composition "What's the New Mary Jane" was demoed at Kinfauns and recorded formally (by Lennon, Harrison and Ono) during the 1968 album sessions. McCartney taped demos of two compositions at Abbey Road – "Etcetera" and "The Long and Winding Road" – the last of which the Beatles recorded in 1969 on Let It Be. The Beatles versions of "Not Guilty" and "What's the New Mary Jane" and a demo of "Junk" were released on Anthology 3. "Revolution (Take 20)", a previously uncirculated recording, surfaced in 2009 on a bootleg. This ten-minute take was later edited and overdubbed to create two separate tracks: "Revolution 1" and the avant-garde "Revolution 9". Release Packaging The Beatles was issued on 22 November 1968 in Britain and three days later in the US. It was the third album to be released by Apple Records, following Harrison's Wonderwall Music and Lennon and Ono's Two Virgins. The record was referred to as "the White Album" immediately upon release. Pop artist Richard Hamilton designed the record sleeve in collaboration with McCartney. Hamilton's design was in stark contrast to Peter Blake's vivid cover art for Sgt. Pepper's Lonely Hearts Club Band, and consisted of a plain white sleeve. The band's name, in Helvetica, was crookedly blind embossed slightly below the middle of the album's right side. Later vinyl record releases in the US showed the title in grey printed (rather than embossed) letters. Each copy of the record featured a unique stamped serial number, "to create", in Hamilton's words, "the ironic situation of a numbered edition of something like five million copies". The first four numbered copies were given to the members of the band, making number 0000005 the first copy sold publicly; in 2008, it was purchased for £19,201 on eBay. In 2015, Ringo Starr's copy, number 0000001, sold for a world record $790,000 at auction. The sleeve included a poster comprising a montage of photographs, with the lyrics of the songs on the back, and a set of four photographic portraits taken by John Kelly. The photographs for the poster were assembled by Hamilton and McCartney, who sorted them in a variety of ways over several days before arriving at the final result. During production, the album had the working title of A Doll's House. This was changed when the English progressive rock band Family released the similarly titled Music in a Doll's House earlier that year.