Conservative Punk website. Demographics While the early hardcore scene was mostly young white males, both onstage and in the audience, there are notable exceptions. Black musicians include Bad Brains, Fred "Freak" Smith of Beefeater, Dead Kennedys drummer D.H. Peligro, and Scream bassist Skeeter Thompson. Numerous Black and Latino members have been in the band Suicidal Tendencies, including Mike Muir, Rocky George, R.J. Herrera, Louiche Mayorga, Robert Trujillo, Thundercat, Dean Pleasants, Ra Díaz, Dave Lombardo, Eric Moore, Tim "Rawbiz" Williams, David Hidalgo Jr., and Ronald Bruner Jr. Other Latinos in early hardcore bands include Black Flag members Ron Reyes, Dez Cadena, Robo, and Anthony Martinez, Agnostic Front singer Roger Miret, his brother Madball singer Freddy Cricien, Adolescents guitarist Steve Soto, and Wasted Youth drummer Joey Castillo. Soto would later form the all-Latino punk band Manic Hispanic, which also featured Efrem Schulz from Death By Stereo. There are also notable women such as Crass singers Joy de Vivre and Eve Libertine, Black Flag bassist Kira Roessler, and Germs bassist Lorna Doom. Several documentaries, including 2003's Afro-Punk and 2016's Los Punks, chronicle these subcultures within American punk and hardcore. As of 2019, the genre is still overwhelmingly represented by white males. However, as sonic-diversity has increased in the genre, so too has its fanbase. This has helped bring greater attention to inclusivity within the scene. Bands like War On Women, Limp Wrist, Gouge Away, and G.L.O.S.S. have helped bring attention to subjects like women's rights, transphobia, rape, mental health, queer rights, and misogyny. Record labels Record labels in hardcore are often DIY endeavors, run by musicians or participants within the community. Largely inspired by early labels like Dischord Records, Alternative Tentacles, Epitaph Records, SST Records, Revelation Records, and Touch & Go Records, record labels are usually run on DIY ethic, collaboration, financial trust, and an emphasis on creative control. Labels within hardcore are seldom large, profit-making operations, but rather collaborative music partners with the intent to document and release music for the underground community. Ian Mackaye, co-founder of Dischord Records claimed, "We don't use contracts, lawyers, any of those kinds of things. We are partners -- they make the music, and we make the records. From the beginning of this label, people have said that the way we do things is unsustainable, unrealistic, idealistic, and we were just dreaming," he said. "Well, the dream is now 35 years old, so they can go