one of the wings of Pavlovsk, together with his father's widowed sister Queen Olga of Greece. As the political situation deteriorated, they left, and the house was left to the care of Alexander Polovotsoff, director of the Art Institute and the Museum of Applied Arts in St. Petersburg. When Lenin and the Bolsheviks seized power in November 1917, Polovtsoff went to the Winter Palace, found Anatoly Lunacharsky, the Commissar of Enlightenment of the new government, and demanded that Pavlovsk be saved as a museum. Lunacharsky agreed and named him Commissar Curator of Pavlovsk. He returned to the Palace and found that a group of revolutionary sailors had searched the Palace for weapons and taken a few sabers, but otherwise everything was in its place. He hired former soldiers to guard the house, put all the furniture into the main building, made an inventory of all the treasures in the Palace, and successfully resisted demands from various revolutionary committees for dishes, chairs, tables, and all the books from the library. He was able to persuade Lunacharsky himself to come to Pavlovsk. After Lunacharsky's visit, Pavlovsk was officially confiscated, but turned into a museum, open to the public two or three days a week. Having succeeded in saving the Palace, Polovtsoff took family and belongings and slipped across the border to Finland and moved to Paris. World War II The German attack on the Soviet Union in June 1941 and the swiftness of the German advance took the Soviet government by surprise. The morning after the attack, the curators of Pavlovsk, under the direction of museum curator Anatoliy Kuchumov, began to pack as many of art objects as possible, starting with the Sèvres porcelain toilet set given by Louis XVI to Maria Feodorovna and Paul in 1780. Ninety-six hours after the announcement of the beginning of the war, the first thirty-four crates were being carried from the palace by horse-drawn cart. Boards were put over the windows, and sand on the floor of the Palace. Thirty curators often worked by candlelight, and by July there were air raids. The paintings, chandeliers, crystal, porcelain, rare furniture, and works of ivory and amber were packed and sent first. They worked with great care – each piece of furniture had to be carefully dismantled, porcelain vases had to be separated from the bases, and delicate clocks had to have their casing and mechanisms separated and