generation, Celarianu (Macedonski's posthumous son-in-law), George Bacovia and Păstorel Teodoreanu also built on Macedonski's legacy, being later joined in this by the Bessarabian linguist Eugenio Coșeriu (who, in his early poetic career, imitated Macedonski's rondel style). In the late 1920s, when their form of modern psalms inspired Albanian-Romanian poet Aleksander Stavre Drenova, Macedonski and Arghezi both made an indirect impact on Albanian literature. Macedonski's status as one of Romanian literature's greats was consolidated later in the 20th century. By this time, Noaptea de decemvrie had become one of the most recognizable literary works to be taught in Romanian schools. During the first years of Communist Romania, the Socialist Realist current condemned Symbolism (see Censorship in Communist Romania), but spoke favorably of Macedonski's critique of the bourgeoisie. A while after this episode, Marin Sorescu, one of the best-known modernist poets of his generation, wrote a homage-parody of the Nights cycle. Included in the volume Singur între poeți ("Alone among Poets"), it is seen by critic Mircea Scarlat as Sorescu's most representative such pieces. Also then, Noaptea de decemvrie partly inspired Ștefan Augustin Doinaș' ballad Mistrețul cu colți de argint. In the 1990s, Ștefan Agopian took the Nights cycle as inspiration for an erotic short story, while Pavel Șușară adapted his rondels to a modernized setting. Macedonski's prose also influenced younger writers such as Angelo Mitchievici and Anca Maria Mosora. In neighboring Moldova, Macedonski influenced the Neosymbolism of Aureliu Busuioc. A magazine by the name of Literatorul, which claims to represent the legacy of Macedonski's publication, was founded in Romania in 1991, being edited by writers Sorescu, Fănuș Neagu and Mircea Micu. In 2006, the Romanian Academy granted posthumous membership to Alexandru Macedonski. Macedonski's poems had a sizable impact on Romania's popular culture. During communism, Noaptea de mai was the basis for a successful musical adaptation, composed by Marian Nistor and sung by Mirabela Dauer. Tudor Gheorghe, a singer-songwriter inspired by American folk revival, also used some of Macedonski's texts as lyrics to his melodies. In the 2000s, the refrain of Noaptea de mai was mixed into a manea parody by Adrian Copilul Minune. Portrayals, visual tributes and landmarks Although his poetic theories were largely without echoes in Romanian art, Macedonski captured the interest of several modern artists, including, early on, cartoonist Nicolae Petrescu Găină. Alongside other writers who visited Terasa Oteteleșanu, Macedonski was notably portrayed the drawings of celebrated Romanian artist