script record" for $5 million. He was also given another $5 million to direct. Disney decided to release Unbreakable under their Touchstone Pictures banner. It also helped Shyamalan establish his own production company, Blinding Edge Pictures. Julianne Moore was cast as Audrey, David's wife, in January 2000, but dropped out in March 2000, to take on the role of Clarice Starling in Hannibal. Robin Wright Penn was cast in her place. Principal photography began on April 25, 2000 and ended that July. The majority of filming took place in Philadelphia, Pennsylvania, the film's setting. Shyamalan and cinematographer Eduardo Serra chose several camera angles to simulate the look of a comic book panel. Various visual narrative motifs were also applied. Several scenes relating to the Mr. Glass character involve glass. As a newborn, he is primarily seen reflected in mirrors, and as a young child, he is seen reflected in a blank TV screen. When he leaves his calling card on the windshield of David Dunn's car, he is reflected in a glass frame in his art gallery. Jackson requested his walking stick be made of glass to make his character more menacing. Using purple as Mr. Glass' color to David Dunn's green was also Jackson's idea. Mr. Glass' wig was modeled after Afro-American statesman Frederick Douglass. As he does in his other films, Shyamalan makes a cameo appearance; he plays a man David suspects of dealing drugs inside the stadium. Shyamalan said that he wanted to market Unbreakable as a comic book movie, but Disney—which had not yet bought Marvel Comics—preferred to advertise it as a supernatural thriller like The Sixth Sense. More than 15 minutes of footage was deleted during post-production of Unbreakable. These scenes are available on the DVD release. Willis and Jackson had previously worked together on Die Hard with a Vengeance, Pulp Fiction, and Loaded Weapon 1. Soundtrack James Newton Howard was approached by Shyamalan to work on Unbreakable immediately after scoring The Sixth Sense. "He sat there and storyboarded the whole movie for me", Howard said. "I've never had a director do that for me." Shyamalan wanted a "singularity" tone for the music. "He wanted something that was very different, very distinctive, that immediately evoked the movie when people heard it," Howard explained. Howard and Shyamalan chose to simplify the score, and minimized the number of instruments (strings, trumpets and piano), with limited orchestrations. It