the arcade arches. The panels of the confessional are decorated with crosses. Sixteen cast-iron lanterns hang from the tall aisles that light up the cathedral. About midway down the aisles, there are two small chapels; the Blessed Virgin chapel on the north behind the baptismal front, and the Sacred Heart chapel on the south, decorated with small colourful stone tiles. Lit candles flickering in red and blue illuminate the sides of the church. Classic artwork like The Last Supper, as well as other religious paintings of Jesus, priests, and John the Baptist hang above the sanctuary. These paintings, murals and vignettes were done in the 1930s. Various sculptures of saints sit along the side aisles in front of the stained glass windows. The St. Michael's church choir sit on the right side of the altar. Behind the altar is a semi-circular oak reredos with one large episcopal chair of the Archbishop and six smaller chairs on either side for members of the clergy. Stained-glass windows Unlike many of the cathedrals constructed during the Gothic Revival Period, St. Michael's retains a rich and colourful interior characteristic of classic Gothic cathedrals. The stained-glass in the cathedral is of the “antique” variety which is hand-blown in typical medieval style resulting in deeper colour when compared to typical machine-rolled glass used in other churches at the time. The largest piece of stained glass, located on the east side of the building was imported from France in 1858 and created by Étienne Thévenot, the same artist who created some of the windows for Notre-Dame and various other churches in Paris. The stained-glass windows located on the north and south walls originate from Austria and Bavaria and were installed during the late 1800s and early 1900s replacing the original clear pane. Despite the intentional Gothic style evident in many of the designs of these windows they are actually late-baroque in style. The eastern stained glass window above the altar, the focus of the church's interior is the stained glass window of the crucifixion. The tableau was installed in 1858 by Étienne Thévenot, a French pioneer of the medieval glass revival. Blue, yellow and red are the most prominent colours in the window. The deep blue sky with small blood-red squares of glass leading in the regular grid fall into larger and smaller bands of maroon, plum, and purple enlivened by emerald, viridian and gold. The central