by Jury, a collaboration with dramatist W.S. Gilbert. Grace leaves him, telling him that he is wasting his musical gifts on triviality, foreshadowing criticism from the musical establishment that will follow Sullivan for the rest of his career. Still wrestling with this dilemma, Sullivan joins Gilbert and the impresario Richard D'Oyly Carte in a partnership to create more light operas. Their subsequent operas, The Sorcerer and, especially, H.M.S. Pinafore, become so successful they are extensively pirated in America. The entire company goes on tour there so that the partnership can profit from their appreciation in the new world. The Pirates of Penzance premieres in New York to much acclaim, and Carte soon builds a new theatre in London to present the partnership's operas. Everyone is delighted. The Savoy Theatre opens with the opening night of Iolanthe. Sullivan revels in the atmosphere of the premiere, while Gilbert, as usual, is nervous and apprehensive. At the opening, Carte demonstrates the safety of the theatre's innovative electric lighting. Sullivan conducts the performance, but Gilbert escapes the theatre to walk the streets, returning just in time to take a triumphant curtain call before the enthusiastic crowd. Nevertheless, Sullivan is unhappy writing comic opera. When Gilbert proposes a new piece involving the device of a magic lozenge, Sullivan objects that he wants to devote himself to serious music. Sullivan's friend, critic Joseph Bennett, writes a libretto for a cantata based on Henry Wadsworth Longfellow's The Golden Legend. Meanwhile, Gilbert, inspired by the sight of a Japanese sword hanging in his study, proposes a new plot, and Sullivan begins work. When Bennett goes to see Sullivan, he finds that The Mikado is being rehearsed instead of his cantata. He informs Sullivan that, if he would get around to finishing The Golden Legend, Queen Victoria will attend the premiere. Likewise, when Gilbert calls on Sullivan, he sees him rehearsing The Golden Legend, as Bennett stands watch. When Bennett dozes off, Sullivan turns back to The Mikado. After both works debut, Sullivan is knighted. The Queen inquires if he will write a grand opera. Just before the premiere of their next opera, Ruddigore, Sullivan asks Gilbert to write the libretto for his first grand opera. Gilbert declines, stating that in such a work the words play second fiddle to the music, and Sullivan is angered saying that he has always had to hold the music back so that