Squat Theatre (1977–1991) was a Hungarian theatre company from Budapest which left Hungary for Paris and then New York City, where they performed experimental theatre. History Living in Paris in 1977, a friend of the company, Tamas Szentjoby, suggested that they change the name from Kassák Haz Studió to Squat Theatre. The first play was created for a Western audience: Pig, Child, Fire! It was set in a storefront in Rotterdam, a setting that became their trademark. After touring Nancy, France, Shiraz, Baltimore, Paris, the company arrived at the Hotel Chelsea in July, they settled in New York City. Several members left the company in 1985 when they lost the lease to their space on 23rd Street including Anna Koós, Péter Halász, Eric Daille, and Agnes Santha. The rest of the company continued until 1991, Squat Theatre's last play was Full Moon Killer, 1991, performed at The Kitchen in New York City. Founding members The six founding members of Squat Theatre (shown left to right in the 1976 Paris photograph) are Peter (Breznyik) Berg, Marianne Kollar (3rd), Péter Halász, Anna Koós, Stephan Balint and Eva Buchmuller. Other members of Squat Theatre were: Eric Daillie, Agnes Santha, Klara Palotai, Eszter Balint, Boris Major, Rebecca Major, and Judith Galus Halasz. Important contributing actors were Sheryl Sutton, Sandi Fiddler, Kathleen Kendall, Nico, Yossi Gutmann (viola), Shirley Clarke, Richard Leacock, August Darnell, Mark Boone Junior, Sue Williams, Jane Smith, Larry Solomon, Ivan Jakovits and Jan Gontarczyk. Boris and Rebecca Major are the daughters of János Major. Originally, the company was known as Kassák Haz Studió and was located at Uzsoki-utca 57, Budapest. For political and aesthetic reasons, the company emigrated to Paris and then to the United States. In 1969 Anna Koós, Péter Halász and Stephan Balint from the University Theatre of Budapest created an independent theatre group called Kassák Haz Studió. In 1972 they were censored by the Hungarian authorities for "political and esthetic radicalism", and banned from performing in public. In the next four years they wrote 36 performance events: plays, sketches and improvisations. These were shown in apartments, staircases, streets, beaches, and in the countryside. "Manifesto" by István Bálint (Stephan Balint) on behalf of Studio Kassak was published in Schmuck, Hungary, March–April, 1973 issue. Audiences The building at 256 West 23rd Street had a large window on the sidewalk with a street entrance this provided the possibility of having two audiences,