Banderas was her co-star in Nine, and Donald O'Connor co-starred with her in Bring Back Birdie. This segment ends with Chita's tribute to Gwen Verdon – "as close as [she] will ever come to the magic of Charlie Chaplin" ("Hey, Big Spender"). In the final section of Act I, Chita sings and dances "Nowadays" from Chicago, alongside an empty spotlight representing the deceased Verdon. Chita turns to that spotlight when she sings, "but nothing stays." Act II Act II begins with a dance audition, during which Puerto Rican Chita is rejected because she is "not Latin enough." An overhead mirror provides a view from above, and, proving she is "Latin enough," Chita dances several tangos opposite a male dancer ("Adios Niñino", "Detresse", and "Calambre"). This leads to further reminiscing about her great romances ("More Than You Know"). First, her ex-husband, Tony Mordente, father of Chita's daughter Lisa. Then, the restaurateur Joe Allen, whom she nearly married. "To Tony, Tom, Joe, and Greg. And others... you know who you are!" Next, Chita pays tribute to the choreographers in her life – Robbins, Gennaro, Jack Cole, and Bob Fosse – as she and the ensemble demonstrate their individual styles. Then, Chita talks about some of her setbacks, including an automobile accident in which she broke her leg; losing the role of Anita to Rita Moreno in the film adaptation of West Side Story; and Fosse's death from a heart attack. But, she considers herself lucky through it all – especially due to her collaborations with John Kander and Fred Ebb. The song "A Woman the World Has Never Seen" wraps around a selection of Chita's songs from her three Kander and Ebb roles: "Class" from Chicago, "Chief Cook and Bottle Washer" from The Rink, and "Kiss of the Spider Woman" and "Where You Are" from Kiss of the Spider Woman. This brings Chita back to where she started – the White House, where she concludes with her trademark number, "All That Jazz" (from Chicago), with "Little Chita" shadowing her again. Productions The musical first opened at the Old Globe Theatre in San Diego, where it ran from September 10 to October 23, 2005. It then transferred to the Gerald Schoenfeld Theatre on Broadway, opening in previews on November 23, 2005, officially on December 11. The show closed after 72 performances and 20 previews. The play's Executive Producers were Marty Bell and Aldo