was usually heard clearly and often went with the rhythm of the music that was played in the background. Along with Mickey, she was redesigned in 1940. Her hat was replaced with a large bow, and bows were added to her shoes as well. Her eyes were also given more detail. Throughout the 1940s and 1950s, her look and personality became more conservative. Minnie almost always wears red or pink, but in her early appearances, she could be seen wearing a combination of blue, black or green (when not depicted in black and white). Minnie's early personality is cute, playful, musical and flirtatious. She often portrays an entertainer like a dancer or a musician whose affection Mickey is trying to win. Part of the comedy of these early shorts is the varying degree of success Mickey has in wooing Minnie. Unlike later cartoons after the redesign, Minnie often becomes a damsel in distress whom Mickey tries to rescue. She is also subject to a lot of slapstick and rubber hose animation gags. Over the course of the 1930s, Minnie's and Mickey's relationship solidified and they eventually became a steady couple. Minnie was first seen in a test screening of the cartoon short Plane Crazy. Minnie is invited to join Mickey in the first flight of his aircraft. She accepts the invitation but not his request for a kiss in mid-flight. Mickey eventually forces Minnie into a kiss but this only results in her parachuting out of the plane. This first film depicted Minnie as somewhat resistant to the demanding affection of her potential boyfriend and capable of escaping his grasp. Their debut, however, featured the couple already familiar to each other. The next film featuring them was The Gallopin' Gaucho. The film was the second of their series to be produced, but the third to be released, and was released on December 30, 1928. We find Minnie employed at the Cantina Argentina, a bar and restaurant established in the Pampas of Argentina. She performs the Tango for Mickey the gaucho and Black Pete the outlaw. Both flirt with her but the latter intends to abduct her while the former obliges in saving the Damsel in Distress from the villain. All three characters acted as strangers first being introduced to each other. But it was their third cartoon that established the definitive early look and personality of both Mickey and Minnie,