James Broughton (November 10, 1913 – May 17, 1999) was an American poet and poetic filmmaker. He was part of the San Francisco Renaissance, a precursor to the Beat poets. He was an early bard of the Radical Faeries, as well as a member of The Sisters of Perpetual Indulgence, serving the community as Sister Sermonetta. Life and career Born to wealthy parents in Modesto, California, Broughton's father died when he was five years old in the 1918 influenza epidemic, and he spent his childhood in San Francisco. Before he was three, "Sunny Jim" experienced a transformational visit from his muse, Hermy, which he describes in his autobiography, Coming Unbuttoned (1993): Broughton was kicked out of military school for having an affair with a classmate, and attended Stanford University before dropping out just before his class graduated in 1935. In 1945, he won the Alden Award given by the Stanford Dramatists' Alliance for his original screenplay Summer Fury. He spent time in Europe during the 1950s, where he received an award in Cannes from Jean Cocteau for the "poetic fantasy" of his film The Pleasure Garden, made in England with partner Kermit Sheets. Through his career, Broughton produced 23 books and 23 films. In 1967's "summer of love," Broughton made a film, The Bed, which broke taboos against frontal nudity and won prizes at many film festivals. The film rekindled Broughton's filmmaking and led to more films including The Golden Positions, This Is It, The Water Circle, High Kukus, and Dreamwood. Broughton's films developed a following, especially among students at the San Francisco Art Institute, where he taught film (and wrote Seeing the Light, a book about filmmaking) and artistic ritual. With Joel Singer As poet Jack Foley writes in All: A James Broughton Reader, "In Broughton’s moment of need, Hermy appeared again in the person of a twenty-five-year-old Canadian film student named Joel Singer... Broughton's meeting with Singer was a life-changing, life-determining moment, that animated his consciousness with a power that lasted until his death." In 2004, Singer wrote of their long relationship and collaboration in White Crane. With Singer, Broughton traveled and made more films – Hermes Bird (1979), a slow-motion look at an erection shot with the camera developed to photograph atomic bomb explosions, The Gardener of Eden (1981), filmed when they lived in Sri Lanka, Devotions (1983), a study of male relationships, and Scattered Remains (1988),