writer: "Crazy", "It's Raining Again", "Know Who You Are", "C'est le bon", and "Don't Leave Me Now" were written by Hodgson, and "Put on Your Old Brown Shoes", "Bonnie", "My Kind of Lady", and "Waiting So Long" were written by Davies. The album was mainly recorded and mixed at Hodgson's home, Unicorn Studios in Nevada City, California, as he did not want to leave his wife, his then two-year-old daughter Heidi, and newborn son Andrew behind. Davies wound up recording his vocal and keyboard parts at his home studio, The Backyard Studios, in Encino, California. Other overdubs were at Bill Schnee Recording Studios in Los Angeles. At the time of the album's release, many interpreted the title and cover art as thinly-veiled hints that Supertramp was breaking up. In a 2015 interview, Hodgson confirmed that he and Davies decided on the title because "we weren't doing [a record] again". He said that he regrets recording the album, calling it "a last-ditch attempt to try and make things happen" after the life had gone out of the band. Conversely, John Helliwell said in 1986: "We wanted a phrase that bore some relationship with what we were doing but was enigmatic at the same time. We always like to have enigmatic titles like Crime of the Century... This last LP we thought was going to be real quick. We thought we were going to rehearse it and record it real quick and it ended up taking longer than any other so we had to eat our words again. For the past three or four LPs we've been saying, 'Let's be well prepared.' So the title sprung out of that as well. I can't remember who first thought of it. The graphic design came directly from the title." Reception A contemporary review in Creem savaged the album for its nondescript nature, concluding "this stuff is so soddenly bland already that the Muzak folks are going to have their work cut out for them". AllMusic, in a retrospective review, found the album overly tailored towards commercial success, claiming that the group in general and Roger Hodgson in particular were too fixated on producing more hits, and that as a result "romantically inclined poetry and love song fluff replaces the lyrical keenness that Supertramp had produced in the past, and the instrumental proficiency that they once mastered has vanished." Track listing All songs credited to