1997 before also disbanding, with some members later forming rock band The Servant. With all the core bands and major London clubnights now defunct (or at least no longer in their Romo incarnations), the Romo scene effectively came to an end. Legacy In Romo's wake over the next several years came a fresh wave of glam/style orientated clubnights. One of the first of these was Club Kitten, the successor to Club Skinny, based at the latter's old location of HQ's in Camden and featuring Stuart Miller as DJ. Club Kitten, together with The Pony Club in Regent Street, became the hub for a late Romo/post-Romo "New Glam" scene featuring Persecution Complex and post-DexDexTer Xavior. Another important post-Romo club was Stay Beautiful, run by Simon Price at various London locations from 2000–2009 and in Brighton 2011-2016. Several other Romo musicians ran glam/style orientated club nights – notably Minty vocalist Mathew Glammore's "Kashpoint" (at a January 2004 instalment of which Glammore performed a medley of old Minty songs and a March 2005 instalment of which featured a Minty reunion), Xavior's "Hanky Panky Kabaret" clubnight (and associated meetings in London's Wolsey restaurant) and Dickon Edwards' "Beautiful And Damned" and "Against Nature". Wilde and Nugent would later unleash another scene – the Club Rampage/Club P*rnstar "Bratpop" scene in late 1998 (also the beneficiary of a Melody Maker cover special). Other promoters also hosted such glam/style-orientated clubnights in the 2000s – most notably Glam-Ou-Rama, which later relocated to Tel Aviv. Romo Night in Sweden, first established in 1996 during the original London scene's lifetime, was still active as of 2003. Romo was also frequently cited as a precedent for (if not actually an influence on) the electroclash scene of the early 2000s. The Disciples by James Mollison, a book of photographs of music fans, includes a spread of photos of fans at a London concert by major electroclash act Fischerspooner, mostly dressed in Romo-style attire (one of whom is Simon Price). Writing and production team Xenomania, who became critically and commercially successful in the 2000s for their work with groups such as Girls Aloud and Sugababes, started out as remixers for songs by several Romo bands, including Hollywood's "Apocalypse Kiss" and Sexus' "How Do You Kiss?". According to Tom Ewing of Freaky Trigger, writing in 2003, Xenomania's Romo roots could be heard in their then-current work. Writing in 2004 in regards to Xenomania's commercial success,