Flatland: A Romance of Many Dimensions is a satirical novella by the English schoolmaster Edwin Abbott Abbott, first published in 1884 by Seeley & Co. of London. Written pseudonymously by "A Square", the book used the fictional two-dimensional world of Flatland to comment on the hierarchy of Victorian culture, but the novella's more enduring contribution is its examination of dimensions. Several films have been made from the story, including the feature film Flatland (2007). Other efforts have been short or experimental films, including one narrated by Dudley Moore and the short films Flatland: The Movie (2007) and Flatland 2: Sphereland (2012). Plot The story describes a two-dimensional world inhabited by geometric figures; women are line segments, while men are polygons with various numbers of sides. The narrator is a square, a member of the caste of gentlemen and professionals, who guides the readers through some of the implications of life in two dimensions. The first half of the story goes through the practicalities of existing in a two-dimensional universe, as well as a history leading up to the year 1999 on the eve of the 3rd Millennium. On New Year's Eve, the Square dreams of a visit to a one-dimensional world, “Lineland”, inhabited by men, consisting of lines, while the women consisted of "lustrous points". These points and lines are unable to see the Square as anything other than a set of points on a line. Thus, the Square attempts to convince the realm's monarch of a second dimension but cannot do so. In the end, the monarch of Lineland tries to kill the Square rather than tolerate him any further. Following this vision, the Square is visited by a sphere. Similar to the "points" in Lineland, he is unable to see the three-dimensional object as anything other than a circle (more precisely, a disk). The Sphere then levitates up and down through Flatland, allowing the Square to see the circle expand and contract between great circle and small circles. The Sphere then tries further to convince the Square of the third dimension by dimensional analogies (a point becomes a line, a line becomes a square). The Square is still unable to comprehend the third dimension, so the Sphere resorts to deeds: he gives info about the "insides" of the house, moves a cup through the third dimension, and even goes inside the Square for a bit. Still unable to