and Robert Mitchum made their screen debuts in this film. Production There is an error in the onscreen credits, perpetuated in many sources, including the Variety review. They list Ted W. Lawson and Robert Considine as authors of both "the book" and a "story" in Collier's magazine. There was no such story. Lawson was the sole author of the book Thirty Seconds Over Tokyo, and the word "Collier's" was crossed off in the credits of the copyright cutting continuity. The film is known for its accurate depiction of the raid and use of actual wartime footage of the bombing aircraft. The production crew worked closely with Captain Ted Lawson and other members of the raid to make the film as realistic as possible. Filming at Hurlburt Field and Peel Field near Mary Esther, Florida, and Eglin Field (the actual base where the Doolittle Raiders trained), and operational USAAF B-25C and B-25D bombers were used (closely resembling the B-25B Mitchells used in 1942). Auxiliary Field 4, Peel Field, was used for the short-distance take off practice scenes. Dean Davenport was a technical adviser and stunt flyer for the film. He flew a B-25 bomber off a pier in Santa Monica, Calif., for a scene showing the takeoffs from the Hornet. Although an aircraft carrier was not available, due to wartime needs (USS Hornet itself had been sunk in the Battle of the Santa Cruz Islands on October 27, 1942 only six months after launching the raid), a mix of realistic studio sets and original newsreel footage recreated the USS Hornet scenes. Principal photography took place between February and June 1944. Reception The film received favorable reviews. Look magazine praised it as one of the five best films of the year, and the National Board of Review ranked it as eighth-best film of the year. The Hollywood Reporter reviewer called it "one of the greatest war pictures ever made". Thirty Seconds Over Tokyo was recognized as an inspirational, patriotic film with great value as a morale builder for wartime audiences. The New York Times in 1944 summed the production, "our first sensational raid on Japan in April 1942 is told with magnificent integrity and dramatic eloquence." Variety focused on the human elements, "inspired casting ... the war becomes a highly personalized thing through the actions of these crew members...this pleasant little family." Later reviewers have considered Thirty Seconds Over Tokyo the finest