down a guilt trip, however, protesting that a long-distance relationship, with Joe away at school, just isn't what she had in mind. He immediately gets into a fight with his sergeant, who is making a move on Carmen, as well as laying down some heavy shade on Joe. Starting the fight alone would have been enough to put Joe back in military prison for years, but the fight goes badly, and the sergeant ends up apparently dead. Carmen makes Joe hide the body, since desertion sounds better than a lengthy sentence. The train ticket to Chicago originally given to Carmen offers them a way of avoiding the MPs. After a few days hiding out in a seedy hotel with no money and no future with Joe, Carmen pays a visit to her two friends, now covered in diamonds and furs, at Husky's training camp. She is only looking for a loan, but they try to draw her to give up Joe and "go with the money" by staying with Husky. Later, at Husky's apartment, Frankie reads Carmen's "cards", and reveals the Nine of Spades - the card of Death. In the belief that her days are numbered, Carmen gives in to Husky's advances, abandoning Joe for the luxurious life Husky can offer her. Cindy Lou comes to look for Joe, but he is still in love with Carmen and spurns Cindy Lou. The night of Husky's title fight, Joe turns up to try to convince Carmen to come back to him, but when she rejects him, he kills her, thus making the card's prophecy a reality. Music Oscar Hammerstein II heavily adapted the libretto for Georges Bizet's opera Carmen from the original French for his Broadway production. Arts and Entertainment Editor Elisabeth Vincentelli further clarifies: "The music was pretty much left intact, but Hammerstein transferred the action to WWII America. Carmen's tobacco factory became Carmen Jones' parachute factory, bullfighter Escamillo became boxer Husky Miller, and so on. As if this weren't enough, there also was the 'small' detail of casting the show only with African-Americans...many of the show's songs retain a surprising impact. The feverish intensity of 'Beat Out dat Rhythm on a Drum', for instance, hasn't dimmed over the years, and the song's been covered by a wide variety of performers, from Pearl Bailey and Marc Almond to Mandy Patinkin." The majority of the actors performing the songs in