made the film Jack Johnson, with Johnson's words voiced by Brock Peters, and music by Miles Davis. Davis' score later became the 1971 album named after the boxer. It features the actor Peters (as Johnson) saying: In 2005, filmmaker Ken Burns produced a two-part documentary about Johnson's life, Unforgivable Blackness: The Rise and Fall of Jack Johnson, based on the 2004 nonfiction book of the same name by Geoffrey C. Ward, and with music by Wynton Marsalis. The book won the William Hill Sports Book of the Year (2006). Jack Johnson's life was the subject of a three-part series of the podcast History on Fire by historian Daniele Bolelli. Several hip hop activists have also reflected on Johnson's legacy, most notably in the album The New Danger, by Mos Def, in which songs like "Zimzallabim" and "Blue Black Jack" are devoted to the artist's pugilistic hero. In the closing track of the album Run the Jewels 3, "A Report to the Shareholders / Kill Your Masters," Killer Mike of the hip hop duo Run the Jewels reinvokes Jackson's image with the line: "I'm Jack Johnson, I beat a slave catcher snaggletooth." Additionally, both Southern punk rock band This Bike is a Pipe Bomb and alternative country performer Tom Russell have songs dedicated to Johnson. Russell's piece is both a tribute and a biting indictment of the racism Johnson faced: "here comes Jack Johnson, like he owns the town, there's a lot of white Americans like to see a man go down ... like to see a black man drown." In the trenches of World War One, Johnson's name was used by British troops to describe the impact of German 150 mm heavy artillery shells which had a black color. In his letters home to his wife, Rupert Edward Inglis (1863–1916), a former rugby international who was a Forces Chaplain, describes passing through the town of Albert: We went through the place today (2 October 1915) where the Virgin Statue at the top of the Church was hit by a shell in January. The statue was knocked over, but has never fallen, I sent you a picture of it. It really is a wonderful sight. It is incomprehensible how it can have stayed there, but I think it is now lower than when the photograph was taken, and no doubt will come down with the next gale. The Church and village