Never Knows", the arrangement for which changed considerably between the initial take that day and the subsequent remake. This first version of "Tomorrow Never Knows", along with several other outtakes from the album sessions, was included on the 1996 compilation Anthology 2. Also recorded during the Revolver sessions were "Paperback Writer" and "Rain", which were issued as the A- and B-side of a non-album single in late May. The band had worked on ten songs, including both sides of the upcoming single, by 1 May, when they interrupted the sessions to perform at the NME annual Poll-Winners Concert. At a time when Time magazine dubbed London "the Swinging City", belatedly recognising its ascendance as the era's cultural capital, the Beatles drew inspiration from attending concerts by visiting artists, as well as film premieres, plays and other cultural events. From February through June, these musical acts included Stevie Wonder, Roy Orbison, the Lovin' Spoonful, the Mamas & the Papas, Bob Dylan (with whom they socialised extensively), Luciano Berio and Ravi Shankar. During mid-May, Lennon and McCartney attended a private listening party for the Beach Boys' Pet Sounds album, and McCartney met Italian director Michelangelo Antonioni, who filmed Blowup in London, inspired by the contemporary fashion scene. On 16 May, Epstein responded to a request from Capitol Records, EMI's North American counterpart, to supply three new songs for an upcoming US release, titled Yesterday and Today. Issued on 20 June, this album combined tracks that Capitol had omitted from the Beatles' previous US releases with songs that the band had originally issued on non-album singles. From the six completed recordings for Revolver, Martin selected three Lennon-written songs, since the sessions had favoured his compositions thus far. Keen to limit the interruption to recording that multiple television appearances would create, the Beatles spent two days making promotional films for the "Paperback Writer" single. The first set of clips was filmed at EMI Studio 1 on 19 May by Michael Lindsay-Hogg, director of the popular TV show Ready Steady Go! The following day, the group shot further clips for the two songs in the grounds of Chiswick House, in west London. In the face of fans' complaints of an aloofness in their new work, however, the band conceded to making a live appearance on Top of the Pops on 16 June. The camaraderie among the four Beatles was at its highest throughout this period.