ten years old." It is not known how long he remained at this academy; somewhere between the years 1780 and 1785, he came to the painter Sigmund Hendenberger at Bern. With him, Mind learnt his art of drawing, and colouring with water-colours. Mind's education dealt mostly with art; he could with difficulty be made to write his name, and he had not the slightest idea of arithmetic. Mind's special talent for representing cats was discovered and awakened by chance. At the time when Hendenberger was painting that since-published picture of the peasant cleaving wood before his cottage, with his wife sitting by, and feeding her child with pap out of a pot, round which a cat is prowling, Mind cast a broad stare on the sketch of this last figure, and said in his rugged, laconic way, "That is no cat!" Hendenberger asked, with a smile, whether Mind thought he could do it better. Mind offered to try; he went into a corner, and drew the cat, which Hendenberger liked so much that he made his new pupil finish it out, and the master copied the scholar's work. Work It was not till after Hendenberger's death that Mind fully developed his peculiar talent for drawing. His pictures of peasant children, which, for the most part, are painted on small sheets, depict sports, banterings, quarrellings, sledge-parties of children, with their half-frozen but still merry faces, in their puffy yet picturesque costume. In the course of his narrow, indoors life, he had worked himself into an almost paternal relation with domestic animals, especially with cats. While he sat painting, a cat might generally be seen sitting on his back or on his shoulder; many times he kept, for hours, the most awkward postures, that he might not disturb it. Frequently there was a second cat sitting by him on the table, watching how the work went on; sometimes a kitten or two lay in his lap under the table. Frogs (in bottle) floated beside his easel; and with all these creatures he kept up a most playful, loving style of conversation; though, often enough, any human beings about him, or such even as came to see him, were growled or grunted at in no social fashion. His chief diligence and most careful elegance he brought to work in the painting of his beloved cats. He had both the art to seize the