Anthony Damian Ritchie (born 18 September 1960) is a New Zealand composer and academic. He has been a freelance composer accepting commissions for works and in 2018 he became professor of composition at The University of Otago after 18 years of teaching composition. Since 2020 he has been head of Otago's School of Performing Arts, a three-year position. His works number over two hundred, and include symphonies, operas, concertos, choral works, chamber music and solo works. Early life Ritchie was born in Christchurch in 1960. He is the son of John Ritchie, who was a professor teaching composition and orchestration at the University of Canterbury. His mother was a soprano soloist and he began learning the piano at the age of nine, showing early aptitude for improvisation. Education Ritchie began composing when still at school, attending St Bede's College in Christchurch. He completed his BMus with honours in 1981 at the University of Canterbury. He studied the influence of folk music on some of Béla Bartók's works in Hungary in 1983, as well as composition with Attila Bozay and Zsolt Serei. He completed his Ph.D. on the music of Béla Bartók in 1987. Career In 1987 Ritchie was Composer-in-Schools in Christchurch and in 1988–1989 Mozart Fellow at the University of Otago. He then became a freelance composer accepting a number of commissions. These included Theme and Variations - the search which premiered in June 1998 in Dunedin, From the Southern Marches commissioned by George Griffiths of Otago Heritage Books and premiered in March 1998, Revelation commissioned by the New Zealand Symphony Orchestra and performed in Christchurch and Wellington in 1998, a guitar concerto commissioned by the Auckland Philharmonia and played by guitarist Matthew Marshall, and dances Shoal Dance and Leaf. He has written for many other performers including Michael Houstoun and Wilma Smith. Over the years Ritchie has collaborated with a number of writers such as Stuart Hoar, Keri Hulme and librettist Jeremy Commons. Star Fire (1995), written with Hoar, was Ritchie's first opera. It was futuristic with a sci-fi theme for primary and intermediate age school children, commissioned by Class Act Opera in Auckland who performed opera in schools. It also had environmental and Māori themes. A further collaboration with Hoar produced Quartet (2004), a comic operetta examining the lives of classical musicians on tour in New Zealand. The production included a string quartet on stage. He worked with