Hong Sang-soo (홍상수, born 25 October 1960) is a South Korean film director and screenwriter. Early life Hong's parents owned the film production company Cinetel Soul. Hong took the entrance exam and entered the theater department at Chung-Ang University in South Korea. He then studied in the United States where he received his bachelor's degree from the California College of Arts and Crafts and his master's at the School of the Art Institute of Chicago. Career Hong made his directorial debut at age 35 with The Day a Pig Fell into the Well in 1996. Woman is the Future of Man (2004) was his first film to screen in competition at the Cannes Film Festival. Hong's films have also screened at the Berlin International Film Festival, the Venice Film Festival, and the Locarno Film Festival. He has received the Prix Un Certain Regard at the 2010 Cannes Film Festival for Hahaha, the Silver Leopard Award for Best Director at the 2013 Locarno International Film Festival for Our Sunhi, and the Golden Leopard at the 2015 Locarno International Film Festival for Right Now, Wrong Then. His 2020 film The Woman Who Ran won him the Silver Bear for Best Director at the 70th Berlin International Film Festival. Hong's 2022 black and white film The Novelist's Film won the Silver Bear Grand Jury Prize at the Berlinale. It was described as the film that "celebrates the beauty of chance encounters, while talking about the importance of authenticity in the dishonest world of cinema" by the executive director Carlo Shatrian of the 72nd Berlin International Film Festival. Film style There are certain elements that are commonly found in Hong's films. A typical Hong film highlights a theme of domestic realism with many of the scenes set on residential streets, cafes, hotels, schools, and in the stairwells of apartment buildings. Characters in the film are seen walking around the city, drinking soju, and having sex. The main characters in his films are often movie directors or actors, and scenes typically consist of a single shot, often beginning and ending with a camera zoom. The budgets for his movies average about $100,000. Hong is often spontaneous when shooting, delivering the day's scene on the morning of the shoot and frequently changing stories while on set. He rarely prepares scripts in advance. Hong instead begins with a basic guideline and writes his scenes on the morning