brothers, who signed Besser to a theatrical contract. Columbia Pictures hired Besser away from the Shuberts, and Besser relocated to Hollywood in 1944, where he brought his comic character to feature-length musical comedies like Hey, Rookie and Eadie Was a Lady (1945). On May 9, 1946, Besser appeared on the pioneering NBC television program Hour Glass, performing his "Army Drill" routine with stage partner Jimmy Little. According to an article in the May 27, 1946, issue of Life magazine, the show was seen by about 20,000 people on about 3,500 television sets, mostly in the New York City area. During this period, he appeared on the Jack Benny radio program in the episode entitled "Jack Prepares For Carnegie Hall" in June, 1943. Besser also starred in short-subject comedies for Columbia from 1949 to 1956. By this point, his persona was sufficiently well known that he was frequently caricatured in Looney Tunes animated shorts of the era. He appeared in the action film The Desert Hawk (1950). Besser had substituted for Lou Costello on radio, opposite Bud Abbott, and by the 1950s he was firmly established as one of the Abbott and Costello regulars. When the duo filmed The Abbott and Costello Show for television, they hired Joe Besser to play Oswald "Stinky" Davis, a bratty, loudmouthed child dressed in an oversized Little Lord Fauntleroy outfit, shorts, and a flat-top hat with an overhanging brim. He appeared during the first season of The Abbott and Costello Show. Besser was cast for the role of Yonkel, a chariot man, in the low-budget biblical film Sins of Jezebel (1953), which starred Paulette Goddard as the titular wicked queen. The Three Stooges After Shemp Howard died of a heart attack while on his way home from a boxing night on November 22, 1955, at the age of 60, his surviving partners, Moe Howard and Larry Fine, had been working as a two-man team since Shemp's death (with Shemp seen entirely in older film footage). Moe suggested that he and Larry could continue working as "The Two Stooges." Studio chief Harry Cohn rejected the proposal. Although Moe had legal approval to allow new members into the act, Columbia executives had the final say about any actor who would appear in the studio's films and insisted on a performer already under contract to Columbia. At the time, Joe Besser was one of a few comedians still