Dirty Work is the 18th British and 20th American studio album by the English rock band the Rolling Stones. It was released on 24 March 1986 on the Rolling Stones label by CBS Records, their first under their new contract with Columbia Records. Produced by Steve Lillywhite, the album was recorded during a period when relations between Mick Jagger and Keith Richards had soured considerably, according to Richards' autobiography Life. The album was recorded during a time of turmoil for the band, as its two principal songwriters, Richards and Jagger, had been feuding over the band's direction during most of the 1980s. Almost all of the band members had spent the previous few years working on solo albums or side projects. Some band members, including guitarist Ronnie Wood, drummer Charlie Watts and bassist Bill Wyman, were often absent from the studio during recording sessions; it was rare that all five principal members were together at the same time. It would be the last album to feature former member and frequent piano contributor Ian Stewart, who died shortly before the album's release. As a result, a number of guest musicians appeared on the album, including guitarists Jimmy Page and Bobby Womack. Keyboards were played by Ivan Neville and Chuck Leavell, who would remain with the band for decades. Unlike most Stones albums, there was no supporting tour, as the level of animosity among band members prevented them from being able to work together live onstage. Dirty Work sold well, reaching platinum or gold status in several countries, including the United States, Canada and the UK, and peaking as a top-10-charting album in over a dozen markets. The album spawned two top-40 hits: a cover of Bob & Earl's song "Harlem Shuffle" and one of the songs written with Ronnie Wood, "One Hit (To the Body)". However, the album was a critical flop, with most critics then and now finding it uneven and uninspired, many reviewers citing the tensions within the band at the time. Recording The sessions for Dirty Work, the first album under the Rolling Stones' recording contract with CBS Records, began in April 1985 in Boulogne Billancourt, running for two months before breaking for a short spell. Mick Jagger had just released his first solo album, She's the Boss (1985), much to Richards' annoyance, since Richards' first priority was the Rolling Stones and he was stung that Jagger was