Cimino "right at the center of film culture." Stephen Farber pronounced the film in New West magazine as "the greatest anti-war movie since La Grande Illusion." However, The Deer Hunter was not without critical backlash. Pauline Kael of The New Yorker wrote a positive review with some reservations: "[It is] a small minded film with greatness in it ... with an enraptured view of common life ... [but] enraging, because, despite its ambitiousness and scale, it has no more moral intelligence than the Eastwood action pictures." Andrew Sarris wrote that the film was "massively vague, tediously elliptical, and mysteriously hysterical ... It is perhaps significant that the actors remain more interesting than the characters they play." Jonathan Rosenbaum disparaged The Deer Hunter as an "Oscar-laden weepie about macho buddies" and "a disgusting account of what the evil Vietnamese did to poor, innocent Americans". John Simon of New York wrote: "For all its pretensions to something newer and better, this film is only an extension of the old Hollywood war-movie lie. The enemy is still bestial and stupid, and no match for our purity and heroism; only we no longer wipe up the floor with him—rather, we litter it with his guts." In a review of The Deer Hunter for Chicago magazine, Studs Terkel wrote that he was "appalled by its shameless dishonesty," and that "not since The Birth of a Nation has a non-Caucasian people been portrayed in so barbaric a fashion." Cimino's dishonesty "was to project a sadistic psyche not only onto 'Charlie' but to all the Vietnamese portrayed." Author Karina Longworth notes that Streep "made a case for female empowerment by playing a woman to whom empowerment was a foreign concept—a normal lady from an average American small town, for whom subservience was the only thing she knew". She states that The Deer Hunter "evokes a version of dominant masculinity in which male friendship is a powerful force". It has a "credibly humanist message", and that the "slow study of the men in blissfully ignorant homeland machismo is crucial to it". During the 29th Berlin International Film Festival in 1979, the Soviet delegation expressed its indignation with the film which, in their opinion, insulted the Vietnamese people in numerous scenes. Other communist states also voiced their solidarity with the "heroic people of Vietnam". They protested against the screening of the film and insisted that it violated the statutes