as the group's producer as well as a member. Mallory performed as lead guitarist and a member of the Tribe for the first road company of the stage production of Hair. He is the only person known to have served both in the Tribe and in the band. In the early 1970s, Lee Mallory formed a supergroup named Hollywood with the songwriter Bill Martin and Russ Giguere, a former member of the Association. Later life During some lean years from 1984 to 1995, Mallory worked as a San Francisco bike messenger. As the oldest bike messenger, he was elected to serve as president of HANX. In the 1990s, Mallory developed a distinctive 12-string guitar style. In 2000, he toured Japan with Joey Stec of Sonic Past Music, a long-time friend and co-writer from The Millennium. In Japan, he was awarded a Master Musician sash. Mallory was a regular performer at The Cannery for many years. During the last seven years of his life, he performed and recorded with friends in the San Francisco Bay Area, including Jeseppi Trade Wildfeather, with whom he organized The Picnic, a one-day musical festival at San Francisco's Crissy Field in August 2002. For 40 years, earnings from his publishing and recorded albums were debited against production and publishing advances. The original Millennium album consisting of 16-track songs created on three tape recorders pieced together by union engineers, cost $100,000 to produce, and the Columbia label did not commit the resources to promote it. Combined with the fact that The Millennium was not a touring band, this limited their exposure at the time. The back catalogue of The Millennium received renewed interest in the late 1990s. San Francisco State University's Lee Mallory Scholarship supports Music and Recording Industry (MRI) learning the business side of music. The San Francisco Board of Supervisors proclaimed January 10, 2005 as the first Lee Mallory Day, honoring him and all singer-songwriters. On Friday, March 18, 2005, Mallory completed a small set of mixes for his final album, produced by Alex James Muscat at Last Stop Records. This was his first studio work in decades, and the first in which he had complete creative control after 40 years of recording and playing with first-call studio musicians on approximately 35 albums. The album's release is currently on hold. Many Are the Times, a comprehensive review of Mallory's work over time, was re-released by