the club owner fires him, denouncing him as a "communist son of a bitch". The professional humiliation and the inability to provide for his wife and children take their toll on Hecky and he kills himself by jumping out of a hotel window. Howard witnesses other harsh results of the investigative actions of the communist-hunting "Freedom Information Services" on the network's programming. Suspicion is cast his way, and he is called to testify before the House Un-American Activities Committee. He privately tells Florence that he is not a writer, just a humble cashier. Howard decides that he will respond to the Committee's questions evasively, enabling him to neither admit nor deny anything. After briefly enduring the HUAC questioning – including being asked to speak ill of the dead Hecky Brown, and being threatened with legal consequences for his admission of having placed bets in his capacity as a bookie (which is illegal), Howard takes a stand, telling the Committee that he does not recognize their authority to ask him such questions, and telling them to "go fuck yourselves" before leaving the interrogation room. The film ends as Howard is taken away in handcuffs, with Florence kissing him good-bye and many protesters cheering him on. Cast Reception Critical reception of The Front was divided between those who thought it effectively and amusingly dealt with the topic of McCarthyism and those who thought it a superficial gloss instead of a pithy statement about the McCarthy era. In 1976, reviewing it for The New York Times, Vincent Canby acknowledged the film's lack of direct political commentary: "The Front is not the whole story of an especially unpleasant piece of American history. It may be faulted for oversimplification. Mr. Ritt and Mr. Bernstein, veterans of the blacklist are not interested in subtleties. Yet, even in its comic moments, The Front works on the conscience. "It recreates the awful noise of ignorance that can still be heard." (Canby, 1976) Pauline Kael wrote in praise of the film and the performance of Woody Allen in particular: "At its most appealing, this movie says that people shouldn't be pressured to inform on their friends, that people shouldn't be humiliated in order to earn a living. Humbly, this film asks for fairness...When you see Woody Allen in one of his own films, in a peculiar way you take him for granted; here you appreciate his skill, because you