the historic structure. The building was slightly damaged during the 2011 Washington D.C. earthquake, and the construction process required reworking of the original infrastructure. The museum reopened on November 13, 2015 with an exhibition entitled Wonder featuring site-specific installation by nine artists. The architectural renovation was led by Westlake Reed Leskosky, a Cleveland, Ohio–based architecture and engineering firm and construction was overseen by Consigli Construction Co. of Milford, Massachusetts. Fundraising for the renovation began in 2013, and was completed in June 2014 when local financier and philanthropist David Rubenstein donated $5.4 million toward the project. Smithsonian officials renamed the gallery's Grand Salon in Rubenstein's honor. The renovation included replacing all HVAC, electrical, plumbing, and fire-suppression systems; upgrades to security, phone, and data systems (including Wi-Fi installation throughout the building); restoring the original window configuration; restoring two vaulted ceilings on the second floor; reconfiguring the basement for staff offices and workshops; and adding LED lighting throughout the building. The Renwick's Grand Salon was also renovated to create a more contemporary event space. Applied Minds was chosen to create potential concepts for the Grand Salon. The four other firms which competed for the renovation job and made it to the final round but were not selected were Marlon Blackwell Architect, Studio Odile Decq, Vinci Hamp Architects, and Westlake Reed Leskosky (now DLR Group). Reopening The Renwick Gallery opened its doors after renovation on Friday, November 13, 2015. Admission is free. The gallery is open daily from 10:00 a.m. to 5:30 p.m. The first-floor gallery typically featured temporary exhibits that rotated about twice a year. One commentator said, the crafts displayed "are high art, not everyday objects." Historically, the second floor Grand Salon has been one of the most famous art-filled rooms in Washington. For much of the museum's history, it was hung with 70 paintings by 51 American artists, most of them artworks created between 1840 and 1930, including landscapes, sentimental portraits, and classical themes, as well as portraits of tribal Native Americans by George Catlin. Since November 2015, the paintings are no longer on display, and the formal curtains, red carpeting, and red velvet furniture have all been removed. A number of the paintings were moved to the Smithsonian American Art Museum. Exhibitions In 2012, the Renwick Gallery hosted an exhibition called "40 Under 40: Craft Futures", which featured 40 artists in "boundary-pushing interpretations of glass, fiber, ceramic, wood and other