for the duo. All subsequent Flipper's Guitar songs were written in Japanese with occasional choruses adopting English. Due to the sudden uplift in popularity the group's second album Camera Talk (カメラ・トーク) was released in June 1990 to much greater anticipation and sales. The album produced by 'Double Knockout Corporation' and Zin Yoshida. The album shows the group widening its guitar-orientated sound to take-in bossa nova/Latin, vocal jazz, house music, and spy thriller instrumentals. The influence of new wave British guitar-pop was present in equal measure and if anything more apparent than on the debut. Songs titled after the British acts Haircut 100 and The Colourfield made the connection overt. Flipper's Guitar followed Camera Talk with their first national tour. The duo kept busy in the studio releasing the extended-play Camera! Camera! Camera! in September and the non-album single "Love Train" b/w "Slide" in November. The title-track of Camera! Camera! Camera! is an alternate 'guitar pop' recording of the Camera Talk album track with John "Segs" Jennings and David Ruffy. Doctor Head's World Tower (1991) 1991 found the group pursuing their interest in the British alternative scenes of House, Madchester/Baggy and an extensive use of sampling. "Groove Tube", their first single of 1991 and a primer for their third album had a new sound that combined pop accessibility with shoegaze and Madchester/Baggy styles. The single bears a similarity to "Fool's Gold" by The Stone Roses, "Soon" by My Bloody Valentine and "Come Together" by Primal Scream. That summer the group released Doctor Head's World Tower (ヘッド博士の世界塔). The album title is a reference to The Monkees's 1968 movie Head. Samples of dialogue from Head appear throughout. Stylistically the album was another leap-forward for the group that showcased an increased use of sampling and the obvious influence of groups like Primal Scream and the Happy Mondays giving the album a tripped-out dance groove. Gone were short acoustic pop songs of the debut and the bossa nova/Latin, vocal jazz leanings of Camera Talk. In there place were songs of much greater length, three of which were over six-minutes long. The group's innovative method of sampling involved a cut-and-paste construction and marriage of samples from The Beach Boys' "God Only Knows" to Eyeless in Gaza's "Changing Stations" and lifting a large portion of Strawberry Switchblade's "Trees and Flowers" ("Dolphin Song"). The album's closing track "The World Tower" at ten minutes in length is a psychedelic