name. The final song on side three is Harrison's "Long, Long, Long", part of a chord progression he took from Bob Dylan's "Sad Eyed Lady of the Lowlands". MacDonald describes the song as Harrison's "touching token of exhausted, relieved reconciliation with God" and considered it to be his "finest moment on The Beatles". The recording session for the basic track was one of the longest the Beatles ever undertook, running from the afternoon of 7 October through the night until 7 am the next day. McCartney played Hammond organ on the track, and an "eerie rattling" effect at the end was created by a note causing a wine bottle on top of the organ's Leslie speaker to resonate. Side four "Revolution 1" was the first track recorded for the album, with sessions for the backing track starting on 30 May. The initial takes were recorded as a possible single, but as the session progressed, the arrangement became slower, with more of a laid-back groove. The group ended the chosen take with a six-minute improvisation that had further overdubs added, before being cut to the length heard on the album. The brass arrangement was added later. McCartney wrote "Honey Pie" as a pastiche of the 1920s' flapper dance style. The opening section had the sound of an old 78 RPM record overdubbed while Martin arranged a saxophone and clarinet part in the same style. Lennon played the guitar solo on the track, but later said he hated the song, calling it "beyond redemption". "Savoy Truffle" was named after one of the types of chocolate found in a box of Mackintosh's Good News, which Clapton enjoyed eating. The track featured a saxophone sextet arranged by Thomas, who also played keyboards. Harrison later said that Derek Taylor helped him finish the lyrics. Lennon began writing "Cry Baby Cry" in late 1967 and the lyrics were partly derived from the tagline of an old television commercial. Martin played harmonium on the track. "Revolution 9" evolved from the overdubs from the "Revolution 1" coda. Lennon, Harrison and Ono added further tape collages and spoken word extracts, in the style of Karlheinz Stockhausen. The track opens with an extract of a piano theme from a Royal Schools of Music examination tape, and climaxes with Ono saying "if you become naked". Ono was heavily involved in the production, and advised Lennon on what tape loops to use.