for Western Publishing's Gold Key Comics imprint, and did a small amount of work for DC Comics, Dell Comics, and Tower Comics. In 1966, Bolle began a long association with the magazine Boys' Life, drawing numerous comic strips for the glossy monthly publication of the Boy Scouts of America. Through 1981, he drew at different times the strips Bible Stories, Green Bar Bill, Pedro Patrol, Pee Wee Harris, Pool of Fire, Scouts in America, Space Adventures, The Tracy Twins and White Mountains. He did other art as well for the magazine, from 1977 to 1984, and drew an adaptation of John Christopher's "The Tripods" as well as an adaptation of Robert A. Heinlein's "Between Planets." From 1965 to 1975, Bolle drew covers for nonfiction paperback books including Baton Twirling, Invitation to Skin and Scuba Diving, Scuba, Spear & Snorkel, Soccer, and Boxing. 1970s–2000s Two stories he penciled and inked, and one that he inked over penciler Russ Jones, from the paperback anthology Christopher Lee's Treasury of Terror (Pyramid Books, 1966), were reprinted in three 1968 issues of Warren Publications' black-and-white horror comics magazine Eerie. Bolle went on to draw new stories published in that magazine and in its sister publication Vampirella in 1970 and 1971, and in 1973 inked roughly a dozen stories for Marvel Comics, including in issues of The Avengers, The Defenders, Sub-Mariner, Marvel Premiere and Marvel Team-Up. Throughout the 1970s he also continued to do work for longtime clients Dell Comics and Gold Key Comics (in Flash Gordon, Ripley's Believe It or Not!, The Twilight Zone and other titles, including a short return to Doctor Solar, Man of the Atom). Additionally, sometimes under his FWB pseudonym, he also contributed to Charlton Comics. His comic-strip work in the 1970s included drawing the daily and Sunday Alexander Gates (1970–1971); the title character, Bolle said, "was an astrologist, I did that for a couple of years", For Universal Press Syndicate, he drew the trip Best Seller Showcase daily (1977) and Sunday (1977–1978), which included Raise the Titanic, based on the Clive Cussler novel; for the same syndicate, he drew Encyclopedia Brown daily and Sunday (1978–1980). He was the uncredited ghost artist on the daily Rip Kirby for King Features Syndicate from 1977 to 1994, and, for one month in 1982, the Sunday Tarzan for United Feature Syndicate. In an undated interview conducted no earlier than 1992, he said, "Today, I