until Cadmus' death in 1999. During their 35-year relationship, Anderson was Cadmus' model and muse in many of his works. Cadmus was also close friends with many illustrious artists, authors, and dancers including: Christopher Isherwood, W. H. Auden, George Balanchine, George Platt Lynes, Lincoln Kirstein (his brother-in-law), and E. M. Forster, who was said to have read his novel Maurice aloud while Cadmus painted his portrait, which was printed in 1200 copies of a pamphlet The New Disorder in 1949. In 1999, he died at his home in Weston, Connecticut, due to advanced age, five days before his 95th birthday. List of works From 1931 until 1992, Cadmus produced 120 paintings, two a year on average. Some highlights include: Jerry, 1931, Toledo Museum of Art, Toledo, Ohio YMCA Locker Room, 1933 Shore Leave, 1933, Whitney Museum of American Art, New York City The Fleet's In!, 1934, Navy Art Gallery, Washington Navy Yard Greenwich Village Cafeteria, 1934 Coney Island (oil painting), 1934, Los Angeles County Museum of Art Gilding the Acrobats, 1935, Metropolitan Museum of Art Coney Island (etching), 1935, Los Angeles County Museum of Art Aspects of Suburban Life: Main Street, 1935, D.C. Moore Gallery Aspects of Suburban Life: Golf, 1936, Virtual Museum of Canada Venus and Adonis, 1936 Sailors and Floozies, 1938, Whitney Museum of American Art, New York City Pocahontas and John Smith, 1938, Port Washington Post Office Two Boys on a Beach #1, 1938, D.C. Moore Gallery Bathers, 1939 Herrin Massacre, 1940, Columbus Museum of Art, Columbus, Ohio Aviator, 1941 The Shower, 1943 Point O' View, 1945, Williams College Museum of Art, Williamstown, Massachusetts The Seven Deadly Sins, 1945–1949, Metropolitan Museum of Art, New York City Fences, 1946, Crystal Bridges Museum of American Art, Bentonville, Arkansas What I Believe, 1947–48, McNay Art Museum, San Antonio, Texas Playground, 1948, Georgia Museum of Art, Athens, Georgia The Bath, 1951, Whitney Museum of American Art, New York City Manikins, 1951 Bar Italia, 1953–55 Night in Bologna, 1958, Smithsonian American Art Museum, Washington, DC Sunday Sun, 1958–59 Le Ruban Dénoué: Hommage à Reynaldo Hahn, 1963, Columbus Museum of Art (Philip J. & Suzanne Schiller collection), Columbus, Ohio Jon Anderson in White Tights, 1966, Crystal Bridges Museum of American Art, Bentonville, Arkansas Male Nude, 1966, Kemper Museum of Contemporary Art, Missouri The Eighth Sin: Jealousy, 1982–83, Metropolitan Museum of Art, New York City The Haircut, 1986 Final Study for the House that