"It's All About the Benjamins", which featured Jadakiss as part of The Lox alongside Diddy, Lil' Kim and The Notorious B.I.G. Five of the tracks on disc two - "Breakdown" (1997), "Sweetheart" (1998), "Crybaby" (1999), "Miss You" and "I Know What You Want" - are not remixes at all. All three of Carey's record labels - Columbia Records, Virgin Records and Island Records - agreed to license tracks for the album, while "I Know What You Want" was licensed from J Records. Critical reception Music critics opined on the release of a remix album and the remixes themselves. Kevin C. Johnson of the St. Louis Post-Dispatch considered a remix album better than another greatest hits compilation, the Malay Mails Yushaimi Yahaya said it was "a commercial strategy to sell old songs", and R. S. Murthi of the New Straits Times felt it indicated Carey was "desperate to boost flagging sales". Reviewing for Slant Magazine, Sal Cinquemani thought Carey's enthusiasm for the project disproved the latter's notions. He viewed the album as suited to dedicated fans rather than general audiences, as did Yahaya and Billboards Michael Paoletta. Apart from "Emotions", Scott Iwasaki of the Deseret News considered the remixes "just as boring as the originals". In contrast, Johnson felt the remixes enhanced Carey's songs as they "lacked flavor" in their original forms. Tom Harrison of The Province said some songs make "radical departures" from the originals. AllMusic's William Ruhlmann agreed, stating, "in many cases, the songs as initially heard are virtually unrecognizable". Reviewers wrote about both the dance and hip-hop discs. Derek Ali of the Dayton Daily News described the first as monotonous and The Denver Posts Elana Ashanti Jefferson questioned whether "the remix process entailed adding stale house beats and club sirens." Cinquemani thought some songs sound dated but praised Carey for re-recording her vocals. In contrast, Paoletta felt David Morales's production on disc one "remains fresh and alive" and New York Times music critic Kelefa Sanneh considered it complementary of Carey's voice. Sanneh thought disc two songs remixed by Jermaine Dupri were of lesser quality and chose "Breakdown" and "Miss You" as highlights for the dynamic between Carey and rappers. Jefferson thought the "vast pool of talent and influence" that went into producing tracks on disc two made the album worth more than one listen. Referencing the samples and rappers present, Ali chose "Fantasy", "Thank God I Found You",