Alexander Gorsky (August 6, 1871 – 1924), a Russian ballet choreographer and a contemporary of Marius Petipa, is known for restaging Petipa's classical ballets such as Swan Lake, Don Quixote, and The Nutcracker. Gorsky “sought greater naturalism, realism, and characterization” in ballet. He valued acting skills over bravura technique (a showy display of skills such as many turns or high jumps). His interpretations of ballets were often controversial and he often used artists outside the dance world to create sets and costumes. Early life The Russian ballet choreographer Alexander Gorsky was born August 6, 1871 outside of St. Petersburg, Russia. When he turned eight his parents hoped to send him to the School of Commerce and his sister to the Imperial Ballet School both in St. Petersburg. After being accepted to the School of Commerce he went along with his sister to the Imperial School of Ballet. Officials of the school insisted he also be a student there as well as his sister. His parents accepted and Alexander became a student at the Imperial Ballet School. Early career Gorsky was taught by Platon K. Karsavin (father of Tamara Karsavina), N. I. Volkov, and Marius Petipa. Upon graduation of the ballet school he joined the company and moved up in rank from corps de ballet, coryphée (a dancer who performs in small ensembles), to solo dancer. He danced roles in La Fille mal gardée, the La Flûte magique, and Le Réveil de Flore. In 1895 Alexander Gorsky developed a friendship with V.I. Stepanov who was creating a system of dance notation. Upon Stepanov's death Gorsky perfected Stepanov's system and was later appointed to teach it to students of the Imperial Ballet School. Stepanov's system was utilized by the Imperial Ballet to document much of the company's repertory. Today this cache of notation is included in the Sergeyev Collection. In 1900 Alexander Gorsky was nominated to be Premier danseur (principal male soloist) of the St. Petersburg Imperial Theatre, only to be moved to the Ballet of the Moscow Imperial Bolshoi Theatre as régisseur (manager) eight days later. What was meant to be a temporary move became permanent. The school was creating many talented students but the company was in decline. Gorsky was named Premier Maître de Ballet of the Imperial Bolshoi Theatre. In his teaching he used “ free dance movements in contrast to the academic, frozen forms” of previous classical ballet