to play anymore in late 1991 and that it had nothing to do with the war, while Sejo seems to suggest the break-up occurred implicitly when Nele fled for Belgrade in the spring of 1992, soon after fighting flared up in Bosnia. There is no indication they've ever met face to face since then, except after Sejo's father died and they reunited for a night of drinking at a bar. Their already complex working-business friendship-relationship was further burdened by their ethnic background – Nele is a Serb while Sejo is identifying himself as a Bosnian, although of Croatian descent. Although never openly hostile in interviews when the topic of old times is broached, both men noticeably try to project an air of indifference about one another. Dr Karajlić goes to Belgrade In Belgrade, Nele was a refugee – albeit a famous one. Together with his wife Sanja and their infant daughter he spent his first Belgrade days in the apartment belonging to Rambo Amadeus. For the most part, music was the furthest thing on his mind during this period. He could be seen across town waiting in lines in front of different charity organizations like ADRA to send food packages to family members in Sarajevo which was under siege by Serbian forces. His first post-original-Zabranjeno Pušenje music gig was a low-publicity duet with Toni Montano on a quickly forgotten track called "Srećna porodica". Throughout the 1993 through 1996 period, Nele played with different musicians on a recreational basis under the name Zabranjeno Pušenje. He did not record any new material and would occasionally play an odd club date or two in Belgrade. In September 1995 he traveled to Toronto where he met up with Mladen Pavičić 'Pava', formerly of Plavi Orkestar, and some local musicians, including drummer Boris Daich and bassist Nenad Stanojevic, for a Zabranjeno Pušenje show. During this time he also collected and honed material for a possible new album, although he was not quite sure when or even if he would like to release it. Or, for that matter, if Belgrade audiences still had any interest in a band-less rocker from Sarajevo. The event that finally made him realize he could still be relevant was a concert at Belgrade's Tašmajdan stadium which the band booked somewhat pretentiously for 13 September 1996. The place seats around 10,000 and the plan was to play old Zabranjeno Pušenje songs with