the jester, Daniil thanks the villagers for the shelter. As they walk on, the heavy rain starts again. II. Theophanes the Greek (Summer–Winter–Spring–Summer 1405–1406) Kirill arrives at the workshop of Theophanes the Greek (Nikolai Sergeyev), a prominent and well-recognized master painter, who is working on a new icon of Jesus Christ. Theophanes is portrayed as a complex character: an established artist, humanistic and God-fearing in his views yet somewhat cynical, regarding his art more as a craft and a chore in his disillusion with other people. His young apprentices have all run away to the town square, where a wrongly convicted criminal is about to be tortured and executed. Kirill talks to Theophanes, and the artist, impressed by the monk's understanding and erudition, invites him to work as his apprentice on the decoration of the Cathedral of the Annunciation in Moscow. Kirill refuses at first, but then accepts the offer on the condition that Theophanes will personally come to the Andronikov Monastery and invite Kirill to work with him in front of all the fraternity and Andrei Rublev, who is renowned for his icon painting in the outside world, an admiration shared by Kirill and Theophanes. A short while later at the Andronikov Monastery, a messenger arrives from Moscow to ask for assistance in decorating the cathedral, as arranged, but instead of Kirill, he propositions Andrei. Both Daniil and Kirill are agitated by the recognition that Andrei receives. Daniil refuses to accompany Andrei and reproaches him for accepting Theophanes’ offer without considering his fellows, but soon repents of his temper and tearfully wishes Andrei well when the younger monk comes to say goodbye to his friend. Kirill is jealous of Andrei and, in a fit of anger, decides to leave the monastery for the secular world, throwing accusations of greed in the face of his fellow monks, who also dismiss him. Kirill stumbles out of the monastery into the snowy countryside and is followed by his dog, but, in anger, he savagely beats it with his walking stick and leaves it for dead. III. The Passion (1406) Andrei leaves for Moscow with his young apprentice Foma (Mikhail Kononov). While walking in the woods, Andrei and Foma have a conversation about Foma's flaws, and in particular lying. Foma confesses to having taken honey from an apiary, after Andrei notices his cassock is sticky, and he smears mud on his face to