Fest in the US. Later that month, the band went on an US East Coast tour with the Expendables. Further dates were added to the tour, extended it into April, which was followed by a short tour of Japan as part of the Punk Spring touring festival. Between late June and late August, the band performed on the Warped Tour. In November and December 2009, they went on a US tour with the Casualties, the Swellers, Cage and Fishbone. In March 2010, the band appeared at the Extreme Thing festival. Reception GNV FLA was met with generally favorable reviews from music critics. AllMusic reviewer Corey Apar said the band did what other acts in "similar situations do -- reach back to their roots and prove to fans that, despite any past musical transgressions, the band they loved so much years ago is back". He felt that the mix of "regret, defiance, disillusionment, and affection [...] makes GNV FLA seem like the album Less Than Jake needed to make, not just as a tribute to their past in Gainesville". Alternative Press writer Ben Conoley said from the album's opening moments "there is little doubt the band are looking to turn back the clocks to a time when they were ska-punk’s spokesmen for the young and directionless". He added that apart from "a few duds ... GNV FLA is an entirely fun album, arriving just in time for summer". Welsh noted that the band "adopt[ed] a universal approach that will no doubt appeal to the everyman living in other depressed, and depressing, small US cities". The staff at Ultimate Guitar wrote that "instrumentally Less Than Jake have delivered for their older fans", while lyrics retain the form from In with the Out Crowd, "[t]his way they can please the newer fans as well as those from the Hello Rockview era". Ink 19 reviewer Jen Cray called it a "release to satisfy every generation of Less Than Jake fans". Cleveland Scene Michael Gallucci wrote that it "sounds pretty much like the group's other records: lots of tight, two-and-a-half-minute brass-accented songs that often play the goof card". Sylvia thought that the album was "arguably their strongest set of songs to date, 14 [...] tracks that blend together seamlessly with only the odd lull in quality towards the middle". Lauri Wessel of Ox-Fanzine wrote that it was "an attempt to return" to the band's trademark