Mary Leapor (1722–1746) was an English poet, born in Marston St. Lawrence, Northamptonshire, the only child of Anne Sharman (died 1741) and Philip Leapor (1693–1771), a gardener. She, out of the many labouring-class writers of the period, was noticeably well received. Biography Partly self-educated, she probably received a rudimentary education at either a local dame school, or at the local free school in Brackley on the south side of the Chapel. According to her father she began writing "tolerably" at the age of 10. Her father recollected, "She would often be scribbling, and sometimes in Rhyme," but that her mother ended up discouraging the writing, requesting she find some "more profitable employment". She was fortunate enough to attain a position as kitchen maid with Susanna Jennens ("Parthenissa" in Leapor's poetry), who apparently encouraged her writing and allowed her the use of her library. Jennens wrote poetry herself and had connections to both Mary Astell and Mary Wortley Montagu. Not all employers were so accommodating and Leapor's devotion to writing led to her dismissal from a subsequent position with Sir Richard Chauncy's family, as she apparently would not stop writing even in the kitchen. In 1784 an account was published in The Gentleman's Magazine, possibly by Chauncy's son, allegedly describing Chauncy's remembrances of the poet. According to this piece, Leapor's "fondness for writing verses there displayed itself by her sometimes taking up her pen while the jack was standing still, and the meat scorching … He represented her as having been extremely swarthy, and quite emaciated, with a long crane-neck, and a short body, much resembling, in shape, a bass-viol." She returned home to Brackley to care for her widowed father in 1744 or 1745, and despite many responsibilities and not being in the best of health herself, she continued to write, so that her work circulated in the town. As a consequence she met Bridget Freemantle (1698–1779), the daughter of a former rector, who became both her friend and mentor. This relationship seems to have marked a turning point for Leapor and she wrote the bulk of her work in a very short period. It was Freemantle who suggested that Leapor publish a volume of poetry by subscription. She also attempted to have a play of hers, a blank-verse tragedy called The Unhappy Father, staged in London at the Covent Garden Theatre. (A second play remained unfinished.) Neither venture was