her productions. The theater was inaugurated in 1989 with the third representation of the musical Mame, with Pinal at the head of the cast. In 1992, Pinal acquired the former Cine Versalles, located in Colonia Juárez in Mexico City and turned it into his second theater, the Diego Rivera Theater. The Diego Rivera Theater was inaugurated in 1991 with the assembly Lettice and Lovage. In 1996, Pinal returned to the musical theater with the second Mexican version of Hello, Dolly!, opposite Ignacio López Tarso. Pinal's last work in her last theater was Gypsy (1998), starring alongside her daughter, the singer Alejandra Guzmán. As a producer, she was responsible for making the Mexican versions of the musicals A Chorus Line (1989), Cats (1991) and La Cage aux Folles (1992). Unfortunately, several problems caused Pinal to close the Silvia Pinal Theater, which stopped functioning in 2000 to become a religious temple. Pinal returned to the theater in 2002 with the play Debiera haber obispas. In recent dates she has also participated in productions such as Adorables enemigas (2008) and Amor, dolor y lo que puesto (2012). In 2014, the Diego Rivera Theater changed its name to become the new Silvia Pinal Theatre. Television Pinal dabbled in television since its appearance in Mexico in the early 1950s. In 1952, she participated in her television show titled Con los brazos abiertos. Eventually, she participated in numerous telecasts produced by Luis de Llano Palmer. That's where Pinal first introduced the use of playback on Mexican television. In the mid-sixties, Pinal staged her comic-musical show on Televisa, Los especiales de Silvia Pinal. When Silvia married the actor and singer Enrique Guzmán, both produced and starred in the variety show Silvia y Enrique (a comedy-musical program in the style of The Sonny & Cher Comedy Hour), which presented for four years (1968–1972) with great success. Once separated from Guzmán, Silvia continued with her variety show titled ¡Ahora Silvia!!.In 1985, she became a producer and presenter of Mujer, casos de la vida real TV show. Initially, the show was created to respond to cases and needs of the public and focused on locating victims of the 1985 earthquake in Mexico City. Over time, the show evolved to present current issues and daily life, including domestic violence, legal issues and public health. This production was a success and lasted more than 20 years, transmitting in Mexico, Spain, Italy and