was eager to leave Bristol and tried to sign on as a ship's cabin boy, but he was too young. On March 13, 1918, the 14-year-old Grant was expelled from Fairfield. Several explanations were given, including being discovered in the girls' lavatory and assisting two other classmates with theft in the nearby town of Almondsbury. Wansell claims that Grant had set out intentionally to get himself expelled from school to pursue a career in entertainment with the troupe, and he did rejoin Pender's troupe three days after being expelled. His father had a better-paying job in Southampton, and Grant's expulsion brought local authorities to his door with questions about why his son was living in Bristol and not with his father in Southampton. His father then co-signed a three-year contract between Grant and Pender that stipulated Grant's weekly salary, along with room and board, dancing lessons, and other training for his profession until age 18. There was also a provision in the contract for salary raises based on job performance. Vaudeville and performing career The Pender Troupe began touring the country, and Grant developed the ability in pantomime to broaden his physical acting skills. They traveled on the to conduct a tour of the United States on July 21, 1920, when he was 16, arriving a week later. Biographer Richard Schickel writes that Douglas Fairbanks and Mary Pickford were aboard the same ship, returning from their honeymoon, and that Grant played shuffleboard with him. He was so impressed with Fairbanks that he became an important role model. After arriving in New York, the group performed at the New York Hippodrome, which was the largest theater in the world at the time with a capacity of 5,697. They performed there for nine months, putting on 12 shows a week, and they had a successful production of Good Times. Grant became a part of the vaudeville circuit and began touring, performing in places such as St. Louis, Missouri, Cleveland, and Milwaukee, and he decided to stay in the US with several of the other members when the rest of the troupe returned to Britain. He became fond of the Marx Brothers during this period, and Zeppo Marx was an early role model for him. In July 1922, he performed in a group called the "Knockabout Comedians" at the Palace Theater on Broadway. He formed another group that summer called "The Walking Stanleys"