in a watery netherworld" in a deeper pictorial space than that of his compositions of the 1930s. Shortly before his death he received the Gold Medal for Graphic Arts awarded by the American Academy and the National Institute for Arts and Letters. Marsh died from a heart attack in Dorset, Vermont on July 3, 1954. Legacy Many prints and unpublished sketches were found in his estate after he died. Marsh had kept good records, often daily, of his work, and thus organizing and publishing these works was made easy. A set of prints that were acquired by William Benton from Marsh's wife are now all in the William Benton Museum of Art, the New York Public Library, and the Middendorf Gallery in Washington, D.C. Selected works Why Not Use the L?, Whitney Museum of American Art, 1930 High Yaller, Private Collection, 1936 Pip and Flip, Terra Foundation for American Art, 1932 Tattoo Haircut-Shave, Art Institute of Chicago, 1932 This Is Her First Lynching, published in The New Yorker in 1934 and then used prominently in the 1935 New York anti-lynching exhibitions Locomotives, Jersey City, Smithsonian American Art Museum, 1934 Woman Walking, Arizona State University Art Museum, 1945 A Paramount Picture, Collection of Marjorie and Charles Benton, 1934 Twenty-Cent Movie, Whitney Museum of American Art, 1936 Coney Island Bathers, Minneapolis Institute of Art, c. 1946 In the Surf – Coney Island, Collection of Mr & Mrs. Lloyd Goodrich, 1946 Girl on Merry Go Round, Collection of Mrs. Reginald Marsh, 1946 Mural cycle in the rotunda of the Alexander Hamilton U.S. Custom House, New York City, 1937 Savoy Ballroom, Detroit Institute of Arts, 1931 Breadline, Smithsonian Institution, 1930 Striptease at New Gotham, William Benton Museum of Art, 1935 Steeplechase, Collection of Edward Laning, 1954 The Bowl, The Brooklyn Museum, 1933 Coney Island (Russia declares war on Japan), Collection of Marjorie and Charles Benton Down at Jimmy Kelly's, The Chrysler Museum, 1936 Jelkye Trial Series, Boca Raton Museum of Art, 1951 Exhibitions 1938, Solo Exhibition, Frank K.M Rehn Galleries, New York 1957, 70 Photographers Look at New York, Museum of Modern Art 1997, Reginald Marsh at D.C Moore, New York City 2003, April 18 – May 25, New York City Drawings, Seraphin Galleries, Philadelphia 2006, February 19 – May 14, Reginald Marsh, Nassau County Museum of Art, New York 2013, June 21 – September 1, Swing Time: Reginald Marsh and Thirties New York,