along with Sarah Legon, and even extended his work to ten songs. However, the studio never sent an approval, so Clifton retreated back to his Sydney home and brought the negatives along to Australia. The album's set list contains almost all of the 1974 Crime of the Century (except for "If Everyone Was Listening"), three songs from Crisis? What Crisis? (1975), two from Even in the Quietest Moments (1977), three from Breakfast in America (1979) plus "You Started Laughing", the B-side to the track "Lady" from Crisis? What Crisis?. The hit "Give a Little Bit" was played on the tour but not included because, according to Hodgson, "we were shocked when we listened back to the live tapes to find how bad all the versions were. There just wasn't one version that we felt that we wanted to put on the album." Other songs that were on the tour's set list but not on the album are "Goodbye Stranger", "Even in the Quietest Moments", "Downstream", "Child of Vision" and "Another Man's Woman". All of these tracks, including "Give a Little Bit", later showed up on the second live disc included in the deluxe anniversary edition of Breakfast in America and on the 2-CD/DVD set Live in Paris '79. Remastering and DVD release In July 2006, the original master tapes of the album were rediscovered in the Northern California barn of the band's drummer Bob Siebenberg, along with video footage. The tapes were sent to Cups 'N Strings Studios in Woodland Hills, California, for digital remastering. The tapes were initially in bad technical shape, but were successfully transferred to a digital format. In 2010, Clifton was contacted to finish editing the initial three videos, aiming to later release a concert film out of the Paris concert. The footage was delivered to Roger Hodgson before a concert in Sydney. Once Supertramp manager Dave Margereson and Eagle Rock Entertainment offered to cover the post-production costs, Clifton worked on finishing the film, doing his initial work in Australia. By the time he moved to London to conclude the project, Clifton found out his original idea to feature heavily footage of Paris, adding a story akin to his work in The Song Remains the Same, was nixed by the band, who edited most of what he had done without consent to instead showcase more of the group. The sound was remixed by Peter Henderson and