"What a Wonderful World" is a song written by Bob Thiele (as "George Douglas") and George David Weiss. It was first recorded by Louis Armstrong and released in 1967 as a single. It topped the pop chart in the United Kingdom, but performed poorly in the United States because Larry Newton, the president of ABC Records, disliked the song and refused to promote it. After it was heard in the film Good Morning, Vietnam, it was reissued as a single in 1988, and rose to number 32 on the Billboard Hot 100. Armstrong's recording was inducted to the Grammy Hall of Fame in 1999. Composition and production Thiele produced the track under his own name, but as a co-composer was initially credited under the pseudonym George Douglas. His real name has appeared on it from its 1988 issue onward. One source claims the song was first offered to Tony Bennett, who turned it down, although Louis Armstrong biographer Ricky Riccardi disputes this. In Graham Nash's book Off the Record: Songwriters on Songwriting, George Weiss says he wrote the song specifically for Louis Armstrong, as he was inspired by Armstrong's ability to bring together people of different races. Armstrong was gigging at the Tropicana Hotel in Las Vegas, so he chose to record the song nearby at Bill Porter’s United Recording studio. The session was scheduled to follow Armstrong's midnight show, and by 2 am the musicians were settled and tape was rolling. Arranger Artie Butler was there with songwriters Weiss and Thiele, and Armstrong was in the studio singing with the orchestra. Armstrong had recently signed to ABC Records, and ABC president Larry Newton showed up to photograph Armstrong. Newton wanted a swingy pop song like "Hello, Dolly!", a big hit for Armstrong when he was with Kapp Records, so when Newton heard the slow pace of "What a Wonderful World", he tried to stop the session. Newton was physically removed and locked out of the studio for his disruption, but a second problem arose: Nearby freight train whistles interrupted the session twice, forcing the recording to start over. Armstrong shook his head and laughed off the distractions, keeping his composure. The session ended around 6 am, going longer than expected. To be sure the orchestra members were paid extra for their overtime, Armstrong accepted only $250 musicians' union scale for his work. Release and reception Because Newton refused to