Grantham, England is believed to be the original copy from which all the other ones were derived. The composition was popularised through a print after it made by Hendrik Goltzius. Van Aelst's painting of the subject was freely inspired by Leonardo da Vinci's Last Supper (1498, Convent of Santa Maria delle Grazie in Milan) and Marcantonio Raimondi's engraving of about 1515–1516 based on a lost drawing by Raphael. The gestures of the apostles are derived from Dürer's print of the Last Supper dated 1523. There exist about 45 versions of this composition, which were executed with the assistance of workshop assistants. A great number of the versions are dated, and of these 6 or 7 are dated 1528. Van Aelst likely produced the original drawing for the Last Supper, which was subsequently copied onto a panel by means of intermediary cartoons. The composition could be ordered in two formats: 50 x 60 cm and 60 x 80 cm. The large version was more popular than the smaller one. Small biblical scenes in the background of the composition place the Last Supper in its theological context. Through the window it is possible to discern a scene depicting the Entry in Jerusalem of Jesus Christ, the principal event preceding the Last Supper according to Christian literature. Scenes of the Fall of Man and the Expulsion from Paradise can be discerned in the ornaments of the upper panes of the window. The medals on the wall depict the biblical stories of the Slaying of Abel and David and Goliath. The scene representing the slaying of Abel is based on a print by the prominent Romanist artist Jan Gossaert. The whole iconography accentuates the Christian occupation with original sin and the belief that mankind's salvation solely relies on Christ's sacrifice. The original version of 1527 expresses in some of its details an iconography, which shows a close link to the Protestant Reformation movement. In the other versions this meaning is less pronounced. St. Jerome in his Study Coecke van Aelst and his workshop produced multiple versions of St. Jerome in his Study. Saint Jerome is revered by Christians for his translation into Latin of the Bible, which he produced while residing in a monastery in Palestine. One of the principal influences on the Flemish iconography of St. Jerome was Albrecht Dürer's St. Jerome in His Study completed in March 1521. In the version of