Katrina and the Waves is the third studio album by American/English new wave band Katrina and the Waves, released in March 1985 by Capitol Records. It was their first album on a major label, and a Top 30 hit in the US and the UK. The majority of tracks were re-mixed and overdubbed versions of songs that had appeared on their first two albums; the tracks "Walking on Sunshine" and "Going Down to Liverpool" were entirely re-recorded versions of songs from their first independently released album. This version of "Walking on Sunshine" became a top-ten pop hit in both the US and the UK. Background Between 1983 and 1984, English-based Katrina and the Waves released their first two albums on the Canadian Attic label and enjoyed some airplay success in Canada as well as a chart position on the UK Singles Chart with "Que Te Quiero" (#84). Helped by intensive touring and the added mystique of their releases being on import in England and the United States, the band's reputation was growing. And when the Bangles covered "Going Down to Liverpool", a song from Katrina and the Waves' first album, major record labels started to take an interest. This eventually led to signing a deal with Capitol Records in Los Angeles. It was decided to re-record, overdub or remix ten tracks from the two Canadian albums for their Capitol debut. The label wanted to make some of the songs more single-worthy, particularly "Going Down to Liverpool" and "Walking on Sunshine", so the band did some recording and mixing in London with producer Pat Collier, who had worked on their first two albums. "We did loads of versions [of "Walking on Sunshine"]," Collier said in 2017. "We just kept going round and round in circles. We kept redoing it nonstop." They also added a horn section, which the original 1983 version didn't have. Katrina Leskanich said in 2015, "As we were recording it, an arranger wandered in and said: "You should put horns on that." And he hummed what became that pumping melody. But the horn section we got in whinged so much about how hard it was to play that we had to drop the key just for them." Ultimately, Capitol decided to outsource a remix, and the tracks were given to engineer Scott Litt at the Power Station in New York. The band arrived from London with Collier to