characters to life onstage, reworking scenes from "True Blue", "Open Your Heart", "Papa Don't Preach" and "La Isla Bonita". The stage was huge, with four video screens, multimedia projectors and a flight of stairs in the middle. Leonard became the music director and encouraged Madonna to go with the idea of rearranging her older songs and presenting them in a new format. Madonna named the tour 'Who's That Girl', after looking up at a gigantic image of herself projected on a screen on the stage during rehearsals. The show included song-and-dance routines and theatrics, seven costume changes, and an encore consisting of the title song "Who's That Girl" and "Holiday". The tour also addressed social causes like AIDS, during "Papa Don't Preach". Who's That Girl was critically appreciated, with reviewers commenting on the extravagant nature of the concert and complimenting Madonna for her dancing, costume changes and dynamic pacing. Who's That Girl was a commercial success, grossing a total of U.S. $25 million, with Madonna playing in front of 1.5 million people over the course of the tour. According to Pollstar, it was the second top female concert tour of 1987, behind Tina Turner's Break Every Rule Tour. Two concerts from the tour were later released on music video, Who's That Girl: Live in Japan (1987), which was exclusive to the Japanese market and Ciao Italia: Live from Italy (1988) which was released internationally. Taraborrelli commented that "Many female artists behave like a diva for a period when they reach superstar status, and the 'Who's That Girl?' tour marked the beginning of Madonna's." The tour is also noted for giving rise to the new Madonna persona, a stronger and more intelligent sexual image of her former self which had given rise to the term Madonna wannabe. A statue of Madonna, wearing a conical bra was erected in her name, at the center of the town of Pacentro in Italy, where her ancestors used to live. Singles "Live to Tell" was the first single released from the album in March 1986. The song was the second ballad for Madonna after "Crazy for You", and was used in the film At Close Range which starred her then husband Sean Penn. The song was received positively by critics with most of them calling it "her best ballad to date" as well as a "tremendous ballad that rewrites the rules of adult contemporary crossover".