of various noteworthy Los Angeles bands including the Weirdos, also sat in on drums for a time. The band's first live performance was at the Orpheum Theater, a 99-seat venue on the Sunset Strip in then-unincorporated area West Hollywood, California (later the location of Book Soup). Smear recalled: "We made noise. Darby stuck the mic in a jar of peanut butter. It was a dare, we had no songs or anything! Lorna wore her pants inside out, and Darby covered himself in red licorice... we made noise for five minutes until they threw us off". The Germs initially drew musical influences from Iggy Pop, David Bowie, Ramones, the Runaways, Sex Pistols, and New York Dolls. Early on, Smear was the only musically experienced member; Doom survived early performances by sliding a finger up and down the fretboard of her bass while Rhia generally kept a minimal beat on the bass drum, periodically bashing a cymbal. Early performances were usually marked by raucous crowds made up of the band's friends. As a result, their gigs became notorious for being rowdy and usually verged on a riot. Recordings The first single, "Forming", was recorded on a Sony two-track reel-to-reel recorder in Smear's family garage, and arrived back from the pressing plant with the note, "Warning: This record causes ear cancer", printed on the sleeve by the plant staff, much to the band's displeasure. It was released in July 1977 on the What? label. The single featured a shambolic but serviceable performance on the A-side and a muddy live recording of "Sexboy" on the B-side, recorded at the Roxy for the Cheech and Chong movie, Up in Smoke. The song was not used in the movie, nor was the band. They were the only band not to receive a call-back to perform live for the film's "Battle of the Bands" sequence, perhaps due to the fact that the Germs' chaotic Roxy performance had featured an unscripted, full-on food fight. The Germs, despite most expectations, developed a sound that was highly influential. Throughout their career, they had a reputation as a chaotic live band. Crash often arrived onstage nearly incoherent from drugs, singing everywhere but into the microphone and taunting the audience between songs, yet nevertheless, delivered intense theatrical and increasingly musical performances. The other band members prided themselves on similar problems, with many contemporary reviews citing collapses, incoherence and drunken vomiting onstage. Fans