of alcohol and authority issues. Nonetheless, he becomes gradually overwhelmed by what he sees as the evil forces in the hotel. At the novel's conclusion, it is suggested that the evil hotel forces have possessed Jack's body and proceeded to destroy all that is left of his mind during a final showdown with Danny. He leaves a monstrous entity that Danny is able to divert while he, Wendy and Dick Hallorann escape. The film's Jack is established as somewhat sinister much earlier in the story and dies in a different manner. Jack kills Dick Hallorann in the film, but only wounds him in the novel. King attempted to talk Stanley Kubrick out of casting Jack Nicholson even before filming began, on the grounds that he seemed vaguely sinister from the very beginning of the film. Only in the novel does Jack hear the haunting, heavy-handed voice of his father, with whom he had a troubled relationship. In both the novel and film, Jack's encounter with the ghostly bartender is pivotal to Jack's deterioration. However, the novel gives much more detail about Jack's problems with drinking and alcohol. The film prolongs Jack's struggle with writer's block. Kubrick's co-screenwriter Diane Johnson believes that in King's novel, Jack's discovery of the scrapbook of clippings in the boiler room of the hotel, which gives him new ideas for a novel, catalyzes his possession by the ghosts of the hotel, while at the same time unblocking his writing. Jack is no longer a blocked writer, but now filled with energy. In her contribution to the screenplay, Johnson wrote an adaptation of this scene, which to her regret Kubrick later excised, as she felt this left the father's change less motivated. Kubrick showed Jack's continued blockage quite late in the film with the "all work and no play makes Jack a dull boy" scene, which does not appear in the novel. Stephen King stated on the DVD commentary of the 1997 miniseries of The Shining that the character of Jack Torrance was partially autobiographical, as he was struggling with both alcoholism and unprovoked rage toward his family at the time of writing. Tony Magistrale wrote about Kubrick's version of Jack Torrance in Hollywood's Stephen King: From Thomas Allen Nelson's Kubrick: Inside a Film Artist's Maze: "When Jack moves through the reception area on his way to a 'shining' over the model maze, he throws a yellow