won in a competition on the television-program Going Live. These films were mostly comedic pastiches of popular genres, such as the super hero-inspired Carbolic Soap and Dirty Harry tribute Dead Right (which was featured on the DVD release of Hot Fuzz). From 1992 to 1994, Wright attended the Bournemouth and Poole College of Art and Design (now Arts University Bournemouth) and received an ND in Audio-Visual Design. In June 2018, Arts University Bournemouth awarded Wright an Honorary Fellowship. On receiving the award Wright said that he still thought very fondly of his time there. Career 1995–2002: Early works and Spaced Wright made his feature film debut in 1995 with a low budget, independent spoof western, A Fistful of Fingers, which was picked up for a limited theatrical release and broadcast on the satellite TV channel Sky Movies. Despite Wright's dissatisfaction with the finished product, it caught the attention of comedians Matt Lucas and David Walliams, who subsequently chose him as the director of their Paramount Comedy channel production Mash and Peas. During this time he also worked on BBC-programs such as Is It Bill Bailey?, Alexei Sayle's Merry-Go-Round and Sir Bernard's Stately Homes. In an interview with journalist and author Robert K. Elder for The Film That Changed My Life, Wright attributes his edgy and comedic style to his love for An American Werewolf in London. I've always been fascinated by horror films and genre films. And horror films harbored a fascination for me and always have been something I've wanted to watch and wanted to make. Equally, I'm very fascinated by comedy. I suppose the reason that this film changed my life is that very early on in my film-watching experiences, I saw a film that was so sophisticated in its tone and what it managed to achieve. In 1998 writer/actors Simon Pegg and Jessica Hynes were in the early stages of developing their sitcom Spaced for Channel 4 and thought of asking Wright to direct, having fondly remembered working with him on the 1996 Paramount comedy Asylum. Wright gave Spaced an unusual look for the sitcom genre, with dramatic camera angles and movement borrowed from the visual language of science fiction and horror films. Instead of shying away from these influences Wright makes an active effort to show his referencing, adding a 'Homage-O-Meter' to all of his releases, a device that displays each directorial nod he has made