execution. Engraved upon the pouch was a Latin inscription: Comes meus fuit in illo miserrimo tempore ("It was my companion at that most miserable time"). Raleigh's head was embalmed and presented to his wife. His body was to be buried in the local church in Beddington, Surrey, the home of Lady Raleigh, but was finally laid to rest in St. Margaret's, Westminster, where his tomb is presently located. "The Lords", she wrote, "have given me his dead body, though they have denied me his life. God hold me in my wits." It has been said that Lady Raleigh kept her husband's head in a velvet bag until her death. After Raleigh's wife's death 29 years later, his head was removed to his tomb and interred at St. Margaret's Church. Although Raleigh's popularity had waned considerably since his Elizabethan heyday, his execution was seen by many, both at the time and since, as unnecessary and unjust, as for many years his involvement in the Main Plot seemed to have been limited to a meeting with Lord Cobham. One of the judges at his trial later said: "The justice of England has never been so degraded and injured as by the condemnation of the honourable Sir Walter Raleigh." Works Poetry Raleigh's poetry is written in the relatively straightforward, unornamented mode known as the plain style. C. S. Lewis considered Raleigh one of the era's "silver poets", a group of writers who resisted the Italian Renaissance influence of dense classical reference and elaborate poetic devices. His writing contains strong personal treatments of themes such as love, loss, beauty, and time. Most of his poems are short lyrics that were inspired by actual events. In poems such as "What is Our Life" and "The Lie", Raleigh expresses a contemptus mundi (contempt of the world) attitude more characteristic of the Middle Ages than of the dawning era of humanistic optimism. But his lesser-known long poem "The Ocean's Love to Cynthia" combines this vein with the more elaborate conceits associated with his contemporaries Edmund Spenser and John Donne, expressing a melancholy sense of history. The poem was written during his imprisonment in the Tower of London. Raleigh wrote a poetic response to Christopher Marlowe's "The Passionate Shepherd to His Love" of 1592, entitled "The Nymph's Reply to the Shepherd". Both were written in the style of traditional pastoral poetry and follow the structure of six four-line