Beaton, and Philippe Halsman. Halsman produced the Dalí Atomica series (1948) – inspired by Dalí's painting Leda Atomica – which in one photograph depicts "a painter's easel, three cats, a bucket of water, and Dalí himself floating in the air". Architecture Dalí's architectural achievements include his Port Lligat house near Cadaqués, as well as his Theatre Museum in Figueres. A major work outside of Spain was the temporary Dream of Venus Surrealist pavilion at the 1939 New York World's Fair, which contained several unusual sculptures and statues, including live performers posing as statues. In 1958, Dalí completed Crisalida, a temporary installation promoting a drug, which was exhibited at a medical convention in San Francisco. Literary works In his only novel, Hidden Faces (1944), Dalí describes the intrigues of a group of eccentric aristocrats whose extravagant lifestyle symbolizes the decadence of the 1930s. The Comte de Grandsailles and Solange de Cléda pursue a love affair, but interwar political turmoil and other vicissitudes drive them apart. It is variously set in Paris, rural France, Casablanca in North Africa, and Palm Springs in the United States. Secondary characters include aging widow Barbara Rogers, her bisexual daughter Veronica, Veronica's sometime female lover Betka, and Baba, a disfigured U.S. fighter pilot. The novel was written in New York, and translated by Haakon Chevalier. His other literary works include The Secret Life of Salvador Dalí (1942), Diary of a Genius (1966), and Oui: The Paranoid-Critical Revolution (1971). Dalí also published poetry, essays, art criticism, and a technical manual on art. Graphic arts Dalí worked extensively in the graphic arts, producing many drawings, etchings, and lithographs. Among the most notable of these works are forty etchings for an edition of Lautréamont's The Songs of Maldoror (1933) and eighty drypoint reworkings of Goya's Caprichos (1973–77). From the 1960s, however, Dalí would often sell the rights to images but not be involved in the print production itself. In addition, a large number of fakes were produced in the 1980s and 1990s, thus further confusing the Dalí print market. Book illustrations were an important part of Dalí's work throughout his career. His first book illustration was for the 1924 publication of the Catalan poem ("The Witches of Liers") by his friend and schoolmate, poet Carles Fages de Climent. His other notable book illustrations, apart from The Songs of Maldoror, include 101 watercolors and engravings for The Divine Comedy (1960) and