Elizabeth Taylor Greenfield (1809 – March 31, 1876), dubbed "The Black Swan" (a play on Jenny Lind's sobriquet, "The Swedish Nightingale), was an American singer considered the best-known black concert artist of her time. She was lauded by James M. Trotter for her "remarkably sweet tones and wide vocal compass". Biography Greenfield was born into slavery in Natchez, Mississippi somewhere between 1817 and 1826, to Anna Greenfield and a man whose name may have been "Taylor." According to an 1854 article in The Tri-Weekly Commercial, "her mother was of Indian descent, her father an African." In the early 1820s, Greenfield's mistress, Elizabeth H. Greenfield, a former plantation owner who moved to Philadelphia after divorcing her second husband and emancipated her slaves. E.H. Greenfield worked with the American Emancipation Society to send 18 formerly enslaved residents of the Greenfield plantation, including Anna Greenfield and two of her daughters, to Liberia on August 2, 1831, aboard the brig Criterion. Greenfield remained in Philadelphia. She studied music as a child, although musical education was not generally provided by the Quakers with whom she associated. (While some sources state that E.H. Greenfield was herself a Quaker, others state only that she attended Quaker meetings "occasionally" and supported the Society of Friends financially.) In about 1851, Greenfield began to sing at private parties, debuting at the Buffalo Musical Association. From 1851 to 1853 she toured as managed by Colonel J. H. Wood, a P. T. Barnum-style promoter and supporter of the Fugitive Slave Act of 1850, who would not allow black patrons into her concerts. In 1853, Greenfield debuted at Metropolitan Hall in New York City, which held an audience of 4,000—white patrons only. After the concert, Greenfield apologized to her own people for their exclusion from the performance and gave a concert to benefit the Home of Aged Colored Persons and the Colored Orphan Asylum. In April 1853, she went to London under the patronage of the Duchess of Sutherland and Harriet Beecher Stowe. Greenfield was taught by Queen Victoria's Chapel Royal organist, George Smart. She gave a command performance for the queen at Buckingham Palace on May 10, 1854; she was the first African American performer to perform before British royalty. Harriet Beecher Stowe wrote about Greenfield's appearance before the "elite" English society in "Sunny Memories of Foreign Lands" In England, she also received patronage from the Duchess of Norfolk and the Duchess