in the Los Angeles Times in the 1970s about Hmong refugees, who, after fleeing to the United States because of war and genocide in Laos, Cambodia, and Vietnam, suffered disturbing nightmares and refused to sleep. Some of the men died in their sleep soon after. Medical authorities called the phenomenon Asian Death Syndrome. The condition afflicted men between the ages of 19 and 57 and was believed to be sudden unexplained death syndrome or Brugada syndrome or both. Craven stated, "It was a series of articles in the LA Times; three small articles about men from South East Asia, who were from immigrant families and had died in the middle of nightmares—and the paper never correlated them, never said, 'Hey, we've had another story like this." The 1970s pop song "Dream Weaver" by Gary Wright sealed the story for Craven, giving him not only an artistic setting to jump off from, but a synthesizer riff for the movie soundtrack. Craven has also stated that he drew some inspiration for the film from Eastern religions. Other sources attribute the inspiration for the film to be a 1968 student film project made by Craven's students at Clarkson University. The student film parodied contemporary horror films, and was filmed along Elm Street in Potsdam, New York. The film's villain, Freddy Krueger, is drawn from Craven's early life. One night, a young Craven saw an elderly man walking on the sidepath outside the window of his home. The man stopped to glance at a startled Craven and walked off. This served as the inspiration for Krueger. Initially, Fred Krueger was intended to be a child molester, but Craven eventually characterized him as a child murderer to avoid being accused of exploiting a spate of highly publicized child molestation cases that occurred in California around the time of production of the film. On Freddy's nature, Craven states that "in a sense, Freddy stands for the worst of parenthood and adulthood – the dirty old man, the nasty father and the adult who wants children to die rather than help them prosper. He's the boogey man and the worst fear of children – the adult that's out to get them. He's a very primal figure, sort of like Kronos devouring his children – that evil, twisted, perverted father figure that wants to destroy and is able to get them at their most vulnerable moment, which is