that Ciaran O'Hagan, the vocalist of Waylander, views as "an insult to people like myself who don’t hold with fascist ideals at all." He further suggests that the NSBM bands are playing folk metal "for all the wrong reasons." Due to the misappropriation of pagan symbols by Neo-Nazism, several folk metal bands have also been mistaken for being part of the NSBM scene. Consequently, such bands as Cruachan, Skyforger, Månegarm and Týr have had to disassociate themselves with Nazism, fascism or racism. Skyforger went as far as to add the words 'No Nazi Stuff Here!' on the back of their album covers. In April 2008, performers on the folk metal festival Paganfest were subject to accusations of being Nazis, racists and fascists from the German Antifa. Ville Sorvali of Moonsorrow and Heri Joensen of Týr issued a joint video statement to refute these accusations, noting that "one of the biggest issues seems to be that we use ancient Scandinavian symbols in our imagery like the S in the Moonsorrow logo and the T in the Týr logo [even though] that is how the S and the T runes have been written for thousands of years." Moonsorrow has also issued a written statement in response to the controversy while Týr notes on their official website that they "got the idea for the rune logo" from the Black Sabbath album of the same name. On the other side of the political landscape, some folk metal bands have uttered explicit socialist sentiments. For example the aforementioned Glittertind made a leftist statement against neoliberalism in their album booklet when re-releasing the record Til Dovre Faller on Napalm Records in May 2009. The original folk metal band Skyclad was also known to deal with serious political subjects but through lyrics that were littered with puns and humor. Other bands have continued to feature fun and humorous lyrics. This includes Finntroll with their obsession on trolls. The lyrics of Korpiklaani also "focused on having a good time, drinking [and] partying." In a review of Turisas' The Varangian Way album, James Christopher Monger of Allmusic commented that some listeners might be put off by "the concept of grown men in pelts" singing such lyrics as "come with us to the south, write your name on our roll." Heri Joensen of Týr contends that a listener needs to be confident in his masculinity to listen to such traditional