albums to be re-issued on the band's 20th anniversary campaign, also containing a bonus disc containing remixes and b-sides. "Space Cowboy" was released as the album's international lead single on 26 September 1994. The single peaked at number 17 on the UK Singles Chart and was their first number one on the US Dance Chart. The single contains remixes by David Morales, which further put the single in club circulation. "Half the Man" was released as the album's third overall single, on 7 November 1994. The track reached number 15 on the UK Singles Chart. "Light Years" was released as the album's fourth overall single on 20 February 1995. In the United States, the song was number six on the Dance Chart. "Stillness in Time" was the album's fifth overall single, released on 19 June 1995. The track peaked at number nine on the UK Singles Chart, making it the group's highest-charting release to that date. "The Kids" and "Morning Glory" have also been released as singles. Reception Critics have said The Return of the Space Cowboy continues the style of Jamiroquai's 1993 album Emergency on Planet Earth, and some have considered it an improvement in comparison, with Daryl Easlea writing it "captures this first phase of Jamiroquai at their very best." John Bush of AllMusic said the album "offered a better set of songs and more ambitious musical themes … Jason Kay's dead-on impression of Stevie Wonder and Sly Stone drives the group's blend of acid jazz and funky R&B" Paul Evans of Rolling Stone wrote, "Jamiroquai parlay jazzy soul pop so tight it crackles … Nowadays, when most funk comes out of cans, Jamiroquai's live spark glows." Evans also said the album "recall[s] Roberta Flack and Weather Report", and a reviewer of Musician compared it to both Wonder and Mandrill: "with its vintage keyboards, jazz harmonies and fondness for rambling, jam-oriented arrangements". Entertainment Weekly described the band as "a funk-making machine with a bright future in the past", while The Source said that they "may still be light years ahead of the hip-hop world." Writing of the lyrics, Sonia Murray of The Atlanta Constitution opined that "Jamiroquai challenges our numb response to violence, the lure of material trappings, even 'the shame of [his] ancestry' with a spirit so unencumbered and personal that these searing messages feel like engaging talks over coffee." Neil Spencer of The Guardian commented: "Most