his first comic book, ACA Comix #1, featuring "The Death's Head Knight". Byrne left the college in 1973 without graduating. He broke into comics with a "Fan Art Gallery" piece in Marvel's promotional publication FOOM in early 1974 and by illustrating a two-page story by writer Al Hewetson in Skywald Publications' black-and-white horror magazine Nightmare #20 (Aug. 1974). He then began freelancing for Charlton Comics, making his color-comics debut with the E-Man backup feature "Rog-2000", starring a robot character he'd created in the mid-1970s that colleagues Roger Stern and Bob Layton named and began using for spot illustrations in their fanzine CPL (Contemporary Pictorial Literature). A Rog-2000 story written by Stern, with art by Byrne and Layton, had gotten the attention of Charlton Comics editor Nicola Cuti, who extended Byrne an invitation. Written by Cuti, "Rog-2000" became one of several alternating backup features in the Charlton Comics superhero series E-Man, starting with the eight-page "That Was No Lady" in issue #6 (Jan. 1975). While that was Byrne's first published color-comics work, "My first professional comic book sale was to Marvel, a short story called Dark Asylum' ... which languished in a flat file somewhere until it was used as filler in Giant-Size Dracula #5 [(June 1975)], long after the first Rog story." The story was plotted by Tony Isabella and written by David Anthony Kraft. After the Rog-2000 story, Byrne went on to work on the Charlton books Wheelie and the Chopper Bunch, Space: 1999, and Emergency!, and co-created with writer Joe Gill the post-apocalyptic science-fiction series Doomsday + 1. Byrne additionally drew a cover for the supernatural anthology The Many Ghosts of Doctor Graves #54 (Dec. 1975). Marvel Comics Byrne said he broke into Marvel comics after writer Chris Claremont Byrne soon went on to draw series including The Champions (#12-15, 17 1977-78) and Marvel Team-Up (#53–55, 59–70, 75, 79, 100). Byrne first drew the X-Men in Marvel Team-Up #53. For many issues, he was paired with Claremont, with whom he teamed for issue #11 of the black-and-white Marvel magazine Marvel Preview featuring Star-Lord. The Star-Lord story was inked by Terry Austin and lettered by Tom Orzechowski, both of whom soon afterward teamed with Claremont and Byrne on Uncanny X-Men. The Uncanny X-Men Byrne joined Claremont beginning with X-Men #108 (Dec. 1977), which was later renamed The Uncanny X-men with issue #114. Their work together, along with inker Terry