just seven measures of D major to bring the movement to a close. The slow movement in G major is in ternary form (A–B–A) featuring a lightly scored, lilting theme with three upbeats. The central "B" section of the movement is for full tutti in G minor and is highly contrapuntal. The second "A" section finishes suspended on a cadential six-four chord. The following coda is indeed an orchestral cadenza featuring solos from the two principal violinists (including Salomon) and solos from the principal winds as well. The trio of the minuet features an extended oboe solo. The finale is a five-part rondo form (A–B–A–C–A), although it does include some elements of sonata form, implying that it could be a hybrid of both forms. The principal A section is primarily for the strings but are joined by the woodwinds in other areas. The B section revolves around D minor, while the C section features a short modulation to A major, thus showing a similarity to sonata form as mentioned above. Rhythmic patterns from both sections are referenced in the movement's coda. See also List of symphonies with names References External links Symphony 096 Compositions in D major 1791 compositions