Australia, Canada, Poland and the United Kingdom. The song was also a platinum hit in Denmark, Switzerland, and Belgium. On December 16, 2022, RCA released the soundtrack album to Houston's featured film biopic, titled, I Wanna Dance with Somebody (The Movie: Whitney New, Classic and Reimagined), to every digital download platform all over the world. The soundtrack includes reimagined remixes of some of Houston's classics and several newly discovered songs such as Houston's cover of CeCe Winans' "Don't Cry" (labeled as "Don't Cry for Me" on Houston's soundtrack) at the Commitment to Life AIDS benefit concert in Los Angeles in January 1994, remixed by house producer Sam Feldt. Artistry Houston possessed a spinto soprano vocal range, and was referred to as "The Voice" in reference to her vocal talent. Jon Pareles of The New York Times stated Houston "always had a great big voice, a technical marvel from its velvety depths to its ballistic middle register to its ringing and airy heights". In 2023, Rolling Stone ranked Houston as the second greatest singer of all time, stating, "The standard-bearer for R&B vocals, Whitney Houston possessed a soprano that was as powerful as it was tender. Take her cover of Dolly Parton’s “I Will Always Love You,” which became one of the defining singles of the 1990s; it opens with her gently brooding, her unaccompanied voice sounding like it’s turning over the idea of leaving her lover behind with the lightest touch. By the end, it’s transformed into a showcase for her limber, muscular upper register; she sings the title phrase with equal parts bone-deep feeling and technical perfection, turning the conflicted emotions at the song’s heart into a jumping-off point for her life’s next step." Matthew Perpetua of Rolling Stone also acknowledged Houston's vocal prowess, enumerating ten performances, including "How Will I Know" at the 1986 MTV VMAs and "The Star-Spangled Banner" at the 1991 Super Bowl. "Whitney Houston was blessed with an astonishing vocal range and extraordinary technical skill, but what truly made her a great singer was her ability to connect with a song and drive home its drama and emotion with incredible precision", he stated. "She was a brilliant performer and her live shows often eclipsed her studio recordings." According to Newsweek, Houston had a four-octave range. Elysa Gardner of the Los Angeles Times in her review for The Preacher's Wife Soundtrack highly praised Houston's vocal ability,