critical acclaim and enormous box office success, earning $327,311,859 worldwide. It would allow Walker to make a name for himself in the movie industry. However, Walker would not earn another film credit to his name for another four years, though he penned several uncredited rewrites during this period, including The Game (on which he again worked with David Fincher) and Paul W. S. Anderson's Event Horizon. In 1999, Walker's 8MM finally saw the light of day, having been sold by him for a reported $1.25 million. Once again, the film's production encountered concerns regarding the dark subject matter, and the studio asked Walker to lighten the film's tone. With Joel Schumacher as director, Walker felt a rewrite would no longer be needed. But as it turned out, Schumacher supported the studio and made changes of his own, leading to a much-publicized fallout between the two, with Walker virtually disowning the film and walking away from the set. He refused to even watch the film, which became a critical failure. In an interview with The Guardian, he said that "it was such an inherently depressing experience that the very least I can do is protect myself from the miserable experience of actually watching it." In 2015, he expressed his openness to a redo 8MM instead of remaking Seven. The latter had left the studios and producers unhappy with Somerset merely standing there helpless as Mills shot John Doe. Walker found other success in 1999, as he penned uncredited rewrites to the critical hits Stir of Echoes and Fight Club, now considered a cult classic. Walker's adaptation of Washington Irving's short story "The Legend of Sleepy Hollow" also wrapped up production as Sleepy Hollow, directed by Tim Burton. While Burton admired Walker's original script, he hired the playwright and Academy Award-winning screenwriter Tom Stoppard to tone down the violence. The film, starring Johnny Depp, was still a box office and critical success. Since the mid-1990s, Walker wrote several screenplays that were never greenlit or have yet to go into production, such as a script for a movie starring the superhero Silver Surfer, a version of X-Men (2000; his script was written in 1994), and a film tentatively titled Batman vs. Superman. The latter film was set to go into production, but Warner Bros. opted to revive their franchises separately, and so the script was shelved. After the announcement and subsequent successes of