across Europe. The original Museum has been digitally recreated online. In 1890, the Museum relocated to Meersbrook Park. The collection is now on display at Sheffield's Millennium Gallery. Rose La Touche Ruskin had been introduced to the wealthy Irish La Touche family by Louisa, Marchioness of Waterford. Maria La Touche, a minor Irish poet and novelist, asked Ruskin to teach her daughters drawing and painting in 1858. Rose La Touche was ten. His first meeting came at a time when Ruskin's own religious faith was under strain. This always caused difficulties for the staunchly Protestant La Touche family who at various times prevented the two from meeting. A chance meeting at the Royal Academy in 1869 was one of the few occasions they came into personal contact. After a long illness, she died on 25 May 1875, at the age of 27. These events plunged Ruskin into despair and led to increasingly severe bouts of mental illness involving a number of breakdowns and delirious visions. The first of these had occurred in 1871 at Matlock, Derbyshire, a town and a county that he knew from his boyhood travels, whose flora, fauna, and minerals helped to form and reinforce his appreciation and understanding of nature. Ruskin turned to spiritualism. He attended seances at Broadlands. Ruskin's increasing need to believe in a meaningful universe and a life after death, both for himself and his loved ones, helped to revive his Christian faith in the 1870s. Travel guides Ruskin continued to travel, studying the landscapes, buildings and art of Europe. In May 1870 and June 1872 he admired Carpaccio's St Ursula in Venice, a vision of which, associated with Rose La Touche, would haunt him, described in the pages of Fors. In 1874, on his tour of Italy, Ruskin visited Sicily, the furthest he ever travelled. Ruskin embraced the emerging literary forms, the travel guide (and gallery guide), writing new works, and adapting old ones "to give", he said, "what guidance I may to travellers..." The Stones of Venice was revised, edited and issued in a new "Travellers' Edition" in 1879. Ruskin directed his readers, the would-be traveller, to look with his cultural gaze at the landscapes, buildings and art of France and Italy: Mornings in Florence (1875–77), The Bible of Amiens (1880–85) (a close study of its sculpture and a wider history), St Mark's Rest (1877–84) and A Guide to the Principal