the drinkers and laughers meet to eat and drink and carouse." —Walt Whitman At Pfaff's, Winter quickly was embraced due to his great wit and writing talents, becoming the right-hand man to Henry Clapp Jr's circle of Pfaffian's. Clapp soon made him assistant editor and literary critic to one of the first truly Bohemian publications in America, the literary and social commentary weekly, The Saturday Press, in print from 1858-1866. Here is where Walt Whitman and Mark Twain published their earliest works, and was the main publication of the Pfaffian Circle. In 1860 Winter married Scottish poet and novelist Elizabeth Campbell, raising their five children in Staten Island, New York. Winter went on to a stellar writing and editorial career at some of New York City's most influential papers, working as a dramatic and literary critic for the Albion and Harper's Weekly, as well as Horace Greeley's Tribune for more than 40 years. His piercing wit and brilliant writing made him the leading stage historian and theater critic of the 19th century (W. Eaton, "William Winter"). In the 1880s he began publishing biographies of thespians like the Jefferson family and Edwin Booth. Winter opposed the modernist theater of playwrights like Ibsen, and maintained that drama should be a moral force. His 1912 The Wallet of Time offers a fascinating retrospective look at the development of nineteenth-century theater; in the preface, he states that "[a] ruling purpose of my criticism has been... to oppose, denounce, and endeavor to defeat the policy which, in unscrupulous greed of gain, allows the Theatre to become an instrument to vitiate public taste and corrupt public morals" (xxiv). Winter's work on New York's theatrical scene details the careers, pursuits, and tastes of the major players and plays. He encouraged actors and writers to acknowledge the "use of a power manifestly greater in modern society than it ever was before in the history of civilization... and, if possible, to exert a beneficial influence on the mind of the rising generation, -- the generation that will support the Drama, determine its spirit, and shape its destiny" . He died in New Brighton, Staten Island on June 30, 1917 after a bout of angina pectoris. He was buried at Silver Mount Cemetery. Archives Winter left two significant archives of biographies and essays on stars like Edwin Booth and Sir Henry Irving, in addition to career papers documenting his work