3D printed during missions to a range of specifications, to fit different individuals or changing mobility requirements. Suitports A suitport is a theoretical alternative to an airlock, designed for use in hazardous environments and in human spaceflight, especially planetary surface exploration. In a suitport system, a rear-entry space suit is attached and sealed against the outside of a spacecraft, such that an astronaut can enter and seal up the suit, then go on EVA, without the need for an airlock or depressurizing the spacecraft cabin. Suitports require less mass and volume than airlocks, provide dust mitigation, and prevent cross-contamination of the inside and outside environments. Patents for suitport designs were filed in 1996 by Philip Culbertson Jr. of NASA's Ames Research Center and in 2003 by Joerg Boettcher, Stephen Ransom, and Frank Steinsiek. Z-series In 2012, NASA introduced the Z-1 space suit, the first in the Z-series of space suit prototypes designed by NASA specifically for planetary extravehicular activity. The Z-1 space suit includes an emphasis on mobility and protection for space missions. It features a soft torso versus the hard torsos seen in previous NASA EVA space suits, which provides reduced mass. It has been labeled the "Buzz Lightyear suit" due to its green streaks for a design. In 2014, NASA released the design for the Z-2 prototype, the next model in the Z-series. NASA conducted a poll asking the public to decide on a design for the Z-2 space suit. The designs, created by fashion students from Philadelphia University, were "Technology", "Trends in Society", and "Biomimicry". The design "Technology" won, and the prototype is built with technologies like 3D printing. The Z-2 suit will also differ from the Z-1 suit in that the torso reverts to the hard shell, as seen in NASA's EMU suit. In fiction The earliest space fiction ignored the problems of traveling through a vacuum, and launched its heroes through space without any special protection. In the later 19th century, however, a more realistic brand of space fiction emerged, in which authors have tried to describe or depict the space suits worn by their characters. These fictional suits vary in appearance and technology, and range from the highly authentic to the utterly improbable. A very early fictional account of space suits can be seen in Garrett P. Serviss' novel Edison's Conquest of Mars (1898). Later comic book series such as Buck Rogers (1930s) and