Margaret Cable worked at Dickinson Clay Products in the summer of 1936 designing a dinnerware set which became known as "Cableware". Laura Taylor, another UND student also worked for the company for a short time. Some of the items made by the company include vases, advertising ashtrays, pitchers, mugs, book ends, curtain shade pulls, animal figurines, cookie jars, salt and pepper shakers, sugars and creamers and tea pots. In addition to glazed clay products, Dickota Badlands pieces were produced. This process was brought to Dickota by Howard Lewis who learned the technique while working at Niloak. It consisted of several colors of clay swirled together in one product. (Dickota Pottery by Arley and Bonnie Olson) Another popular item was the ball water pitcher and glasses patterned after Cambridge Glass. This led to legal problems for the company as Cambridge held the patent for the pitcher shape. Those legal problems and other economic issues led to the closing of the pottery operation in 1937. Turtle Mountain North Dakota Pottery was also produced at the Turtle Mountain School at Belcourt, North Dakota from 1936 until about 1942. Mrs. Carey (Corbert) Grant, the arts and handicrafts instructor completed a teacher training course at UND and began teaching students at the school to make pottery. In 1937 this was expanded to an adult evening class. All of the steps in the pottery making process were done by hand beginning with digging and processing the clay through the final finishing operations. Items such as plates, bowls, wall plaques, lamp bases, candle holders, ash trays, and novelty paper weights were made and sold throughout the United States. Works Progress Administration ceramics The Works Progress Administration (WPA) was a part of President Franklin D. Roosevelt's New Deal legislation. As a part of the WPA, the Federal Arts Project was intended to help professional artists, but also to train people to be able to make a living in the arts. In 1936, Laura Taylor, a University of North Dakota trained artist was appointed state director of the Federal Arts Project. Initially the location of the project was in Dickinson, North Dakota, later it was moved to Mandan, North Dakota. In 1939 Miss Taylor performed wheel throwing demonstrations at the New York World's Fair. At that time Charles Grantier, another former University student became temporary director. He became permanent director when Laura Taylor decided to join with Robert. J