Negro jailbird's ballad to match Hard Times Poor Boy. Like so many American folk songs, its hero is not a man but a train." The light of the train is seen as the light of salvation, the train which could take them away from the prison walls. It is highly reminiscent of the imagery of such gospel songs as "Let the Light from Your Lighthouse Shine on Me". Carl Sandburg had a different view. He believed the subject of the song would rather be run over by a train than spend more time in jail. Although later versions place the locale of the song near Houston, early versions such as "Walk Right In Belmont" (Wilmer Watts; Frank Wilson, 1927) and "North Carolina Blues" (Roy Martin, 1930) — both essentially the same song as "Midnight Special" — place it in North Carolina. Most of the early versions, however, have no particular location. Only one recording, collected by the Lomaxes at the Mississippi State Penitentiary, actually identifies the railroad operating the Midnight Special — the Illinois Central which had a route through Mississippi. Other versions Country musicians Wilma Lee and Stoney Cooper had a top 5 country hit with their reworking of the song in 1959 as "Big Midnight Special". Only two versions of the song have reached the US Billboard Hot 100. Paul Evans recorded the highest-charting version of "Midnight Special," reaching number 16 in the winter of 1960. Five years later, Johnny Rivers' version reached number 20 in 1965. The Johnny Rivers version was used as the theme for the NBC music program The Midnight Special. Lead Belly, Big Bill Broonzy, Sonny Terry & Brownie McGhee, Odetta, Les Paul, The Kingston Trio (who also recorded their song "The Tijuana Jail", which retains the same music but with new lyrics), Pete Seeger, Peter, Paul and Mary, Burl Ives, Big Joe Turner, Bobby Darin, Cisco Houston, Jimmy Smith, Mungo Jerry, Van Morrison, Little Richard, Buckwheat Zydeco, Otis Rush, The Spencer Davis Group, Lonnie Donegan, Eric Clapton, The Louvin Brothers, Long John Baldry, The Kentucky Headhunters, Willie Watson, Mischief Brew, Hoyt Axton, Odetta, Billy Bragg, and Creedence Clearwater Revival, among others, have recorded the song. Jody Miller arranged her own version and included it on her first album Wednesday's Child is Full of Woe in 1963. Harry Belafonte's 1962 version is notable for containing the first official recording of Bob Dylan, who played