Shootist, to illustrate the backstory of Wayne's character. The film was nominated for Academy Awards for Best Film Editing (Christian Nyby) and Best Writing, Motion Picture Story (Borden Chase). John Ford, who worked with Wayne on many films such as Stagecoach, The Searchers and The Man Who Shot Liberty Valance, was so impressed with Wayne's performance that he is reported to have said, "I didn't know the big son of a bitch could act!" The film was shot in black and white rather than color, because director Howard Hawks found Technicolor technology to be too "garish" for the realistic style desired. Second unit director Arthur Rosson was given credit in the opening title crawl as co-director. He shot parts of the cattle drive and some action sequences. The film's ending differed from that of the original story. In Chase's original Saturday Evening Post story, published in 1946 as "Blazing Guns on the Chisholm Trail", Valance shoots Dunson dead in Abilene and Matt takes his body back to Texas to be buried on the ranch. Alternate versions During the production and while the film was still being shot, Hawks was not satisfied with the editing and asked Christian Nyby to take over cutting duties. Nyby worked for about a year on the project. After production, the pre-release version was 133 minutes and included book-style transitions. This version was briefly available for television in the 1970s, but was believed to be lost. It was rediscovered after a long search as a Cinémathèque Française 35 mm print, and released by the Criterion Collection. Before the film could be released, Howard Hughes sued Hawks, claiming that the climactic scene between Dunson and Matt was too similar to the film The Outlaw (1943), which both Hawks and Hughes had worked on. Hughes prepared a new 127-minute cut, which replaced the book inserts with spoken narration by Walter Brennan. Nyby salvaged the film by editing in some reaction shots, which resulted in the original theatrical version. This version was lost, and the 133-minute pre-release version was seen on television broadcasts and home video releases. The original theatrical cut was reassembled by Janus Films (in co-operation with UA parent company MGM) for their Criterion Collection Blu-ray/DVD release on May 27, 2014. Film historian Peter Bogdanovich interviewed Hawks in 1972, and was led to believe that the narrated theatrical version was the director's preferred cut. This view was