"After Today", "Who Can I Be Now?", "It's Gonna Be Me", a rerecording of "John, I'm Only Dancing" (titled "John, I'm Only Dancing (Again)"), "Lazer", "Shilling the Rubes", a scrapped rerecording of Bruce Springsteen's "It's Hard to Be a Saint in the City" and "Too Fat Polka". Upon Bowie's return to Philadelphia during the second half of the Diamond Dogs tour (referred to as the Soul tour) in November 1974, he and Visconti used the opportunity to add overdubs and start mixing. The recording attracted the attention of local fans, who began to wait outside the studio over the span of the sessions. Bowie built up a rapport with these fans, whom he came to refer to as the "Sigma Kids". On the final day of tracking, the Sigma Kids were invited into the studio to listen to rough versions of the new songs. The album was recorded under several working titles, including Dancin, Somebody Up There Likes Me, One Damned Song (a quote from the title track), The Gouster, Shilling the Rubes and Fascination. An early acetate of The Gouster provided by Visconti showed "John, I'm Only Dancing (Again)", "Who Can I Be Now?" and "It's Gonna Be Me" in the track-listing. New York sessions Following the conclusion of the Soul tour in December, Bowie, Visconti and Alomar regrouped at the Record Plant in New York City to record two new songs, "Fascination" and "Win". At this point, Bowie told Disc the title would be Fascination (named after the newly recorded track); "John, I'm Only Dancing (Again)" was still in the track-listing but the two new tracks replaced "Who Can I Be Now?" and "Somebody Up There Likes Me". Visconti, who believed the album was completely finished, returned to London to begin mixing, while Bowie remained in New York, working on separate mixing with in-house engineer Harry Maslin. During this time, former Beatle John Lennon was working at the Record Plant on his 1975 covers album Rock 'n' Roll. Lennon, who was in his famous "Lost weekend" period, had previously met Bowie in Los Angeles at a party hosted by actress Elizabeth Taylor in September 1974. The two connected and decided to record together. With Alomar, the two convened at Electric Lady Studios in New York in January 1975 and recorded "Fame" and a cover of Lennon's Beatles song "Across the Universe". In Visconti's absence, the session was co-produced