said it was done by other people." Disney attempted to assuage Williams by sending him a Pablo Picasso painting worth more than $1 million at the time, but this move failed to repair the damaged relationship, as the painting was a self-portrait of Picasso as the artist Vincent van Gogh and apparently really "clashed" with the Williams' wilder home decor. Williams refused to sign on for the 1994 direct-to-video sequel The Return of Jafar, so it was Dan Castellaneta who voiced the Genie. When Jeffrey Katzenberg was replaced by Joe Roth as Walt Disney Studios chairman, Roth organized a public apology to Williams. Williams would, in turn, reprise the role in the second sequel, Aladdin and the King of Thieves, in 1996. Music Aladdin was the third—after The Little Mermaid (1989) and Beauty and the Beast (1991)—and final Disney film Alan Menken and Howard Ashman had collaborated on, with Tim Rice taking over as lyricist after Ashman had died in March 1991. Although fourteen songs were written for Aladdin, only seven are featured in the film, three by Ashman and four by Rice. Menken, Ashman, and Rice were praised for creating a soundtrack that is "consistently good, rivaling the best of Disney's other animated musicals from the '90s." The Special Edition soundtrack released in 2004 included four songs in early animation tests, and a music video of one, "Proud of Your Boy," performed by Clay Aiken, which also appears on the album Disneymania 3. The version of the song "A Whole New World" performed by Peabo Bryson and Regina Belle, which plays over the end credits, is, , the only Disney song to win a Grammy Award for Song of the Year. Themes The filmmakers thought the moral message of the original tale was inappropriate, and decided to "put a spin on it" by making the fulfillment of wishes seem like a great solution, but eventually becoming a problem. Another major theme was avoiding an attempt to be what the person is not—both Aladdin and Jasmine get into trouble pretending to be different people, and the Prince Ali persona fails to impress Jasmine, who only falls for Aladdin when she finds out who he truly is. Being "imprisoned" is also presented, a fate that occurs to most of the characters—Aladdin and Jasmine are limited by their lifestyles, Genie is attached to his lamp, and Jafar to the Sultan—and is represented