C. Heed "Independentia" – Robert B. Hall "Invincible Eagle" – John Philip Sousa "Invercargill March" (1909)- Alex F. Lithgow "Joyce's 71st New York Regiment March" – Thornton Barnes Boyer "The Klaxon" (1929) – Henry Fillmore "Königgrätzer Marsch" – Johann Gottfried Piefke "The Liberty Bell" (1893) (Used as score for "Monty Python's Flying Circus") – John Philip Sousa "March from A Little Suite" – Trevor Duncan "March Grandioso" – Roland F. Seitz "The Melody Shop" – Karl L. King "Men of Ohio" – Henry Fillmore "The National Emblem" – Edwin E. Bagley "Officer of the Day" – Robert B. Hall "Official West Point March" – Philip Egner "On Parade" – Edwin Franko Goldman "On the Mall" – Edwin Franko Goldman "Onward and Upward" – Edwin Franko Goldman "On the Square" – Frank Panella "On the Quarter Deck" – Kenneth J. Alford "Old Comrades (Alte Kameraden)" (1899) – Carl Teike "Our Director" – F.E. Bigelow "Pomp and Circumstance, No. 1" – Edward Elgar "Preußens Gloria" ("Prussia's Glory") – Johann Gottfried Piefke "The Last Long Mile" ("Plattsburg Marching Song") – Emil Breitenfeld "The Purple Carnival" – Harry L. Alford "The Purple Pageant" – Karl L. King "Radetzky March" – Johann Strauss Sr. "Repasz Band" – Chas. C. Sweeley "Robinson's Grand Entree" – Karl L. King "Salutation" – Roland F. Seitz "Semper Fidelis" – John Philip Sousa "Semper Paratus" – Francis Saltus Van Boskerck "The Screamer" – Fred Jewell "Second Connecticut Regiment " – D.W. Reeves "Seventy-six Trombones" – Meredith Willson "The Southerner" – Russell Alexander "Stars and Stripes Forever" (1896) – John Philip Sousa "Strike Up the Band" (1927) – George Gershwin "Sweeney's Cavalcade" – W. Paris Chambers "The Tenth Regiment" – Robert B. Hall "The Thunderer" – John Philip Sousa "Under the Double Eagle (Unter dem Doppeladler)" (1902) – Josef F. Wagner "The U.S. Air Force" – Robert Crawford "Up the Street" – Robert G. Morse "Washington Grays March" (1861) – Claudio S. Grafulla "The Washington Post March" – John Philip Sousa, composed 1889 "The White Rose" – John Philip Sousa Musicality and the march music form This section discusses the format and other musical aspects of march music. Meter The majority of marches are written in duple meter, meaning they have two beats per measure (or two beats "to the bar"). Only a few marches are written otherwise (usually in 4/4 time), while still using the same two beats per measure