are narrow, forming passages. The arcades are carried on round piers. The walls of the chancel curve forward to incorporate the pulpit on one side and the reading desk on the other. Above the pulpit is a sounding board, the underside of which is lined with beaten copper. On the front of the pulpit is a shield inscribed with Fiat Lux (Let there be light), and on the front of the reading desk is a carved eagle. Behind the altar is a wooden reredos carved by H. H. Martyn of Cheltenham based on Leonardo da Vinci's Last Supper. On each side of the chancel are finely carved wooden choir stalls. Above those on the east side is an elaborate canopy in memory of Henry Tate carved by C. J. Allen. The font was also carved by Allen; it is movable and was designed by Ronald Potter Jones. When it was built, the church was wired for electricity. This supplied power for the series of copper electroliers in the nave, which are in Arts and Crafts style and made by the Artificers' Guild of London. The stained glass in the windows of the chancel, and in eight of the clerestory windows, was made by Morris & Co., based on designs by Edward Burne-Jones, and dated between 1901 and 1928. Of the later windows, two were made by James Powell and Sons of Whitefriars, and a third by William Wilson of Edinburgh. The three-manual pipe organ was moved to the present church from Renshaw Street. It had been built in 1869 by William Hill and Son, and repaired between 1873 and 1883 by Gray and Davidson. It was rebuilt in 1910 by Rushworth and Dreaper, and overhauled by the same firm in 1937. Vestry and library To the east of the chancel are the vestry and the library. These were commissioned by Sir John Brunner and contain ceiling paintings by Gerald Moira. In the vestry the paintings are in four oval panels, and depict the virtues of Fortitude, Temperance, Justice, and Charity. The library ceiling reflects the allegory of the Triumph of Truth. It depicts the images of philosophers, writers and religious figures, and incorporates a portrait of Brunner. The main figure represents Truth held by Father Time. Originally depicted naked, the artist was persuaded to clothe her in "classical but revealing drapery". Hall and cloister To the east of the library