boots and a shirt to copy. Visitors would be given a set of wireless re-chargeable headphones (infrared transmission) and follow a path walking amongst the first floor's exhibits. Each exhibit had its own audio track playing on a loop to the headphones, once guests moved in-range of the infra-red signal. The audio featured narration by Paul Gambaccini, who discussed the performer the relevant exhibit was for, along with short clips of their music, with these descriptions typically lasting no more than a few minutes each. Guests could also occasionally have pictures taken with the wax figures. The main atrium featured a rotating set with the figures of Elton John performing "Bennie and the Jets," Little Richard singing "Tutti Frutti" and Stevie Wonder with "I Just Called to Say I Love You", with the two former seated at pianos, whilst Wonder sat at a three-keyboard synthesizer, all pointing into the centre of the stage. At pre-determined intervals of a few minutes or so, a figure of Elvis Presley would rise up between the three pianos to sing "Glory Hallelujah", before dropping back down out of sight. The remaining floors followed the same pattern, with various music performers modelled in different backdrops or scenes, or posed in balconies and walkways and visitors moved between them via escalators and lifts as needed. These scenes included; A large hanging video display, composed of 36 monitors linked together to create one big "screen". References to the Live Aid music concert and Woodstock music festival. A VIP area featuring Elvis Presley and Bono A Memorabilia corridor A 1960s London street scene, featuring Tina Turner. The Beatles, in a recreation of their The Cavern Club set Boy George, seated on top of a bin, just outside the main entrance. "Wall of Hands", which was a wall-mounted collection of palm imprint casts of various rock musicians of the time, much like those at the TCL Chinese Theatre in Los Angeles. Buddy Holly, featuring rare audio of an interview held with DJ Alan Freed, in a radio studio scene. Jerry Lee Lewis, playing a stand-up piano which featured an opening and closing lid, with a dry ice smoke effect whilst audio from "Great Balls of Fire" played. Sting, in a recording "booth" set-up. The Who, represented by a recreation of a large electro-mechanical pinball machine, complete with Roger Daltrey standing atop the playing field glass, and with Pete Townshend