executive board in a "hush-hush operation" () without a resolution from the General Assembly—and which just happened to benefit the members of the executive board, including its chairman at the time, Otto Krause. He accused him of exploitation and personal enrichment, because he sometimes collected sums that were 100 times the incoming licensing fees collected for his old Schlager songs, while rock musicians only earned 10% of the licensing fees their music earned. Furthermore, he claimed that a statistics professor that had been appointed to assess the rationale for the distribution process had had absolutely no expertise in the field of live music and was deliberately misinformed by the executive board. Furthermore, a 2005 verdict by the federal court demanded that the PRO process be subject to a vote by the membership, which has yet to occur. Seelenmeyer also sharply criticized the term "solidarity principle" (), arguing that it disguises and sugarcoats a planned- and intentionally-unfair distribution process. He cited the former chairman of the GEMA board of directors , who wrote regarding the introduction of the PRO process that, "For an extrapolation process heavily impacting the income distribution of members to be introduced without a membership resolution is simply intolerable and furthermore against regulations, according to the opinion of many legal experts." Evers further charged: "This paternalism would rob GEMA members of their voting rights regarding an essential domain of their assets. They are almost being deprived of their right of decision by their own trustees!" Evers demanded that: "The only way that the executive board and directorial board can get out of this crisis of confidence that has arisen through the patronization of members lies in the immediate dismissal of the PRO process and the development of a new process with the participation and approval of its members!" Edgar Berger, President and international CEO of Sony Music Entertainment outside of the US, criticized the authors' rights practices of GEMA in an interview with the daily newspaper Die Welt on 23 February 2012, questioning why in Germany, in contrast with other countries, no official music videos can be viewed on YouTube: "It's not because of us. We have licensed our content to market players. You need to ask this question to the collecting society GEMA, who is very restrictive in its copyright licensing. We're losing millions in revenue as a result. By the way, this is one of the