and Wolfgang Tillmans. The Family Of Man 2 From 1999 to 2005, Leica Users Group members: Alastair Firkin, Satoshi Oka, Tim Spragens, Tom Smart and Stanislaw Stawowy organized The Family Of Man 2 project to celebrate new millennium, 50 years of the Leica M system, and the Edward Steichen project anniversary. As with Steichen's project, the thousands of photos received were edited to 500, 100 annually during the project. It was exhibited online and an album with winning photos was privately published. Reconsidering The Family of Man The Photographic Society of America (PSA) drew on their archives to stage Reconsidering The Family of Man during April and May 2012. Not hung and mounted as an installation, [Artspace] at Untitled executive director Jon Burris' linear display was based on the concept of Steichen's original exhibit but concentrated on his sub-theme of the passage from birth to death. From the close to 5,000 photographs in the PSA collection, a selection of 50 original prints was made for their show. One work in common with the original exhibition was Ansel Adams' Mount Williamson from Manzanar which in The Family of Man was presented at mural scale, while the PSA used a vintage,11 "x 14" Adams print from their collection, displaying it wilh a first edition copy of The Family of Man publication opened to a double-page spread of Adams photograph. The Family of the Invisibles As part of the 2015-2016 France-Korea year, curators of the Centre national des arts plastiques (Cnap) and the Fonds Régional d’Art Contemporain of Aquitaine (Frac Aquitaine), Pascal Beausse (Cnap), Claire Jacquet (Frac Aquitaine), and Magali Nachtergael, Assistant Professor at the Sorbonne, collaborated to produce the exhibition The Family of the Invisibles at the Seoul Museum of Art (SeMA) and the Ilwoo Space in Seoul, from 5 April to 29 May 2016. The show was devoted to invisible and minority figures, their demands for identity, and the possibility of reconfiguring a politics of representation to the ideal of giving a place to each member of the human community as represented in more than 200 emblematic photographs. The works from the 1930s to 2016, drawn from the Cnap and Frac Aquitaine collections were selected on the principle of Roland Barthes' deconstruction identified by the curators in his Mythologies and in Camera Lucida, the latter being treated as a visual manifesto for minorities. The exhibition was presented in the Seoul Museum