George P. Pelecanos (born February 18, 1957) is an American author. Many of his 20 books are in the genre of detective fiction and set primarily in his hometown of Washington, D.C. He is also a film and television producer and a television writer. On television, he frequently collaborates with David Simon, writing multiple episodes of Simon's HBO series The Wire and Treme, and is also the co-creator (with Simon) of the HBO series The Deuce and We Own This City. Early life Pelecanos, a Greek American, was born in Washington, D.C. in 1957. Career Novelist Pelecanos acknowledged that Elmore Leonard was a prime influence on him as an author. In addition to Leonard, he cited the works of Dashiell Hammett, Raymond Chandler, John D. MacDonald, Ross Macdonald, Mickey Spillane, and John le Carré for getting him hooked on crime fiction. Pelecanos's early novels were written in the first person voice of Nick Stefanos, a Greek D.C. resident and sometime private investigator. After the success of his first four novels, the Stefanos-narrated A Firing Offense, Nick's Trip, and Down by the River Where the Dead Men Go, and the non-series (though some characters do cross over) Shoedog, Pelecanos switched his narrative style considerably and expanded the scope of his fiction with his D.C. Quartet. He has commented that he did not feel he had the ability to be this ambitious earlier in his career. The quartet, often compared to James Ellroy's L.A. Quartet, spanned several decades and communities within the changing population of Washington. Now writing in the third person, Pelecanos relegated Stefanos to a supporting character and introduced his first "salt and pepper" team of crime fighters, Dimitri Karras and Marcus Clay. In The Big Blowdown, set a generation before Karras and Clay would appear (the 1950s), Pelecanos followed the lives of dozens of D.C. residents, tracking the challenges and changes that the second half of the twentieth century presented to Washingtonians. King Suckerman, set in the 1970s and generally regarded as the fans' favorite, introduced the recurring theme of basketball in Pelecanos' fiction. Typically, he employs the sport as a symbol of cooperation amongst the races, suggesting the dynamism of D.C. as reflective of the good will generated by multi-ethnic pick up games. However, he also indulges the reverse of the equation, wherein the basketball court becomes the site of unresolved hostilities. In such cases, violent criminal behavior