choral texture, contrasts of solo and tutti parts, and bolder harmonic solutions. The three kolos (The Third, Fifth, and Ninth) are named after Branko Radičević (Branko’s kolos (sing., Brankovo kolo)) since they are composed after this poet's lyrics entitled The School friends’ parting and are only indirectly folk-inspired. Much like his contemporaries, Marinković composed works upon patriotic poetry lyrics (The People’s assembly, A Heroic battle cry (Junčaki poklič), The Balkans anthem, The Kosovo anthem, With a song to the heart, The Serbian Muslims’ anthem), some of which became rather popular, such as The People’s assembly (1876) famous for its opening verse, as well as the song Hey, Trumpeter. As one of the most popular Marinković's songs, it was the Obilić anthem for many years. Marinković established a piano accompanied choral genre in Serbian music (A Content river, On Good Friday, A Suffering mother (Jadna majka), Prayer, The Water mill, and Cantata to Dositej Obradović). By their broadness and complexity of the piano accompaniment, some of these works confirm that the piano was in fact used as an orchestra substitute. Choral music: sacred works In 1935, Kosta Manojlović reconstructed certain movements he found in Marinković's legacy collection into the Divine Liturgy of Saint John Chrysostom (Liturgija Svetog Jovana Zlatoustog). Among the Liturgy movements particularly expressive and inspiring is Our Father (Otce nas), considered one of the master pieces of choral literature. Instrumental and stage music Among instrumental pieces, Marinković composed Sonatina for piano in four hands, and Two Serbian dances, Fantasia, and Nocturne for violin. His stage music includes plays Suđaje by Lj. Petrović (with very successful numbers The Lullaby and The Monk chorus). Selected works Rise up brothers (Ustajte braćo) (1872), for mixed choir The People’s assembly (Narodni zbor) (1876, second version 1902) What a sight, this world’s so bright (Ala je lep ovaj svet), lied, first version around 1880 Under the window (Pod prozorom) (around 1880), lied A Content river (Zadovoljna reka) (1881), for mixed choir and piano First kolo (1881), for men's choir Second kolo (1882), for men's choir First Opelo (Requiem) (prior to 1882), for men's choir Third kolo (1882, version for mixed choir 1896), for men's choir, after Branko Radičević Fourth kolo (1882), for men's choir With a song to the heart (1882), for men's choir On Good Friday (Na Veliki petak) (1883), for mixed choir and piano Stojanka (Pod pendžerite) (1883), lied Fifth kolo (1883,