it may have had the effect of normalizing the practice of lynching. In a more recent example, scholars Andrew Calcutt and Phillip Hammond (2011) note that since the 1990s, war reporting (especially) has increasingly come to criticize and reject the practice of objectivity. In 1998, a BBC reporter, Martin Bell, noted that he favoured a "journalism of attachment", over the previously sought after dispassionate approach. Similarly, a CNN war correspondent from the US, Christiane Amanpour, stated that in some circumstances "neutrality can mean you are an accomplice to all sorts of evil". Each of these opinions stems from scholar's and journalist's critique of objectivity as too "heartless" or "forensic" to report the human natured and emotionally charged issues found in war and conflict reporting. As discussed above, with the growth of mass media, especially from the 19th century, news advertising became the most important source of media revenue. Whole audiences needed to be engaged across communities and regions to maximize advertising revenue. This led to "[j]ournalistic [o]bjectivity as an industry standard […] a set of conventions allowing the news to be presented as all things to all people". In modern journalism, especially with the emergence of 24-hour news cycles, speed is of the essence in responding to breaking stories. It is therefore not possible for reporters to decide "from first principles" how they will report each and every story that presents itself—thus, some scholars argue that mere convention (versus a true devotion to truth-seeking) has come to govern much of journalism. Brent Cunningham, the managing editor of Columbia Journalism Review, argues in a 2003 article that objectivity excuses lazy reporting. He suggests that objectivity makes us passive recipients of news, rather than aggressive analyzers and critics of it. According to Cunningham, the nut of the tortured relationship with objectivity lies within a number of conflicting diktats that the press was subjected to operate under: be neutral yet investigative; be disengaged yet have an impact; and be fair-minded yet have an edge. Cunningham, however, argues that reporters by and large are not ideological warriors; rather, they are imperfect people performing a difficult job that is crucial to society and, "[d]espite all our important and necessary attempts to minimize [individual's] humanity, it can't be any other way," Cunningham concludes. The debate about objectivity has also occurred within the photojournalism field. In 2011, Italian photographer Ruben Salvadori challenged the expectation of objective truth