"sacred landscape", evoked in a late poem, "Amor Loci". Until he was fifteen he expected to become a mining engineer, but his passion for words had already begun. He wrote later: "words so excite me that a pornographic story, for example, excites me sexually more than a living person can do." Education Auden attended St Edmund's School, Hindhead, Surrey, where he met Christopher Isherwood, later famous in his own right as a novelist. At thirteen he went to Gresham's School in Holt, Norfolk; there, in 1922, when his friend Robert Medley asked him if he wrote poetry, Auden first realised his vocation was to be a poet. Soon after, he "discover(ed) that he (had) lost his faith" (through a gradual realisation that he had lost interest in religion, not through any decisive change of views). In school productions of Shakespeare, he played Katherina in The Taming of the Shrew in 1922, and Caliban in The Tempest in 1925, his last year at Gresham's. A review of his performance as Katherina noted that despite a poor wig, he had been able "to infuse considerable dignity into his passionate outbursts". His first published poems appeared in the school magazine in 1923. Auden later wrote a chapter on Gresham's for Graham Greene's The Old School: Essays by Divers Hands (1934). In 1925, he went up to Christ Church, Oxford, with a scholarship in biology; he switched to English by his second year, and was introduced to Old English poetry through the lectures of J. R. R. Tolkien. Friends he met at Oxford include Cecil Day-Lewis, Louis MacNeice, and Stephen Spender; these four were commonly though misleadingly identified in the 1930s as the "Auden Group" for their shared (but not identical) left-wing views. Auden left Oxford in 1928 with a third-class degree. Auden was reintroduced to Christopher Isherwood in 1925 by his fellow student A. S. T. Fisher. For the next few years Auden sent poems to Isherwood for comments and criticism; the two maintained a sexual friendship in intervals between their relations with others. In 1935–39 they collaborated on three plays and a travel book. From his Oxford years onward, Auden's friends uniformly described him as funny, extravagant, sympathetic, generous, and, partly by his own choice, lonely. In groups he was often dogmatic and overbearing in a comic way; in more private settings he was diffident and shy except when certain of his