of wine, without harming the community ... but now they have the same right to speak as a Nobel Prize winner. It's the invasion of the idiots." From the Tree to the Labyrinth: Historical Studies on the Sign and Interpretation (2014). Numero Zero was published in 2015. Set in 1992 and narrated by Colonna, a hack journalist working on a Milan newspaper, it offers a satire of Italy's kickback and bribery culture as well as, among many things, the legacy of Fascism. Influences and themes A group of avant-garde artists, painters, musicians and writers, whom he had befriended at RAI, the Neoavanguardia or Gruppo '63, became an important and influential component in Eco's writing career. In 1971, Eco co-founded Versus: Quaderni di studi semiotici (known as VS among Italian academics), a semiotic journal. VS is used by scholars whose work is related to signs and signification. The journal's foundation and activities have contributed to semiotics as an academic field in its own right, both in Italy and in the rest of Europe. Most of the well-known European semioticians, including Eco, A. J. Greimas, Jean-Marie Floch, and Jacques Fontanille, as well as philosophers and linguists like John Searle and George Lakoff, have published original articles in VS. His work with Serbian and Russian scholars and writers included thought on Milorad Pavić and a meeting with Alexander Genis. Beginning in the early 1990s, Eco collaborated with artists and philosophers such as Enrico Baj, Jean Baudrillard, and Donald Kuspit to publish a number of tongue-in-cheek texts on the imaginary science of 'pataphysics. Eco's fiction has enjoyed a wide audience around the world, with many translations. His novels are full of subtle, often multilingual, references to literature and history. Eco's work illustrates the concept of intertextuality, or the inter-connectedness of all literary works. Eco cited James Joyce and Jorge Luis Borges as the two modern authors who have influenced his work the most. Eco was also a translator: he translated into Italian Raymond Queneau's Exercices de style (1947). Eco's translation was published under the title Esercizi di stile in 1983. He was also the translator of Sylvie, a novella by Gérard de Nerval. Critical reception and legacy As an academic studying philosophy, semiotics, and culture, Eco divided critics as to whether his theorizing should be seen as brilliant or an unnecessary vanity project obsessing over minutiae, while his fiction writing stunned critics with its