her master's degree from City College and left with her mother and daughters on her first trip to Europe. While traveling abroad in Paris, Florence, and Rome, Ringgold visited many museums, including the Louvre. This museum in particular inspired her future series of quilt paintings known as the French Collection. This trip was abruptly cut short, however, due to the untimely death of her brother in 1961. Faith Ringgold, her mother, and her daughters all returned to the US for his funeral. She married Burdette Ringgold on May 19, 1962. Ringgold visited West Africa twice: once in 1976 and again in 1977. These travels would deeply influence her mask making, doll painting and sculptures. Artwork Faith Ringgold's artistic practice is extremely varied – from painting to quilts, from sculptures and performance art to children's books. As an educator, she taught in both the New York City Public school system and at college level. In 1973, she quit teaching public school to devote herself to creating art full-time. In 1995 she was approached by ACA Galleries for exclusive representation and is represented by them to this day. Painting Ringgold began her painting career in the 1950s after receiving her degree. Her early work is composed with flat figures and shapes. She was inspired by the writings of James Baldwin and Amiri Baraka, African art, Impressionism, and Cubism to create the works she made in the 1960s. Though she received a great deal of attention with these images, many of her early paintings focused on the underlying racism in everyday activities; which made sales difficult, and disquieted galleries and collectors. These works were also politically based and reflected her experiences growing up during the Harlem Renaissance – themes which matured during the Civil Rights Movement and Women's movement. Taking inspiration from artist Jacob Lawrence and writer James Baldwin, Ringgold painted her first political collection named the American People Series in 1963, which portrays the American lifestyle in relation to the Civil Rights Movement. American People Series illustrates these racial interactions from a female point of view, and calls basic racial issues in America into question. In a 2019 article with Hyperallergic magazine, Ringgold explained that her choice for a political collection comes from the turbulent atmosphere around her: "( ... ) it was the 1960s and I could not act like everything was okay. I couldn't paint landscapes in the 1960s –