from around 1969 it is a reasonable assumption that hers was that second hand. Another claim is that it is adapted from a speech given by Doreen Valiente at a dinner sponsored by the Witchcraft Research Association and mentioned in volume one (1964) of the Pentagram, a United Kingdom pagan newsletter then being published. Valiente did publish a poem The Witches Creed in her 1978 book, "Witchcraft for Tomorrow", which contains some similar concepts. Dating the Rede According to Don Frew, Valiente composed the couplet, following Gardner's statement that witches "are inclined to the morality of the legendary Good King Pausol, 'Do what you like so long as you harm none'"; he claims the common assumption that the Rede was copied from Crowley is misinformed, and has resulted in the words often being misquoted as "an it harm none, do what thou wilt" instead of "do what you will". Thompson's attribution of the Long Rede to her grandmother has been disputed, since Adriana Porter died in 1946, well before Gerald Gardner published The Old Laws, and no evidence for Porter's authorship exists other than Thompson's word. The poem refers to Wiccan concepts that, though ostensibly very old, have not been proven to pre-date the 1940s. Its attribution to Porter may have formed part of Thompson's claim to be an hereditary witch. Its precise origin has yet to be determined. Adrian Bott, in an article written in White Dragon magazine, 2003, argues that the Long Rede's creation can be placed somewhere between 1964 and 1975. Bott bases his argument on the alleged misuse of archaic English in the poem, in particular of " an' " as an abbreviation of "and", and of "ye" instead of "the". Bott states that the author of the poem was evidently unaware that this contraction of "and" is not an archaic, but a modern convention. According to Bott, in the "eight words" couplet originally cited by Valiente, "an'" is used correctly, in the Middle English sense of " 'in the event that', or simply 'if' " (as in the Shakespearean "an hadst thou not come to my bed") and thus has no apostrophe. In the poem, this has been transformed into an abbreviated "and" and given an apostrophe, with every "and" in the poem's additional lines then being written " an' " as if to match. Accordingly, Bott concludes that the poem was an attempt to