"Ring a Ring o' Roses", "All You Need Is Love" comments on sex and the British media's reaction to the AIDS crisis. The final track on the album is "Next", which Drummond describes as "the only angst-er on the album", with "imagery of war and sordid sex". The track samples Stevie Wonder's "Superstition", Scott Walker's "Next" from Scott 2, the Fall's "Totally Wired," Wild Man Fischer's "Merry Go Round", and Julie Andrews' "The Lonely Goatherd" from The Sound of Music, alongside Khiem's original melancholy clarinet and tenor saxophone contributions ("a saxophone of stupefying tediosity", according to Danny Kelly). Bill Drummond summed up The JAMs' approach to composition in the first "KLF Information Sheet", sent out in October 1987: "We made [the album] not giving a shit for soul boy snob values or any other values, we just went in and made the noise we wanted to hear and the stuff that came out of our mouths.... Not a pleasant sound but it's the noise we had. We pressed it up and stuck it out. A celebration of sorts." Jimmy Cauty defended sampling as an artistic practice: "It's not as if we're taking anything away, just borrowing and making things bigger. If you're creative you aren't going to stop working just because there is a law against what you are doing." In 1991, Drummond admitted: "We didn't listen to 1987 What The Fuck's Going On for a long time, and when we did we were embarrassed by it because it was so badly recorded. But I still felt we were able to get a lot out of ourselves through it." Release and controversy 1987 (What the Fuck Is Going On?) was released in June 1987 on The JAMs' own record label, "The Sound of Mu(sic)". 1987 was met with mixed reviews in most of the major British music publications, including Melody Maker, NME, Sounds, and Q, and the album came to the attention of the management of Swedish pop group ABBA: The JAMs had sampled large portions of the ABBA single "Dancing Queen" on the track "The Queen And I". A legal showdown with ABBA and the Mechanical-Copyright Protection Society (MCPS) followed, 1987 was forcibly withdrawn from sale, and The JAMs were ordered to "deliver up the master tape, mothers, stampers and any other parts commensurate with manufacture of the record". King Boy D and Rockman Rock travelled to ABBA's home