Giovani Cini, Giovanni Maria Padovano. In the Renaissance period, portrait tombstones and medals were highly valued (e.g. marle tomb of Albertas Goštautas, 1548, by B. Z. da Gianotti, tomb of Povilas Alšėniškis, 1555, by G. Cini, both located in the Vilnius Cathedral). The works of Italian sculptors are characterized by a naturalistic treatment of forms, precise proportions, tectonicity, a realistic representation of the deceased. The local sculptors took over only the iconographic scheme of the Renaissance tomb; their works (e.g. tomb of Lew Sapieha, ca. 1633, at Church of St. Michael) are characterized by conditionality of forms, stylization. During this period local and Western European painters created religious, mythologic compositions, portraits, which were intertwined with late Gothic and Baroque features. Illustrated prayer books illustrations and miniatures have survived. The Baroque period which began in the late 16th century was exceptional for Vilnius as wall painting blossomed in the city. Most of the palaces and churches were decorated with frescoes characterized by bright colors, sophisticated angles and dramatism style. Also during this period the secular painting spread – representational, imaginative, epitaph portraits, scenes of battles, politically important events. It is characterized by detailed realistic style. This period sculptures dominated in the sacred architecture (tombstones with sculptural portraits, exterior and interior decorative sculptures), made of wood, marble and stucco. Italian sculptors (e.g. G. P. Perti, G. M. Galli, A. S. Capone) were exceptionally important in the 17th century Grand Duchy's sculptures development and were invited there by the Lithuanian nobility. Their works are characterized by the features of mature baroque: expressiveness of forms, sensuality, atectonic composition (e.g. sculptural decor of the Church of St. Peter and St. Paul). The local sculptors emphasized the decorative features of the baroque, and the expressiveness and emotionality of the baroque was less characteristic in their works. At the late 18th and 19th centuries, the Lithuanian painting was largely influenced by the Vilnius Art School which introduced manifestations of Classicism art and later of Romanticism art. The painters had internships abroad, mainly in Italy. Painting of allegorical, mythological compositions, landscapes, portraits of representatives of various circles of society was begun; historical themes prevailed. The most famous Classicism painters from this time are Franciszek Smaglewicz, Jan Rustem, Józef Oleszkiewicz, , Józef Peszka, Wincenty Smokowski. While the Romanticism art is characterized by Jan Rustem, Jan Krzysztof Damel, Wincenty Dmochowski and Kanuty Rusiecki works. After the closure of Vilnius University