After its unveiling in 1886, the Statue of Liberty (Liberty Enlightening the World), by Frédéric Auguste Bartholdi, quickly became iconic, and began to be featured on posters, postcards, pictures and books. The statue's likeness has also appeared in films, television programs, music videos, and video games, and has been used in logos, on postage stamps and coins, and in theatrical productions. Liberty Enlightening the World remains a popular local, national, and international political symbol of freedom. Books and stories The 1911 O. Henry story, "The Lady Higher Up", relates a fanciful conversation between "Mrs. Liberty" and the Madison Square Garden Diana statue by Augustus Saint-Gaudens. In the story, Diana asks "Mrs. Liberty" why she speaks with what Diana terms a "City Hall brogue." Liberty answers: "If ye'd studied the history of art in its foreign complications ye'd not need to ask. If ye wasn't so light-headed and giddy ye'd know that I was made by a Dago and presented to the American people on behalf of the French Government for the purpose of welcomin' Irish immigrants into the Dutch city of New York." In Amerika by Franz Kafka, the author inaccurately depicts the statue as holding aloft a sword rather than a torch. During the 1940s and 1950s, the iconography of science fiction in the United States was filled with images of ancient, decayed Statues of Liberty, set in the distant future. The covers of famous pulp magazines such as Amazing Stories and Astounding Science Fiction all featured Lady Liberty at one time, surrounded by ruins or by the sediments of the ages, as curious aliens or representatives of advanced or degenerate humans of the future gazed upon her remains. The February 1941 cover of Astounding showed a primitive man and woman approaching on a raft a Statue of Liberty surrounded by wild growth. In the final scene of Maggie-Now (1958) by Betty Smith, two characters scatter Maggie's late husband's ashes from the statue's torch. Jack Finney's 1970 novel Time and Again takes advantage of the presence, in 1882, of just the arm and torch of the statue in Madison Square Park – where they were exhibited to help raise funds for the pedestal – for an important plot development. The final chapter of Roald Dahl's James and the Giant Peach (1981) reveals that "The Glow-worm became the light inside the torch on the Statue of Liberty, and thus saved