Lady Queensberry, converted to Roman Catholicism and took her children to live in Paris. One of his uncles, Lord James Douglas, was deeply attached to his twin sister "Florrie" (Lady Florence Douglas) and was heartbroken when she married a baronet, Sir Alexander Beaumont Churchill Dixie. In 1885, Lord James tried to abduct a young girl, and after that became ever more manic; in 1888, he made a disastrous marriage. Separated from Florrie, James drank himself into a deep depression, and in 1891 committed suicide by cutting his throat. Another of his uncles, Lord Francis Douglas (1847–1865) had died in a climbing accident on the Matterhorn. His uncle Lord Archibald Edward Douglas (1850–1938) became a clergyman. Alfred Douglas's aunt, Lord James's twin Lady Florence Dixie (1855–1905), was an author, war correspondent for the Morning Post during the First Boer War, and a feminist. In 1890, she published a novel, Gloriana, or the Revolution of 1900, in which women's suffrage is achieved after a woman posing as a man named Hector D'Estrange is elected to the House of Commons. The character D'Estrange is clearly based on Oscar Wilde. Relationship with Wilde In 1891, Douglas's cousin Lionel Johnson introduced him to Oscar Wilde; they soon began an affair. In 1894, the Robert Hichens novel The Green Carnation was published, a roman à clef depicting satirically Douglas's dependent relationship on Wilde. Douglas has been described as spoiled, reckless, insolent and extravagant. He would spend money on boys and gambling and expected Wilde to contribute to funding his tastes. They often argued and broke up, but would always be reconciled. Douglas had praised Wilde's play Salome in the Oxford magazine The Spirit Lamp, of which he was editor (and used as a covert means of gaining acceptance for homosexuality). Wilde had originally written Salomé in French, and in 1893 he commissioned Douglas to translate it into English. Douglas's French was very poor and his translation was highly criticised; for example, a passage that runs "On ne doit regarder que dans les miroirs" ("One should look only in mirrors") he rendered "One must not look at mirrors". Douglas was angered at Wilde's criticism, and claimed that the errors were in fact in Wilde's original play. This led to a hiatus in the relationship and a row between the two, with angry messages being exchanged and even the involvement of the publisher John Lane and the illustrator