Leopold Schefer (30 July 1784 in Muskau – 13 February 1862 in Muskau), German poet, novelist, and composer, was born in a small town in Upper Lusatia (then under Saxon rule), the only child of a poor country doctor. Biography Leopold Schefer was educated, privately, by his parents, later on by the principal of the Muskau primary school, Andreas Tamm, afterwards in a small private school of the former hofmeister of the local Earl of Callenberg, Johann Justus Röhde. From 1799 up to 1805 he attended the secondary school (“Gymnasium”) at Bautzen. During this time he started writing diaries, poems, and compositions, the last under the influence of his teacher Johann Samuel Petri. After that he returned to Muskau, helping his widowed mother, while writing and composing. During Napoleon's failed campaign in Russia in 1812, Schefer was appointed manager of the big estates of his newly-won friend, Prince Hermann von Pückler-Muskau, doing well under hard circumstances until 1816. The prince, recognizing the literary abilities of his friend, encouraged his early poetical efforts. Having visited England together with Pückler for studying landscape gardens (and being deeply impressed by Eliza O'Neill on the stage), Schefer studied composition under Antonio Salieri in Vienna from 1816–17, and travelled to Italy, Greece, Egypt, Palestine, and Turkey. Schefer returned in 1819 to Muskau, where he remained for all his life, married, fathering one son and four daughters, due to his literary success in easy - after the lost German revolution 1848/49 in poor - circumstances, following his literary pursuits until his death in 1862. Works Schefer wrote a large number of novels, short novels, and narratives which appeared mostly in literary almanacs. Some of his novels have been published in English, as e.g. Künstlerehe (1828, with deep insights into married life). Schefer was well known for his novels and their observative power, but even more for a single volume of poems, Laienbrevier (1834–1835). These, owing to their warmth of feeling, keen psychology, and descriptions of the beauties of nature, at once established his fame as a poet. This vein he followed in later years with the poems Vigilien (1843), Der Weltpriester (1846), and Hausreden (1869). Encouraged by his friend, the poet Max Waldau (1822–1855), he published Hafis in Hellas (Hamburg, 1853) and Koran der Liebe (Hamburg, 1855) containing with their glowing descriptions of the East love poetry of a realistic and high order. But, due to