and his wife, lyricist Roma Ryan. The album was recorded in two locations; at Aigle Studio, a 16-track studio installed in the Ryans' home, then located in Artane, a northern suburb of Dublin, and a sound studio at BBC Enterprises at Wood Lane, London. When they recorded at the BBC studio, Nicky had to teach the audio engineers how he and Enya worked as their unusual recording process confused them at first. Nicky said he told them "to forget everything [they had] learned and just bear with us for at least a week". One such example was Nicky's use of reverb, which he set to 24 seconds instead of the more common placement of one-and-a-half seconds. A total of 72 minutes of music was recorded for the series. Roma recalled that Enya was given "various pastiches" that Richardson wished to incorporate into the episodes, which Enya then used as a guide for to write music to complement them. Enya includes 39 minutes of selected pieces from the soundtrack. The album's front cover depicts Enya posing with stuffed wolves. Music and lyrics Several of the album's track titles are titled or based on various historical figures and stories. In writing about the song in 2002, Roma pointed out that "Aldebaran" is named after the brightest star in the constellation of Taurus. In the Arabic language, the title translates to "the follower" as it follows the Pleiades cluster of stars, and the song is based on future Celtic people "passing Aldebaran on their journey to new territories, continuing their migratory pattern which was so predominant in their early history." The track was recorded in its entirety at Aigle Studio as Nicky expressed the difficulty in having to recreate the recording process elsewhere. "The Celts" was used as the main title theme for the television series. "Boadicea", which means "victorious", is a reference to the queen Boudica of the British-Celtic Iceni tribe in East Anglia who led a resistance against the occupying forces of the Roman Empire in 60 A.D., but was defeated and subsequently poisoned herself. As a song about her was already written, Richardson wished for a new track that depicted the idea of "being spellbound" by Boudica, which turned into "I Want Tomorrow". In the liner notes of the album's 1992 reissue, "I Want Tomorrow" is described, simply, as "thoughts of the present" and "March of the Celts" "echoes from