Wayne is accorded top billing. Their names are displayed on pictures of signposts, one after the other, with Wayne's name shown first with his sign mounted slightly higher on its post than Stewart's. Director John Ford remarked in an interview with Peter Bogdanovich that he made it apparent to the audience that Vera Miles' character had never entirely recovered from an abortive romance with Wayne's gunslinging rancher because "I wanted Wayne to be the lead." Dustin Hoffman and Robert Redford used precisely the same billing formula for All the President's Men (1976), with Redford receiving top billing in posters and trailers while Hoffman was billed over Redford in the film itself. In 2021, Don't Look Up used exactly the same approach, with Leonardo DiCaprio receiving top billing on the posters and in the trailers while Jennifer Lawrence was accorded top billing at the beginning of the film itself. As both Tony Curtis and Jerry Lewis wanted top billing for Boeing Boeing (1965), their animated names appeared in a spinning, circular fashion in front of an airplane engine's rotating nacelle. For the trailer, the circular animation of the two names was repeated and neither name was spoken aloud. For the posters, the names made an X, Lewis' going up from the bottom left and Curtis' going down from the upper left. For the film The Towering Inferno (1974), Steve McQueen, Paul Newman and William Holden all tried to obtain top billing. Holden was refused as his diminished star power was no longer considered to be in the league of McQueen's and Newman's. To provide dual top billing and mollify McQueen, the credits were arranged diagonally, with McQueen at the lower left and Newman at the upper right. Thus, each actor appeared to have top billing depending on whether the poster was read from left to right or top to bottom. Technically, McQueen has top billing and is mentioned first in the film's trailers; however, at the end of the movie, as the cast's names roll from the bottom of the screen, Newman's name is fully visible first, giving him top billing in the closing credits. This was the first time that this type of "staggered but equal" billing had been used for a movie, although the same thing had been discussed for the same two actors five years earlier when McQueen was going to play the Sundance Kid in Butch Cassidy