André George(s) Louis Onslow (27 July 1784 – 3 October 1853) was a French composer of English descent. His wealth, position and personal tastes allowed him to pursue a path unfamiliar to most of his French contemporaries, more similar to that of his contemporary German romantic composers; his music also had a strong following in Germany and in England. His principal output was chamber music, but he also wrote four symphonies and four operas. Onslow was esteemed by critics of his time, but his reputation declined swiftly after his death. It has only been revived in recent years. Life George Onslow was born in Clermont-Ferrand, the son of an English father, Edward Onslow, and a French mother, Marie Rosalie de Bourdeilles de Brantôme; his paternal grandfather was George Onslow, 1st Earl of Onslow. In Onslow's own brief autobiography (written in the third person) he comments that in his childhood, "music studies formed but a secondary part of his education" but names Jan Ladislav Dussek and Johann Baptist Cramer amongst his piano teachers. It has been suggested that he received this tuition in London under the aegis of his grandfather the Earl. However, other research indicates he may not have studied with Dussek until 1797–1798 in Hamburg, where his family was living in exile after his father had become involved in counter-revolutionary activities in France. This research also indicates there is no evidence to support the suggestions sometimes made that Onslow at any time visited Vienna, or that he met, or studied, there with Ludwig van Beethoven. Onslow states in his autobiography that his attitude to music was transformed by his experience of hearing the overture to Étienne Méhul's opera Stratonice in Paris in 1801. In Onslow's own later words: "On hearing this piece, I experienced so lively an emotion in the depths of my soul that I sensed myself at once penetrated by feelings previously unknown to me; even today this moment is present in my thought. After this, I saw music with other eyes; the veil which had hidden its beauties from me was rent; it became the source of my most intimate joy, and the faithful companion of my life." This led him to compose his first string quintets (Op. 1 nos. 1–3) and string quartets (Op. 4 nos. 1–3), although he had not at this stage received any composition tuition. These were published at his own expense;