Orville H. Gibson (May 1856 – August 19, 1918) was a luthier who founded the Gibson Guitar Company in Kalamazoo, Michigan in 1902, makers of guitars, mandolins and other instruments. His earliest known instrument was a 10-string mandolin-guitar, which bears the date 1894. Gibson's mandolins were "unlike any previous flatback instrument," according to music historian Paul Sparks. His company's manufacturing standards were very high, and his instruments heavily marketed. Early life Orville H. Gibson was born in 1856 and on a farm near Chateaugay, Franklin County, New York. He was the youngest of five children to an English father John W. Gibson and American mother Amy Nichols Gibson from Peru, New York. Mandolin style Gibson began in 1894 in his home workshop in Kalamazoo, Michigan, and patented his idea for mandolins in 1898. With no formal training, Gibson created an entirely new style of mandolin and guitar that followed violin design, with its curved top and bottom carved into shape, rather than pressed or bent, arched like the top of a violin. He applied for and was granted a patent on the design. The sides too were carved out of a single block of wood, rather than being made of bent wood strips. More importantly, they were louder and more durable than contemporary fretted instruments, and musicians soon demanded more than he was able to build in his one-man shop. On the strength of Gibson's ideas, five Kalamazoo businessmen formed the Gibson Mandolin-Guitar Mfg. Co., Ltd., in 1902. Within a short period after the company was started, the board passed a motion that "Orville H. Gibson be paid only for the actual time he works for the Company." After that time, there is no clear indication whether he worked there full-time, or as a consultant. Julius Bellson states in his 1973 publication, The Gibson Story, that "Orville Gibson had visions and dreams that were considered eccentric." He and his company used music teachers to market the instruments, and strong print advertisements to displace the round-backed mandolins. They were successful in the mandolin market, eliminating the production of round-backed instruments in the U.S. His guitars were influential as well, and his guitar patterns are still recognizable in modern jazz guitars. According to George Gruhn, the idea of carving the instrument tops and bottoms appears to have originated with Gibson and is not based on any mandolin or guitar building tradition. Although