the stanza "When love is gone, there is always justice/ and when justice is gone, there is always force/ and when force is gone, there is always mom", with the narrator pleading to be held in her mom's "long", "electronic", and "petrochemical" arms. As part of the larger work United States, the text addresses issues of technology and communication, quoting at various points answering machine messages and the slogan "Neither snow nor rain nor gloom of night shall stay these couriers from the swift completion of their appointed rounds". This line is inscribed over the entrance of the James Farley Post Office in New York, and is derived from a line in Herodotus' Histories (8.98) referring to the ancient courier service of the Persian Empire. The line is also interpreted in the accompanying music video into American Sign Language by Anderson wearing white gloves, white sunglasses and a white coat. The lines "'Cause when love is gone, there's always justice / And when justice is gone, there's always force / And when force is gone, there's always Mom" derive from the fourth sentence of Chapter 38 of the Tao Te Ching: "When Tao is lost, there is goodness. When goodness is lost, there is kindness. When kindness is lost, there is justice. When justice is lost, there is ritual. Now ritual is the husk of faith and loyalty, the beginning of confusion." All of this is in the context of an attack by American planes and arms. In an interview with the Australian magazine Bulletin in 2003, Anderson said that the song is connected to the Iran–Contra affair, but she meant the Iran hostage crisis which took place in 1979–1980. Anderson appeared as a guest co-host on WFMT Chicago to say the song is directly related to the crash of the military rescue helicopter outside Tehran — a disheartening incident where U.S. military technology essentially let down the government. This equipment or pilot failure, she continued, was her primary impetus for the creation of the song/performance piece. When it became an emerging hit in the UK, she was as surprised as everyone else, and the need to press more singles to meet emerging UK demand was what led to her first multi-album record deal. Release First released as a single by B. George's One Ten Records, the song's popularity led to Anderson signing a distribution contract with Warner Bros., which