David Gordon, Yvonne Rainer, and Steve Paxton. She was also inspired by musicians John Cage, Morton Feldman, and Earle Brown. She admired the work of visual artists Robert Rauschenberg, Jasper Johns, and Andy Warhol . Her work has been well received by critics. The New York Times considers Jenkins’ work to be hauntingly beautiful and compelling dance…astonishing. Additionally, the Washington Post described her choreography as having intelligence, force, and imagination . Choreography In the last four decades, she has created an impressive body of work, with over 80 works created on her Company, as well as resident companies in the United States, Asia and Europe. Jenkins has received commissions from renowned national and international arts presenters and cultural institutions, including the Clarice Smith Center for the Performing Arts at the University of Maryland, Yerba Buena Center for the Arts (YBCA), the de Young Museum in San Francisco, The Dance Center of Columbia College in Chicago, National Dance Project (NDP), Krannert Center for the Performing Arts, Arizona State University, University of Arizona, New Dance Ensemble in Minneapolis, Repertory Dance Theatre in Salt Lake City, Oakland Ballet, Cullberg Ballet of Sweden, and Ginko, a modern dance company in Tokyo, Japan. In addition, she has set work on dancers within various college and university dance departments. In 2008, Jenkins was commissioned to create a new work for the 75th anniversary of the San Francisco Ballet, one of two women with this distinct honor. Over the two decades, Ms. Jenkins’ choreographic attention has been focused on cross-cultural collaborations between her Company and international artists, including the Tanusree Shankar Dance Company of India, and the Guangdong Modern Dance Company of China, Ginko in Japan, and the Kolben Dance Company in Jerusalem, Israel. She has also developed ambitious multi-disciplinary works such as Light Moves, an evening-length dance created in collaboration with media artist Naomie Kremer. A proponent of a fully realized collaborative art, Jenkins has worked with Terry Allen, Alvin Curran, Paul Dresher, Rinde Eckert, David Lang, Bruce Nauman, Naomie Kremer, Alexander V. Nichols, Yoko Ono and others from the fields of dance, music and visual arts. In 2013, Jenkins and her Company traveled to Israel for a month-long residency with the Kolben Dance Company of Jerusalem to collaborate on a new work that premiered during the MJDC's 40th Anniversary Season. Soon after the MJDC returned to Jerusalem for its premiere there. After the completion of