Connoisseurs." Her style is unlike Loy's, which is dangerous and provocative, but both names are linked together in Others for their freshness of presentation, novelty, freedom and break from traditional literature. William Carlos Williams William Carlos Williams is one of the primary contributors to Others and a novelty enthusiast. He introduced the elimination of capital letters at the beginning of lines as a poetic innovation. This was a suggestion to further modernize the magazine with new innovations. William's mixed ancestry of Puerto Rican and English furthers his affiliation with "otherness." He also claimed that America was his only possible home as he witnessed the openness to the immigrant population that was changing America. Williams saw potential toward Jewish immigration and the increase of racial blending as directly affecting American poetry. When Others was on the verge of collapse in 1916, Williams took the opportunity to restart the magazine. Subsequently, in 1919 he was also the one to seize the opportunity to pronounce the official end to the magazine. Despite putting an end to the production of Others he included in the last issue an eight-page section entitled "Belly Music," a rant about American poetry criticism being "sophomoric, puling, and nonsensical", but also ensured the public that the end of Others was only a pretext for another new beginning. A Woman's Number One of the much later issues of Others was "A Woman's Number" edited by Helen Hoyt in 1916. The purpose of the issue was to establish a new relationship between the inner woman and the outside world. Hoyt wanted to portray a hidden femininity that could be translated through the expression of poetry. The issue was condemned by critics for its controversial theme. However Hoyt continued to want to establish a space where "Art is surely sexless". Similar to contemporary women's magazines, the woman's number provided a space for self-expression in terms exploring the private prospect into female experiences and attitudes. Most contributions were written in free verse as an act of emancipation to break from the conventional norms of repressive sexuality. In Hoyt's poem called "To a Pregnant Woman" she writes "So absolutely to command, / To serve, to keep. /Knowing you hold the beating life of the beloved / In the depths of your life;" this reveal the intimate relationship mothers have with their child and the control of a woman's own body. Poets like H.D. write