Hypatie and 1857 Hypathie et Cyrille, French poet Charles Leconte de Lisle portrayed Hypatia as the epitome of "vulnerable truth and beauty". Leconte de Lisle's first poem portrayed Hypatia as a woman born after her time, a victim of the laws of history. His second poem reverted to the eighteenth-century Deistic portrayal of Hypatia as the victim of Christian brutality, but with the twist that Hypatia tries and fails to convince Cyril that Neoplatonism and Christianity are actually fundamentally the same. Charles Kingsley's 1853 novel Hypatia; Or, New Foes with an Old Face was originally intended as a historical treatise, but instead became a typical mid-Victorian romance with a militantly anti-Catholic message, portraying Hypatia as a "helpless, pretentious, and erotic heroine" with the "spirit of Plato and the body of Aphrodite." Kingsley's novel was tremendously popular; it was translated into several European languages and remained continuously in print for the rest of the century. It promoted the romantic vision of Hypatia as "the last of the Hellenes" and was quickly adapted into a broad variety of stage productions, the first of which was a play written by Elizabeth Bowers, performed in Philadelphia in 1859, starring the writer herself in the titular role. On 2 January 1893, a much higher-profile stage play adaptation Hypatia, written by G. Stuart Ogilvie and produced by Herbert Beerbohm Tree, opened at the Haymarket Theatre in London. The title role was initially played by Julia Neilson, and it featured an elaborate musical score written by the composer Hubert Parry. The novel also spawned works of visual art, including an 1867 image portraying Hypatia as a young woman by the early photographer Julia Margaret Cameron and an 1885 painting by Charles William Mitchell showing a nude Hypatia standing before an altar in a church. At the same time, European philosophers and scientists described Hypatia as the last representative of science and free inquiry before a "long medieval decline". In 1843, German authors Soldan and Heppe argued in their highly influential History of the Witchcraft Trials that Hypatia may have been, in effect, the first famous "witch" punished under Christian authority (see witch-hunt). Hypatia was honored as an astronomer when 238 Hypatia, a main belt asteroid discovered in 1884, was named for her. The lunar crater Hypatia was also named for her, in addition to craters named for her father Theon. The 180 km Rimae Hypatia are located