third biggest-selling record of the year in Italy. Mogol and his fellow composer Lucio Battisti, along with the Premiata Forneria Marconi on back-up instrumentals, worked with Mina on several songs as a result of the success of "Non credere". The team produced a set of songs including "Io e te da soli" ("You and Me Alone"), "Insieme" ("Together"), "Amor mio" ("Love of Mine"), "Io vivrò senza te" ("I'll Live without You"). " One of the first introductions of the new repertoire was the Senza Rete live televised concert from the Auditorio A in Naples on 20 January 1970. The material provided by Mogol-Battisti was the core for five albums. Among them, ...bugiardo più che mai...più incosciente che mai... was Mina's first independent album to reach No. 1 of the weekly Italian charts and was the biggest selling album of 1969 in Italy. ...quando tu mi spiavi in cima a un batticuore... was seventh on the annual record chart of 1970. Del mio meglio... (My Best...) was second in 1971. Mina was the biggest seller of 1972. The latter two albums were recorded during a break from live performances to give birth to her daughter Benedetta. Mina's comeback took place at RAI's variety series Teatro 10 in spring 1972. One of the highlights of the series was a selection of Battisti's songs performed in duet with the composer. The shows also included "Balada para mi muerte" ("Ode to My Death"), a nuevo tango duet with Ástor Piazzolla at the bandoneón, backed by the Argentinian group Conjunto 9. "Grande grande grande", arranged by Pino Presti, was the second biggest-selling single of the year in Italy. The successes pushed Enrico Riccardi to take inspiration from Battisti's style in Riccardi's composition "Fiume azzurro", which earned another place in the top 100 of annual record sales in Italy. The final number of the eight Teatro 10 episodes was "Parole parole" ("Words Words"), a duet with Alberto Lupo. The song is an easy listening dialogue between Mina's singing and Lupo's declamation. The lyrics' theme are hollow words. These intertwine the lady's lamentation of the end of love and the lies she has to hear with the male protagonist's recitation. In the dialog she scoffs at the compliments he gives her, calling them parole – just words. The single was released in April 1972 and topped the Italian charts. It was covered by numerous Italian and French