exciting". Turner later told Time magazine about how gratifying it was to watch Sansa's development during Season 6 and defended the show on the criticism of its cruel treatment of women: "In my opinion, Game of Thrones is not sexist, and it's accurate to medieval time. The show puts social boundaries on the women, and they break out of these boundaries." Controversy In the episode "Unbowed, Unbent, Unbroken", Sansa's rape was the main subject of controversy for the season's deviations from the books. The majority of professional criticism concerned the showrunners' decision to have Ramsay rape Sansa, with most critics describing the scene as gratuitous and artistically unnecessary. "This grim scene was difficult for the show to justify," said Charlotte Runcie of The Daily Telegraph. Joanna Robinson of Vanity Fair added, "this rape scene undercuts all the agency that’s been growing in Sansa since the end of last season. [...] I’d never advocate that Game of Thrones (or any work of fiction) shy away from edgy plots out of fear of pushback or controversy. But edgy plots should always accomplish something above pure titillation or shock value and what, exactly, was accomplished here?" Christopher Orr wrote in The Atlantic, "I continue to be astonished that showrunners Benioff and Weiss still apparently believe that their tendency to ramp up the sex, violence, and—especially—sexual violence of George R.R. Martin’s source material is a strength rather than the defining weakness of their adaptation." Myles McNutt of The A.V. Club wrote, "The issue with the show returning to rape as a trope is not simply because there have been thinkpieces speaking out against it, and is not solely driven by the rational concerns lying at the heart of those thinkpieces. It’s also that the show has lost my faith as a viewer." Writers from Vanity Fair, The Mary Sue and The Daily Beast all disapproved of the decision to use Sansa's victimization as a motivating agent for Theon, saying that the scene undermined Sansa's character development: "Was it really important to make that scene about Theon's pain?" wrote Joanna Robinson of Vanity Fair. Other critics responded positively to the scene. Sean T. Collins of Rolling Stone wrote: "[B]y involving a multidimensional main character instead of one introduced primarily to suffer, the series has a chance to grant this story the gravity and seriousness it deserves. Sarah Hughes of The Guardian wrote: "I have repeatedly