Snow White, the Prince and the Queen was shot as reference for the animators, the artists' animators disapproved of rotoscoping, considering it to hinder the production of effective caricature. Nevertheless, all of the above-mentioned characters were fully rotoscoped and utilized by their respective artists, some more, some less. Despite Graham and Natwick's objections, however, some scenes of Snow White and the Prince were directly traced from the live-action footage. It proved difficult to add color to Snow White's and the Queen's faces. Eventually, they found a red dye that worked and which was added with a small piece of cotton wrapped around a tipple pencil on each individual cel. Helen Ogger, an employee at the ink department, was also an animator and decided to use the same system used in animation. The method was so time-consuming that it was never used again on the same scale. It was also used to a smaller degree in Pinocchio and Fantasia but, after Ogger left the studio in 1941, there was no one else with the same skills who could replace her. The studio's new multiplane camera gave a three-dimensional feeling in many sequences and was also used to give a rotating effect in the scene where the Queen transforms into a witch. Music and records The songs in Snow White and the Seven Dwarfs were composed by Frank Churchill and Larry Morey. Paul J. Smith and Leigh Harline composed the incidental music score. Well-known songs from the film include "Heigh-Ho", "Someday My Prince Will Come", and "Whistle While You Work". Since Disney did not have its own music publishing company at the time, the publishing rights for the music and songs were administered through Bourne Co. Music Publishers, which continues to hold these rights. In later years, the studio was able to acquire back the music rights from many of their other films, but not Snow White, Pinocchio, Dumbo or most Silly Symphony cartoons. Snow White became the first American film to have a soundtrack album, released in conjunction with the feature film. Before Snow White and the Seven Dwarfs, a film soundtrack recording was unheard of and of little value to a movie studio. Cinematic influences At this time, Disney also encouraged his staff to see a variety of films. These ranged from the mainstream, such as MGM's Romeo and Juliet (1936)—to which Disney made direct reference in a story meeting