"6 Underground" is a song by the English band Sneaker Pimps from their debut studio album Becoming X. First released as a single in the United Kingdom in September 1996, the song reached number 15 on the UK Singles Chart and had moderate radio airplay in the United States, where it was shipped to modern rock and dance stations in February 1997. After the song was used in the 1997 American film The Saint, radio stations began playing "6 Underground" more frequently. The single was re-released in May 1997, when it peaked at number nine on the UK Singles Chart. In the United States, the song peaked at number 45 on the Billboard Hot 100 and at number seven on the Billboard Modern Rock Tracks chart. The cover artwork of the single uses a photograph of a Lego Space moonscape. The piece is from the Command Centre playset marketed by The Lego Group from 1978 to 1988. After the commercial success and popularity of the album version of the song, the group released several remixes, some of which became hits in dance clubs and radio stations with a dance format. The version most frequently heard on radio was the remix by Nellee Hooper (which appeared as a hidden track on the album). Composition The horns and the harp melody at the beginning of the song are both sampled from "Golden Girl", a track from the 1964 James Bond film Goldfinger (the song plays during a scene when Bond discovers Jill Masterson covered in gold paint). The "a-one two" heard repeatedly in the Nellee Hooper version is sampled from De La Soul's song "Breakadawn". Chris Corner said, "It's about death in a small town environment. You grow up in this shit town and you yearn to get out. A lot of artists, we just can't survive in a place like that. So, the essence of that song is that living in a small town is like dying. For us it was a huge release to get out and to explore the world, to see what everything else is about. We all wanted that. You know, the northern industrial shithole. And that's really what that song's about." Music video The music video for the song was directed by Toby Tremlett, and made its debut on 14 January 1997. Throughout the video, which gives off a dark atmosphere, the camera focuses on Kelli