house important collections of Morris's work and decorative items commissioned from Morris & Co. The William Morris Gallery in Walthamstow, England, is a public museum devoted to Morris's life, work and influence. The William Morris Society is based at Morris's final London home, Kelmscott House, Hammersmith, and is an international members society, museum and venue for lectures and other Morris-related events. The Art Gallery of South Australia is "fortunate in holding the most comprehensive collection of Morris & Co. furnishings outside Britain". The collection includes books, embroideries, tapestries, fabrics, wallpapers, drawings and sketches, furniture and stained glass, and forms the focus of two published works (produced to accompany special exhibitions). The former "green dining room" at the Victoria and Albert Museum is now its "Morris Room". The V&A's British Galleries house other decorative works by Morris and his associates. One of the meeting rooms in the Oxford Union, decorated with the wallpaper in his style, is named the Morris Room. Wightwick Manor in the West Midlands, England, is a notable example of the Morris & Co. style, with lots of original Morris wallpapers, fabrics, carpets, and furniture, May Morris art and embroidery, De Morgan tiles, and Pre-Raphaelite works of art, managed by the National Trust. Standen in West Sussex, England, was designed by Webb between 1892 and 1894 and decorated with Morris carpets, fabrics and wallpapers. The illustrator Edward Linley Sambourne chose to decorate his London family home 18 Stafford Terrace with many Morris & Co wallpapers, which have been preserved and can still be seen today. Morris's homes Red House and Kelmscott Manor have been preserved. Red House was acquired by the National Trust in 2003 and is open to the public. Kelmscott Manor is owned by the Society of Antiquaries of London and is open to the public. The Huntington Library, Art Collections and Botanical Gardens in San Marino, California, acquired the collection of Morris materials amassed by Sanford and Helen Berger in 1999. The collection includes stained glass, wallpaper, textiles, embroidery, drawings, ceramics, more than 2000 books, original woodblocks, and the complete archives of both Morris, Marshall, Faulkner & Co. and Morris & Co. These materials formed the foundation for the 2002 exhibition William Morris: Creating the Useful and the Beautiful and 2003 exhibition The Beauty of Life: William Morris and the Art of Design and accompanying publication. A Greater London Council blue plaque at Red House