15 minutes of fame is short-lived media publicity or celebrity of an individual or phenomenon. The expression was inspired by a quotation misattributed to Andy Warhol: "In the future, everyone will be world-famous for 15 minutes." Attributed to two other people, the first printed use was in the program for a 1968 exhibition of Warhol's work at the Moderna Museet in Stockholm, Sweden. The phenomenon is often used in reference to figures in the entertainment industry or other areas of popular culture, such as reality television and YouTube. An older version of the same concept in English is the expression "nine days' wonder." This phrase dates at least as far back as the Elizabethan era, referencing William Kempe. Origins Warhol's alleged quotation first appeared in print in a program for his 1968 exhibit at the Moderna Museet in Stockholm, Sweden. In the autumn of 1967, Pontus Hultén (the director for the Moderna Museet) asked Olle Granath to help with the production of the exhibit, which was due to open in February 1968. Granath was tasked with writing a program for the exhibit, complete with Swedish translations. He was given a box of writings by and about Warhol to use for the program. Granath claims that submitting his manuscript, Hultén asked him to insert the quote: "In the future, everyone will be world-famous for 15 minutes." To which Granath replied that quote was not in the material he was given. Hultén replied, "if he didn’t say it, he could very well have said it. Let’s put it in." Photographer Nat Finkelstein claimed credit for the expression, stating that he was photographing Warhol in 1966 for a proposed book. A crowd gathered trying to get into the pictures and Warhol supposedly remarked that everyone wants to be famous, to which Finkelstein replied, "Yeah, for about fifteen minutes, Andy." Interpretation German art historian Benjamin H. D. Buchloh suggests that the core tenet of Warhol's aesthetic, being "the systematic invalidation of the hierarchies of representational functions and techniques" of art, corresponds directly to the belief that the "hierarchy of subjects worthy to be represented will someday be abolished;" hence, anybody, and therefore "everybody," can be famous once that hierarchy dissipates, "in the future," and by logical extension of that, "in the future, everybody will be famous," and not merely those individuals worthy of fame. On the other hand, wide proliferation of the adapted idiom