March 1889. It was followed in 1890 by a "Salon Tachyscope" for which the 180-centimeter long picture bands had to be attached to a base to form the zoetrope-type drum. Each strip had the appropriate amount of slots in between the lithographed pictures and the base could be turned into a vertical position. Anschütz produced two simplified versions in 1891. The zoetrope-type Schnellsehers were mainly made for people to use at home and Anschütz probably wanted to make his work available to many people through commercial exploitation, but he was very careful to keep the image quality high and chose to manufacture all image strips personally at his studio, which resulted in relatively small quantities. At his own studio in Berlin, Anschütz offered hand-cranked home models with glass wheels and Geissler tubes as well as zoetrope Schnellsehers until at least 1905. Motion picture works Anschütz made many chronophotography series and adapted at least 60 of them for the Elektrotachyscope. He started with chronophotography studies of horses for the military in 1885. In 1888, he made motion studies of animals in the Breslau zoo. He also recorded acrobats, dancers, athletes, boxers, wrestlers, sports and horse races. Already more an artistic and skilful photographer than a scientist, he chose different subjects when he started commercially exploiting the Schnellseher as an attraction. He recorded several comical scenes based on everyday life, including Lustige Fahrt (Funny Journey), Zwei ZimmerleuteFrüstückend (Two Carpenters Breakfasting), Familie essend aus einem Topfe (Family Eating from a Single Bowl), Raufende Jungen (Boys Fighting),Zwei Herrn eine Prize Schnupftabak nehmend (Two Men Taking a Pinch of Snuff), Einseifen beim Barbier (Latherin Up at The Barber's),Tabakschnupfender Alter (Old Man Taking Snuff) and Skatspieler (Card Players). Little of Anschütz' motion picture output has yet resurfaced. Although many examples of his printed chronophotography survived, all that could be found (as of 2016) from his later entertainment-oriented work was a fuzzy image with three card players as seen in a detail of a 1926 photograph of a home model automat Schnellseher. Legacy By 1886, when Anschütz developed his first Schnellseher and presented it to family and friends, photographic motion pictures recorded in real-time (known as cinematography) had only been seen from chronophotograph prints in zoetropes or similar devices (and rarely in public). Eadweard Muybridge had mostly shown moving silhouettes traced from his chronophotographs onto glass discs with his Zoopraxiscope in lectures since 1880; the only projected