The House of Eliott is a British television series produced and broadcast by the BBC in three series between 1991 and 1994. The series starred Stella Gonet as Beatrice Eliott and Louise Lombard as Evangeline Eliott, two sisters in 1920s London who establish a dressmaking business and eventually their own haute couture fashion house, Aden Gillett as photographer and film maker Jack Maddox and Maggie Ollerenshaw as head of the workroom Florence Ranby. It was created by Jean Marsh and Eileen Atkins, who had previously devised Upstairs, Downstairs. The series was written by several writers, including Jill Hyem, Peter Buckman, Deborah Cook and Ginnie Hole. Plot Series One Beatrice (30, known as Bea) and Evangeline (18, known as Evie) Eliott are left orphans by the sudden death of their tyrannical father, Henry Eliott. Left almost destitute and without any education, the sisters are forced to sell the family home to cover their father's debts. To earn money, they make use of their passion for dressmaking and Bea gets a job as secretary at a local photography studio run by Jack Maddox. Jack and his sister Penelope become firm friends of the sisters and Jack provides them with the funds to open their own London based dressmaking business "The House of Eliott". Through their relationship with Penelope Maddox, the sisters meet the loyal and hardworking seamstress Tilly Watkins whom they employ. A consistent theme throughout the series is the struggle of women in the 1920s to live fulfilling and independent lives—for some the struggle is simply to survive. Not only does Henry Eliott leave his daughters penniless and uneducated, but their cousin Arthur, who is executor of their father's estate, and Evie's legal guardian, keeps a rightful inheritance from the girls "for their own good". After Arthur's arrest and imprisonment for involvement in drug smuggling, he emigrates to Boston, USA, releasing a large amount of cash owed to the sisters from their father's estate. This allows Beatrice and Evie to expand the business and, by the end of series one, with the help of Evie's godfather, successful businessman Sir Desmond Gillespie, the future looks good. Evie celebrates her twenty-first birthday and is made a partner in the firm. The House of Eliott releases its first independent fashion collection and is creating exclusive designs for the aristocracy. Series Two Spring 1924: the Eliott sisters have employed Florence Ranby, a dour Victorian, as