Peter Pan from the perspective of a Lost Boy (Elliott): E.T. cannot survive physically on Earth, as Pan could not survive emotionally in Neverland; government scientists take the place of Neverland's pirates. Furthering the parallels, there is a scene in the film where Mary reads Peter Pan to Gertie. Vincent Canby of The New York Times similarly observed that the film "freely recycles elements from" Peter Pan and The Wizard of Oz. Some critics have suggested that Spielberg's portrayal of suburbia is very dark, contrary to popular belief. According to A.O. Scott, "the suburban milieu, with its unsupervised children and unhappy parents, its broken toys and brand-name junk food, could have come out of a Raymond Carver story." Charles Taylor of Salon.com wrote that "Spielberg's movies, despite the way they're often characterized, are not Hollywood idealizations of families and the suburbs. The homes here bear what the cultural critic Karal Ann Marling called 'the marks of hard use'." Other critics found religious parallels between E.T. and Jesus. Andrew Nigels described E.T.'s story as "crucifixion by military science" and "resurrection by love and faith." According to Spielberg biographer Joseph McBride, Universal Pictures appealed directly to the Christian market, with a poster reminiscent of Michelangelo's The Creation of Adam (more specifically the "fingers touching" detail) and a logo reading "Peace". Spielberg answered that he did not intend the film to be a religious parable, joking, "If I ever went to my mother and said, 'Mom, I've made this movie that's a Christian parable,' what do you think she'd say? She has a Kosher restaurant on Pico and Doheny in Los Angeles." As a substantial body of criticism has built up around the film, numerous writers have analyzed it in other ways as well, interpreting it as a modern fairy tale and in psychoanalytic terms. Producer Kathleen Kennedy noted that an important theme of the film is tolerance, which would be central to future Spielberg films such as Schindler's List. Having been a loner as a teenager, Spielberg described it as "a minority story". Spielberg's characteristic theme of communication is partnered with the ideal of mutual understanding; he has suggested that the story's central alien-human friendship is an analogy for how real-world adversaries can learn to overcome their differences. Reception Release and sales E.T. was previewed in Houston, Texas, where it received high marks from viewers. The film premiered at the 1982 Cannes