Murray Anderson. Anderson urged her to change the spelling of her surname from "Baskette" to "Basquette". Producer Charles Dillingham changed the spelling of her first name from "Lena" to "Lina" saying, "Lena is a cook, Lina is an artiste." Before she could sign with Anderson, Florenz Ziegfeld cast the 16-year-old Basquette in his Ziegfeld Follies and cast her as a featured dancer. The Follies producers officially dubbed her "America's Prima Ballerina." The girl gained notice from Russian prima ballerina Anna Pavlova, who wanted to mentor her in classical ballet. Her mother Gladys Baskette decided that a career as a ballerina would not yield enough money and turned down Pavolva's offer. Basquette later said "I dreamed of being in a ballet company and it broke my heart." Marriage and family By 1925, at age 18, Basquette was appearing in two concurrent Ziegfeld productions. She was spotted in Louie the 14th by Sam Warner, film producer and co-founder of Warner Bros. studio. Warner instantly fell in love with her and proposed marriage. Basquette did not want to marry him, as he was twenty years older than she. Her mother insisted that Basquette accept Warner's proposal, believing that the producer was wealthy (at the time, Warner Bros. was losing money). Basquette and Warner were married in July 1925. After the marriage, Basquette grew to love and respect Warner; the couple had a daughter, Lita, in 1926. Warner died suddenly on October 5, 1927, the day before the opening of the highly anticipated Warner Bros. film, The Jazz Singer, which he had been working on tirelessly. Basquette was devastated by his death. She spent years battling Warner's family over money and custody of the couple's daughter. Return to films Basquette returned to work in 1928, appearing in four films. That year, she was named one of thirteen WAMPAS Baby Stars. The following year, she appeared in The Younger Generation, directed by Frank Capra. In 1929, she starred in the partial-sound film, The Godless Girl, directed by Cecil B. DeMille. This is the role for which she is best known. Basquette plays the title character Judith, who is based on Queen Silver, a child prodigy who early made speeches as a socialist activist. Judith is the leader of a high school atheist society; she forces members to renounce the Bible while placing a hand on the head of a live monkey. In the film's climactic