Seventies (1981): In a retrospective review, AllMusic's Mark Deming hailed Fun House as "the ideal document of the Stooges at their raw, sweaty, howling peak", and wrote that it features better songs than their debut, significant improvement from each member, and Don Gallucci's energetic and immediate production. Dalton Ross of Entertainment Weekly wrote that the "radical" album sounded "primal, unpredictable, dangerous". Pitchfork critic Joe Tangari felt that the music's aggression has rarely been matched. He recommended it to "any rock fan with a sense of history" and asserted that, along with the Stooges' debut, Fun House is one of the most important predecessors to the punk rock movement. Barney Hoskyns called it a "proto-punk classic", and Jon Young of Spin hailed it as a "proto-punk landmark" that possessed a "magnificent chaos". According to Cleveland.com writer Troy L. Smith, "What was once dismissed as something too raw and primal, now sits as a work of unparalleled hard-rock genius", while music historian Simon Reynolds says "it clearly stands out as the most powerful hard-rock album of all time." In 2003, Rolling Stone ranked Fun House number 191 on their list of 500 Greatest Albums of All Time, maintaining the rating in a 2012 revision, and moving it up to number 94 in the 2020 reboot of the list. Melody Maker said that it is, "no contest, the greatest rock n' roll album of all time". Lenny Kaye, writing for eMusic, called it a "rock and roll classic" and "one of the most frontal, aggressive, and joyously manic records ever". In The Rolling Stone Album Guide (2004), Scott Seward claimed that, although saying so "risks hyperbole", Fun House is "one of the greatest rock & roll records of all time" and that, "as great as they were, the Stones never went so deep, the Beatles never sounded so alive, and anyone would have a hard time matching Iggy Pop's ferocity as a vocalist." Legacy and influence Australian band Radio Birdman chose their name based on mishearing the line "radio burnin' up above" in the song "1970". They also named their Oxford Street performance venue The Oxford Funhouse and covered "TV Eye" on their 1977 album Radios Appear. John Zorn covered "T.V. Eye" for Rubáiyát: Elektra's 40th Anniversary: the same song was also covered for the glam rock film Velvet Goldmine by a supergroup featuring original Stooges guitarist Ron Asheton and members of Sonic