the chapel there is a large-format painting of Saint Josemaría Escrivá de Balaguer, founder of Opus Dei, made in 2005 for the 30th anniversary of his death and to commemorate the moment in which this saint visited this same chapel in 1974. The painting replaced the sepulcher altarpiece of Archbishop Diego Morcillo, located in that place for more than two centuries and which was relocated in another chapel of the cathedral. In the altarpiece there are also figures of a Nativity that according to tradition was the first in the city of Lima, commissioned by the daughter of Francisco Pizarro. The walls are beautifully azulejos, found after a restoration. Then there is the entrance to the sacristy, where we see, on the left, a bas-relief of the Adoration of the Shepherds, from the 16th century, one of the oldest pieces in the cathedral, which presided over the main altar of the first cathedral. On the right, a painting of the Our Lady of Guadalupe. In addition, we see medallions of la Dolorosa and the Ecce Homo, and carvings of Saint Ambrose and Saint Augustine. Chapel of la Virgen de la Paz Following the nave, is the Chapel of la Virgen de la Paz, where the Blessed Sacrament is currently reserved. On the left wall there is a painting of Saint John the Evangelist, Patron Saint of the cathedral, giving Communion to the Virgin; and to the right is the tomb of the Servant of God Friar Francisco Camacho. Choir stalls The impressive choir stalls, currently flanking the main altar, was designed by the Spaniard Martín Alonso de Mesa and made by the Catalan Pedro de Noguera in the 17th century. In the backs we see figures of numerous male saints and female saints (Apostles, Doctors, Popes, Bishops, virgins, etc.), Formerly the choir was located in front of the main altar (a position similar to that of the Cathedral of Mexico City). On the back of the Cathedra (which is located in the left stalls, under a canopy) is the figure of the Redeemer. The main altarpiece, in Neoclassical style, is presided over by an Immaculate Conception. Under the presbytery is the crypt of the Archbishops, where the remains of almost all the archbishops of this city are found, from Jerónimo de Loayza (the first) to Cardinal Augusto Vargas Alzamora, the last to die. The Neoclassical pulpit is crowned by an