is mixed to the forefront; it's too well-arranged to be cacophonous, but there's a degree of sensory overload, especially given the band's newfound tendency to blast synthesizers in our faces. ... whether or not this album holds up for you depends on how much you like the band's boisterous side." It became the highest album they had in the charts since 1982's English Settlement, rising to number 28 in the UK and number 44 in the US. Additionally, it combined with Skylarking for the group's best-selling albums to date. "Mayor of Simpleton" reached number 46 in the UK and number 72 in the US, making it their only American single to chart. To support the album, XTC embarked on an acoustic-guitar American radio tour that lasted for two weeks in May. The shows were carried out without financial compensation for the band. Gregory commented that it was an "interesting" style of promotion, but "incredibly hard work", as the band performed at about four radio stations a day for three weeks: "We also did a live acoustic set for MTV in front of an audience which worried Andy a bit but he got through it." This inspired the network to invite more artists to perform stripped-down sets, calling the series "unplugged". XTC's performance of "King for a Day" on Late Night with David Letterman marked the first time the group played in front of a live audience in seven years. A similar acoustic tour was planned for Europe, but cancelled when Partridge discovered that the Paris date would be broadcast from a sold-out 5,000 seater venue. After an unsuccessful attempt was made to coax Partridge back into regular touring, they took a short break. Partridge produced And Love for All (1990), the third album by the Lilac Time, and compered for an unbroadcast children's game show named Matchmakers. Gregory played for Johnny Hates Jazz, Marc Almond and Francesco Messina whilst producing for Cud. Moulding performed a special event concert with David Marx and the Refugees, a Swindon-based band that reunited him with Barry Andrews. Tarquin Gotch, who served as XTC's manager for a short time, helped the band reach a legal settlement with Ian Reid in 1989. However, they were again left with a six-figure debt. Virgin Records advanced the group enough money to cover their debt in exchange for the promise of four additional albums. Having written more than two