Caravaggio is a 1986 British historical drama film directed by Derek Jarman. The film is a fictionalised retelling of the life of Baroque painter Michelangelo Merisi da Caravaggio. It is the film debut of Tilda Swinton and Sean Bean. Plot Told in a segmented fashion, the film opens as Caravaggio dies from lead poisoning while in exile, with only his long-time, deaf companion Jerusaleme, who was given by his family to the artist as a boy, by his side. Caravaggio thinks back to his life as a teenage street ruffian who hustles and paints. While taken ill and in the care of priests, young Caravaggio catches the eye of Cardinal Francesco Maria del Monte. The Cardinal nurtures Caravaggio's artistic and intellectual development but seems to molest him. As an adult, Caravaggio still lives under the roof and paints with the funding of Del Monte. Caravaggio is shown employing street people, drunks and prostitutes as models for his intense, usually religious paintings. He is depicted as frequently brawling, gambling, getting drunk and is implied to sleep with both male and female models. In the art world, Caravaggio is regarded as vulgar and entitled for his Vatican connections. One day, Ranuccio, a street fighter for pay, catches Caravaggio's eye as a subject and potential lover. Ranuccio also introduces Caravaggio to his girlfriend Lena, who also becomes an object of attraction and a model to the artist. When both Ranuccio and Lena are separately caught kissing Caravaggio, each displays jealousy over the artist's attentions. One day, Lena announces she is pregnant without stating who the father is and will become a mistress to the wealthy Scipione Borghese. Soon, she is found murdered by drowning. Ranuccio weeps as Caravaggio and Jerusaleme clean Lena's body. Caravaggio is shown painting Lena after she dies and mournfully writhing with her body. Ranuccio is arrested for Lena's murder, but he claims to be innocent. Caravaggio pulls strings and goes to the pope to free Ranuccio. When Ranuccio is freed, he tells Caravaggio he killed Lena so they could be together. In response, Caravaggio cuts Ranuccio's throat, killing him. Back on his deathbed, Caravaggio is shown having visions of himself as a boy and trying to refuse the last rites offered him by the priests. Cast Production Set design In keeping with Caravaggio's use of contemporary dress for his Biblical figures, Jarman intentionally includes several anachronisms in the film