magnet gap, to improve conduction cooling, significantly improving power handling. If all other conditions remain constant, the area of the voice coil windings is proportional to the power handling of the coil. Thus a 100 mm diameter voice coil, with a 12 mm winding height has similar power handling to a 50 mm diameter voice coil with a 24 mm winding height. In 'underhung' voice coil designs (see below), the coil is shorter than the magnetic gap, a topology that provides consistent electromotive force over a limited range of motion, known as Xmax. If the coil is overdriven it may leave the gap, generating significant distortion and losing the heat-sinking benefit of the steel, heating rapidly. Many hi-fi, and almost all professional low frequency loudspeakers (woofers) include vents in the magnet system to provide forced-air cooling of the voice coil. The pumping action of the cone and the dustcap draws in cool air and expels hot air. This method of cooling relies upon cone motion, so is ineffective at midrange or treble frequencies, although venting of midranges and tweeters does provide some acoustic advantages. In the earliest loudspeakers, voice coils were wound onto paper bobbins, which was appropriate for modest power levels. As more powerful amplifiers became available, alloy 1145 aluminium foil was widely substituted for paper bobbins, and the voice coils survived increased power. Typical modern hi-fi loudspeaker voice coils employ materials which can withstand operating temperatures up to 150°C, or even 180°C. For professional loudspeakers, advanced thermoset composite materials are available to improve voice coil survival under severe simultaneous thermal (<300°C) and mechanical stresses. Aluminium was widely used in the speaker industry due to its low cost, ease of bonding, and structural strength. When higher power amplifiers emerged, especially in professional sound, the limitations of aluminium were exposed. It rather efficiently but inconveniently transfers heat from the voice coil into the adhesive bonds of the loudspeaker, thermally degrading or even burning them. Motion of the aluminium bobbin in the magnetic gap creates eddy currents within the material, which further increase the temperature, hindering long-term survival. In 1955 DuPont developed Kapton, a polyimide plastic film which did not suffer from aluminium's deficiencies, so Kapton, and later Kaneka Apical were widely adopted for voice coils. As successful as these dark brown plastic films were for most hi-fi voice coils, they also had some less attractive properties, principally their cost, and