film of the year in France. It sold 10,220,365 tickets in Italy. Critical response For The New York Times, Bosley Crowther, gave the film a positive review and appreciated the direction of the film and acting. "A fine Italian film to stand alongside the American classic, The Grapes of Wrath, opened last night ...It is Luchino Visconti's Rocco and His Brothers (Rocco e i suoi fratelli), and it comes here garlanded with laurels that are quite as appropriate in this context as they are richly deserved...Signor Visconti has clearly conceived his film and that is what his brilliant handling of events and characters makes one feel. There's a blending of strong emotionalism and realism to such an extent that the margins of each become fuzzy and indistinguishable...Alain Delon as the sweet and loyal Rocco...is touchingly pliant and expressive, but it is Renato Salvatori...who fills the screen with the anguish of a tortured and stricken character. His raw and restless performance is overpowering and unforgettable...[and the] French actress Annie Girardot is likewise striking as the piteous prostitute..." Variety lauded the drama, and wrote "With all its faults, this is one of the top achievements of the year in Italy...Scripting shows numerous hands at work, yet all is pulled together by Visconti's dynamic and generally tasteful direction. Occasionally, as in the near-final revelation to the family of Simone's crime, the action gets out of hand and comes close to melodrama. Yet the impact of the main story line, aided by the sensitive, expertly guided playing of Alain Delon as Rocco, Annie Girardot as the prostitute, and Renato Salvatori as Simone, is great. Katina Paxinou at times is perfect, at others she is allowed to act too theatrically and off-key." Stanley Kauffmann of The New Republic wrote to him Rocco and His Brothers was "distended, sententious, ostentatiously frank, fundamentally trite, and thematically unsuccessful". Retrospective reviews When the film was released in DVD format, critic Glenn Erickson wrote "A major pleasure of Rocco and His Brothers is simply seeing its portrait of life in working-class Milan in 1960. Beautifully directed in the housing projects and streets of the city, this is a prime example of a film which will accrue historical interest simply because it shows so much of how people lived and what places looked like (now) 40 years ago." Martin Scorsese lists the film on his "35 foreign films to see before