Zoot Suit Riot: The Swingin' Hits of the Cherry Poppin' Daddies is a compilation album by the American band the Cherry Poppin' Daddies, released on March 18, 1997 by Space Age Bachelor Pad Records. The album is a collection of swing and jazz-influenced songs from the band's first three studio albums, along with four bonus tracks recorded especially for this compilation. After an independent release in early 1997, Zoot Suit Riot was reissued by Universal Records subsidiary Mojo Records the following summer. By early 1998, regular radio airplay of the album's lead single "Zoot Suit Riot" helped propel the album to #1 on Billboard's Top Heatseekers chart and eventually the top 20 of the Billboard 200, contributing to the swing revival of the late 1990s. By January 2000, Zoot Suit Riot had achieved double-platinum status of over two million copies sold in the United States, while also attaining gold record sales in Canada and New Zealand. Background By 1996, having spent seven years performing within the Northwest punk and ska underground, the Cherry Poppin' Daddies had independently released three studio albums while steadily gaining recognition in the American ska scene at a time when the genre was beginning to generate mainstream commercial interest on the heels of bands such as No Doubt and Sublime. At this time, largely following the success of the 1996 film Swingers, which prominently showcased the Los Angeles swing revival movement, public attention also started turning towards swing music, which had been slowly emerging within the west coast alternative underground pioneered by bands such as Royal Crown Revue and Big Bad Voodoo Daddy. Though the Daddies has been a better-known presence in the ska scene, the band eventually began drawing a sizable audience for their swing songs as they continued to tour alongside ska bands. Facing an unexpected demand for their swing music - which until then had only been a partial component of their repertoire behind punk, funk and ska - the Daddies realized they lacked an album which fully represented their swing and jazz influences, and more so lacked the finances to record a new one. Singer-songwriter Steve Perry explained how the concept of a compilation came to be in an interview for The Daily of the University of Washington: Release Recording for the album's bonus tracks took place in late 1996, and according to accounts by Perry, was hurried and carried out on