release the collection (and for many years did)." He compared it to an episode of The Twilight Zone where the astronaut comes home, and his wife can't figure out what's different about him, "... until it dawns on her that instead of a cool song from 1997 playing ... it's some tune she's never heard. Yeah, it's just like that." The song "Heart's on Fire" by 38 Special also enjoyed a brief comeback on some late 1990s radio stations because of the popularity of the series as well as the Amy Grant b-side hit "I Love You" (from her popular crossover album Unguarded), "Silent Running" by Mike and the Mechanics, and "Stand and Deliver" by Mr. Mister. ReceptionDaria premiered to positive reviews, with John J. O'Connor of The New York Times writing in March 1997, "As far as MTV and Beavis and Butt-Head are concerned, Daria is an indispensable blast of fresh air." Daria continued to receive positive reviews during the course of its run and was one of MTV's highest rated shows, with the network's manager Van Toffler viewing the character as "a good spokesperson for MTV, intelligent but subversive". During the program's run on MTV, Daria was part of the Cool Crap Auction, giving an overview of the goods for auction and talking "live" to the winner of one prize. Daria and Jane also hosted MTV's Top Ten Animated Videos Countdown, poking fun at MTV's cheap animation. At the end of the series run, she had an "interview" on the CBS Early Show with Jane Clayson. Daria received a ratings share between 1 and 2 percent, about 1 to 2 million viewers. G.J. Donnelly of TV Guide, writing about the series' finale, lamented, "I already miss that monotone. I already miss those boots. ... Even at its most far-fetched, this animated film approaches the teenage experience much more realistically than shows like Dawson's Creek." On the same occasion, Emily Nussbaum wrote at Slate that "the show is biting the dust without ever getting the credit it deserved: for social satire, witty writing, and most of all, for a truly original main character". She particularly singled out for praise that all the characters were heading "to very different paths in life, based on their economic prospects," giving the show an ambiguous end; "[the finale is] a bit of a classic: a sharply funny exploration of social class most teen