Wild Life is the debut studio album by the British–American rock band Wings and the third studio album by Paul McCartney after the breakup of the Beatles. The album was recorded in eight days, from 25 July to 2 August 1971, at EMI Studios (now Abbey Road Studios) by McCartney, his wife Linda, session drummer Denny Seiwell, whom they had worked with on the McCartneys' previous album Ram, and guitarist Denny Laine, formerly of the English rock band the Moody Blues. It was released by Apple Records on 7 December in the UK and US, to lukewarm critical and commercial reaction. Recording In July 1971, with a fresh set of McCartney tunes, the newly formed Wings recorded the album in slightly more than a week with the mindset that it had to be instant and raw in order to capture the freshness and vitality of a live studio recording. Five of the eight songs were recorded in one take. Paul McCartney later cited the quick recording schedule of Bob Dylan as an inspiration for this. The first session was held at Abbey Road Studios on 25 July. Footage of McCartney playing "Bip Bop" and "Hey Diddle" from around this time was later included in the made-for-TV film Wings Over the World. The album was rehearsed at McCartney's recording studio in Scotland dubbed Rude Studio, which Paul and Linda had used to make demos of songs that would be used in the album, and recorded at Abbey Road with Tony Clark and Alan Parsons engineering. Paul had lead vocal parts on all tracks, sharing those duties with Linda on "I Am Your Singer" and "Some People Never Know". "Tomorrow" features background vocals from Denny Laine and Linda McCartney. After the rehearsals at Rude, the recording moved to Abbey Road Studios, where the album was completed in a few weeks. According to drummer Denny Seiwell, five of the eight recorded tracks were done in one take. One almost definite example of this is "Mumbo", the opener on the album. According to Clark, they were just jamming and Clark decided to start recording. McCartney, upon noticing, shouted "Take it, Tony" and started ad-libbing lyrics. On the promotional album The Complete Audio Guide to the Alan Parsons Project, Parsons discusses how he did a rough mix of "I Am Your Singer" that Paul liked so much, he used it for the final mix on