for a reason / To tell my story, to touch lives." He continues the song with the narrative of his life and the pain inflicted upon him. "Written in English, Jal's second language, the new album [War-Child] may lack the poetic gymnastics of hip-hop's more fluent stars, but the plainness of the words – half-spoken, half-chanted over a mix of hip-hop and African-flavored choruses – keeps the focus on the story." His second album, Ceasefire, was released in September 2005 and includes a re-recording of "Gua". This album is a collaboration with the well known Sudanese Muslim musician Abd El Gadir Salim and brings together opposing sides of the conflict, and different music traditions, to a common ground of the wish for peace in Sudan. The collaboration represents a vision for the future, as two Sudanese men, a Christian and a Muslim, unify and pave the way to overcome differences peacefully. Both musicians endured unimaginable adversity to become important figures, not only in music, but in the future of a country. They accentuate the differences between them and their musical styles, as a symbol of co-existence. The album preaches in four languages, encompasses every type of music in one, in an effort to transform the sound of hope into musical form. Ceasefire is not only the sound of two men collaborating on a musical project, but more symbolically, two-halves of a divided nation learning to trust each other. This album's version of "Gua" was played on the American television series ER at the very end of the Season 12 episode "There Are No Angels Here" (aired on 4 May 2006). Among other places he performed at the Live 8 Concert in Cornwall in the summer of 2005. He was awarded a 2005 American Gospel Music Award for best international artist. Jal's third album, Warchild, was released by Sonic360 Records in the UK on 12 May 2008. Jal, along with an all-star line-up featuring Amy Winehouse, Eddy Grant, Will Smith and others, performed songs at Nelson Mandela's 90th Birthday concert at London's Hyde Park on 27 June 2008. Criticized for being steered into the mainstream and entering a conformist territory of hip-hop, Emmanuel says ""I'm not turning away from the world-music audience which has supported me," Jal says. "There's still an African influence in my music. I don't try to sound American. I rap like an African, because that's what I