Impressions, with his solo on "My Favorite Things", recorded roughly a year earlier, and released on the Atlantic album, and observed that on "My Favorite Things", Coltrane "accepted the mode as more or less binding, occasionally aiming away from it... at tones foreign to the scale," whereas on "India", Coltrane, like Dolphy, played "around the mode more than in it." Dolphy's musical presence was also influential to many young jazz musicians who would later become prominent. Dolphy worked intermittently with Ron Carter and Freddie Hubbard throughout his career, and in later years he hired Herbie Hancock, Bobby Hutcherson and Woody Shaw to work in his live and studio bands. Out to Lunch! featured yet another young performer, drummer Tony Williams, and Dolphy's participation on Hill's Point of Departure session brought him into contact with the tenor player Joe Henderson. Carter, Hancock and Williams would go on to become one of the quintessential rhythm sections of the decade, both together on their own albums and as the backbone of Miles Davis's second great quintet. This aspect of the second great quintet is an ironic footnote for Davis, who was critical of Dolphy's music: in a 1964 DownBeat "Blindfold Test", Miles quipped: "The next time I see [Dolphy] I'm going to step on his foot." However, Davis new quintet's rhythm section had all worked under Dolphy, thus creating a band whose brand of "out" was strongly influenced by Dolphy. Dolphy's virtuoso instrumental abilities and unique style of jazz, deeply emotional and free but strongly rooted in tradition and structured composition, heavily influenced such musicians as Anthony Braxton, members of the Art Ensemble of Chicago, Oliver Lake, Arthur Blythe, Don Byron, and Evan Parker. Awards, honors, and tributes Dolphy was posthumously inducted into the DownBeat magazine Hall of Fame in 1964. John Coltrane paid tribute to Dolphy in an interview: "Whatever I'd say would be an understatement. I can only say my life was made much better by knowing him. He was one of the greatest people I've ever known, as a man, a friend, and a musician." After Dolphy died, his mother gave Coltrane his flute and bass clarinet, and Coltrane, who traveled with Dolphy's photograph, hanging it on his hotel room walls, proceeded to play the instruments on several subsequent recordings. Frank Zappa acknowledged Dolphy as a musical influence in the liner notes to the 1966 album Freak Out! and included