nature of their environment and their mentality. For me there is something very special about the English 'way of life' and I wish to record it from my particular point of view before it becomes Americanised and disappears. His photographs of festivals and leisure activities are full of a somewhat surreal humour, and show the influence of photographers such as Henri Cartier-Bresson, Garry Winogrand, as well as his own collection of the work of Sir Benjamin Stone. In 1969, Architectural Review magazine commissioned photojournalists for eight themed issues called Manplan, examining the contemporary state of architecture and town planning. The photos were published between September 1969 and September 1970. Ray-Jones's work documenting people living on housing estates in Britain was published in an issue on housing in 1970, and were included in his second unsuccessful submission to join Magnum Photos. Critic Sean O'Hagan, writing in The Guardian, said "Ray-Jones was in many ways a social anthropologist with a camera, but it is his eye for detail and often brilliantly complex compositions that sets him apart. His images often appear cluttered ... On closer inspection, though, what we are glimpsing is several small narratives contained in the bigger defining one." Ray-Jones was both sociable and abrasive, introducing himself to Bill Jay, the editor of Creative Camera, by saying "Your magazine's shit, but I can see you're trying. You just don't know enough, so I am here to help you". However, he impressed Jay (who later acknowledged Ray-Jones as one of the greatest influences on his view of photography), and also worked hard and successfully to have exhibitions of his works. He returned to the United States in January 1971 to work as a teacher at the San Francisco Art Institute – one of the few ways in which he could legally stay in the US. He disliked teaching, finding the students self-centred and lazy, but he was soon able to busy himself working on assignments for both the British and the US press. Ray-Jones's non-assignment photographs were first published in the October 1968 issue of Creative Camera. In late 1971, Ray-Jones started to suffer from exhaustion. Early the next year leukaemia was diagnosed, and he started chemotherapy. Medical treatment in the US was too expensive, so Ray-Jones flew to London on 10 March and immediately entered the Royal Marsden Hospital; he died there on 13 March. Sean O'Hagan said "in his