Clement William Scott (6 October 1841 – 25 June 1904) was an influential English theatre critic for The Daily Telegraph and other journals, and a playwright, lyricist, translator and travel writer, in the final decades of the 19th century. His style of criticism, acerbic, flowery and (perhaps most importantly) carried out on the first night of productions, set the standard for theatre reviewers through to today. Scott accumulated enemies among theatre managers, actors and playwrights as years went on, picking quarrels with William Archer, Ibsen, George Bernard Shaw and others. After he gave a particularly ill-considered 1898 interview, in which he attacked the morals of theatre people, especially actresses, he was forced to retire as a theatre critic and his reputation and prospects suffered badly until, by the end of his life, he was impoverished. Life and career Born the son of William Scott, the perpetual curate of Hoxton in north London, Scott converted to Roman Catholicism before his 21st birthday. Educated at Marlborough College, he became a civil servant, working in the War Office beginning in 1860. Early career Encouraged to write by the humourist Tom Hood the younger, who also was a clerk in the War Office, Scott contributed to The Era, Weekly Dispatch, and to Hood's own paper, Fun, where Scott and W. S. Gilbert were colleagues. Scott's interest in writing and the theatre led him to brief dalliance with the failed Victoria Review. He became the dramatic writer for The Sunday Times in 1863 but held the position for only two years because of the intemperance of his published opinions and his unpopular praise of the French theatre. In 1871, Scott began his nearly thirty years as a theatre critic with The Daily Telegraph. He also contributed regularly to The Theatre, a magazine that he edited from 1880 to 1889, and wrote sentimental poetry and song lyrics (including "Oh Promise Me"), which were often published in the magazine Punch by his friend, the editor, F. C. Burnand. Scott continued to work at the War Office until 1879, when he finally decided to earn his living entirely by writing. As well as criticism, Scott wrote plays, including The Vicarage, The Cape Mail, Anne Mié, Odette, and The Great Divorce Case. He wrote several English adaptations of Victorien Sardou's plays, some of which were written in collaboration with B. C. Stephenson, such as Nos intimes (as Peril) and