into portions of the Piano Sonata No. 3] [Recording by Eugene Ormandy and the Philadelphia Orchestra] 1948 Serenade for orchestra [concert version of Martha Graham ballet "Diversion of Angels"] (publ. Carl Fischer 1953) [Recording by Edvard Tchivzhel and the Atlantic Sinfonietta] Six Love Songs for voice and piano (texts: J. Addington Symonds "Eyebright"; John Suckling "Why so pale and wan, fond lover?"; Robert Browning "Meeting at Night"; Stark Young "The Dying Nightingale"; Arthur Symons "All Things Leave Me"; and Elizabeth Barrett Browning "How Do I Love Thee?"; publ. Carl Fischer 1954) Variations and Capriccio for violin and piano (publ. Carl Fischer 1949) [Recording with William Steck, violin] 1949 Concertante for clarinet and orchestra (or piano) (commissioned by Big Band clarinetist Artie Shaw; publ. Carl Fischer 1955) [Recording with Robert Alemany, clarinet] Diversion of Angels ballet score for small orchestra [Video of Martha Graham Ballet Company performing the ballet] 1950 The Triumph of Joan, opera in 3 Acts [school version – withdrawn; musical themes reworked into Triumph of St. Joan Symphony] The Bluebird for mixed chorus and piano (text: Joseph Machlis; publ. Carl Fischer 1952) [Performance by the John Alexander Singers] [Main theme from this used again in the opening movement of the Triumph of St. Joan Symphony] A Psalm of David for mixed chorus, strings, brass, and percussion [also version with woodwinds instead of chorus; and version for chorus and band] (text: Psalm 51; publ. Carl Fischer 1951) [Performance of final 10 minutes by the 2002 Texas All-State Choir] 1951 Epigraph for orchestra (publ. Carl Fischer 1953) [Recording by the Vienna Symphony] The Triumph of Saint Joan Symphony for orchestra (publ. 1952) [music taken from withdrawn 1950 opera; also used in a reduced orchestration for Martha Graham ballet "Seraphic Dialogues" in 1955] [Performance by Boston Modern Orchestra Project] [Shares a theme that is also used in the Bluebird] 1952 Aria and Toccata for two pianos (publ. Carl Fischer 1955) [Recording by Rosi and Toni Grunschlag] New York Profiles for orchestra [partially transcribed for band much later as City Profiles] (Publ. Carl Fischer) [Recording by the Orchestra Society of La Jola, Nikolai Sokoloff conducting] Song of the Open Road for mixed chorus, trumpet, and piano (text adapted from Walt Whitman; publ. Carl Fischer 1953) [Performance by the New Jersey All-State Chorus, Helen Stanley, conductor] 1953 The Ruby, opera in one act (from William Gibson short story; publ. Ricordi rental 1955) Song