In 2013, Samir Bhamra directed the play for Phizzical Productions with six actors playing multiple parts for a UK national tour. The cast included Sophie Khan Levy as Innojaan, Adam Youssefbeygi, Tony Hasnath, Liz Jadav and Robby Khela. The production was set in the souks of Dubai and the Bollywood film industry during the 1990s communal riots and received acclaim from reviewers and academics alike. Also in 2013, a folk musical adaptation of Cymbeline was performed at the First Folio Theatre in Oak Brook, Illinois. The setting was the American South during the Civil War, with Cymbeline as a man of high status who avoids military service. The play was performed outdoors and was accompanied by traditional Appalachian folk songs. In 2015, at Shakespeare's Globe in the Sam Wanamaker Playhouse, a production was directed by Sam Yates where the role of Innogen was played by Emily Barber and Jonjo O'Neill as Posthumus. In 2016, Melly Still directed Cymbeline at the Royal Shakespeare Company. This version of the play was performed at the Royal Shakespeare Theatre before moving to the Barbican in late 2016. The performance featured Bethan Cullinane as Innogen and Gillian Bevan as Cymbeline. Adaptations The play was adapted by Thomas d'Urfey as The Injured Princess, or, the Fatal Wager; this version was produced at the Theatre Royal, Drury Lane, presumably by the united King's Company and Duke's Company, in 1682. The play changes some names and details, and adds a subplot, typical of the Restoration, in which a virtuous waiting-woman escapes the traps laid by Cloten. D'Urfey also changes Pisanio's character so that he at once believes in Imogen's (Eugenia, in D'Urfey's play) guilt. For his part, D'Urfey's Posthumus is ready to accept that his wife might have been untrue, as she is young and beautiful. Some details of this alteration survived in productions at least until the middle of the century. William Hawkins revised the play again in 1759. His was among the last of the heavy revisions designed to bring the play in line with classical unities. He cut the Queen, reduced the action to two places (the court and a forest in Wales). The dirge "With fairest flowers..." was set to music by Thomas Arne. Nearer the end of the century, Henry Brooke wrote an adaptation which was apparently never staged. His version eliminates the brothers altogether as part of a notable enhancement of Posthumus's