Animate Film, with Toshiyuki Honda as the composer and Tetsuro Aoki as the designer. Ohkawa wrote the script for the adaptation. ADV Films licensed Miyuki-chan in Wonderland for a Region 1 release, and published it in May 2002. Other An image album based on Miyuki-chan in Wonderland was released on April 1, 1995, by Sony Music Entertainment. Reception and legacy Miyuki-chan in Wonderland received a range of critical reaction. In Women in Science Fiction and Fantasy (2009), Eden Lee Lackner wrote that the manga's notability stems from "how it plays with textual boundaries"; for example, Miyuki travels through Clamp's adaptation of the fictional worlds of Alice in Wonderland and X. According to her, Miyuki's travels to X land serves as "characteristic" of Clamp's intersection of its characters and narratives from its different works. Dani Cavallaro in Clamp in Context (2012) stated that Miyuki-chan in Wonderlands "most memorable" aspect comes from the sense of artistic "creative enjoyment". Writing for Sequential Tart, Sheena McNeil greatly enjoyed the manga, praising it as entertaining "fluff". Patrick King of Animefringe wrote that the illustrations contributed the most appeal to the plotless manga, with the inclusion of a bonus section and colored OVA concept-art pages praised as well. In contrast, Katherine Dacey, the former senior manga editor for PopCultureShock, described the manga as "the nadir of this talented quartet’s work" in her list of the ten worst manga. According to her, the "inane" short stories served as "just a pretext for CLAMP to draw scantily-clad beauties engaging in vaguely naughty behavior (usually making a pass at the vaguely horrified Miyuki or inviting her to play strip poker)." Mason Templar, writing in Manga: The Complete Guide (2007), similarly reviewed the manga, commenting that it was best viewed as an artbook. Erica Friedman, the founder of Yuricon, a lesbian-themed convention, and ALC Publishing, wrote that the settings were "loosely based on Lewis Carroll’s iconic works, games and Clamp’s own work." According to her, the manga lacked emotion and a true depiction of lesbians, only showing "fictitious female beings groping a fictitious female character". The anime adaptation also received a range of reviews. Anime News Network's Christopher Macdonald recommended it as nonsensical entertainment, describing it as Clamp's tribute to Alice in Wonderland and its sequel Through the Looking Glass (1871). McNeil praised it as nicely animated entertainment, though it lacked developed characters and a plot. In his review of