sizeably large Indian diaspora, the film opened to a good response. The film has collected over $8.5 Million from the overseas markets. In Canada, the film released in 10 screens in 3 major cities along with special screenings for the Tamil diaspora in the smaller cities. In United Kingdom, the film debuted on the box-office list at No.9 with earnings of about £14,000 per screen and was the first Tamil film to enter UK Top 10. In United States, Sivaji was released in 24 screens with subsequent additions of 19 screens for the Tamil version. The producers of the film claimed that the film was going to be dubbed in Chinese and Japanese by Ayngaran International, the holder of international rights of the film. The response in Cape Town was disappointing, while the box-office collections in Johannesburg and Durban allowed it to become the first Tamil film to feature in the South African box-office top 10. Singapore Airlines bought a 3-month exclusive in-flight screening rights to the film, a first for the airline for any Tamil film. In the UK, 13 seconds of the film was cut. The original film showed Rajinikanth throwing a firecracker into his mouth, lighting it and then spitting it out at Pattimanram Raja, which was removed to give the film a 12A rating, The Ayngaran UK DVD release was uncut and given an 18 rating by the BBFC. It was also the first Tamil film to be officially released on a 1080p High Definition Blu-ray disc. The worldwide box office collection of Sivaji was 190 crores. The overseas distributor Ayngaran International reported collections as follows: US$2,000,000, Canada $500,000, UK$750,000, Europe and Gulf $750,000, Malaysia $2,000,000, Singapore $750,000, Sri Lanka $1,250,000, Australia, New Zealand & Thailand $250,000. Sivaji was released in South Africa in late July 2007 after six weeks of its release by the leading South African distributor Ster Kinekor with four prints and released in Johannesburg, Cape Town and Durban. Reception Critical response Malathi Rangarajan of The Hindu, in a review about the story, said that the lead character carrying out a rebellion against corruption was something "not be true to life". She concluded by saying that "the story sags towards the end". She, however, appreciated the performances of the prominent actors, the soundtrack, art direction, photography and the animation. Ananth Krishnan, another review from The Hindu, a month after the film's release, said