a variety of names, at once expressive of grace, delicacy and tenderness.” Many of these names play on the whimsical nature of love, including “Three Faces under a Hood,” “Flame Flower,” “Jump Up and Kiss Me,” “Flower of Jove,” and “Pink of my John.” In Hamlet, Ophelia distributes flowers with the remark, "There's pansies, that's for thoughts" (IV.5). Other poets referencing the pansy include Ben Jonson, Bernard Barton, Michael Drayton, Edmund Spenser, William Wakefield, and William Wordsworth. Nathaniel Hawthorne published his last literary effort, an unfinished piece, entitled Pansie, a Fragment, sometimes called Little Pansie, a fragment in 1864. D. H. Lawrence's Pansies: Poems by D. H. Lawrence was published in 1929, and Margaret Mitchell originally chose Pansy as the name of her Gone with the Wind heroine, but settled on Scarlett just before the book went into print. The word "pansy" has indicated an effeminate male since Elizabethan times and its usage as a disparaging term for a man or boy who is effeminate, as well as for an avowedly homosexual man, is still used. The word "ponce" (which has now come to mean a pimp) and the adjective "poncey" (effeminate) also derive from "pansy". Visual arts In the visual arts, Pierre-Joseph Redouté painted Bouquet of Pansies in 1827, and, in 1874, Henri Fantin-Latour painted Still Life with Pansies. In 1887, van Gogh painted Mand met viooltjes, and, in 1926, Georgia O'Keeffe created a painting of a black pansy called simply, Pansy and followed it with White Pansy in 1927. J. J. Grandville created a fantasy flower called Pensée in his Fleurs Animées. As an emblem Because its name means "thought", the pansy was chosen as a symbol of Freethought and has been used in the literature of the American Secular Union. Humanists use it too, as the pansy's current appearance was developed from the heartsease by two centuries of intentional crossbreeding of wild plant hybrids. The specific colors of the flower – purple, yellow, and white – are meant to symbolize memories, loving thoughts and souvenirs, respectively. The Freedom From Religion Foundation (FFRF) uses the pansy symbol extensively in its lapel pins and literature. The flower has long been associated with human manner, as one man cleverly stated: “Nature sports as much with the colours of this little flower as she does with the features of the human countenance.” Traditions and uses In William Shakespeare's A Midsummer Night's