Even in the Quietest Moments... is the fifth album by the English rock band Supertramp, released in April 1977. It was recorded mainly at Caribou Ranch Studios in Colorado with overdubs, vocals, and mixing completed at The Record Plant in Los Angeles. This was Supertramp's first album to use engineer Peter Henderson, who would work with the band for their next three albums as well. Even in the Quietest Moments… reached number 16 on the Billboard Pop Albums Chart in 1977 and within a few months of release became Supertramp's first Gold (500,000 copies or more) selling album in the US. In addition, "Give a Little Bit" became a US Top 20 single and reached number 29 on the UK Singles Chart. While "Give a Little Bit" was the big hit, both "Fool's Overture" and the title track also got a fair amount of FM album-rock play. In 1978, Even in the Quietest Moments… was ranked 63rd in The World Critic Lists, which recognised the 200 greatest albums of all time as voted for by notable rock critics and DJs. Background and recording Though all the songs are credited as being written jointly by Rick Davies and Roger Hodgson, Davies wrote "Lover Boy", "Downstream", and "From Now On" by himself, and Hodgson in turn wrote "Give a Little Bit", "Even in the Quietest Moments", "Babaji", and "Fool's Overture" unaided. Davies said of "Lover Boy" that "I was inspired by advertisements in men's magazines telling you how to pick up women. You know, you send away for it and it's guaranteed not to fail. If you haven't slept with at least five women in two weeks, you can get your money back." Bob Siebenberg recounted that "Rick had been working on 'Lover Boy' for quite a while and finally came up with the long middle section. I just heard that as a really slow, really solid sort of beat, just to give the song dynamics underneath it all, because the song itself is really powerful and it needed something really solid underneath it." Most of "Even in the Quietest Moments" was written during the sound check for a show at the Tivoli Gardens (in Copenhagen). Davies and Hodgson worked out the various parts of the song with Hodgson using an Oberheim and a Solina string synthesiser and Davies at the drum kit. Davies commented on the music: "It starts off in