was a literary critic and essayist active in Japan during the Shōwa period. Early life Born in Hakodate, Hokkaidō, Kon Hidemi was the younger brother of writer, politician and Buddhist priest Kon Tōkō. His father was a captain of a steamer operated by Nippon Yusen, and the family relocated to Kobe from 1911. Kon moved to Tokyo in 1918, and was accepted into the French Literature Department of Tokyo Imperial University. His classmates included Hideo Kobayashi and Tatsuji Miyoshi, During this period, he became interested in drama, visiting the Tsukiji New Theater, and took part in stage plays as a member of the Kokoroza, a theatrical company created by kabuki and stage actors as an effort to create a more modern version of traditional Japanese theater. One of its members was Tomoyoshi Murayama, and Saburō Moroi assisted with the music. After graduation, Kon obtained part-time jobs at a number of literary magazines, including Bungei Shuto and Bungakukai, providing essays, translations of André Gide, and literary criticism. He was hired as a lecturer by Meiji University in 1932. However, he quit in 1935 to devote his attentions to the direct the movie Dancing Girl of the Peninsula (Hanto no Maihime), starring Choi Seung-hee at the new Shinkō Kinema. He also wrote the screenplay for the movie. Kon visited Paris for half of 1937, and returned to his former position at Meiji University in 1939. During the Second Sino-Japanese War, he maintained a correspondence with Mu Shiying, a Chinese writer who hoped that cultural exchange would help bring peace to Asia. In November 1941, Kon was drafted into the Imperial Japanese Army; however, the army recognized his talents and assigned him to the press corps in Japanese-occupied Philippines. He returned to Japan once on leave, but was sent back to the Philippines in December 1944. Eight days after his arrival, the situation quickly turned sour for the Japanese forces as American forces began their landings. Kon hid in the mountains of Luzon for five months with several narrow escapes from death in combat while reporting on the fleeing Imperial Japanese Army. He escaped the Philippines on a jury-rigged Type 100 Command Reconnaissance Aircraft to Taiwan, and was flying in a DC-3 from Taipei to Fukuoka when word came of the surrender of Japan. Literary career While serving as director of the art department within the Ministry of Education from 1945 to 1946,