Karenina (1987); Conundrum (1992); In Quest of Conscience (1994); Persons Unknown (1995); The Ice House (1998), Britannicus (2002), Cheri (2003) and Snow White (2003). As an actor with the Citizens Company he played leading roles in more than twenty productions. He translated over sixty plays and operas from ten languages and as a director with the company he directed fifty productions including ten British or world premieres. Robert David MacDonald died in 2004. 1970s controversies During the 1970s the Citizens started to attract controversy with its productions and advertising. In December 1970 city councillors called for an end to the £12,000 annual grant the Glasgow Corporation gave to the theatre after it was announced that anyone presenting a trade union card on 8 December would be granted free entry to the theatre. The Evening Times reported "The free tickets were suggested as a gesture of the actors' solidarity with the trade unionists' strike protest against the Industrial Relations Bill" (Evening Times, 7 December 1970). This was the first of many altercations between the theatre and the city council throughout the decade. Earlier in the autumn season of 1970 a controversial new staging of Hamlet caused outrage in the press for the nudity and alternative acting styles of the company. The Scotsman headline reported "Hamlet Depicted As A Gibbering Oaf" (7 September 1970) but the public flocked to the production and the theatre discovered an all new audience. Cordelia Oliver, a longterm supporter of the Citizens in her reviews, noted in The Guardian "Schoolchildren en masse rarely sit "Hamlet" out in silence, nor are they often roused to cheering as they did at the end last Friday. If Havergal has set his sights on a predominately youthful audience for the Citizens this reception suggest he may not be so wide off the mark" (10 September 1970). In 1975 a flier advertising the spring season was condemned by Labour councillor Laurence McGarry for its depiction of "Shakespeare, in drag with large cleavage, painted lips, corsets, suspenders and hand on hip". The councilor felt the theatre was guilty of "playing to an intellectual minority rather than the great mass of the public". In 1977 the Lord Provost Mr Peter McCann called for the sacking of theatre bosses after a performance of Dracula which featured nude scenes he described as "kinky claptrap appealing only to mentally ill weirdos" (Sunday Express, 13 March 1977). The