record salary of 100 million (Indian rupees) for the project. A. R. Rahman, who was selected to compose the film's soundtrack and background score, was also paid 30 million. Sujatha was assigned to write the dialogues for Sivaji. Tha. Prabhu Raja Cholan, who would later direct the film Karuppampatti (2013), worked as an assistant director in this film. Rajinikanth's daughter Soundarya worked as a graphics designer, creating the title for this film; she had earlier worked in the same position on two of her father's films – Baba (2002) and Chandramukhi (2005). K. V. Anand was hired as the cinematographer in August 2005. Manish Malhotra was responsible for designing the film's costumes, while Anthony and Thota Tharani were the editor and art director respectively. Additional make-up for Rajinikanth was done by make-up artist Banu. Filming Principal photography commenced on 28 November 2005 with a puja at AVM Productions. The film's launch was a secret event, with only pivotal members of the cast and crew being called for the event's attendance. The first schedule of Sivaji began on 14 December 2005 with the song "Vaaji Vaaji" featuring Rajinikanth and Saran being shot at Ramoji Film City in Hyderabad. The idea of shooting at Ramoji Film City was suggested to Shankar by Tharani who felt that the place offered a lot of scope for him to utilise his skills and experience as an art director. "Vaaji Vaaji" was picturised with an intention to showcase a Babylonian palace setting when Shankar requested Tharani to show "a palace with lots of colour". Tharani created a four-storey Babylonian palace to accommodate 80 dancers and 100 junior artists for the number. Shooting of the number, which according to K. V. Anand was filmed in Super 35 motion picture film format, was completed in eight days. G. Dhananjayan mentions in his book The Best of Tamil Cinema that 35 million was spent on the song's making. Tharani described the set designing for the song "Sahana", which was also shot at Ramoji Film City, as "extremely challenging". After listening to the lyrics of the song which speaks of the four traditional calendar seasons, Tharani thought of using a concept titled Living in Seasons, which he used at a symposium held in Japan. For the set's design which depicted the four seasons, Tharani proposed three concepts – a traditional Japanese house, a contemporary house and a futuristic house. Shankar