going to be a millionaire but it was only like a session fee. I gave him a ton (£100) which weren't bad money in the late '70s". "Keith played drums on that. The extra money came in really handy. To be honest it was a pisstake record in the same way that 'Fodderstompf' was a pisstake track, you only have to listen to Vince's side to realise that." Don Letts (guest vocalist, 2007): "Keith Levene and Jah Wobble needed some money, so they ended up making a single for Virgin Records called 'Steel Leg V. The Electric Dread'. They got me down to the studio to work on some vocals, even though I had never sung in my life. I remember sitting on the stairs with a microphone trying to write some words. Eventually I said to them 'Okay guys, I'll go home and work out some lyrics.' I never heard back from them, and the next thing I knew there was a record out. They had used my demo vocals and stuck them on the track! [...] It was a crap record, and I look back and laugh about all this stuff now." "I didn't even know they were recording me. I went into some basement toilet just to mumble some lyrics into a mic and hear what they sound like [...] Then I'm waiting to get a call to do the record, and the next thing I heard is they've played with my voice a bit, stuck a track under it and put the whole thing out as a finished record. I was a little bit pissed off to tell you the truth, because I thought we'd finish it properly." "Public Image" promo video In August 1978, a promotional video for the upcoming single "Public Image" was shot by Peter Clifton's production company Notting Hill Studio Limited, which had just completed The Punk Rock Movie. Peter Clifton (video producer, 2006): "They formed Public Image and hired me and Don Letts to shoot their first video clip for Virgin. I hired a theatre in Fulham and dressed the band up on stage with garbage bags as a backdrop, and Richard Branson, the owner of Virgin, came down to witness the filming. There was a quiet lull in the middle of one of the takes, and Sid Vicious screamed at the top of his voice 'Peter Clifton, where's the 200