head of labor union and head of the government of Saint Vincent (island) vacationing during a time of labor strife leading indirectly to the deaths of three men. The accuracy of Von Schmidt's characterization of Joshua's involvement in the incident has been disputed. Given that Mr. Joshua died poor and remains a revered figure on the island, his depiction in the song is probably less sympathetic than it should be. Nonetheless, the song remains a powerful evocation of the plight of the poor people of Saint Vincent. In 1963, von Schmidt and Richard Fariña recorded in London's Dobell's Jazz Record store, with Dylan on harmonica. Two years later, The Folk Blues of Eric von Schmidt appeared atop a pile of records on the cover of Dylan's album Bringing It All Back Home. In May 1964, Dylan visited Von Schmidt at his home in Sarasota, Florida and recorded several songs there, including an early version of "Mr. Tambourine Man". The recordings were released in 2014 as part of Dylan's "50th Anniversary Collection 1964". In the liner notes for Von Schmidt's 1969 Smash album, Who Knocked The Brains Out Of The Sky? (SRS 67124), notes which also appeared on a cover sticker for Von Schmidt's 1972 Poppy album 2nd Right 3rd Row, Dylan wrote: Of course we had heard about Eric Von Schmidt for many years. The name itself had become a password. Eventually, after standing in line to meet him, there it was – his doorstep, a rainy day, and he greeted his visitors, inviting them in. He was told how much they liked Grizzly Bear [a von Schmidt song] and he then invited the whole bunch to the club, where he was about to perform the thing live. "C'mon down to the club" he said – "I'm about to perform it live." We accepted the invitation. And that is what his record is. An invitation. An invitation to the glad, mad, sad, biting, exciting, frightening, crabby, happy, enlightening, hugging, chugging world of Eric Von Schmidt. For here is a man who can sing the bird off the wire and the rubber off the tire. He can separate the men from the boys and the note from the noise. The bridle from the saddle and the cow from the cattle. He can play the tune of the moon. The why of the sky and the commotion from the ocean. Yes he