to a soap. But I'm so pleased I did, it was the right decision. Especially with what's going on at the moment, I feel really lucky to have a job and I need the security because of Kiki. I was just going to go back for a year, but I had a meeting with the boss last week and we're going to go for another year. So lots more time to get up to much mischief". Executive producer Diederick Santer said, "I couldn't be more pleased that Charlie Brooks is re-joining EastEnders. With her appearances last month, she reminded us what a fine actress she is, and what an intriguing, watchable and engaging character she plays as Janine". She temporarily departed in September 2012, and returned in April 2013 before departing again in March 2014. In April 2021, it was announced that Brooks had agreed to reprise the role once again for a "huge storyline" and would return later in the year. She made her on-screen return in September 2021. Brooks appeared in her 1,000th episode as Janine on 10 February 2022. All in a Row In January 2019, it was announced that Alex Oates's play All in a Row, starring Brooks as Tamora, the mother, was going to be produced by Paul Virides Productions at the Southwark Playhouse. The play is based on Oates' ten years of experience caring for severely autistic children and adults, and won the Top Five Play Reading at the Bolton Octagon. The play is about the parents of a profoundly autistic eleven year old boy and how they are feeling the night before he is taken to a residential school, when social services feel he needs more support than can be given in their family home. Criticisms of the play started to emerge when a video trailer for the production was released showing the autistic character, Laurence, portrayed by a puppet. Journalist Frances Ryan, without having seen it, criticised the play by calling it a "grotesque step backwards". The National Autistic Society, who initially decided to help the production by providing consultation, reacted to the Twitter furore by releasing a statement saying "while recognising some of the play's strengths, we decided we could not support the play overall due to its portrayal of autism, particularly the use of a puppet to depict the autistic character alone." Brooks responded by saying: "I understand people's concerns,