Veneziano There is an engraving of Leda and the swan in an erotic scene that is thought to be by Agostino Veneziano in the British Museum. The engraving has the same dimensions and format as the "I modi" engravings and there is a drawing of Leda and the swan in the series of brush drawings made by Waldeck and one idea is that the image on this engraving was a part of the original "I modi" by Marcantonio. Images from I modi copies Below are the woodcut copy images as they appear from 1 to 16 in the woodcut copy booklet alongside engravings from the British Museum. One of the leaves is missing from this booklet and there were images on these leaves that correspond to the missing numbers in this series 1 to 16. Also included alongside the woodcut copy images are two drawings by Parmigianino and one engraving from the Albertina museum by an anonymous artist. Agostino Carracci Engravings by Camillo Procaccini or Agostino Carracci A new series of graphic and explicit engravings of sexual positions was produced by Camillo Procaccini or more likely by Agostino Carracci for a later reprint of Aretino's poems. Annibale Carracci Annibale Carracci also completed the elaborate fresco of Loves of the Gods for the Palazzo Farnese in Rome (where the Farnese Hercules which influenced them both him and Agostino Carraci was housed). These images were drawn from Ovid's Metamorphoses and include nudes, but (in contrast to the sexual engravings) are not explicit, intimating rather than directly depicting the act of lovemaking. Augustine Carracci's The Aretin or Collection of Erotic Postures - Jacques Joseph Coiny In 1798 in Paris a collection of engravings of sexual scenes were published under the title Augustine Carracci's The Aretin or Collection of Erotic Postures. The engravings were created by Jacques Joseph Coiny. The word "Aretin" in the title of this collection of engravings is possibly there as it became to mean any work that was related to sexual and mythological images. One theory in relation to what images these etchings were inspired by is that they were inspired by the erotic poses in 'The Loves of the Gods' which was created at the start of the 17th century in Antwerp by Pieter de Jode I with the use of burin. It presently remains uncertain what images these engravings were inspired by. It is thought that Coiny had