an oak cupboard. Early December 1660 the sale of the house was closed but the money went to Titus' guardian. Two weeks later Hendrickje and Titus set up a dummy corporation as art dealers, so Rembrandt, who had board and lodging, could continue to produce. In 1661, the new business was contracted to complete work for the newly built city hall. The resulting work, The Conspiracy of Claudius Civilis, was rejected by the mayors and returned to the painter within a few weeks; the surviving fragment (in Stockholm) is only a quarter of the original work. In 1662 he was still fulfilling major commissions for portraits and finished the Staalmeesters. Around this time Rembrandt took on his last apprentice, Aert de Gelder. It is problematic how wealthy Rembrandt was and he overestimated the value of his art collection. Anyhow, half was earmarked for Titus' inheritance. In March 1663 Hendrickje was sick and Titus was allowed to act. Isaac van Hertsbeeck, Rembrandt's main creditor, went to the High Court to contest that Titus had to be paid first. He lost more than once and had to pay the money he had already received to Titus in 1665 who was by then declared of age. Rembrandt was working on the Jewish Bride and his three final self-portraits but fell into rent arrears. Cosimo III de' Medici, Grand Duke of Tuscany visited Rembrandt twice and travelled back to Florence with one of the self-portraits. Rembrandt outlived both Hendrickje and Titus, who died in September 1668, leaving a pregnant widow behind. Rembrandt died on Friday 4 October 1669; he was buried four days later in a rented grave in the Westerkerk. Supposedly as a rich man as the heirs paid in burial taxes a substantial amount of money, f 15. Cornelia (1654-1684), his illegitimate child, moved to Batavia in 1670 with an obscure painter and the inheritance of her mother. His only grandchild, Titia (1669-1715), inherited a considerable sum from Titus. According to Bob Wessels: With more than 20 legal conflicts and disputes, in all areas of life and business, Rembrandt also led a turbulent legal and financial life. Works In a letter to Huygens, Rembrandt offered the only surviving explanation of what he sought to achieve through his art, writing that, "the greatest and most natural movement", translated from de meeste en de natuurlijkste beweegelijkheid. The word "beweegelijkheid" translates to "emotion" or "motive".