Madame Thérèse Defarge is a fictional character and the main antagonist of the 1859 novel A Tale of Two Cities by Charles Dickens. She is a ringleader of the tricoteuses, a tireless worker for the French Revolution, memorably knitting beside the guillotine during executions. She is the wife of Ernest Defarge. Some historians have suggested that Dickens based Defarge on Anne-Josèphe Théroigne de Mericourt, a revolutionary who played a key role in street demonstrations. She is one of the main villains of the novel, obsessed with revenge against the Evrémondes. She ruthlessly pursues this goal against Charles Darnay, his wife, Lucie Manette, and their child, for crimes a prior generation of the Evrémonde family had committed. These include the deaths of her nephew, sister, brother, father and brother-in-law. She refuses to accept the reality that Charles Darnay changed his ways by intending to renounce his title to the lands to give them to the peasants who worked on them. After Charles's arrogant and snobbish uncle becomes the Marquis St. Evrémonde, the marquis's arrogance causes the death of an innocent child, which makes him hated and helps legitimize Defarge's rage. Her consuming need for revenge against the Evrémonde family, including the innocent Darnay and his wife, brings about her death by her own weapon at the hands of Miss Pross. Reception Defarge symbolises several themes. She represents one aspect of the Fates. The Moirai (the Fates as represented in Greek mythology) used yarn to measure out the life of a man, and cut it to end it; Defarge knits, and her knitting secretly encodes the names of people to be killed. Defarge also symbolises the nature of the Reign of Terror during the French Revolution in which radical Jacobins engaged in mass political persecution of all real or supposed enemies of the Revolution who were executed on grounds of sedition to the new republic with the guillotine, particularly targeting people with aristocratic heritage. Defarge often has been dismissed as a one-dimensional embodiment of 'the Terror'; however, some scholars argue that her character is much more complex than this association implies. Defarge's desire for revenge ultimately stems from the rape of her sister at the hands of the aristocratic Evrémonde brothers, and Teresa Mangum therefore suggests that "the logic driving her story is that the secret crime of sexual violence against women fuels the French Revolution". Portrayals in film and theatre In