the Far East, the Aleutian Islands, Alaska, and Moscow was also canonized. In 1978 it was proclaimed that the Russian Orthodox Church had created a prayer order for Meletius of Kharkov, which practically signified his canonization because that was the only possible way to do it at that time. Similarly, the saints of other Orthodox Churches were added to the Church calendar: in 1962 St. John the Russian, in 1970 St. Herman of Alaska, in 1993 Silouan the Athonite, the elder of Mount Athos, already canonized in 1987 by the Ecumenical Patriarchate of Constantinople. In the 1980s the Russian Orthodox Church re-established the process for canonization; a practice that had ceased for half a century. In 1989, the Holy Synod established the Synodal Commission for canonization. The 1990 Local Council of the Russian Orthodox Church gave an order for the Synodal Commission for Canonisation to prepare documents for canonization of new martyrs who had suffered from the 20th century Communist repressions. In 1991 it was decided that a local commission for canonization would be established in every eparchy which would gather the local documents and would send them to the Synodal Commission. Its task was to study the local archives, collect memories of believers, record all the miracles that are connected with addressing the martyrs. In 1992 the Church established 25 January as a day when it venerates the new 20th century martyrs of faith. The day was specifically chosen because on this day in 1918 the Metropolitan of Kiev Vladimir (Bogoyavlensky) was killed, thus becoming the first victim of communist terror among the hierarchs of the Church. During the 2000 Council of the Russian Orthodox Church, the greatest general canonization in the history of the Orthodox Church took place: not only regarding the number of saints but also as in this canonization, all unknown saints were mentioned. There were 1,765 canonized saints known by name and others unknown by name but "known to God". Icon painting The use and making of icons entered Kievan Rus' following its conversion to Orthodox Christianity in AD 988. As a general rule, these icons strictly followed models and formulas hallowed by Byzantine art, led from the capital in Constantinople. As time passed, the Russians widened the vocabulary of types and styles far beyond anything found elsewhere in the Orthodox world. Russian icons are typically paintings on wood, often small, though some in churches