Philip William May (22 April 1864 – 5 August 1903) was an English caricaturist who, with his vigorous economy of line, played an important role in moving away from Victorian styles of illustration towards the creation of the modern humorous cartoon. Biography Phil May was born at Wortley, near Leeds, the son of an engineer, who died when May was nine years old. His mother was the daughter of Eugene Macarthy, one time manager of the Theatre Royal, Drury Lane. She was left in very poor circumstances and the family had a great struggle to exist. May's grandfather, a country gentleman, had some talent as a draughtsman and liked drawing caricatures. At the age of twelve, in Leeds, May became friendly with Fred Fox, whose father was the scenic artist at the recently opened Grand Theatre. That gave him a free run of the theatre, where he used to sketch sections of other people's designs for costumes, as well as sketching actors' portraits, for which he received one shilling, later rising to five shillings. Another of his contemporaries was Walter Curtis, who became prominent as a music hall comedian and general entertainer. May had begun to earn his living in a solicitor's office; before he was fifteen he had acted as time-keeper at a foundry, had tried to become a jockey and had been on the stage at Scarborough and Leeds. When only fourteen years old, had drawings accepted for the Yorkshire Gossip. When he was about seventeen he went to London with a sovereign in his pocket. He suffered extreme want, sleeping out in the parks and streets, until he obtained employment as designer to a theatrical costumier. He also drew posters and cartoons, and for about two years worked for the St Stephens Review, until he was advised to go to Australia for his health. During the three years (1886–1889) he spent in Australia he was attached to The Sydney Bulletin, or The Bulletin as it was better known, for which many of his best drawings were made. He produced about 800 drawings for The Bulletin. On his return to Europe he went to Paris by way of Rome, where he worked hard for some time, before he appeared in 1892 in London to resume his interrupted connection with the St Stephens Review. His studies of the London guttersnipe and the coster-girl rapidly made him famous. His overflowing