had gravitated towards each other because of their similar backgrounds; neither had attended university, while many of the other cast and writers on The Frost Report had. Each episode of the show, which was performed and broadcast live, was focused on a single topic and principally revolved around a continuous monologue from Frost, with sketches from Barker, Corbett and Cleese as the show went on. Barker starred alongside Cleese and Corbett in The Frost Report's best known sketch, which satirised the British class system, with Barker representing the middle class. After the first series, the special Frost Over England was produced, winning the Golden Rose at the Montreux Television Festival. With a second series of the show announced, Frost, recognising their potential, signed both Barker and Corbett up to his production company David Paradine Productions. As part of the deal Barker was given his own show in 1968, The Ronnie Barker Playhouse, which comprised six separate, thirty-minute plays. Barker starred in each piece as a different character. After two series of The Frost Report on the BBC, totalling 26 half-hour episodes, Frost moved to ITV after helping to set up London Weekend Television. There, Frost hosted Frost on Sunday, with Barker and Corbett following and again performing sketches on the program. Barker began writing sketches for the programme under the pseudonym Gerald Wiley. Barker and Corbett had a greater role on the show than on The Frost Report and Corbett felt "more aware of what [they] were doing." Barker began using the pseudonym Gerald Wiley when writing sketches because he wished the pieces to be accepted on merit and not just because he, as a star of the programme, had written them; he continued this tradition with the material he wrote later in his career. Barker brought his sketches in, claiming they had come from Wiley through Barker's agent Peter Eade, and they were very well received. To maintain the deception, Barker had criticised material he himself had submitted under the pseudonym; when a Wiley-credited sketch about a ventriloquist had been poorly received by the audience Barker told Corbett "Well, Gerald Wiley let us down there", and on another occasion, when looking at a script, "I don't understand this line. What's he getting at?" One of the first sketches he wrote was called "Doctor's Waiting Room", with the main part written for Corbett. Barker encouraged Corbett to buy the rights