the same path any other reader would take. An example of this is Google because users go into this website with a certain mindset of what they want to search for, and they get a certain result as they branch off and end at another website. The second structure is the Matrix structure. This structure describes media when it follows nonlinear progression through information. The viewer could enter at any point, move in any direction, at any speed, pop in and out at any place. Like the branching structure, this also has its set perimeters. However, the exact path that is followed is up to the user. The user has the option of participating in decision-making that affect the viewing experience of the media. An example of this is Public Secrets, a website that reveals secrets of the justice and the incarceration system within the US for women. There is a set boundary of what users can and can't do while presenting them with different themes and subjects users are able to view. Different users will find themselves taking different paths, using flash cues to guide themselves through the website. This vast selection of paths presents many users with a unique viewing experience (in relation to that of the previous persons). As well, they have the choice to read the excerpts from these women or hear it out loud. This connects to Borges' "The Garden of Forking Paths" where the participant has a variety of choices on how they see a story unfold before them. Each time, they can create a different path. The last structure is called the schizo, or the spaghetti model. This form of data structure pertains to pure or mostly randomness. "Everything is irrelevant and significant at the same time. Viewers may become lost in this structure and never find their way out." Awards 1984 Polaroid Video Art Award for outstanding achievement, USA 1987 Maya Deren Award, American Film Institute, USA 1989 John D. and Catherine T. MacArthur Foundation Award, USA 1993 Skowhegan Medal (Video Installation), USA 1993 Medienkunstpreis, Zentrum für Kunst und Medientechnologie, Karlsruhe, and Siemens Kulturprogramm, Germany 2003 Cultural Leadership Award, American Federal of Arts, USA 2006 NORD/LB Art Prize, Bremen, Germany 2009 Eugene McDermott Award in the Arts, MIT, Cambridge, MA He was awarded $75,000 and was able to go to MIT and help enhance the creative groups there. 2009 Catalonia International Prize,