music video for album closer "The Weight of It All" was released. Compilations City Sharks: Music From the Motion Picture Released: 2003 Executive Producers: Esan Sivalingam and Bratina Tay Music Supervisors: Vivian Wang and Esan Sivalingam An early incarnation of The Observatory contribute two songs, "Sweetest Man" and "Coffee Break (Intermission)", to the soundtrack of this film, written and directed by Esan Sivalingam. For Good! Released: 2006 Mastered by Reece Tunbridge at Studios 301, Sydney, Australia Rennie Gomes' remix of "This Sad Song" from The Observatory's debut album, Time of Rebirth, was included on this charity release. Proceeds from this Aging Youth Records release went to Music For Good, a non-profit organisation involved in outreach programs to youths. +65 Indie Underground Released: 2009 The Observatory's "This Sad Song" from their debut album, Time of Rebirth, was collected in this three-CD compilation of Singapore indie rock, alongside tracks by Humpback Oak, The Oddfellows and Zircon Lounge. Peter Kruder Private Collection Released: 2009 The Observatory's "Waste Your Life" from their debut album, Time of Rebirth, was handpicked by Peter Kruder of electronic duo Kruder & Dorfmeister for G-Stone Master Series №1: Peter Kruder Private Collection. Other acts on the compilation include Talk Talk, Tortoise, whom The Observatory opened up for at the Mosaic Music Festival in 2005, and Tom Waits. Anatomicron Released: Sep 2012 A collection of unreleased and live material, demos, covers and rarities, Anatomicron’s 13 tracks, including a Nick Drake cover, trace The Observatory's evolution through constantly changing trajectories and terrains. Anatomicron was released in support of the crowd-funded, experimental music documentary, The Obs: A Singapore Story. Behind These Eyes: The Catacombs Remixes Released: Apr 2014 Jointly released by The Observatory and Ujikaji Featuring 11 interpretations of Catacombs songs by artists from Singapore, China, Norway, Thailand/Japan, and the US, including James Plotkin, Lasse Marhaug and Xhin. Interviewed about Behind These Eyes: The Catacombs Remixes, singer Low called the album "Eleven musical visions-lessons-perspectives. The interpretations elaborate on Catacombs' theme of madness and reach sonic territories we could never achieve on our own." The album was reviewed positively on Midnight Shift Records' blog: "As these artists take The Observatory’s songs further into a digital register, what seemed like a highly personal album dilates into something like a genre unto itself." Reviewing the album in The Straits Times, Yeow Kai Chai wrote that Behind These Eyes: The Catacombs Remixes "meddles with the songs