album. On 20 December 2005 vocalist Rose Hreidmarr quit the band. His statement on the matter reads as follows: "Leaving Anorexia Nervosa was definitely not the easiest thing to do as we've shared so much during our time together as this band had become a vivid part of my daily life. For seven years, the band has been giving me so many opportunities on a musical and human level and has heavily contributed to become the person I'm today. Still, I honestly thought I had reached the end of a personal era with the album 'Redemption Process' and I now feel the need to take a different path. I'm also absolutely proud of what I have been able to achieve with the rest of the band members who will always remain my best friends and I wish them the very best for the future." Soon afterwards, the remaining band members held auditions for a new singer, but failure to find a replacement has caused guitarist Stéphane Bayle to put the band in "stand-by" mode, fearing the group may become "some sort of parody" of itself. A decade following the start of their hiatus, their future still remains unclear. Since his departure from Anorexia Nervosa, Rose Hreidmarr has been singer for The Cosa Nostra Klub, a black/industrial metal band. Stéphane Bayle and Neb Xort also participated in Jensara Swann and Ben Notox's band The Veil, both on their first album Sleeping Among Serpents, released in 2006 and as session musicians for their first concerts. Neb Xort is still involved with the band as producer, and engineered The Veil's second album Vestige in 2008, and Ad Inferna's Trance N Dance in 2009. Bayle produced The Cosa Nostra Klub's second album, L'Hymne la Joie, in 2007. Musical Style In the band's early days as Necromanacia, the band played death metal, exemplified on their demo The Garden of Delight; but began to incorporate elements of industrial metal in their sound, which laid the basis for the dissonant and experimental sound on their debut album, Exile, which often switched between fast tempos and thrashing guitars back to a slow, ambient style, complemented with a grim vocal delivery. Nonetheless, with the departure of original vocalist Stéphane Gerbaud and the entry of R.M.S. Hreidmarr, the band went through a seismic genre shift, abandoning their early industrial death metal sound for a symphonic black metal sound, comparable to