style, with hints of Steinman's Wagnerian producing approach. When Signs of Life arrived in late July 1984, Squier was at the peak of his career. Fueled by the songs "Rock Me Tonite" and "All Night Long", the album brought his third consecutive platinum certification. The music video for "Rock Me Tonite", which featured Squier dancing in a bedroom wearing a pink tank top, proved a controversial choice by director Kenny Ortega. The 2011 book I Want My MTV promoted it as the worst video of all time. Martha Quinn, an MTV VJ when "Rock Me Tonite" was released, commented, "I don’t remember that video being poorly received at the time." Whether it was the video or the shift in music style or other factors, Squier stopped selling out shows. He fired both of his managers and insulted Ortega for misleading and deceiving him. Ortega has denied Squier's accusations. Brief resurgence and feud with Capitol (1985–1993) Apart from a few live appearances and a new song, "Shake Down" for the soundtrack of the film St. Elmo's Fire, Squier stayed out of the spotlight for the majority of 1985, taking some time off and preparing his next album with British producer Peter Collins, who was known for his work with Nik Kershaw, Gary Moore, and Rush. 1986 saw the release of his fifth album Enough Is Enough, which was carefully crafted, but still a commercial flop. The album spawned a minor hit, "Love Is the Hero", with Freddie Mercury on backing vocals. Mercury also co-wrote and arranged the song "Lady With a Tenor Sax", which also appears on the album. Enough Is Enough sold an estimated 300,000 copies. "Love Is the Hero" has usually been singled out for praise. Squier did not embark on a tour in support of the album. Squier spent the next three years working on his sixth full-length album, Hear & Now, which was released in 1989. The album peaked at #64, but sold only 300,000, the same as Enough Is Enough. "Don't Say You Love Me" was a modestly successful comeback single and his last Hot 100 hit, which peaked at #58 on the Billboard Hot 100 and went to #4 on the Billboard Mainstream Rock chart. Squier's seventh album, Creatures of Habit, was released in 1991. Both critical and audience reception were mixed; many criticized the album for lacking innovation and being uninspired, mainly on the