a director's cut of Wonderwall, which omitted many of the musical cues that had appeared in the original film but not on the soundtrack album, and instead repeated tracks such as "Ski-ing" and "Cowboy Music" at different points in the film. Harrison supplied Massot with a tape containing various pieces recorded for Wonderwall, which led to the unearthing of the Remo Four's "In the First Place". A Manley–Ashton composition, "In the First Place" was released as a single in January 1999 with Harrison credited as producer, after Massot had incorporated the song into his new audio for the film. Harrison had played on the recording, but according to an article by Martin Lewis, he eschewed any credit as a performer. In March 2014, Harrison's full soundtrack was made available on DVD when the original cut of the film was included in the two-disc set Wonderwall Collector's Edition. The album was remastered again and reissued in September 2014, as part of the Harrison box set The Apple Years 1968–75. The CD booklet includes a liner-note essay by author Kevin Howlett and an introduction by Indian composer Nitin Sawhney. The reissue added three bonus tracks: the previously unreleased "Almost Shankara", titled after an epithet for the Hindu deity Shiva and based on a traditional Indian raga; an alternate instrumental take of "The Inner Light", which opens with Harrison's instructions to the musicians at HMV Studios; and "In the First Place" by the Remo Four". The reissue series was overseen by Harrison's son Dhani, also a film-score composer. In an interview with music journalist David Fricke, he described Wonderwall Music as his personal favourite of his father's Apple solo albums and "a cross of spaghetti-western music, the Chants of India things my Dad [did] with Ravi, and the Beatles' best freakouts". Coinciding with this reissue, the Wonderwall film and soundtrack was the subject of an event held at the Grammy Museum in Los Angeles, partly hosted by music journalist and television writer David Wild. Critical reception Contemporary reviews Record Worlds reviewer said that Wonderwall Music was an example of the Beatles beginning to "stretch out on their own separate tethers" and described the mix of Indian and Western music as "moody and pretty". According to Clayson, Films and Filming gave it a "glowing review". The magazine's writer, Gordon Gow, said that "the Harrison music replaces dialogue, waxing almost vocal like a cinema organist