Dixie Dregs. A fellow University of Miami alumnus, Rod Morgenstein, replaced the injured Bart Yarnold and the band began performing regularly; with some of their own compositions, along with material by John McLaughlin and southern rock favorites. An increasingly heavier performance schedule eventually led to the attention of Capricorn Records recruiters including Allman Brothers Band manager Twiggs Lyndon, and in late 1976, the group was signed by the southern rock label. Their first effort for Capricorn, Free Fall, established Morse as an important newcomer to the fusion genre, and he was recognized for both his compositional skills (having written all 11 tracks) and his musicianship. Although receiving positive reviews as a pivotal jazz fusion album, it sold poorly. What If was released in 1978. Writing credits were more collaborative and the band's sound had matured into more than what was strictly considered fusion at the time. Southern rock, classical, folk and country elements were combined to form a cohesive and listenable music. Though supported by a tour, record sales remained flat, but gained Morse and the band an invitation to perform at Montreux Jazz Festival on July 23, 1978. The recorded performance was released the following year on Night of the Living Dregs. Capricorn went bankrupt in late 1979, and the Dixie Dregs were left without a label. Arista Records signed the band in 1979 to record three albums. Production control was handed to Morse, and Dregs of the Earth was released in May 1980. All eight tracks were written by Morse, and the album peaked at number 27 on Billboard's Jazz Album Chart. Arista became increasingly concerned about Dixie Dregs' album sales and pressured the band to change their name to simply the Dregs in an attempt to increase the band's visibility in the public eye. Unsung Heroes included eight new Morse compositions in early 1981, but the name change did little to address Arista's worries. The Dregs felt compelled by label management to add lyrics to their next release, appropriately titled Industry Standard. Morse's compositions on Industry Standard began to sound more like his evolving solo work than Dregs' collaborations, and the album received critical and public praise. Industry Standard was voted "Best Guitar LP" by readers of Guitar Player magazine in their annual reader's poll that year. Additionally, Morse was voted "Best Overall Guitarist" in the same poll, an honor that he would hold for five consecutive