Houben (Germany) beats the Olympic champions Paddock and Murchison (U.S.) as well as Porritt and Carr (Australia) in the 100-meter sprint H.H. Meyer, America's best hurdler Fencing: The Nadis' from Livorno, a family of famous fencers Aldo Nadi, the Italian champion Nedo Nadi, the world champion, winner of the 1912 Summer Olympics in Stockholm and 1920 Summer Olympics in Antwerp In the sixth part "a good example of national leaders" like: Arthur James Balfour playing tennis and David Lloyd George playing golf, as well John D. Rockefeller playing golf at the age of 85 the Norwegian royal family on skis Benito Mussolini on horseback (later cut out) as well as the German poet and Nobel Prize in Literature Gerhart Hauptmann and his wife on the beach in Rapallo Reception As an expression of body awareness that enjoyed general popularity since 1900 in the form of Freikörperkultur (free body culture), the Lebensreform (life-reform) movement and naturism, the film reached a mass audience in the Weimar Republic and was recognized as a rashly popular "large-scale advertising film". Various advisory journals on the subject of physical culture appeared at the same time. The film was largely positively received in contemporary reviews, at most as too long and kitschy in some scenes. All in all, the film is about "the endeavors to ensure the proper care and training of the body" in large parts of the population, especially women with office activities in the expanding service sector. It is said to be of a "pure basic mood" and "far removed from arousing any offensive feelings with a fine tact" or to appear too instructive. Because of its "overall immoral effect" especially on young people through a "glorification of nude culture and nude exercises", the Bavarian government, to which the governments of Baden and Hesse had joined, applied for the revocation of admission to public screening in the German Reich, at least in Bavaria and before the youth. The application was rejected by the Film Review Office, in regard to the protection of minors, only two film scenes had to be cut out "with the sheer display of naked female body beauty, that up to 'undressed' intensifies". For the normally perceived adult observer, if the film is viewed in an unbiased manner, there is no overall sexual incentive. In retrospect, due to its "idolatry" of the human body, the film is regarded as the ideological