The Producers is a 1967 American satirical black comedy film written and directed by Mel Brooks in his directorial debut and starring Zero Mostel, Gene Wilder, Dick Shawn, and Kenneth Mars. The film is about a theater producer and his accountant who, as part of a scam, decide to stage the worst stage musical they can create. They find a script celebrating Adolf Hitler and the Nazis and bring it to the stage. Because of this theme, The Producers was controversial from the start and received mixed reviews. It became a cult film and found a more positive critical reception later. The Producers was Brooks's directorial debut. For the film, he won an Academy Award for Best Original Screenplay. In 1996, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant" and placed eleventh on the AFI's 100 Years...100 Laughs list. It was later adapted by Brooks and Thomas Meehan as a stage musical, which itself was adapted into a film. Plot Max Bialystock (Zero Mostel) is an aging, fraudulent, corruptible, and greedy Broadway producer past his prime who ekes out a hand-to-mouth existence romancing lascivious, wealthy elderly women in exchange for money for a "next play" that may never be produced. Accountant Leopold "Leo" Bloom (Gene Wilder), a nervous young man prone to hysterics, arrives at Max's office to audit his accounts and discovers a $2,000 discrepancy in the accounts of Max's last play. Max persuades Leo to hide the relatively minor fraud, and while shuffling numbers, Leo has a revelation—a producer can make a lot more money with a flop than a hit by overselling shares in the production, because no one will audit the books of a play presumed to have lost money. For this same reason, no duped investor will be aware of the many others, thus protecting the pair from charges of fraud. Max instantly puts this scheme into action. They will oversell shares on a massive scale and produce a play that will close on opening night, thus avoiding payouts and leaving the duo free to flee to Rio de Janeiro with the profits. Leo is afraid such a criminal venture will fail and they will go to prison, but Max eventually convinces him that his current drab existence is no better than prison. The partners find the ideal