which they previously previewed the four songs from the Ritual Spirit EP. On 29 July 2016, they released a new EP, "The Spoils", which includes "The Spoils" and "Come Near Me", both previewed on Fantom. "The Spoils" features vocals from American singer-songwriter Hope Sandoval, and "Come Near Me" features British vocalist Ghostpoet. A music video for "Come Near Me", directed by Ed Morris, and featuring Kosovan actress Arta Dobroshi, was released the same day as the single. The video for "The Spoils", featuring Cate Blanchett, and directed by Australian director John Hillcoat, was released on 9 August 2016. Eutopia EP and audiovisual releases In July 2020, Massive Attack released a political audiovisual EP called Eutopia. The three track fusion was created across five cities during the COVID-19 global lockdown period, and was part-formed by generative algorithmic visuals from AI art pioneer Mario Klingemann and collaborations with Algiers, Young Fathers and US poet Saul Williams. The conceptual project, co-written and produced by 3D and documentary filmmaker Mark Donne, featured strong arguments for global system change from UN Paris Climate Agreement author Christiana Figueres, founder of the Universal Basic Income Principle Professor Guy Standing and inventor of the US "Wealth Tax" policy Professor Gabriel Zucman. Each video ends with a quote from Thomas More's Utopia. Massive Attack were scheduled to headline the 2022 edition of the Primavera Sound music festival in Barcelona, Spain, but an unnamed band member's serious illness forced the band to cancel its appearance with the rest of its European tour. Musical style Some of their most noted songs have been without choruses and have featured dramatically atmospheric dynamics, conveyed through either distorted guitar crescendos, lavish orchestral arrangements or prominent, looped/shifting basslines, underpinned by high and exacting production values, involving sometimes copious digital editing and mixing. The pace of their music has often been slower than prevalent British dance music of the time. These and other psychedelic, soundtrack-like and DJist sonic techniques, formed a much-emulated style journalists began to dub "trip hop" from the mid-nineties onwards, though in an interview in 2006, Daddy G said, "We used to hate that terminology [trip-hop] so bad,' laughs. 'You know, as far we were concerned, Massive Attack music was unique, so to put it in a box was to pigeonhole it and to say, "Right, we know where you guys are coming from."" Other projects 'Fire Sale' exhibition A solo exhibition of