Henri Fantin-Latour (14 January 1836 – 25 August 1904) was a French painter and lithographer best known for his flower paintings and group portraits of Parisian artists and writers. Biography He was born Ignace Henri Jean Théodore Fantin-Latour in Grenoble, Isère. As a youth, he received drawing lessons from his father, who was an artist. In 1850 he entered the Ecole de Dessin, where he studied with Lecoq de Boisbaudran. After studying at the École des Beaux-Arts in Paris from 1854, he devoted much time to copying the works of the old masters in the Musée du Louvre. Although Fantin-Latour befriended several of the young artists who would later be associated with Impressionism, including Whistler and Manet, Fantin's own work remained conservative in style. Whistler brought attention to Fantin in England, where his still-lifes sold so well that they were "practically unknown in France during his lifetime". In addition to his realistic paintings, Fantin-Latour created imaginative lithographs inspired by the music of some of the great classical composers. In 1876, Fantin-Latour attended a performance of the Ring cycle at Bayreuth, which he found particularly moving. He would later publish lithographs inspired by Richard Wagner in La revue wagnérienne, which helped solidify his reputation among Paris' avant-garde as an anti-naturalist painter. In 1875, Henri Fantin-Latour married a fellow painter, Victoria Dubourg, after which he spent his summers on the country estate of his wife's family at Buré, Orne in Lower Normandy, where he died on 25 August 1904. He was interred in the Cimetière du Montparnasse, Paris, France. Legacy Marcel Proust mentions Fantin-Latour's work in In Search of Lost Time: "Many young women's hands would be incapable of doing what I see there," said the Prince, pointing to Mme de Villeparisis's unfinished watercolours. And he asked her whether she had seen the flower painting by Fantin-Latour which had recently been exhibited. (The Guermantes Way) His first major UK gallery exhibition in 40 years took place at the Bowes Museum in April 2011. Musée du Luxembourg presented a retrospective exhibition of his work in 2016–2017 entitled "À fleur de peau". The painting A Basket of Roses was used as the cover of New Order's album Power, Corruption & Lies by Peter Saville in 1983. Gallery Public collections holding works by Fantin-Latour Aberdeen Art Gallery (Scotland) Armand Hammer Museum of Art (California) Art Gallery of New South Wales (Sydney, Australia) Art Gallery of