Sarah Susanka (born March 21, 1957) is an English-born American-based architect, an author of nine best-selling books, and a public speaker. Susanka is the originator of the "Not So Big" philosophy of residential architecture, which aims to "build better, not bigger." Susanka has been credited with initiating the tiny-house movement. Biography Susanka was born March 21, 1957, Knockholt, Kent, England, and moved to the USA in 1971. After graduating from the University of Oregon, she settled in Minneapolis, Minnesota. She pursued a master's degree in architecture from the University of Minnesota while working for several architecture firms. Her thesis was the basis of her "Not So Big" books. She was a founding partner, along with her thesis advisor, of the Minneapolis-based residential architecture firm, Mulfinger, Susanka, Mahady & Partners (now known as SALA Architects) before leaving to pursue her writing and speaking career full-time. Her company is Susanka Studios. She has been featured on The Oprah Winfrey Show, the Charlie Rose Show, and NPR's Diane Rehm Show, and her philosophies have appeared in various publications such as USA Today and The Wall Street Journal. Susanka was dubbed "one of 18 innovators in American culture" by U.S. News & World Report in 1998. In 2004 Builder Magazine ranked her as No. 14 out of 50 "Power Brokers". She appeared on the "Environmental Power List" in Organic Style magazine that same year. In 2007, she received the Anne Morrow Lindbergh Award, an award given periodically to recognize "outstanding individual achievement, a spirit of initiative, and work that exemplifies great dedication toward making positive contributions to our world". She is a registered architect and certified interior designer as well as a member of the College of Fellows of the American Institute of Architects and a Senior Fellow of the Design Futures Council. Design language Susanka has proposed an approach to housing that values quality over quantity. She outlines a design language for homeowners, builders and architects that is based on architectural elements such as framed openings (windows, doors or doorways that are framed or nested in certain ways), spatial layering, visual weight, diagonal views, and variations to ceiling height, all of which are intended to let the interior of a house feel comfortable and more spacious. They are tools used to create a subjective feeling of separation and shelteredness, yet interconnection with other parts of the house. In her work she refers to