"For Esmé—with Love and Squalor" is a short story by J. D. Salinger. It recounts a sergeant's meeting with a young girl before being sent into combat in World War II. Originally published in The New Yorker on April 8, 1950, it was anthologized in Salinger's Nine Stories two years later (while the story collection's American title is Nine Stories, it is titled as For Esmé—with Love & Squalor in most countries). The short story was immediately popular with readers; less than two weeks after its publication, on April 20, Salinger "had already gotten more letters about 'For Esmé' than he had for any story he had published." According to biographer Kenneth Slawenski, the story is “widely considered one of the finest literary pieces to result from the Second World War. Author Paul Alexander calls it a "minor masterpiece". When Salinger submitted the story to The New Yorker in late 1949, it was at first returned, and he then reedited his manuscript, shortening it by six pages. Plot The story begins with the narrator having to respond to an invitation to a wedding that will take place in England, and which the narrator will not be able to attend, because the date of the wedding conflicts with a planned visit from his wife's mother. The narrator does not know the groom, but he knows the bride, having met her almost six years earlier. His response to the invitation is to offer a few written notes regarding the bride. The first of the two episodes the narrator relates occurs during a stormy afternoon in Devon, England, in 1944. A group of enlisted Americans are finishing up training for intelligence operations in the D-Day landings. The narrator takes a solitary stroll into town, and enters a church to listen to a children's choir rehearsal. One of the choir members, a girl of about thirteen, has a presence and deportment that draws his attention. When he departs, he finds that he has been strangely affected by the children's "melodious and unsentimental" singing. Ducking into a tearoom to escape the rain, the narrator encounters the girl again, this time accompanied by her little brother and their governess. Sensing his loneliness, the girl engages the narrator in conversation. We learn that her name is Esmé, and that she and her brother Charles are orphans – the mother dead, the father killed in North Africa while