centuries, the Viking dominated areas were characterised by stone sculpture in which the Anglo-Saxon tradition of cross shafts took on new forms, and a distinctive Anglo-Scandinavian monument, the 'hogback' tomb, was produced. The decorative motifs used on these northern carvings (as on items of personal adornment or everyday use) echo Scandinavian styles. The Wessexan hegemony and the monastic reform movement appear to have been the catalysts for the rebirth of art in southern England from the end of the 9th century. Here artists responded primarily to continental art; foliage supplanting interlace as the preferred decorative motif. Key early works are the Alfred Jewel, which has fleshy leaves engraved on the back plate; and the stole and maniples of Bishop Frithestan of Winchester, which are ornamented with acanthus leaves, alongside figures that bear the stamp of Byzantine art. The surviving evidence points to Winchester and Canterbury as the leading centres of manuscript art in the second half of the 10th century: they developed colourful paintings with lavish foliate borders, and coloured line drawings. By the early 11th century, these two traditions had fused and had spread to other centres. Although manuscripts dominate the corpus, sufficient architectural sculpture, ivory carving and metalwork survives to show that the same styles were current in secular art and became widespread in the south at parochial level. The wealth of England in the later tenth and eleventh century is clearly reflected in the lavish use of gold in manuscript art as well as for vessels, textiles and statues (now known only from descriptions). Widely admired, southern English art was highly influential in Normandy, France and Flanders from c. 1000. Indeed, keen to possess it or recover its materials, the Normans appropriated it in large quantities in the wake of the Conquest. The Bayeux Tapestry, probably designed by a Canterbury artist for Bishop Odo of Bayeux, is arguably the apex of Anglo-Saxon art. Surveying nearly 600 years of continuous change, three common strands stand out: lavish colour and rich materials; an interplay between abstract ornament and representational subject matter; and a fusion of art styles reflecting English links to other parts of Europe. Language Old English (Ænglisċ, Anglisċ, Englisċ) is the earliest form of the English language. It was brought to Britain by Anglo-Saxon settlers, and was spoken and written in parts of what are now England and southeastern Scotland until the mid-12th century, by which time