chose the futuristic house concept, which consisted of three domes in the shapes of a square, a circle and a pyramid adjacent to one another. The circular dome had a pathway around it and water falling from a 50 feet high rock, which would seep under the set. Tharani made use of acrylic glass and normal glass with the former being implemented on the floor to make the dance movements more easier to perform. Construction of the set for the number was completed in 30 days. In addition to these two songs, Tharani contributed to similar creations for the music store where Tamizhselvi works as a saleswoman, the street surrounding the music store, the warehouse behind the music store, the interior portions of Thamizhselvi's house and Adiseshan's office room. The music shop was designed in the Victorian architecture style, while the warehouse was constructed at AVM Productions with the fight sequence being filmed there as well. Filming of another action sequence in an open-air theatre, which was also designed by Tharani, took place for approximately 15–20 days. K. V. Anand used balloon lights brought from a French company Airstar Space Lighting for the sequence. The interior portions of Thamizhselvi's house was designed using clippings of flats constructed by the Tamil Nadu Housing Board. The "Style" segment was filmed in May 2006 at the Frank Gehry-designed Guggenheim Museum in Bilbao, Spain, as well as the City of Arts and Sciences of Valencia and the Kursaal in San Sebastian. The fair look of Rajinikanth's character in the segment was created using computer-generated imagery, which was performed by V. Srinivas Mohan, the head of the Chennai-based firm Indian Artists. K. V. Anand re-shot every single movement of Rajinikanth with a British woman named Jacky, who was also one of the song's background dancers. All the shots featuring Rajinikanth in the song and those featuring Jacky were scanned in 4K resolution to enhance their clarity after which Jacky's skin colour was digitally implemented onto Rajinikanth's skin. French hair-stylist Sandrin Veriar Seth designed two distinct hair-styles for the entire film and 13 hair-styles for the segment alone. To avoid disruptions that could occur at the shooting spot due to Rajinikanth's fan following in Tamil Nadu, Brinda choreographed "Balleilakka", Rajinikanth's introduction song sequence in Wai, a hill station near Pune with 500 people for eight days. To add more colour to the sequence, a 50-member team