described by Soffici as "synthetic realism". It was produced in white marble for the Palazzo di Giustizia, the law court in Milan, where it is still today and the original plaster is preserved in the Galleria Romanelli in Florence. The theme is inspired by Dante’s Canto X of Purgatory, in which the Roman emperor Trajan administers justice on behalf of the widowed woman kneeling in front of him. The composition is inspired by Roman scenes of triumph, staged within the frame of Classical columns. Several human figures are portrayed in this tale, in the centre the Emperor on horseback, and the widow. In the foreground a group of soldiers taking part in the parade of triumph: amongst these figures, previous works of Romano can be recognised, as the portrait of Mussolini, and those of Romano's intellectual and artist friends Giovanni Papini, Ardengo Soffici, Domenico Giuliotti and Maffio Maffii. On the right other famous works can be spotted, Il "Risveglio di Brunilde" and the "Gesù Bambino", "Il portatore d’Acqua", "Giano e la Vergine" and finally the "Ritratto di Fanciulla Etrusca". His Equestrian Monument Dedicated to George Castriot Skanderbeg (1938), whose plaster stands in the Galleria Romanelli, was made in bronze to be exhibited in Tirana after Italy's invasion of the territory, but ended in Piazza Albania in Rome, where is still stands today. George Castriot Skanderbeg is an Albanian national hero, was a 15th-century nobleman who led Christian resistance against the Ottoman Muslims. The son of an Albanian prince he was kidnapped by the Ottoman court in 1423, becoming the pupil of Sultan Murad II and forced to engage in military duties on behalf of his empire. He deserted at the battle of Niš in Skënderbej in Albania and organised a rebellion against the sultan and defended the region against the Ottoman Empire for 25 years. Lo Scultore - The Sculptor (1926-1930) is similar to The Pugile in its display of physical force, had been purchased during the second Mostra del Novecento by the Minister Turati for the Stadio Nazionale di Roma. The piece represents a symbol of force through its physical pose; strength for Romanelli was essential to his work, representing physical and moral force. Today "Lo Scultore" is the logo/emblem for the six generations of artists who have passed through the doors of the historical Romanelli studio. Giano e la Vergine - Giano and the Virgin (1929–30), represents the