to follow convention anyway. In criticism, the study of the archetypal phase of a symbol is akin to the "nature" perspective in the psychological debate over nature versus nurture. Rather than viewing the symbol as a unique achievement of the author or some inherent quality of the text, the archetypal phase situates the symbol in its society of literary kindred as a product of its conventional forebears. Finally, Frye proposes an anagogic phase wherein a symbol is treated as a monad. The anagogic level of medieval allegory treated a text as expressing the highest spiritual meaning. For example, Dante's Beatrice in the Divine Comedy would represent the bride of Christ, i.e, the Catholic Church. Frye makes the argument that not only is there a lateral connection of archetypes through intertextuality, but that there is a transcendent almost spiritual unity within the body of literature. Frye describes the anagogic in literature as "the imitation of infinite social action and infinite human thought, the mind of a man who is all men, the universal creative word which is all words." "Archetypal Criticism: Theory of Myths" Frye begins the essay regarding myth as the source of all literature (as a visual, auditory and textual art form), paintings (as visual art form) and music (as an auditory art form). The underlying structures and patterns of all these forms are similar, though they have a unique style of their own. The third essay is the culmination of Frye's theory in that it unites the elements of characterization and each of the five symbolic phases presented in the first two essays into an organic whole. This whole is organized around a metaphor of human desire and frustration as manifested in the Great Chain of Being (divine, human, animal, vegetable, mineral and water) by analogy to the four seasons. At one pole we have apocalyptic imagery which typifies the revelation of heaven and ultimate fulfillment of human desire. In this state, the literary structure points toward unification of all things in a single analogical symbol. The ultimate of the divine is the deity, of the human is Christ (or any other being that embodies the oneness of humanity in its spiritual culmination), of the animal is the lamb, of the vegetable is the Tree of Life or vine, and of the mineral is the heavenly Jerusalem or city of God. At the opposite pole lies demonic imagery