Álvaro de Campos (; October 15, 1890 – November 30, 1935) was one of the poet Fernando Pessoa's various heteronyms, widely known by his powerful and wrathful writing style. According to his author, this alter ego was born in Tavira, Portugal, studied mechanical engineering and finally graduated in ship engineering in Glasgow. After a journey in Ireland, Campos sailed to the Orient and wrote his poem "Opiario" in the Suez Canal "onboard". He worked in 'Barrow-on-Furness' (sic) (of which Pessoa wrote a poem about) and Newcastle-on-Tyne (1922). Unemployed, Campos returned to Lisbon in 1926 (he wrote then the poem "Lisbon Revisited"), where he lived ever since. He was born in October, 1890, but Pessoa didn't put an end to the life of Campos, so he would have survived his author who died in November, 1935. Campos' works may be split in three phases: the decadent phase, the futuristic phase and the decadent (sad) phase. He chose Whitman and Marinetti as masters, showing some similarities with their works, mainly in the second phase: hymns like "Ode Triunfal", "Ode Marítima", and "Ultimatum" praise the power of the rising technology, the strength of the machines, the dark side of the industrial civilization, and an enigmatic love for the machines. The first phase (marked by the poem Opiário) shared some of its pessimism with Pessoa's friend Mário de Sá-Carneiro, one of his co-workers in Orpheu magazine. In the last phase, Pessoa drops the mask, and reveals through Campos all the emptiness and nostalgia that grew during his last years of life.<ref>PESSOA, Fernando (1999). Crítica: ensaios, artigos e entrevistas, vol.I, ed. Fernando Cabral Martins. Lisboa: Assírio & Alvim, p. 189.</ref> In his last phase Campos wrote the poems "Lisbon Revisited" and the well-known "Tobacco Shop". "I always want to be the thing I feel kinship with... To feel everything in every way, To hold all opinions, To be sincere contradicting oneself every minute..." Critical overview "I'm nothing. I'll always be nothing. I can't want to be something. 'I have in me all the dreams of the world nevertheless." "The Tobacco Shop" Campos manifests two contrary impulses: on the one hand: a feverish desire to be everything and everyone, declaring that 'in every corner of my soul stands an altar to a different god.' The second impulse is toward a state of isolation and a sense of nothingness. Of the first of these impulses: Campos is