Wine, to convey the idea that the characters are not in the autumn of their lives but the summer, even though it may be "the last of the summer". BBC producers hated this at first and insisted that it remain a temporary working title, while the cast worried that viewers would forget the name of the show. The working title was changed later to The Library Mob, a reference to one of the trio's regular haunts early in the show. Clarke switched back to his original preference shortly before production began, a title that was shortened to Last of the Summer Wine after the pilot show. The Last of the Summer Wine premiered as an episode of BBC's Comedy Playhouse on 4 January 1973. The pilot, "Of Funerals and Fish", received enough positive response that a full series was commissioned to be broadcast before the end of the year. Although the initial series did not do well in the ratings, the BBC ordered a second series in 1975. Filming The site for the exterior shots of Last of the Summer Wine was, in part, suggested by television producer Barry Took, who was familiar with the area. Took had, in the 1950s, toured as a stand-up comic, often appearing at working men's clubs. One such appearance was at Burnlee Working Men's Club, a club in the small West Yorkshire town of Holmfirth, and Took saw Holmfirth's potential as the backdrop of a television show. Twenty years later, he returned to Holmfirth, where he filmed an episode of the BBC documentary series Having a Lovely Time, which turned out to be the highest rated episode of the show. When Took heard that James Gilbert and Roy Clarke were looking for a place with a centre surrounded by hills for their new television programme, he suggested the idea to Duncan Wood, who was at that time filming Comedy Playhouse. Gilbert and Clarke then travelled to Holmfirth and decided to use it as the setting for the pilot episode. Though the exterior shots were always filmed on location in Holmfirth and the surrounding countryside, the interior shots were, until the early 1990s, filmed in front of a live studio audience at BBC Television Centre in London. The amount of location work increased, however, as studio work became a drain on time and money. Under Alan J. W. Bell, Last of the Summer Wine became