reviewers such as H. L. Hemcken and J.B Kerfoot acknowledged free verse as a movement that reawakened American individualism. Contributors There were many outstanding contributors to Others including Ezra Pound and T.S. Eliot. While some of them are not considered frequent contributors, a few of the authors who made significant contributions to Others's image as an unconventional modern magazine are Mina Loy, Marianne Moore, Wallace Stevens, and William Carlos Williams. Mina Loy Mina Loy's work explores the female consciousness in an aggressive way, particularly considering it was written in 1915. Her bold articulation of female fantasies and female performance of sexuality completely reject the Victorian denial of female sexuality. Loy's style of work emphasizes the rebellious state of authors similar to herself and attest to their identities of "otherness". Loy needed Others as a free space to perpetuate her unorthodox values, while the magazine depended on Loy for creating an image of boldness. In contrast to other magazines, Others was willing to publish longer works without imposing format standards or censoring poets' content. Therefore, Loy's "Love Songs" made an explicit entrance to Others with graphic writing that depicts scenes of explicit sex or grotesque sexuality. Loy mocks the romantic conventions of Victorian writing with her candid verse that depicts sexuality as a complex topic. By representing herself as a sexual woman skeptical to the conventions of romance, she inverts the gender norms of women confined to the private sphere and men confined to the public sphere. Marianne Moore Marianne Moore, in contrast to some of extreme revolutionary female writers like Mina Loy or Helen Hoyt, departs from modern sexual conventions. Moore inclined to manipulate the use of grammar to equalize the positions of male and female subject and objects. She transforms language to free herself from the constraints of sexual difference. Both Moore and Loy's names are frequently coupled together in that they are associated in very different ways, but their shared social-political principles suggest their common tie to Others. Moore found it necessary in her writing to judge people on the basis of abilities as well as the importance of cultural superiority. Several of her poems indicated her acknowledgement of feeling out of place through thinking and living. She recurrently used animals to reflect her concern for literature and nature, and to express the theme of independence such as the black swan she writes in her poem "Critics and