cover giving Enya credit. On the 1999 album Astronomica by American heavy metal band Crimson Glory, the intro track "March for Glory" is an interpretation of Enya's "Boadicea". In 2003, R&B artist Mario Winans sampled "Boadicea" for his song "I Don't Wanna Know". Producer P. Diddy personally contacted Enya for permission and gave her 60 percent of the royalties, and included her name on the song's subtitle as "Mario Winans featuring Enya and P. Diddy". It went on to reach number one on the UK Singles Chart in 2004. "Boadicea" was also sampled on the answer song to "I Don't Wanna Know", "You Should Really Know" by the Pirates featuring Shola Ama, Naila Boss and Ishani, which peaked at number eight in the UK in 2004. "Boadicea" with "Ready or Not" was also sampled by R&B group Nina Sky on their single "Time to Go" featuring rapper Angie Martinez, from the mixtape presented by Cipha Sounds. In 2008, Italian DJ Francesco Zeta sampled "Boadicea" for his song "Fairyland"; he made another version in 2012, subtitled "ReAmp", that also used the hardstyle sample. In 2011, a small sample of "Boadicea" was used on "Der erste Winter" by German singer Cassandra Steen for the album Mir so nah. In 2012, hip hop artist Meek Mill sampled "Boadicea" on his mixtape Dreamchasers 2 on a song named after the Fugees' song, "Ready or Not". In 2015, Masika Kalysha sampled the song on "Hella Hollywood". In 2016, Salvatore Ganacci's song "Dive" sampled "Boadicea", and Enya was credited as a featured artist. On Nigerian-American singer Rotimi's 2019 album The Beauty of Becoming, he sampled the song on a track entitled "In My Bed", which also featured the rapper Wale. In 2022, "Boadicea" was used in Creepin' which was by American record producer Metro Boomin, Canadian singer the Weeknd, and Atlanta-based rapper 21 Savage. The song is also featured in the Stephen King movie Sleepwalkers. Music videos Technically, no music videos were released to promote the album. However, two episodes of The Celts featured music video-style interludes featuring Enya performing "I Want Tomorrow" and "Aldebaran". (A music video for "The Celts" would later be produced for the Warner Bros. reissue.) Critical reception A November 1987 review appeared in Australian newspaper The Age by Mike Daly. He compared the sound of the album to Clannad following their shift in musical style in the early 1980s, "echoing, shimmering