Brussels: André de Rache, 1967. Jouffroy. Alain. Dorothea Tanning: Oeuvre. Paris: Centre National D'Art Contemporain, 1974. Dorothea Tanning: 10 Recent Paintings and a Biography. New York: Gimpel-Weitzenhoffer Gallery, 1979. Dorothea Tanning on Paper, 1948-1986. New York: Kent Fine Art, 1987. Eleven Paintings by Dorothea Tanning. New York: Kent Fine Art, 1988. Dorothea Tanning: Between Lives--Works on Paper. London: Runkel-Hue-Williams Ltd., 1989. Waddell, Roberta, and Louisa Wood Ruby, eds., with texts by Donald Kuspit and Dorothea Tanning. Dorothea Tanning: Hail Delirium! A Catalogue Raisonné of the Artist’s Illustrated Books and Prints, 1942-1991. New York: The New York Public Library, 1992. Nordgren, Sune, John Russell, Alain Jouffroy, Jean-Christophe Bailly, and Lasse Söderberg. Dorothea Tanning: Om Konst Kunde Tala (If Art Could Talk). Malmö, Sweden: Malmö Konsthall, 1993. Dorothea Tanning: Insomnias, Paintings from 1954 to 1965. New York: Kent Fine Art, 2005. Dorothea Tanning: Beyond the Esplanade: Paintings, Drawings and Prints from 1940 to 1965. San Francisco: Frey Norris Gallery, 2009. Greskovic, Robert, Joanna Kleinberg, and Rachel Liebowitz. Dorothea Tanning: Early Designs for the Stage. New York: The Drawing Center, 2010. Dorothea Tanning: Unknown but Knowable States. San Francisco: Gallery Wendi Norris, 2013. Dorothea Tanning: Web of Dreams. London: Alison Jacques Gallery, 2014. Mahon, Alyce, ed., with Ann Coxon and Idoia Murga Castro. Dorothea Tanning. Madrid: Museo Nacional Centro de Arte Reina Sofía, 2018 and London: Tate Publishing, 2018. Dorothea Tanning: Doesn't the Paint Say It All? New York: Kasmin Gallery, 2022. Interviews In a 2002 interview for Salon.com in response to: "So what have you tried to communicate as an artist? What were your goals, and have you achieved them?" Tanning replies: "I’d be satisfied with having suggested that there is more than meets the eye." And in response to: "What do you think of some of the artwork being produced today?" Tanning replies: "I can’t answer that without enraging the art world. It’s enough to say that most of it comes straight out of dada, 1917. I get the impression that the idea is to shock. So many people laboring to outdo Duchamp’s urinal. It isn’t even shocking anymore, just kind of sad." When speaking on her relationship with Ernst in an interview, Tanning said: "I was a loner, am a loner, good Lord, it's the only way I can imagine working. And then when I hooked up with Max Ernst, he was clearly the only person I needed and, I