of music led to Tutti's interest in the concept of "acceptable" music and she went on to explore the use of sound as a means of physical pleasure or pain. In 1976, she cofounded the group Throbbing Gristle with Chris Carter, Peter 'Sleazy' Christopherson and Genesis P-Orridge. The group disbanded in 1981. Following the breakup of Throbbing Gristle, Genesis P-Orridge and Peter Christopherson went on to form Psychic TV, while Tutti and Chris Carter continued to record together under the moniker Chris & Cosey, with the duo combining their interest and skills in avant-garde music with the sounds and structures of the then-nascent genres of synthpop and electronic dance music. In honour of the dawn of the 21st century, Chris & Cosey changed their stage name to Carter Tutti, and the project pivoted to focus more on experimental ambient sounds. In 2004, after 23 years apart, all four original members of Throbbing Gristle reunited, and they issued a new 12" recording, TG Now. The band continued to collaborate sporadically and began to perform live shows together for the first time in over two decades. In April 2009, Throbbing Gristle toured the U.S., appearing at the Coachella Valley Music and Arts Festival and playing shows in Los Angeles, New York, San Francisco and Chicago. In October 2010, Throbbing Gristle began a European tour; however, following the band's first tour date at the London Village Underground venue, London, on 23 October, their website announced that Genesis P-Orridge was no longer willing to perform with the band, and would return to their home in New York. Chris, Cosey and Peter finished the tour without P-Orridge, under the name X-TG. Carter and Tutti performed with Nik Colk Void of Factory Floor at Mute's Short Circuit Festival on 13 May 2011. A live album of the show, with an additional studio track, was released as Transverse in 2012, under the name Carter Tutti Void. Later life Tutti continues to release solo recordings, including a retrospective deluxe box set with many photos and text called Time To Tell, and she continues to work as a performance artist in the Dada tradition. She co-edited (with Richard Birkett) and published (Koenig Books, 2012), Maria Fusco's Cosey Complex, the first major publication to discuss and theorise about Tutti as methodology. In April 2017, she published her autobiography Art Sex Music. In March 2018, Tutti discussed her life and career