unique scheme prescribed and followed for centuries stand on the Bada Danda, the Grand Avenue. The chariots are lined across the wide avenue in front of the temple close to its eastern entrance, which is also known as the Sinhadwara or the Lion's Gate. Around each of the chariots are nine Parsva devatas, painted wooden images representing different deities on the chariots' sides. Each chariot has a charioteer (Sarathi) and four horses. Chandana Yatra The construction of the chariots starts on Akshaya Trutiya, the third day of the bright fortnight of Vaisakha, with ritual fire worship. This takes place in front of the palace of the King of Puri and opposite the main office of the Puri temple. On this day, the new agricultural season starts and farmers start plowing their fields. This day also marks the beginning of the summer festival of the deities, also known as the sandalwood festival or Chandan Yatra, which lasts for three weeks. In this festival, the representative images of the presiding deities are taken out in colorful processions and given a ceremonial boat ride in the Narendra pokhari/tank every day. In an interesting demonstration of the assimilative character of the Jagannatha cult, Madanmohana and Rama-Krishna, representing Jagannatha & Balarama partake in the festival with the representatives' images of the presiding deities of five main Shiva temples of Puri. These are curiously known as Pancha Pandava, the five brothers of the Mahabharata story. Later the deities have a ritual bath in a small temple in the middle of the tank, in stone tubs filled with water, sandalwood paste, scents, and flowers. This sandalwood festival culminates in the Snana Yatra, the Bathing Festival on the full moon day of the month of Jestha. On this day, the presiding deities descend from their seats on an elevated platform in the sanctum sanctorum(Garbha gruha), the bejeweled throne. They are bathed in 108 pots of water brought from the suna kua, the golden well and assume the elephant form on the special platform, close to the Eastern boundary wall of the temple. From that day the deities remain in symbolic and ritual convalescence for about two weeks. They are barred from the view of the ordinary devotees. Only three special patta chitras, traditional Oriya paintings of natural colors on cloth stiffened with starch, known as Anasara Pattis, are strung on a bamboo screen hiding the deities from public