Force of Evil is a 1948 American crime film noir starring John Garfield and directed by Abraham Polonsky. It was adapted by Polonsky and Ira Wolfert from Wolfert's novel Tucker's People. Polonsky had been a screenwriter for the boxing film Body and Soul (1947), in which Garfield had also played the male lead. In 1994, Force of Evil was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". Plot Lawyer Joe Morse (Garfield) works for a powerful gangster, Tucker, who wishes to consolidate and control the numbers racket in New York City. This requires absorbing many smaller outfits, one of which is run by Morse's older brother Leo (Thomas Gomez). One relishes his life in the underworld, the other is disgusted by it and seeks to minimize its impact. Even seeking to soften things for Leo things go wrong for Joe, and tragedy befalls both. The terse, melodramatic thriller incorporates realist location photography, almost poetic dialogue and biblical allusions to Cain and Abel and Judas's betrayal. Cast John Garfield as Joe Morse Beatrice Pearson as Doris Lowry Thomas Gomez as Leo Morse Marie Windsor as Edna Tucker Howland Chamberlain as Frederick "Freddie" Bauer Roy Roberts as Ben Tucker Paul Fix as Bill Ficco Stanley Prager as Wally Barry Kelley as Det. Egan Beau Bridges as Frankie Tucker Reception Critical response When the film was released, the staff at Variety magazine gave the film a mixed review, praising its production values but panning its focus and "intrusively" flowery language: Bosley Crowther, the film critic for The New York Times, liked the film, and wrote, "But for all its unpleasant nature, it must be said that this film is a dynamic crime-and-punishment drama, brilliantly and broadly realized. Out of material and ideas that have been worked over time after time, so that they've long since become stale and hackneyed, it gathers suspense and dread, a genuine feeling of the bleakness of crime and a terrible sense of doom. And it catches in eloquent tatters of on-the-wing dialogue moving intimations of the pathos of hopeful lives gone wrong." Wrote film historian Andrew Sarris in 1968, "Force of Evil stands up under repeated viewings as one of the great films of the modern American cinema and Garfield's taxicab scene with Beatrice Pearson takes away some of the luster Kazan's Brando-Steiger tour