in F minor. Several music and record editions perpetuate these uncertainties about the authorship of various compositions, publishing in his name compositions certainly produced by other authors, such as the arias Se tu m'ami (certainly composed by the musicologist Alessandro Parisotti in the second half of the 19th century and included in one of his collection of baroque arias under the name of Pergolesi) and Tre giorni son che Nina (attributed to Vincenzo Legrenzio Ciampi) or the Magnificat in D major, composed by his teacher Francesco Durante. The situation of extreme uncertainty that distinguishes the catalog of Pergolesi's works can be easily described with the case of Pulcinella by Igor Stravinsky: composed in 1920 as a tribute to the style of the composer from Jesi, the most recent music critics have established that of the 21 pieces used for this composition, as many as 11 are to be attributed to other authors (mainly Domenico Gallo), two are of dubious attribution and only eight (mostly taken from his operas) can be attributed to Pergolesi. Pergolesi's works on screen Pergolesi's Salve Regina is a highlighted performance in the movie Farinelli (1994), in which Farinelli also performs Stabat Mater Dolorosa in the only duet. The first and last parts of Pergolesi's Stabat Mater were used in the soundtrack of the movie Jesus of Montreal (Jésus de Montréal) (1989); the fifth part ("Quis est homo") was used in the soundtrack of the movie Smilla's Sense of Snow (1997); the last part was also used in the movie Amadeus (1984) and in the movie The Mirror (1975) by Andrei Tarkovsky. The film Cactus (1986) by the Australian director Paul Cox also features Pergolesi's Stabat Mater on the soundtrack. Nothing Left Unsaid, a 2016 documentary on Gloria Vanderbilt and Anderson Cooper, used the last movement ("Quando Corpus / Amen") of Pergolesi's Stabat Mater. Works The standard catalogue of Pergolesi's works was produced by Marvin Paymer in 1977, ascribing a unique P number to each item so that – for example – the well-known Stabat Mater is P.77. Sacred music Antifona “In caelestibus regnis” (1731) Confitebor tibi Domine (Psalm 111) in C for Soprano, Alto, Choir, Strings and Continuo (1732) Dixit Dominus (Psalm 110) for Soprano, Bass, 2 Choirs and 2 Orchestras (1732) Laudate pueri Dominum (Psalm 113) in D for Soprano, Mezzo, Choir and Orchestra (1734) Mass in D (1732) Mass in F “San Emidio” (Missa