of creation rather than the dualistic one central to Gnostic theology and also that the Gospel’s views of both Nature and an opposite nature are more similar to Jewish, Christian, and Stoic beliefs. She suggests that the soul is not to be freed from Powers of Matter, but rather from the powers of the opposite nature. She also says that the Gospel’s main purpose is to encourage fearful disciples to go out and preach the gospel. Karen King considers the work to provide an intriguing glimpse into a kind of Christianity lost for almost fifteen hundred years...[it] presents a radical interpretation of Jesus' teachings as a path to inner spiritual knowledge; it rejects His suffering and death as the path to eternal life; it exposes the erroneous view that Mary of Magdala was a prostitute for what it isa piece of theological fiction; it presents the most straightforward and convincing argument in any early Christian writing for the legitimacy of women's leadership; it offers a sharp critique of illegitimate power and a utopian vision of spiritual perfection; it challenges our rather romantic views about the harmony and unanimity of the first Christians; and it asks us to rethink the basis for church authority. King concludes that “both the content and the text’s structure lead the reader inward toward the identity, power and freedom of the true self, the soul set free from the Powers of Matter and the fear of death”. “The Gospel of Mary is about inter-Christian controversies, the reliability of the disciples’ witness, the validity of teachings given to the disciples through post-resurrection revelation and vision, and the leadership of women.” King also sees evidence for tensions within 2nd-century Christianity, reflected in "the confrontation of Mary with Peter, [which is] a scenario also found in The Gospel of Thomas, Pistis Sophia, and the Coptic Gospel of the Egyptians. Peter and Andrew represent orthodox positions which deny the validity of esoteric revelation and reject the authority of women to teach." Portrayal in media Peeter Vähi's oratorio Mary Magdalene Gospel (2010–2011) is based on surviving fragments of the original Coptic text of the Gospel of Mary. Mark Adamo's 2013 opera The Gospel of Mary Magdalene is based largely on the Gospel of Mary and the Gospel of John. The libretto also includes quotes from the Gospel of Thomas, Pistis Sophia and the Gospel of Philip. A forgery of the Gospel