band's inception, and the only member with contemporary recordings of his vocals on all studio albums. Solo MGM recordings The Moog synthesizer that Dolenz had bought proved vital when he composed a song entitled "Easy on You" in 1971; he began recording it in his home studio, playing acoustic guitar and drums, and using the Moog like a keyboard. With that song completed, he next invited former Monkee Peter Tork over to help with more recordings. Then, a fortuitous street encounter led to former Monkee stand-in David Price joining, as well as contributing a rock song he had written called "Oh Someone". With Dolenz on drums and vocals, Tork on bass, and Price on rhythm guitar, the song was completed in only two hours; subsequently, guitarist B.J. Jones came in two days later and added lead guitar. With these two songs recorded, Dolenz contacted his former high school friend Mike Curb, then the head of MGM Records; after playing the songs for Curb, Dolenz was immediately signed to MGM. Dolenz recorded and released songs for MGM for about three years (with a few of the songs being credited to Starship, an ersatz group, not the later Jefferson Starship). After the first year, Dolenz's friend Harry Nilsson contributed his song "Daybreak", also arranging and producing the recording, which included Keith Allison on guitar, former Monkees producer Chip Douglas on bass, and steel-guitarist Orville "Red" Rhodes. By early 1974, with no chart successes to date, Dolenz headed to England, and with Tony Scotti, he cut four songs for MGM: two rock classics, "Splish Splash" and "Purple People Eater", as well as "I Hate Rock and Roll" and a new song, "Wing Walker". Meanwhile, Mike Curb left MGM and joined Warner Bros. Records. Dolenz's association with MGM then ended (and those final four songs remained unreleased). Dolenz, Jones, Boyce, and Hart Due in part to reruns of The Monkees on Saturday mornings and in syndication, The Monkees Greatest Hits charted in 1976. The LP, issued by Arista (a subsidiary of Columbia Pictures), was actually a repackaging of a 1972 compilation LP called Re-Focus that had been issued by Arista's previous label imprint, Bell Records, also owned by Columbia Pictures. Dolenz and Jones took advantage of this, joining ex-Monkees songwriters Tommy Boyce and Bobby Hart to tour the United States. They could not use the Monkees name for legal reasons, but from 1975 to