provides an intricate backing vocal track for "Rental Car". Release Guero was initially intended to be released on October 26, 2004, but was pushed back, due to delays with the artwork, mixing and music videos. An unmixed and un-mastered version of the album was leaked in January 2005, under the title Ubiquitous. The track listing differed slightly from the officially announced track listing of Guero. On February 1, Beck released the Hell Yes EP on iTunes, which included remixes of the title track and "Que Onda Guero" by 8-bit and "E-Pro" and "Girl" by Paza. On March 10, five songs from the forthcoming album were featured in an episode of The O.C. Guero was released on March 29. The album was released simultaneously in three formats: a standard 13-track CD, PlayStation Portable UMD and a deluxe CD/DVD edition. The latter featured seven bonus tracks, a surround sound mix and interactive video art for each song. Later in 2005, Beck released an album of Guero remixes called Guerolito, featuring remixes by Boards of Canada, Octet, the Beastie Boys' Ad-Rock and the Dust Brothers' John King. "Black Tambourine" was featured in the David Lynch film Inland Empire, the trailer for the film (500) Days of Summer, and episode 22 of season 4 of The Good Wife, as well as the 2006 video game Lumines II, and the video game Driver: San Francisco. "Farewell Ride" was featured in FX trailers promoting the final season of The Shield. Reception Commercial Guero debuted on the Billboard 200 at No. 2, marking Beck's best chart performance to date, and sold 162,000 copies in its first week. It was certified gold by the RIAA on June 7, 2005. Critical Guero received generally positive reviews from critics, holding a Metascore of 78 on Metacritic. Several critics compared the album—either positively or negatively—to Beck's 1996 album Odelay, while others observed that such comparisons were inevitable but ultimately misguided. Rob Sheffield of Rolling Stone called the album "the first record since Odelay where Beck mixes up the medicine the way he did in his Nineties prime". Contrasting the album with the "wiseass charisma" of his early albums, Sheffield noted that Beck now sounded "like an extremely bummed-out dude who made it to the future and discovered he hates it there." David Browne of Entertainment Weekly called Guero "alive and frisky" when compared to its predecessor, Sea Change (2002), and called