that particular play—co-written by Sir Arthur Conan Doyle—was produced on Broadway, the first time being in 1899; it has not played on Broadway since. The full title of the play is Sherlock Holmes: Being a hitherto unpublished episode in the career of the great detective and showing his connection with the STRANGE CASE OF MISS FAULKNER.) Keston continued his career in the US as a performing artist, appearing in summer stock, cabaret, and opera engagements. He also portrayed the photographer Alfred Stieglitz in a film. Keston wrote, produced and performed a one-man show, Expressions of Aging. This two-act play with music reflects his love of history, acting, music, and the English language, on the theme of growing old. He performed selections from it until late in his life. The first act is straight acting—no music. Keston relates autobiographical episodes of his early days as an actor, when he would dash to the theatre by train with just enough time to make up. Then, in full view of the audience—and in almost no time—he puts on a dash of make-up, applies a wig and beard with spirit gum, and slips into a nightgown, to become the historian John Aubrey in his late life. Speaking in an English accent, Aubrey tells tales, complains about his ailments, and relates court gossip. The second act is musical, performed with a piano accompanist. Poems, selections from Gerald Finzi's A Young Man's Exhortation, and other songs about the transition from youth to old age make up the act. Keston was a tenor, and employed his voice to cry out with a characteristically tremulous passion, to poignant effect. Scholar Eventually, Keston and his family settled in Bemidji, Minnesota, where he had been recruited by Dr. Fulton Gallagher to teach voice in the music department of Bemidji State University. During his career there, he was the preferred vocal instructor for many talented and ambitious students, many of whom went on to become accepted into graduate programs at the country's most prestigious music conservatories. He appeared as The Jester in annual Madrigal Dinners, presented by The Bemidji Choir and The Chamber Singers under the direction of choral conductor Paul Brandvik. This role included the performance of Shall I, Mother, Shall I, a work by Brandvik for three choirs and tenor soloist. It tells the passion story from the viewpoint of a little child. Keston presented voice recitals, performed with