Fifi (from Seventh Heaven, Music by Victor Young/Lyrics by Stella Unger) Garbage (from Shoestring Review, Music and Lyrics by Sheldon Harnick) Can-Can (from Can-Can, Music and Lyrics by Cole Porter) Mr. Wonderful (from Mr. Wonderful, Music and Lyrics by Holofcener and Bock) A Boy Like That (from West Side Story, Music by Leonard Bernstein/Lyrics by Stephen Sondheim) America (from West Side Story, Music by Bernstein/Lyrics by Sondheim) Dance at the Gym (Mambo) (from West Side Story, Music by Bernstein/Lyrics by Sondheim) Somewhere (from West Side Story, Music by Bernstein/Lyrics by Sondheim) Put on a Happy Face (from Bye Bye Birdie, Music by Charles Strouse/Lyrics by Lee Adams) Rosie (from Bye Bye Birdie, Music by Strouse/Lyrics by Adams) Don't 'Ah Ma' Me (from The Rink, Music by John Kander/Lyrics by Fred Ebb) Big Spender (from Sweet Charity, Music by Cy Coleman/ Lyrics by Dorothy Fields) Nowadays (from Chicago, Music by Kander/Lyrics by Ebb) Act II Adios Niñino, Detresse, Calambre (Tangos)(Music by Ástor Piazzolla) More Than You Know (Music by Vincent Youmans/Lyrics by Edward Eliscu and Billy Rose) A Woman the World Has Never Seen (Music by Flaherty/Lyrics by Ahrens) Class (from Chicago, Music by Kander/Lyrics by Ebb) Chief Cook & Bottlewasher (from The Rink, Music by Kander/Lyrics by Ebb) Kiss of the Spider Woman (from Kiss of the Spider Woman, Music by Kander/Lyrics by Ebb) Where You Are (from Kiss of the Spider Woman, Music by Kander/Lyrics by Ebb) All That Jazz (from Chicago, Music by Kander/Lyrics by Ebb) Response Award nominations The Broadway production received one Tony Award nomination for Best Actress in a Musical for Chita Rivera, Rivera's ninth. Rivera lost to LaChanze of The Color Purple. Critical reception While the show won a great deal of praise for its 72-year-old star's performance, the "non-Chita" aspects of the show received little critical acclaim. In his review for TalkinBroadway.com, Matthew Murray referred to the show as a "stretch-mark-pocked retrospective," and called Terrence McNally's libretto "scattered" and Graciela Daniele's direction "busy but uninspired," while calling Rivera "terrific." David Rooney of Variety called the show "never less than enjoyable but too rarely exhilarating." He went on to say that McNally "[comes] off like a bumbling novice at theatricalizing a showbiz legend's life." Ben Brantley of The New York Times said "the production elements often dim rather than enhance Ms. Rivera's natural incandescence. Never entirely, though. Which means that The Dancer's Life'' remains