Indian handloom aficionados. Kaur and Gupta (2016) state that the traditional khaddar material has now been replaced by fine materials such as chiffon and silk for the base. The traditional Pat thread has been replaced by synthetic silk thread. All types of dark and light colours are used. This revival can be used to design the interiors of buildings such as Phulkari style curtains or Phulkari work on lamps to enhance the use of Phulkari. In Pakistan, Madan and Phul (2016) noted that the Phulkari work of the Punjab was revived in Hazara (of undivided Punjab but now in Khyber Pakhtunkhwa) on the initiative of an NGO. However, the Phulkaris produced on a commercial level are not of the same quality as the traditional craft. But the revival has helped poor rural families. The biggest challenge to hand-embroidered Phulkaris today is that the market is flooded with relatively inexpensive machine made Phulkaris manufactured in factories in Amritsar and Ludhiana. As consumers become less discerning and as there is improvisation and innovation in machine embroidery, even stalls at Dilli Haat have begun retailing machine made Phulkaris on synthetic fabrics along with high quality hand embroidered Phulkaris. Phulkari embroidery is a painstaking and time-consuming art that strains the eyes, and, as many women work indoors with poor lighting, it leads to the deterioration of their eyesight over time. Relatively low remunerations have made it an economically unviable option for many young women who do not want to take it up as a means of livelihood. There are limited books on Phulkari available online or in bookstores for purchase. The library at Punjabi University, Patiala has extensive reading material on Phulkaris. Indira Gandhi National Centre for the Arts (IGNCA) acquired a collection of selected phulkari for its archives in 1994. The Textile Gallery at the National Crafts Museum has a very extensive collection of Phulkaris. The Philadelphia Museum of Art has a permanent exhibition featuring Phulkaris from the museum's Jill and Sheldon Bonovitz Collection and contemporary designs by Bollywood celebrity designer Manish Malhotra. Phulkari and chowk poorana floor art In the Punjab, temporary art using flour is drawn on the floor for ceremonial or decorative purposes. The art is known as chowk poorana. According to Bedi (2001), sometimes chowk poorana is drawn in Punjabi courtyards using flour and colours. The designs drawn are the motifs embroidered on phulkaris. Green is used for the