works each year; of major note are Mauricio Rosencof, Ana Magnabosco and Ricardo Prieto. Visual arts The daily newspaper El País sponsors the Virtual Museum of contemporary Uruguayan art. The director and curator of the Museum presents exhibitions in "virtual spaces, supplemented by information, biographies, texts in English and Spanish". In the early 1970s (1973, to be particular) when the military junta took over power in Uruguay, art suffered in Montevideo. The art studios went into protest mode, with Rimer Cardillo, one of the country's leading artists, making the National Institute of Fine Arts, Montevideo a "hotbed of resistance". This resulted in the military junta coming down heavily on artists by closing the Fine Art Institute and carting away all the presses and other studio equipment. Consequently, the learning of fine arts was only in private studios run by people who had been let out of jail, in works of printing and on paper and also painting and sculpture. It resumed much later. Literature The first public library in Montevideo was formed by the initial donation of the private library of Father José Manuel Pérez Castellano, who died in 1815. Its promoter, director and organizer was Father Dámaso Antonio Larrañaga, who also made a considerable donation along with donations from José Raimundo Guerra, as well as others from the Convent of San Francisco in Salta. In 1816 its stock was 5,000 volumes. The building of the National Library of Uruguay (Biblioteca Pública de Uruguay) was designed by Luis Crespi in the Neoclassical style and occupies an area of . Construction began in 1926 and it was inaugurated in 1964. Its collection amounts to 900,000 volumes. Authors The city has a long and rich literary tradition. Although Uruguayan literature is not limited to the authors of the capital (Horacio Quiroga was born in Salto and Mario Benedetti in Paso de los Toros, for instance), Montevideo has been and is the center of the editorial and creative activity of literature. In 1900, the city had a remarkable group of writers, including José Enrique Rodó, Carlos Vaz Ferreira, Julio Herrera y Reissig, Delmira Agustini and Felisberto Hernández. Montevideo was then called the "Atenas del Plata" or the "Athens of the Rio de la Plata". Among the outstanding authors of Montevideo of the second half of the 20th century are Juan Carlos Onetti, Antonio Larreta, Eduardo Galeano, Marosa di Giorgio and Cristina Peri Rossi.