Barnaby Bernard Lintot ("Lintott" before 1724, usually referred to as "Bernard" and very rarely as "Bernaby") (1 December 16759 February 1736), was an English publisher who started business in London about 1698. Born at Southwater, Sussex, Lintot was apprenticed to a bookseller in 1690 and was not officially freed of his contract until 1700, but he began selling books independently at the sign of the Cross Keys in St. Martin's Lane before that, and six plays appeared with his imprint in 1698. By concentrating his stock primarily on literary authors, Lintot was a rival of Jacob Tonson's. In 1700, he married Catherine Langley, a widow, and moved his shop to Fleet Street at the Post House. In 1705, he moved his shop again, to its most permanent location, at the Cross Keys on Fleet Street, next to Nando's Coffee House and right by Temple Bar. From 1705 to 1712, he published all the plays put on at Theatre Royal, Drury Lane, and he was one of the leading publishers of literary authors, including the dramas of George Farquhar, John Dryden, William Congreve, Richard Steele, Susanna Centlivre, and Colley Cibber. Lintot went into semi-retirement in 1730. From that point on, his son, Henry Lintot, ran the publishing business with him, and Lintot moved out to Sussex. During his career, Bernard purchased lands adjoining his father's lands every time he had occasion, and so he had moderate estates by the time he gave his son a role in the business. In 1735, he was High Sheriff of Sussex; he died of "an asthma" in February 1736. Publications As a publisher, Lintott focused on works of literature, but he also published legal guides, the literary criticism of John Dennis, and the philosophical works of noted deists. He also increased the pay that he gave to authors who had proven successful and occasionally speculated on contemporary furores. He paid, for example, £105 to Colley Cibber for The Nonjuror and over £100 to John Gay for Poems on Several Occasions (after offering only £35 for Trivia). However, he also paid £130 to James Moore Smythe for The Rival Modes, primarily because of the disagreement Smythe had had with Pope. In 1712, Lintott attempted to set up his own Miscellany series to counter Tonson's Poetical Miscellanies, which had been edited by Dryden, and so he got Alexander Pope to assemble Miscellaneous Poems and Translations. This volume