gait; it should have flowed. ... Nile did his own thing to it, but it wasn't quite what I'd had in mind when I wrote the thing." "Criminal World" was originally written and recorded by Metro in 1977, but their version was banned by the BBC for its bisexual undertones. O'Leary states that Bowie included it on Let's Dance as a way to "sneak a transgressive song onto a platinum record". Pegg writes that Bowie updated its sound to match Let's Dance, featuring a new wave and pop reggae groove, and calls Vaughan's guitar solo his finest on the record. Both Buckley and O'Leary praise Bowie's rendition as a strong cover. "Cat People (Putting Out Fire)" was recorded in 1981 by Bowie and Giorgio Moroder as the theme song for the 1982 film Cat People. Bowie was unhappy with the original version and asked Rodgers to remake it for Let's Dance. O'Leary describes the remake as "more aggressive". He praises Vaughan's guitar solo as superior to the original, but criticises Bowie's vocals as inferior. Pegg also considers the Let's Dance version to be inferior and laments that the remake became the better known version. The album ends with "Shake It", which Pegg calls "a likable enough piece of fluff". O'Leary describes the track as a summary of Bowie's "bad habits" of the 1980s: "an indifference to quality". Biographer Marc Spitz writes that its sound is a precursor to U2's 1993 song "Lemon". Release After delivering the album to the label, Bowie travelled to Australia in February 1983 to film the music videos for the first two singles, "Let's Dance" and "China Girl". He directed the video for "Let's Dance" with David Mallet, the director of Bowie's Lodger and "Ashes to Ashes" videos. The video has nothing to do with the song itself, except for a brief glimpse of red shoes. It follows a young Australian Aboriginal couple doing various activities that seduce them to the commercialism of white urban Australia. Bowie appears and sings the lyrics into the camera. The video is an allegory meant to represent the treatment of Aboriginals by white Australian capitalists. The video for "China Girl", again directed by Mallet, is similar in its theme of clashing perspectives, juxtaposing Sydney executives against the city's Chinese population. It features New Zealand actress Geeling Ng who recreates the famous beach scene from From Here to Eternity (1953) with