Germain Pilon (c. 1525 – 3 February 1590) was a French Renaissance sculptor. Biography He was born in Paris and trained with his father, Andre Pilon. Documents show that he and his father executed several religious statues and tomb effigies in collaboration. Since Connat & Colombier established that Germain was born c. 1525 (rather than about ten years later, as previously believed), several early works have been reattributed to him, including the marble grouping Diana with a Stag (originally at the Château d'Anet, Eure-et-Loir; now at the Louvre). Later he worked with Pierre Bontemps. Pilon became expert with marble, bronze, wood and terra cotta. From about 1555 he was providing models for Parisian goldsmiths. He was also skilled at drawing. His works - with their realism and theatrical emotion - show the influence of the School of Fontainebleau, Michelangelo and Italian Mannerism. Germain at first had an Italian influence. Much of Pilon's work was on funerary monuments, especially the Valois Chapel at the Saint Denis Basilica designed by Francesco Primaticcio (never completed). He was the favorite sculptor of queen Catherine de' Medici. He was the son of Andre Pilon and Jeanne Becque. He was married twice, to Germaine Durand and Madeleine Beaudoux. He had 11 children: Jean, Raphaël, Germain Junior, Gervais, Claude, Jeanne, Lucrece, Charlotte, Suzanne, Anthoine, and Philippe. Works Pilon's most famous works include: Eight subsidiary statues for the Tomb of Francis I (contracted with Philibert de l'Orme, 1558). Monument containing the heart of Henry II of France (1561–1562) Louvre - made in collaboration with Domenico del Barbieri (who designed the pedestal), Pilon was responsible for the eloquent sculpture of the Three Graces, executed from a single block of marble. The king's heart was placed in a bronze urn held by the Three Graces, but this urn was destroyed during the French Revolution and has been replicated. Tomb of Henry II and Catherine de' Medici (1561–1573) Abbey Church of Saint Denis Basilica - Pilon was responsible for the kneeling bronze figures on top of this monument (depicting the king and queen alive and praying) the moving and realistic recumbent figures of the queen and king in death at the center and the four Virtues at the corners of the monument, the construction of which was supervised by Francesco Primaticcio (who sculpted the four corner figures). (Catherine de' Medici is reported to have fainted at the sight of these figures.)