guitar and a mix of synthesized and real drumming. "Where's the Party" is a standard dance track with arrangements of bass drums, synthesizer, clattering rhythms and a remixed approach to the whole composition. The title track featured instrumentation from a rhythm guitar, a synthesizer, keyboards, and drums for the bassline, with a backing track that employed a chord progression commonly used in doo-wop Cuban drums and Spanish guitar, maracas and harmonicas are used in "La Isla Bonita". "Jimmy Jimmy" has an early sixties pop influence, its lyrics a tribute to film star James Dean. Lyrically True Blue reflects Madonna's ideas about love. "Where's the Party" tells of a working girl enjoying the dancefloor after work. "Jimmy Jimmy" talks about Madonna's admiration for the neighbourhood bad boy. The Spanish "La Isla Bonita" and "Love Makes the World Go Round" deal with escapism from normal life, with the latter talking about anti-war and anti-poverty and using Latin drums and samba-influenced rhythms. "White Heat" deals with firmness and quotes Clint Eastwood's "Make my day" catchphrase. "Papa Don't Preach"'s lyrics talk about a young woman who tells her father that she is pregnant out of wedlock, but is going to keep her baby. "Live to Tell" portraits the complexity of deceit and mistrust. The song also is about childhood scars and had an extreme emotional pitch, achieving it in a divine sense. The title track had Madonna talking about romance and 1950s inspired girl group pop. The lyrics of "True Blue" are constructed in a verse-chorus form, with the theme being Madonna's feelings for Sean Penn; she even uses the 1929 archaic love word "dear" in the line "Just think back and remember, dear". Madonna expressed her sexual desires in the lyrics of "Open Your Heart" and described the beauty of a Latin paradise in "La Isla Bonita". Packaging The album cover, shot by photographer Herb Ritts, is one of Madonna's most recognizable pictures. It features a picture of Madonna from the neck up. The main colors in the picture are gray, white and various shades of blue to reinforce the album's title. Madonna positioned herself in an elegant pose while wearing pale make up with red lips, tilting back her neck in a swan like pose. Jeri Heiden, who was working at Warner Bros. art department, was given the task of editing the photos and making them compatible for appearance in an album