album's second single "Pounding" was released in July 2002, and peaked at number 21, while third and final single "Caught by the River" was released in October 2002 and reached number 29 on the charts. Like "There Goes the Fear" before them, the singles for "Pounding" and "Caught by the River" were also limited in released quantities. The Last Broadcast was released by Capitol Records in the United States on 4 June 2002; first pressings of the album stateside included a limited edition bonus disc, featuring four songs released as B-sides on the UK singles. The band began touring in promotion for the album at the end of February 2002. By summer of 2002, Doves were touring for the album in the United States, the Netherlands and Europe, Australia, and Japan. Their July performance at The Eden Sessions in Cornwall was filmed and featured on the band's full-length compilation DVD Where We're Calling From, released in September 2003. In addition to the live concert, the DVD prominently featured a documentary on the band, including previously unreleased footage of the recording of The Last Broadcast as well as previous album Lost Souls, along with all of the band's music videos to date and a myriad of special features. A remixed version of "Words" entitled Live for City is played at the start of all Manchester City F.C. games at the City of Manchester Stadium, due to the band's support of the team. The intro to "Words" has also been used as the background music for both ITV Sport's FA Cup coverage and the NFL Network's commercials during the 2006-07 football season. "There Goes the Fear" was featured in the film and on the original motion picture soundtrack to (500) Days of Summer in 2009, while "Pounding" was used in the Vancouver 2010 Winter Olympics With Glowing Hearts/Des Plus Brilliants Exploits advertisement campaign and in pre-event intros. Reception The Last Broadcast was met with critical praise. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the album has received an average score of 85, based on 20 reviews. NME awarded the album 9 out of 10 stars, calling the album "the most uplifting miserable album you'll hear all year." The Austin Chronicle called the album "[a] stunner... an infectious, melancholy, ultimately euphoric barrage of sound wrapped in a sheeting of guitars and subtle effects that coalesce