on Warner Music Canada's roster to sell more than 100,000 copies each of four albums in Canada. In 1973 the band was awarded platinum albums in Canada for Love It to Death, Killer, School's Out, and Billion Dollar Babies. The album first appeared on CD in October 1990. The original cover shows the long-haired band members in dresses and makeup, and Cooper holding a cape around himself with his thumb sticking out to give the illusion of an exposed penis. This led Warner Bros. to censor it—first that December by covering it with white strips, then by having the photo touched up with paint in pressings beginning in 1972. Both front and back cover photos were taken by Roger Prigent, credited as "Prigent". The gatefold features a close-up photo by Dave Griffith of Cooper's eyes heavily made-up with spidery eyelashes; in his pupils appear photos of the other band members. "Caught in a Dream" was released as a single backed with "Hallowed Be My Name" on April 27, 1971; it peaked in the US at . The group supported the album with extensive touring. "Ballad of Dwight Fry" was a dramatized set piece in the live show, featuring an actress dressed as a nurse who dragged Cooper offstage and brought him back on straitjacketed in time for the second verse's "Sleepin' don't come very easy / In a strait white vest". At the song's climax, Cooper would break free of the straitjacket and hurl it into the audience. The Love It to Death tour of 1971 featured an electric chair in the earliest staged executions of the singer. These executions were to become an attraction of the band's shows, which became progressively more flamboyant; the shows in the Billion Dollar Babies tour of 1973 concluded with Cooper's execution by prop guillotine. The Love It to Death tour grossed so much the band bought a forty-two room mansion from actress Ann-Margret in Greenwich, Connecticut, which was to be its home base for the next few years. In contrast to the first two albums, which have been entirely unrepresented in Cooper's band and solo concerts since the release of Killer, Love It to Death is the fourth-most-represented album in these setlists, behind Welcome to My Nightmare, Billion Dollar Babies and Killer. Nevertheless, Love It to Death strong concert representation is almost entirely due to three songs—"I'm Eighteen", "Is It My Body" and