Christian bands. While bands like Petra and Resurrection Band spent the '70s perfecting a heavy rock'n'roll, ASFB ploughed a blusier furrow with ace blues guitarist Glenn Schwartz exemplifying his renowned skills. One joy is the fact that they wrote songs that were simple in their message. These are songs to get people to think about the Gospel, an art that seems to be missing in modern Christian music. These recordings are very much of their time so they are a little ragged around the edges production wise but the band certainly fulfilled their ambition to create music that would stop people in their tracks and make them respond to the Gospel." The 2006 Emmy-nominated documentary, Lonnie Frisbee: Life and Death of a Hippie Preacher, by David Di Sabatino features two songs by the All Saved Freak Band ("Sower" and "My Poor Generation"), and the soundtrack to the documentary also included "Ode To Glenn Schwartz". Ministry The All Saved Freak Band played throughout the eastern portion of North America and Canada. As guests of the city of New Orleans, they played and testified at Mayor Moon Landrieu's private Mardi Gras reception held at City Hall, playing in Jackson Square and other venues during the day. ASFB also performed at the 1976 Summer Olympics in Montreal, playing as headliners at the Man and His World pavilion. Following a series of concerts at "Spring Break" in Fort Lauderdale, national publications as diverse as Christianity Today, Rolling Stone Magazine and the National Courier began carrying articles about the group. Several of the band members were credentialed ministers, licensed with the Full Gospel Fellowship of Churches and Ministers International in Irving, Texas. With evangelistic fervor, they were obsessively focused on the work of "winning the lost," stressing personal evangelism at all concert events. Indian reservations in Canada, mental institutions in Maine, prisons in Ohio, rotundas and halls of State office buildings, International Exposition Halls, camps of migrant workers, tents at County Fairs, Churches in most states east of the Mississippi, open-air platforms, Music Halls, military bases, colleges, amphitheaters, nursing homes, parking lots, street corners and hay lofts ― the band's flexibility allowed it to present a variety of musical expressions best serving the needs of evangelism. Creating their own label, Rock the World Enterprises [changed to War Again on the final recording], the group was entirely self-financed. Discography My Poor Generation, 1973 (Rock The World)