participated and added the comic baritone duet "Cheti, cheti, immantinente" from a discarded portion of his unperformed opera L'Ange de Nisida. In England it was first presented on 29 June 1843 at Her Majesty's Theatre in London (in Italian). The opera was translated into French by Gustave Vaëz and Alphonse Royer and given in Brussels on 11 August 1843, Lille on 9 November 1843, and at the Théâtre d'Orléans in New Orleans on 7 January 1845. The first Australian performance was presented in Sydney on 12 October 1854 at the Royal Victoria Theatre. In the years since World War II, the opera has been performed frequently. Roles Synopsis Time: Early 19th century Place: Rome Overture The music is suggestive of a comic opera; bright and lively, it starts with plenty of percussion and brass instruments. After a while, the ambience changes to suggesting a party, and concludes with a brass fanfare. Act 1 Scenes 1–3: A room in the home of Don Pasquale, at 9 o'clock Ernesto has refused the woman that his uncle Don Pasquale had found for him, and as a result is to be disinherited. Ernesto declares his devotion to the young – but poor – widow Norina. In view of Ernesto's determination, Don Pasquale decides to marry in old age to produce his own heir, and anxiously awaits the arrival of his physician, Dr. Malatesta, who is determined to teach Don Pasquale how foolish he is being, but has been pretending to search for a suitable bride. Malatesta, confronted with Pasquale's impatience, mutters that he is a buffoon, but proceeds to describe the attributes of the bride-to-be (Bella siccome un angelo – "Beautiful like an angel"). Honest, modest and sweet – when pressed, Malatesta reveals she is in fact his sister. Overcome with joy, Pasquale demands to meet her at once, and sends Malatesta to fetch her, before singing of the love that has gripped him (Ah, un foco insolito – "A sudden fire"). Ernesto comes back and pleads with the Don to consult with his friend Malatesta – when he hears that Malatesta supposedly supports Pasquale, he is amazed at this apparent betrayal (Mi fa il destino mendico – "Fate has made a beggar of me"). Ernesto determines to elope and writes to tell Norina that all is lost. Scenes 4–5: An apartment in the home of Norina Norina sits alone, reading a book. She