that contains more than 3,100 pieces of steel. One of the angled elements extends 167 feet over and 100 feet above the street below. None of the 20 planes is parallel or perpendicular to another. Similar to the many-peaked roof of the Denver International Airport, the Hamilton Building emulates the sharp angles of the nearby Rocky Mountains, as well as the geometric crystals found at the mountains' base near Denver. Architect Daniel Libeskind said, “I was inspired by the light and geology of the Rockies, but most of all by the wide-open faces of the people of Denver.” Context Regarding the design concept, Libeskind commented, “The project is not designed as a standalone building but as part of a composition of public spaces, monuments and gateways in this developing part of the city, contributing to the synergy amongst neighbors large and intimate.” Libeskind designed a landscaped pedestrian plaza for the DAM complex. Sculptures on display include 'Scottish Angus Cow and Calf' by Dan Ostermiller, 'Big Sweep' by Coosje van Bruggen and Claes Oldenburg, and 'Denver Monoliths' by Beverly Pepper. Awards Due to the distinct configuration of the steel to produce the building, the Hamilton Building expansion of the DAM received a Presidential Award of Excellence from the American Institute of Steel Construction—AISC’s 2007 Innovative Design in Engineering and Architecture with Structural Steel (IDEAS2) Awards competition. Architectural reviews The design of the Hamilton extension of DAM has received mixed reviews. Christopher Hawthorne, architecture critic for the Los Angeles Times, said the architectural achievement of the building does not mean it works well as a museum. He called the Hamilton Building "a stunning piece of architectural sculpture," but "a pretty terrible place for showing and looking at art." "Museum architecture does not always blend cohesively with a great architectural achievement." Lewis Sharp (DAM director, 1989–2009) said one of the most thrilling things about the Hamilton Building is that visitors can see the artworks in a new environment, as there are at least 20 different ways to display and hang artists’ work in the sloping and angular galleries. “I think you often see things that you had never seen before," Sharp said. "It just raises all types of potentially new ways to engage a visitor.” Some visitors and Denver residents appreciate the design, such as the Andreesons, who said, “We’re in normal looking buildings every single day. It’s just kind of an experience