studied at UCLA film school to explore her creative talents. Hardwicke made her first short film for her brother Jack who was marrying Nicolette Cullen. During this period in the 1980s, Hardwicke made an award-winning short, Puppy Does the Gumbo and was recognized with a Nissan Focus Award and was featured in the Landmark Best of UCLA film program. Film career Hardwicke became a production designer, working with film directors such as Cameron Crowe, Richard Linklater, and David O. Russell. She was influenced by them, gaining experience in their techniques, and learning informal aspects from professional conversations. She talked to some about her desire to be a filmmaker, and received advice and tips. While working with such big-name directors, she was able to study their techniques: "I always told them I really want to make my own movies, and they were all very generous and gave me tips." Her career as a production designer was crucial and beneficial to the molding of her career as a director. Her time spent with these directors aided her and were able to give her a sense of direction: "As you’re riding around with the director location scouting, you hear a lot of conversations and you start piecing them together, so I think that helped me." She even worked with fellow female director Lisa Cholodenko on her film Laurel Canyon (2002). Aside from her time spent working alongside directors, Hardwicke continued to work on her own projects such as scripts, short films, and teaching herself Final Cut Pro. Hardwicke even took it upon herself to take acting classes to become a better director. Through the 1990s and early 2000s, Hardwicke worked as a production designer on films including Tombstone (1993), Tank Girl (1995), 2 Days in the Valley (1996), The Newton Boys (1998), Three Kings (1999), and Antitrust (2001). In 2000, she worked as production designer with director/screenwriter Cameron Crowe and actor/producer Tom Cruise on Vanilla Sky (2001). Three Kings was noted for its original use of color-manipulation techniques to complement the narrative. Thirteen (2003) Hardwicke's first film as a director was developed in collaboration with then-fourteen-year-old Nikki Reed, who wrote a screenplay that reflected some of Reed's teenage experiences. Hardwicke had known Reed since she was five years old, as she had been in a relationship with Reed's father. After the relationship ended, she continued to stay close with Reed. Hardwicke said "I