Adams, working with the artist at Adams' home in The Bronx. This led to his first work at DC Comics, one of the two largest comics companies: The "one-page filler", titled "Strange Neighbor", was inventoried and eventually published in the Boltinoff-edited Secrets of Sinister House #17 (May 1974). His other earliest known DC work was penciling and inking the three-page story "Not Old Enough!" in Young Romance #185 (Aug. 1972), and penciling the eight-page supernatural story "Eye of the Beholder" in Forbidden Tales of Dark Mansion #7 (Oct. 1972) and the one-page "Enter the Portals of Weird War" in Weird War Tales #9 (Dec. 1972). At one point Chaykin lived in the same Queens apartment building as artists Allen Milgrom, Walter Simonson, and Bernie Wrightson. Simonson recalls, "We'd get together at 3 a.m. They'd come up and we'd have popcorn and sit around and talk about whatever a 26, 27, and 20-year-old guys talk about. Our art, TV, you name it. I pretty much knew at the time, 'These are the good ole days.'" 1970s Chaykin's first major work was for DC Comics drawing the 23-page "The Price of Pain Ease"—writer Denny O'Neil's adaptation of author Fritz Leiber's characters Fafhrd and the Gray Mouser—in Sword of Sorcery #1 (March 1973). Although the title was well received, it lasted only five issues before cancellation. Chaykin drew the character Ironwolf in the science fiction anthology title Weird Worlds for DC, and did the pencils and ink for a 12-page Batman story written by Archie Goodwin and published in Detective Comics #441 in 1974. In 2018 he looked back on this Batman story as one of the worst things he had ever drawn, adding, "Anything of value in that story was Archie's." Moving to Marvel Comics, he began work as co-artist with Neal Adams on the first Killraven story, seen in Amazing Adventures #18 in 1973. After this, Chaykin was given various adventure strips to draw for Marvel, including his own creation, Dominic Fortune (inspired by his Scorpion character, originally drawn for Atlas Comics), now in the pages of Marvel Preview. In 1978, he wrote and drew his Cody Starbuck creation for the anthology title Star Reach, one of the first independent titles of the 1970s. These strips saw him explore more adult themes as best he could within the restrictions often imposed on him by editors and the Comics Code Authority. The