Newsweek article about Swinging London. She sold the shop to business partner Terence Donovan, then joined Nova magazine in 1965, when the radical Dennis Hackett became its editor. David Gibbs' comprehensive anthology of Nova pages and images says of Parkin: "A dynamic sense of colour and design was all she needed to guide her. Unfettered by the accepted wisdom of the fashion system, she introduced an unconventional and startling view of what women could wear... always teasing the edges of taste... She set the standard." In her two years as fashion editor, the flamboyant Parkin raised the bar with her coverage – shot by the new generation of young photographers – that again affirmed the Swinging City, which Time magazine reported in 1966 as the hub of creativity and hedonism. Parkin moved on to become fashion editor of Harpers & Queen in 1967, and The Sunday Times in 1969, being named Fashion Editor of the Year in 1971. After becoming a television personality in the 1970s, Parkin was banned from the BBC for swearing. In the 1970s, as a chatshow celebrity and libidinous novelist, Parkin wrote an uninhibited weekly interview in the Saturday edition of the Evening Standard. She also wrote a 750-word outline for a novel entitled Love All. Although it was disliked by publishers Blond & Briggs, the office secretary commented that she liked it, and it was picked up for publication in 1974. Her second novel was more sexually-oriented. Published in 1975, Up Tight was highly publicised, thanks to fashion photographer Harry Peccinotti's cover shot of a French model wearing see-through knickers; this jacket design resulted in booksellers Hatchards keeping it under the counter. After returning from living in New York City in 1980, Parkin split from her second husband, Patrick Hughes, and was again in need of funds to pay for her daughters' education. By the time her novel Breast Stroke was published in 1983, she had become an alcoholic. The three publications, plus various articles for men's magazines, earned her the position of 24th in Time Out magazine's review of London's best erotic writers. After the publication of her autobiography Moll: The Making of Molly Parkin in 1993, Parkin started painting again, with her first exhibition in more than a decade at the Washington Gallery in Penarth. Much of her new work was inspired by Celtic landscapes, in particular Pontycymer—although she also found her travels