group rather than an individual. However, two days following the record's release, Private Stock discovered the existence of another Big Apple Band (which promptly changed its name to Chic). As result, the record was later re-released and credited to "The Walter Murphy Band", then just "Walter Murphy". Following the success of "A Fifth of Beethoven", Murphy toured with his band and made guest appearances on shows such as Don Kirshner's Rock Concert, The Midnight Special, Dinah!, and American Bandstand. On the success of the single, he said: "It's really sad that the kids today can only relate to Beethoven via a rock version of his music." He hoped "that maybe if they've heard this much of his symphony, they'll go out and buy the original." In 1977, "A Fifth of Beethoven" was licensed to RSO Records for inclusion on the soundtrack to the film Saturday Night Fever, giving the song a new lease on life. Also that year, Murphy recorded the album Rhapsody in Blue, which contained a similar mix of classical-disco fusion and self-penned pop songs. Two singles were released: a disco treatment of George Gershwin's "Rhapsody in Blue", and the self-penned instrumental "Uptown Serenade." The former narrowly missed the top 100, but received significant play on easy-listening stations, according to Billboard. In 1978, Murphy recorded the album Phantom of the Opera, a concept album telling the story of The Phantom of the Opera, featuring Gene Pistilli as Erik/The Phantom, B.G. Gibson as Raoul, and Renée Geyer as Christine. The album spawned three singles: "Dance Your Face Off"/"Gentle Explosion" (a double A-side), "Toccata and Funk in 'D' Minor", and "The Music Will Not End". The latter was a Top 40 hit, but the former failed to make the club or radio charts. 1979–1982: RCA and MCA years, Uncle Louie Murphy signed on to RCA in 1979, and released the album Walter Murphy's Discosymphony. The album spawned the singles "Bolero" and "Mostly Mozart"; the latter failed to chart, indicating that Murphy had taken the "classical disco" concept as far as it could go. Also in 1979, Murphy and Gene Pistilli joined with brothers Eddie and Frank Dillard, forming the band Uncle Louie. They signed on to TK Records and released one album, Uncle Louie's Here, which explored a more aggressive, funk-based angle than Murphy's solo albums. The album spawned three singles: "Full-Tilt Boogie", which reached number 19 on the Billboard