Verlaine's "Kingdom Come". Bowie felt the track was the standout on Verlaine's 1979 eponymous solo album, stating "It just happens to fit into the scattered scheme of things". Bowie asked Verlaine to play lead guitar on the track. Verlaine accepted, but upon his arrival at the studio, he tried out numerous guitar amps in order to "get the right sound" while Bowie and Visconti left him alone. Visconti recalled, "I don't think we ever used a note of his playing, if we even recorded him." Instead, Fripp ended up playing lead guitar. Recorded during these sessions was an instrumental titled "Crystal Japan"; it was originally intended to be the album's closing track, but was dropped in favour of a reprise of "It's No Game". It was instead released as a single in Japan, making its first appearance in a 1980 Japanese television commercial for the Shōchū drink Crystal Jun Rock. Instead of improvising lyrics and music as he had with prior releases, Bowie informed Visconti he wanted to take time composing and developing the lyrics and melodies; Visconti recalled, "Instead of immediately writing finished melodies and lyrics, David begged to take a long break to think it all out, so we adjourned until two months later in London." Buckley writes that what Bowie presented Visconti were "some of the most innovative melodies of his career." According to biographer Nicholas Pegg, some of the handwritten lyrics were included in the 2013 David Bowie Is exhibition. Many of the tracks had working titles early on. In a cassette dated March 1980 in Visconti's archive, some of the tracks included "People Are Turning to Gold" (later "Ashes to Ashes"), "It Happens Everyday" (later "Teenage Wildlife") and "Jamaica" (became "Fashion" late in the album's development). At this point in the album's development, "Up the Hill Backwards" was known as "Cameras in Brooklyn" and "Scream Like a Baby" as "I Am a Laser", originally written in 1973 and recorded by the Astronettes (made up of Bowie collaborators Ava Cherry and Geoff MacCormack) at Olympic Studios the same year. Pegg writes that there was a track called "Is There Life After Marriage?" that was recorded and left unfinished during the sessions. An instrumental cover of "I Feel Free" by Cream was also recorded and left unfinished, although it was brought back for 1993's Black Tie White Noise. According to Pegg, the lyrics for the title track