Francisco Rabal Valera (8 March 1926 – 29 August 2001), better known as Paco Rabal, was a Spanish actor, director, and screenwriter born in Águilas, a town in the south-western part of the province of Murcia, Spain. Throughout his career, Rabal appeared in around 200 films working with directors including Francesc Rovira-Beleta, Luis Buñuel, José Luis Sáenz de Heredia, Carlos Saura, Pedro Almodóvar, William Friedkin, Michelangelo Antonioni, Claude Chabrol, Luchino Visconti, and Gillo Pontecorvo. Paco Rabal was recognized both in his native Spain and internationally, winning the Award for Best Actor at the Cannes Film Festival for Los Santos Inocentes and a Goya Award for Best Actor for playing Francisco de Goya in Carlos Saura's Goya en Burdeos. One of Spain's most loved actors, Rabal also was known for his commitment to human rights and other social causes. Life and career In 1936, after the Spanish Civil War broke out, Rabal and his family left Murcia and moved to Madrid. Young Francisco had to work as a street salesboy and in a chocolate factory. When he was 13 years old, he left school to work as an electrician at film studios Estudios Chamartín. Rabal got some sporadic jobs as an extra. Dámaso Alonso and other people advised him to try his luck with a career in theater. During the following years, he got some roles in theater companies such as Lope de Vega or María Guerrero. It was there that he met actress Asunción Balaguer; they married in 1951 and remained together for the rest of Rabal's life. Their daughter, Teresa Rabal, is also an actress. In 1947, Rabal got some regular jobs in theater. He used his full name, Francisco Rabal, as his stage name. However, the people who knew him always called him Paco Rabal (Paco is the familiar form for Francisco.) "Paco Rabal" became his unofficial stage name. During the 1940s, Rabal began acting in movies as an extra, but it was not until 1950 that he was first cast in speaking roles, and played romantic leads and rogues. He starred in three films directed by Luis Buñuel - Nazarín (1959), Viridiana (1961) and Belle de jour (1967) - with whom he would develop a lifelong friendship. He was named best actor by the Círculo de Escritores Cinematográficos for El hombre de la isla in 1962. William Friedkin thought of Rabal for the French villain of his