milk or almond milk, sugar, and shredded chicken (usually capon) or fish, often combined with rosewater and rice flour, and mixed into a bland stew. Almond milk and fish were used as substitutes for the other animal products on fast days and Lent. It was also often flavoured with spices like saffron or cinnamon and the chicken could be exchanged for various types of fowl, like quail or partridge. Spices were often used in recipes of the later Middle Ages since they were considered highly prestigious. On festive occasions and among the upper classes, whitedishes were often rendered more festive by various colouring agents: the reddish-golden yellow of saffron; green with various herbs; or sandalwood for russet. In 14th-century France, parti-colouring (the use of two bright contrasting colours on the same plate) was especially popular and was described by (also known as ), one of the primary authors of the later editions of . The brightly coloured whitedishes were one of the most common of the early entremets: edibles that were intended to entertain and delight through a gaudy appearance as much as through flavour. In the 17th century (1666), the durian fruit was compared to blanc-mangé by Alexandre de Rhodes: In the 17th century, the whitedish evolved into a meatless dessert pudding with cream and eggs, and later, gelatin. In the 19th century, arrowroot and cornflour were added, and the dish evolved into the modern blancmange. Etymology The word blancmange derives from Old French . The name "whitedish" is a modern term used by some historians, though the name historically was either a direct translation from or a calque of the Old French term. Many different local or regional terms were used for the dish in the Middle Ages: English: , , , , Catalan: , , Portuguese: Italian: , , , Spanish: Dutch/Flemish: German: Latin: Though it is fairly certain that the etymology is indeed "white dish", medieval sources are not always consistent as to the actual colour of the dish. Food scholar Terence Scully has proposed the alternative etymology of , "bland dish", reflecting its often mild and "dainty" (in this context meaning refined and aristocratic) taste and popularity as a sick dish. See also References Sources Food in the Middle Ages: A Book of Essays (1995) edited by Melitta Weiss Adamson Ossa, Germán Patiño (2007). Fogón de negros: cocina y cultura en una región latinoamericana. Scully,