Keith Graham Tippetts (25 August 1947 – 14 June 2020), known professionally as Keith Tippett, was a British jazz pianist and composer. According to AllMusic, Tippett's career "..spanned jazz-rock, progressive rock, improvised and contemporary music, as well as modern jazz for more than half-a-century". He held " an unparallelled place in British contemporary music," and was known for "his unique approach to improvisation". Tippett appeared and recorded in many settings, including a duet with Stan Tracey, duets with his wife Julie Tippetts (née Driscoll), solo performances, and as a bandleader. Early life Born in Southmead, Bristol, England, Tippett was the son of an English father who was a policeman and an Irish mother named Kitty. He wrote music dedicated to her after she died. He was the oldest of three siblings and went to Greenway Secondary Modern school in Southmead. As a child he played piano, church organ, cornet, and tenor horn. At fourteen he formed his first band, KT Trad Lads, with school friends Richard Murch, Mike Milton, Terry Pratt, and Bob Chard, and Eric Condell performing traditional jazz. He formed a modern jazz trio in Bristol and played regularly at the Dugout Club in Park Row, Bristol. Music career In 1967, Tippett moved to London to pursue a career in music, taking menial jobs while performing in jazz clubs. With a scholarship he attended the Barry Summer School Jazz Course in Wales, where he met Elton Dean, Nick Evans, and Marc Charig and with them started a band. The Keith Tippett Sextet was hired for a residency at the 100 Club in Oxford, leading to a contract with Vertigo Records, which released their first two albums, You Are There... I Am Here (1970) and Dedicated to You, but You Weren't Listening (1971). After leaving Vertigo, Tippett formed Centipede, a 50-piece band that included his wife Julie Driscoll, and brought together much of a generation of young British jazz and rock musicians. As well as performing some concerts (limited economically by the size of the band), they recorded one double-album, Septober Energy, a Tippett composition, which was released on the RCA label in 1971. Despite substantial publicity, the album failed to sell in sufficient numbers to justify the expense of maintaining the project. In 1970 and 1971, he contributed as a session musician to three King Crimson records, In the Wake of Poseidon, Lizard, and Islands. For his next