lyrics on the album, a plan that was finally rejected. In November or December 1978, Wobble and Levene returned to Gooseberry Sound Studios to record a 12-inch EP, Steel Leg V. the Electric Dread, with guest vocalists Vince Bracken and Don Letts. Final mix of the album For the final mix of the album tracks, the band returned to Townhouse Studios with Glossop, who remembers: "I do remember working on those other three [Gooseberry Studio] tracks, but I can't remember exactly what I did – probably mixing." Content "Theme": John Lydon (1978): "Didn't you ever have that feeling when you get up with a hangover, and you look at the world and think 'Count me out, I'd rather die!'?" Keith Levene (2001): "'Theme' came together because Wobble had this bassline and there was Jim playing and me doing that, and I fucking got it off on the first go. By the time we recorded it, which was probably the third time we played it, that was where it was at. It went down well in gigs and we loved the tune. John made the lyrics up as he went along or he had them stashed secretly [...] He came up with a lot of stuff just perfectly, like what he did with 'Theme'. He did it the first time and it was perfect." "Religion I": Keith Levene (2001): "Putting 'Religion' on the album with just vocals, I just did that as a producer. I thought that this had to be done so I said 'Run it off, John' and I just recorded it. That was a cool idea." "Religion II": Sid Vicious (1978): On new songs: "Yeah, we've got one about God, and it's a real attack. It is a real attack. And it's played to the Death March." John Lydon (1978/89/92/94): "A putdown of what they have made religion into. I started writing that song in the States." "When I showed Sid, Paul and Steve the lyrics to 'Religion' on the bus, their only response was 'Whoa!' [...] We had a very long wait at the San Antonio gig when we got there very early. I wanted them to listen to what I was doing, but they wouldn't have it under any circumstances. I knew it was over with Steve and Paul from that point onward". "There's one picture from America where we're all sitting on the stage, and