million at the US box office. CBS paid $3.5 million for three runs of the film. The network later cancelled the acquisition on the contractually permitted grounds of the film containing too much violence for US network transmission. Analysis Controversy over Russian roulette One of the most talked-about sequences in the film, the Viet Cong's use of Russian roulette with POWs, was criticized as being contrived and unrealistic since there were no documented cases of Russian roulette in the Vietnam War.Dirks, Tim. "The Deer Hunter (1978)" . Greatest Films. Retrieved 2010-05-26. Associated Press reporter Peter Arnett, who won a Pulitzer Prize for his coverage of the war, wrote in the Los Angeles Times, "In its 20 years of war, there was not a single recorded case of Russian roulette ... The central metaphor of the movie is simply a bloody lie." Cimino countered that his film was not political, polemical, literally accurate, or posturing for any particular point of view. Nevertheless, he also claimed he had news clippings from Singapore that confirm Russian roulette was used during the war, without specifying which article. Critics' response In his review, Roger Ebert defended the artistic license of Russian roulette, arguing "it is the organizing symbol of the film: Anything you can believe about the game, about its deliberately random violence, about how it touches the sanity of men forced to play it, will apply to the war as a whole. It is a brilliant symbol because, in the context of this story, it makes any ideological statement about the war superfluous." Film critic and biographer David Thomson also agrees that the film works despite the controversy: "There were complaints that the North Vietnamese had not employed Russian roulette. It was said that the scenes in Saigon were fanciful or imagined. It was also suggested that De Niro, Christopher Walken, and John Savage were too old to have enlisted for Vietnam (Savage, the youngest of the three, was thirty). Three decades later [written in 2008], 'imagination' seems to have stilled those worries ... and The Deer Hunter is one of the great American films." In her review, Pauline Kael wrote "The Vietcong are treated in the standard inscrutable-evil Oriental style of the Japanese in the Second World War movies ... The impression a viewer gets is that if we did some bad things there we did them ruthlessly but impersonally; the Vietcong were