Year of the Cat is the seventh studio album by Al Stewart, released in 1976. It was produced and engineered by Alan Parsons. Its sales helped by the hit single "Year of the Cat", co-written by Peter Wood and described by AllMusic as "one of those 'mysterious woman' songs", the album was a top five hit in the United States. The other single from the album was "On the Border". Stewart wrote "Lord Grenville" about the Elizabethan sailor and explorer Sir Richard Grenville (1542–1591). Stewart had all of the music and orchestration written and completely recorded before he even had a title for any of the songs. In a Canadian radio interview he stated that he has done this for six of his albums, and he often writes four different sets of lyrics for each song. The title track derives from a song Stewart wrote in 1966 called "Foot of the Stage" with prescient lyrics about Tony Hancock, one of Britain's favourite comedians who died by suicide two years later. When Stewart discovered that Hancock was not well known in the United States, he went back to his original title "Year of the Cat". Cover art The cover design, by Hipgnosis and illustrator Colin Elgie, depicts a woman who has an apparent obsession with cats. She can be seen in the mirror dressing up as a cat for a costume party, and all of the items on her dresser have feline motifs. Stewart used the same concept for the cover of his 2004 Greatest Hits album, but with most of the cat items replaced with references to his other singles. Reception In the United States, Year of the Cat was certified platinum in March 1977, indicating sales of more than one million copies. Contemporary reviews were mixed but generally positive. Billboard praised the album featuring "Stewart's cool vocals and exceptionally well-arranged songs that are progressive without being pretentious", whereas Robert Christgau thought Stewart's move from historical themes to the tone of "spy-novels" was an improvement. Peter Reilly, writing for Stereo Review, found Stewart's "hissing sibilant 's's" unintentionally hilarious, especially when combined with the "gloweringly melodramatic" "On the Border". Reilly nonetheless praised the songwriting, "warm, easy atmosphere", and Stewart's guitar skills. Alan Parsons' production and rich arrangements were widely praised. By 1987, Year of the Cat had become a popular record used for hi-fi demonstration. Chris Woodstra called Year of the