Arthur Wesley Dow (1857 – December 13, 1922) was an American painter, printmaker, photographer and an arts educator. Early life Arthur Wesley Dow was born in Ipswich, Massachusetts, in 1857. Dow received his first art training in 1880 from Anna K. Freeland of Worcester, Massachusetts. The following year, Dow continued his studies in Boston with James M. Stone, a former student of Frank Duveneck and Gustave Bouguereau. In 1884, he went to Paris for his early art education, studying at the Académie Julian, under the supervision of the academic artists Gustave Boulanger and Jules Joseph Lefebvre. Career In 1893, Dow was appointed assistant curator of the Japanese collection at the Museum of Fine Arts, Boston under Ernest Fenellosa. Fenellosa introduced Dow to ukiyo‑e, the woodblock prints of Japan, which greatly influenced his later works. He accepted commissions for posters and other commercial work. In 1895, he designed the poster to advertise the Journal of Modern Art and in 1896, he designed the poster for an exhibition of Japanese prints. Over the course of his career, Dow taught art at a few major American arts training institutions, beginning with the Pratt Institute from 1896 to 1903. He also taught at the New York Art Students League, from 1898 to 1903. In 1900, Dow founded and served as the director of the Ipswich Summer School of Art in Ipswich, Massachusetts. From 1904 to 1922, he was a professor of fine arts at Columbia University Teachers College. Death and legacy Dow died on December 13, 1922, in his home in New York City. He was interred in the Old North Burying Ground in Ipswich, Massachusetts. He was survived by his wife Eleanor Pearson, whom he married in 1893. Influence on others Dow taught many of America's leading artists and craftspeople, including: Georgia O'Keeffe, Shirley Williamson, Charles Sheeler, Charles J. Martin, two of the Overbeck Sisters, Delle Miller, Charles Burchfield, Isabelle Percy West and Walter King Stone. One of his pupils, the educator and printmaker Pedro Joseph de Lemos, adapted and widely disseminated Dow's theories in dozens of theoretical and instructional publications (1918–1950) for art schools. Dow also had influence at the Byrdcliffe Colony. Collections His work is represented in public museum collections, including Amon Carter Museum of American Art, Fort Worth, Texas; the Metropolitan Museum of Art, New York City; Brooklyn Museum, Brooklyn, New York City; Museum of Fine Arts, Boston; Wadsworth Athenaeum,