Paper Moon is a 1973 American road comedy-drama film directed by Peter Bogdanovich and released by Paramount Pictures. Screenwriter Alvin Sargent adapted the script from the 1971 novel Addie Pray by Joe David Brown. The film, shot in black-and-white, is set in Kansas and Missouri during the Great Depression. It stars the real-life father and daughter pairing of Ryan and Tatum O'Neal as protagonists Moze and Addie. Tatum O'Neal received widespread praise from critics for her performance as Addie, earning her the Academy Award for Best Supporting Actress, making her the youngest competitive winner in the history of the Academy Awards. Plot In Gorham, Kansas, circa 1936, itinerant con man Moses Pray meets nine-year-old Addie Loggins at her mother's graveside service, where the neighbors suspect he is Addie's father. He denies this, but agrees to deliver the orphaned Addie to her aunt's home in St. Joseph, Missouri. At a local grain mill, Moses convinces the brother of the man who accidentally killed Addie's mother to give him $200 for the newly orphaned Addie. Addie overhears this conversation and, after Moses spends nearly half the money fixing his old Model A convertible and buying her a train ticket, she demands the money as rightfully hers, whereupon Moses agrees to let Addie travel with him until he has raised back the full $200 to give to her. Thereafter, Moses visits recently widowed women, pretending to have previously sold expensive, personalized Bibles to their deceased husbands, and the widows pay him for the Bibles inscribed with their names. Addie joins the scam, pretending she is his daughter, and exhibits a talent for confidence tricks, such as selling Bibles and the quick change scam. As time passes, Moses and Addie become a formidable team. One night, Addie and "Moze" (as Addie addresses him) stop at a local carnival, where Moze becomes enthralled with an "exotic dancer" named Miss Trixie Delight and leaves Addie at a photo booth to have her photograph taken alone (of herself sitting on a crescent moon, to suggest the film's title). Much to Addie's chagrin, Moze invites "Miss Trixie"—and her downtrodden African American teenage maid, Imogene—to join Addie and him. Addie soon becomes friends with Imogene and becomes jealous of Trixie. Imogene reveals that Trixie works, at least occasionally, as a prostitute, and it is suggested she has a venereal disease causing her a frequent need to urinate. When Addie