"The Unforgiven" is a power ballad by American heavy metal band Metallica. It was released as the second single from their eponymous fifth album Metallica (also known as The Black Album). Though one of the slower tracks on the album, its chord progression is distinctly one of the heaviest ballads featured on the album. The song deals with the theme of the struggle of the individual against the efforts of those who would subjugate him. The song has since spawned two sequels, in the form of "The Unforgiven II", from the album Reload, and "The Unforgiven III", from the album Death Magnetic. "The Unforgiven" History Lars Ulrich explained that the band wanted to try something new with the idea of a ballad. Instead of the standard melodic verse and heavy chorus – as evidenced on their previous ballads "Fade to Black", "Welcome Home (Sanitarium)" and "One" – the band opted to reverse the dynamic, with heavy, distorted verses and a softer, melodic chorus, played with undistorted electric and acoustic guitars. The opening section contains percussive instruments performed by Ulrich, and also a small amount of keyboards. The horn intro was essentially taken from The Unforgiven (a Western movie) and then reversed so its source would be hidden, as Hetfield later explained on the documentary Classic Albums: Metallica - Metallica. Kirk Hammett said his solo was a last minute improvisation of "raw emotion" after the ideas he came with at the studio ended up not working. Pleased with the result, Hammett said it was the starting point of him playing less scripted solos in future songs. Live performances "The Unforgiven" was played live as part of Metallica's "Wherever We May Roam" and "Nowhere Else to Roam" world tours, which lasted from 1991 to 1993, in support of The Black Album. It was played again on the Madly in Anger with the World Tour in 2003 and 2004 and has been continued to be played during all of the bands' tours since. The live version of "The Unforgiven" includes a second solo near the end of the song that the original recording did not have, although this part has rarely been played since the early 2000s. Music video An accompanying video was released for the song. The black-and-white video is themed around a boy born in captivity who spends his life in a windowless stone room. As the video progress, he ages