the way we look at our recent history ... It shifts from black and white to color, and then back again, and views people from offbeat angles." Music Because of his enormous commitment to Steven Spielberg's Hook, which opened the same month as JFK, composer John Williams did not have time to compose a conventional score for the entire film. Instead he composed and conducted six musical sequences in full for JFK before he saw the film in its entirety. Soon after recording this music, he traveled to New Orleans where Stone was still shooting the film and saw approximately an hour's worth of edited footage and dailies. Williams remembers, "I thought his handling of Lee Harvey Oswald was particularly strong, and I understood some of the atmosphere of the film – the sordid elements, the underside of New Orleans." Stone and his team then actually cut the film to fit Williams' music after the composer had scored and recorded musical cues in addition to the six he had done prior to seeing the film. For the motorcade sequence, Williams described the score he composed as "strongly kinetic music, music of interlocking rhythmic disciplines." The composer remembered the moment he learned of Kennedy's assassination and it stuck with him for years. This was a significant factor in his deciding to work on the film. Williams said, "This is a very resonant subject for people of my generation, and that's why I welcomed the opportunity to participate in this film." Reception Critical reaction The film has been well received by both cinema critics and regular audiences. On review aggregator Rotten Tomatoes, the film holds an approval rating of 84% based on 68 reviews, with an average rating of 7.7/10. The website's critics consensus reads, "As history, Oliver Stone's JFK is dubious, but as filmmaking it's electric, cramming a ton of information and excitement into its three-hour runtime and making great use of its outstanding cast." On Metacritic, the film has a weighted average of 72 out of 100 based on 29 reviews, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale. The film's production and release were subject to intense scrutiny and criticism. A few weeks after shooting had begun, on May 14, 1991, Jon Margolis wrote in the Chicago Tribune that JFK was "an insult to the