found much to admire in the score's craftsmanship, even alleging to detect the influence of Arnold Schoenberg. In April 1914, Stravinsky and his family returned to Clarens. Following the outbreak of World War I later that year, he was ineligible for military service due to health reasons. Stravinsky managed a short visit to Ustilug to retrieve personal items just before national borders were closed. In June 1915, he and his family moved from Clarens to Morges, a town six miles from Lausanne on the shore of Lake Geneva. The family lived there (at three different addresses), until 1920. In December 1915, Stravinsky made his conducting debut at two concerts in aid of the Red Cross with The Firebird. The war and subsequent Russian Revolution in 1917 made it impossible for Stravinsky to return to his homeland. Stravinsky began to struggle financially in the late 1910s as Russia (and its successor, the USSR) did not adhere to the Berne Convention, thus creating problems for Stravinsky to collect royalties for the performances of his pieces for the Ballets Russes. While composing his theatrical piece L'Histoire du soldat (The Soldier's Tale), Stravinsky approached Swiss philanthropist Werner Reinhart for financial assistance, who agreed to sponsor him and largely underwrite its first performance which took place in Lausanne in September 1918. In gratitude, Stravinsky dedicated the work to Reinhart and gave him the original manuscript. Reinhart supported Stravinsky further when he funded a series of concerts of his chamber music in 1919. In gratitude to his benefactor, Stravinsky also dedicated his Three Pieces for Solo Clarinet to Reinhart, who was also an amateur clarinetist. Following the premiere of Pulcinella by the Ballets Russes in Paris on 15 May 1920, Stravinsky returned to Switzerland. Life in France, 1920–1939 In June 1920, Stravinsky and his family left Switzerland for France, first settling in Carantec, France for the summer while they sought a permanent home in Paris. They soon heard from couturière Coco Chanel, who invited the family to live in her Paris mansion until they had found their own residence. The Stravinskys accepted and arrived in September. Chanel helped secure a guarantee for a revival production of The Rite of Spring by the Ballets Russes from December 1920 with an anonymous gift to Diaghilev that was claimed to be worth 300,000 francs. In 1920, Stravinsky signed a contract with the French piano manufacturing company Pleyel. As part