Grand Duke and his brother attend a religious service in a church, and the rivalry and animosity between them is clear. The invasion of the combined armed forces, their men on horseback, results in great carnage: the city is burned, the citizens murdered and women raped and killed. One scene shows a horse falling from a flight of stairs. Foma, who is in the midst of the chaos, narrowly escapes being killed in the city by a Russian soldier and escapes into the nearby countryside, but as he is crossing a river he is shot in the back with an arrow and killed. The Tatars force their way into the barricaded church, now fully decorated with Andrei's paintings, where the majority of the citizens have taken refuge. The Tatars show no mercy and massacre the people inside and burn all the painted wooden altarpieces. Andrei, who is also in the church, saves Durochka from being raped by a Russian soldier by killing him with an axe. The bishop's messenger Patrikei is also present; he is tortured with fire to make him reveal the location of the city's gold, which he refuses to do. After being repeatedly burned with a flaming torch, he has hot liquid metal from a melted crucifix poured into his mouth silencing his screams. Then he is dragged away feet first, tied to a horse. In the aftermath only Andrei and Durochka are left alive in the church. Andrei imagines a conversation with the dead Theophanes the Greek, lamenting the loss of his work and the cruelty of mankind, while Durochka distractedly plaits the hair of a dead woman. Andrei decides to give up painting and takes a vow of silence to atone for his killing of another man. VII. Silence (Winter 1412) Note: In the 205-minute version known as The Passion According to Andrei, this episode is titled The Charity Andrei is once again at the Andronikov Monastery as famine and war grip the country. He no longer paints and never speaks, and keeps Durochka with him as a fellow companion in silence. In the same monastery, refugees discuss the problems plaguing their respective home towns, and one man who appears starts telling, in a broken voice, of his escape from Vladimir. He is recognized by a younger monk as the long absent Kirill. He has suffered during his time away from the monastery and begs