that it was Marion's lover who saved his life. Shortly afterwards, Laffemas receives a letter announcing the escape of Didier, probably accompanied by Marion. He goes after them. Marion and Didier enter. They have hidden themselves among a troupe of traveling comedians and are given roles. Didier is desperate to flee with Marion, and asks her again to marry him. Marion is spotted by Savergny, who passes the information to Laffemas. He realizes that the fugitive he seeks must be among the actors. Didier discovers that the woman he loves is none other than Marion de Lorme, the courtesan. Revolted, he denounces himself to Laffemas, who arrests him. Saverny, in an attempt to save Didier, unmasks himself, but he is arrested too. Act IV The King. The scene opens in the guard room of Chambord Castle. Laffemas attempts to seduce Marion, but is refused. Marion determines to rely upon the king. Louis XIII enters, furious with Cardinal Richelieu who ousted him from power. Marion and the Marquis de Nangis (Saverny's uncle) plead for a royal pardon for the two convicts. But the king is intractable; he refuses to oppose the cardinal. Left alone with the king, L'Angély, his jester, tries to persuade the King by convincing him that the two convicts are falconers (the king is keen on hunting). At his insistence, the king, weak and undecided, relents to pardon the two men, and Marion departs with the pardon in hand. Act V The Cardinal. The scene is the dungeon of Beaugency. Marion, bearing royal pardon, arrives to have Dider released; but the royal pardon has been revoked by the cardinal. Confronted with Laffemas, she finally gives in, and agrees to prostitute herself to him in exchange for Didier's freedom. The thing done, she enters the courtyard where Didier and Saverny are awaiting death, but Didier, still angry and revolted because he guesses what she had to do to get there, refuses to follow her. The guards arrive to escort them away. At the last moment, Didier confesses his love to Marion, who forgives him and asks for forgiveness. The condemned march towards torture. Marion remains alone on stage, and sees the litter of the cardinal, who has just been present at the execution. Film adaptations In 1912 a short silent film was made directed by Albert Capellani. In 1918 a second feature-length film Marion Delorme was produced, directed by