the song unveiled a vast, open, U2-like guitar wall that propelled through the darkest terrain the band ever tackled. As a side note Eddie revealed in 2012 that "The Seventh Seal" was written before Van Halen became a band. "Amsterdam" was written about Eddie and Alex Van Halen's birthplace. Eddie is on record in Guitar World as saying, "I always hated the words to 'Wham, Bam Amsterdam', from Balance, because they were all about smoking pot. They were just stupid. Lyrics should plant some sort of seed for thought, or at least be a little more metamorphical." This is another song based on an idea that predates the album's sessions as there is video of Eddie playing the riff to "Amsterdam" at 5150 Studios in 1985 During The Balance tour show in Pensacola, Florida, Hagar stated that "Take Me Back (Déjà Vu)" was "a true story". The song itself features a then almost 20-year-old riff Eddie had previously used on a song entitled "No More Waiting", which the band played on occasion in the pre-Van Halen I era, making it the third known song on the album based on an older idea. Artwork The original title of the album was The Seventh Seal, for which photographer Glen Wexler created some concepts, including one with an androgynous four-year-old boy. Eventually they picked Balance, which Alex explained to Wexler was about the turmoil and changes surrounding Van Halen, including the recent death of long-time manager Ed Leffler. Alex asked for something "exploring the duality of the human psyche"; Wexler then sketched some new concepts, with the band liking the one with conjoined twins on a see-saw. The androgynous boy, who actually hailed from Denver but fans mistakenly considered to be Eddie's son Wolfgang Van Halen, was then photographed in Wexler's Hollywood studio, with Wexler's daughter being the hand model that pulled his hair. The images were combined with a miniature landscape for the background using Fractal Design Painter (now called Corel Painter). Wexler detailed that the Balance cover had a number of ironies: "the impossibility of the conjoined twins actually playing on the seesaw; the 'calm' twin actually being the aggressive one, pulling the hair of his sibling to create the appearance of an aggressive child; and having no one else to play with in a desolate post-apocalyptic setting, in which unusable playground equipment is the only object in sight." He added