on slate, and arranged for Evans to begin an apprenticeship with wood-engraver Ebenezer Landells. Evans started with Landells in 1840. His duties included delivering proofs of drawings to be approved by artists such as Edward Dalziel, or authors such as Charles Dickens. A year later, Landells launched Punch magazine, and as early as 1842 had Evans illustrate covers for the new publication. Evans worked and became friends with Myles Birket Foster, John Greenaway and George Dalziel. Foster and Evans became lifelong friends. When Landells received a commission from the Illustrated London News to provide illustrations of Queen Victoria and Prince Albert, he sent Evans and Foster to Balmoral to make sketches, which Evans engraved. Toward the end of his apprenticeship, the demands of the Illustrated London News caused Evans to work late into the night and return early in the morning. When his apprenticeship ended in 1847, Evans, then 21, refused an offer of employment from Landells, deciding instead to go into business for himself as a wood-engraver and colour printer. In 1848 Evans engraved a title-page illustration, among other commissions, for the Illustrated London News. However, the Illustrated London News stopped employing him on the basis that his wood engraving was too fine for newspaper work. His final print for the Illustrated London News showed the four seasons, and was illustrated by Foster. In fact Foster received his first commission from the publisher Ingram, Cook, and Company to reproduce the four scenes in oil. In 1851, Ingram chose Evans to engrave three prints for Ida Pfeiffer's Travels in the Holy Land. He used three blocks for the work: the key-block, outlining the illustration, was printed in a dark-brown hue; the other two were in a buff colour and a grayish-blue colour. For the same firm, Evans completed an order for a book-cover using bright reds and blues on white paper. That year he received the first commission to print a book, written by Fanny Fern and illustrated by Foster. Evans had enough business to apprentice his two younger brothers, Wilfred and Herbert, and to buy a hand-press. Soon he moved his premises to Racquet Court, and bought three more hand-presses. In the early 1850s, Evans designed book-covers known as yellow-backs, a "book bound in yellow-glazed paper over boards". He perfected the method and became the printer of choice for many London publishers; by 1853 he was the chief yellow-back