Battery Park City, was commissioned in 1986 and installed in 1992. The sculpture ensemble is meant to represent the world outside the playground, "a broad social allegory on art and life, where the games of power and control are played out in miniature … an imaginative park with things to touch and stories to invent." A familiar installation to New Yorkers is 2000's Life Underground, located in the 14th Street – Eighth Avenue NYC Subway station on the . The sculptural group consists of over 100 cast-bronze sculptures placed throughout platforms and stairways, and is one of the most popular public artworks in the subway system. It took over 10 years to complete, and includes figures of a woman toting a nearly life-size subway token under her arm; a well-dressed fare jumper crawling under a metal gate; a homeless woman being rousted by the police; and two figures holding a cross-cut saw to cut into an I-beam that holds up a stairway. The New York Times noted, "Mr. Otterness worked hard to find creative ways to place his sculpture, navigating around the rules of stations design." There is also a smaller installation, titled The Marriage of Money and Real Estate (1996), in the East River off the west shore of Roosevelt Island. One of Otterness's earliest public art works, The New World, was installed in 1991 for the Edward R. Roybal Federal Building in Los Angeles, California. Otterness subsequently received Federal Courthouse commissions in Portland, Oregon (Law of Nature, 1997), Sacramento, California (Gold Rush, 1999) and Minneapolis, Minnesota (Rock Man, 1999). Exhibitions In 1987, Otterness exhibited his work The Tables at the Museum of Modern Art Projects show. White-collar workers, blue-collar workers, cops, radicals, captains of industry were displayed on four bronze picnic tables in the MoMA sculpture garden. The show traveled to the IVAM Centre Julio Gonzalez in Valencia, Spain; Portikus/Senckenbergmuseum in Frankfurt am Main; and Haags Gemeentemuseum in The Hague. From September 20, 2004 to March 18, 2005, Tom Otterness on Broadway, his largest exhibition to date, featured 25 different works installed between Columbus Circle and 168th Street in Washington Heights, Manhattan. The project was sponsored by the City of New York Parks and Recreation Department, the Broadway Mall Association, and Marlborough Gallery, and traveled to three other cities—Indianapolis, Beverly Hills, and Grand Rapids, Michigan. The Grand Rapids exhibition featured more than 40 works across two miles of