box office and $108,901,967 worldwide. The film was released on DVD in the U.S. on April 14, 2009 and April 28 on Blu-ray. Both versions were released in the UK on May 25, 2009. In Germany two DVD versions (single disc and 2-disc special edition) and Blu-ray were released on September 4, 2009. Reception Critical response On Rotten Tomatoes, the film holds an approval rating of 63% based on 204 reviews, with an average rating of 6.4/10. The site's consensus states, "Despite Kate Winslet's superb portrayal, The Reader suggests an emotionally distant, Oscar-baiting historical drama." At Metacritic the film was assigned a weighted average score of 58 out of 100, based on 38 critics, indicating "mixed or average reviews". Ann Hornaday of The Washington Post wrote, "This engrossing, graceful adaptation of Bernhard Schlink's semi-autobiographical novel has been adapted by screenwriter David Hare and director Stephen Daldry with equal parts simplicity and nuance, restraint and emotion. At the center of a skein of vexing ethical questions, Winslet delivers a tough, bravura performance as a woman whose past coincides with Germany's most cataclysmic and hauntingly unresolved era." Manohla Dargis of The New York Times wrote, "You have to wonder who, exactly, wants or perhaps needs to see another movie about the Holocaust that embalms its horrors with artfully spilled tears and asks us to pity a death-camp guard. You could argue that the film isn’t really about the Holocaust, but about the generation that grew up in its shadow, which is what the book insists. But the film is neither about the Holocaust nor about those Germans who grappled with its legacy: it's about making the audience feel good about a historical catastrophe that grows fainter with each new tasteful interpolation." Patrick Goldstein wrote in the Los Angeles Times, "The picture's biggest problem is that it simply doesn't capture the chilling intensity of its source material," and noted there was a "largely lackluster early reaction" to the film by most film critics. Most felt that while the novel portrayed Hanna's illiteracy as a metaphor for generational illiteracy about the Holocaust, the film failed to convey those thematic overtones. Ron Rosenbaum was critical of the film's fixation on Hanna's illiteracy, saying, "so much is made of the deep, deep exculpatory shame of illiteracy – despite the fact that burning 300 people to death doesn't require reading skills – that some worshipful accounts of