undressed and put on a special collarless tunic, and their hair was cut to make easier the passage of the guillotine blade through their neck. In addition to these rooms, the corridor has three recreations of prison cells, and four rooms displaying objects and documents illustrating the history of the building and the major events of Revolution. Hall of Names and Prisoner's Chapel The Hall of Names has walls covered with the names of more than four thousand persons who were tried and sentenced to death by the Revolutionary Tribunal. Most of the prisoners came from middle or lower class, though twenty percent were from the former nobility and clergy. Between spring 1793 and 1794, nearly half the prisoners tried by the Tribunal left the prison alive, but that number dropped to only twenty percent between spring 1793 and 1794, the period of the Great Terror. Visitors can use a touch screen to consult the biographies of fifty famous prisoners executed during the Terror. The Prisoner's Chapel was rebuilt in 1776, after a fire that destroyed the earlier oratory. It is little changed from the time of the Revolution. The altar, confessional and the large crucifix date to the 18th century. Women could attend the services seated separately on the upper level, behind bars. Black curtains behind the altar cover the entrance to thermal memorial chapel dedicated to Marie Antoinette. The chapel was probably used as a cell during the Terror, when the prison was particularly overcrowded. Memorial Chapel or Marie-Antoinette Chapel The original cell of Marie-Antoinette was destroyed after the restoration of the monarchy and was replaced in 1815 by the Memorial Chapel, dedicated to her, on the site of her cell. It was commissioned by Louis XVIII, brother of the executed Louis XVI, It contains a marble monument dedicated to the Queen, with "The Queen's Testament", and three paintings of the Queen depicting her imprisonment. The only light in the chapel comes from a single stained glass window, and the black faux-marble walls are marked with stone teardrops. Women's Courtyard The Women's courtyard, where Marie-Antoinette and other women prisoners were allowed to exercise, is little changed from the time of the Revolution. The arcades, garden, stone table, and fountain where prisoners could wash their garments, date from that period. At the back of the garden, in the northeast corner, is a small triangular area separated from the women's