the prevalence of technology and the replication and simulation of life. The second track "Cosmic Girl" is a disco song with "spacey" lyrics, based on rhythmic "looped beats" "to give it an off-center, otherworldly" sound. For the next track "Use The Force" the group channels "that real vintage football vibe", filled with horns, wah-wah guitar and a rippling barrage of Latin percussion". The fourth track "Everyday" is described "as seductive as any Maxwell ballad" and has "over aching strings and a come-hither bass line". The fifth song, "Alright", was described as an "easy-going disco-funk" track. "High Times", a song with "razor-edged funky guitars", references Kay's drug use during the recording of The Return of the Space Cowboy: "'High Times' was admitting the truth of the matter, of where I'd been and how lucky I was to be coming out of the other side." This is followed by the reggae track, "Drifting Along". The tracks "Didjerema" and "Didjital Vibrations" are instrumental tracks containing ambient didgeridoo. The title track is next on the album and samples Kay's purple Lamborghini in the intro. It features a "driving groove" and after two minutes, it "transitions into a bassline-paced, heavy workout". The album ends with the dance track, "You Are My Love", and the soul ballad, "Spend A Lifetime". Release Travelling Without Moving was first released on 28 August 1996 in Japan, then on 9 September 1996 in the United Kingdom on Sony Soho Square. Released on the Work record label in January 1997, it was the band's first US Billboard 200 entry, where it reached number 24 and it sold 1,400,000 shipments. The album peaked at number 2 in the UK chart and sold 1,219,197 copies. In Japan, it reached number 6, and in the year end charts there, it ranked number 87 in 1996 and number 58 in 1997. It peaked at number 2 in the French SNEP Album charts and number 6 in the year end chart in 1996. In Switzerland, it reached number 3 in the Swiss Albums Charts, and number 37 in the year end chart in 1996. It ranked number 9 in the German Media Control Albums Chart, and It ranked at number 69 in 1996 and number 38 in 1997 in the German year end charts. In the Netherlands, in peaked at 16 in the album chart, and number 48 in the year end chart in 1997. In