Northanger Abbey. Charleville Castle stood in for the interior scenes of Lady Gresham's estate, while Killruddery House, an old Elizabethan revival estate, provided the exterior shots of the property. Other filming sites included Cloghlee Bridge in the Dublin Mountains (as Mr. Austen's rectory) and Dublin's Henrietta Street and North Great George's Street as Regency London. A house on Henrietta Street also provided the filming site for Mrs. Radcliffe's residence. Gentleman Jackson's club, where Lefroy boxes, was represented by "the dark and otherworldly" Mother Redcaps tavern, also in Dublin. Music and soundtrack The musical score of the film was written by English composer Adrian Johnston. To prepare melodies, he reviewed music books that had belonged to the Austen family. The first track, "First Impressions", has been described as a "depressing" song that "exhibits slow, pure and classical piano work"; one critic quipped that it belonged in "Becoming Sylvia Plath ". Later tracks ranged "in mood from upbeat and playful to somber and teary." In his review of the score, Tim Clark of Soundtrack.net lamented the "absence of a truly memorable theme, despite a wealth of thematic material," and found similarities to Dario Marianelli's composition for the 2005 film Pride & Prejudice. Patsy Morita, a music critic for Allmusic, wrote that the second half of Johnston's score becomes as "unremarkable" as "so many other dramatic film scores of the early twenty-first century." She continued, "It fulfills its purpose of underscoring the emotion of the story by being moody and slow to change melodically and harmonically, and by using many pregnant pauses and minimalist-leaning repetitive figures." Morita added that "there is nothing in it to draw attention away from the film." The score later received a nomination for Best Original Film Score at the 2008 Ivor Novello Awards. The film soundtrack was released on 31 July 2007. A track listing for the album is as follows: Henry Purcell's "Hole in the Wall," also known as "St. Martin's Lane," which is featured in the ballroom scene, was first published in 1695 and is highly unlikely to have been common during the Regency, when Jane Austen was a young adult. Downloadable editions of the original soundtrack include six bonus tracks of music heard in the film: Themes and analysis Fictionalisation of plot Jon Spence, the author of the biography the film was based on, identifies "Tom Lefroy as the love of Austen's life and her