music, by singing old cowboy songs to send him to sleep as a child. Mills would go on to cover one of those songs, "Rio Grande" with his post-Kula Shaker band The Jeevas. "I count myself to be very fortunate," says Mills, "in having been brought up by people who are very open-minded and who are genuinely in love with the arts. If I've inherited anything from my family, it's that love of the creative process and that awareness of the privilege which being a part of it represents. That comes from my father too... I couldn't escape from it, and never felt I wanted to." Mills attended various schools, some private, some state run, as his mother was frequently travelling for film work. Speaking in an interview in 2016, Mills says "When I was in private schools, they called me 'common', and when I was in state schools they called me 'posh'. It made me very cynical about all these labels". His background meant that family friends were people like Richard Attenborough and Sir Laurence Olivier, although Mills has often remarked that he was rarely star-struck as they were "just people" to one accustomed to the company of famous actors. As a result of this, and his mother's experiences as a child actress, the young Mills believed that making films was to be his next step. "I grew up with pictures of my mum looking very very young, standing with John Wayne or Walt Disney. That did something to my head; I thought that was kind of normal. That's what happens: you get to 12, you start making movies. It was only when I got to 12 that I realised, obviously, that wasn't the case." It was around this time when Mills first started to consider ideas of spirituality and mortality. "If I ever had a Road-to-Damascus, it was when I was 11," he recalls. "I woke up one night, at home in bed, and realised I was going to die. I don't mean 'tomorrow' or 'in a year'. It wasn't a prediction. It was just suddenly understanding fully that death would come. I remember talking about it at the time. Everyone thought there was something wrong with me." To address these new feelings on life and death, Mills borrowed the Mahābhārata, one of the two major Sanskrit epics of ancient India, from his mother, and took to reading