Time Out is a studio album by the American jazz group the Dave Brubeck Quartet, released in 1959 on Columbia Records. Recorded at Columbia's 30th Street Studio in New York City, it is based upon the use of time signatures that were unusual for jazz such as , and . The album is a subtle blend of cool and West Coast jazz. The album peaked at No. 2 on the Billboard pop albums chart, and was the first jazz album to sell a million copies. The single "Take Five" off the album was also the first jazz single to sell one million copies. By 1963, the record had sold 500,000 units, and in 2011 it was certified double platinum by the RIAA, signifying over two million records sold. The album was inducted in the Grammy Hall of Fame in 2009. The album was selected, in 2005, for preservation in the United States National Recording Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". Background The album was intended as an experiment using musical styles Brubeck discovered abroad while on a United States Department of State sponsored tour of Eurasia, such as when he observed in Turkey a group of street musicians performing a traditional Turkish folk song that was played in time with subdivisions of , a rare meter for Western music. On the condition that Brubeck's group first record a conventional album of traditional songs of the American South, Gone with the Wind, Columbia president Goddard Lieberson took a chance to underwrite and release Time Out. It received negative reviews by critics upon its release. It produced a Top 40 hit single in "Take Five", composed by Paul Desmond, and the one track not written by Dave Brubeck. Although the theme of Time Out is non-common-time signatures, things are not quite so simple. "Blue Rondo à la Turk" starts in , with a typically Balkan subdivision into short and long beats (the rhythm of the Turkish zeybek, equivalent of the Greek zeibekiko) as opposed to the more typical way of subdividing as , but the saxophone and piano solos are in . The title is a play on Mozart's "Rondo alla Turca" from his Piano Sonata No. 11, and reflects the fact that the band heard the rhythm while traveling in Turkey. "Strange Meadow Lark" begins with a piano solo that exhibits no clear time