Traslación, Pahalík, and the Pabihis, the Pasindí ("lighting") or lighting of votive candles is another popular devotion, as is the decades-old, reverential custom of creeping on one's knees down the main aisle towards the altar and image. The Friday of each week in the year (except Good Friday, the image's liturgical commemoration) is colloquially known in Metro Manila as "Quiapo Day", since the novena for the image is held on this day nationwide. As with Wednesday (which is comparably called "Baclaran Day"), this day is associated with heavy traffic around the basilica due to the influx of devotees and pilgrims. The attached Nazarene Catholic School (formerly the Quiapo Parochial School) reflects the devotion of school authorities; its official newsletter is likewise named "The Nazarene", with pupils called "Nazareñans." The largest annual procession for the Black Nazarene is the January 9 Traslación procession on the Feast of the Black Nazarene, attracting millions of Catholic devotees, who try to touch or get their towel wiped by the image carriers on the image to attain its blessings and power. Along with Santo Niño (Child Jesus), it is the most popular object of devotion in the Philippines. In 2011, over six million Catholic devotees flocked to the Feast of the Black Nazarene. Music The hymn Nuestro Padre Jesús Nazareno was composed by National Artist of the Philippines, Lucio San Pedro to honour the image. It is used by the basilica as the official anthem to the image and associated rites. The image is also prominently featured on the front cover of Pabasa books, a Lenten manual hymn commemorating the life and Passion of Jesus Christ. Claims of indigenous idolatry According to Jaime Laya, the devotional worship of the image is a modernized form of cultural indigenous idolatry, declaring that it may be a continuation of possibly pre—Christianized local ritual practices where indigenous Filipinos of the old religions are widely known to physically revere sacred objects by tangible pious touching (Filipino: “Hipo”). Elizabeth Pisares also states that this is a revised idolatry of pre—colonial times, and suggests its link with social disparities among Filipinos. In contrast, according to the rector of the basilica, Father José Clemente Ignacio, the procession and overall devotion is not idolatry but a cultural reflection of the "Filipino trait to want to wipe, touch, kiss, or embrace sacred objects if possible", and that it is belief in "the presence of the