very possibly the greatest triumph of all that Dvořák experienced" in his life, and when the Symphony was published it was "seized on by conductors and orchestras" all over the world. Two months before leaving for America, Dvořák had hired as secretary Josef Jan Kovařík, who had just finished violin studies at the Prague Conservatory and was about to return to his home in the United States. There he continued to serve as Dvořák's secretary and lived with the Dvořák family. He had come from the Czech-speaking community of Spillville, Iowa, where his father Jan Josef Kovařík was a schoolmaster. Dvořák decided to spend the summer of 1893 in Spillville, along with all his family. While there he composed the String Quartet in F (the "American") and the String Quintet in E major. Back in New York that autumn, he composed his Sonatina for violin and piano. He also conducted a performance of his Eighth Symphony at the Columbian Exposition in Chicago that same year. In the winter of 1894–95, Dvořák wrote his Cello Concerto in B minor, Op. 104, B. 191, completed in February 1895. However, due to homesickness, his partially unpaid salary, and increasing recognition in Europe – he had been made an honorary member of the Gesellschaft der Musikfreunde in Vienna – he decided to return to Bohemia. He informed Thurber that he was leaving. Dvořák and his wife left New York before the end of the spring term, with no intention of returning. Dvořák's New York home was located at 327 East 17th Street, near the intersection of what is today called Perlman Place. It was in this house that both the B minor Cello Concerto and the New World Symphony were written within a few years. Despite protests, from Czech President Václav Havel amongst others who wanted the house preserved as a historical site, it was demolished in 1991 to make room for a Beth Israel Medical Center residence for people with AIDS. In 2017, this residence was converted into a homeless shelter. To honor Dvořák, a statue of him was erected in nearby Stuyvesant Square. Brahms continued to try to "clear a path for" Dvořák, "the only contemporary whom he considered really worthy". While Dvořák was in America, Simrock was still publishing his music in Germany, and Brahms corrected proofs for him. Dvořák said it was hard to understand why Brahms would "take on