band named Carbon/Silicon. The band has toured the United Kingdom and the United States and has performed a number of anti-fascist benefit concerts; they have also recorded four studio albums: A.T.O.M (2006), Western Front (2006), The Crackup Suite (2007) and The Carbon Bubble (2009) which were available online for free. Their first physical CD release was The News EP. The band encourages their fans to share their music on P2P networks, and allow the audio and video taping of their shows. Their first song, "MPFree" is an anthem for P2P file sharing. Similar in many respects to Jones' earlier work in Big Audio Dynamite, Carbon/Silicon aims to break the traditional approach to rock and roll. The band was described by Alan McGee as "...the Stones jamming with a laptop," and they make use of samples in their recordings and live shows. The formation of the band was catalysed by the internet and P2P file sharing. The first song written by Jones and James was entitled "MPFree," in which they expressed their willingness to embrace the technology of the internet and file sharing, in the interest of spreading music, rather than profit. On seven consecutive Friday nights in January and February 2008 Carbon/Silicon played a series of gigs at the Inn on the Green, right under the Westway in Thorpe Close, between Ladbroke Grove and Portobello Road, London. As well as Carbon/Silicon there were many special guests, including appearances by Sex Pistols' Paul Cook and Glen Matlock, former Clash drummer Topper Headon and multi-instrumentalist and former Mescalero, Tymon Dogg. Producer Jones has also been an occasional producer. In 1981, he produced Ellen Foley's second studio album Spirit of St. Louis. Jones was in a relationship with Foley, and co-wrote songs for the album with Strummer and Tymon Dogg. Players on the album included members of the Blockheads, Tymon Dogg and all four members of the Clash. In 1981, Jones co-produced Ian Hunter's Short Back 'n' Sides LP with Mick Ronson. He also provided guitars and vocals for several songs on the release. In the same year, he produced Theatre of Hate's debut studio album Westworld released in 1982, written by Kirk Brandon. Jones also played guitar on the title track, "Do You Believe in the Westworld". Jones would also record and produce Aria of the Devil in 1982 by Theatre of Hate at Wessex Studios, which did not get released until