The Blue Lagoon is a 1980 American dramatic coming-of-age romantic survival film directed by Randal Kleiser from a screenplay written by Douglas Day Stewart based on the 1908 novel of the same name by Henry De Vere Stacpoole. The film stars Brooke Shields and Christopher Atkins. The music score was composed by Basil Poledouris and the cinematography was by Néstor Almendros. The film tells the story of two young children marooned on a tropical island paradise in the South Pacific. But without either the guidance or the restrictions of society, emotional and physical changes arise as they reach puberty, go skinny dipping in the ocean and fall in love. The Blue Lagoon was theatrically released on June 20, 1980, by Columbia Pictures. The film was panned by the critics, who disparaged its screenplay, execution, and Shields' performance, but Almendros' cinematography received praise. In spite of the criticism, the film was a commercial success, grossing over $58 million on a $4.5 million budget and becoming the ninth-highest-grossing film of 1980 in North America. The film was nominated for the Saturn Award for Best Fantasy Film, Almendros received a nomination for the Academy Award for Best Cinematography, and Atkins was nominated for the Golden Globe Award for New Star of the Year – Actor. Shields won the inaugural Golden Raspberry Award for Worst Actress for her work in the film. Plot In the late Victorian period, two cousins, nine-year-old Richard and seven-year-old Emmeline Lestrange, and galley cook Paddy Button, are shipwrecked on a lush tropical island in the South Pacific. Paddy cares for the children and forbids them "by law" from going to the other side of the island, where he had found an altar with bloody remains from human sacrifices. He also warns them against eating the deadly scarlet berries. He dies after a drunken binge and the children rebuild their home on a different part of the island. At puberty, they go skinny dipping in the ocean. Emmeline is uncomfortable with her sexual attraction to Richard and declines to share her "funny" thoughts with him. She is frightened by her first menstrual period and refuses to allow Richard to inspect her for what he imagines is a wound. Eventually, Richard recognizes his own attraction to Emmeline. She ventures to the forbidden side of the island and sees the altar. Associating the blood with Christ's crucifixion, she concludes that the altar