42 reviews, with an average rating of 4/10. The site's critics consensus reads: "Mafia! promises audiences a spaghetti plate of gangster farce, but only delivers egg noodles and ketchup." Audiences polled by CinemaScore gave the film an average grade of "C" on an A+ to F scale. James Berardinelli of ReelViews wrote: "Airplane! and The Naked Gun ..., two early entries into what has become a thriving comedy subgenre, worked in large part because the humor was fresh. Now, countless movies later, many of the jokes seem recycled, even when they aren't. ... Mafia! ... has its funny moments, but, in the wake of the hilarious There's Something About Mary, it seems more than a little lame. ... The volume of jokes is extremely high, presumably as a form of insurance—if one fails, maybe the next will succeed. The problem is, Mafia! contains too many duds. And, when you're not laughing, you start to realize how little this film has to offer beyond the diluted humor. ... Mafia! isn't a terrible film, and it will probably provoke at least a burst or two of laughter from even the most grim viewer. On the whole, however, it's a weak parody that is better suited to video viewing than a theatrical experience." Roger Ebert of the Chicago Sun-Times, who gave the film two out of four stars, wrote: Yes, I laughed during Jim Abrahams' Mafia!, but even in mid-chortle I was reminded of the gut-busting experience last week of seeing There's Something About Mary. It is the new movie's misfortune to arrive after, instead of before, the funniest comedy of the year. ... Mafia! is the kind of movie that can never entirely fail, but can succeed to various degrees. It doesn't rank with Abraham's earlier efforts. And in a town where There's Something About Mary is playing, it's not the one to choose. Owen Gleiberman of Entertainment Weekly wrote: There are a handful of laughs in Mafia!, but most of the movie feels oddly repressed. ... The underworld gags are limited and repetitive, without the ripely promiscuous media-age lunacy that, in a comedy like The Naked Gun, made you feel as if the film were tickling funny bones you never even knew existed. Jay Mohr, as the Michael Corleone surrogate, and Billy Burke, as his psycho-hothead brother, don't even look the part—they're like preppies clowning in a Harvard spoof—and so the