his fantasy series Chlorophylle and detective series Clifton Maurice Maréchal - Prudence Petitpas. Jean Graton with Michel Vaillant Albert Uderzo and René Goscinny with Oumpah-pah The magazine became more and more international and successful: at one time, there were separate versions for France, Switzerland, Canada, Belgium and the Netherlands, with about 600,000 copies a week. The magazine had increased to 32 pages, and a cheaper version was created as well: Chez Nous (in French) / Ons Volkske (in Dutch), printed on cheaper paper and featuring mainly reprints from Tintin magazine, plus some new series by Tibet and Studio Vandersteen. The 1960s In the 1960s the magazine kept on attracting new artists. The editorial line was clearly bent towards humor, with Greg (as editor-in-chief and author of series such as the remake of Zig et Puce), Jo-El Azara (with Taka Takata), Dany (with Olivier Rameau) and Dupa (with Cubitus). Other authors joined the magazine, like William Vance (with Ringo and Bruno Brazil) and Hermann (with Bernard Prince). The 1970s In the 1970s the comics scene in France and Belgium went through important changes. The mood for magazines had declined in favor of albums in the late 1960s. In 1965, Greg was appointed chief editor. He transformed the editorial line, in order to keep the pace with the new way of thinking of the time. The characters gained psychological dimensions, real women characters appeared, and sex. New foreign artists series were added to the magazine. Moralizing articles and long biographies disappeared as well. These transformations were crowned with success, leading to the at the Lucca comics festival, awarded to the magazine in 1972 for the best publication of the year. Greg quit his chief editor position in 1974. The major new authors in the 1970s were: Derib (Buddy Longway) Franz (Jugurtha) Cosey (Jonathan) Gilles Chaillet (Vasco) Jean-Claude Servais Hugo Pratt (Corto Maltese) Will Eisner (The Spirit) And more in the humor vein: Turk & De Groot with Robin Dubois The 1980s and 1990s The 1980s showed a steady decline of popularity of Tintin magazine, with different short-lived attempts to attract a new audience. Adolescents and adults preferred (A SUIVRE), if they read comics at all, and younger children seemed less inclined to read comic magazines and preferred albums. Still, some important new authors and series started, including Grzegorz Rosiński, with Thorgal, and Andreas, with Rork. At the end of 1980, the Belgian