would go to the Louvre in his will. However, after Doucet died in 1929 he did not leave the painting to the Louvre in his will, and it was sold like most of Doucet's collection through private dealers. In November 1937 the Jacques Seligman & Co. art gallery in New York City held an exhibition titled "20 Years in the Evolution of Picasso, 1903–1923" that included Les Demoiselles. The Museum of Modern Art acquired the painting for $24,000. The museum raised $18,000 toward the purchase price by selling a Degas painting and the rest came from donations from the co-owners of the gallery Germain Seligman and Cesar de Hauke. The Museum of Modern Art in New York City mounted an important Picasso exhibition on 15 November 1939 that remained on view until 7 January 1940. The exhibition, entitled Picasso: 40 Years of His Art, was organized by Alfred H. Barr (1902–1981), in collaboration with the Art Institute of Chicago. The exhibition contained 344 works, including the major and then newly painted Guernica and its studies, as well as Les Demoiselles. Legacy In July 2007, Newsweek published a two-page article about Les Demoiselles d'Avignon describing it as the "most influential work of art of the last 100 years". Art critic Holland Cotter argued that Picasso "changed history with this work. He'd replaced the benign ideal of the Classical nude with a new race of sexually armed and dangerous beings." The painting is prominently featured in the 1993 Steve Martin play Picasso at the Lapin Agile, about a fictional meeting of the young Picasso and Albert Einstein in a Paris cafe, and in the 2018 season of the television series Genius, which focuses on Picasso's life and work. Painting materials In 2003, an examination of the painting by x-ray fluorescence spectroscopy performed by conservators at the Museum of Modern Art confirmed the presence of the following pigments: lead white, bone black, vermilion, cadmium yellow, cobalt blue, emerald green, and native earth pigments (such as brown ochre) that contain iron. Notes References Blier, Suzanne Preston. "Picasso's Demoiselles: The Untold Origins of a Modern Masterpiece." Durham, N.C.: Duke University Press. 2019. Blunt, Anthony & Pool, Phoebe. Picasso, the Formative Years: A Study of His Sources. Graphic Society, 1962. Cooper, Douglas. The Cubist Epoch. Phaidon Press, in association with the Los Angeles County Museum of Art and the Metropolitan Museum of Art, 1970. Edwards, Steve