the first homes on the site would be available for occupancy in Autumn 2012. The final floodlight pylon – and last remaining Saltergate structure – was levelled on 13 July. Initial construction of the roads and first plots began at the end of July 2012. In September 2012, Chesterfield Borough Council invited fans to nominate possible names for the road at the new development, from which seven options were subsequently put to the popular vote in an online poll. In December 2012, the winning street name was announced as 'Spire Heights', a play on the club nickname 'Spireites' when pronounced with a local accent. In the autumn of 2014 Chesterfield Borough Council commissioned local artist Melanie Jackson to design a piece of artwork to mark the site of the football ground. The work, the "Spirit of Saltergate" was developed in consultation with supporters and was installed in March 2015. The artwork consists of a railing depicting the ground and fans as well as a tree guard and a series of bronze inlays linked to multimedia works. Structure and facilities At the time of its closure, the four sides of the stadium were: The Main Stand, which was all-seated and contained an area designated as the Family Stand; the Spion Kop – the main terrace – known as the Karen Child Kop from 2008 for sponsorship reasons; the Compton Street Stand, running the full length of the pitch opposite the Main Stand; and the Cross Street End, an open terrace where away fans usually stood. Main Stand The covered Main Stand was opened in 1936 and was built at a cost of £14,000. In this era, the stand had two tiers, the bottom level being narrow terracing which did not require a tunnel for the players, who instead emerged through a door. This terracing was taken out of use in the late 20th century. For the 2009–10 season it accommodated 2000 home supporters plus 450 seats for away fans. The stand was unusual, when viewed from aerial shot, in having a slight bend just to the right of halfway. In its later incarnation, it was also unusual in having its seating area raised above the pitch with a number of stairwells at the front of the stand leading up to the seats. There were also a number of supporting pillars in the stand which gave many seats a restricted view. In