of the time, at her father's summer home, "Indian Oaks", in Warwick Neck, Kent County, Rhode Island. The couple settled in 13 West 54th Street in Manhattan from 1901 until 1913, when her husband finished constructing a nine-story mansion at 10 West 54th Street, the largest in New York City at the time. They resided at "Number 10" until 1938 when they moved to a 40-room triplex apartment at 740 Park Avenue. Both of them also owned properties in Pocantico Hills, Seal Harbor, Maine, Williamsburg, and Virginia. They became the parents of six children: Abby Rockefeller Mauzé, John D. Rockefeller III, Nelson Rockefeller, Laurance Rockefeller, Winthrop Rockefeller, and David Rockefeller. Death Abby Rockefeller suffered a heart attack and died on April 5, 1948, at the Rockefeller family home at 740 Park Avenue in New York City, at the age of 73. She was cremated and her ashes were spread at a private burial place in Pocantico, New York. A memorial service was held for her at the Riverside Church. Her will was filed for probate on April 22, 1948, and her gross estate was appraised at $1,156,269. As per her final wishes, four major works were bequeathed to the Museum of Modern Art (MoMA): Lady With a Parasol and Seated Woman, both by Georges Seurat; Street at Saintes-Maries and Corridor at Saint-Remy by Vincent van Gogh. She left her Oriental miniatures to the Fogg Museum. Her residuary estate of $850,848, minus estate taxes of $250,000, was donated to the MoMA. A number of dedications were made in her honor and in remembrance of her commitment as an art collector. One such was the Abby Aldrich Rockefeller Print Room at the MoMA, which with her gift of sixteen hundred prints was opened on May 15, 1949. The Abby Aldrich Rockefeller Folk Art Center was opened in 1957 in Colonial Williamsburg to house her collection of folk art. A number prominent figures paid homage to Rockefeller after her death. Most notably, was a contribution by artist Henri Matisse of a stained glass window for Union Church in Pocantico, New York. In the spring of 1954, at eighty-four years old, the then bedridden Matisse was asked to design a stained glass window for the Union Church as a memorial to Rockefeller. He regretfully refused the commission because his deteriorating health would prevent him from visiting and studying the location. After Alfred Rockefeller sent