album, Livingston Taylor, was produced by Landau (who would later produce Bruce Springsteen) and included the song "Carolina Day". "Carolina Day" peaked at No. 93 on the Billboard Top-100 chart. The debut album included ten originals written by Taylor and one cover: "Six Days on the Road" penned by Earl Greene and Carl Montgomery. By 1970 Taylor's parents, Ike and Trudy, were legally separated. Several of the Taylor children moved north from North Carolina. Livingston and his then-girlfriend Margaret "Maggie" Shea moved into a cottage in Weston, Massachusetts. The following year, Taylor's second album, Liv, also on Capricorn Records and produced by Landau, was released. It included the song "Get Out of Bed" which peaked at No. 97 on Billboard. Once again, Joe Viglione penned the AllMusic review, stating that "Get Out of Bed" "is a brilliant and exciting slice of pop music" and that "with the understated production of Jon Landau, Livingston's beautiful heartfelt vocals make this an extraordinary work of art." Taylor's third and final album on Capricorn, Over the Rainbow was released in 1973 and features guest vocalists James Taylor and Carly Simon on his original "Be My New Horizon". In her album review, Denise Sullivan wrote that the title track was "an inspired vocal version" of a song that has been interpreted by many others. Taylor left Capricorn Records and released the first of two albums on Epic Records, Three Way Mirror, in 1978. The album featured "I Will Be In Love With You," which peaked at No. 30 on Billboard, and "Going Round One More Time," a song that was later recorded by his brother James Taylor for his 1985 album That's Why I'm Here. Livingston Taylor promoted Three Way Mirror when he toured with Linda Ronstadt as her opening act. In 1979, Capricorn Records released Echoes, a collection of songs from Taylor's first three albums that included "I Will Be In Love With You." In Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau appraised the compilation and Taylor's career up to that point: "Vocally, Liv is almost James's twin but not quite—he adds a touch of depth to the lissome drawl and subtracts all wow and flutter. Since what makes James unique is also what makes him repulsive, I find Liv more likable but less interesting—especially given his songwriting, which this best-of, drawn from his three early '70s LPs, makes the