fun in favor of the message." The film as released opens with a dedication:To the memory of those who made us laugh: the motley mountebanks, the clowns, the buffoons, in all times and in all nations, whose efforts have lightened our burden a little, this picture is affectionately dedicated. This was originally intended to be spoken by Sullivan. Sturges wanted the film to begin with the prologue: "This is the story of a man who wanted to wash an elephant. The elephant darn near ruined him." Paramount contracted with the Schlesinger Corp., who made the Warner Bros. Looney Tunes and Merrie Melodies cartoons, to make an animated main title sequence, but this was not used in the film, if it was ever actually produced. The censors at the Hays Office had objections to the script they received. They felt that the word "bum" would be rejected by British censors, and warned that there should be no "suggestion of sexual intimacy" between Sullivan and The Girl in the scenes in which they are sleeping together at the mission. Casting Sturges wrote the film with Joel McCrea in mind, but found the female lead—Veronica Lake—through the casting process. Before Lake was cast, Barbara Stanwyck was considered, as well as Frances Farmer. Filming Sullivan's Travels went into production on May 12, 1941 and wrapped on July 22. Location shooting took place in Canoga Park, San Marino, Castaic and at Lockheed Air Terminal. Lake was six months pregnant at the beginning of production, a fact she did not disclose to Sturges until filming began. Sturges was so furious that, according to Lake, he had to be physically restrained. Sturges consulted with Lake's doctor to see if she could perform the part, and hired former Tournament of Roses queen Cheryl Walker as Lake's double. Edith Head, Hollywood's most renowned costume designer, was tasked to find ways of concealing Lake's pregnancy. Reportedly, Lake was disliked by a few of her co-stars. McCrea refused to work with her again, and subsequently turned down a lead role with her in I Married a Witch. Fredric March, who took the latter part, didn't much enjoy working with Lake, either. However, McCrea got along famously with Sturges, and afterward presented him with a watch engraved "for the finest direction I've ever had." Sturges' assistant director, Anthony Mann, also was influenced heavily by his experience on the production. There were some