op. 22, no.1; Do you remember, too? (Dal’ se sećas i ti?), op. 46, no. 1; Two Quatrains of Al-Ghazali (Dva Al-Gazalijeva katrena), op. 46, no. 2; Two blue legends of Jovan Dučić (Dve Dučićeve Plave legende), op. 34 (“A Little princess” (“Mala princeza”) and “Love” (“Ljubav”)); “A Very hot day,” op. 67, no. 1, from the cycle Three songs for high voice and piano, op. 67; La flûte de jade, op. 39, for tenor, soprano, flute, violin, and piano (“Since she left” (“Od kada je otišla”) and “In the shade of an orange leaf” (“U senci narandžina lista”); and “Spring rain,” (“Prolećna kiša”), op. 45, no. 2. Selected compositions Solo Lied and Symphonic Lied: Before the Magnificence of Nature (Pred veličanstvom prirode), ten songs for voice and piano (1908–20) Songs after lyrics of French poets, for voice and piano: La lettre, Berceuse triste, Prière, Hymne au soleil, L’heure exquise, La chanson du vent du mer (Pismo, Tužna uspavanka, Molitva, Himna suncu, Zanosni čas, Pesma vetra s mora) (1917). Three Songs for High Voice and Piano (Tri pesme za visoki glas i klavir), op. 67 (1924–1942) The Field feast (Gozba na livadi), cycle for voice and orchestra (1939). Piano and Chamber Music: Four piano pieces (Četiri komada za klavir), op. 23 (1917) Rhythmical grimaces (Ritmičke grimase), for piano, op. 47 (1935) Cameos (Kameje), for piano, op. 51 (1937–42) Melodies and Rhythms from the vicinity of Sara, Drim, and Vardar (Melodije i ritmovi sa domaka Šare, Drima i Vardara), for piano (1942) The Kosovo suite (Kosovska svita), for piano (1942) Melodies and rhythms from the Balkans (Melodije i ritmovi sa Balkana), op. 69 (1942) The Povardarie suite (Povardarska svita), for piano (1942) The Village motives (Motivi sa sela), for piano (1942) Sonata for Violin and Piano in B Minor, op. 36 (1924) Choral and Sacred Works: How Green is the Long Field (Dugo se polje zeleni), for mixed choir, op. 1, no. 1 (1909) Presentiment (Slutnja), for mixed choir, op. 1, no. 2 (1912) The Feast of illusions (Pir iluzija), op. 35 (1924) The Fly and a mosquito (Muha i komarac), op. 40, for mixed chori (1930), A Short Opelo in b-flat minor (Kratko Opelo u b-molu), for men's choir (1920). The Vidovdan communion (Vidovdanska pričest), for two choirs (1929) Stage Works: Le balai du valet (Sobareva metla) (1923), a ballet grotesque Orchestral Works : The Death of the Jugović mother