Funky Divas is the second studio album by American recording group En Vogue, released by Atlantic Records division East West on March 24, 1992 in the United States. Conceived after the success of their Grammy Award–nominated debut album Born to Sing (1990), En Vogue reteamed with their founders Denzil Foster and Thomas McElroy to work on the entire album. As with Born to Sing, the pair borrowed from contemporary R&B, new jack swing, and hip hop, while also incorporating classic soul, blues and doo-wop elements, particularly on its on two Sparkle cover versions, as well as, in the case of "Free Your Mind," heavy metal sounds. But has since earned retrospective acclaim and recognition from musicians, and producers. Praised for En Vogue's vocal work and the production's definitive character, it is often cited to have paved the way for other female bands such as TLC and Destiny's Child who would emerge in the following years. The album became the quartet's second album to earn a Grammy Award nomination in the Best R&B Performance by a Duo or Group with Vocals category, while winning the American Music Award for Favorite Soul/R&B Album and the Sammy Davis Jr. Award for Entertainer of the Year at the 1993 Soul Train Music Awards. Funky Divas debuted at number one on the US Billboard Top R&B Albums chart, and at number eight on the Billboard 200, while peaking at number four on the UK Albums Chart. It reached triple platinum status in the US, where it sold 3.5 million copies, becoming the seventh highest-selling R&B albums of the year as well as En Vogue's biggest-selling album to date. The album spawned five singles, including "My Lovin' (You're Never Gonna Get It)", Aretha Franklin cover "Giving Him Something He Can Feel", "Free Your Mind", "Give It Up, Turn It Loose," and "Love Don't Love You." Critical reception Funky Divas received generally positive reviews from music critics, but has since earned retrospective acclaim. Parry Gettelman from The Orlando Sentinel complimented Foster & McElroy's production on the album. While somewhat critical with the slower songs, she wrote that "the pair has a knack for both melodies and killer grooves, and they're gifted, playful arrangers." With the performances, Gettelman found that "EnVogue interprets both the McElroy & Foster tracks and three covers with style, verve and a lot of soul." Los Angeles Times writer Connie Johnson that the album