Bill Henson (born 7 October 1955) is an Australian contemporary art photographer. Art Henson has exhibited nationally and internationally in galleries such as the Solomon R. Guggenheim Museum in New York, the Venice Biennale, the National Gallery of Victoria in Melbourne, Australia, the Art Gallery of New South Wales in Sydney, Australia and the Bibliothèque Nationale in Paris. His current practice involves holding one exhibition in Australia every two years, and up to three overseas exhibitions each year. The use of chiaroscuro is common throughout his works, through underexposure and adjustment in printing. His photographs' use of bokeh is intended to give them a painterly atmosphere. The work is often presented as diptychs, triptychs and in other groupings, and the exhibitions are specifically curated by Henson to reflect a sense of musicality. Duality is a recurring theme of Henson's work, often in combination with adolescent subjects. He frequently employs a flattened perspective through the use of telephoto lenses. His works are often in the form of staged tableaux in which faces of the subjects are often blurred or partly shadowed and do not directly face the viewer. Henson states that he is not interested in a political or sociological agenda. Life and influences Raised in the Eastern suburbs of Melbourne, Henson studied Visual Arts and Design 1974–1975 at Prahran College of Advanced Education where Athol Shmith was head of the Photography program and John Cato and Paul Cox were lecturers. He did not complete the diploma, but the nineteen-year-old Henson's work was promoted by Shmith to Jennie Boddington, inaugural Curator of Photography at the National Gallery of Victoria with the result that Henson's first solo show was exhibited there in 1975. From his period as a student until its closure in 1980, he worked at The Bookshop of Margareta Webber 343 Little Collins Street Melbourne, which specialised in luxurious books on ballet, dance and the visual arts. Leaving the bookshop, he traveled and photographed in Eastern Europe. He taught briefly at the Victorian College of the Arts in Melbourne, where he met Luminist Melbourne painter Louise Hearman in 1981. Henson's long-term relationship with Hearman has been noted as mutually influential on their art. Hearman won the 2014 Moran portrait prize, Australia's richest at $A150,000, with her double portrait of Bill Henson. Controversies Images seized On 22 May 2008, the opening night of Bill Henson's 2007–2008 exhibition at the Roslyn Oxley9