legacy of the Moog synthesizer, Harrison uses it throughout "Here Comes the Sun", and the instrument's "increasing brilliance of timbre" on the track serves to convey "the sun's increasing brilliance". The mixing session on 20 August 1969, when the band oversaw the creation of the master tape for Abbey Road, marked the last time that all four Beatles were together in the recording studio. At this point, "Here Comes the Sun" was sequenced as the album's opening song. Release Abbey Road was released on 26 September 1969 with "Here Comes the Sun" sequenced as the first track on side two of the LP. Along with "Something", which was issued as a single from the album, the song established Harrison as a composer to match Lennon and McCartney. According to author Alan Clayson, Harrison's two Abbey Road compositions received "the most widespread syndication" of all the tracks on the album, partly through the number of cover versions they attracted. In his October 1969 interview with Harrison, Wigg suggested that "Here Comes the Sun" was the "more obvious" choice for a single. He also remarked on the attention afforded Harrison's new songs in light of the longstanding dominance of the Lennon–McCartney partnership and expressed surprise at Harrison's ascendancy. Harrison replied that "Here Comes the Sun" and "Something" were "maybe a bit more commercial" than his four compositions on the Beatles' 1968 self-titled double album, but "not much better" as songs. In Japan, "Here Comes the Sun" was issued on a single in 1970, as the B-side to McCartney's Abbey Road track "Oh! Darling". In 1973, "Here Comes the Sun" and "Something" were included on the double album The Beatles 1967–1970, giving Harrison half the quota of songs representing Abbey Road on the compilation. In 1994, when BMI published its US radio airplay figures, "Here Comes the Sun" was listed as having been played more than 2 million times. After the Beatles' catalogue becoming available for download on iTunes, "Here Comes the Sun" charted at number 64 on the UK Singles Chart in November 2010. It returned to the chart in April 2012, peaking at number 58. The song reached number 14 on the US Billboard Hot Rock Songs chart in 2017. Two years later, it re-entered the list and became the Beatles' first top-ten hit on the Hot Rock Songs chart. As of late September 2019, it was the most streamed Beatles