a really cute record. Young girls'll like it the way I liked it when I was growing up." Another new song featured on #1's was "When You Believe", which Carey said was included because she felt it was "a miracle" that she and Houston collaborated on a record. During the development of All That Glitters, Carey had been introduced to DreamWorks producer Jeffrey Katzenberg, who asked her if she would record the song "When You Believe" for the soundtrack to the animated film The Prince of Egypt. Carey and Houston were shown the film separately, and both became very enthusiastic about participating in the project. In an interview with MTV, Carey made the following statement regarding "When You Believe" and working with Whitney Houston: "It's sort of a message song. It's what 'Prince of Egypt' is about, Moses. If we were ever going to come together on any kind of record, this is definitely the right one, and really the coolest thing to me is that after all of the drama and everybody making it like we had a rivalry, she was just really cool and we had a really good time in the studio. We had fun. And so, if nothing else, it was a good experience... and diva-ism, whatever." The song was co-written by Stephen Schwartz and Babyface, who also produced the song. Carey had previously collaborated with Babyface on her albums, Music Box (1993) and Daydream (1995). Babyface expressed how he went through more than one version of the song and described its production as a beautiful movie ballad, something different than he, Carey or Houston ever recorded. In an interview with Vibe, Carey said that she "liked [the song] the way it was." She had characterised it as "a very big ballad but in an inspirational way" and denied speculation that there had been past rivalry or animosity between her and Houston prior to its recording: "I never even really talked to her until this. We never had any issues between us. The media and everybody made it an issue." Carey co-wrote and co-produced the song "Whenever You Call" with longtime collaborator Walter Afanasieff for her album, Butterfly. However, in order to change the song's tempo and format, Carey decided to re-do the song as a duet with Brian McKnight, because she felt it was one of the best songs on Butterfly. Carey had also expressed