score in 2016. The Intrada release contains the complete two and a half hour score as originally recorded by Bernstein, with much of it remixed in true stereo for the first time. In addition, the 2016 release contains all the diegetic music recorded for the film, the original 1957 Dot album (in mono), the 1960 Dot album (in stereo), and the 1966 United Artists album, as well a 12-minute recording of Bernstein auditioning his thematic ideas for DeMille on the piano. The box set won the IFMCA Award for Best New Archival Release – Re-Release or Re-Recording of an Existing Score. Release Cecil B. DeMille promoted the film by placing Ten Commandment monuments as a publicity stunt for the film in cities across the United States. The Ten Commandments premiered at New York City's Criterion Theatre on November 8, 1956. Among those who attended the premiere were Cecil B. DeMille and his eldest child, Cecilia DeMille Harper; Charlton Heston and his wife, Lydia Clarke; Yul Brynner; Anne Baxter; Edward G. Robinson; Yvonne De Carlo and her husband, Bob Morgan; Martha Scott and her husband, Mel Powell, and son, Carleton Alsop; William Holden and his wife, Brenda Marshall; John Wayne and his wife, Pilar Pallete; Tony Curtis and his wife, Janet Leigh; and Paramount Pictures president Barney Balaban. It played on a roadshow basis with reserved seating until mid-1958, when it finally entered general release. The Ten Commandments was re-released in 1966 and 1972, and one more time in 1989. The 1972 and 1989 re-issues included 70mm and 35mm prints that reframed the picture's aspect ratio to 2.20:1 and 2.39:1, respectively, cropping the top and bottom of the picture's original 1.85:1 aspect ratio. The Ten Commandments was released on DVD on March 30, 1999; March 9, 2004, as a Special Collector's Edition; and March 29, 2011, as a Special edition and Standard edition. The Ten Commandments received a 4K UHD Blu-Ray release on March 30, 2021. Reception Box office The Ten Commandments was the highest-grossing film of 1956, and the second most successful film of the decade. By April 1957, the film had earned an unprecedented $10 million from engagements at just eighty theaters, averaging about $1 million per week, with more than seven million people paying to watch it. It played for 70 weeks at the Criterion Theatre in New York, grossing $2.7 million. During its initial release, it earned