Fresh is the sixth album by American funk band Sly and the Family Stone, released by Epic/CBS Records on June 30, 1973. Written and produced by Sly Stone over two years, Fresh has been described as a lighter and more accessible take on the dense, drum machine-driven sound of its landmark 1971 predecessor There's a Riot Goin' On. It was the band's final album to reach the US Top 10, and their last of three consecutive number-one albums on the R&B chart. In 2003, the album was ranked number 186 on Rolling Stone magazine's list of the 500 greatest albums of all time. Recording and release The album's biggest hit was "If You Want Me to Stay". Other notable tracks include "Frisky" and "Que Sera, Sera (Whatever Will Be, Will Be)", a cover of Doris Day's Academy Award-winning song from Alfred Hitchcock's 1956 film The Man Who Knew Too Much, sung here by Rose Stone. "Que Sera, Sera" is notable as the only cover song issued on an original Family Stone album. The cover photo is by Richard Avedon. The track "If It Were Left Up to Me" is purportedly an outtake from 1968's Life. As with There's a Riot Goin' On, Stone held on to the Fresh masters well beyond the record's official release, constantly remixing and re-recording the tracks. As a result, alternate and significantly different versions of at least ten songs from the album are known to exist. In 1991, Sony Music, by then owner of the Epic catalog, accidentally issued a sequencing of Fresh on CD featuring alternate takes of every song except "In Time", which remained unchanged. Sony allowed the alternate version to remain in stores to be bought up by fans and then later issued the standard 1973 version of the album. However, the mix-up sparked debate among fans over which release was superior. When Sony BMG reissued Fresh in CD and digital download formats for Sly & the Family Stone's 40th anniversary, five alternate mixes were included as bonus tracks. These tracks are extremely similar, if not identical, to the alternate, accidental 1991 release. The alternate version is known to be very accessible in Japan, while it is very scarce in the U.S. Critical reception Fresh was met with positive reviews. Writing for Creem in 1973, Dave Marsh believed Stone is "coming to terms with himself as rock star" on an album that