these stories. Again in 1986 at Gallery 10, she continued this format with Memoires Part II. When her beloved husband, retired Air Force Col. David Crist, died in 1988, she recovered from this loss with the help of a supportive circle of friends. Later, she continued writing her memoirs as the basis for short theatrical productions in 1989 with The Decadent Child and 1992 with The Ladders of Hell at the Washington Project for the Arts. In 1995, the Washington Project for the Arts held a retrospective of 50 years of Mrs. Crist's work called "Noche Crist: Boudoirs and Lupanars". In 2002, the Millennium Art Center in Washington opened an installation of her artwork called the "Pinck Room" (Noche thought this spelling looked more Romanian), a boudoir setting featuring her two- and three-dimensional artwork. Her last years were spent writing, drawing, and making small paintings at home where she had had a studio for over 40 years. Surrounded by a circle of devoted friends for whom she was a catalyst, she died peacefully at home. Mrs. Crist is buried next to her husband at Arlington National Cemetery. In the summer of 2008 (May 27 through July 27), Independent Curator Vivienne M. Lassman presented the well-researched Noche Crist: A Romanian Revelation for the American University Museum at the Katzen Arts Center. Lassman recreated Noche’s pink boudoir installation in the center of this posthumous retrospective and incorporated edited video and audio DVDs of interviews with Crist and her friends. Vollard Gallery of the House of Culture, Craiova exhibited a few selected works of Crist from the American University show as a tribute from the artist's birthplace in October 2008. The Art Museum of Craiova in 2014 accepted the donation from the Noche Crist estate of the multi-dimensional art works from the Katzen Arts Center exhibition and inaugurated a selection of those works in its restored Beaux Arts galleries in February 2017 entitled "From Noche with Love" which was well received by the Romanian community. Gallery 2112 owned by Brandon Webster in Washington, DC in May 2018 installed the artist's works in a show entitled "Noche Crist: Fantastical Visions" curated by Vivienne Lassman. This consisted of silk screen and etched prints, resin statuettes (polyester prostitutes so named by the artist), cutouts and paintings and displayed salon style reminiscent of the way Noche hung her art in her home. Reviews Washington Post review of