built on resilience and care. Meaning Piccinini never truly states what her personal beliefs are, most of the time opting for ambiguity. She uses her art as a forum for viewers to project their own beliefs on and start discussions. The grotesque visuals and themes offer a sense of fantasy; the controversial world she created encourages viewers to think. The idea that art should come from the artist's personal experience is completely disregarded. In an interview with Dr. Louisa Penfold in 2020 about her ‘Art in Childhood’ series, Piccinini stated:To me, art is really about having a conversation with others around ideas that are relevant and pertinent to our times. In the 90s, making art around big ideas wasn’t as common and people were suspicious and would be like, “that’s not real art because it’s not pure, it is sullied by real-life”. The only reason I make art is to be a part of the cultural conversation around what is happening to us in our lives. Every single work I make is around that and that’s the value in the work. I don’t think that I could make work just about me and my own emotional issues. I mean, my emotional issues are certainly my own brand that informs how I look at the world but my art is not about my personal history. Responses Australian art critic John McDonald gives two reasons for disliking Piccinini's body of work: her method of employing artisans to create her designs: "The problem with this method is that the artist's role becomes that of a factory manager." and her engagement with issues such as cross-species relationships: "Given the current state of the planet, in which political leaders are allowing the most blatant forms of racism and ethnic tension to become normalised, Piccinini's interspecies fantasies seem horribly far-fetched." Screen studies professor and animal ethicist Barbara Creed says Piccinini's work is loving and heals wounds of divisions: "In profound ways, Piccinini's artistic practice calls to the spectator to consider a new way of being, a new form of opening out an embracing difference, through new ways of looking ... that encourages us to look alongside and with her creations while reminding us we are all animals." In the May 2017, Artforum featured Piccinini; professor of contemporary art Charles Green commented on Piccinini’s style of hyperrealism. In his review, Green acknowledged the “unfashionable” hyper-real style associated