Ajmer (after offering prayers at the tomb of Moinuddin Chishti) at the imperial military camp in Sambhar, Rajasthan, instead of the bride's natal home. As per Abu'l Fazl, Akbar accepted the marriage proposal of the daughter of Raja Bharmal due to a divine vision he had at Ajmer Sharif. The Amber princess's marriage provided her family's powerful support throughout the reign. Views of eminent historians about their marriage: Religion and Style Akbar, at the insistence of Raja Bharmal, did not convert the princess to Islam and permitted her to perform Hindu rituals in her palace. Although the marriage was a result of a political alliance, the two however gradually developed an intimate and affectionate bond. Akbar himself is recorded to participate in the Pooja performed by the beautiful empress though he married several other Hindu princesses in his life. She gradually became his most loved wife and till his death remained his favourite and subsequently was also the only wife buried close to Akbar. She was a devotee of Lord Krishna. The palace commissioned for her by Akbar in the imperial harem was decorated with paintings of Lord Krishna, and, gems and frescoes. Harka bai arrived at Akbar's court resplendent in the sensuous and excessively feminine style of the Rajput nobility. She is illustrated to wear heavy, swinging, and gathered ghagra which would stop well above her ankle and a tightly fitting choli, tied at back with tasselled strings. Her head and shoulders were covered with an odhani but so translucent and fine that her bare midriff and arms were visible through that shimmering dupatta. Light would flicker against her heavy gold jewellery -swinging earrings, nose rings, clinging bracelets, and girdle of gold. In a few years, the culture and dressing style of this Rajput princess influenced the Mughal dresses and etiquette of the Mughal court. Cohen suggests that by including the textiles like bandhani in the royal paintings made in the region near the birthplace of Maryam Zamani, Akbar and Jahangir might be acknowledging her importance. Her roots were deeply embedded in the Rajput culture and style which was exhibited in her colourful and elaborated odhani or embroidered lehengas. Birth of Twins On 19 October 1564, after two years of her marriage, Mariam-uz-Zamani gave birth to twin sons, Mirza Hassan and Mirza Hussain. Akbar arrived in Agra on 9 October 1564 for the birth of twins. Both of them