Jerry N. Uelsmann, Paul Caponigro, Joseph Bellanca, Gianni Penati, Ralph Gibson, Duane Michals, Judy Dater and others; while the idea of the 'Window' is found in the documentary approach, exemplified by inclusions of work by Diane Arbus, Lee Friedlander, Henry Wessel, Joel Meyerowitz, and Garry Winogrand. He taught at Harvard, Yale, and New York University, and continued to lecture and teach. From 1983 to 1989, he was an Andrew Dickson White Professor-at-Large at Cornell University. In 1990, U.S. News & World Report said: "Szarkowski's thinking, whether Americans know it or not, has become our thinking about photography". In 1991 Szarkowski retired from his post at the MoMA, during which he had developed a reputation for being somewhat autocratic, and became the museum's photography director emeritus. He was succeeded by Peter Galassi, the Joel and Anne Ehrenkranz chief curator of the department of photography at The Museum of Modern Art. Exhibitions curated by Szarkowski 1963: The Photographer and the American Landscape. Museum of Modern Art, New York. 1964: André Kertész. Museum of Modern Art, New York. Retrospective exhibition. 1964: The Photographer's Eye. Museum of Modern Art, New York. 1965: The Photo Essay. Museum of Modern Art, New York. 1966: Dorothea Lange. Museum of Modern Art, New York. Retrospective exhibition. 1967: Once Invisible. Museum of Modern Art, New York. 1967: New Documents. Museum of Modern Art, New York. 1968: Henri Cartier-Bresson. Museum of Modern Art, New York. Retrospective exhibition. 1968: Brassai. Museum of Modern Art, New York. Retrospective exhibition. 1969: Bill Brandt. Museum of Modern Art, New York. Retrospective exhibition. 1969: Eugene Atget. Museum of Modern Art, New York. Retrospective exhibition. 1969: Garry Winogrand: The Animals. Museum of Modern Art, New York. 1970: New Acquisitions. Museum of Modern Art, New York. 1970: Bruce Davidson: East 100th Street. Museum of Modern Art, New York. 1970: E.J. Bellocq: Storyville Portraits. Museum of Modern Art, New York 1971: Photographs by Walker Evans. Museum of Modern Art, New York Retrospective exhibition. 1972: Diane Arbus. Museum of Modern Art, New York. Retrospective exhibition. 1990: Photography Until Now. Museum of Modern Art, New York 1995: Ansel Adams at 100. San Francisco Museum of Modern Art, CA. Curated with Sandra S. Phillips. Retirement In retirement, Szarkowski served on the boards of several of the mutual funds sold by Dreyfus Corporation. Szarkowski returned to making his own photographic work, mostly attempting to picture a spirit of place in the American