by working as a dresser for Sir Nigel Hawthorne and Sir Ralph Richardson. Career 1980s After graduating from RADA, Rickman worked extensively with British repertory and experimental theatre groups in productions including Chekhov's The Seagull and Snoo Wilson's The Grass Widow at the Royal Court Theatre, and appeared three times at the Edinburgh International Festival. In 1978, he performed with the Court Drama Group, gaining roles in Romeo and Juliet and A View from the Bridge, among other plays. While working with the Royal Shakespeare Company (RSC), he was cast as Jacques in As You Like It, contributing an essay about his process to the RSC's book Players of Shakespeare 2. His breakthrough role was in The Barchester Chronicles (1982), the BBC's adaptation of Trollope's first two Barchester novels, as the Reverend Obadiah Slope. Rickman was given the male lead, the Vicomte de Valmont, in the 1985 Royal Shakespeare Company production of Christopher Hampton's adaptation of Les Liaisons Dangereuses, directed by Howard Davies. After the RSC production transferred to the West End in 1986 and Broadway in 1987, Rickman received both a Tony Award nomination and a Drama Desk Award nomination for his performance. In 1988, Rickman played the antagonist Hans Gruber in the action thriller Die Hard in what was his first feature film. Starring opposite Bruce Willis, Rickman's portrayal earned him critical acclaim and a spot on the AFI's 100 Years...100 Heroes & Villains list as the 46th best villain in film history. Rickman later revealed he almost did not take the role as he did not think Die Hard was the kind of film he wanted to make. 1990s In 1990, he played the Australian Elliot Marston opposite Tom Selleck in Quigley Down Under (1990). The following year, Rickman was cast as the Sheriff of Nottingham in Kevin Reynolds's film adaptation of Robin Hood: Prince of Thieves (1991). In the film, Rickman acted opposite Kevin Costner and Morgan Freeman. Entertainment Weekly proclaimed that while Robin Hood "left critics and movie goers underwhelmed, Rickman’s gleefully wicked villain became the summer’s most talked-about performance". For his performance he received the BAFTA Award for Best Actor in a Supporting Role. Upon winning the award Rickman stated, "This will be a healthy reminder to me that subtlety isn't everything". Despite gaining acclaim within the media for his ability to portray villainous roles in films Rickman took issue with being typecast as