Marco Beltrami (born October 7, 1966) is an American composer and conductor of film and television scores. He has worked in a number of genres, including horror (Scream, Mimic, The Faculty, Resident Evil, The Woman in Black, A Quiet Place), action (Terminator 3: Rise of the Machines, Live Free or Die Hard, World War Z), science-fiction (I, Robot, Snowpiercer), Western (3:10 to Yuma, Jonah Hex, The Homesman), and superhero (Hellboy, The Wolverine, Logan). A long-time collaborator of Wes Craven, Beltrami scored seven of the director's films including the original four Craven-directed films in the Scream franchise (1996–2011). He has also worked with such directors as James Mangold, Guillermo del Toro, Tommy Lee Jones, Alex Proyas, Ole Bornedal, Kathryn Bigelow, Bong Joon-ho, Dan Gilroy, and John Krasinski. He has been nominated for two Academy Awards for 3:10 to Yuma (2007) and The Hurt Locker (2008), and a Golden Globe Award for A Quiet Place (2018). He won a Satellite Award for Soul Surfer (2011) and an Emmy Award for Free Solo (2018). Early life Beltrami was born on Long Island, New York, of Italian and Greek descent. He attended Ward Melville High School, and afterwards, graduated from Brown University and studied at the Yale School of Music, and then moved west to the USC Thornton School of Music in Los Angeles, where he studied under composer Jerry Goldsmith. Career A few classical commissions and USC student films aside, Beltrami scored his first feature in 1994, the thriller Death Match for director Joe Coppolletta, and reached a higher level of public acclaim in 1996 when he wrote the score for Wes Craven's smash hit shocker Scream. Since then, Beltrami has become firmly entrenched as a composer of choice for the horror/thriller and action genre, with the Scream sequels and hit films such as Mimic (1997), The Faculty (1998), Angel Eyes (2001), Joy Ride (2001), Resident Evil (2002), which he co-composed with Marilyn Manson, Blade II (2002), Hellboy (2004), I, Robot (2004) and Red Eye (2005) featuring prominently in his resume. Apart from horror/thriller and action, he also scores certain independent films such as The Dangerous Lives of Altar Boys and Tommy Lee Jones' The Three Burials of Melquiades Estrada. He was nominated for an Emmy Award for his score for the film David and Lisa in 1998, indicating a desire to spread his musical wings beyond the bounds of his genre pigeonholing.