song to pieces—we blast it while decorating our Christmas tree and lighting our Menorah." Kyle Anderson from MTV labeled the track "a majestic anthem full of chimes, sleigh bells, doo-wop flourishes, sweeping strings and one of the most dynamic and clean vocal performances of Carey's career". Music & Media commented, "Phil Spector's Christmas album has been the main inspiration for this carol in a "Darlene Love against the wall of sound" tradition." Music Week wrote, "Mariah meets Phil Spector, some chimes and the inevitable sleigh-bells; this is everything you would expect from a Mariah Carey record." In a 2006 retrospective look at Carey's career, Sasha Frere-Jones of The New Yorker said, the "charming" song was one of Carey's biggest accomplishments, calling it "one of the few worthy modern additions to the holiday canon". Dan Hancox, editor of The National, quoted and agreed with Jones' statement, calling the song "perfection". According to Barry Schwartz from Stylus Magazine, "to say this song is an instant classic somehow doesn't capture its amazingicity; it's a modern standard: joyous, exhilarating, loud, with even a hint of longing." Schwartz praised the song's lyrics as well, describing them as "beautifully phrased," and calling Carey's voice "gorgeous" and "sincere." Chart performance North America In the United States, in the first week of January 1995, "All I Want for Christmas Is You" peaked at No. 6 on the Billboard Hot Adult Contemporary and at No. 12 on the Hot 100 Airplay chart. The song placed on these two charts again in December 1995 and in December 1996. The song was ineligible for inclusion on the Billboard Hot 100 during its original release, because it was not released commercially as a single in any physical format. This rule lapsed in 1998, however, allowing the song to chart on the Billboard Hot 100 (appearing for one week, at No. 83 in January 2000). The song topped the Billboard Hot Digital Songs chart in December 2005, but it was unable to attain a new peak on the Billboard Hot 100 chart because it was considered a recurrent single and was thus ineligible for chart re-entry. Every December from 2005 to 2008, the song topped the Billboard Hot 100 Re-currents chart. In 2012, after the recurrent rule was revised to allow all songs in the top 50 onto the Billboard Hot 100 chart, the single re-entered the chart at No. 29 and peaked