Time. That year, he also wrote a song for the Israeli movie The Beach Boys. Geffen performed in clubs with his band HaTauyót ["The Mistakes"] (the Hebrew name is purposefully misspelled in two places). In 1993, Geffen released his second album, Achshav Me'unan [It's Cloudy Now], which went gold in the same year and expressed his generation's dissatisfaction with the Israeli government. It was produced by Moshe Levi and Ofer Meiri, who created the typical Geffen sound. The title track "It's Cloudy Now" was followed by the question that many Israeli teenagers asked with Geffen – "Do you want change?" In 1994, Geffen released his third album, Aviv Geffen III, a concept album about negative effects on someone who was forced to join the army, the album did not mark a change in Geffen's sound. The production was handled by Geffen and Lior Tevet. The album featured the major hit "Ha'im Lehiot Bach Mehohav?" ["Should I Be In Love With You?"], which was promoted by a video and followed the success of Achshav Me'unan. In his next album, Shumakom [Nowhere], Geffen took charge of the production, albeit with help from Reuven Shapira (as sound engineer), and producer Moshe Levi. Geffen again wrote all the lyrics and music. As a political activist, Geffen also expressed the hope for peace with Israel's neighbors. On 4 November 1995, the Israeli peace political parties organized a rally to support the peace process. Geffen was invited to perform, and surprisingly decided to perform Livkot Lekha ["Cry for You"], which he wrote and gave to Israeli singer Arik Einstein. Only later was it discovered that the lyrics prophesied the tragic assassination of Prime Minister Yitzhak Rabin later that night. "Cry for You" became a kind of anthem, and was the song that symbolized the Candle Children who mourned Rabin's death visually with memorial candles. In 1996, Geffen released HaMikhtav [The Letter]. Mèred HaDmaót [The Tears Rebellion] was written after Rabin's murder in 1995. It expressed a change and a turning point in Geffen's music. Later, in 1996, Geffen recorded what was known later as "The Israeli version of 'Imagine'", "Shir Tikvá" ["Let's Walk for the Dream"], which expressed deeply Geffen's vision. In 1997, Geffen released his first compilation, which included a CD with the best songs of the early era, and a second CD which included B sides and live performances. An attempt to widen his