Charles Herbert Woodbury (July 14, 1864 – January 21, 1940), was an American marine painter. Biography Charles H. Woodbury was born in Lynn, Massachusetts, where his earliest work was part of the oeuvre of the group later known as the Lynn Beach Painters. While an undergraduate at MIT he became a regular exhibitor at, and at 19 the youngest member of, the Boston Art Club . After graduation from the Massachusetts Institute of Technology (with degree in Mechanical Engineering), in 1886 Woodbury had great success painting up the New England coast and in the towns and beaches of Nova Scotia and exhibiting the results. From January to June 1891 he was a pupil of the Académie Julian in Paris, after which he went to Holland, where he studied the techniques of the modern Dutch painters. Upon his return to New England he settled in Boston for his winter studio and spent his summers in the small fishing village of Ogunquit, Maine; there he founded one of the most successful of the summer art colony schools that even survived his death. In 1928, Woodbury (along with Gertrude Fiske and a group of other area-artists) founded the Ogunquit Art Association. Woodbury was one of the most sought-after teachers of his generation, having begun teaching on a regular basis while a freshman at M.I.T. Ironically, he had little formal training himself other than a few months of classes at the Academy Julian in Paris. Like Winslow Homer, another New England painter with an affinity for summers in Maine, he preferred "to work out his salvation with little help from others in his profession". Nevertheless, Woodbury maintained a close friendship with John Singer Sargent and a pleasant acquaintance with many of his contemporaries including J. Alden Weir and Childe Hassam. He was president of the Boston Watercolor Society, and became associate of the National Academy of Design, New York in 1906 and a full member in 1907. His wife, Marcia Oakes Woodbury, born in 1865 at South Berwick, Maine, also became known as a painter. She died at the age of 49 in 1913. He maintained a strong and consistent vision in his more than fifty years of professional life and became a master of compositions of the coast and sea. Woodbury’s many on-the-spot sketches and etchings produce a sense of motion through quick, sure-handed strokes. Seeing and understanding movement was fundamental to his