1,000 writers had received grants and more than 1,000 books had been subsidised by the Literature Board. Writers who published their first book between 1975 and 1985 include Peter Carey, David Malouf, Murray Bail, Elizabeth Jolley, Helen Garner and Tim Winton. There was also a growing recognition of Indigenous cultural movements. In the early 1970s Aboriginal elders at Papunya began using acrylic paints to make "dot" paintings based on the traditional Honey Ant Dreaming. Indigenous artists from other regions also developed distinctive styles based on a fusion of modern art materials and traditional stories and iconography. Indigenous writers such as Oodgeroo Noonuccal (Kath Walker), Jack Davis and Kevin Gilbert produced significant work in the 1970s and 1980s. A National Black Theatre was established in Sydney in the early 1970s. The Aboriginal Islander Dance Theatre was established in 1976 and the Bangarra Dance Theatre in 1989. In 1991, the rock band Yothu Yindi, which drew on traditional Aboriginal music and dance, achieved commercial and critical success. In music, ABC television's popular music show Countdown (1974–87) helped promote Australian music while radio station 2JJ (later JJJ) in Sydney promoted live performances and recordings by Australian independent artists and record labels. Carter and Griffen-Foley state that by the end of the 1970s: "There was a widely shared sense of Australian culture as independent, no longer troubled by its relationship with Britain." However, by 1990 commentators as diverse as P. P. McGuiness and Geoffrey Serle were complaining that the large increase in artistic works had led to the celebration of mediocrity. Poet Chris Wallace-Crabbe questioned whether Australia had overcome its former "cultural cringe" only to fall into cultural overconfidence. In the new millennium, the globalisation of the Australian economy and society, and developments in jet travel and the internet have largely overcome the "tyranny of distance" which had influenced Australian arts and culture. Overseas cultural works could be more readily accessed in person or virtually. Australian performers such as the Australian Ballet and Australian Chamber Orchestra frequently toured abroad. The growing number of international art exhibitions, such as Art Basel Hong Kong and the Queensland Art Gallery's Asia-Pacific Triennial of Contemporary Art, have increased the exposure of Australian art in the region and the wider global market. In film, the number of Australian productions averaged 14 per year in the 1970s but grew to 31 per year in the 2000s and 37 per year