vol. 2, #1–#8) was an influence on the film, with Johnson noting that they would "literally take out a scene from the comic book that Joe did [...] Here's Daredevil on the cross, you know, it's that scene from 'Guardian Devil'. You just shoot that." Throughout the film, Ben Affleck had to wear "cataract milky-blue" contacts, which would effectively make him blind. This was considered great by Johnson, as it would aid his performance. The sound plays an integral part in the film, as the superhero relies on it in order to form his 'sonar sense'. Post-production sound was done by supervising sound editor John Larsen and sound designer Steve Boeddeker and is heard taking place immediately after Matt's optic nerve is seen mutating. The mutating of the nerve was done by Rhythm and Hues Studios, who also worked on the sonar-sense which became referred to as the "shadow world". Shadow world was made using just CGI except in a scene where Elektra and Matt Murdock are in the rain, which was done using CGI over film. Music The soundtrack to the film, Daredevil: The Album, was released in February 2003. The score to Daredevil was written by Graeme Revell, and released on March 4, 2003. He was attracted to the focus of "human-ness" on Daredevil, torn emotionally and physically by his superhero status. Avi Arad asked Revell to concentrate more on the emotions of Daredevil and Elektra, while Mark Steven Johnson wanted to stay clear from any gothic and action movie clichés. Revell tried to avoid too much individual motifs but some characters would have an identifiable sound, like Bullseye would have guitar undertones, while Kingpin would have bass beats. Guitarist Mike Einziger of Incubus collaborated with Revell for any additional rock elements. Revell thoroughly enjoyed working with Johnson, describing the director as "positive" and "responsive" when it came to experimenting (as opposed to feeling "locked in a box of preconceptions") which he felt led to "cool stuff". Varèse Sarabande put together the score record. "Bring Me to Life" by Evanescence featuring Paul McCoy, won a Grammy Award for Best Hard Rock Performance at the 46th Grammy Awards. The song was nominated in the category for Best Rock Song at the same event but lost to "Seven Nation Army" by The White Stripes. "Bring Me to Life" won an award for Choice Music Rock Track at the Teen Choice