set up the show's premise (George and Katherine's wedding, Webster's arrival, and the resulting adjustments) were shot, most of the plots became exclusively Webster-driven, even though it was the writers' intention to include story elements that focused on George and Katherine as much as possible. The show's married stars won many of the early script disputes, and several first-season episodes did focus on the new marriage and lives of the adult leads. The in-fighting on set continued, and especially had an effect on Lewis. Reportedly, Lewis was often whisked away from the set whenever Karras and Clark argued and demanded rewrites. It became so severe that Lewis blamed the trouble on himself. After the first season ended, ABC stopped pushing hard for "all Webster, all the time". Paramount eventually came to an agreement with Karras and Clark that they would continue to receive prominent storylines for their characters. In the long run, the series did become part romantic and part family-oriented, as Clark and Karras wanted it to be; the series was also regarded for handling Webster's childhood stories in a more sophisticated, intelligent fashion than other comedies of the time that relied on preachy, heavy-handed morals to tell a story. The only condition that Paramount laid out for Clark and Karras was that Lewis, who ABC saw as a money maker above all else, would get production credit alongside them. As a result, "Emmanuel Lewis Entertainment Enterprises, Inc." was launched in 1986, acting as another production company for Webster starting in its fourth season. By season three at the latest, the stormy relations of the first season disappeared on set. The main cast bonded well from then on, with Karras becoming a surrogate father figure to Lewis. Webster director Joel Zwick, in his interview for the 2003 E! True Hollywood Story on Lewis, remarked that, "As far as TV sitcom families go, it took them longer than most to acclimate to each other." Over the course of the fourth season, ratings dropped sharply. The show, which had been a Nielsen top 30 series, ranked 46th by the end of the season. Although ABC still saw Lewis especially as a bankable star, having recently featured him in his first self-headlined prime-time special (Emmanuel Lewis: My Very Own Show, which aired in February 1987 and featured Lewis performing alongside Sammy Davis, Jr., Bob Hope and other big-name celebrities), the network felt