with a warm reception and sold a million copies in the US. It was the best-selling single of 1948 in Italy, and the ninth best-selling single in Brazil in 1949. Piaf performed the song in the 1948 French movie Neuf garçons, un cœur. The first of her albums to include "La Vie en rose" was the 10" Chansons Parisiennes, released in 1950. It appeared on most of Piaf's subsequent albums, and on numerous greatest hits compilations. It went on to become her signature song and her trademark hit, ranking with "Milord" and "Non, Je Ne Regrette Rien" among her best-known and most recognizable tunes. Encouraged by its success, Piaf wrote eighty more songs in her career. English lyrics were written by Mack David, and numerous versions were recorded in the US in 1950. The recordings that charted were by Tony Martin (reached the No. 9 position in the Billboard charts), Paul Weston (No. 12 position), Bing Crosby (No. 13 position), Édith Piaf (No. 23 position), Ralph Flanagan (No. 27 position) and Victor Young (No. 27 position). Louis Armstrong recorded C'est si bon and La Vie en rose in New York City with Sy Oliver and his Orchestra on June 26, 1950, which reached the No. 28 position in the Billboard charts. Bing Crosby also recorded the song in French in 1953 for his album Le Bing: Song Hits of Paris. More recently actress Ashley Park, as Emily's best friend, Mindy, covered "La Vie en rose" in French a cappella in the Netflix TV show Emily in Paris. It was the #1 downloaded TV song for that week. Michael Bublé covered the song with Cécile McLorin Salvant for his 2018 album Love. The song received a Grammy Hall of Fame Award in 1998. Track listings 10" Single (1947) "La Vie en rose" "Un refrain courait dans la rue" Chart performance Grace Jones version Background and release Grace Jones covered "La Vie en rose" in 1977 for her debut studio album Portfolio. It was the third and the last single from that album, and at the same time, her first single release on Island Records after having signed with the label. The single version was heavily edited from its original album version. Jones's fairly radical bossa nova interpretation of Édith Piaf's signature tune became her first international hit single and a staple of her repertoire. It was later performed as part of