James Marcus Schuyler (November 9, 1923 – April 12, 1991) was an American poet. His awards include the Pulitzer Prize for Poetry for his 1980 collection The Morning of the Poem. He was a central figure in the New York School and is often associated with fellow New York School poets John Ashbery, Frank O'Hara, Kenneth Koch, and Barbara Guest. Life and death James Marcus Schuyler was the son of Marcus Schuyler (a reporter) and Margaret Daisy Connor Schuyler. Born in Chicago, he spent his teen years in East Aurora, New York. After graduating high school, Schuyler attended Bethany College in West Virginia from 1941 to 1943, though he was not a very successful student; in a later interview, he recalled, "I just played bridge all the time." Schuyler moved to New York City in the late 1940s where he worked for NBC and first befriended W. H. Auden. In 1947, he moved to Ischia, Italy, where he lived in Auden's rented apartment and worked as his secretary. Between 1947 and 1948, Schuyler attended the University of Florence. After returning to the United States and settling in New York City, he roomed with John Ashbery and Frank O'Hara. In April 1991, at age sixty-seven, Schuyler died in Manhattan following a stroke. His ashes were interred at the Little Portion Friary (Episcopal), Mt. Sinai, Long Island, New York. Personal life Schuyler was not known for revealing much about his personal life. It is known that he was gay, and was partners with William Aalto and John Button. Schuyler was manic depressive, underwent several years of psychoanalysis and withstood many traumatic experiences. One of these includes a "near death experience" in a fire which he caused by smoking in bed. In a spring 1990 special issue of the Denver Quarterly that was written by Barbara Guest in devotion to Schuyler's work, Guest refers to Schuyler as an "intimist," saying: Inspiration and style Schuyler's move to Italy, as Auden's typist, was accompanied by his intention of writing. In 1981 he was said to have recalled "that he found Auden's elaborate formalism 'inhibiting'." This was likely an influence to his own "conversational style and proselike line". While living in New York, Schuyler found inspiration in the art world. From 1955 to 1961, he was a "curator of circulating exhibitions at the Museum of Modern Art". He was also an editorial associate and critic for