American poet, Walt Whitman arrived in New York in 1841. He was immediately drawn to young working-class men found in certain parks, public baths, the docks, and some bars and dance halls. He kept records of the men and boys, usually noting their ages, physical characteristics, jobs, and origins. Dispersed in his praise of the city are moments of male admiration, such as in Calamus—"frequent and swift flash of eyes offering me robust, athletic love" or in poem Crossing Brooklyn Ferry, where he writes: "Was call'd by my nighest name by clear loud voices of young men as they saw me / approaching or passing, / Felt their arms on my neck as I stood, or the negligent leaning of their flesh against me as / I sat, / Saw many I loved in the street or ferry-boat or public assembly, yet never told them a / word, / Lived the same life with the rest, the same old laughing, gnawing, sleeping, / Play'd the part that still looks back on the actor or actress, / The same old role, the role that is what we make it, as great as we like, / Or as small as we like, or both great and small." Sometimes Whitman's writing verged on explicit, such as in his poem, Native Moments—"I share the midnight orgies of young men / I pick out some low person for my dearest friend. He shall be lawless, rude, illiterate." Poems like these and Calamus (inspired by Whitman's treasured friends and possible lover, Fred Vaughan who lived with the Whitman family in the 1850s) and the general theme of manly love, functioned as a pseudonym for homosexuality. The developing sub-community had a coded voice to draw more homosexuals to New York and other growing American urban centers. Whitman did, however, in 1890 denounce any sexuality in the comradeship of his works, and historians debate whether he was a practicing homosexual, bisexual, etc. But this denouncement shows that homosexuality had become a public question by the end of the 19th century. Twenty years after Whitman came to New York, Horatio Alger continued the theme of manly love in his stories of the young Victorian self-made man. He came to New York fleeing from a public scandal with a young man in Cape Cod that forced him to leave the ministry, in 1866. Late 19th century We'wha (1849–1896) was a