He also retains rights to material that has not been previously sold (i.e., material to which King still holds all the rights). If another company or individual has purchased the film rights to one of King's stories, he no longer has legal authority to grant permission to a Dollar Baby, as the rights are now held by the buyer. Because of the restrictions on Dollar Deals, filmmakers cannot upload their films (Dollar Babies) onto video-sharing websites such as YouTube or Vimeo. Possessory title Some Dollar Baby filmmakers have mistakenly believed that King's explicit permission to make and showcase the adapted filmwork automatically qualifies the film for a possessory credit (e.g. "Stephen King's Silver Bullet" as opposed to just "Silver Bullet"). But this is a specified legal usage of the author's name, and King does not grant permission for Dollar Baby filmmakers to use his name in this manner. King allows the possessory title to be used only on projects in which he has a direct and considerable involvement. Previously, the possessory title was applied more liberally until it was abused by the release of Brett Leonard's The Lawnmower Man. Leonard originally released it as Stephen King's The Lawnmower Man, although the adaptation bears little to no resemblance to King's short story. In response, King filed a lawsuit against the filmmakers over this. After a federal court ruled in King's favor, a Second Circuit Court of Appeals upheld that and ruled that King's name should be removed from the film's title, which was done. Critical commentary As King has said, "Many of these adaptations weren't so great, but a few showed at least a smattering of talent...in many cases one viewing was all a person could bear." As noted, many, if not the majority, of the Dollar Baby films are made by student or tyro filmmakers. King offered praise to "...a fairly impressive eighteen minute version of 'The Sun Dog'". Darabont's The Woman in the Room, in addition to being photographed by the renowned cinematographer Juan Ruiz Anchia (Glengarry Glen Ross), made the semi-finalist list for Academy Award consideration in 1983. King is quoted as saying that "The Woman in the Room" is "clearly the best of the short films made from my stuff." Paranoid is among the most critically acclaimed Dollar Babies. Rolling Stone magazine's David Wild said of the film, "Rarely has paranoia been so much fun...Jay Holben has