Girls on Top is a British sitcom, broadcast on ITV in 1985 and 1986, and made by Allan McKeown's Witzend Productions for the ITV contractor Central Independent Television. It starred Dawn French, Jennifer Saunders, Ruby Wax and Tracey Ullman with Joan Greenwood. It was written by French, Saunders, and Wax, with additional material for two episodes written by Ullman. The show focused on four female flatmates and their landlady. It was a female version of The Young Ones, two series of which were made in 1982 and 1984. French and Saunders had both appeared in The Young Ones and, like most of its stars, were members of The Comic Strip. Synopsis The first episode had a woman in her early 20s named Amanda struggling to find a flat and managing to procure one (that she cannot afford) from Lady Carlton. The previous resident, Candice, convinces Amanda to let her stay temporarily as she has nowhere else to go. Then, Jennifer, Amanda's childhood friend, arrives unexpectedly. Eventually, Amanda allows the obnoxious Shelley to move in, splitting the rent with her, as she is the only one who can afford it, thanks to her wealthy family. Episodes often centred on Shelley ordering the others around because they relied on her to get the rent paid; early episodes often incorporated Candice's latest invented illness, or any other reason to not pay the rent. Cast and characters Amanda Ripley (Dawn French): A strait-laced feminist, socialist, and anarchist, and the central character around whom the series is based. Amanda is generally the most level-headed of the group, but tries to hide her fascination with men and the Royal family to comedic effect, with her hiding copies of Playgirl magazine becoming a running gag in the second series. She works at a feminist magazine titled Spare Cheeks. Jennifer Marsh (Jennifer Saunders): A mousy and childlike woman who was Amanda's childhood friend and serves as the whipping post for everyone else. In the first series, she is implied to be intellectually disabled. In the second series, she seems more intelligent, even briefly working as a stockbroker, but no less naïve. Saunders described Jennifer Marsh as "basically a moronic version of myself when I was twelve." She later credited Wax and Ullman with teaching her "how to write funny" and "how to act funny", respectively. Shelley DuPont (Ruby Wax): A struggling actress and the stereotype of a gaudily