toured the world. It presented 555 photographs by 264 authors from 30 countries, outweighing the numbers in Steichen's exhibition. In the preface to the catalogue entitled 'Die humane Kamera' ('The human camera'), Heinrich Boll wrote: "There are moments in which the meaning of a landscape and its breath become felt in a photograph. The portrayed person becomes familiar or a historical moment happens in front of the lens; a child in uniform, women who search the battlefield for their dead. They are moments in which crying is more than private as it becomes the crying of mankind. Secrets are not revealed, the secret about human existence becomes visible." The exhibition, wrote Pawek, 'would like to keep alive the spirit of Edward Steichen's wonderful ideas and of his memorable collection, The Family of Man.'. His exhibition posed the question 'Who is Man?' in 42 topics. It focussed on issues that were sublimated in The Family of Man by the idea of universal brotherhood between men and women of different races and cultures. Racism, which in Steichen's show was represented by a lynching scene (replaced in the European showings by an enlargement of the famous picture of the Nürnberg trial), is confronted in the Weltausstellung der Fotografie section VIII Das Missverständnis mit der Rasse (Misunderstandings about Race) by the black man in the photograph by Gordon Parks who seems to view from his window two scenes of attacks on black people (photographed by Charles Moore). Another photograph by Henri Leighton shows two children walking together in public holding hands, one black, one white. Though reference to the content of the older exhibition in the new is evident, the unifying idealism of The Family of Man is here replaced with a much more fragmented and sociological one. Sarah E. James points to its use of harsh juxtaposition to create a 'stereoscopic vision' to entrain viewers reactions. The exhibition met with rejection by the press and functionaries in the photographic profession in Germany and Switzerland, and was described by Fritz Kempe, board member of a prominent photo company, as "tasty fodder to stimulate the aggressive instincts of semi—intellectual young men.". Nevertheless, it went on to tour 261 art museums in 36 countries and was visited by 3,500,000 people. 2nd World Exhibition of Photography In 1968, a second Weltausstellung der Fotographie (2nd World Exhibition of Photography) was devoted to images of women with 522 photographs