trompe-l'œil painting of baroque influence that reproduces in low angle the cupola of the pavilion that rises above this room, towards the