only this one engraving presently remains from this set. This single engraving in the Albertina matches an oval fragment in the British museum and one of the woodcut copy images. It is numbered in the bottom right corner with two and has been dated to the 16th century and the artist is unknown. Francesco Xanto Avelli Maiolica dish It is thought that between 1531 and 1535 Francesco Xanto Avelli saw Agostino Veneziano's copy of I modi. Xanto painted a maiolica dish titled The Tiber in Flood and there are figures copied from four I modi engravings on the maiolica dish. Parmigianino drawing Parmigianino drew a copy of one of the engravings in the "I modi" with sex occurring between two figures who are seated. This copy is similar to the woodcut copy image numbered 10 and one painting by Agostino Carracci. It includes similar postures of the figures and details of drapery and furniture. Engraving in the National Library of Spain An engraving by an anonymous artist in the National Library of Spain copies one scene from the "I modi" and this scene is not present in the woodcut copy booklet. The scene shows two figures seated having sex with a wooden cradle lying on the ground next to them and the foot of the male is rocking the cradle. Two Henry Wallesley engravings Henry Wellesley owned two engravings that were related to I Modi and they are now in the collection of the National Library of France. One engraving was similar to the whole single image in the British Museum and was numbered and the other engraving was similar to the image in the Albertina Museum and was numbered two. Bartsch and Delaborde descriptions Henri Delaborde and Adam Bartsch gave descriptions of images as belonging to the "I modi". The descriptions that they gave do not relate to any existing images and perhaps are examples of additional images that may have been in the original "I modi". 17th century printing of Aretino's posutres In the 17th century, certain Fellows of All Souls College, Oxford, engaged in the surreptitious printing at the University Press of Aretino's Postures, Aretino's De omnis Veneris schematibus and the indecent engravings after Raimondi and Giulio Romano. The Dean, Dr. John Fell, impounded the copper plates and threatened those involved with expulsion. The text of Aretino's sonnets, however, survives. Leda and the swan engraving - Agostino