CalArts graduates hired by John Kricfalusi to work on Mighty Mouse: The New Adventures at Ralph Bakshi's studio. After being rejected by Disney three times, Stanton was hired by Pixar's animation group in 1990 as its second animator (John Lasseter being the first) and ninth employee. Back then Pixar was not yet an animation studio, and their animation group was dedicated to making television commercials as a step towards their goal of making the first computer-animated feature. Stanton, Lasseter and Pete Docter drafted the original treatment for Toy Story, which bore little resemblance with the eventually finished film. After production of the film was shut down in late November 1993 following a disastrous test screening, Stanton retreated into a windowless office and extensively reworked the script with help from Joss Whedon. The resulting screenplay was nominated at the Academy Awards for Best Original Screenplay, the first nomination in that category for an animated film. Following Toy Story, Lasseter asked Stanton to help him direct and write Pixar's next feature A Bug's Life. Early in the film's production, the film had difficulty incorporating the circus bug's portion of the story and the main character (Flik's) portion of the story. In a day, Stanton was able to write a screenplay that tied both concepts together. In 1999, Stanton returned to write Toy Story 2, the critically acclaimed sequel to Toy Story, and also voiced Emperor Zurg. He would then go on to write Monsters, Inc.. Docter, the director of Monsters, Inc., would cite him many times as the originator of the idea that monsters generated screams to use to power their city. Stanton made his solo directorial debut in 2003 with Finding Nemo. He took inspiration from his own role as a father and how he was overprotective of his son. Stanton directed, wrote and voiced Crush the sea turtle in the film. Just like Toy Story before it, Michael Eisner was not confident in the film and predicted it would fail. During this time Stanton and other Finding Nemo co-writer Bob Peterson developed the storytelling theory of "2+2", to not give the audience the full picture but rather halves and have them put the film together. The film turned out to be an enormous success becoming the highest-grossing film of 2003 and the highest grossing animated film of that time period, beating out The Lion King. He won his first Academy