contains a sample from Uncle Buck, as well as one from Vancouver radio station CKLG 730. Last Rights ninth and penultimate track, "Circustance", begins with more gloomily optimistic sounds and quickly descends into loud percussion drowning out Ogre's agonized mumbles. About this song, Valois wrote, "carnival and cartoon giddiness, pig-like snorts and speedway radio static blip by, only to end in a soothing mantra of wind blowing over glass bottles or Peruvian pan pipes." Like many tracks from the album, "Circustance" spawned from an in-studio jam. The last song of the album, "Download", stands in place of the original closing track, "Left Handshake". It is entirely derived from manipulated samples and features little to no rhythm. Ogre compared "Download" to a flatline. Key and Goettel went on to form the band Download, which expanded upon the song's early experimentation. About the track, Key said, "Dwayne and Anthony [Valcic] sat up for like fourteen hours just editing, and that’s not including the manufacturing of the sounds they did. They had collected that over a period of two months. So there’s a lot of work where people might think ‘oh, that’s just a synthesizer or a patch.’ But it's actually several hundred synthesizer patches." Live performances In May 1992, Skinny Puppy embarked on a North American tour with Godflesh and Thought Industry as opening acts. The stage show for Last Rights was less overtly violent and grotesque than on previous Skinny Puppy tours, focusing instead on coming to terms with negative emotions. During 1990's Too Dark Park tour, the band played clips from Japanese snuff films in the Guinea Pig series and were surprised by the audience reactions; apparently, many perceived the gruesome images as real. Ogre, dismayed by fans who enjoyed the explicit gore for the wrong reasons, wanted to shift the band's live tone to something more conceptual and introspective. He considered the Last Rights tour as a maturation, and thought of those 1992 performances as dark inward looks. Tim Gore, the band's manager and assistant in designing the Too Dark Park shows, helped Ogre come up with the more nuanced set of theatrics, resulting in Skinny Puppy's most ambitious and prop-heavy tour. In preparation for the upcoming Last Rights shows, Ogre and William Morrison recorded and edited sixty-six minutes of backing video to sync up with the live performances. This footage was recorded at the same time as the