from one of Bowie's most exciting phases, it's a fascinating glimpse of the artist in the midst of a bold transition". Electronica/techno artist Moby would later say the only reason he got his first job as a golf caddy was so that he could afford to buy Lodger, which had just come out at the time. American indie rock band Built to Spill referenced the album in their song "Distopian Dream Girl" taken from their 1994 album There's Nothing Wrong with Love. A few of Lodgers songs influenced two English Britpop bands in the 1990s. Blur used the same chord sequence as "Fantastic Voyage" and "Boys Keep Swinging" in their 1997 single "M.O.R.". The song's chorus also borrows the melody and call-and-response vocals from "Boys Keep Swinging"; Bowie and Eno both received credit for "M.O.R." after legal intervention. The lead singer Damon Albarn has cited Bowie as an influence. Oasis named their 1996 single "Don't Look Back in Anger", written by Noel Gallagher, after "Look Back in Anger". American indie rock band Shearwater covered the album in its entirety at live shows and on The A.V. Club following Bowie's death in early 2016. In the 1990s, American composer Philip Glass adapted Low and "Heroes" into classical music symphonies, titled "Low" Symphony and "Heroes" Symphony, respectively. Glass informed Bowie of the projects and the two stayed in touch with each other until 2003; the two discussed making a third symphony which never came to fruition. After Bowie's death, Glass said the two had talked about adapting Lodger for the third symphony, adding that "the idea has not totally disappeared". In January 2018, Glass announced the completion of a symphony based on Lodger. The work is Glass' 12th Symphony; it premiered in Los Angeles in January 2019. Like Glass's other adaptations, the "Lodger" Symphony is separated into seven movements, each named after tracks on Lodger. The symphony marked the completion of his trilogy of works based on Bowie's Berlin Trilogy. 2017 remix Reviewers criticised Lodgers original mix for many years, calling it "over-cluttered" and "over-produced". Regarding the mix, Visconti stated: "My only regret is that we went to New York to finish [the] album and it suffered at the mixing stage because New York studios simply were not as versatile or well-equipped as their European counterparts in those days." Bowie also expressed disappointment in the mix, citing distractions in his personal life