led him to a spiritual crossroads, and he experienced a series of mystical events. After his experimentation with the Hermetic Order of the Golden Dawn, the orthodox ritual of the Church became ever more important to him, gradually defining his position as a High Church Anglican who was able to incorporate elements from his own mystical experiences, Celtic Christianity, and readings in literature and legend into his thinking. Political In politics, Machen was reactionary. He stated in response to a 1937 questionnaire on the Spanish Civil War in the Left Review, "Mr. Arthur Machen presents his compliments and begs to inform that he is, and always has been, entirely for General Franco." Legacy and influence Machen's literary significance is substantial; his stories have been translated into many languages and reprinted in short story anthologies countless times. In the early 1970s, a paperback reprint of The Three Impostors in the Ballantine Adult Fantasy series brought him to the notice of a new generation. More recently, the small press has continued to keep Machen's work in print. In 2010, to mark the 150 years since Machen's birth, two volumes of Machen's work were republished in the prestigious Library of Wales series. Literary critics such as Wesley D. Sweetser and S. T. Joshi see Machen's works as a significant part of the late Victorian revival of the gothic novel and the decadent movement of the 1890s, bearing direct comparison to the themes found in contemporary works like Robert Louis Stevenson's Strange Case of Dr Jekyll and Mr Hyde, Bram Stoker's Dracula, and Oscar Wilde's The Picture of Dorian Gray. At the time authors like Wilde, William Butler Yeats, and Arthur Conan Doyle were all admirers of Machen's works. He is also usually noted in the better studies of Anglo-Welsh literature. The French writer Paul-Jean Toulet translated Machen's The Great God Pan into French and visited Machen in London. Charles Williams was also a devotee of Machen's work, which inspired Williams' own fiction. Genre fiction Historian of fantastic literature Brian Stableford has suggested that Machen "was the first writer of authentically modern horror stories, and his best works must still be reckoned among the finest products of the genre". Machen's popularity in 1920s America has been noted, and his work was an influence on the development of the pulp horror found in magazines like Weird Tales and on such notable fantasy writers as James