Toriyama said he gave Dragon Ball a low-key ending to make it seem as if the story might continue. But would later say he skipped 10 years ahead in the story to signal that it was truly the end. Wanting to make it even clearer that Goku's battles were over, and a new generation was taking over, Toriyama slightly altered the ending for the kanzenban re-release of Dragon Ball which finished in 2004. Development Typically, when creating a manga chapter, an artist draws a rough draft or "name", then a more detailed storyboard, and lastly the finalized version. However, Toriyama only draws a storyboard and then the final product simply because it is less work. He did not plan the details of his stories in advance. When he began the serialization of Dragon Ball, he had only prepared storyboards for three chapters. The author said that during its serialization he would wait about two days before his deadline to begin developing the storyboard. Starting around midnight, he would finish it around six in the morning and spend until that night inking, finishing everything in about a day-and-a-half. Unlike other artists, he had only one assistant helping him. Toriyama said that thinking only about the story for each chapter put him in some tight spots, particularly with Trunks' time travel. The only thing he has confidence in is his ability to connect a story back to an earlier aspect, making it seem to have been foreshadowing. The author used suggestions in fan mail he received, though generally doing the opposite of what was suggested. As an example, many fans told him not to kill Vegeta, which is exactly what he did. Wanting to escape the Western themes that influenced Dr. Slump, Toriyama used Eastern/Oriental scenery in Dragon Ball. In addition to referencing Chinese buildings and scenery, the island where the Tenkaichi Budōkai is held is modeled on Bali (in Indonesia), which he visited in 1985. The area around Bobbidi's spaceship was inspired by photos of Africa. When including fights in the manga, Toriyama had the characters go to uninhabited locations to avoid the difficulties of drawing residents and destroyed buildings. Toriyama wanted to set Dragon Ball in a fictional world largely based on Asia, taking inspiration from several Asian cultures including Japanese, Chinese, South Asian, Central Asian, Arabic and Indonesian cultures. Toriyama was also inspired by the jinn (genies) from The