the area's major daily, the conservative San Diego Union."</ref> covering everything from crime scenes to the political beat. After the newspaper folded, he turned to fiction. Drawing on his reporting experiences, his knowledge of magic, and his tour of the Pacific, he produced a series of novels of intrigue and adventure over the next 15 years, many set in the Far East. Nearly all have been recently reprinted in two-books-in-one format by Stark House Press. When one of them--Blood Alley—caught the eye of director William Wellman, he hired Fleischman to adapt it to the screen. This both led to a move to Santa Monica, California, where Fleischman lived the rest of his life, and began a decades-long involvement with Hollywood. After Blood Alley was filmed, starring John Wayne and Lauren Bacall, Wellman used Fleischman on several other projects, including Lafayette Escadrille, based on Wellman's own experiences as a World War I pilot. Fleischman adapted his own novel Yellowleg for the screen, released as The Deadly Companions, the director Sam Peckinpah's first feature. Fleischman later worked on several projects with Kirk Douglas, including Scalawag. For children, he wrote teleplays for "The Bloodhound Gang" segments of the educational 3–2–1 Contact series, as well as the screenplay of The Whipping Boy (released as Prince Brat and the Whipping Boy). Books for children Using his three children as an audience for the first time, Fleischman wrote Mr. Mysterious & Company (1962), the adventures of a traveling magician's family in the old West. It was the first of many children's books that would draw on his background in magic and his interest in history. By the Great Horn Spoon! mined the California Gold Rush and was turned into the movie The Adventures of Bullwhip Griffin. The Ghost in the Noonday Sun, Chancy and the Grand Rascal, Jingo Django, and Humbug Mountain (1965 to 1978) spun fiction from the facts of East Coast pirates, Ohio River rafting, American Gypsies, and traveling printers. His series of books about Josh McBroom and his family's amazing one-acre farm made use of American tall tales. Later works looked farther afield, from England (The Whipping Boy) to Asia (The White Elephant) to Mexico (The Dream Stealer). Finding nonfiction to his liking after completing his autobiography, The Abracadabra Kid: A Writer's Life (1996), Fleischman went on to produce biographies of Harry Houdini, Mark Twain, and Charlie Chaplin. Personal life Fleischman and his