artists and photographers could gather together to exchange ideas and earn praise for art that might have been ridiculed elsewhere. Under the influence of Stieglitz, Kreymborg decided to create a space exclusively for literary artists, "a space that defines the identities of its inhabitants, enabling artistic men to 'find themselves' and to find others like them". For that reason, Kreymborg found his first experimental magazine called The Glebe which means "a field or a piece of cultivated land." He hoped for it to be an open field for new artists who did not have the opportunity, or confidence to share their respectable work.The Glebe was financially supported by Albert and Charles Boni but eventually Kreymborg and the Bonis had differing opinions on the type of work that should be displayed in the magazine. Kreymborg remained loyal to his desires for experimenting. He favoured works by Americans, where as the Bonis preferred European art. In the end, Kreymborg resigned as editor from The Glebe and slowly the magazine collapsed. Others: A New MagazineOthers was a space and magazine which was resisted by many other poetry magazines produced in the same period. Poetry and The Little Magazine would criticize the new verse style of writing. They referred to the accomplishments produced by Others as fluke but Others never retaliated against the magazines that criticized itself. Many of Others's verses explored the themes of American life in 1910s such as the industrial metropolis, or the explosive dynamics of Machine Age Labor, and catastrophe of global warfare. The magazine gradually acquired a reputation for individualism but it also acquired an image of "queerness" after the addition of other contributors such as Mary Carolyn Davies, Mina Loy, and Marianne Moore. Davies' "Songs of a Girl" and Mina Loy's "Love Songs" boldly publicize private feminine spaces. Queerness was not entirely associated with homosexuality, but in a sense of innovation and breaking free of norms. The introduction of New Verse also served as a tool and style of writing that assisted the emancipation for women. Others became a magazine that rejected the conventional styles of poetry in addition to the resistance to sexual modesty. Male poet contributors of Others were criticized for being weak and effeminate while on the contrary women writer or poets were portrayed as "super-modern Sappho", in other words female homosexuals. Despite criticisms from many readers toward works that were produced by Others, some