and global fusion are nearly synonymous with the genre term worldbeat, and though these are considered subgenres of popular music, they may also imply universal expressions of the more general term world music. In the 1970s and 80s, fusion in the jazz music genre implied a blending of jazz and rock music, which is where the misleading assumption is rooted. Precursors Millie Small released "My Boy Lollipop" in 1964. Small's version was a hit, reaching number 2 both in the UK Singles Chart and in the US Billboard Hot 100. In the 1960s, Miriam Makeba and Hugh Masekela had popular hits in the USA. In 1969 Indian musician Ravi Shankar played sitar at the Woodstock festival. In the 1970s, Manu Dibango's funky track "Soul Makossa" (1972) became a hit, and Osibisa released "Sunshine Day" (1976). Fela Kuti created Afrobeat and Femi Kuti, Seun Kuti and Tony Allen followed Fela Kuti's funky music. Salsa musicians such as José Alberto "El Canario", Ray Sepúlveda, Johnny Pacheco, Fania All-Stars, Ray Barretto, Rubén Blades, Gilberto Santa Rosa, Roberto Roena, Bobby Valentín, Eddie Palmieri, Héctor Lavoe and Willie Colón developed Latin music. The Breton musician Alan Stivell pioneered the connection between traditional folk music, modern rock music and world music with his 1972 album Renaissance of the Celtic Harp. Around the same time, Stivell's contemporary, Welsh singer-songwriter Meic Stevens popularised Welsh folk music. Neo-traditional Welsh language music featuring a fusion of modern instruments and traditional instruments such as the pibgorn and the Welsh harp has been further developed by Bob Delyn a'r Ebillion. Lebanese musical pioneer Lydia Canaan fused Middle-Eastern quarter notes and microtones with anglophone folk, and is listed in the catalog of the Rock and Roll Hall of Fame and Museum's Library and Archives as the first rock star of the Middle East. Popular genres Although it primarily describes traditional music, the world music category also includes popular music from non-Western urban communities (e.g. South African "township" music) and non-European music forms that have been influenced by other so-called third-world musics (e.g. Afro-Cuban music). The inspiration of Zimbabwe's Thomas Mapfumo in blending the Mbira (finger Piano) style onto the electric guitar, saw a host of other Zimbabwean musicians refining the genre, none more successfully than The Bhundu Boys. The Bhundu Jit music hit Europe with some force in 1986, taking Andy Kershaw and John Peel fully under its spell. For many years, Paris