the peak of beauty with a sequence that is unelaborate, this being the Passover supper wherein Moses is shown with his family while the shadow of death falls on Egyptian first-borns". James Powers of The Hollywood Reporter declared the film to be "the summit of screen achievement. It is not just a great and powerful motion picture, although it is that; it is also a new human experience. If there were but one print of this Paramount picture, the place of its showing would be the focus of a world-wide pilgrimage." Philip K. Scheuer, reviewing for the Los Angeles Times, declared the film served as "almost as a religious experience as it is a theatrical one. C. B. remains, at 75, the ablest living director of spectacle in the grand manner. His production measures up to the best for which his admirers have hoped—and far from the worst that his detractors expected. That old-time religion has a new look." The film's cast was also complimented. Variety called Charlton Heston an "adaptable performer" who, as Moses, reveals "inner glow as he is called by God to remove the chains of slavery that hold his people". Powers felt that Heston was "splendid, handsome, and princely (and human) in the scenes dealing with him as a young man, and majestic and terrible as his role demands it. He is the great Michelangelo conception of Moses, but rather as the inspiration for the sculptor might have been than as a derivation." Variety also considered Yul Brynner to be an "expert" as Rameses, too. Anne Baxter's performance as Nefretiri was criticized by Variety as leaning "close to old-school siren histrionics", but Crowther believed that it, along with Brynner's, is "unquestionably apt and complementary to a lusty and melodramatic romance". The performances of Yvonne De Carlo and John Derek were acclaimed by Crowther as "notably good". He also commended the film's "large cast of characters" as "very good, from Sir Cedric Hardwicke as a droll and urbane Pharaoh to Edward G. Robinson as a treacherous overlord". Leonard Maltin, a contemporary film critic, gave the film four out of four stars, and described it as "vivid storytelling at its best... Parting of the Red Sea, writing of the holy tablets are unforgettable highlights." The critic Camille Paglia has called The Ten Commandments one of the ten greatest films of all time. Rotten Tomatoes retrospectively collected 44 reviews,