of Schott in London and composed film music. Michael Tippett invited him to be a professor of composition at Morley College in London, and from 1942 he was on the staff there; he became a teacher of composition, music aesthetics, and music theory. His students included Don Banks, John Exton, Peter Racine Fricker, Anthony Gilbert, Barry Gray, Karel Janovický, Malcolm Lipkin, Anthony Milner, Wally Stott (who later became Angela Morley), John McCarthy, and Hugh Wood. During this period, he created and trained his choir, the Dorian Singers. His friendships and work associations embraced many soloists, including Tibor Varga, Norbert Brainin, guitarists Julian Bream and John Williams, percussionist Jimmy Blades, folk singer Bert Lloyd, and tenor Peter Pears. He was a founder member of the Society for Promotion of New Music, actively promoting new music throughout his life. He was married to ballet dancer Lilla Bauer (1912–2011), another Hungarian émigré. In 1960 he was invited to do a lecture tour in South Africa, but he died there in Kruger National Park as the result of a car accident. Kodály dedicated his choral work titled Media vita in morte sumus to the memory of his former student. Music Seiber's music is eclectic in style, showing the influences of Bartók, Kodály, Schoenberg, serialism, jazz, and Hungarian folk song, and his output includes film and lighter music. Often, individual pieces use a combination of these influences. For instance, the two Jazzolettes for wind and percussion (1929 and 1932, composed in Frankfurt) make liberal use of jazz effects and rhythms that displace the bar lines, but also show his first explorations of twelve-note techniques. His wartime, Fantasia concertante for violin and orchestra, premiered in 1945 and recorded by Andre Gertler, and the later work Permutationi a Cinque (1948) for wind ensemble, illustrate Seiber's very free use of serialism. Permutationi a Cinque explicitly uses permutations of motifs that eventually come together to reveal a twelve-tone series - but it is all done with lightness and humour. Seiber's vocal output includes the large scale cantata Ulysses (1947) on words by James Joyce, another Joyce-related work, Three Fragments from "A Portrait of the Artist as a Young Man", and choral arrangements of Hungarian and Yugoslav folk songs. He also wrote one opera, Eva spielt mit Puppen (1934), and the ballet The Invitation. Other works include the two orchestral Besardo suites, a clarinet concertino, three strings quartets, and scores