Graham de Conde Gund (born 1940) is an American architect and the president of the Gund Partnership, an American architecture firm based in Cambridge, Massachusetts, and founded by Gund in 1971. An heir to George Gund II, he is also a collector of contemporary art, whose collection has been widely exhibited and published. A native of Cleveland, Ohio where he was born in 1940, Gund was educated at Westminster School (Connecticut), Kenyon College, and the Rhode Island School of Design. Gund graduated from the Harvard University Graduate School of Design, with a Master of Architecture degree in 1968 and a Master of Urban Design degree in 1969. Graham Gund is one of six children of George Gund II, former chairman of the Cleveland Trust Company, philanthropist and namesake for the Graduate School of Design's George Gund Hall, completed in 1971. His siblings are George III b. 1937; Agnes b. 1938; Gordon b. 1939; Geoffrey b.1942; Louise b. 1944. After graduation, Gund worked at The Architects' Collaborative in Cambridge, Massachusetts. Gund himself undertook property development for a number of his firm's projects. He is also a noted collector of art. Gund funded the Gund Gallery at the Museum of Fine Arts in Boston. Gund was also the driving force behind the founding of the Gund Gallery at Kenyon College. He designed the museum's building, a LEED Silver-certified project that garnered multiple architectural awards. With his wife Ann, he gave a substantial gift of over 80 modern and contemporary artworks to start the museum's permanent collection. Architecture After working with modern architect Walter Gropius at the Architects' Collaborative, Gund began his career with significant projects that drew from a modernist vocabulary. The Hyatt Regency Cambridge, with its stepped massing, recalled legendary projects by architects Adolf Loos and Henri Sauvage, while utilizing red brick characteristic of Cambridge's collegiate river-side architecture. For Boston's Institute for Contemporary Art, Gund created an unexpected, open, angular interior that played against the rigid geometry of a historic Richardsonian Romanesque building. The firm became well known during the 1980s for extending this creative take on architecture through significant national projects, some of which were prominent adaptive uses while others were new buildings. Additional museums and education buildings represented the continued expansion of Gund's practice in these years. Among the adaptive uses was the Norwalk Maritime Center in Connecticut, a museum and aquarium project housed in a salvaged iron works