Metamorphosis is the sixth studio album by American rock band Papa Roach. It was released by DGC/Interscope on March 24, 2009. The album was originally planned to be titled Days of War, Nights of Love, which is a lyrical quote from the song "No More Secrets" on the band's previous album, The Paramour Sessions. Subsequently, two songs on the album are titled "Days of War" and "Nights of Love". It is the first album to feature Tony Palermo on drums, who joined the band in 2007 after original drummer Dave Buckner's departure. Background information On May 17, 2008, Papa Roach performed two new songs at the Nashville, Tennessee Crawfish Boil, "Hanging On" and "Change or Die". "Hanging On" was later renamed to "Lifeline" after Jacoby Shaddix decided to change the chorus lyrics. A third song from the album was performed on July 1 in West Palm Beach, Florida at the Cruzan Amphitheatre, titled "I Almost Told You That I Loved You". It was then that vocalist Jacoby Shaddix announced the album's planned release date of August 26. However, Shaddix later mentioned the album's release date had been pushed to March 2009 on Pulse Radio, citing, "We want a new fresh year, a great start." Mötley Crüe lead guitarist Mick Mars played the guitar solo on the track "Into the Light". On October 26, 2008, the song "Hollywood Whore" was released as a music video through the band's official fan club website, before being formally released as an EP in Canada two days later. In other regions, the song became available as a digital single through iTunes. The song "Change or Die" is featured on the video game "UFC Undisputed 2009". The song "Into the Light" is featured on the video game "NHL 10". Reception Initial critical response to Metamorphosis was average. At Metacritic, it carries a weighted average rating of 46 out of 100 from mainstream critics, based on five reviews. Chris Fallon of AbsolutePunk.net said about the album, "Big anthems, Jonas Brother album cover, lyrics that weave in & out of ambition-slash-unified hope and back-alley corners? Too many times the band takes one step forward and two steps back, at least showing some minimal signs of life in a dying genre built on repetition. Shaddix has a solid voice for this sound, and Horton seems to be discovering a new use for his distortion pedal, there are just far