Little Fish is a musical with music, lyrics, and book by Michael John LaChiusa. The musical is suggested by two short stories by Deborah Eisenberg, Days and Flotsam. It concerns a group of friends living in New York City, one of whom, Charlotte, decides to stop smoking and then swims to compensate for the lack of nicotine. LaChiusa has said that he sees Little Fish as a "parable of sorts" for New York after the September 11 attacks. Production history The musical premiered off-Broadway at the Second Stage Theatre in New York City on February 13, 2003, and closed on March 9, 2003. Directed and choreographed by Graciela Daniele, it starred Jennifer Laura Thompson in the lead role of Charlotte and featured Hugh Panaro as Robert, Lea DeLaria as Cinder, and Jesse Tyler Ferguson as Marco. During the run educational workshops were run by Tracy Bersley. Alice Ripley starred, with Gregory Jbara and Chad Kimball, in a production running from October 9, 2007, to November 18, 2007, at The Blank Theatre, Hollywood, California. The European premiere was at the Finborough Theatre, London, from October 27, 2009, through November 21. The production was produced by JQ Productions and directed by Adam Lenson, with the cast featuring Ashley Campbell, Michael Cantwell, Katie Foster-Barnes, Nick Holder, Alana Maria, Laura Pitt-Pulford, Lee William- Davis and Julia Worsley. Synopsis In the present time, Charlotte, in her early 30s, lives in New York and is a short-story writer. She has given up smoking cigarettes, but without them she sees herself clearly, and believes that it is not an attractive picture. She is frightened by her new-found reality, thus her friends Marco and Kathy suggest various activities, such as collecting dolls or a new drug. However, she opts for what is presumably the least silly; swimming. Charlotte thinks back to 1993, when she lived in Buffalo with her lover Robert, in his 40s, and she studied English Literature with him. She reflects on her childhood heroine, Anne Frank, who warns her about flotsam: emotional "debris" that blocks the flow of life. As Charlotte sees that she has been addicted not only to cigarettes but "fleeing", she is able to connect with her friends and her writing. Concept Don Shewey noted that the musical "departs from any kind of traditional book musical structure. Charlotte's tale emerges in vignettes that flicker and flash, zooming back and forth in time,