No Secrets is the third studio album by American singer-songwriter Carly Simon, released by Elektra Records, on November 28, 1972. Simon's major commercial breakthrough, No Secrets spent five weeks at No. 1 on the US Billboard 200 chart and quickly went Gold, as did its lead single, "You're So Vain", which remained at No. 1 on the Billboard Hot 100 chart for three weeks, and the Adult Contemporary chart for two weeks. The second single, "The Right Thing to Do", reached No. 17 on the Billboard Hot 100 and No. 4 on the Adult Contemporary chart. The album was officially certified Platinum by the Recording Industry Association of America (RIAA) on December 12, 1997. It was certified Gold by the British Phonographic Industry (BPI) on November 11, 2011. No Secrets is ranked No. 997 in All-Time Top 1000 Albums (3rd. edition, 2000). The making of the album, including commentary from many of the main musicians and production staff, was examined in the 2017 documentary Carly Simon: No Secrets, directed by Guy Evans for Eagle Rock Film Productions and broadcast on BBC Four. Recording and packaging "Angel from Montgomery" was recorded by Carly Simon in her first session for the No Secrets album which was produced by Paul Buckmaster and featured James Taylor's vocals and Danny Kortchmar on guitar. Simon recalls: "Elektra rejected [the tracks from that session] and...asked me to work with Richard Perry. [Elektra] didn't think Buckmaster would produce a hit record for me". Carly's sister, Joanna Simon, sang background vocals for the album. At the invitation of producer Richard Perry, Simon recorded the album at Trident Studios in London, where Perry was keen for Simon to work with engineer Robin Cable. Trident Studios had previously been the venue for the recording of notable albums including The Beatles' White Album, David Bowie's Space Oddity and Elton John's second album. The photograph for the cover, taken by Ed Caraeff, was shot in front of the Portobello Hotel, on Stanley Gardens in London's Notting Hill. Reception Initial reviews for No Secrets were mixed to positive. Robert Christgau, writing in Creem, said, "if a horse could sing in a monotone, the horse would sound like Carly Simon, only a horse wouldn't rhyme 'yacht', 'apricot', and 'gavotte'. Is that some kind of joke?" Stephen Holden in Rolling Stone concluded that "what finally makes No Secrets so refreshing is her singing, which conveys the