Benno Schotz (28 August 1891 Arensburg, Livonia, Russian Empire – 11 October 1984 Glasgow, Scotland) was an Estonian-born Scottish sculptor, and one of twentieth century Scotland's leading artists. Biography Early life Schotz was the youngest of six children of Jewish parents, Jacob Schotz, a watchmaker, and Cherna Tischa Abramovitch. He was educated at the Boys Grammar School of Pärnu, Estonia. Later he studied at the Grossherzogliche Technische Hochschule in Darmstadt, Germany. In 1912, he immigrated to Glasgow, where he gained an engineering diploma from the Royal Technical College. From 1914 to 1923 he worked in the drawing office of John Brown and Company, a Clydebank shipbuilders, while attending evening classes in sculpture at the Glasgow School of Art. Artistic career Schotz became a full-time sculptor in 1923. An important early patron was the Dundee art collector William Boyd, thanks to whose influence both Dundee Dental School and Dundee Art Galleries & Museums hold pieces by him. From this point onwards his reputation grew and he became a full member of the Royal Scottish Academy, head of sculpture at the Glasgow School of Art (a post he held from 1938 until his retirement in 1961), and eventually was appointed the Sculptor in Ordinary for Scotland in 1963. His pupils included the artists Hannah Frank, Stewart Bowman Johnson, and Inge King (née Neufeld). His homes at West Campbell Street and later Kirklee Road were a focus for meetings of artists, writers, actors, and politicians. He was also a member of Glasgow Art Club. He also helped refugees such as Jankel Adler and Josef Herman. He was a committed Zionist, and also proud of his adopted Scotland. He worked until a few weeks before his death at the age of 93. He was buried in Jerusalem. He was made a Freeman of the City of Glasgow in 1981. In that same year, Gordon Wright published his autobiography, Bronze in My Blood. Work During his career, Schotz produced several hundred portraits and compositions including figure compositions, religious sculptures, semi-abstracts and modelled portraits. His bust of James Maxton is on public display at the Maxton remembrance garden in Barrhead near Paisley. Other publicly accessible work includes: Memorial to Provost John Jarvie of Kilsyth, first freeman of the burgh, commissioned in 1954 is a portrait in relief and can be seen in John Jarvie Square, off East Burnside Street, Kilsyth. The Psalmist (1974) in the T