in "Helter Skelter". The album was also included in the book 1001 Albums You Must Hear Before You Die. In September 2020, Rolling Stone ranked The Beatles at number 29 on its new list of the "500 Greatest Albums of All Time". Based on such rankings, Acclaimed Music listed it as the number 13 album in the site's all-time ranking. Giles Martin, son of George Martin and supervisor of the 2018 50th Anniversary remix, stated that, contrary to the prevailing view of The Beatles, he does not believe it was recorded by a band about to implode. He said he came to this conclusion after listening to all the demos and session tapes in preparation for the remix. Cultural responses The release coincided with public condemnation of Lennon's treatment of Cynthia, and of his and Ono's joint projects, particularly Two Virgins. The British authorities similarly displayed a less tolerant attitude towards the Beatles, when London Drug Squad officers arrested Lennon and Ono in October 1968 for marijuana possession, a charge that he claimed was false. Lyrical misinterpretations The album's lyrics progressed from being vague to open-ended and prone to misinterpretation of authorial intention, such as "Glass Onion" (e.g., "the walrus was Paul") and "Piggies" ("what they need's a damn good whacking"). In the case of "Back in the U.S.S.R.", the words were interpreted by Christian evangelist David Noebel as further proof of the Beatles' compliance in a Communist plot to brainwash American youth. According to MacDonald, the counterculture of the 1960s analysed The Beatles above and beyond all of the band's previous releases. Lennon's lyrics on "Revolution 1" were misinterpreted with messages he did not intend. In the album version, he advises those who "talk about destruction" to "count me out". Lennon then follows the sung word "out" with the spoken word "in". At the time of the album's release – which followed, chronologically, the up-tempo single version of the song, "Revolution" – that single word "in" was taken by the radical political left as Lennon's endorsement of politically motivated violence, which followed the May 1968 Paris riots. However, the album version was recorded first. Charles Manson first heard the album not long after it was released. Manson may have found hidden meanings in songs from earlier Beatles albums, but, according to Vincent Bugliosi in The Beatles Manson allegedly interpreted prophetic significance in several of the songs, including "Blackbird", "Piggies"