tool. Despite this, Dr. Jekyll and Mr. Hyde (issue #13) and Uncle Tom's Cabin (issue #15) were both cited in Dr. Fredric Wertham's 1954 condemnation of comic books Seduction of the Innocent, in the first case for reducing the story to little more than its violent elements, and in the second case for simplifying the full characterizations of the book to stereotypes. Classics Illustrated #65 — Benjamin Franklin (published in November 1949) — written by Adelaide Lee (adaptation) and illustrated by Alex Blum, Robert Hebberd, and Gus Schrotter, was given the 1956 Thomas Alva Edison Foundation National Mass Media Award for Best American History Comic Book. As Classics Illustrated became more standardized in the 1950s, Gilberton re-issued earlier editions with new art (and sometimes new script adaptations). All editions were re-issued with new cover art in the 1950s and '60s. In addition to Classics Illustrated, Kanter presided over its spin-offs Classics Illustrated Junior (1953), Classics Illustrated Special Issue (1955), and The World Around Us (1958). Between 1941 and 1962, sales totaled 200 million. Of the original 169 issues of Classic Comics/Classics Illustrated produced in the period 1941–1969, the writers with the most representation included Jules Verne, with ten works adapted; Alexandre Dumas, with nine; James Fenimore Cooper, with eight; and Robert Louis Stevenson, with seven. Charles Dickens, Walter Scott, William Shakespeare, Mark Twain, and H. G. Wells were all well-represented, with five works adapted each. Seven female authors had their work adapted. Up through 1951, all adaptations were from work in the public domain. Beginning in 1952, the series occasionally created authorized adaptations of popular 20th-century fiction by such authors as Charles Nordhoff & James Norman Hall (four of their novels), Frank Buck (two of his novels), Charles Boardman Hawes (two novels), Erich Maria Remarque, Talbot Mundy, Walter Van Tilburg Clark, and Emerson Hough. In addition to the literary adaptations, each issue of Classics Illustrated featured author profiles, educational fillers, and an advertisement for the coming title. In later editions, a catalog of titles and a subscription order form appeared on back covers. The publication of new titles in the U.S. ceased in 1962 for various reasons. The company lost its second-class mailing permit; and cheap paperbacks, Cliff's Notes, and television drew readers away from the series. Kanter's last new title was issue #167 Faust (August 1962), though other titles had been planned. Two of these titles – an adaptation