Station incorporated Christensen's vaudeville roots, acrobats, deadpan humor, and tap dancing. With Ballet Caravan, Christensen and his wife Gisella Caccialanza toured South America in 1941. San Francisco Ballet Christensen served as associate director of the San Francisco Ballet in 1949, and was co-director in 1951 with his brother Willam. He served as director from 1952–1984. Christensen transformed the San Francisco Ballet to an internationally recognized neoclassical company. Although he joined the San Francisco Ballet in 1949, Christensen continued to act as ballet master for the New York City Ballet until 1950. After becoming co-director of the San Francisco company in 1951, he kept a good relationship between it and the New York City Ballet. In 1952, on his brother Willam's departure to establish the ballet program at the University of Utah, Lew became the director of the company. He choreographed over 110 works for the San Francisco Ballet. He brought impressive choreography from Balanchine to the company. With Christensen as director, San Francisco Ballet made its first tours nationally and internationally and received much acclaim. References Bibliography Further reading NY Times, October 6, 1952 NY Times by John Martin, June 10, 1953 NY Times by Jennifer Dunning, October 10, 1984 1909 births 1984 deaths American male ballet dancers Latter Day Saints from Utah Ballet choreographers Ballet masters People from Brigham City, Utah American people of Danish descent Musicians from Utah 20th-century American musicians 20th-century American ballet dancers