Superstrat is a name for an electric guitar design that resembles a Fender Stratocaster but with differences that clearly distinguish it from a standard Stratocaster, usually to cater to a different playing style. Differences typically include more pointed, aggressive-looking body and neck shapes, different woods, increased cutaways (resulting in deeper horns) to facilitate access to the higher frets, increased number of frets, contoured heel facilitating easier higher fret access, usage of humbucking pickups and locking vibrato systems, most commonly the Floyd Rose. There is no formal definition of a superstrat; the categorization is still largely left to popular opinion and depends greatly on the artist(s) associated with a particular model and how it is marketed. History Origin in custom modifications With the increased popularity of heavy metal music during the early 1980s, guitarists began seeking out guitars more suited to the new style, both in terms of looks (more "pointy" aggressive designs) and playability (ease of playing and larger tone that sounds pleasant with hi-gain amplification). Guitarists such as Ritchie Blackmore, Uli Jon Roth and Dave Murray had used Fender Stratocasters, but each had minor modifications made to their instrument to suit their individual playing style. Blackmore was one of the first to build a guitar with superstrat characteristics. Dissatisfied with the performance of then-available original stock model commercial guitars, Blackmore sought to create a hybrid instrument that would suit his acrobatic playing style as seen in concert photos from Manchester in 1974. Eddie Van Halen was another pioneer of the idea. The stock single-coil pickups of a Fender Stratocaster were noisy, and lacked the output necessary to drive an amplifier into hard distortion (characteristic of the Van Halen sound), but the body shape and wide pitch range of the Fender fulcrum tremolo appealed to him. An avid tinkerer, Van Halen assembled a Boogie Bodies Stratocaster body with a thin, 21-fret maple neck and a humbucking Gibson PAF pickup in the bridge slot. This guitar, known as the "Frankenstrat" was featured on Van Halen's 1978 debut album Van Halen, and pictured on the album cover. It was later repainted with a top coat of red, and has had different humbuckers over the years, some of them custom-wound. While many believe Van Halen's 1977 Frankenstrat to be the first Superstrat, Michael Hampton of Parliament-Funkadelic often used a sunburst Stratocaster with 3 humbucking pickups and a reversed headstock during the band's tours