band album as a whole, the album marked a transition in genre as well. The band's first three albums were characterized as being psychedelic rock and experimental space rock. This album still retains these qualities, but at the same time, moves closer to a more structured, radio-friendly and commercial sound, a style of progressive rock that the band explored in a much stronger way in the band's subsequent albums Stupid Dream and Lightbulb Sun. The album has been described as "...the end of an era, while simultaneously ushering in the dawn of a new age...It contains sprawling, vague instrumental tunes as well as more straightforward, cleverly written songs with a clear-cut song structure. A precursor to Stupid Dream and an epilogue to Porcupine Tree's psychedelic past." PopMatters later reflected that the album would become to be known as the band's krautrock album. Song details The title track of the album, "Signify", actually originated as a demo cover version of a song by the krautrock band Neu! titled "Hallogallo", but upon the band experimenting, evolved into an original song. The album was originally supposed to end with the track "Signify II", but was later trimmed off to shorten the album's overall run-time. The song is still based on the riff from the title track and "Hallogallo", but is less raw, has different segments, and extends to an almost doubled length. It would be released eventually under the compilation album Stars Die: The Delerium Years 1991-1997, and parts of it would be played live in conjunction with the title track, such as is shown on the live album Coma Divine. The track "Every Home is Wired" reflect Wilson's attitude toward the internet at the time, while the track "Dark Matter" was in reference to the dark side of touring in support of album releases. "Every Home is Wired" consists of 37 separate overdubbed vocal tracks. The track "Light Mass Prayers" was written by drummer Chris Maitland and actually features no drumming at all. Demo versions of the tracks "Signify", "Waiting", "Sever" and "Dark Matter" were all included on the b-side and demo compilation album Insignificance, the latter under the title "Sever Tomorrow" and "Dark Origins". Another demo from the era, "Wake as Gun," would ultimately be reused in Wilson's other project, No-Man, for the song "Jack the Sax" (from the 1997 EP Dry Cleaning Ray); in another connection between the bands, the