in 1993, contending that Disney did not have the rights to distribute The Rite of Spring in the 1991 video releases because the permission granted to Disney by Stravinsky in 1940 was only in the context of a film to be shown in theaters. A federal district court backed Boosey & Hawkes's case in 1996, but the Second Circuit Court of Appeals reversed the ruling in 1998, stating that Disney's original "license for motion picture rights extends to video format distribution". Additional material Disney had wanted Fantasia to be an ongoing project, with a new edition being released every few years. His plan was to replace one of the original segments with a new one as it was completed, so audiences would always see a new version of the film. From January to August 1941, story material was developed based on additional musical works, including Ride of the Valkyries by Richard Wagner, The Swan of Tuonela by Jean Sibelius, Invitation to the Dance by Carl Maria von Weber, the Polka and Fugue from Schwanda the Bagpiper by Jaromír Weinberger, a "baby ballet" set to Berceuse by Frédéric Chopin and a "bug ballet" set to Flight of the Bumblebee by Nikolai Rimsky-Korsakov, which was later adapted into the Bumble Boogie segment in Melody Time (1948). The film's disappointing initial box office performance and the USA's entry into World War II brought an end to these plans. Deems Taylor prepared introductions for The Firebird by Stravinsky, La Mer by Claude Debussy, Adventures in a Perambulator by John Alden Carpenter, Don Quixote by Richard Strauss, and Pictures at an Exhibition by Mussorgsky "to have them for the future in case we decided to make any one of them". Another segment, Debussy's Clair de lune, was developed as part of the film's original program. After being completely animated, it was cut out of the final film to shorten its lengthy running time. The animation depicted two Great white herons flying through the Florida Everglades on a moonlit night, with more focus towards the segment's background art than story and animation. The sequence was later edited and re-scored for the Blue Bayou segment in Make Mine Music (1946). In 1992, a workprint of the original was discovered and Clair de Lune was restored, complete with the original soundtrack of Stokowski with the Philadelphia Orchestra. It was included as a bonus feature in The Fantasia Anthology