of his colleagues, on March 14, 1953, vice president of A&R at Capitol Alan Livingston signed Sinatra to a seven-year deal. The deal proved to be a success; later that year in August, Sinatra appeared as Private Angelo Maggio in the film From Here to Eternity. The film was successful and his performance was acclaimed, winning the Academy Award for Best Supporting Actor and the Golden Globe Award for Best Supporting Actor. With this new popularity he recorded two 10” LP albums, Songs for Young Lovers and Swing Easy!, which both peaked at number three on the Billboard album chart, with the latter reaching number five on the UK Album Charts. His performance as the lead character in The Man with the Golden Arm earned him nominations for Best Actor at the Academy Awards and the BAFTA awards. Relationship troubles By the time he recorded In the Wee Small Hours, Sinatra witnessed the end of several relationships. He and his first wife, Nancy Barbato, separated on Valentine's Day 1950. While still married, he began a relationship with Ava Gardner. After he and Barbato divorced in October 1951, he married Gardner ten days later. But they were both jealous of the other's extramarital affairs. The relationship deteriorated during the recording of Songs for Young Lovers. Despite considerable influence in getting him a part in From Here to Eternity, Gardner left Sinatra two months after the release of the film, divorcing in 1957. She said, "We don't have the ability to live together like any normal married couple." It is assumed that this album's grouping of "love gone bad" songs, and Sinatra's poignant renderings, were a direct result of Sinatra's failing relationship with Gardner, to the point that these are called "Ava Songs". Riddle credited Sinatra's loss of Gardner with his ability to sing the type of songs contained in this album. The failure of this relationship did not shatter Sinatra but instead caused him to sing more emotionally. In the midst of these personal disturbances, Sinatra began selecting songs for a new album. He would rehearse each one of them reiteratively at home with Bill Miller, his pianist. Recording The album was designed as a concept album. Albums from the time period tended to be little more than collections of singles, but Sinatra developed a distinction between songs intended as singles for radio airplay and for jukeboxes, and those songs he