of taking any themes from Don Giovanni, however, he took four lesser known works by Mozart and arranged them into his fourth orchestral suite, which he called Mozartiana. The baritone who sang the title role in the centenary performance of Don Giovanni in Prague that year was Mariano Padilla y Ramos, the man Désirée Artôt married instead of Tchaikovsky. Michael Nyman's popular, short band piece In Re Don Giovanni (1981, with later adaptations and revisions) is constructed on a prominent 15-bar phrase in the accompaniment to Leporello's catalogue aria. In addition to instrumental works, allusions to Don Giovanni also appear in a number of operas: Nicklausse of Offenbach's The Tales of Hoffmann sings a snatch of Leporello's "", and Rossini quotes from the same aria in the duettino between Selim and Fiorilla following the former's cavatina in act 1 of Il turco in Italia. Ramón Carnicer's opera (1822) is a peculiar reworking of Mozart's opera to adapt it to Rossinian fashion. It comprises new music by Carnicer on a new text (e.g. the first half of act 1), new music on Da Ponte's text (e.g. Leporello's aria) or on a mixture of both (e.g. the new trio for the scene in the cemetery); the whole collated with extensive quotations or entire sections borrowed directly from Mozart (e.g. Finale 1 and Finale 2, and even some music from Le nozze di Figaro), though usually slightly reworked and re-orchestrated. See also List of operas by Mozart Notes and references Notes References Sources Further reading Allanbrook, W. J. (1983). Rhythmic Gesture in Mozart: Le nozze di Figaro and Don Giovanni Chicago. (reviewed in Platoff, John. "Untitled." The Journal of Musicology, vol. 4, no. 4 (1986). pp. 535–538). Baker, Even A. (1993): Alfred Roller's Production Of Mozart's Don Giovanni – A Break in the Scenic Traditions of the Vienna Court Opera. New York University. Baker, Felicity (2021) (edited by Magnus Tessing Schneider). Don Giovanni's Reasons: Thoughts on a masterpiece. Bern: Peter Lang. Da Ponte, Lorenzo. Mozart's Don Giovanni. Dover Publications, New York, 1985. (reviewed in G. S. "Untitled." Music & Letters, vol 19, no. 2 (April 1938). pp. 216–218) Goehr, Lydia; Herwitz, Daniel A. (2006). The Don Giovanni Moment: Essays on the Legacy of an Opera. Columbia Press University, New York. Kaminsky, Peter (1996). "How to Do things with Words and Music: Towards an Analysis of Selected ensembles in Mozart's Don Giovanni." Theory and