Chan Is Missing is a 1982 American independent comedy-drama film produced and directed by Wayne Wang. The film, which is shot in black and white, is plotted as a mystery with noir undertones, and its title is a play on the Charlie Chan film series which focuses on a fictional Chinese immigrant detective in Honolulu. Chan Is Missing turns the Charlie Chan detective trope on its head by making "Chan" the missing person that the film's two protagonists, Jo and Steve, search for. In the process of trying to locate Chan, a fractured, even contradictory portrait of him emerges, mirroring the complexities of the polyglot Chinese American community that Chan's character allegorizes. It is widely recognized as the first Asian-American feature narrative film to gain both theatrical distribution and critical acclaim outside of the Asian American community. Plot Jo is a taxi driver in Chinatown, San Francisco who, with his nephew Steve, is seeking to purchase a cab license. Jo's friend Chan Hung was the go-between for the transaction but has disappeared, taking Jo's money. The two men search for Chan by speaking with various Chinatown locals, each of whom has a different impression of Chan's personality and motivations. The portrait that is created is incomplete and, at times, contradictory. As the mystery behind Chan's disappearance deepens, Jo becomes paranoid that Chan may be involved in the death of a man killed during a "flag-waving incident" between opposing supporters of the People's Republic of China (mainland China) and the Republic of China (Taiwan). In the end, Chan remains missing but, through his daughter, returns Jo and Steve's money. Jo, holding a photo of Chan where his face is completely obscured, eventually accepts that Chan is an enigma, saying in a voiceover, "here's a picture of Chan Hung but I still can't see him." Themes and analysis Chinese America and absence The absence, ambiguity and lack of definite character in the film are central themes in Chan Is Missing, and reflect how the film takes on the challenge of being an early Chinese/Asian American feature narrative. Chan Is Missing is able to use the absence of Chan to fill that space with a series of a broad and complicated portrait of San Francisco's Chinese American community. According to Diane Mei Lin Mark, who wrote the framing essay for the movie's published screenplay, "this very presentation of diversity among Chinese American characters