The Chacarera is a dance and music that originated in Santiago del Estero, Argentina. It is a genre of folk music that, for many Argentines, serves as a rural counterpart to the cosmopolitan imagery of the Tango. A dance form played by contemporary musicians as soloists or in small ensembles of voice, guitar, violin and bombo drum, the Chacarera is often legitimized by its “origin” in the remote province of Santiago del Estero. Chacarera music While much of the Chacarera repertoire can be traced to the 1920s sheet music of Andrés Chazarreta (Chazarreta 1947[1916]), the contemporary Chacarera style described in this article was standardized by the recordings of the 1950s folk group Los Hermanos Ábalos (Ábalos 1952). Today, this style is ubiquitous throughout Argentina, with important variants appearing in the provinces of Santiago del Estero and Salta. Melody and harmony Contemporary Chacareras generally utilize descending, minor-mode melodies within an octave range. They are not harmonically distinctive, relying predominantly on tonic and dominant accompaniment, and the occasional shift to the relative major. Some modern Chacarera musicians use major-seventh and other altered chords in their arrangements. Rhythm Contemporary Chacarera music is distinguished by its unique hemiola syncopation. Melody lines tend to begin in duple meter (), and conclude in triple meter (). Accompaniment parts – including those on guitar, piano, bandoneón and drum – employ a constant compound meter of and , with accents on the second dotted quarter and the third quarter note, respectively (Abalos 1952). The downbeat is generally elided until cadences, a characteristic that is particularly salient in the case of the “Chacarera Trunca” style, which cadences on the third beat. Structure The Chacarera is a binary form. The A section (6 or 8 bars) doubles as an introduction and an interlude. The B section (8 bars) returns twice before concluding with a repetition. The entire form repeats two times. A B A B A B B Chacarera choreography The Chacarera is a Contradance-influenced partner dance with similarities to many Ibero-American folk dances, including the Chilean (Zama) cueca and the Peruvian Marinera (Vega 1944). Male dancers circle about their female partners, seducing them with foot stomping (zapateo) and handkerchief waving during the A sections and “coronating,” or embracing, them in the final B section. History of the Chacarera genre According to the musicologist Carlos Vega (Vega 1944), the Chacarera belongs to a family of Ibero-American dances derived from baroque