work is often compared to the other great historical novel of the Napoleonic Wars, Tolstoy's War and Peace. While Tolstoy's work has a greater emphasis on the historical detail and the effect the war has upon his protagonists, Thackeray instead uses the conflict as a backdrop to the lives of his characters. The momentous events on the continent do not always have an equally important influence on the behaviours of Thackeray's characters. Rather their faults tend to compound over time. This is in contrast to the redemptive power the conflict has on the characters in War and Peace. For Thackeray, the Napoleonic Wars as a whole can be thought of as one more of the vanities expressed in the title. A common critical topic is to address various objects in the book and the characters' relationships with them, such as Rebecca's diamonds or the piano Amelia values when she thinks it came from George and dismisses upon learning that Dobbin provided it. Marxist and similar schools of criticism that go further and see Thackeray condemning consumerism and capitalism, however, largely overstate their case. Thackeray is pointed in his criticism of the commodification of women in the marriage market, but his variations on Ecclesiastes's "all is vanity" are more personal than institutional. He also has broad sympathy with a measure of comfort and financial and physical "snugness". At one point, the narrator even makes a "robust defense of his lunch": "It is all vanity to be sure: but who will not own to liking a little of it? I should like to know what well-constituted mind, merely because it is transitory, dislikes roast-beef?" Despite the clear implications of Thackeray's illustration on the topic, John Sutherland has argued against Becky having murdered Jos on the basis of Thackeray's criticism of the "Newgate novels" of Edward Bulwer-Lytton and other authors of Victorian crime fiction. Although what Thackeray principally objected to was glorification of a criminal's deeds, his intent may have been to entrap the Victorian reader with their own prejudices and make them think the worst of Becky Sharp even when they have no proof of her actions. Adaptations The book has inspired a number of adaptations: Radio Vanity Fair (7 January 1940), the CBS Radio series Campbell Playhouse, hosted by Orson Welles, broadcast a one-hour adaptation featuring Helen Hayes and Agnes Moorehead. Vanity Fair (6 December 1947), the NBC Radio series Favorite