(who was at CBS during the time as the network's lead Major League Baseball announcer) was added as a regular NFL broadcaster to fill-in. CBS broadcasts its final Super Bowl as the NFC package holder At Super Bowl XXVI, Lesley Visser became the first female sportscaster to preside over the Vince Lombardi Trophy presentation ceremony. The network's telecast of Super Bowl XXVI on January 26, 1992, was seen by more than 123 million viewers nationally, second only to the 127 million that viewed Super Bowl XX. The ongoing 1990 television contract gave CBS rights to Super Bowl XXVI instead of Super Bowl XXVII, which was in the network's rotation of the champion game. The NFL swapped the years in which CBS and NBC held rights to the Super Bowl in an effort to give CBS enough lead-in programming for the upcoming 1992 Winter Olympics that were set to begin two weeks later. For this game, CBS debuted a new network-wide red, white and blue graphics package as well as a new theme song (composed by Frankie Vinci) for its NFL coverage that replaced the one CBS debuted for its coverage of Super Bowl XXIV two years earlier. The package lasted until the end of 1995, after which CBS discarded it in favor of an orange and yellow color scheme for its sports graphics. The new music lasted until CBS lost the NFL rights at the end of the 1993 season, but continued to be used by CBS Radio until 2002. Several remixed versions of the 1993 theme were used upon the return of the NFL to CBS until the end of the 2002 season, when CBS replaced its entire NFL music package with one composed by E.S. Posthumus. To compete with the halftime show (which featured a halftime show entitled "Winter Magic", a Winter Olympics-themed show starring Gloria Estefan, Brian Boitano, and Dorothy Hamill to tie into CBS's upcoming broadcast of the Games), Fox decided to broadcast a special live episode of In Living Color and was able to attract and keep Super Bowl viewers. The live episode featured football-themed sketches (such as Men on Football), a performance by Color Me Badd, and a clock counting down to the start of the third quarter. The episode was sponsored by Frito-Lay, who paid $2 million to hold all national advertising time, and to help budget and promote the special; the effort