and visitors exited the theatre. The performance begun with The Beatles, in full Sergeant Pepper's Lonely Hearts Club Band costumes, performing an extract of the title track of the album, and went on include video, audio and animatronic representations of music stars and celebrities including: Janis Joplin, with the animatronic starting at a seated position on a park bench, discussing those musicians that died during the Summer of Love, before going to a standing position and singing Me and Bobby McGee while holding a Southern Comfort bottle. Additionally, a bee or similar insect was seen flying around a rubbish bin placed beside the park bench, suspended on a wire) Madonna, performing an extract of her Like A Virgin song, and presented lying on a bed surrounded by silk curtains. These were automatically drawn back to reveal the artist at the start of her section. A green-eyed animatronic leopard was also placed at the foot of the bed, and made a roaring sound, along with its eyes lighting up as the extract finished, the lights dimmed, and the curtains closed. This particular animatronic was unique within the performance in that it was the only one that played an instrument, rather than simply moving its hands, face, eyes, and lips in-time to the music; the animatronic held a tambourine in its left hand and at two points in its performance during the chorus of the song, it would shake the tambourine. Bruce Springsteen, performing "Born in the USA" on a recreation of a stadium stage; cut-out raised arms appeared at the front of the stage and moved from left to right and back again, along with Dry-ice "smoke" being produced, to help give the effect. Elvis Presley, singing "Love Me Tender". Bob Dylan performing "The Times They Are a-Changin'" with guitar and harmonica. David Bowie, as the character Major Tom, dressed in a spacesuit, and performing "Space Oddity". This mimicked the section of the music video for the song, where a fully outfitted Major Tom can be seen spinning around in space, with a panicked Ground Control attempting to contact him. The lighting was set so that only the head of the animatronic was well-lit by a spotlight, with the body only lit by background illumination. This was intended to help hide the mechanics and rod that the figure was mounted on and which provided the spaceman's rotation effect. As the song