to the Fieldhouse. Broad Ripple and Chatard, the alma mater of Maris Valainis who played the role of Jimmy Chitwood, obliged, and crowd shots were filmed during their actual game. Fans of both schools came out in period costumes to serve as extras and to supplement the hundreds of locals who had answered the call. At halftime and following the game, actors took to the court to shoot footage of the state championship scenes, including the game-winning shot by Hickory. The film's producers chose New Richmond, Indiana to serve as the fictional town of Hickory and recorded most of the film's location shots in and around the community. Signs on the roads into New Richmond still recall its role in the film. In addition, the old schoolhouse in Nineveh was used for the majority of the classroom scenes and many other scenes throughout the film. The home court of Hickory is located in Knightstown and is now known as the "Hoosier Gym." Pizzo and Anspaugh shopped the script for two years before they finally found investment for the project. Despite this seeming approval, the financiers approved a production budget of only $6 million, forcing the crew to hire most of the cast playing the Hickory basketball team and many of the extras from the local community around New Richmond. Gene Hackman also predicted that the film would be a "career killer." Despite the small budget, dire predictions, and little help from distributor Orion Pictures, Hoosiers grossed over $28 million and received two Oscar nominations (Dennis Hopper for Best Supporting Actor and Jerry Goldsmith for Best Original Score). Shortly after the film's release, five of the actors who portrayed basketball players in the film were suspended by the NCAA from their real-life college basketball teams for three games. The NCAA determined that they had been paid to play basketball, making them ineligible. Soundtrack The music to Hoosiers was written by veteran composer Jerry Goldsmith. Goldsmith used a hybrid of orchestral and electronic elements in juxtaposition to the 1950s setting to score the film. He also helped tie the music to the film by using recorded hits of basketballs on a gymnasium floor to serve as additional percussion sounds. Washington Post film critic Paul Attanasio praised the soundtrack, writing, "And it's marvelously (and innovatively) scored (by composer Jerry Goldsmith), who weaves together electronics with symphonic effects to create a sense of the