was circular in shape and covered with yellow tiles, with a hemispherical dome which was decorated with tiles and topped with a lantern with a cross on top. Demolished in 1963, today the old gardens are occupied by residential buildings. Carrer de les Carolines was widened in 1925, bringing the house to street level. For this reason, the entrance door was moved to the southwest facade, where the covered porch is located, in the place that was previously occupied by a foyer window. A terrace with stairs was built to access the house. For its part, the old portal was converted into a double window with cast iron bars. A secondary door for the staff that was next to the dividing wall of the convent – and is currently a window – also disappeared, as well as a terrace located above this entrance that led to one of the bedrooms on the second floor, replaced by a balcony. The main street entrance shifted a little to the left and two lampposts, made by the blacksmith Bonaventura Batlle, were placed on top. A secondary entrance was situated on the corner of Carrer de les Carolines and Avinguda de la Riera de Cassoles, identical to the main one. The chapel viewpoint on the corner, overlooking Carreró Racó de Sant Gervasi, was maintained, although when it disappeared, it remained an element of the wall. Finally, the fountain at the entrance was removed, which was located in the part that disappeared from the southeast side when Carrer de Sant Gervasi was widened. Inside, Serra’s intervention was more restrained than outside, with the use of new construction materials of the time, such as iron joists with ceramic vaulting on the ceilings. He replaced the old staircase designed by Gaudí with an interior patio that gave light to the adjoining rooms and installed a new staircase in the extended part. The basement lost a room due to the widening of the street, although it gained another under the new terrace located at the main entrance. The interior finishes of the extended part were simpler than those of Gaudí’s project, based essentially on mosaic floors, plastered and painted walls, and plaster ceilings with moulding around the edges. The bathrooms were decorated with Andalusian tiles, showing flowers and a pomegranate in the centre. In 1927 Casa Vicens won the Best Building Award by Barcelona City Council, due to