is a novella by the Japanese author Kenzaburō Ōe, first published in Japanese in 1972. It has been translated into English by John Nathan and was published in 1977 together with Teach Us to Outgrow Our Madness, Prize Stock and Aghwee the Sky Monster. The work deals with themes of militarism and emperor-worship through the reminiscences of an unreliable narrator. Plot summary The novella is set in the summer of 1970. It is narrated by a 35-year-old man (like all the characters he is not named) who is lying in hospital waiting to die of liver cancer, although the doctors do not believe that the cancer is real. Early on in the novel, the narrator associates his cancer with the imperial symbols, calling it, "a flourishing bed of yellow hyacinth or possibly chrysanthemums bathed in a faint purple light". He wears a pair of goggles with green cellophane lenses. The story opens with a late-night encounter between the narrator and a "lunatic", resembling both the narrator's father and a Dharma, who appears at the end of his bed. The lunatic asks the narrator what he is, to which he replies "I'm cancer" and throws his nostril clippers at the lunatic. The remainder of the novel comprises the narrator's recollections of his childhood. The main narrative is periodically interrupted by discussions between the narrator and "the acting executor of the will", who is transcribing the narrator's story. Looking forward to his death, the narrator sings the song, "Happy Days Are Here Again". He fantasises about obtaining revenge on his hated mother by summoning her to attend his death, and in his narrative tries to recreate his earlier "Happy Days" of the latter years of the Second World War. His first reminiscences, however, are of the immediate postwar years, in which he was ostracised by the other children for his poverty and "animal violence". He was caught and humiliated by his mother while attempting to commit suicide. He also remembers that by the end of the war he had picked up that his mother's real father had been executed for participating in a revolt against the emperor in 1912. She had then been adopted by a nationalist family working in China. There she met her future husband, who brought her to the village. The narrator's father was 'associated with the military', and was part of an anti-Tojo movement in the Kanto Army