Beaver Films made The Angry Silence (1960), a controversial screenplay by Forbes in which Attenborough took the lead role, and the two men shared production responsibilities. Film director Forbes's directorial debut came with Whistle Down the Wind (1961), again produced by Attenborough, a critically acclaimed film about three northern children who conceal a criminal in their barn, believing him to be a reincarnated Jesus Christ. It starred child actor Hayley Mills and Alan Bates, in one of his earliest film roles. The film was nominated for four BAFTA awards, including Best Film from any Source. It was the basis for a 1996 musical by Andrew Lloyd Webber. The L-Shaped Room (1962), his next film as director, with Leslie Caron in the female lead, led to her gaining a nomination for an Oscar, and winning the BAFTA (Best British Actress) and Golden Globe awards. Comments Phil Wickham: "It feels like half a new wave film – a mid-point between the innovation of the Woodfall Films and the mainstream of the British film industry." Forbes wrote and directed Séance on a Wet Afternoon (1964), and the same year he wrote the third screen adaptation of the Somerset Maugham novel Of Human Bondage. In 1965, he went to Hollywood to make King Rat, a successful prisoner-of-war story. He followed this with The Wrong Box (1966) and The Whisperers (1967), the latter featuring Edith Evans. A caper film, Deadfall (1968), starred Michael Caine. Head of EMI Films In 1969, Forbes was appointed chief of production and managing director of the film studio Associated British (soon to become EMI Films). Dennis Barker, in his obituary of Forbes for The Guardian, states, 'This amounted virtually to an attempt to revive the ailing British film industry by instituting a traditional studio system with a whole slate of films in play.' Under Forbes's leadership, the studio produced The Railway Children (1970), The Tales of Beatrix Potter (1971) and The Go-Between (1971), all successful. His tenure, though, was marked by financial problems and failed projects, and he resigned in 1971. Coinciding with his time at EMI Films, he resumed directorial work with The Raging Moon (1971), starring his wife, Nanette Newman, and Malcolm McDowell. Later career From the early 1970s, Forbes divided his energies between cinema, television, theatre, and writing. In 1972 he started work on the documentary Elton John and Bernie Taupin Say Goodbye Norma Jean and Other