Waters, a Cretan folksong and "The Boys from Piraeus", from the film Never on Sunday. Her luxury was a herd of deer. In 2020 she followed her 2009 poetry biography of Darwin with one of Beethoven, drawing on her musical childhood to create a poetry and prose mini-bio that 'tells the great composer’s life story more profoundly than most biographies.' 'A biography in verse of the great composer and a passionate highly personal account of how one creative genius can feed, and feed on, another.' 'An approach to Beethoven by way of precisely figured emotion. Two lives drawn beneath the lens, the composer's and her own, interacting in ways that can be bold and, finally, breathtaking. On the Eroica, she is spectacular. The composer is "fire-dust, gold-flight /winching upwards into pure light" as he drives "forward into a new-world dawn /thrilling with dissonance, calling up wild-steel angels"'(Times Literary Supplement) During the pandemic she recorded four podcasts on Beethoven's life, illustrated by her poems, and music played by pianist Karl Lutchmayer, the Endellion Quartet, soprano Nina Kanter and the South Asian Symphony Orchestra, for the Bangalore International Centre. Journeying Padel's 1996 to 2004 collections, Fusewire, Rembrandt Would Have Loved You, Voodoo Shop and The Soho Leopard, mixed passionate love lyric with wide adventuring across the globe, but also challenged the supremacy of the male gaze at women. Rembrandt Would Have Loved You offered the female gaze: "The poems tangle with the shadowy undergrowth of political correctness, feminism and sex." Emerald, 2018, a meditation on the consoling nature of green, written after the death of Padel's mother, "guides us around the world in intense flights of geological and geographical fancy anchored to the bedrock of real emotion"; "a wild and generous imagination, a writer at the peak of her powers, a rich excavation of the truths and mysteries found in grief", and also explores the relation between loss, love and creativity. Non-Fiction Greek Scholarship, Greek mythology - and Rock Music Padel's non-fiction began with Princeton University Press studies of ancient Greek drama and the mind. In and Out of the Mind: Greek Images of the Tragic Self explores the way Greek ideas of inwardness shaped European notions of the self. She used anthropology and psychoanalysis to support her thesis that male Greek culture spoke of the mind as mainly "female" and receptive rather than "male" and active. Whom Gods Destroy: Elements of