Eberhard Bosslet (born 1953) is a German contemporary artist who has been producing site-specific art and architectural-related works, such as sculpture, installation, light art and painting, all indoors and outdoors, since 1979. Biography Eberhard Bosslet was born in 1953 in Speyer, Germany, He has lived in Berlin and Dresden. Bosslet co-founded the artist group, "Material & Effect" (Material & Wirkung) in Berlin in 1981, and since 1980, has been the co-director of the artistspace "MOPEDS" in Berlin/Kreuzberg that is involved in curating and managing non-conventional artshows. List of works 1979: Self-referential works in words and writing-form of painting, photography, wall-drawings, and plates; site-specific interior work with wall-drawings and plates. Since 1979: Sculptures and installations with electric light and electric steering; Performance "Per-/Re-ception" (Wahr-nehmen) in a hall at an industrial yard in Speyer, Germany, using electric installation, electric light, zinc sulfide (phosphorus); photographic details of existing situations in the hall, projected in color or black-and-white negative slides, on the situations themselves. 1980: Wood panels, coated with colored varnish, and variably arranged in layers. Since 1980: Broken glass-panes, site-specific and installation works, as well as paintings with partially colored-coated broken glass, acrylic panes and flexible PVC sheets indoors and outdoors. 1981: Works with roadway markings and roadblocks. 1982: "Mobilien & Immobilien" (Movables & Immovables), a series of photographs, produced with a painted Vespa motor scooter, and colored house facades at Tenerife/Canary Islandes. 1982 - 84: "Mobiliar" (Furniture), and "Stand der Dinge" (Status Quo); photographs of interior designs in which the backgrounds and objects were painted. Since 1982: Series of color photographs at the Canary Islands, Spain; Urban exploration: so-called "scrap metal and sun"; Abandoned cars in southern landscape; "Interventions" in public space, site specific art, 1983: Works of rubble at a waste dump. 1983–2011: Works with ruins, so-called "Re/formations and side effects"; here, stabilization and destabilization of perception of conditions of industrial and residential buildings by white painted lines or black painted color fields; Side-specific outdoor intervention. 1985 - 88: Painting — each form complex has its own color and paint material; the "facade ground" is a significantly visible component, and is of equal value as the variables, "form, color, and paint material". Since 1985: "Supporting Measures" — indoor, space-related installations and sculptures with items of the building trade; here, new arrangement of space, apparent stabilization and destabilization of the building material and the space itself, by building in structural bodies. 1986: