The Odd Angry Shot is an 1979 Australian war comedy film written, directed and produced by Tom Jeffrey (with Sue Millikin). It is based on the book of the same title by William Nagel, and follows the experiences of Australian soldiers during the Vietnam War. The movie, which was shot on location in New South Wales and Canungra, Queensland, traces the tour of duty of an Australian Special Air Service Regiment reconnaissance team from their departure to their return home to Australia. It avoids much of the political comment on Australia’s involvement in Vietnam, unlike Hollywood films which tend to explore the rights and wrongs of the Vietnam War. The film focuses on the soldiers in their cantonments away from the battlefield, where they spend the bulk of their time playing cards, smoking, drinking beer, nursing their tinea, making jokes and messing about with American forces. The film also contains some small scale battle scenes. When the men return to Australia, they reflect on how both they and the general Australian society have changed. The film was sold to several countries including the US, Denmark, Finland, Germany, Norway and Greece. Plot Bill, a young new recruit in the Australian Special Air Service, arrives for his year-long tour of duty in Vietnam. Other members of his section include Harry, the section's Corporal and the oldest and most worldly-wise of the group, along with Bung, Rogers, Dawson and Scott. The close-knit group cope with their circumstances with a mixture of humour, cheek, practical jokes and copious quantities of beer. Harry has an ongoing verbal feud with the squadron cook over the questionable quality of the food. During the first weeks of their stay in Vietnam, their biggest enemies are mud, boredom, tinea and the never-ending torrential rains. However the real war strikes suddenly one night when an enemy mortar barrage hits their camp, causing a number of casualties. The patrols first operation takes place shortly afterwards; a short sharp engagement in the dense jungle, which leaves Scott mortally wounded and one wounded Viet Cong who escapes. This encounter sets the tone for the remainder of their tour. Long, exhausting patrols which are periodically interrupted by short savage encounters with either the enemy, mines or booby-traps. Back at camp, the men resort to anything to pass the time and keep fear and grief at bay, including drunken brawls, a practical joke on the