Guam Ravillion Vincent Grass as Mrs. Moitessier's Father Barbara Tarbuck as Mrs. Fender Renata Litvinova as Constance Bulitsky Irina Brazgovka as Katerina Structure The project has been described by Greenaway as 'a personal history of uranium' and the 'autobiography of a professional prisoner'. It is structured around 92 suitcases allegedly belonging to Luper, 92 being the atomic number of uranium. The number was also used by Greenaway in the formal structure of his earlier work (most notably The Falls). Each suitcase contains an object 'to represent the world'. Collectively they advance or contribute to the biography of the fictional character Tulse Luper, although in many cases the contents are more metaphorical than real. The world according to Tulse Luper Tulse Luper, a fictional character, is said to have been born in 1911 in Newport, South Wales and disappeared into ever more obscure prisons and jails in Russia and the Far East in the 1970s. He would have been 100 in 2011. The project alleges that this extraordinary man archived his entire life in 92 suitcases. His imagined life is shrouded in mystery, but it seems that Luper has been present at some of the key historical events of the 20th century, including the first nuclear tests in New Mexico, the 1968 Paris student protests and the fall of the Berlin Wall in 1989. Although Luper is said to have spent much of his life as a 'professional prisoner', he has collect a large number of objects and stored them in suitcases. In a way, these suitcases represent the world according to Tulse Luper. Luper is still presumed to be alive somewhere in the world – probably in a prison somewhere. Style The visual style of the three feature films is unorthodox, even compared to other Greenaway films. They are presented as source material and 'background story' for the suitcases which were shown online and in physical exhibitions, and hence are perhaps intended as an audio/video pastiche. In many scenes multiple takes, different angles, or identical copies of the same footage are displayed simultaneously within the frame, either superimposed or in discrete boxes. Multiple images are typically offset in time from one another, with a corresponding delay in audio. At times, a written representation of the script also scrolls across the screen as it is performed. The overall effect is similar to that of Greenaway's film The Pillow Book, but here