Thomas Burnett Swann (October 12, 1928 - May 5, 1976) was an American poet, critic and fantasy author. His criticism includes works on the poetry of H.D. and Christina Rossetti. Swann died of cancer and several of his novels were published posthumously. Poetry Swann's poetry consists largely of short, whimsical pieces evoking a naive innocence. Many of them were later incorporated into his novels and placed in the mouths of his characters - sometimes the same poem is spoken by two or three different characters in novels set centuries and continents apart. Poets also frequently appear as characters in his novels, always on the side of good: Sappho in Wolfwinter (1972); Robert Herrick in Will-o-the-Wisp (1977, serialized 1974); a fictionalized Charles Sorley in The Goat Without Horns (1971); and Thomas Chatterton in The Not-World (1975). Fiction Science fiction Swann began writing fiction in 1958 with "Winged Victory", a science fiction story based on the famous headless statue known as the Winged Victory of Samothrace. In Swann's story the statue's head is discovered and found to have been modeled upon an alien visitor whom the sculptor took for a goddess. Extraterrestrials also feature in "The Painter", in which the painter Hieronymous Bosch is abducted by hideous aliens and forced to paint them, thereby providing the inspiration for the grotesque images in his painting The Garden of Earthly Delights. This and many other early stories appeared in the British magazine Science Fantasy. Some stories also appeared in The Magazine of Fantasy & Science Fiction (F&SF). Fantasy Most of Swann's fiction was outright fantasy. The early story "The Dryad-tree" is set in contemporary Florida and features a woman's reaction to the knowledge that her new husband's garden contains a tree possessed by a jealous dryad. The story was adapted as a short film in 2017. The bulk of Swann's fantasy fits into a rough chronology that begins in ancient Egypt around 2500 BC and chronicles the steady decline of magic and mythological races such as dryads, centaurs, satyrs, selkies and minotaurs. The coming of more "advanced" civilisations constantly threatens to destroy their pre-industrial world, and they must continually seek refuge wherever they can. They see the advent of Christianity as a major tragedy; the Christians regard magic and mythological beings as evil and seek to destroy the surviving creatures, although some manage to survive and preserve some of their old ways through medieval