Mandingo is a 1975 American historical melodrama film that focuses on the Atlantic slave trade in the Antebellum South. The film's title refers to the mandinka people, who are referred to as "Mandingos", and described as being good slaves for fighting matches. Produced by Dino De Laurentiis for Paramount Pictures, the film was directed by Richard Fleischer. The screenplay, by Norman Wexler, was adapted from the 1957 novel Mandingo by Kyle Onstott, and the 1961 play Mandingo by Jack Kirkland (which is derived from the novel). The film stars Perry King as Hammond, the son of cruel slave owner Warren Maxwell (James Mason). Hammond is known to rape the female slaves on his father's plantation, and his father orders him to marry a white woman to produce grandchildren with no black ancestry. Hammond marries Blanche (Susan George), his cousin, who becomes jealous that he pays more attention to his black lover Ellen (Brenda Sykes) than to his wife, leading Blanche to seduce the Mandingo" fighting slave Mede (Ken Norton). Mandingo received negative reviews upon release. However, retrospectively, the film's reception became much more favorable. It has been variously seen as a big-budget exploitation film made by a major studio, a serious film about American slavery, examining historical horrors committed against African Americans, or as a work of camp. It was a box office hit and was followed by a sequel, Drum (1976), which starred Norton as a different character and Warren Oates as Hammond. Plot In the Deep South of the United States prior to the American Civil War, Falconhurst is a run-down plantation owned by widower Warren Maxwell and largely run by his son, Hammond. Hammond and his cousin, Charles, visit a plantation where both men are given black women out of hospitality. Hammond chooses Ellen, who is a virgin. Both she and Hammond watch as Charles abuses and rapes the other woman, with Charles claiming that she likes it. Hammond asks Ellen if this is true, and she says no. Hammond then sleeps with Ellen. Warren Maxwell pressures him to marry, so Hammond chooses his cousin, Blanche, who is desperate to get out of her house to escape her brother Charles. It is implied that she had an incestuous relationship with Charles. After their wedding night, Hammond is sure that she is not a virgin—a claim Blanche denies. On their way back from their honeymoon, Hammond returns to