importance often has been lost in historical accounts of the development in the field. With the 2022 installment in the Catalyst Quartet’s ongoing Uncovered series focusing on the music of Black composers comes nearly two hours' worth of Price’s chamber music. "The most substantial piece, Price’s A-minor Quintet for Piano and Strings got its first recording just last year, courtesy of the Kaleidoscope Chamber Collective. Like that one, this performance impresses for its technical and expressive excellence: everything’s beautifully balanced and comes to life just as it should." Also from artsfuse.org's Jonathan Blumhofer: "Taken together, this is an album that’s at once musically significant but, more than that, thoroughly enjoyable. How tragic that, largely on account of her race and gender, Price’s music was almost erased. Yet how happy it is that revivals do happen – and how exciting that, thanks to the advocacy of groups like the Catalysts and musicians like [Michelle] Cann, we’re seeing a deserving composer finally taking her place in the American canon." Works Composition style Even though her training was steeped in European tradition, Price's music is in an American idiom and reveals her Southern roots. The strong influence of the composition style of Dvorak is often noticeable, e.g., in her first violin concerto. She wrote with a vernacular style, using sounds and ideas that fit the reality of urban society. Being a committed Christian, she frequently used the music of the African-American church as material for her arrangements. At the urging of her mentor George Whitefield Chadwick, Price began to incorporate elements of African-American spirituals, emphasizing the rhythm and syncopation of the spirituals rather than just using the text. In her first symphony, a melody is inspired by the spiritual but solidly rooted in instrumental writing. Compared with Dvorak's 9th symphony, the third movement is titled Juba Dance. This antebellum folk dance would further inspire European art music composers like Debussy in its later manifestation the cakewalk. The weaving of tradition and modernism reflected the way life was for African Americans in large cities at the time. Florence Price composed numerous works: four symphonies, four concertos, as well as choral works, plus art songs, and music for chamber and solo instruments, works for violin, organ anthems, piano pieces, spiritual arrangements, three piano concertos, and two violin concertos. Some of her more popular works are: "Three Little Negro Dances", "Songs to the Dark Virgin", "My