recorded on her 20th birthday. This led to her appearing regularly on comedian Dick Bentley's BBC's radio show Gently Bentley, and then becoming the vocalist for the BBC Radio comedy programme Take It From Here, replacing Joy Nichols, from 1953 to the end of its run in 1960. In 1953, whilst in the middle of recording "If I Had a Golden Umbrella", she broke into a giggle; she then played up the effect on later recordings. Soon enough, she was dubbed the "Girl with the giggle in her voice". ("Giggle" has sometimes been quoted as "chuckle".) Many of her recordings were covers of U.S. hits, especially those recorded by Rosemary Clooney, Teresa Brewer, Georgia Gibbs, Joni James and Dinah Shore. Her voice was often compared with Doris Day's. One of these covers, "Bell Bottom Blues", became her first hit, reaching no. 4 on 3 April 1954. Cogan would appear in the UK Singles Chart eighteen times in the 1950s, with "Dreamboat" reaching no. 1. Other hits from this period include "I Can't Tell a Waltz from a Tango", "Why Do Fools Fall in Love", "Sugartime" and "The Story of My Life". Cogan's first album, I Love to Sing, was released in 1958. Cogan was one of the first UK recording artists to appear frequently on television, where her powerful voice could be showcased along with her bubbly personality and dramatic costumes. Her hooped skirts with sequins and figure-hugging tops were reputedly designed by herself and never worn twice. Cliff Richard recalls: "My first impression of her was definitely frocks – I kept thinking, how many can this woman have? Almost every song had a different costume. The skirts seemed to be so wide – I don't know where they hung them up!" Cogan topped the annual NME reader's poll as "Outstanding British Female Singer" four times between 1956 and 1960. Too square for the 1960s The UK musical revolution of the 1960s, symbolised by the rise of the Beatles, suddenly made Cogan unfashionable; in the 1991 BBC documentary Alma Cogan: The Girl with the Giggle in Her Voice, Lionel Blair said she was perceived as "square". Her highest 1960s chart ranking in the UK was no. 26 with "We Got Love", and most of her successes at this time were abroad, notably in Sweden and Japan. She was especially disappointed that her 1963 cover of the Exciters' US hit "Tell