thought-provoking ways. Ernest H. Redekop has argued that 'there is a profound sense in Avison's poems that the world must not be forced into ordinary limits of sight and articulation.' In the poem "Perspective," for instance, Avison attacks linear perspective." The Dumbfounding was "a more accessible record of spiritual discovery, and a more revealing account of the unmasked, narrative 'I.'" In this work, "Avison expresses her wonder at her own rediscovered faith. It employs the same poetic techniques as Winter Sun, but here the poet is no longer searching for meaning. "Truth" has been identified as the presence of a personal, loving, and forgiving God." "This was further developed in sunblue (1978), a combination of social concern and moral values fused by religious conviction and a continuing restatement of personal faith." "Both sunblue and No Time reconfirm Avison's commitment to her Christian faith.... In conjunction with their Christian themes, Avison's poems often celebrate the creative power of the imagination as well as examining the concept of paradoxes and depicting people and landscapes from conflicting viewpoints." "Avison has the reputation of being a cerebral poet. Her work has been characterized as 'intellectual'" and 'deliberate'; her use of word-play, disconcerting shifts in viewpoint, complex metaphors, and literary allusions make her poetry a challenge to read." "The thing with her poetry is that you must grapple with it, it just does not open up. Its rewards come only to those are willing to make the effort," said Zezulka. "Her poems were not snacks, they were full meals." "Reviewers have praised the poet for using complex language not as an end in itself, but to accurately convey her subject matter: the love and power of God." While "some secularist critics find her post-conversion poetry too dogmatic," her defenders "claim that the purpose of Avison's poetry goes beyond that of simple religious proselytizing." Reviewing Avison's posthumous collection, Listening: Last Poems (2007), poet Judith Fitzgerald wrote of her: "An original, an authentic visionary ... Avison praises Creation in all its transplendent awesome/awful mutations." The University of Manitoba Archives & Special Collections holds the Margaret Avison Fonds. The fonds consist of textual records, photographs, audio-cassettes, compact discs, computer- diskettes, and CD-ROMs. Textual materials include, but are not limited to, unpublished poetry, correspondence, theses, essays, and poems. Margaret Calverley has written about this collection in her article "The Avison Collection at the University of Manitoba: Poems 1929-1989." Publications