(). Local produce includes Anding Mountain watermelon (安顶山西瓜) Anding Mountain Yunwu Tea (), both cultivated on the farm land of local Anding Mountain. There is also a local fruit called baiguo (). Culture Painting Dwelling in the Fuchun Mountains Dwelling in the Fuchun Mountains is one of the top ten ancient masterpieces of China, created by Fuyang native Huang Gongwang. He began work on the painting in 1348 and took about three years to complete it then presented it to a Taoist priest as a gift in 1350. A century later, the painting was acquired by the Ming dynasty painter Shen Zhou (1427–1509). During the reign of the Chenghua Emperor (1465–1487), Shen Zhou sent the painting to an unnamed calligrapher to be inscribed. However, the son of this calligrapher seized the painting which, after a few changes of hands, reemerged on the market for sale at a high price. Unable to afford it, there was nothing Shen Zhou could do except to make a copy of the painting himself. This imitation by Shen Zhou has become the most well-known and acclaimed copy among all others. Not long after he made the copy, Shen Zhou gave it to a bureaucrat friend named Fan Shunju (). Fan Shunju then began to search for the authentic copy. When he found it, he bought it at a hefty price and invited Shen Zhou to inscribe it. Shen Zhou then noted down at the end of the scroll the story of how the painting was lost and found. Over the following centuries, the painting passed through the hands of several owners, including Tan Zhiyi (), Dong Qichang and Wu Zhengzhi (). When Wu Zhengzhi died, he passed the painting to his third son Wu Hongyu (), who loved the painting so much that when he went into seclusion, he left behind all valuables and only brought the painting and a copy of the Thousand Character Classic by Master Zhiyong (). Fortunately, Wu Hongyu's nephew Wu Jing'an rescued the painting, which was however already aflame and torn into two. The smaller piece, also the beginning section, measuring 51.4 centimeters long, was subsequently known as The Remaining Mountain (). After passing through the hands of numerous collectors, it came into the possession of Wu Hufan (), a painter and collector, during the 1940s. In 1956, it finally settled down in the Zhejiang Provincial Museum in Hangzhou. In