Rosenbaum, Ravelstein is Bellow's greatest novel: "It's a rapturous celebration of the life of the mind, as well as a meditation on the glory of sensual life and on the tenebrous permeable boundary we all eventually pass over, the one between life and death. ... a novel Bellow wrote in his 80s, which I found absolutely, irresistibly seductive, both sensually and intellectually, one in which the sublimity and pathos of life and art are not joined to each other with heavy welds but transformed into a beautiful, seamless, unravelable fabric." On its publication, the Harvard literary critic James Wood wrote: "How extraordinary, then, that Bellow's substantial new novel, Ravelstein, written in his 85th year, should be so full of the old, cascading power. ... Ravelstein ... is large, flamboyant, and excessively clumsy. When he laughs, he throws his head back 'like Picasso's wounded horse in Guernica.' He loves fine clothes, Lanvin jackets, Zegna ties, but tends to spill food on them. Hostesses know to put newspaper underneath Ravelstein's chair at a dinner party. At home, he wanders around in an exquisite silk dressing gown, chain-smoking. His apartment is stuffed with beautiful glass and silverware, with the finest Italian and French linens, and thousands of CDs. He reclines on a black leather couch, listening to Baroque music, is enormously learned, and given to oration on a thousand subjects. ... By all accounts, including Bellow's, this is Allan Bloom as his friends knew him." Controversy On its publication, the novel caused controversy because of its frank depiction of Ravelstein's (and therefore Allan Bloom's) love of gossip, free spending, political influence, and homosexuality, as well as the revelation, as the story unfolds, that he is dying from AIDS. Bellow claimed that Bloom, a philosopher and social critic who was ostensibly aligned with many American conservative ideas and ambitions, was anything but conservative in his private life or in many of his philosophical views. As the journalist Robert Fulford pointed out: "Remarkably, no reference to Bloom's homosexuality has previously appeared in print — not in the publicity that surrounded his best-seller, or his obituaries, or even his posthumously published book, Love and Friendship." Accordingly, some took Ravelstein as a betrayal of Bloom's private life. However, Bellow vigorously defended his claims, citing private conversations between Bloom and himself in which Bloom urged Bellow to tell it all. Bloom was not a "closeted" homosexual: although he