the Old Songs: A Guide to Popular Song 1860–1920</ref>The Fire-Worshippers is an 1892 "dramatic cantata" by Granville Bantock based on one of the tales. It is also the basis of the operas Lalla-Rûkh, festival pageant (1821) by Gaspare Spontini, partly reworked into Nurmahal oder das Rosenfest von Caschmir (1822), Lalla-Roukh by Félicien David (1862), Feramors by Anton Rubinstein (1863), and The Veiled Prophet by Charles Villiers Stanford (1879). One of the interpolated tales, Paradise and the Peri, was set as a choral-orchestral work by Robert Schumann (1843). Lines from the poem form the lyrics of the song "Bendemeer Stream". The poem was translated into German in 1846, as Laleh-Rukh. Eine romantische Dichtung aus dem Morgenlande, by Anton Edmund Wollheim Da Fonseca, and was possibly the most translated poem of its time.Lala Rookh, a 1958 Indian Hindi-language romantic-drama film by Akhtar Siraj was based on Moore's poem. Legacy The poem, which earned the highest price ever thus far for a poem (£3,000), enhanced Moore's reputation considerably at the time. The popularity of the poem and its subsequent adaptations gave rise to many ships being named Lalla Rookh during the 19th century. Alfred Joseph Woolmer painted "Lalla Rookh" in 1861, depicting Hinda, daughter of the Emir of Arabia, in a tower overlooking the Persian Gulf, based on the story called "The Fire-Worshippers" in the poem. It is now housed in the Leicester Museum & Art Gallery. It is also credited with having made Kashmir (spelt Cashmere in the poem) "a household term in Anglophone societies", conveying the idea that it was a kind of paradise (an old idea going back to Hindu and Buddhist texts in Sanskrit. Mystic Order of Veiled Prophets of the Enchanted Realm (founded 1889), often known as "the Grotto", a social group with membership restricted to Master Masons, and its female auxiliary, the Daughters of Mokanna (founded 1919), also take their names from Thomas Moore's poem. A tomb in Hassanabdal, Pakistan, dating from the Mughal Empire, is known as tomb of Princess Lalarukh. Some historians and others say that there is a woman called Lalarukh from the household of Emperor Humayun buried here after dying on a journey from Kashmir, while others claim that she was the daughter of Emperor Aurangzeb. The tomb was first recorded as the Tomb of Lady Lalarukh in 1905, which historians suggest was derived from Moore's popular work and named by British officers