Biennial of Australian Art, displays a number of visiting exhibitions each year and contributes travelling exhibitions to regional galleries. Adelaide Biennial of Australian Art The Adelaide Biennial is "the only major biennial dedicated solely to presenting contemporary Australian art", and also the longest-running exhibition featuring contemporary Australian art. It is supported by the Australia Council and other sponsors. It is presented in association with the Adelaide Festival and staged by AGSA and partner gallery the Samstag Museum, as well as other venues such as the Adelaide Botanic Garden, Mercury Cinema and JamFactory. The Adelaide Biennial was established in 1990, planned to coincide with Artist's Week, which had commenced in 1982 to help counter the poor coverage of visual art in the Adelaide Festival of Arts programme at that time. The Art Gallery of New South Wales introduced an exhibition of Australian art called Australian Perspecta in 1981, which ran in alternate years with the international Biennale of Sydney, in response for the need for more forums focussing on Australian art. In its first iteration in 1990, The Adelaide Biennale set out to emulate the Whitney Biennial of American art in New York City, and was intended to complement the Sydney Biennale and the Australian Perspecta exhibitions. Then director Daniel Thomas said that they had introduced the Biennial to keep Australia up to date: the Festival attracts international and interstate visitors and it was a good time to introduce contemporary Australian art to this audience. Artists such as Fiona Hall, whose work is now in the National Gallery of Art, were showcased at the first Biennial. The exhibition today still projects Thomas' vision, with the most noticeable difference being that the current version has a theme and a catchy title. Selected events The 2014 Biennial was titled "Dark Heart", an examination of changing national sensibilities, mounted by director Nick Mitzevitch, with 28 artists exhibiting. In 2016, the gallery participated in the large "Biennial 2016" art festival with its "Magic Object" exhibitions. In 2018, the title was "Divided Worlds", which aimed "...to describe the divide between ideas and ideologies, between geographies and localities, between communities and nations, and the subjective and objective view of experience and reality itself". Venues included the Museum of Economic Botany in the Adelaide Botanic Garden. It drew record crowds, with more than 240,000 people over a 93-day season under curator Erica Green. Curator for the 2020 Biennial,