release and distribution. Films made with this process were the 1973 film Why, the 1971 film The Resurrection of Zachary Wheeler, and the most famous film using this process, Frank Zappa's 1971 film 200 Motels, which was originally shot on 2 inch Quadruplex videotape, and then transferred to film by Technicolor, being the first independent film originally to be shot on videotape and distributed theatrically in 35 mm. Also, countless educational, medical, industrial, and promotional videotapes produced from the late 1950s up to the mid-1980s were also transferred to film stock (usually 16 mm film) for widespread distribution, using either an EBR or CRT recorder. This was done due to VCRs and VTRs then not being commonplace in most schools, hospitals, boardrooms, and other institutional settings, due to their high cost and the multitudes of proprietary (and incompatible) open-reel, cartridge, & cassette videotape formats in the early years of industrial-market videotape recorders starting in the mid-to-late 1960s. But 16 mm projectors were widely available at the time in such settings, making distribution of such video productions on 16 mm film more practical. One company that specialized in the transfer of videotape-originated programming to 16mm film in the 1970s and 1980s was Image Transform, a company that specialized in and developed its own technologies for video-to-film transfer. Such transfers were the case until the mid-1980s, when the VCR became affordable enough (and much more standardized in the form of VHS and Betamax) to be adopted in such institutional settings on a widespread basis. Digital video equipment has made this approach easier; theatrical-release documentaries and features that originated on video are now being produced this way. High Definition video became popular in the early 2000s by pioneering filmmakers like George Lucas and Robert Rodriguez, who used HD video cameras (such as the Sony HDW-F900) to capture images for popular movies like Star Wars: Episode II – Attack of the Clones and Spy Kids 2, respectively, both released in 2002. Independent filmmakers, especially those participating in the Dogme movement of filmmaking, have also shot their films on MiniDV videotape, to be transferred to 35 mm film stock for theatrical release. Some examples of independent movies being shot on videotape are Lone Scherfig's Italian For Beginners (a Dogme film), Steven Soderbergh's Full Frontal (which was shot on PAL-standard MiniDV gear in the normally NTSC-prevalent US, due to its higher resolution of 625 lines and