which are typically sent to a laboratory, wooden supports for paintings usually have to be measured in a museum conservation department, which places limitations on the techniques that can be used. In addition to dating, dendrochronology can also provide information as to the source of the panel. Many Early Netherlandish paintings have turned out to be painted on panels of "Baltic oak" shipped from the Vistula region via ports of the Hanseatic League. Oak panels were used in a number of northern countries such as England, France and Germany. Wooden supports other than oak were rarely used by Netherlandish painters. Since panels of seasoned wood were used, an uncertain number of years has to be allowed for seasoning when estimating dates. Panels were trimmed of the outer rings, and often each panel only uses a small part of the radius of the trunk. Consequently, dating studies usually result in a "terminus post quem" (earliest possible) date, and a tentative date for the arrival of a seasoned raw panel using assumptions as to these factors. As a result of establishing numerous sequences, it was possible to date 85–90% of the 250 paintings from the fourteenth to seventeenth century analysed between 1971 and 1982; by now a much greater number have been analysed. A portrait of Mary, Queen of Scots in the National Portrait Gallery, London was believed to be an eighteenth-century copy. However, dendrochronology revealed that the wood dated from the second half of the sixteenth century. It is now regarded as an original sixteenth-century painting by an unknown artist. On the other hand, dendrochronology was applied to four paintings depicting the same subject, that of Christ expelling the money-lenders from the Temple. The results showed that the age of the wood was too late for any of them to have been painted by Hieronymus Bosch. While dendrochronology has become an important tool for dating oak panels, it is not effective in dating the poplar panels often used by Italian painters because of the erratic growth rings in poplar. The sixteenth century saw a gradual replacement of wooden panels by canvas as the support for paintings, which means the technique is less often applicable to later paintings. In addition, many panel paintings were transferred onto canvas or other supports during the nineteenth and twentieth centuries. Archaeology The dating of buildings with wooden structures and components is also done by dendrochronology; dendroarchaeology