J. P. Molin. Some of her designs were made into porcelain ornaments in Rörstrand and Gustavsberg. Her mother's refusal to allow her to study human anatomy created difficulties to develop this talent as well. This was partially solved after an incident described by Fritz von Dardel. Upon a visit to the princess, he discovered that she was sculpturing a small statue of soldier in clay. She used the uniform of a soldier as a model, but this was not sufficient, as the legs of the soldiers did not look realistic. To assist her, Fritz von Dardel modeled his legs for her. They were interrupted by the queen dowager, who did not approve of a male model. The statue, however, which depicted a Norwegian pipe blower, turned out well after Dardel had modeled for it, and was made into a porcelain statue at Rörstrand. The incident of Dardel's modeling for Eugenie also proved benefiting for her development as an artist: after this, her mother allowed her to study the human anatomy of children, who were allowed to model for her. The perhaps most known piece of art attributed to her is a porcelain figurine of a dog and a child sitting opposite each other, entitled Kan du inte tala? ("Can't You Speak?"), which was manufactured at Gustavsberg and became a popular ornament. She also designed an allegory of faith and the apostles of Peter and Paul for her mother's chapel. Her work was represented at the Stockholm Art Exhibition of 1866. In November 1873, she was inducted as an honorary member of the Royal Swedish Academy of Arts. As a writer, Eugenie published the conventional Svenska prinsessor ("Swedish Princesses") in 1864. She also translated Korsets Skola (The School of the Cross) by M. F. Roos from German. One of her friends was the writer Lina Sandell. Eugenie used the income from her art to finance her charity. She eventually stopped her art production for health reasons and turned entirely to charity. Philanthropic work Princess Eugénie was honored as a philanthropist by C. D. af Wirsén in his poem »De lidandes furstinna» ("The Princess of the tormented") from 1890. Her philanthropic work was focused on Gotland and her summer villa Fridhem. In 1866, she founded an orphanage for boys, and three years later, an orphanage for girls, both attached to her villa and under her personal supervision. To its benefit, she founded