best friend (can also be considered a main protagonist) who does not want to be like her mother because she will never be reduced to "custard" and she will not be humiliated by other people as her mother is. Nel is the opposite of Sula: she decided to marry, have children and stay in the Bottom when she became an adult. She is Sula's best friend as they are children and then their relation turned into something more complex when Jude left Nel for Sula. Shadrack: A paranoid shell-shocked WWI veteran, who returns to Sula and Nel's hometown, Medallion. He invents National Suicide Day. Jude Greene: Nel's husband, who leaves Nel due to a love affair with Sula. Ajax (Albert Jacks): Sula's confidant and lover. Tar Baby (Pretty Johnnie): A quiet, cowardly, and reserved partially or possibly fully white man who rents out one of the rooms in the Peace household. It is believed that Tar Baby has come up to the Bottom to drink himself to death. The Deweys: three boys, each about one year apart from one another in age, who were each nicknamed "Dewey" by Eva. Their real names are never written in the novel, and after the introduction of these characters, the three were referred as one being, thus Morrison's use of a lowercase "d" in "dewey" for the rest of the novel. Chicken Little: The little boy who drowns when Sula accidentally threw him into the river. Major themes Motherhood Sula is packed with formal moves against social structures. It is Helene's grandmother, Cecile, who stands in as a mother figure and her primary caretaker. Eva, Sula's grandmother, operates a boarding house and is about the business of her own version of mothering, "directing the lives of her children, friends, strays, and constant stream of boarders" (30). In Sula, relationships between mothers and daughters do not seem to be predicated on shared affection and a duty to protect one's offspring. For example, Hannah, Sula's mother is overheard in conversation with her friends, "You love her, like I love Sula. I just don't like her. That's the difference." (57) Hannah's comment does gesture toward a sense of duty, but differs from Jacobs' as it implies an absence of a desire to mother. When Hannah challenges her mother Eva about expressions of love toward her, Eva responds by reminding Hannah of the sacrifices that she has made