Brenda Starr, Reporter (1945) was the 25th film serial released by Columbia Pictures. It was inspired by Brenda Starr, Reporter, a popular comic strip created by Dale Messick. The title role was played by Joan Woodbury, who had similar roles in feature films for Columbia and Monogram. Plot Daily Flash newspaper journalist Brenda Starr (Joan Woodbury), and her photographer, Chuck Allen (Syd Saylor), are assigned to cover a fire in an old house, where they discover the wounded Joe Heller (Wheeler Oakman), a mobster suspected of stealing a quarter-million-dollar payroll. The dying Heller tells Brenda that someone took his satchel of stolen money and he gives her a coded message. Kruger (Jack Ingram), the gangster who shot Heller, escapes to his gang's hideout with the bag, but discovers it is filled with paper rather than money. The gang, knowing Heller gave Brenda a coded message, makes many attempts on her life to get her to reveal where Heller hid the payroll money, but thanks to Chuck and Police Lieutenant Larry Farrel (Kane Richmond), she evades them, until Pesky (William 'Billy' Benedict), a Daily Flash office boy, succeeds in decoding the Heller message. Cast Joan Woodbury as Brenda Starr Kane Richmond as Lt. Lawrence Farrell Production In September 1944 Katzman signed a deal to make the film. Joan Woodbury later recalled: It was made during the war and everybody was hungry, including me. My former husband had gone off to war. I was left with a little daughter. So you grabbed anything you could grab and, believe me, you were very grateful for anything that came along. This was a 13 episode thing, in 21 days! The only reason they gave me the role was the fact I could learn dialogue fast enough to do everything in one take. The most memorable thing is, on the last night, the back of the set was one solid bar and there wasn’t an inch of space between one bottle and the next. Everybody was waiting for the wrap-up, so we could have a party! But I had 19 pages of dialogue on a telephone, with nobody talking back to me. It’s great if an actor talks back, you can at least ad lib on his ad libs. When you have nobody talking back, you’ve got nobody to ad lib you. So I’d look at a page and say, ‘Okay, let’s do it,’ pick