was a Japanese avant-garde poet, dramatist, writer, film director, and photographer. His works range from radio drama, experimental television, underground (Angura) theatre, countercultural essays, to Japanese New Wave and "expanded" cinema. Many critics view him as one of the most productive and provocative creative artists to come out of Japan. He has been cited as an influence on various Japanese filmmakers from the 1970s onward. Life Terayama was born December 10, 1935, in Hirosaki, Aomori, the only son of Hachiro and Hatsu Terayama. When Terayama was nine, his mother moved to Kyūshū to work at an American military base, while he himself went to live with relatives in the city of Misawa, also in Aomori. Terayama lived through the Aomori air raids that killed more than 30,000 people. His father died at the end of the Pacific War in Indonesia in September 1945. Terayama entered Aomori High School in 1951 and, in 1954, he enrolled in Waseda University's Faculty of Education to study Japanese language and literature. However, he soon dropped out because he fell ill with nephrotic syndrome. He received his education through working in bars in Shinjuku. By 18, he was the second winner of the Tanka Studies Award. He married Tenjō Sajiki co-founder Kyōko Kujō () on April 2, 1963. Kujō later began an extramarital affair with fellow co-founder Yutaka Higashi. She and Terayama formally divorced in December 1970, although they continued to work together until Terayama's death on May 4, 1983 from cirrhosis of the liver. Kujō died on April 30, 2014. Career His oeuvre includes a number of essays claiming that more can be learned about life through boxing and horse racing than by attending school and studying hard. Accordingly, he was one of the central figures of the "runaway" movement in Japan in the late 1960s, as depicted in his book, play, and film Throw Away Your Books, Rally in the Streets! (). In 1967, Terayama formed the Tenjō Sajiki theater troupe, whose name comes from the Japanese translation of the 1945 Marcel Carné film Les Enfants du Paradis and literally translates to "ceiling gallery" (with a meaning similar to the English term "peanut gallery"). The troupe was dedicated to the avant-garde and staged a number of controversial plays tackling social issues from an iconoclastic perspective in unconventional venues, such the streets of Tokyo or private homes. Some major plays include "Bluebeard" (), "Yes"