is a 1945 Japanese period drama film written and directed by Akira Kurosawa, based on the kabuki play Kanjinchō, which is in turn based on the Noh play Ataka. It depicts a famous 12th century incident in which Yoshitsune and a small group of samurai cross into enemy territory disguised as monks. The film was initially banned by the occupying Supreme Commander of the Allied Powers (SCAP), likely due to its portrayal of feudal values. Kurosawa blamed bureaucratic sabotage by the wartime Japanese censors, who also disapproved. It was later released in 1952 following the signing of the Treaty of San Francisco. Plot In 1185, the Heike clan fights against the Minamoto clan. After a bloody naval battle in the Seto Inland Sea, Yoshitsune Minamoto defeats the enemy and the survivors commit suicide. When the triumphant Yoshitsune arrives in Kyoto, his brother, the Shogun Yoritomo, is uneasy and orders his men to arrest Yoshitsune. However, Yoshitsune escapes with six loyal samurai led by Benkei and they head to the country of his only friend Hidehira Fujiwara. Near the border, after crossing the forest disguised as monks, their porter discovers that they are Yoshitsune and the six samurai and advises that the fearful Kajiwara and his soldiers are waiting for them at the border to arrest them. Yoshitsune disguises as a porter and at the barrier, Benkei has to convince Kajiwara that they are six monks traveling to collect donations to repair the Todai temple in Nara. Cast Denjirō Ōkōchi as Benkei Tadayoshi Nishina as Yoshitsune Susumu Fujita as Togashi Masayuki Mori as Kamei Takashi Shimura as Kataoka Ken'ichi Enomoto as porter Akitake Kōno as Ise Yoshio Kosugi as Suruga Dekao Yokoo as Hitachibo Yasuo Hisamatsu as Kajiwara's messenger Shōji Kiyokawa as Togashi's messenger Production According to Stephen Prince, Akira Kurosawa was in preproduction on a film about the Battle of Nagashino and Oda Nobunaga's use of firearms to defeat an enemy clan mounted on horseback with swords and spears, but his vision surpassed his resources. In the last years of World War II, Japan was suffering from extreme privation and Toho had to make do with severely restricted means, such as spotty electricity often leaving them unable to light their sets. So Kurosawa switched to a new film, writing the script for The Men Who Tread on the Tiger's Tail in a single night and promising the studio he would