Galician provinces, then settled for a time in Lwów (Lemberg; Lviv, Ukraine), in 1927. The troupe at this time consisted of Miriam Orleska, Chava Eisen, Chaim Brakarz, David Herman, Rachel Holzer, Haber, Jacob and Yokheved Waislitz, Simkhe Weinstock, M. Mazo, Abraham Morewski, Naomi and Simkhe Nathan, Joseph Kamen, and Nadia Kareni. In Lwów David Herman staged and directed Jacob Preger's Der nisoyen (The Temptation), in August 1927; and in October, "Yehudis un Holofernes", a Yiddish adaptation of Friedrich Hebbel's Judith. The troupe then traveled to Kraków, and finally to Warsaw, where they began performing at the Elysium Theater on 22 March 1928, with the following actors: Miriam Orleska, Dovid Birnboym, Helena Gotlib, Esther Goldenberg, Zalmen Hirshfeld, Jacob Waislitz, Ruth Taru, David Licht, Yankev Mansdorf, Naomi and Simkhe Nathan, A. Samberg, Joseph Kamen and Dina Koenig (Kamen), Yankev Kurlender, Batsheva Kremer, Esther Rappel, Perl Ruth, and Shmuel Sheftel. In May 1928 Michael Weichert staged and directed an epic production of Sholem Asch's Kidesh hashem, with set designs by Władysław Weintraub and music by Henech Kon; hugely popular with audiences, it was performed about 250 times. In October of the same year, David Herman staged and directed I. L. Peretz's Bay nakht afn altn mark (At Night in the Old Marketplace), with stage design by Weintraub, music by Joseph Kaminski, and choreography by Leah Rotbaum. Later years There were several later revivals of the Vilna Troupe in New York City. The first of these was a revival of The Dybbuk at the Grand Theater in April 1926. In late summer 1926 they were at the Liptzin Theater performing Rasputin and the Czarina. In March 1929, they were playing Chone Gottesfeld's Parnose ("Business") in The Bronx, New York. The production moved in May to the Yiddish Folks Theater at Second Avenue and East 12th Street, near the center of New York's main Yiddish Theater District of the time. Director Jakob Rotbaum began his professional career staging Eugene O'Neill's works with the troupe in 1930. Shows continued to be produced in Bucharest under the Vilna Troupe name even after 1927. Following the breakup of Dramă şi Comedie, a play The Flood was put on at the Baraşeum theater, which was loosely the story of the Vilna troupe. In a March 1929 article for Cuvântul newspaper, Mihail Sebastian announced that the company was returning to Bucharest. In early 1930, company actors also staged Peretz's A