"Al Aaraaf" is an early poem by American writer Edgar Allan Poe, first published in 1829. It tells of the afterlife in a place called Al Aaraaf, inspired by A'raf as described in the Quran. At 422 lines, it is Poe's longest poem. "Al Aaraaf", which Poe said he wrote before he was 15, was first published as the major poem in Poe's 1829 collection Al Aaraaf, Tamerlane, and Minor Poems. The book and "Al Aaraaf" in particular received mostly negative reviews for its complexity, obscure references, and odd structure. Some, however, noted the potential in the young poet, including author and critic John Neal, to whom Poe had shown "Al Aaraaf" prior to publication. Poe later referred to Neal's response as the first words of encouragement he had received. Nevertheless, the negative response to "Al Aaraaf" may have inspired Poe's later poetic theory that poems should be kept short. Years later, in 1845, Poe used "Al Aaraaf" to hoax members of the Boston literary circle during a reading. Poe said the poem was a new one and his audience was perplexed by it. He later said a Boston crowd did not deserve a new poem. He held a strong dislike for New England poets and the New England-based Transcendental movement and hoped by presenting a poem he had written in his youth would prove Bostonians did not know good literature. Overview "Al Aaraaf" is the longest poem Poe wrote and was inspired by Tycho Brahe's discovery of a supernova in 1572 which was visible for about seventeen months. Poe identified the supernova with Al Aaraaf, a star that was the place between paradise and hell. Al Aaraaf (Arabic , alternatively transliterated ) was a place where people who have been neither markedly good nor markedly bad had to stay until forgiven by God and let into Paradise, as discussed in Sura 7 of the Qur'an. As Poe explained to a potential publisher: In the opening section of the poem, God commands Nesace, a name for Beauty's spirit, to convey a message to "other worlds". Nesace rouses the angel Ligeia and tells her to awaken the other thousand seraphs to perform God's work. Two souls, however, fail to respond: the "maiden-angel" Ianthe and her "seraph-lover" Angelo (Michelangelo), who describes his death on earth and the flight of his spirit to Al Aaraaf. Ianthe and Angelo are lovers, and their failure