21st century. In 2014, the Menzel's Stehende Rüstungen (1886) ("Standing Suits of Armour" or "Armoury Fantasy") was restituted by the Albertina Museum in Vienna to the heirs of Adele Pächter, who was murdered at the Theresienstadt concentration camp. In 2015, the Menzel pastel "Lady with a Red Blouse" was restituted to the heirs of Erna Felicia and Hans Lachmann-Mosse. Oskar Reinhart had purchased the pastel from the art dealer Fritz Nathan in Munich in 1934 and donated it to the Foundation in 1940. Others have been claimed but not restituted. Also in 2015 the Dutch Limbach Commission refused a restitution request for the Menzel painting "A Weekday in Paris" which had belonged to the Jewish banker Georges Behrens. In 2017 Germany's Culture Minister Monika Gruetter returned Menzel's Interior of a Gothic Church to the heirs of Elsa Cohen who, persecuted by the Nazis because Jewish, sold it to Hitler's art dealer Hildebrand Gurlitt in 1938. It was rediscovered in the art stash of his son, Cornelius Gurlitt. The German Lost Art Foundation lists numerous Menzel artworks on its website. Gallery Notes Selected bibliography Karl Scheffler, Adolf Menzel: Der Mensch, das Werk. Berlin: Cassirer, 1915. Elfried Bock, Adolph Menzel: Verzeichnis seines graphischen Werkes. Berlin: Amsler & Ruthardt, 1923. Werner Schmidt, Adolf Menzel: Zeichnungen Verzeichnis und Erläuterungen. National-Galerie, Staatliche Museen, Berlin, 1955. Ulrich Bischoff, Jens Christian Jensen, Richard Hoppe-Sailer, Wulf Schadendorf, Johann Schlick, Jürgen Schultze, Adolph Menzel: Realist – Historist – Maler des Hofes. Exhibition catalog. Schweinfurt: Weppert, 1981. Gisela Hopp, Eckhard Schaar, Werner Hofmann, eds., Menzel – der Beobachter. Exhibition catalog. Munich: Prestel, 1982. Jost Hermand, Adolph Menzel mit Selbstzeugnissen und Bilddokumenten (Rowohlts Monographien, vol. 361). Reinbek bei Hamburg: Rowohlt, 1986. Gisold Lammel, Adolph Menzel. Frideriziana und Wilhelmiana. Dresden: Verlag der Kunst, 1987. Claude Keisch and Marie Ursula Riemann-Reyher, eds.: Adolph Menzel 1815–1905: Between Romanticism and Impressionism. London and New Haven: Yale University Press, 1996. Michaela Diener, „Ein Fürst der Kunst ist uns gestorben“: Adolph von Menzels Nachruhm im Kaiserlichen Deutschland (1905–1910). Regensburg: Roderer, 1998. Hubertus Kohle, Adolph Menzels Friedrichbilder: Theorie und Praxis der Geschichtsmalerei im Berlin der 1850er Jahre. Munich and Berlin: Deutscher Kunstverlag, 2001. Christina Grummt, Adolph Menzel – zwischen Kunst und Konvention, die Allegorie in der Adressenkunst des 19. Jahrhunderts. Berlin: Reimer, 2001. Michael Fried, Menzel's Realism: Art and Embodiment in Nineteenth-Century Berlin. London and New Haven: Yale University Press, 2002. Jens Christian Jensen, Adolph Menzel. Cologne: DuMont,