Bass, using a single coil pick-up as did the earliest design. Since 1969 the 1-piece maple neck option was offered on many Fender basses, with the rosewood fretboard as an alternative. Some Precision Basses made in the 1970s were also available with an unlined fretless rosewood, ebony or (usually) maple fingerboard, popularized by endorsees Sting and Tony Franklin. In 1968, The headstock graphic was changed to a new "waterslide" design. In 1977, the "Precision Bass" wordmark was changed to a smaller, sans-serif design. In the mid-1990s Fender briefly offered a fretless P-Bass as a part of the first generation of the "American Standard" line. This variant was dropped at the end of the 20th century. Active electronics models From 1980 to 1984 various models of the Precision Bass were given new active pickups and a high-mass brass bridge. The Special (1980) featured a split-coil pickup with white covers, gold hardware, a 2-band EQ and an active/passive toggle switch. The Elite (1983) had one (Elite I) or two (Elite II) split-coil humbucking pickups, TBX tone circuit and a Schaller fine-tune bridge later used on the Plus Series models of the early 1990s. Some models were available with solid walnut body and stained ebony fretboard. Precision Bass Lyte models were made in Japan and came to the market in late 1984. They had a smaller body shape and a modern C-shape maple neck with 22 medium-jumbo frets. They had an active P-J pickup configuration with a 2 band eq and pickup pan knob. They were produced until 1995. The later 1980s and 1990s saw the introduction of the Precision Plus and Deluxe Plus basses in 1989 and 1991, featuring Lace Sensor pickups, fine-tuner bridges, 22-fret necks and passive or active electronics on certain models. The limited-edition Custom Shop 40th Anniversary model of 1991 was a luxurious version of the Precision Plus Deluxe bass with gold hardware, a quilted maple top with no pickguard, highly figured neck, 3 stacked knobs and an ebony fretboard with side dot position markers. Only 400 of this model were produced. Some P-Basses with J-style bridge pickups used the Jazz Bass control layout—2 volumes and tone—and a side-mount jack socket. Others had the front pickup volume control moved forward to leave room for a top-mounted jack socket. Other variants include dual stacked control knobs similar to that of an early 1960s Jazz Bass or a 3-way pickup selector