Elizabeth Farren (c. 175923 April 1829) was an Irish actress of the late 18th century. Born in Cork in 1759 her father, George Farren was a surgeon. His drinking habits brought on early death and his widow returned to Liverpool. Her mother went on the stage to support herself and her children. Elizabeth first appeared on the London stage in 1777 as Miss Hardcastle in She Stoops to Conquer and the following year appeared at Drury Lane which, along with the Haymarket Theatre became her primary venues for the rest of her acting career. She had over 100 characters in her repertoire including Shakespeare and various contemporary comedies and dramas. She was often compared to Frances Abington, who was her only real rival. Her last appearance was in April 1797, two months before her marriage to Edward Smith-Stanley, 12th Earl of Derby. They had a son and two daughters. Early life Elizabeth (sometimes Eliza) Farren was the daughter of George Farren of Cork, Ireland, a surgeon and apothecary, later an actor, and his wife (née Wright) of Liverpool, the daughter of a publican or brewer. The actress Margaret Farren was her sister. At a very early age Farren performed at Bath and elsewhere in juvenile parts. In 1774 she was acting with her mother and sisters at Wakefield under Tate Wilkinson's opponent, Whiteley, when she played Columbine and sang. At the age of fifteen, at Liverpool, she played Rosetta in Love in a Village and subsequently her best known role of Lady Townly in The Provoked Husband by Colley Cibber. London career She was introduced by Younger, her Liverpool manager, to George Colman and made her first appearance in London at the Haymarket on 9 June 1777, playing Miss Hardcastle. Her performance was favourably received, and, after playing Maria in Murphy's Citizen, Rosetta, and Miss Tittup in Garrick's Bon Ton, she was cast as Rosina in the Spanish Barber, or the Useless Precaution, his adaptation from Beaumarchais' The Barber of Seville. She also spoke the epilogue to the play. On 11 July 1778 she was the original Nancy Lovel in Colman's Suicide. This was a "breeches" part, to which her figure was unsuited, and she was subjected to some satire for shapelessness. Performances as Lady Townly, and Lady Fanciful in the Provoked Wife restored her to public favour. In September 1778 she made her first appearance at Drury Lane, as