without interruption, except for the "hair gag" where he removes a hair from the film gate and tosses it away. Poochini is then transformed into a Shirley Temple-esque child (who sings "A-Tisket, A-Tasket" before the balloon blows up and pops), then a Carmen Miranda-type singer, singing "Mamãe Eu Quero" (with two rabbits accompanying him on guitar) after an irritated audience member hurls an armload of fruit onto Poochini's head where it piles up like Miranda's headdress. The same man later sprays black ink on Poochini from a fountain pen, turning him into Bill Kenny from the Ink Spots, then drops an anvil on top of him, crushing him into a shorter height and deepening his voice to that of the Ink Spots' bass, "Hoppy" Jones (parodying the Ink Spots' famous "Top & Bottom" format). After a rabbit hoses off Poochini's face and another rabbit works his arm like an automobile jack to get him back up to full height, the fun continues as he is transformed into a Hawaiian singer with two rabbits for harmony. Reaching the end of the number, Mysto's plan is finally revealed to Poochini as his wig falls off. Mysto quickly puts the wig back on, but it's too late. Now set for revenge of his own, Poochini furiously grabs the hairpiece and puts it on while a now defeated and exposed Mysto cowardly tries to flee; but Poochini, having also grabbed the magic wand, stops the magician by using the wand on him as placing Mysto to the stage and unleashes the same gimmicks on the hapless magician at high speed. A red curtain with the words "The End" then falls on the magician and the rabbits (at the end of the Hawaiian singer shtick) thus ending the cartoon. History The concept of cartoons with insinuating situations is hardly new—Tex Avery especially featured a few quick jokes of this nature in his cartoons. Magical Maestro, for example, shows Poochini with a male and female rabbit on each arm. He lowers his arms behind his back and when he raises them again, he now has an additional dozen baby rabbits on them, six on each arm. This cartoon features a gimmick only seen in Tex Avery films, the "hair gag". Because cartoons were shown originally in movie theatres, the film strip, if loaded incorrectly, would rub against the gate mechanism, shaving off tiny "hairs" of celluloid.