van Straaten Elisabeth Welch as Beulah Release The film opened at the Gaumont Haymarket cinema in London on 9 September 1945. Reception Box office According to Kinematograph Weekly the film performed well at the British box office in 1945. The 'biggest winner' at the box office in 1945 Britain was The Seventh Veil, with "runners up" being (in release order), Madonna of the Seven Moons, Old Acquaintance, Frenchman's Creek, Mrs. Parkington, Arsenic and Old Lace, Meet Me in St. Louis, A Song to Remember, Since You Went Away, Here Come the Waves, Tonight and Every Night, Hollywood Canteen, They Were Sisters, The Princess and the Pirate, The Adventures of Susan, National Velvet, Mrs. Skefflington, I Live in Grosvenor Square, Nob Hill, Perfect Strangers, Valley of Decision, Conflict and Duffy's Tavern. British "runners-up" were They Were Sisters, I Live in Grosvenor Square, Perfect Strangers, Madonna of the Seven Moons, Waterloo Road, Blithe Spirit, The Way to the Stars, I'll Be Your Sweetheart, Dead of Night, Waltz Time and Henry V. Critical reception From a contemporary review, the Monthly Film Bulletin praised the tale of the ventriloquist, stating that it was "perhaps the best" and that it was perhaps Cavalcanti's "most polished work for many years". The review praised Basil Radford and Naunton Wayne for "providing excellent comic relief", and concluded that the art direction (Michael Relph), lighting (Stan Pavey and Douglas Slocombe) and editing (Charles Hassey) combine to make the smoothest film yet to come from an English studio". Film critic Leonard Maltin awarded the film 4 out of a possible 4 stars. Review aggregator website Rotten Tomatoes reports an approval rating of 93% based on , with a rating average of 8.22/10. The site's critical consensus reads, "With four accomplished directors contributing, Dead of Night is a classic horror anthology that remains highly influential." Legacy The circular plot of Dead of Night inspired Fred Hoyle's steady state model of the universe, developed in 1948. Mario Livio in Brilliant Blunders cites the impact of a viewing of Dead of Night had on astrophysicists Fred Hoyle, Hermann Bondi, and Thomas Gold. "Gold asked suddenly, "What if the universe is like that?' meaning that the universe could be eternally circling on itself without beginning or end. Unable to dismiss this conjecture, they started to think seriously of an unchanging universe, a steady state universe. In the early 2010s, Time Out conducted a poll