Life and Works of Marie Goslich is currently being organised. Goslich's photographic and journalistic work provides us with a picture of everyday culture in the early twentieth century, which is unusual for a woman particularly from her social class. Many of her older photos were clearly taken to illustrate reports on social and societal situations. In her articles she resists the destruction of the old infrastructure in cities, comments on land reform and photographed in this context Berlin's inner courtyards and lanes and streets with their small markian houses. In addition, scenes from building demolishing or the step by step reconstruction of older houses are found on the glass negatives. And the boats, warehouses, bridges, the people working in the ports show how Berlin was built from barges. Photographs of children playing or doing craftwork illustrate articles that try to escape from the unpleasantness of the tenement blocks. Photography on social themes during the First World War shows the work of the Berlin "Frauen Hilfe" (Women's Aid) and for example the construction of hay box cooker. Genre photographs Goslich directed special attention to the topic of "women" and their work in the field, garden and yard. Working fishermen and their families, anglers and recreational athletes were also photographed in action. The pictures demonstrated the natural characteristics of human beings in relation to their sequences of motion. Goslich's concept – the "holding" of the object in a natural landscape – has the effect that the photos of beggars, wanderers on the roadside, or the humble street vendors do not possess the drama expected by the viewer. They are simply a component part of society, a matter of course of their time. Landscapes Her landscapes are scenes from the Mark Brandenburg, showing much water and forests framing sandy pathways, sailing boats and beaches overcrowded with townsfolk. Comprehensive photo material illustrates the demolishing of the old and the construction of the new Baumgartenbrück (Schwielowsee) or shows events in and around the Guesthouse Baumgartenbrück. Some photographs show gardens in Berlin, and the surroundings areas of Schwielowsee, Potsdam, Werder, Dahme an der Dahme, Küstrin and Lübbenau. Drawings During the war years Marie Goslich designed and drew dresses and suits which clearly demonstrated the change in fashion during the years 1912 to 1920. These were published in the inserts "Für die Arbeitsstube" (For the Work Parlour) and "Kleidung und Wäsche" (Clothes and Linen) of the Bote