off the following morning. The four Bohemians find in this an excuse for a party and arrange for wine and an orchestra. Musetta gives Mimì a beautiful gown to wear and introduces her to a Viscount. The pair dances a quadrille in the courtyard, which moves Rodolfo to jealousy. This explains his act 3 reference to the "moscardino di Viscontino" (young fop of a Viscount). As dawn approaches, furniture dealers gradually remove pieces for the morning auction. Ruggero Leoncavallo composed an opera based the same source material, also titled La bohème; this episode is included in Leoncavallo's treatment which premiered in 1897. Derivative works In 1959 "Musetta's Waltz" was adapted by songwriter Bobby Worth for the pop song "Don't You Know?", a hit for Della Reese. Earlier, it was used for another song, "One Night of Love". In 1969 in Paris, American free-jazz pianist Dave Burrell recorded his La Vie de Bohème with a seven-piece group of European and American musicians. The music on the double-LP is improvised and experimental, but the listener can still discern Puccini's themes, as well as the narrative arc of the complete opera. Rent, a 1996 musical by Jonathan Larson, is based on La bohème. Here the lovers, Roger and Mimi, are faced with AIDS and progress through the action with songs such as "Light My Candle", which have direct reference to La bohème. Many of the character names are retained or are similar (e.g. the character Angel is given the surname "Schunard"), and at another point in the play, Roger's roommate and best friend Mark makes a wry reference to "Musetta's Waltz", which is a recurring theme throughout the first act and is played at the end of the second act. The opera was adapted into a 1983 short story by the novelist V. S. Pritchett for publication by the Metropolitan Opera Association. Modernizations Baz Luhrmann produced the opera for Opera Australia in 1990 with modernized supertitle translations, and a budget of only A$60,000 (A$130,545.17 in 2022). A DVD was issued of the stage show. According to Luhrmann, this version was set in 1957 (rather than the original period of 1830) because "...[they] discovered that 1957 was a very, very accurate match for the social and economic realities of Paris in the 1840s." In 2002, Luhrmann restaged his version on Broadway, the production won two Tony Awards out of six nominations; for Best Scenic