international acclaim as Petrunjela in Dundo Maroje by Marin Držić in Vienna, Paris and Moscow. Her work at JDP with Bojan Stupica and their subsequent marriage had a seminal influence on Mira’s maturity as an actress. She was known for her rich expression, emotivity, and inspiring temperament as well as for possessing universal aptitude toward acting, which allowed her to equally master both dramatic and comedic roles, and to successfully breaks barriers between genres. Many of her performances are considered to be anthology roles in Serbian theatre. Apart from Petrunjela, others include: Živka (The Cabinet minister’s wife by Branislav Nušić), Joan of Arc (Saint Joan by George Bernard Shaw), Colombe (by Jean Anouilh), Grusha Vashnadze (The Caucasian Chalk Circle by Bertold Brecht), Lucietta (Le baruffe chiozzotte by Carlo Goldoni, Commissar (An Optimistic Tragedy by Vsevolod Vishnevsky), Glorija (by Ranko Marinković), Mirandolina (The Mistress of the Inn by Carlo Goldoni), Melita (Leda by Miroslav Krleža), Signora Ignazia (Tonight We Improvise by Luigi Pirandello), Mary (Mary fights with the angels by Pavel Kohout), Chérubin (The Marriage of Figaro by Beaumarchais), Ljubica (Đido by Janko Veselinović), Grushenka (The Brothers Karamazov by Fyodor Dostoyevsky), Alexandra Negina (Talents and Admirers by Aleksandr Ostrovsky), Danica (Ljubav by Milan Đoković), Madame Sans-Gêne (by Victorien Sardou), Actress (L'Otage by Paul Claudel), Baroness Castelli-Glembay (Messrs. Glembay by Miroslav Krleža), Nastasya Filipovna (The Idiot by Fyodor Dostoyevsky, Jenny Diver (The Threepenny Opera by Bertrold Brecht), Anna Karenina by Leo Tolstoy, and Lady Milford (Intrigue and Love by Friedrich Schiller). Her final role was Princess Ksenija of Montenegro in the drama of the same name by in 1994. Film Although predominantly a theatrical actress, she landed several prominent film roles, especially in the 1950s and 1960s. She made her feature film debut in 1951 film Bakonja fra Brne by Fedor Hanžeković, followed by the roles in The Parvenus (1953; directed by Bojan Stupica), I Was Stronger (1953; Gustav Gavrin), Stojan Mutikaša (1954; Fedor Hanžeković), Hanka (1955; Slavko Vorkapić), U mreži (1956; Bojan Stupica), Mali čovek (1957; Žika Čukulić), The Fourteenth Day (1960; Zdravko Velimirović), Destination Death (1964; Wolfgang Staudte), Narodni poslanik (1964; Stole Janković), Roj (1966; Mića Popović), Pre rata (1966; Vuk Babić), Palma među palmama (1967; Milo Đukanović), Delije (1968; Mića Popović), Sunce tuđeg neba (1968; Milutin Kosovac), Krvava bajka (1969; Branimir Tori Janković), Doručak sa đavolom (1971; Mika Antić), Kako umreti (1972; Miomir Miki Stamenković), Zvezde su oči ratnika