The Beat (soon renamed to Paul Collins' Beat) is an American rock and power pop band from Los Angeles that formed in 1979. Paul Collins' Beat resurfaced in the 1990s and continues to tour and record new material. Front man Paul Collins has released several projects with his alternative country group The Paul Collins Band, who play Americana music inspired by country rock and folk rock. Early development The roots of The Beat lie in The Nerves, a seminal power pop combo featuring Paul Collins (born 1956, New York City), Peter Case (the future front man of The Plimsouls), and Jack Lee. Collins played drums; all three members composed and sang. Collins contributed several songs to the band including "Walking Out On Love," "Let Me Into Your Life" and one song, "Working Too Hard", to the group's only release, a 1976 self-titled four-song EP distributed by independent Bomp! Records. The Nerves are most famous for Lee's "Hanging on the Telephone" later popularized by Blondie on their breakthrough album Parallel Lines. After The Nerves' demise Collins and Case formed The Breakaways which went through several guitarists until Case and Collins both moved to guitar and recruited Mike Ruiz (drums - Milk 'N' Cookies) and Steven Huff (bass and backing vocals - The Apollo Stars). Case left the group after a few months of rehearsals to pursue a solo career which led to the eventual formation of The Plimsouls. Collins, Huff and Ruiz officially became "The Beat", when pressed for a group name prior to an interview to promote the release of The Breakaways recording of "Walking Out On Love" (credited as Paul Collins), on Bomp's Waves Vol. 1. Transition years The Los Angeles power pop scene was beginning to garner national attention and with the help of Collins' friend from The Nerves days in San Francisco, Eddie Money and his record producer Bruce Botnick, Collins was able to ink a deal with Columbia/CBS and Bill Graham Management. CBS released their self-titled debut in October 1979. All 12 songs were Collins originals; Peter Case, Steven Huff and Eddie Money had one co-writing credit each, all on different songs. Continuing in The Nerves' vein, the album consisted of harmony-laden, driving guitar pop songs, including a re-recorded version of "Working Too Hard". The album was critically acclaimed and is today remembered as a classic of the power pop genre (see [ this] 4.5-star review