Salomé is a 1922 silent film directed by Charles Bryant and starring Alla Nazimova. It is an adaptation of the 1891 Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokanaan) at the request of Herod's stepdaughter, Salomé, whom he lusts after. Salomé is often called one of the first art films to be made in the United States. The highly stylized costumes, exaggerated acting, minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development. Plot As described in a film magazine, during a banquet at Herod's palace, the Tetrarch (Lewis) pays too much attention to his stepdaughter Salomé (Nazimova), angering his wife Herodias (Dione). Salomé goes out into the courtyard adjoining the banquet hall and induces the soldier on guard to let her see Jokanaan (De Brulier), who is then brought up from the prison below. Salomé shows her love for the Prophet and, when he ignores her attentions, declares that she will kiss him. The price is a dance before Herod, who promises her that he will accede to any demand for the dance. Salomé asks for and gets the Prophet's head and kisses it. Herod then turns upon her and orders her killed. Cast Alla Nazimova as Salomé, Stepdaughter of Herod Mitchell Lewis as Herod, Tetrarch of Judea Rose Dione as Herodias, wife of Herod Earl Schenck as Narraboth, Captain of the Guard Arthur Jasmine as Page of Herodias Nigel De Brulier as Jokanaan, the Prophet Frederick Peters as Naaman, the Executioner Louis Dumar as Tigellinus Production Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards. No major studio would be associated with the