or stolen were remade exactly like the originals. The crystal chandeliers of the 18th century were exactly copied. In 1957, thirteen years after the Palace had been burned, the first seven rooms were opened to the public. In 1958, four more rooms were opened, and eleven more in 1960. The Egyptian Vestibule was finished in 1963, and the Italian Room opened in 1965. Eleven more rooms were ready by 1967. By 1977, on the 200th anniversary of the beginning of the Palace, fifty rooms were finished, and the Palace looked again as it had in the time of Maria Feodorovna. Pavlovsk Park Pavlovsk Park was conceived by Cameron as a classic English landscape garden, an idealized landscape filled with picturesque pieces of classical architecture, designed to surprise and please the viewer. Like the English landscape garden, it took much of its inspiration from the romanticized landscape paintings of Claude Lorraine and Hubert Robert. The gallery of Pavlovsk has twelve landscape paintings by Hubert Robert that were commissioned by Maria Feodorovna. Cameron laid out a triple alley of five straight rows of Linden trees, imported from Lübeck, in a long axis from the courtyard of the Palace, leading to a small semi-circular place in the forest. This served as a parade ground for Emperor Pavel's Imperial guards. In the forest to the left of this axis he placed a romantic thatch-roofed dairy with stalls for two cows modeled after the one in the park of Württemberg where Maria Feodorovna had grown up; and on the other side of the parade route, an aviary, filled with parakeets, nightingales, starlings, and quail. This part of the garden also included a labyrinth, and picturesque tombstones imported from Italy. An early French visitor described the effect of this part of the garden: "Melancholy consumes the soul when you arrive...then the pain is followed by pleasure." Marie Feodorovna was deeply interested in botany. In 1801, Cameron constructed an elegant flower garden behind the Palace, just outside the windows of the private apartment of Marie Feodorovna. Next to the garden was a Greek temple containing a statue of the Three Graces, looking down at the river. She imported flowers from Holland for her garden, including hyacinth, tulips, daffodils and narcissus. She also constructed an orangery and several greenhouses where she grew apricots, cherries, peaches, grapes and pineapples. The River Slavyanovka was the picturesque axis of the composition,