The Suburbs are an alternative punk rock/funk/new wave band from Minneapolis, Minnesota that was popular in the late 1970s and 1980s. The band frequently headlined at Minneapolis's most influential music clubs, including Jay's Longhorn Bar and First Avenue. Band history The Suburbs were formed in the western suburbs of Minneapolis in November 1977 following introductions by Chris Osgood of the Suicide Commandos. Following live performances, they released The Suburbs on the Twin/Tone label (the label's first release) in early 1978. The record was a nine-song 7-inch red vinyl EP. The band also saw two songs, "Urban Guerrillas" and "Ailerons O.K.", included on the compilation Big Hits of Mid-America, Volume Three. Guitarist Bruce C. Allen did the art direction for the compilation. After building a following playing basement parties, the Suburbs had their first major success at influential Minneapolis punk/New Wave nexus Jay's Longhorn Bar; drummer Hugo Klaers said that after getting regular gigs at the venue, "we went from nobodies to this super popular band. It was just crazy. The Longhorn shows were always packed." One notable audience member at the Suburbs' shows was Bruce Springsteen, then on tour supporting his album The River, who was so impressed with the band that he nearly joined them on stage for an encore. The band's popularity increased during the early to mid-1980s, and during this time, their new wave dance sound, eclectic lyrics, and stage presence gained a following that broke out of the Midwest and reached both coasts. In 1980 Twin/Tone released their first full-length LP, In Combo. The single "World War III" (and its B-side, "Change Agent") showed development of the band's songwriting abilities and improved sound. A year later, they released the double album Credit In Heaven which added elements of jazz, funk, and disco to the mix. The single "Music for Boys" was taken from the record and became a radio hit. In 1982, the band released the 12-inch single "Waiting", which frequently found its way onto dance club playlists. The EP Dream Hog followed on Twin/Tone, featuring three new songs and a remix of "Waiting" on the B-side, all produced by Steven Greenberg of Funkytown and Lipps Inc fame. Greenberg then brought the Suburbs to the attention of Phonogram Inc. in 1983. Phonogram started by re-issuing Dream Hog on the Mercury label. Keyboardist/vocalist Chan Poling commented, "We love what Twin/Tone did for us, but we've always wanted