terminal building was demolished in 2002. Memorial View Building, Mount Rushmore The spurious murder of Roger Thornhill takes place in the Buffalo Room of the Memorial View Building at Mount Rushmore—the one location in the park where Hitchcock was permitted to film. This building was constructed in 1957 as part of the National Park Service's Mission 66 program, and was designed jointly by NPS architect Cecil J. Doty and local architect Harold Spitznagel. The building was demolished in 1994. Phillip Vandamm House Vandamm's house, set on a cliff atop Mount Rushmore, was not a real structure. Hitchcock asked the set designers to make the house in the style of Frank Lloyd Wright, the most popular architect in America at the time, using the materials, form and interiors associated with him. Set designer Robert F. Boyle planned the house, which featured a cantilevered living room and made extensive use of limestone. Exterior shots were done using matte paintings, while interior shots were filmed using a set built in Culver City, California, where MGM's studios were located. Costuming A panel of fashion experts convened by GQ in 2006 said the gray suit worn by Cary Grant throughout almost the entire film was the best suit in film history, and the most influential on men's style, stating that it has since been copied for Tom Cruise's character in Collateral and Ben Affleck's character in Paycheck. This sentiment has been echoed by writer Todd McEwen, who called it "gorgeous" and wrote a short story, "Cary Grant's Suit", that recounts the film's plot from the viewpoint of the suit. There is some disagreement as to who tailored the suit; according to Vanity Fair magazine, it was Norton & Sons of London, although according to The Independent, it was Quintino of Beverly Hills. According to another article, Grant used his Savile Row tailor, Kilgour French and Stanbury for the suit. There is a label reading “Quintino” on one of the suits in the film, but this is because Quintino made duplicate suits for scenes involving more activity or stunts. Eva Marie Saint's wardrobe for the film was originally entirely chosen by MGM. Hitchcock disliked MGM's selections, and the actress and director went to Bergdorf Goodman in New York to select what she would wear. Editing and post-production In François Truffaut's book-length interview, Hitchcock/Truffaut (1967), Hitchcock said that MGM wanted North by Northwest cut by 15 minutes