Fort Dix, New Jersey, he began writing songs on his typewriter and spent almost every weekend visiting Greenwich Village in New York City during the emerging early 1960s folk revival. Shortly after his honorable discharge from the Army, Paxton auditioned for the Chad Mitchell Trio via publisher Milt Okun in 1960. He initially received the part, but his voice did not blend well enough with those of the group members. However, after singing his song "The Marvelous Toy" for Okun, he became the first writer signed to Milt's music publishing company, Cherry Lane Music Publishing. Paxton soon began performing at The Gaslight Cafe in Greenwich Village, where he became a mainstay. In 1962, he recorded a privately produced live album at the Gaslight entitled, I'm the Man That Built the Bridges. During his stay in Greenwich Village, Paxton published some of his songs in the folk magazines Broadside and Sing Out!, and performed alongside such folksingers as Bob Dylan, Phil Ochs, Eric Andersen, Dave Van Ronk, and Mississippi John Hurt. Paxton met his future wife, Margaret Ann Cummings (known as "Midge"), at the Gaslight one night in January 1963 after being introduced to her by David Blue. Pete Seeger learned a few of Paxton's songs in 1963, including "Ramblin' Boy" (which Seeger performed at The Weavers reunion concert at Carnegie Hall) and "What Did You Learn in School Today?" Paxton increased his profile as a performer, appearing at the 1963 Newport Folk Festival, which was recorded by Vanguard Records. A month after Newport in 1963, Paxton married Midge. He began traveling the country on the coffeehouse and small-venue circuit before returning to New York. Paxton became involved with causes that promoted human rights, civil rights and labor rights. In 1963, Paxton and a group of other folk musicians performed and offered moral support to striking coal miners in Hazard, Kentucky. After returning to New York in 1964, Paxton signed with Elektra Records, a label which at that time featured a distinguished roster of folk musicians. He would go on to record seven albums for Elektra. As the folk revival hit its peak, Paxton began getting more work outside of New York City, including benefit concerts and college campus visits. In 1964, he took part in the Freedom Summer and visited the Deep South, with other folk musicians, to perform at voter registration drives and civil rights rallies. His civil rights