a few kind souls, total seven ex-students of Santiniketan like Jahar and Baroda Art College students came together to form a group named Painters' Orchestra, now one of the oldest artist groups in India. Since that time Jahar Dasgupta is regular participant in the group shows of this organisation and also went for few solos as well. His first solo exhibition was organised in Birla Art and Culture Kolkata, West Bengal. He developed his own style of expression since the beginning of 1970-s after passing through a period of apprenticeship during 1960-s. In this sense he may be categorised as an artist of 1970-s. 1971–1980 End of 1960s and beginning of 1970s was a period of political turmoil. The left movement in the fold of CPI(ML) rose to its peak ushering in deaths and murders in a devastating measure. The Bangladesh liberation war of 1971 also created great commotion. All creative persons were somehow or other affected by these incidents. All these social upheavals had great impact on his creative self. In early phase his paintings often revealed reality in its crudest form. An acrylic canvas of 1994 titled 'Scrap' shows clusters of dilapidated human bodies tied together are being pulled up from a crate by a crane. 1981–1999 Jahar never tried being repetitive with one fixed subject. He explored with various subjects and style in different forms in respective times. In one side 'End of an Era', 'Genocide', 'Waiting for Godo', 'Dark side of Civilization', Series of 'Confrontation', 'Shelter' are the reflection of anger and crude rebellion. On the other side through 'Mermaid' series, 'Fall of Radhika' series, 'Eternal Love' series, he touch the chord of beauty ingrained in life. His paintings at that time swing between the two aspects of this duality, ideal and the real, good and evil, light and darkness. Rotary Club of Madhyamgram recognised by(Rotary International) facilitated him with Lifetime Achievement Award in Fine Arts in the year 2000. 2000–2009 In this era, Jahar mainly concentrated on nature, animal and woman in his canvases. The drawings have been mostly done in dry pastel both in monochrome of black and white. The canvases in acrylic open up various aspects of ideal beauty. The widespread nature of rural Bengal reveals its colourful faces. The nature is transformed into supernatural. These paintings narrates full of life, love, spirit, joy and fantasy. Sandip Ray, young film director from Bengal