named after the film of the same name from 1949. Two quotes from the original soundtrack were included in the song. The fourth track "Live to Tell" was written by Patrick Leonard for the soundtrack of Paramount's romantic drama film Fire with Fire but, after the company declined it, Leonard showed the song to Madonna. She decided to use it for At Close Range, the new film of her husband Penn. Madonna made a demo of the song; when the film's director, James Foley, heard it, he asked Leonard to write the score for the film, as suggested by Madonna. True Blue was the first album where Madonna included Spanish themes as evident in the song "La Isla Bonita". The song was written for Michael Jackson's Bad album, but he had turned it down. While working with Leonard, Madonna accepted it in Jackson's place and re-wrote the lyrics, earning herself a co-writing credit. Madonna described it as her tribute to the "beauty and mystery of Latin American people". Originally intended as the first single, "Love Makes the World Go Round" – first performed at Live Aid a year earlier, in July 1985 – closes the album. The song recalled the antiwar music of the sixties. Composition Musically True Blue was a different direction for Madonna. Her previous efforts had her singing in a high pitched voice. With this album, Madonna toned it down for a more bubblegum-pop voice. The songs on the album reflect this and a number of instruments were used in the songs to bring out the different moods which the lyrics emphasized. "Papa Don't Preach" features acoustic, electric, and rhythm guitars, keyboards, and string arrangements. A continuous percussion filled structure was used in "Open Your Heart". "White Heat" sampling of the film's quotation was included with speech and gunshots. It is an uptempo dance song with synth bass and double-tracked vocals supported by male voices in the chorus. "I don't write dance music and I don't see it as contributing to the cultural growth of the world," grumbled Pat Leonard in 1992. "At the time we were doing the groove stuff on the True Blue album, it was semi-innovative. There wasn't a precedent that made you gag. God forbid that I might have contributed to the mess we're in now." On ballads like "Live to Tell" there is background instrumentation from a keyboard, a synthesizer, a funk