Peter Calandra is a New York City-based composer and pianist. He is known for his work composing music for television and film as well as conducting and playing piano in Broadway and Off Broadway productions. The former includes the FIFA Men's and FIFA Women's World Cup themes for FOX Sports and, starting 2015, the themes for the Special Olympics World Games and Invictus Games for ESPN, in film, 13th Child (2002), Unknown Soldier (2004), Jellysmoke (2005), and BearCity 2: The Proposal (2012). He has also composed the music for the Kennedy Center Honors. On Broadway, Calandra has played keyboard for Miss Saigon, Les Misérables, and The Phantom of the Opera. He performed in and served as conductor and musical director for the original New York City production of Little Shop of Horrors. In his career as a pianist, he has performed with musical artists and orchestras including Aretha Franklin, The New York Pops, jazz singer Dee Dee Bridgewater, Don Cherry, and actress/singer Annie Golden. His own albums are Sunrise Over New York (2004), Late Night Christmas (2009), Satya (2011, with Bill Buchen & Stomu Takeishi), Ashokan Memories (2013), Inner Circle (2014), First Light (2015), The Road Home (2017), Piano Improvisations, Vol. 1, Carpe Noctem, Little Paws On The Walls (all 2018), Piano Improvisations, Vol. 2 (2019) and Ambient Tuesdays (2021). Calandra has a master's degree in Music Composition from Queens College, City University of New York and teaches Audio/MIDI Sequencing, Film Scoring and Music Composition at its Aaron Copland School of Music at both the graduate and undergraduate levels. Career Theatre Calandra has played keyboard as part of a pit orchestra for a number of musicals. Some he is known for include Miss Saigon, Les Misérables, and The Phantom of the Opera. He performed in and also served as conductor and musical director for the original New York City production of Little Shop of Horrors at the Orpheum Theater. Films Calandra has scored over 90 feature and short films and documentaries. For film scores and compositions, he uses a variety of instrumentation and styles. He has stated that most of the film music he writes "has a combination of orchestral, choral, piano, ethnic and electronic elements..." but he often alters his approach for certain films. As an example, for his score for Pat XO, an ESPN documentary on college basketball coach Pat Summitt, Calandra's score is based on acoustic guitars