climactic end. The pulsating tempo is consanguineous to the electronic dance music and dance-pop found in western music. The dance technique is virtually like the khigga one, albeit it is in a faster fashion. Alternatively, a simpler form involves the dancers plainly going forwards and backwards to the beat with stomps, as if they are rocking or swinging. It is mostly danced by Iraqi Assyrians, and was first initiated by Chaldean Christians. The dance goes by the time signature of and the tempo is around 120-135bpm. Gubbare: Mostly danced at the end of a party. The music is fast, lively and upbeat, akin to a jig. The music accompanying the dance is typically in the major key. Pinkies interlock, dancers repeatedly go forward and back in motion in the circle. Popular song in a gubareh beat is Tom Tom by Linda George. Gubareh is in and its tempo is around 125-135bpm. Bablaka: Fervently danced, with pinkies interlocking, where they (hands and arms too) move up and down energetically and perennially. But unlike gubareh, the participant is more stable where they will not prance forward and backwards in the dance floor. Motion is intemperately focused on arms, shoulders and hands in bablaka. Dancers may also rhythmically bend knees. The beat is virtually homogeneous to gubareh. It also danced at the end of parties. The meter is and tempo is around 125-130bpm. Belaty: The dance is accompanied by a moderately fast-paced Arabic rhythm (similar to belly dancing music). Dancers would connect hand-to-hand in the circle, lift legs to the beat whilst making a slight leap and kick their legs to the sides in the air (this would repeat). An example of a notable song with a belaty beat is Ahela Yoni by Ashur Bet Sargis. Becoming somewhat rare and unwonted recently, songs traditionally in its rhythm are now played and danced to in the Bagiyeh or Peda beat. The beat is 125-135bpm. . Tolama: Lively and energetic dance where the participants constantly jump and kick legs in the air repeatedly (similar in fashion to belaty and gubareh), whilst also moving their torso forward and backwards. It also danced at the end of parties after Gubbareh, but it is not as commonly practiced as Gubbareh. Notable song in this beat is Shoshonla by Shamiram Urshan. The time signature is and temp is 125-140bpm. Sabre dance: A solo dance that usually involves one to