Panther's Skin (Vepkhistq'aosani), which celebrates the ideals of an "Age of Chivalry" and is revered in Georgia as the greatest achievement of native literature. Death and burial Tamar outlived her consort, David Soslan, and died of a "devastating disease" not far from her capital Tbilisi, having previously crowned her son, Lasha-Giorgi, coregent. Tamar's historian relates that the queen suddenly fell ill when discussing state affairs with her ministers at the Nacharmagevi castle near the town of Gori. She was transported to Tbilisi and later to the nearby castle of Agarani where Tamar died and was mourned by her subjects. Her remains were transferred to the cathedral of Mtskheta and later to the Gelati Monastery, a family burial ground of the Georgian royal dynasty. The traditional scholarly opinion is that Tamar died in 1213, although there are several indications that she might have died earlier, in 1207 or 1210.In later times, a number of legends emerged about Tamar's place of burial. One of them has it that Tamar was buried in a secret niche at the Gelati monastery so as to prevent the grave from being profaned by her enemies. Another version suggests that Tamar's remains were reburied in a remote location, possibly in the Holy Land. The French knight Guillaume de Bois, in a letter dated from the early 13th century, written in Palestine and addressed to the bishop of Besançon, claimed that he had heard that the king of the Georgians was heading towards Jerusalem with a huge army and had already conquered many cities of the Saracens. He was carrying, the report said, the remains of his mother, the "powerful queen Tamar" (regina potentissima Thamar), who had been unable to make a pilgrimage to the Holy Land in her lifetime and had bequeathed her body to be buried near the Holy Sepulchre. In the 20th century, the quest for Tamar's grave became a subject of scholarly research, as well as the focus of broader public interest. The Georgian writer Grigol Robakidze wrote in his 1918 essay on Tamar: "Thus far, nobody knows where Tamar's grave is. She belongs to everyone and to no one: her grave is in the heart of the Georgian. And in the Georgians' perception, this is not a grave, but a beautiful vase in which an unfading flower, the great Tamar, flourishes." An orthodox academic view still places Tamar's grave at Gelati, but a