Hunting High and Low is the debut studio album by Norwegian new wave band A-ha, released on 1 June 1985 in the United States and 28 October 1985 in the United Kingdom by Warner Bros. Records. The album was a huge commercial success, reaching high positions on charts worldwide and peaking at number 15 on the US Billboard 200. The album was recorded at Eel Pie Studios in Twickenham, London, and produced by Tony Mansfield, John Ratcliff and Alan Tarney. In all, five singles from the album were released, though not all were released internationally: "Take On Me", "Love Is Reason", "The Sun Always Shines on T.V.", "Train of Thought" and "Hunting High and Low". The group was nominated for Best New Artist at the Grammy Awards in 1986, making A-ha the first Norwegian band to be nominated for a Grammy. As part of a re-release of their first two albums, Hunting High and Low was expanded and remastered in 2010. Music "Take On Me" was the first single released by the band. An early version was recorded and released in late 1984 with an early music video. The song became a No. 3 hit in A-ha's native Norway but failed to chart in the United Kingdom. The band went back into the studio to re-record the song for the Hunting High and Low album, but a second UK release in early 1985 was again ignored. Before releasing their single in the United States, the band undertook the production of a new music video for the song, working with director Steve Barron. Barron had previously created hit videos for Toto, Thomas Dolby, Culture Club and Michael Jackson, but the A-ha video was unlike any of his earlier work. A plot-driven amalgamation of live-action and rotoscope-style animation by husband-and-wife team Michael Patterson and Candace Reckinger, it drew inspiration from Patterson's animated film Commuter and the film Altered States. The innovative video for "Take On Me" was first broadcast on local Boston music video station V-66, and soon after given heavy rotation on MTV. The single debuted in Billboard the week of 13 July 1985, and was heading into the U.S. top twenty when it was given an international release, including a second release in Norway and a third shot at the UK market. It hit number one on the Billboard Hot 100 in the United States, spending 27 weeks on the