aired on the Home Service on 23 March. A number of performers read from "stories in prose and verse", including Scottish ballads and James's "Wailing Well". 1968 – Three years later, Story Time presented five M. R. James stories read by Howieson Culff. The 30-minute episodes were produced by David Davis and broadcast weekly on BBC Radio 4 FM between 20 August and 17 September. Episodes were "The Mezzotint", "The Rose Garden", "The Haunted Dolls' House", "The Uncommon Prayer-Book" and "A Neighbour's Landmark". Selected episodes were repeated as Three Ghost Stories the following year. 1971 – Radio 3's Study on 3 presented a four-part analysis of The Horror Story. The second episode ("Ghosts") was transmitted on 23 December 1971 – the day before the first Ghost Story for Christmas aired on BBC1 – and featured a discussion with Jonathan Miller and a reading of "Lost Hearts" by Bernard Cribbins. The series was repeated the following year. 1974 – On 12 January, the CBS Radio Mystery Theater, hosted by E. G. Marshall, presented the episode "This Will Kill You", which was an updated, loose adaptation of "Casting the Runes". 1975 – Radio 4's Story Time presented a "Ghost Trilogy", broadcast over three consecutive days in December. The second edition, on 23 December, was an abridged version of "Number 13" read by Peter Barkworth. 1977 – Michell Raper was a BBC producer who had already made documentaries about Peter Underwood and the London Ghost Club. On 27 December, he presented a 30-minute talk entitled The Ghosts of M. R. James, which also featured readings by Gerald Cross, Norman Shelley and Kenneth Fortescue from "Wailing Well", "Lost Hearts", Oh, Whistle, and I'll Come to You, My Lad and "Rats". 1978 – On 2 May, the CBS Radio Mystery Theater presented The Figure in the Moonlight, a loose and uncredited adaptation of "The Mezzotint". In Roy Winsor's script, "The Department of Fine Arts at Wheeler College, New Hampshire, is bequeathed a collection of mostly worthless art: reproductions, some photographs, an engraving or two. Upon closer inspection, one of the items stands out for its clarity and tone: an engraving of a Victorian mansion with a flagstone path and a wide front porch. A mysterious figure seems to appear and disappear from the engraving, as if re-enacting an earlier encounter." In the UK, the Hallowe'en edition of Radio 4's Forget Tomorrow's Monday ("a Sunday morning