Alice Chalifoux (January 22, 1908 – July 31, 2008) was the principal harpist with the Cleveland Orchestra from 1931 to 1974 and was its only female member for twelve years. Chalifoux learned to play the harp from her mother, studying music at local schools before studying under Carlos Salzedo at the Curtis Institute of Music. She was an authority on his music and inherited the Salzedo Summer Harp Colony after his death. She had a reputation as a specialist in orchestral harp technique and a master teacher. She taught at the Cleveland Institute of Music, the Oberlin Conservatory of Music, and the Baldwin-Wallace Conservatory of Music. She continued teaching harp until her death in 2008, at the age of 100. Chalifoux received two honorary degrees for her work. In her personal life, Chalifoux married John Gordon Rideout in 1937 and had one daughter. Education Chalifoux was the youngest of four children born to the merchant and violinist Oliver Chalifoux and his wife, harpist Alice Hallé Chalifoux, in Birmingham, Alabama. After learning to play from her mother and continuing as a music student in local schools, Chalifoux was accepted as a student of Carlos Salzedo at the Curtis Institute of Music in Philadelphia, Pennsylvania. She inherited Salzedo's house and the Salzedo Summer Harp Colony after his death in 1961. She received two honorary degrees in the early 1990s: a doctor of fine arts from Bowdoin College and a doctor of musical arts from the Cleveland Institute of Music. Career Through her work with the Cleveland Orchestra, under the direction of conductors such as Erich Leinsdorf, Artur Rodziński, George Szell, Pierre Boulez, and Lorin Maazel, Chalifoux quickly became recognized as a specialist in orchestral technique. Her recording of Debussy's Danses sacrée et profane with the Cleveland Orchestra received a Grammy Award in 1996. She was the principal harpist for the Cleveland Orchestra from 1931 to 1974. A lack of accommodations for women led her to change clothes inside of her harp trunk when necessary. She was reportedly accepted by her male colleagues at the Cleveland Orchestra, respected as a great harpist, and did her own harp repairs. Chalifoux was known as a strong advocate of the method for the harp developed by Salzedo, and earned a reputation as a master teacher through many years of teaching at the Cleveland Institute of Music, the Oberlin Conservatory of Music, and the Baldwin-Wallace Conservatory of