Tolosa (Spanish and Basque: ) is a town and municipality in the Basque province of Gipuzkoa, in northern Spain. It is located in the valley of the river Oria, next by Uzturre, a local mountain topped by a white cross. Its economy relies primarily on the industrial sector, specifically papermaking. Geography Neighbourhoods Iurre, Berazubi, Bidebieta, San Esteban, Izaskun, San Blas, Amarotz, Usabal, Santa Lutzia, Montezkue, Belate, Belabieta, Alde Zaharra (Parte Vieja), Auzo Txikia, Alliri, Arramele, Iparragirre, Urkizu, Aldaba, Larramendi, Aldaba Txiki and Bedaio. Notable buildings Provincial archive of Gipuzkoa, built in 1904 by the architect Cortázar, was one of the first to be built in concrete in the province. From the sixteenth century, Tolosa was home to the provincial archives, formerly located in the parish. Town Hall, built between 1657 and 1672, Baroque style, with a ground floor portico and wrought iron balconies. Work of the master stonecutter Juan de Arburola. Zerkausi Market Old Town Hall, a rectangular elongated building that follows the line of the old wall so its façade is perpendicular to the streets of the old town, blocking its southern view. In Neoclassical style, it was completely remodeled in the 1980s as a cultural center. Between 1844 and 1854 it was the seat of the . Convent of Saint Francis, located at the exit of the Camino Real a Castilla. With a basilica floor plan, it was constructed circa 1676 by Nicolás de Zumeta and Agustín de Lizarraga. The retablo of its main altar and the chapel of the Antia are notable. Convent of Saint Clara. Baroque monastery (18th century) of the Poor Clares with a Churrigueresque-Rococo guilded main altarpiece. Church of Saint Mary, with of surface at present. The original church was affected by a fire in 1503, but until 1548 works could not be started for lack of money. A building was then erected with three high naves topped by false ribbed vaults supported by six columns, in the local variant of Gothic style called Basque Gothic. In 1761 Martín de Carrera endowed it with the current Baroque façade with a central bell-gable and two towers joined by a balustrade, and a few years later the atrium was added. In the nineteenth century made some Neoclassical alterations. It has a central altarpiece, and in one of the side chapels is preserved the Romanesque-Gothic doorway of the hermitage of San Esteban, which was destroyed by a