Mohamed Hamri (August 27, 1932 – August 29, 2000), commonly known as Hamri, was a Moroccan painter and author. Self-described as "The painter of Morocco," Hamri was one of the few Moroccans to participate in the Tangier Beat scene. He was born in 1932 in Jajouka, a village at the southern end of the Rif Mountains near Ksar el-Kebir, in northern Morocco. His father was a ceramics artist who painted his pieces following an ancient tradition. Hamri's mother was born into the Attar family of Zahjouka musicians. His uncle was the leader of the Master Musicians of Joujouka. Hamri is father to Sanaa Hamri, the first Moroccan woman to direct a Hollywood movie. Career Hamri helped the Master Musicians of Joujouka survive by bringing them to Tangier to play. In 1951, writer Paul Bowles met the 18-year-old Hamri at Tanger train station. He later met the painter Brion Gysin—inventor of The Cut-up technique—who tutored him and introduced him to modern European painters. Gysin and Hamri had a joint exhibition in 1952. After Hamri introduced Gysin to the Zahjouka village, Gysin became a lifelong promoter of the Sufi trance master musicians who lived there. Together with Gysin, Hamri set up the "1001 Nights Restaurant" in Tangier with Hamri as cook and where Gysin employed the Master Musicians to play. In 1958 Gysin bought out Hamri's interest in the restaurant for $10,000 but he soon lost the restaurant himself. He soon opened a new 1001 Nights in Asilah—40 km south of Tangier—where he first met Brian Jones and subsequently brought him to Zahjouka. Meeting with Brian Jones Rolling Stones founder and multi-instrumentalist Brian Jones met Hamri when he visited Morocco in 1967. They then developed a close friendship. In 1968, Gysin and Hamri took Jones to the village to record the master musicians in the ground-breaking release Brian Jones Presents the Pipes of Pan at Joujouka, whose original cover featured a painting of Jones and The Master Musicians of Joujouka by Hamri before a 1990s redesign. In 1975, Hamri's book Tales of Joujouka, which told stories from the village, including "The Legend of Boujeloud", the half-goat/half-man creature celebrated in the annual ritual, was published by Capra Press in Santa Barbara. From 1980 onwards, Hamri divided his time between Tangier and Zahjouka. After the death of Hadj Abdesalam Attar his son Bachir Attar continued his father's group's music with The Master Musicians of