29 December King Edward I himself, together with the bishops who were present, carried on their shoulder the chest or feretory containing the relics to their new resting-place and Anthony Beck, consecrated the same day as Bishop of Durham, paid all the expenses. The tomb of Walter de Gray was erected in the south transept. His remains were interred on "the vigil of Pentecost, 1255" under his effigy "in full canonicals" carved in Purbeck marble under a canopy resting on ten light pillars. It was subsequently somewhat hidden behind a screen of ironwork erected by Archbishop William Markham in the early 19th century. On 9 November 2022 King Charles III unveiled a statue of his mother Queen Elizabeth II in a niche on the west facade of York Minster. Consulting architects The Minster's consulting architects (since 1965 called "Surveyors of the Fabric" – see Cant and Aylmer, York Minster, p. 554) have included the following: G. E. Street (1868–1881) G. F. Bodley (1882–1907) Walter Tapper (1908–1935) Sir Charles Reed Peers (1935–1946) Sir Albert Edward Richardson (1946–1964) Bernard Feilden (1964–1977) Charles Brown (1977–1995) James Simpson c. 1995 Andrew Arrol ( –2020) Oliver Caroe (2020– ) Vaults Organ The fire of 1829 destroyed the organ and the basis of the present organ dates from 1832, when Elliot and Hill constructed a new instrument. This organ was reconstructed in 1859 by William Hill and Sons. The case remained intact, but the organ was mechanically new, retaining the largest pipes of the former instrument. In 1903, J. W. Walker and Sons built a new instrument in the same case. They retained several registers from the previous instrument. Some work was undertaken in 1918 by Harrison & Harrison when the Tuba Mirabilis was added and the Great chorus revised. The same firm rebuilt this Walker-Harrison instrument in 1931 when a new console and electro-pneumatic action were added together with four new stops. The smaller solo tubas were enclosed in the solo box. In 1960, J. W. Walker & Sons restored the actions, lowered wind pressures and introduced mutations and higher chorus work in the spirit of the neo-classical movement. They cleaned the organ in 1982. The fire of 1984 affected the organ but not irreparably; the damage hastened the time for a major restoration, which was begun in 1991 and finished two years later by Principal Pipe Organs of York, under the direction of their