"Stuck in a Moment You Can't Get Out Of" is a song by Irish rock band U2. It is the second track on their tenth studio album, All That You Can't Leave Behind (2000), and was released as the album's second single on 29 January 2001. The band's lead vocalist Bono has said the song was inspired by a fictional conversation with his friend Michael Hutchence about suicide. The song peaked at number 52 on the US Billboard Hot 100 and topped the charts in Canada, their native Ireland and Italy, while reaching the top 10 in Australia, Denmark, Finland, the Netherlands, Norway, Scotland, Spain and the United Kingdom. In 2002, the song won the Grammy Award for Best Pop Performance by a Duo or Group with Vocal at the 44th Annual Grammy Awards ceremony. Writing and composition "Stuck in a Moment You Can't Get Out Of" originated from a gospel-influenced chord progression that guitarist the Edge composed on a piano in a Japanese hotel room. He said: "I suppose I was consciously looking for something in that [gospel] tradition. Having been through that whole experimentation period during Pop—with techno and dance ideas and dance aesthetics—it seemed like I wanted to get back to something a bit more earthy." During the recording sessions for All That You Can't Leave Behind, the Edge played the piano piece in a music sequencer, after which co-producer Brian Eno removed every first and second note, leaving every third note. Eno then set it into a different keyboard with extensive treatments, resulting in what the Edge called an "otherworldly effect" on top of his "traditional gospel piano sequence". Co-producer Daniel Lanois said the recorded version of the song was essentially a live take performed by the band with him and Eno. On guitar, Lanois played "the harmony to The Edge's part". The Edge achieved a clean guitar tone by plugging his 1950s Fender Stratocaster guitar directly into a Fender Bassman amplifier. The song ends with a "choral chant" written by the Edge; Lanois said they had always wanted to compose such a part before. The group tried several variations of it before settling on the version that appears on record. The vocals were sung by the Edge, Lanois, and Eno; Lanois said it was easy to imagine hiring a choir to sing the part but "if you want it to sound like a U2 record,