green silk taffeta, along with decorative motifs woven in blue, white, red, and gold thread. Its visual layout shares other general similarities with the so-called Banner of Las Navas de Tolosa from the earlier Almohad period (13th century). The central part of the banner is filled with a grid of sixteen green circles containing short religious statements in small cursive inscriptions. This area is contained in turn within a large rectangular frame. The band of the frame is filled with monumental and ornamental inscriptions in white Kufic letters whose style is similar to the Kufic inscriptions carved into the walls of the Marinid madrasas of Fes, which in turn are derived from earlier Kufic inscriptions found in Almohad architecture. These inscriptions feature a selection of Qur'anic verses very similar to those found in the same positions in the Banner of Las Navas de Tolosa (mainly Qur'an 61:10-11). At the four corners of the rectangular band are roundels containing golden cursive letters against a deep blue background, whose inscriptions attribute victory and salvation to God. The whole rectangular band is in turn lined on both its inner and outer edges by smaller inscription bands of Qur'anic verses. Lastly, the bottom edge of the banner is filled with two lines of red cursive script detailing the titles and lineage of Abu Sa'id Uthman and the date of the banner's fabrication. The second banner was made for Abu al-Hasan and is dated, according to its inscriptions, to Jumada II 740 AH (corresponding to either December 1339 or January 1340). It measures 347 by 267 centimeters. It is made with similar weaving techniques as its older counterpart and uses the same overall visual arrangement, although this time the predominant colour is yellow, with details woven in blue, red, gold thread, or different shades of yellow. It features a grand Arabic inscription in cursive letters along its top edge which calls for the victory of its owner, Abu al-Hasan. The central part of the banner once again has sixteen circles, arranged in a grid formation, each containing a small Arabic cursive inscription that repeats either the words "Eternal power and infinite glory" or "Perpetual joy and infinite glory". These circles are in turn contained within a large rectangular frame whose band is occupied by four more cursive inscriptions, of moderate size, which again call for Abu al-Hasan's victory while attributing all victory to God. Four