Both a happy ending and a twist ending were filmed, but the final film used the twist ending. As a result, Craven who never wanted the film to be an ongoing franchise, did not work on the first sequel, Freddy's Revenge (1985). Filming wrapped at the end of July, and the film was rushed to get ready for its November release. Music The film score was written by composer Charles Bernstein and first released in 1984 on label Varèse Sarabande. The label re-released the soundtrack in 2015 in an 8-CD box for the franchise soundtracks excluding the remake and again in 2016 in the 12-CD box Little Box of Horror with various other horror film scores. Bernstein's film score was also re-released in 2017, along with the soundtracks of the first seven films, on the label Death Waltz Recording Company in another 8-LP vinyl box set named A Nightmare On Elm Street: Box Of Souls. In 2017 and 2019, the label also released standalone extended versions of the soundtrack with many snippets that were left out of the original releases. Freddy's theme song The lyrics for Freddy's theme song, sung by the jumprope children throughout the series and based on "One, Two, Buckle My Shoe", was already written and included in the script when Bernstein started writing the soundtrack, while the melody for it was not set by Bernstein, but by Heather Langenkamp's boyfriend and soon-to-be husband at the time, Alan Pasqua, who was a musician himself. Bernstein integrated Pasqua's contribution into his soundtrack as he saw fit. One of the three girls who recorded the vocal part of the theme was Robert Shaye's then-14-year-old daughter. Per the script, the lyrics are as follows: One two, Freddy's coming for you. Three four, better lock your door. Five six, grab your crucifix. Seven eight, gonna stay up late. Nine ten, never sleep again. Themes Freddy exclusively attacks teenagers and his actions have been interpreted as symbolic of the often traumatic experiences of adolescence. Nancy, like the archetypal teenager, experiences social anxiety and her relationship with her parents becomes strained. Sexuality is present in Freudian images and is almost exclusively displayed in a threatening and mysterious context (e.g., Tina's death visually evokes a rape, Freddy's glove between Nancy's legs in the bath). The original script called for Krueger to be a child molester, rather than a child murderer, before being murdered. Wes