and James thought of "Suspicious Minds" and James began urging others to get Presley to hear it. Though James's recording had not been commercially successful, upon reviewing the song, Presley decided he could turn it into a hit. Elvis Presley recording Background Presley had not recorded in Memphis since 1955. Presley's 1969 recordings at American Sound Studio were a direct consequence of the '68 Comeback Special, that interested Chips Moman in producing recordings in Presley's new style; he was making his comeback to the Memphis musical scene by recording rock, gospel, country, rhythm & blues, and soul. Marty Lacker, a close friend of Elvis, suggested he record at the studio. These sessions produced the album From Elvis in Memphis. American Sound Studio session "Suspicious Minds" was a product of a session that took place between 4 and 7 a.m. on Thursday, January 23, 1969. James was in Memphis, but he was not at the recording session. A few days earlier, he had walked into the recording studio during a session and sensed that Elvis was uncomfortable with his presence. James did not want to jinx the song, so he stayed away. When he heard the track the day after it was recorded, he initially thought it sounded too slow. When he later heard the embellished version, he said he was blown away. In later years, whenever Elvis saw James, he would cross the room to say hello. Production of the song was nearly scuttled over a copyright dispute. Elvis's business people said they wanted half of Moman's publishing rights. Moman accused them of stealing and threatened to halt the recording session. Harry Jenkins of RCA agreed with Moman because he sensed that "the song would be a big hit and there would be plenty to go around". The songs "I'll Hold You In My Heart (Till I Can Hold You In My Arms)", "Without Love (There Is Nothing)", and "I'll Be There" were recorded in the same session. On August 7, "Suspicious Minds" was again overdubbed to stereo and mono in Las Vegas, where the final master was produced. The song's time signature changes in the bridge section, from 4/4 to the slower 6/8, then back again to the faster 4/4 rhythm. The instrumental arrangement uses an electric guitar, bass guitar, organ, strings, trumpets, trombones, and drums. As Parade magazine wrote in a survey of some of Presley's biggest hits,