Downtown 81 is a 2000 American film that was shot in 1980-1981. The film was directed by Edo Bertoglio and written and produced by Glenn O'Brien and Patrick Montgomery, with post-production in 1999-2000 by Glenn O'Brien and Maripol. It is a rare real-life snapshot of an ultra-hip subculture of post-punk era Manhattan. Starring renowned artist Jean-Michel Basquiat and featuring such East Village artists as James Chance, Amos Poe, Walter Steding, Tav Falco and Elliott Murphy, the film is a bizarre elliptical urban fairy tale. In 1999, Michael Zilkha, founder of ZE Records (the label of several of the film's artists), became the film's executive producer. Synopsis The film opens with Jean (Basquiat) in hospital with an undisclosed ailment. After checking out, he happens upon an enigmatic woman, Beatrice (Anna Schroeder), who drives around in a convertible. He arrives at his apartment only to discover that his landlord, played by former Yardbirds manager Giorgio Gomelsky, is evicting him. Later, while trying to sell his art work, he encounters many downtown New York characters, from musician Arto Lindsay and his band DNA to David McDermott to graffiti artists Lee Quiñones and Fab Five Freddy. Jean eventually does manage to sell some of his art work to a rich middle-aged woman who is interested in more than just his art, but she pays with a check. As the film progresses, he wanders the streets of New York City, looking for Beatrice. He catches performances by Kid Creole and the Coconuts and James White and the Blacks. Finally he happens upon a bag lady (Debbie Harry) who turns into a princess when he kisses her. As a reward, she gives him a stack of cash. Parallels to real life Writer and Producer O'Brien had a popular music column "Glenn O'Brien's Beat" in Interview magazine and created the film to showcase the bands that he had been writing about. The film was initially titled New York Beat, referencing the music. The story was created to string together the live performances, shot on the RCA 24-track mobile recording unit, the best live recording technology at the time. O'Brien, who knew Basquiat from his TV Party program and the Mudd Club, cast then-unknown Basquiat in the film, and said of the movie: "The film is an exaggerated version of life," he said. Jean-Michel Basquiat was homeless at the time of the movie and slept in the production