to be encountered in Albanian. There are either as isolated poems or within the divans: the murabba', quatrain; the ilahi, religious hymns; the qaside, the longer panegyric odes favoured by the Arabs; and the ghazal, shorter poems, often love lyrics which were favoured by the Turks and Persians. The subject matter was often religious, either meditatively intimate or openly didactic, serving to spread the faith. The speculative character of much of this verse derived its inspiration from the currents of Islam: from Sunnite spirituality to the intense mystical spheres of Shi'ite Sufism and later, to the more liberal, though equally mystical reflections of Bektashi pantheism. Secular verses occur as well: love lyrics, nature poetry and historical and philosophical verse. The first major poet among the bejtexhinj was Nezim Frakulla (1680–1760) who wrote his first poetry in Turkish, Persian and Arabic including two divans. Between 1731 and 1735 he composed a divan and various other poetry in Albanian, as well as an Albanian- Turkish dictionary in verse form. His divan include verse ranging from panegyrics on local pashas and military campaigns, to odes on friends and patrons, poems on separation from and longing for his friends and lovers, description of nature in the springtime, religious verse, and in particular, love lyrics. Another famous bejtexhinj is Hasan Zyko Kamberi who was one of the most commanding representatives of the Muslim tradition in Albanian literature, through his main work, a 200-page (verse collection). Kamberi's secular verse covers a wide range of themes. 19th century The 19th century, the century of national movements in the Balkans, found Albanians without a sufficient tradition of a unitary development of the state, language and culture but, instead, with an individualistic and regionalist mentality inherited from the supremacy of clan and kinship and consequently with an underdeveloped national conscience, though with a spirit of spontaneous rebellion. In this historical cultural situation emerged and fully developed an organized ideological, military and literary movement, called Rilindja Kombëtare (National Renaissance). It was inspired by the ideas of National Romanticism and Enlightenment, which were cultivated among the circles of Albanian intelligentsia, mainly émigrés in the old settlements in Italy and the more recent ones in Istanbul, Bucharest, United States, Sofia and Cairo. National Renaissance, nurturing the Albanian as a language of culture, the organization of national education and the establishment of a national literature on the cultural level as well as the