the Soviet Union there has been a new wave of scholarly debate on the subject within Russia itself. A. E. Musin, an academic and deacon of the Russian Orthodox Church, published an article about the "problem of double belief" as recently as 1991. In this article he divides scholars between those who say that Russian Orthodoxy adapted to entrenched indigenous faith, continuing the Soviet idea of an "undefeated paganism", and those who say that Russian Orthodoxy is an out-and-out syncretic religion. Slavic Native Faith adherents, as far as they are concerned, believe that they can take traditional folk culture, remove the obviously Christian elements, and be left with something that authentically reflects the historical beliefs of the Slavic peoples. According to Ivakhiv, despite the intense efforts of Christian authorities, the Christianisation of the Slavs, and especially of Russians, was very slow and resulted in a "thorough synthesis of Pagan and Christian elements", reflected for instance in the refashioning of gods as Christian saints (Perun as Saint Elias, Veles as Saint Blasius and Yarilo as Saint George) and in the overlapping of Christian festivals on Pagan ones. The scholar of Russian folk religion Linda J. Ivanits has reported ethnographic studies documenting that even in late nineteenth- and early twentieth-century Russia there were entire villages maintaining indigenous religious beliefs, whether in pure form or under the cover of a superficial Christianity. According to her, the case of Russia is exceptional compared to western Europe, because Russia neither lived the intellectual upheavals of the Renaissance, nor the Reformation, nor the other movements which severely weakened folk spirituality in Europe. Symbolism The most commonly used religious symbol within Rodnovery is the kolovrat ("spinning wheel", e.g. ), a variant of the swastika (Sanskrit: "wellbeing", "wellness"). As such, it represents wholeness, the ultimate source of renewal, the cosmic order and the four directions. According to the studies of Boris Rybakov, whirl and wheel symbols, which also include patterns like the hexafoil, "six-petalled rose inside a circle" (e.g. ) and the "Perun's sign", or "thunder wheel" (e.g. ), represent the thunder god Perun or the supreme God (Rod), expressing itself as power of birth and reproduction, in its various forms (whether Triglav, Svetovid, Perun and other gods) and were still carved in folk traditions of the Russian North up to the nineteenth century. The contemporary design of the kolovrat as an eight-spoked wheel was already present in