Only a Lad is the full-length debut album by American new wave band Oingo Boingo, released in 1981, following their self-titled EP. Composition Music The album's musical arrangements, by vocalist Danny Elfman and guitarist Steve Bartek, completed the group's evolution into a new wave rock band (see Oingo Boingo – The Mystic Knights Years). Only a Lad features complex and frequently changing time signatures and keys, often incorporating harmonies borrowed from jazz and 20th-century classical music, all hallmarks of Elfman's songwriting. Lyrics Elfman claimed that many of the songs were inspired by newspaper articles he had read at the time and were "written as in-your-face facetious jabs". "Little Girls" courted controversy for its theme of underage relationships. At the time of release, Elfman described the song as being "about a character who has certain unacceptable inclinations" and later commented, "Out here in Hollywood, you see so much of that; the older guy's in the car with some young girl who essentially asks no questions." The music video features Elfman dancing inside a surreal, empty suburban house, joined by dwarves and teenage girls. The band members are later seen staring complacently in shop windows and drinking tea while Elfman's character walks down a street with an apparently underage girl. The video, directed by Elfman's brother Richard Elfman, was purportedly banned in Canada. The most explicitly political track, "Capitalism", takes aim at "middle class socialist brat" protestors who "whine about the revolution" while themselves appearing to live in comfort. Similarly, "Perfect System" satirizes a utopia where society is manipulated to achieve happiness through "uniformity" and "continuity." Discussing the songs' themes in 1983, Elfman commented that the intention was "to be angry and keep a sense of humor at the same time", explaining "the songs themselves may not be delivered real seriously, but there is a point which I intend not to be taken lightly" and that people should not "be forced to believe" any social or political agenda. In 2010, Elfman reflected, "I was always taking characters and singing from the point of view of a character. ... So it didn't necessarily reflect me". In 2014, Elfman stated that he "just basically make(s) fun of everybody", and that he "didn't see anybody as being protected". He elaborated: "To me, all organized political groups have a sense of absurdity to them. It's open to be mocked or satirized. If anything, I consider myself