a 1980s re-release of the film includes a prologue before the opening credits with "I'll Cry Instead" on the soundtrack. The title of the album and film was the accidental creation of Starr. According to Lennon in a 1980 interview with Playboy magazine: "I was going home in the car and [film director] Dick Lester suggested the title, 'Hard Day's Night' from something Ringo had said. I had used it in In His Own Write, but it was an off-the-cuff remark by Ringo. You know, one of those malapropisms. A Ringo-ism, where he said it not to be funny ... just said it. So Dick Lester said, 'We are going to use that title.'" A Hard Day's Night is the first Beatles album to feature entirely original compositions, and the only one where all the songs were written by Lennon–McCartney. Lennon is the primary author of nine of the thirteen tracks on the album, as well as being the lead singer on these same nine tracks (although Paul McCartney sings lead on the title track's middle-eight). Lennon and McCartney co-wrote "I'm Happy Just to Dance with You", sung by Harrison, while McCartney wrote "And I Love Her", "Can't Buy Me Love" and "Things We Said Today". It is one of three Beatles albums, along with Let It Be and Magical Mystery Tour, in which Starr does not sing lead vocal on any songs. (Starr sang the lead vocal on "Matchbox" during the sessions; it appeared instead on the Long Tall Sally EP.) It is also one of three Beatles albums, along with Please Please Me and Beatles for Sale, in which Harrison does not contribute to the songwriting. Critical reception and legacy According to music critic Richie Unterberger, writing for AllMusic: George Harrison's resonant 12-string electric guitar leads [on A Hard's Day's Night] were hugely influential; the movie helped persuade the Byrds, then folksingers, to plunge all out into rock & roll, and the Beatles would be hugely influential on the folk-rock explosion of 1965. The Beatles' success, too, had begun to open the US market for fellow English bands like the Rolling Stones, the Animals, and the Kinks, and inspired young American groups like the Beau Brummels, Lovin' Spoonful, and others to mount a challenge of their own with self-penned material that owed a great debt to Lennon–McCartney. In his book Yeah! Yeah! Yeah!: The Story of Pop Music