It's a Beautiful Day is an American band formed in San Francisco, California, in 1967, featuring vocalist Pattie Santos along with violinist David LaFlamme and his wife, Linda LaFlamme, on keyboards. David LaFlamme, who as a youth had once performed as a soloist with the Utah Symphony Orchestra, had previously been in the group Orkustra playing five-string violin. The other members of It's a Beautiful Day in its early years were Val Fuentes (drums), Mitchell Holman (bass) and Hal Wagenet (guitar). Although they were one of the notable San Francisco bands to emerge from 1967's Summer of Love, the band never achieved the success of contemporaries such as the Grateful Dead, Jefferson Airplane, and Santana, with whom they had connections. The band created a unique blend of rock, jazz, folk, classical, and world-beat styles. Early history: 1967–1969 The band's original manager, Matthew Katz, had previously worked with the rock bands Jefferson Airplane and Moby Grape. The members of the band were unaware that the other two bands were already trying to end their business relationships with Katz. During 1967 and early 1968, Katz prevented It's a Beautiful Day from performing in San Francisco, telling them they were not ready. He booked their first public appearances at a club he controlled in Seattle, Washington, formerly known as the Encore Ballroom. Katz renamed the club San Francisco Sound. While in Seattle, the group lived in the attic of an old house owned by Katz while writing and rehearsing new songs in between club performances. Few customers came to the club during the band's engagement in Seattle during December 1967. The band's signature song "White Bird" was inspired by the experiences David and Linda LaFlamme had while living in Seattle. The song was partly inspired by Seattle's rainy winter weather. In a later interview, David LaFlamme said: Where the 'white bird' thing came from ... We were like caged birds in that attic. We had no money, no transportation, the weather was miserable. We were just barely getting by on a very small food allowance provided to us. It was quite an experience, but it was very creative in a way. By the time the group members returned to San Francisco they had no money and were frustrated by Katz's attempts to manipulate their career. In desperation, they began playing at a few clubs without his approval. The band gradually began to gain