Loyal to the Game is the ninth studio album and fifth posthumous studio album by American rapper Tupac Shakur. The album was produced by Eminem and consists of remixes of previously unreleased music recorded by Tupac before his death in 1996. Released in the United States on December 14, 2004, Loyal to the Game debuted at number one on the US Billboard 200 chart. It was later certified Platinum by the Recording Industry Association of America (RIAA). Background During an interview with MTV, Eminem stated he was so moved by Tupac's life and work that he wrote a letter to Tupac's mother, Afeni Shakur, asking her to consider letting him produce his next album. Shakur agreed, allowing Eminem to produce three new songs for the 2003 soundtrack album, Tupac: Resurrection, and the entirety of Loyal to the Game, bar bonus content. All songs on the album were recorded prior to Tupac's involvement in the controversial East Coast-West Coast hip hop rivalry, serving as the second posthumous album released consisting of material from this time period, the first being 1997's R U Still Down? (Remember Me). Although the songs are mostly unreleased, the title track, "Loyal to the Game", was previously released on the cassette edition of the 1994 soundtrack album Above the Rim, and subsequently as the B-side to the album's lead single, "Regulate". The album featured two singles: "Thugs Get Lonely Too", which served as a promotional single for the album, and "Ghetto Gospel", which served as the lead single. Originally, "Ghetto Gospel" was recorded for inclusion on the 1992 Christmas compilation A Very Special Christmas 2, but due to Tupac's legal troubles, the song was dropped from the album. This original version has a much faster tempo and features a third and fourth verse which didn't feature in Eminem's remix. Production Loyal to the Game marks the only posthumous Tupac album not to feature any original production. When remixing these songs, Eminem used various unusual production techniques, namely, modifying the pace and pitch of Tupac's voice to better suit the instrumentals he produced. The style of the production on the album fitted more to the form of a Shady/Aftermath release, of which Eminem partly created, than it did to any original or previous posthumous Tupac release. There were also various uses of cutting and pasting vocals to produce new words synonymous with rap culture at that time, such