Khan, Belinda Carlisle, and Al Jarreau. Marcy duetted with Alice Cooper on his 1978 album From the Inside (producer David Foster) on the song "Millie and Billie". She provided backing vocals on the 1980 hit "Lookin' for Love" (#5 Pop and #1 Country) by Johnny Lee. Also in 1980, she sang a duet with Robin Gibb, "Help Me!", which was featured on the official soundtrack of the film Times Square. The song was released as a single, and reached number 50 on the US Billboard Hot 100. She also sang a duet on Jimmy Ruffin's album Sunrise; "Where Do I Go", and in 1981 was featured on the official soundtrack of American Pop on "Somebody to Love". During this period, Detroit was signed to Epic Records and released her debut album, Marcella in 1982. The album failed to appear on any major charts, and after the commercial failure of the album, Epic Records refused Detroit tour allowance with John Mellencamp, and she was later dropped by the label. She wrote and provided backing vocals for "Tangled in Love" with Richard Feldman, which appeared on Eric Clapton's 1985 album Behind the Sun. Following this, she was asked by Clapton to start to work with him again, and after another year of touring with him, she once more left to pursue her own solo career. Detroit (credited as Marcy Levy) released an LP together with Diane Reeves in 1985, titled Ballerina, where she performs three songs, "Ballerina", "Pretty Polly" and "Always A Woman In Love". Also credited as Marcy Levy, she sang a duet with Max Carl, "Come and Follow Me" for the movie Short Circuit 1 in 1986; however no movie soundtrack album was ever released. Detroit was featured in 1988 on the official soundtrack of Mac and Me, on the song "You Knew What You Were Doing". 1988–1993: Shakespears Sister Detroit met Bananarama member Siobhan Fahey through a friend in common and songwriting partner Richard Feldman. At the time, Fahey had been contemplating leaving the band for her solo brainchild project Shakespears Sister. Feldman had invited Detroit as a songwriting aid. During this period, Fahey suggested to Detroit that she change her name to "give me a sort of new lease of life and to get me disassociated with my background vocal past/entity". Detroit continued to work as a "hired hand" until Fahey's husband David A. Stewart suggest the two