Distinguished Fellow, San Francisco Art Institute, 2010. Jewish Cultural Achievement Awards, National Foundation for Jewish Culture, 2003. Anonymous was a Woman Foundation Award, 2001. Works Manifesto For Maintenance Art 1969! Proposal for an Exhibition "CARE" (1969) - a proposal for an exhibition to display maintenance work as contemporary art, which was published in Artforum in 1971. Ukeles then participated in Lucy Lippard's traveling exhibition of conceptual female artists c. 7,500 (1973–74) and fourteen other exhibitions and interventions in museums followed, including in the Wadsworth Atheneum. Maintenance Art Tasks (1973) - a photograph collection of household activities performed by Laderman Ukeles and her husband, with 12 to 90 images per activity. Maintenance Art Tasks performances at the Wadsworth Atheneum, 1973 - During the course of 1973, Laderman performed The Keeping of the Keys (July 20, 1973), Transfer: The Maintenance of the Art Object: Mummy Maintenance: With the Maintenance Man, The Maintenance Artist, and the Museum Conservator (July 20, 1973), Washing/Tracks/Maintenance: Inside and Washing/Tracks/Maintenance: Outside (July 23, 1973) at the Wadsworth Atheneum Hartford Wash: Washing/Tracks/Maintenance: Outside (1973) Hartford Wash: Washing/Tracks/Maintenance: Inside (1973) Touch Sanitation (1978–80) The Work Ballets, seven ballets for large-machinery that took place intermittently between 1983 and 2013 in Rotterdam, New York City, Givors, Pittsburgh and Echigo-Tsumari. They are the subject of Ukeles' first monograph published by Sternberg Press in 2015 and edited by Kari Conte. Turnaround Surround, "Glassphalt" path in Danehy Park in North Cambridge, Massachusetts. Park is built on site of a dump and landfill closed in 1972. (1997-2002) Publications Author "A Journey: Earth/City/Flow." Art Journal (Summer 1992): 12-14. "Maintenance Art Activity (1973)." Documents 10 (Fall 1977):8. "Manifesto For Maintenance Art 1969! Proposal for an exhibition 'Care'."; Originally published in Jack Burnham. "Problems of Criticism." Artforum (January 1971) 41; reprinted in Lucy Lippard. Six Years: The Dematerialization of the Art Object. New York:New York University Press, 1979: 220-221. "Sanitation Manifesto! (1984)." The Act 2, no.1, (1990): 84-85. Coauthor Ukeles, Mierle Laderman and Alexandra Schwartz. "Mierle Laderman Ukeles in conversation with Alexandra Schwartz." in Butler, Cornelia et al.From Conceptualism to Feminism: Lucy Lippard's Numbers Shows 1969-1974 London: Afterall, 2012. References Further reading Buckberrough, Sherry, and Andrea Miller-Keller. Mierle Laderman Ukeles: Matrix 137. (exhibition catalogue) Hartford, CT: Wadsworth Atheneum, 1998. Jackson, Shannon. "High Maintenance: The Sanitation Aesthetics of Mierle Laderman Ukeles." In Social Works: performing art, supporting publics, 75-103. New York: Routledge, 2011. Knaup, Bettina and Stammer, Beatrice Ellen. "Labour