a radio-friendly hit off the album. "Lazarus" – Richard's evaluation, "The beautiful side of Porcupine Tree. Very mellow and delicate, in the contemporary style of Coldplay or Radiohead." "Halo" – Steven clarified, "Well, 'Halo' was on Deadwing, as Deadwing, as you probably know, is based on this film script I wrote. And there is a religious aspect in the script, there is a religious cult in the script. But the song itself 'Halo' takes that as a starting point and develops into another kind of idea. It is about the born again Christianity, the born again religious parts, the self-righteousness of those kind of people." Colin added his thoughts on 'Halo', "We came up with that round Gavin's place whilst having a group session for Deadwing. Bits of that came from Gavin having an idea in 17/16. That was pretty much a group thing. It came together quite quickly." Gavin's inspiration came about during his regular drum experiments and, with the rest of the band on board, they spent an hour working on the idea in Gavin's home studio where the writing sessions would usually take place. Steven subsequently took their work away and formed the song. Richard explained, "Gavin and I came up with this infectious groove. Has an industrial feel a la Nine Inch Nails; quirky, abrasive, and repetitive with distorted vocals, and an extraordinarily strange Adrian Belew guitar solo." "Arriving Somewhere but Not Here" – Steven explained, "The centre-piece of the record. The most ambitious track in terms of its horizontal complexity, and its length, thirteen minutes. Slowly develops from an ambient keyboard intro. The band's progressive side coming to the fore." "Mellotron Scratch" – Steven remarked, "The most chilled-out track on the record. Lots of overlapping harmonies, and different three-part vocal lines simultaneously weaving in and out of each other. I really went to town with that side of my musical personality." "Open Car" – Steven stated, "'Open Car' had been one everyone was thinking was going to be a B-side. I substituted that in the mastering. I was listening to it, and I was thinking 'this is such a great track, it's come out so well' and 'So Called Friend', all the way through writing we always thought that's a great track and the final mix didn't quite gel for me. We also did it with 'Glass Arm' and 'Half Light' as well, although the