The Golden Gate Quartet (a.k.a. The Golden Gate Jubilee Quartet) is an American vocal group. It was formed in 1934 and, with changes in membership, remains active. Origins and early career The group was founded as the Golden Gate Jubilee Singers in 1934, by four students at Booker T. Washington High School in Norfolk, Virginia. According to the group's website, the original members were Willie Johnson (baritone; d. 1980), William Langford (tenor; d. 1970), Henry Owens (second tenor; d. 1970) and Orlandus Wilson (bass; 1917–1998); other sources state that Langford and Wilson replaced earlier members Robert "Peg" Ford and A.C. "Eddie" Griffin in 1935. From 1935, the group sang in churches and on local radio, gaining a regular spot on radio station WIS in Columbia, South Carolina in 1936. They began as a traditional jubilee quartet, combining the clever arrangements associated with barbershop quartets with rhythms borrowed from the blues and jazz like scat singing. They developed a broad repertoire of styles – from Owens' mournful, understated approach in songs such as "Anyhow" or "Hush, Somebody's Calling My Name", to the group's highly syncopated arrangements in "Shadrach, Meshach and Abednego". Like The Mills Brothers in popular music, they would often include vocal special effects in their songs, imitating train sounds in songs such as "Golden Gate Gospel Train". Langford often sang lead, using his ability to range from baritone to falsetto, while Johnson narrated in a hip syncopated style that became the hallmark for the group. Wilson's bass served as the anchor for the group and Owens harmonized with Langford and Johnson. In 1937 they moved to station WBT in Charlotte, North Carolina, and soon afterwards won a contract with Bluebird Records. After their first recording session on August 14, 1937, in which they recorded 14 songs in two hours, they were contracted to record 12 tracks per year. In 1938, they were recruited by John Hammond to appear at the first From Spirituals To Swing concert held at Carnegie Hall in New York City, after which their popularity grew. An example of their output during this popular period includes a 1938 recording of 'John the Revelator' being inducted into the National Recording Registry in 2005. They stayed in New York and were signed up for a residency at the Cafe Society nightclub. As well as performing and recording gospel songs they also recorded some secular songs for RCA Records,