Dixon wrote for Chicago blues artists, such as "I Can't Quit You Baby" for Otis Rush and "Mad Love" for Waters. However, "You Shook Me" also conveys the consequences of a married man's extramarital affairs and reflects the common blues theme, "you reap what you sow": Rather than re-recording the song with new musicians, on June 27, 1962, Waters overdubbed a vocal track to Hooker's 1961 recording to create "You Shook Me". The song, using the arrangement from "Blue Guitar", is a moderately-slow tempo twelve-bar blues, notated in 12/8 time in the key of D. For the melody line, Muddy Waters doubled Hooker's prominent slide-guitar line, giving the song its distinctive "hook". Despite its artificiality, Waters biographer Robert Gordon noted that the song "worked surprisingly well due in large part to the musicians' shared background [both being from the Mississippi Delta area]". "You Shook Me" was relatively successful, but did not reach the national record charts. However, it was popular enough for Leonard Chess to try to repeat; in October 1962, he had Muddy Waters overdub three more Earl Hooker instrumentals with lyrics by Dixon. One of these, "You Need Love" (see "Whole Lotta Love" section on Similarities to "You Need Love"), was also successful and outsold other Waters singles during the early 1960s. In the UK, Pye Records released these Muddy Waters/Earl Hooker songs on a four-song extended play 45 rpm record or "EP" in 1963. Reportedly, this EP was a favorite of then-teenagers Jeff Beck and Jimmy Page. According to music impresario Giorgio Gomelsky, he arranged a meeting where Dixon (along with Howlin' Wolf and Sonny Boy Williamson II) introduced unreleased recordings of several songs, including "You Shook Me" and "Little Red Rooster", to Eric Clapton, Page, Brian Jones, John Mayall, and others; Dixon recalled giving out "lots of tapes [of songs] when I was over there", which were later recorded by the Yardbirds and the Rolling Stones. Jeff Beck Group recording English guitarist Jeff Beck recorded "You Shook Me" with the first Jeff Beck Group during sessions for the Truth album in May 1968. Beck's hard rock treatment made the song a highlight of their live performances. Beck biographer Martin Power notes the appeal of the "dynamic interplay between Jeff's guitar and Rod's [Stewart's] voice". Beck utilized fuzz-box and wah-wah pedal guitar effects for his extensive fills around Stewart's vocals as well as his solo. The song