1950: Grant of 100,000 marks, the Sibelius Fund 1952: Grant of 100,000 marks, the Sibelius Fund 1957: Member, the Finnish delegation to the Second Assembly of the Composers' Union of the USSR 1958–61: Member of the Board, the Society of Finnish Composers 1959–61: Member, the Academy of Finland 1961: First Vice-chairman, the Kalevala Society Select list of compositions Symphonies Symphonie enfantine (Children's Symphony), for chamber orchestra, Op. 17 (1928); three movements Symphony No. 1, for orchestra (1937–38); four movements Symphony No. 2, for orchestra, Op. 35 (1945); four movements Concertante Piano Concerto No. 1, (Night in Montmartre), for piano and orchestra , Op. 8 (1925); three movements Tšeremissiläinen fantasia (Cheremissian Fantasy), for cello and orchestra, Op. 19 (1931); two movements Introduction e Staccato etude, for trumpet and chamber orchestra (1931–32) Esquisse, for violin and strings (1932) Intermezzo, for cor anglais and chamber orchestra (1937) Violin Concerto, for violin and orchestra, Op. 32 (1939–43; rewritten 1954); three movements Piano Concerto No. 2, for piano and strings, Op. 41 (1950); three movements (Theme with Seven Variations and Coda), for cello and orchestra, Op. 44 (1953–54) Music for stage (Desire Under the Elms), incidental music for clarinet, trumpet, violin, and piano (1930); play by Eugene O'Neill Arranged in 1931 by Klami as Rag-time and Blues, a quintet for the above instruments plus an additional violin (The Prodigal Son), incidental music for male voice, choir, flute, clarinet, piano and strings (1945); play by Marin Držić (translation to Finnish by Jalo Kalima) Pyörteitä (Whirls), unfinished ballet ("symbolic dance scenes") in three acts based on the Sampo legend from The Kalevala (1957–61): Act I survives as a piano score by Klami (1958; orchestral score believed lost); it was orchestrated by the Finnish composer Kalevi Aho in the late 1980s and premiered in 1988 Act II (intended as a divertissement) is the only of the three acts that survives in Klami's orchestration; in 1960, he excerpted two ballet suites Act III is either lost or was never written Voice and orchestra Psalmus, oratorio in two parts for soprano, baritone, mixed choir, organ, and orchestra (1932–36); text by Juhana Cajanus (In the Belly of Vipunen), symphonic poem (?) for baritone, male choir, and orchestra (1938); text from The Kalevala (Song of Lake Kuujärvi), ballad for baritone and orchestra (1956); text by Yrjö Jylhä (The Bearer of the Golden Staff), cantata in four parts for soprano, baritone, mixed choir,