Kay Adams (born Princetta Kay Adams; April 9, 1941) is an American country singer. Biography Kay Adams was born Princetta Kay Adams in Knox City, Texas, the fourth of five children to Charley Alva Adams (1908–1969) and Ola May Henson (1914–1993). Her father was a talented fiddle player. She moved at the age of 10, along with her family, to Vernon, Texas. In the 1960s, Adams arrived on the country scene with the songs "Six Days a Waiting," "Old Heart Get Ready," "Anymore," "Don't Talk Trouble To Me," "Trapped," "Roll Out The Red Carpet," "I Cried At Your Wedding," "Honky Tonk Heartache" and "She Didn't Color Daddy." She appeared as a regular on such Bakersfield based country music TV programs as Buck Owens’ Ranch and the Dave Stogner Show. At the inaugural Academy of Country Music Awards, in 1965, Adams was named Top New Female Vocalist. Merle Haggard was named Top New Male Vocalist, while Top Male Vocalist and Top Female Vocalist went to Buck Owens and Bonnie Owens. The following year, Adams was nominated for Top Female Vocalist. Before 1966, women never recorded songs about truck driving. Adams, however, had a hit that year with "Little Pink Mack," a song giving the point of view of a woman driver, which is the only song on the album by a woman. In the song her truck has chrome and it "has polka-dot curtains hangin' in the sleeper," but is the fastest big-wheeler on the road. In her "truck drivin' boots" she stands about five-foot three, but she can take care of herself. With a full-force Bakersfield sound twangy Telecaster and some fuzz-tone steel guitar backing, she delivers the story of a truck driving woman who makes it clear she "cut my baby teeth on a set of Spicer gears. I’m a gear-swappin’ mama, and I don’t know the meaning of fear." All the truckers are asked, "Who's the gal in the little pink Mack?" It was just a couple years before Tammy Wynette sang the praises of standing by one’s man, and a decade before Loretta Lynn celebrated reproductive freedom in her controversial hit, "The Pill," but country singer Kay Adams demolished at least one gender stereotype in 1966 with her hit single "Little Pink Mack." Adams's vocal style carried a lot of Wanda Jackson’s sassy, husky-throated rockabilly abandon, a hint of Wynette’s lovelorn sob and a sense of Connie