in Hannover. The success of this mascot led to the Twipsy series, in which the star is a virtual space messenger and the action is set in the Internet. Twipsy was sold to over one hundred countries. In 1995, Mariscal also designed the Amorosos Furniture collection for the Italian manufacturer Moroso, which includes one of his most successful pieces of furniture, the Alexandra armchair, in which the organic shapes and the use he makes of colour communicate the vital, extroverted style that characterises Mariscal's objects. In 1995, Mariscal collaborated with schoolchildren in the Land of Valencia to create a collective mural sculpture during protest days for the use of the Valencian language in the education. The mural is now located in the Teacher's Faculty of the University of Valencia and open to the public free of charge. In 2001, he designed the much sought after diary room chair used in Channel 4's second instalment of Big Brother. In 2002, his multidisciplinary career culminated with the integral design of the Gran Hotel Domine Bilbao, nestling between the Guggenheim Museum in Bilbao and the ria, the creative concept of which is based on reflecting the history of design of the 20th century. Mariscal designed things from the uniforms to the façade, including the graphic image and its website. He did the interior design of the GHDB with Fernando Salas, who also collaborated in Calle 54 Club, a project in which Fernando Trueba also forms part and which provides Madrid with a live space where the most prestigious Latin jazz musicians perform, such as Bebo Valdés and Paquito D'Rivera. Madrid is also the home of Hotel Puerta América, belonging to the Silken Group, a project in which the best architecture and design studios of the moment participated. Estudio Mariscal and Fernando Salas were responsible for the interior design of the eleventh floor. Another sample of his interdisciplinary vocation is the audiovisual show Colors, which premiered in Barcelona in 1999 and starred the robot Dimitri, another of Mariscal's creatures. The script of Colors has been adapted for the frequent conferences on design he gives all over the world which, rather than conferences are entertaining pocket shows marked with humour and tenderness. In 2005, he made several objects for the children's collection, Me Too, by Magis, a fruitful collaboration that is still under way. Some of his most recent works, which he continues to combine