for the architectural design of buildings and bridges. However, many of these are projects or conceptual designs rather than constructed objects, or stretch their interpretation of the Möbius strip beyond its recognizability as a mathematical form or a functional part of the architecture. An example is the National Library of Kazakhstan, for which a building was planned in the shape of a thickened Möbius strip but refinished with a different design after the original architects pulled out of the project. One notable building incorporating a Möbius strip is the NASCAR Hall of Fame, which is surrounded by a large twisted ribbon of stainless steel acting as a façade and canopy, and evoking the curved shapes of racing tracks. On a smaller scale, Moebius Chair (2006) by Pedro Reyes is a courting bench whose base and sides have the form of a Möbius strip. As a form of mathematics and fiber arts, scarves have been knit into Möbius strips since the work of Elizabeth Zimmermann in the early 1980s. In food styling, Möbius strips have been used for slicing bagels, making loops out of bacon, and creating new shapes for pasta. Although mathematically the Möbius strip and the fourth dimension are both purely spatial concepts, they have often been invoked in speculative fiction as the basis for a time loop into which unwary victims may become trapped. Examples of this trope include Martin Gardners "No-Sided Professor" (1946), Armin Joseph Deutschs "A Subway Named Mobius" (1950) and the film Moebius (1996) based on it. An entire world shaped like a Möbius strip is the setting of Arthur C. Clarke's "The Wall of Darkness" (1946), while conventional Möbius strips are used as clever inventions in multiple stories of William Hazlett Upson from the 1940s. Other works of fiction have been analyzed as having a Möbius strip–like structure, in which elements of the plot repeat with a twist; these include Marcel Proust In Search of Lost Time (1913–1927), Luigi Pirandello Six Characters in Search of an Author (1921), Frank Capras It's a Wonderful Life (1946), John Barth Lost in the Funhouse (1968), Samuel R. Delanys Dhalgren (1975) and the film Donnie Darko (2001). One of the musical canons by J. S. Bach, the fifth of 14 canons (BWV 1087) discovered in 1974 in Bach's copy of the Goldberg Variations, features a glide-reflect symmetry in which each voice in the canon repeats, with inverted notes,