(Smrt majke Jugovića), symphonic poem (1921) Intimacy (Intima), suite for string orchestra, op. 56 (1939) Musicologist, music critic, folklorist, and music promoter Milojević was the first Serbian to hold a doctorate in musicology. His dissertation, defended at the Charles University in Prague and entitled Smetana’s harmonic style addressed issues of systematic musicology (Belgrade: Grafički Institut “Narodna misao,” A. D, 1926). His monograph Smetana—life and works, a pioneer work in thematic and genre terms in Serbian musicology, occupies a notable place among his musicological studies (Belgrade: S. B. Cvijanović, 1924). In his study entitled Music and Orthodox Church (Muzika i Pravoslavna crkva), he opened up the research of Serbian church music toward comparative disciplines such as music Byzantology and Oriental studies (Sremski Karlovci: “An annual and calendar of Serbian Orthodox Patriarchy for simple 1933,” 1932, pp. 115–135). His pedagogical work in musicology was also very important. He taught history and theory of music at the Belgrade University School of Philosophy from 1922–39 (Assistant Professor since 1922, Docent since 1927, and Associate Professor since 1934). These were the pioneering and until present day the only lectures in those disciplines at that institution. Milojević did not hold an independent office; his courses belonged to the Department for Classical Archeology and Art History, and then Department for Comparative Literature and Literature Theory, and finally the Department for Serbian Literature. Music history was at the time studied as a minor course at the departments for general history, and comparative literature and literature theory. Attempts to open a musicology department were not materialized. By the act of the Kingdom of Yugoslavia Education Minister, on 4 April 1930 a Seminar for Musicology was founded at the School of Philosophy and Milojević became its first director. However, the degree granting possibility in musicology has never existed at the School where Miloje Milojević worked. Milojević's university courses were thematically and chronologically rather diverse and attracted a large number of attendants. He was an extraordinary speaker and lecturer. The Belgrade Faculty of Music Library stores his unfinished textbook on music history. This was the first comprehensive work on music history by a Serbian author since the textbook entitled A History of Music (1921) by Ljubomir Bošnjaković. Another voluminous material in manuscript form, A History of Music by Božidar Joksimović, completed in 1926 (400 pages), still unpublished is kept at the Archives of the SASA Institute of Musicology in Belgrade. Miloje