truly Eighty and fantastic Guitar solo. Together with the rhythm duo to Columbus's Drums and DeMaio's Bass and Ross's Guitar achieves reminiscent of the clanking of armor and chains at marching speed. Eric's vocals are power with a tremendous range to an operatic maestro with incredible ease and employs beautiful falsetto and death-defying screams The high and low vocal ranges of 'Eric Adams' voice in the song are between G#5, C#5& A2. The music video of “Gloves Of Metal” -was the band's first official music video that was filmed in the year 1983 and has a running time approximately 6 minutes. The music video opens with shots of seagulls and leather clad warriors riding on horseback through the forest, the band performs on a concert stage for an enthusiastic audience, at the end they have a fighting and victory scenes. The Web magazine "Vampster" named the video: "One of the most iconic that the metal scene has ever seen…'Gloves of Metal' is probably the best-known song on this album and this one too gets its power from its slow pace. That fits perfectly with the cover of 'Into Glory Ride'…". In 2014, VH1 ranked the song 'Gloves Of Metal' as the 6th greatest Heavy Metal song with the word "Metal" in the title. Track No. 4: Gates Of Valhalla The song is a Heavy Metal/ Power Metal/ Viking Metal song, it's clearly Norse-influenced song about being a Viking warrior fighting and dying for glory in the afterlife, a fantasy-based heroic mythos that incorporates elements of Viking culture. The atmosphere of the song evoked classical heroic fantasy and mythology, and served as a predecessor to Viking metal. The song became Manowar's first ballads and a solid song with excellent vocals employs beautiful falsetto and death-defying screams, and beautiful melancholic lyrics. The song 'Gates Of Valhalla' made the band well known as "The Viking Metal Forefathers", idolizing the ancient Norsemen, with that song they wanted that Viking metal will be based entirely on gruesome legends and historically accurate descriptions of battles. The song introduced by an excellent, evocative arpeggio on the 8-string Bass by DeMaio. After a first moment of solo bass, a carpet of Keyboards by Ross is timidly introduced which enhances Adams' singing, very particular and melodic start, after the first part of the song (bass& vocals) the Drums and Guitar burst into force, the riffing becomes linear and metallic.