the record for number one in the most countries, topping the album charts in a total of 28 countries around the world. True Blue was later included in the 1992 edition of Guinness Book of World Records as the best-selling album by a woman, with copies sold of more than 17 million until October 1990. True Blue was also the world's top-selling album of 1986 and the best-selling album of the 1980s by a female artist. With sales of more than 25 million copies worldwide, True Blue remains one of the best-selling albums of all time. True Blue also helped popularize marketing singles from an album, Paul Grein of Billboard reported: "10 or 20 years ago you would have had two singles from an album at the most. Now we're in an era where Madonna is on her fifth single from the album True Blue and Janet Jackson is on her sixth from the LP Control." The album would subsequently produce five top-five singles, continuing her streak of ten consecutive top-five singles at the time. True Blue also made social impact through its music videos, as author John E. Semonche observed in his book Censoring Sex that Madonna pushed the envelope of what could be shown on television which resulted in increase of her popularity. The music video for "Open Your Heart" was a subject of analysis among scholars for its concept of the stereo-typical male gaze and voyeurism. She appeared as a stripper in the video, who escapes with a young boy from the strip parlour in the end. MTV had some reservations initially before airing the video, which was later resolved after a meeting with Warner Officials. Feminist writer Susan Bordo reacted negatively to the video, saying that the leering and pathetic men in the cubicles and Madonna's escape with the boy is "cynically and mechanically tacked on [as] a way of claiming trendy status for what is just cheesecake—or, perhaps, pornography". Author Donn Welton pointed out that the usual power relationship between the "voyeuristic male gaze and object" is destabilized by the portrayal of the male patrons of the peep show as leering and pathetic. Author Douglas Kellner noted that the multiculturalism in her music videos and her culturally transgressive moves "turned out to be highly successful moves that endeared her to large and varied youth audiences." In the fall of 1986, Sire Records held Madonna's "Make