venue's history. The tour was reported to receive a worldwide attendance of ten million in total. Jackson donated a portion of the tour's sales to America's Promise, an organization founded by Colin Powell to assist disenfranchised youth. Singles "Got 'til It's Gone" peaked at number 36 on Hot 100 Airplay, twelve on Rhythmic Top 40 and three on Hot R&B/Hip-Hop Airplay. It was ineligible to chart on the Billboard Hot 100 due to not having a commercial single released. Internationally, it reached the top five in Denmark and New Zealand; top ten in Australia, Netherlands, Sweden, and United Kingdom and top twenty in various countries. "Together Again" reached number one on the Billboard Hot 100, spending a record of 46 weeks on the chart. It was certified Gold by the RIAA. It reached the top two within Belgium, Netherlands, Canada, France, Germany, and Switzerland, and top five in Australia, Denmark, New Zealand, and United Kingdom. "Together Again" is among the biggest selling global singles in history and her highest selling single to date, exceeding six million copies. "I Get Lonely" reached number three on the Billboard Hot 100, number one on Hot Dance Single Sales and Hot R&B/Hip-Hop Singles & Tracks, five in the United Kingdom, and fourteen on the European Hot 100. It set a record as her eighteenth consecutive top ten hit on the Hot 100, surpassed only by Elvis Presley and The Beatles. "Go Deep" was ineligible to chart on the Billboard Hot 100, though peaked at number twelve on Pop Songs, eight on Rhythmic Top 40, and number one on Hot Dance Club Play. Final release "Every Time" reached the top forty within the Netherlands and New Zealand. The success of collaborations "Luv Me, Luv Me" and "What's It Gonna Be?!" each affected the latter two singles' performances. "You" was a promotional single in the United Kingdom, being ineligible to chart. "What About" was initially planned for release, while an edit of the title track received limited test airplay. In April 2012, "Rope Burn" charted on Korea's Gaon Digital Chart. Critical reception The Velvet Rope has received acclaim amongst some criticism since its release. In a contemporary review for The New York Times, critic Jon Pareles declared it "her most daring, elaborate and accomplished album", observing songs to "transform themselves as they go, leaping from sharply etched cross-rhythms to lush choruses." Greg Kot from Chicago Tribune