versions of Kimberly's interrogation at the police station and the encounter with Bludworth. The first documentary labelled Bits & Pieces: Bringing Life To Death runs for 30 minutes and recalls the history of splatter film, on top of accounts in relation to the visual effects of the film. The second documentary entitled Cheating Death: Beyond and Back progresses for 18 minutes and brings out people recounting their own real-life experiences with death. The Terror Gauge, the third documentary, is a test screening system of the film in which viewers are subjected to biofeedback and neurological examination under neurophysiologist Dr. Victoria Ibric. Other featurettes of the DVD include the interactive game Choose Your Fate, the music videos of Middle of Nowhere by the Blank Theory and Seven Days a Week by the Sounds, the theatrical trailers of this film and its antecedent, in addition to informative trivia provided throughout the featurettes. A Blu-ray edition was released on August 30, 2011. Reception Critical response On Rotten Tomatoes the film has an approval rating of 48% based on 111 reviews, with an average rating of 5/10. The site's critics consensus reads: "This sequel is little more than an excuse to stage elaborate, gory scenes of characters getting killed off." On Metacritic, it has a weighted average score of 38 out of 100 based on 25 critics, indicating "generally unfavorable reviews". In 2010, Nick Hyman of Metacritic included Final Destination 2 in the website's editorial 15 Movies the Critics Got Wrong, denoting that "the elaborate suspense/action set pieces from the first two films are more impressive than most". Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale. Negative evaluations condemned the film's plot, acting, and screenplay. Roger Ebert of Chicago Sun-Times wrote that "perhaps movies are like history, and repeat themselves, first as tragedy, then as farce". James Berardinelli of ReelViews stressed that "the movie mandates complete gullibility and vacuous attention in order to work on any level". Claudia Puig of USA Today complained that "there is an audience for a movie in which innocent people suffer hideous accidental deaths is troubling enough, but a group of creative people chose to direct their energies on this repulsive spectacle [which] simply provokes disgust". Justine Elias of The Village Voice asserted that "this risible thriller is merely a sadistic series of misread premonitions and vile murders". David