graphic design, logo design, type design, paintings, scholarship, maps, menus, greeting cards, invitations, legal documents, diplomas, cut stone inscriptions, memorial documents, props and moving images for film and television, business cards, and handmade presentations. Many calligraphers make their livelihood in the addressing of envelopes and invitations for public and private events including wedding stationery. Entry points exist for both children and adults via classes and instruction books. The scope of the calligraphic art is more than pure antiquarian interest. Johnston's legacy remains pivotal to the ambitions of perhaps most Western calligraphers: “It is possible even now to go back to the child's - something like the early calligrapher's - point of view, and this is the only healthy one for any fine beginning: to this nothing can be added; all Rules must give way to Truth and Freedom.” The multimillion-dollar Saint John's Bible project for the 21st century, completed in 2011, had engaged Donald Jackson with an international scriptorium. It is designed as a 21st-century illuminated Bible, executed with both ancient and modern tools and techniques. The earlier 20th-century "Bulley Bible" was executed by a student of Edward Johnston's, Edward Bulley. The digital era has facilitated the creation and dissemination of thousands of new and historically styled fonts. Calligraphy gives unique expression to every individual letterform within a design layout which is not the strength of typeface technologies no matter their sophistication. The usefulness of the digital medium to the calligrapher is not limited to the computer layout of the new Saint John's Bible prior to working by hand. Graphics tablets facilitate calligraphic design work more than large size art pieces. The internet supports a number of online communities of calligraphers and hand lettering artists. Other sub-styles Other Western sub-styles and their respective century of appearance: Rustic capitals (6th BC) Roman cursive (6th BC) Roman square capitals (6th BC) Uncial script (2nd) Carolingian script (7th) Beneventan script (8th) Visigothic script (9th) Gothic script (10th) Chancery hand (13th) Textura script (or Gutenberg script) (15th) Antiqua script (16th) English script (calligraphy) (18th) Bibliography Alexander, J.J.G., Marrow, J.H., & Sandler, L.F. with Moodey, E., & Petev, T.T. (2005) The Splendor of the Word: Medieval and Renaissance Illuminated Manuscripts at the New York Public Library. New York Public Library/ Harvey Miller Publishers Backhouse, J. (1981) The Lindisfarne Gospels. Phaidon Press Baines, P., & Dixon, C. (2003) Signs: lettering in the environment. Lawrence King Publishing