wait a minute. You're screaming for the Beatles through us. In October, recordings from the band's August 1 performance at the Civil Memorial Auditorium in Sacramento, California were released as the live album Beach Boys Concert – their first LP to top the national charts. The album included only one All Summer Long track: "I Get Around. An expanded reissue, Live in Sacramento 1964 (2014), added performances of "Wendy" and "Little Honda". Critical reception Contemporary A reviewer from the magazine Record Mail wrote of the album, "With their surfing and high pitched harmony sounds they have become extremely distinctive along with some kooky lyrics". In Britain, NME reviewer stated, "The Beach Boys are an acquired taste which I don't have, but at least they produce some solid 'beatful' sounds." Actress Peggy Lipton told Teen Set that John Lennon and Paul McCartney had been "infatuated with the Beach Boy sound.[...] They played All Summer Long all night long and asked me many questions about them. Paul and John were fascinated by Brian’s style of composing and arranging." Retrospective AllMusic reviewer Richie Unterberger wrote that All Summer Long was the band's best album of the early 1960s, though he lamented the inclusion of "disposable filler" in the form of "Our Favorite Recording Sessions" and "Do You Remember?". Icons of Rock co-editor Scott Schinder praised All Summer Long as an improvement over their previous LP and "the most consistent and satisfying Beach Boys album to date", affording highlights to the title track, "I Get Around", "Wendy", and "Don't Back Down". Mike Segretto, author of 33 1/3 Revolutions Per Minute: A Critical Trip Through the Rock LP Era, said that the album marked the point when the band "really entered the game" and delivered a "completely solid" album. Among biographers, Jon Stebbins cited All Summer Long as one of the band's "strongest LPs ever". Mark Dillon opined that Wilson "took a Beach Boys album to new heights" and successfully "held his own against the Beatles", with "Our Favorite Recording Sessions" being the only weak track. In John Tobler's 100 Great Albums of the Sixties (1994), All Summer Long is praised for its "fine harmonies". Luis Sanchez, author of the 33⅓ book about Smile, wrote of All Summer Long, "None of the group's previous albums come close to the unity of vision and feeling they show here.[...] The brilliance of All Summer Long is in