the piece is dedicated. In a contrapuntal climax, Stevenson combines both the Shepherd's Air and Isolde's Liebestod. The second is a setting, for voices and organ, of lines from Tom Hubbard's 1998 narrative poem in Scots, 'Isolde's Luve-Daith', the premiere of which took place in Greyfriars Kirk, Edinburgh in March 2003. Other works based on the opera include: Luis Buñuel, Un Chien Andalou, 1929 film score, Opera Frankfurt, director Carl Bamberger Clément Doucet's piano rags Isoldina and Wagneria. Hans Werner Henze's Tristan: Préludes für Klavier, Tonbänder und Orchester (1973); a 'symphonic compilation' Tristan und Isolde: an orchestral passion (1994) by Henk de Vlieger; a six-minute paraphrase by Enjott Schneider, Der Minuten-Tristan (1996), originally written for 12 pianists at six pianos; An arrangement of "Prelude und Liebestod" for string quartet and accordion, written for the Dudok Quartet Amsterdam (2021) by Max Knigge the Nachtstück (1980–83) for viola and chamber orchestra by Volker David Kirchner Franz Waxman, Fantasy based on themes from the opera, for violin and orchestra In popular culture Aubrey Beardsley's pen and ink drawing The Wagnerites shows highly coiffured men and women attending a performance of Tristan und Isolde. The drawing was first published in the Yellow Book, vol III [October 1894]. According to Stephen Calloway, 'Beardsley had an obsessive interest in Wagner, and avidly attended the London performances of the works. This depiction of the Wagnerian audience rather than the action of the opera identified by the fallen programme as Tristan and Isolde, is one of the greatest masterpieces of Beardsley's manière noire. Sickert claimed to have warned him that the drawings in which the area of black exceeded that of white paper were bound to fail artistically, and to have 'convinced him' of the truth of this aesthetic rule. Fortunately Beardsley seems to have ignored the advice.' The drawing is in the collection of The Victoria and Albert Museum. The following year Beardsley produced a print depicting a stylised image of a woman, standing in front of a half length yellow curtain, wearing an ornate flowered hat and holding a large drinking vessel to her mouth. In the bottom right-hand corner is the word ISOLDE. Isolde was first reproduced in colour lithography (red, green, grey and black) as a supplement to The Studio, October 1895. The drawing (in yellow, black and white) is in the collection of The Victoria and Albert Museum. The opera forms the backdrop