"fluctuating pop interests caused him to shift from style to style faster than his ability to master them", ultimately calling it one of the artist's "least arresting turns". Creem Trixie A. Balm liked side one but dismissed side two, ultimately finding "Heroes" "doesn't rock". In Canada, The Gazettes Juan Rodriguez commented on the "melodramatic space-rock from the genre's leading practitioner". Some reviewers commented on Eno's contributions, including Bart Testa of Rolling Stone, who highlighted Eno's involvement. He contended that after Bowie's "auteurist exploitation" of the former on Low, "Heroes" "prompts a much more enthusiastic reading of the collaboration, which here takes the form of a union of Bowie's dramatic instincts and Eno's unshakable sonic serenity". The Village Voice critic Robert Christgau was less receptive to Eno's contributions, particularly the second side's instrumentals, saying that they are "interesting background" but "merely noteworthy as foreground, admirably rather than attractively ragged", in comparison to "their counterparts on Low". In the Voices annual Pazz & Jop critics poll, "Heroes" finished 21st in the voting for 1977's top album. Aftermath Upon completion of his promotional appearances for "Heroes", Bowie flew to New York to record narration for an adaptation of Sergei Prokofiev's classical composition Peter and the Wolf, which was released as an album in May 1978. Bowie later said that it was a Christmas present for his son, Duncan Jones, then 7 years old. Afterwards, Bowie returned to Switzerland, where he was approached by director David Hemmings to appear in his upcoming film Just a Gigolo. Bowie agreed to the project due to wanting to work with Hemmings, whom he called "a real actor's director", the idea of starring in a film set in pre-Holocaust Berlin, and after learning actress Marlene Dietrich would be coming out of her almost two-decade-long retirement to star in the film. Shooting began in January 1978 and was troublesome: Bowie filed for divorce during shooting and Dietrich refused to leave her Paris apartment. Thus, the two never met and their scenes were shot separately and spliced together for the finished product. Released in February 1979, Just a Gigolo was panned by both critics and audiences. Bowie himself was critical of the film, calling it "my 32 Elvis Presley movies rolled into one" in an interview with NME. After filming his scenes for Just a Gigolo in February 1978, Bowie began rehearsals for an upcoming tour. The Isolar II world