Aaron Huffman on bass due to Huffman becoming ill. The song "Authenticity" was touted by the band as the album's second single, owing to its inclusions in the soundtracks of Dude, Where's My Car? (2000) and Soul Survivors (2001). The song was also used in film and trailers of Soul Survivors, and, nearly a year after it was first suggested, "Authenticity" was released as a radio single in September 2001 through Gold Circle Records, who were releasing the Soul Survivors soundtrack on September 24, 2001. However, it did not receive a music video or any widespread promotion, as Harvey Danger had broken up by that point. Harvey Danger initially embarked on a national tour across the United States throughout the first half of September 2000 in support of King James Version, including a performance in Montreal, Quebec and an acoustic set at Tower Records in Seattle on September 12. From October 7 to October 27, 2000, Harvey Danger toured as an opening act for the pop-punk band SR-71, alongside the power pop band Wheatus, who acted as the band's opening act on some of the SR-71 tour dates. Following the end of the band's tour with SR-71, London-Sire pulled the band's touring support, leaving Harvey Danger unable to tour nationally and financially constrained to the Pacific Northwest of the US. The lack of touring support meant that Harvey Danger was forced to turn down an offer to tour as an opening act for The Pretenders. The remainder of the band's shows in 2000 took place in the band's hometown of Seattle during late December, where the band performed three songs for the Screaming Santa's X-Mas Show at the I-Spy on December 23, and a New Years' Eve show at Consolidated Works. From March 22 to 24, 2001, Harvey Danger performed as an opener for Alien Crime Syndicate. The band played their final show of that year on April 21, 2001, playing alongside Hazel and Quasi. Reception King James Version received generally favourable reviews from critics at the time of its release, and was generally considered to be an improvement over Where Have All the Merrymakers Gone?. Par Winberg of Melodic felt that the album was a grower, and that the band's sound, which he described as "Rolling Stones with a modern rock costume", was unique. James Sullivan of Entertainment Weekly described the album as "mold-busting" and "a play for longevity".