After some remixing and additional songs at Virgin's behest, Mummer, the first product of the studio-bound XTC, appeared in August 1983. Virgin did little to promote the album and delayed its release by several months. At number 58, it was their lowest-charting album to date. The one single that did chart, "Love on a Farmboy's Wages", did find significant airplay on BBC Radio 1. It was the first of a handful of XTC songs written over the years that reflected their poor financial state. Virtually every contemporary review of Mummer accused the band of falling out of touch with the contemporary music climate. Journalist Serene Dominic retrospectively wrote that the album was seen as "something of a disappointment at the time of release ... [It was] devoid of silly songs like 'Sgt. Rock' that had heretofore been the band's stock-in-trade and didn't rock out until the last song, 'Funk Pop a Roll.' ... Mummer signaled a strange rebirth for XTC." Moulding thought that "when we came back from America after our aborted tour of 1982 ... people like Spandau Ballet had moved onto the scene; new groups were coming up and there was no place for us." Mojo journalist Chris Ingham summed up the period: "In 18 months, XTC had gone from Top 10 hits and critical superlatives to being ignorable, arcane eccentrics. Partridge later said "Your average English person probably thinks we split up in 1982". The Big Express and 25 O'Clock XTC released the 1983 holiday single "Thanks for Christmas" under the pseudonym Three Wise Men. It was produced by David Lord, owner of Crescent Studios in Bath, and they subsequently negotiated a deal that allowed them to work as much as they wanted on their next album at his studio. Some of the album was recorded using a Linn LM-1 Drum Computer, and extensive time was spent on its programming. Partridge envisioned the work as "industrial pop" inspired by Swindon, a "railway town". The result, The Big Express, returned the group to a brighter and uptempo sound marked by studio experimentation and denser arrangements, setting a template that they would develop on subsequent albums. He jokingly referred to some parts of the album as the only time the group were befallen with stereotypical 1980s-style production. It was released in October 1984, reaching a higher chart position than Mummer, but was "virtually ignored" by critics. Virgin invested £33,000