the group's cohesion, especially when J.T. tells Jeff he had sex with Maura, believing she was single. Jeff acknowledges being angry at J.T., but it does not end their friendship. After playing basketball and skinny-dipping with Mike's high school friends, Ron (Strathairn) and Howie (Sayles), the group goes to a bar. Jeff and Maura get into a loud argument and Ron make a pass at Frances, who is upset that J.T. and Maura were intimate. Ron and Frances leave for a local hotel, while Maura leaves by herself, and the rest of the group drives separately. Out on the road, the group come upon a deer carcass. An undercover cop arrests them on suspicion of illegal game hunting. While sitting in lock-up, the group recounts their various arrests during their college years and the formation of their nickname, the "Secaucus 7". A local drunk confesses to hitting the deer, and everyone is released. The following day, the group leaves one-by-one, and J.T. insists on hitchhiking to Boston, refusing money from Maura for a bus ticket. Jeff is left alone, and angrily chops wood on Mike's property. The film ends with Mike and Katie finding a farewell note from Jeff reading, "I'm sorry. --Jeff". Cast Bruce MacDonald as Mike Donnelly Maggie Renzi as Katie Sipriano Adam LeFevre as J.T. Maggie Cousineau as Frances Carlson Gordon Clapp as Chip Hollister Jean Passanante as Irene Rosenblum Karen Trott as Maura Tolliver Mark Arnott as Jeff Andrews David Strathairn as Ron Desjardins John Sayles as Howie Marisa Smith as Carol Amy Schewel as Lacey Summers Carolyn Brooks as Meg Eric Forsythe as Captain Nancy Mette as Lee Reception Critical response Film critic Emanuel Levy liked the film and wrote, "The movie became influential, launching a cycle of "reunion" films, which included The Big Chill and the TV series Thirtysomething. As a portrait of disenchantment, Return was more authentic and honest than Lawrence Kasdan's star-studded Big Chill...A rueful movie about unexceptional lives that have prematurely grown stale, Secaucus is a bit commonplace, lacking genuine drama. But Sayles uses effectively a discursive, episodic format; he constructs strong scenes with resonant dialogue. The characters are complex and individually distinguished by speech, gesture, and manner." Critic Frederic and Mary Ann Brussat wrote, "Here's a nice little movie about the baby boom generation...Novelist John Sayles wrote, directed, and edited this movie. It is a labor of love. We watch