it remains a national creative triumph." In his 2014 review of the film, Peter Bradshaw of The Guardian wrote "Francis Coppola's breathtakingly ambitious prequel-sequel to his first Godfather movie is as gripping as ever. It is even better than the first film, and has the greatest single final scene in Hollywood history, a real coup de cinéma." The Godfather Part II was featured on Sight & Sounds Director's list of the ten greatest films of all time in 1992 (ranked at No. 9) and 2002 (where it was ranked at No. 2. The critics ranked it at No. 4) On the 2012 list by the same magazine the film was ranked at No. 31 by critics and at No. 30 by directors. In 2006, Writers Guild of America ranked the film's screenplay (Written by Mario Puzo and Francis Ford Coppla) the 10th greatest ever. It ranked No. 7 on Entertainment Weeklys list of the "100 Greatest Movies of All Time", and #1 on TV Guides 1999 list of the "50 Greatest Movies of All Time on TV and Video". The Village Voice ranked The Godfather Part II at No. 31 in its Top 250 "Best Films of the Century" list in 1999, based on a poll of critics. In January 2002, the film (along with The Godfather) made the list of the "Top 100 Essential Films of All Time" by the National Society of Film Critics. In 2017, it ranked No. 12 on Empire magazine's reader's poll of The 100 Greatest Movies. In a earlier poll held by the same magazine in 2008, it was voted 19th on the list of 'The 500 Greatest Movies of All Time'. In 2015, it was tenth in the BBC's list of the 100 greatest American films. Many believe Pacino's performance in The Godfather Part II is his finest acting work, and the Academy of Motion Picture Arts and Sciences was criticized for awarding the Academy Award for Best Actor that year to Art Carney for his role in Harry and Tonto. It is now regarded as one of the greatest performances in film history. In 2006, Premiere issued its list of "The 100 Greatest Performances of all Time", putting Pacino's performance at #20. Later in 2009, Total Film issued "The 150 Greatest Performances of All Time", ranking Pacino's performance fourth place. The Japanese filmmaker Akira Kurosawa cited this movie as one of his