masterpiece in Paris, I puritani. Only nine months later, Bellini died in Puteaux, France at the age of 33. Catania: early life Born in Catania, at the time part of the Kingdom of Sicily, the eldest of seven children in the family, he became a child prodigy within a highly musical family. His grandfather, Vincenzo Tobia Bellini, had studied at the conservatory in Naples and, in Catania from 1767 forward, had been an organist and teacher, as had Vincenzo's father, Rosario. An anonymous twelve-page hand-written history, held in Catania's Museo Civico Belliniano, states that he could sing an aria by Valentino Fioravanti at eighteen months, that he began studying music theory at two years of age and the piano at three. By the age of five, he could apparently play "marvelously". The document states that Bellini's first five pieces were composed when he was just six years old and "at seven he was taught Latin, modern languages, rhetoric, and philosophy". Bellini's biographer Herbert Weinstock regards some of these accounts as no more than myths, not being supported from other, more reliable sources. Additionally, he makes the point in regard to Bellini's apparent knowledge of languages and philosophy: "Bellini never became a well-educated man". One critic, Stellios Galatopoulos, deliberates the "facts" presented in the précis, but also provides a reliable source for these compositions, Galatopoulos expresses some skepticism regarding the young Bellini's child prodigy status. After 1816, Bellini began living with his grandfather, from whom he received his first music lessons. Soon after, the young composer began to write compositions. Among them were the nine Versetti da cantarsi il Venerdi Santo, eight of which were based on texts by Metastasio. By 1818 Bellini had independently completed several additional orchestral pieces and at least two settings of the Mass Ordinary: one in D Major, the other in G Major, both of which survive and have been commercially recorded. He was ready for further study. For well-off students, this would include moving to Naples. While his family wasn't wealthy enough to support that lifestyle, Bellini's growing reputation could not be overlooked. His break came when Stefano Notabartolo, the duca di San Martino e Montalbo and his duchess, became the new intendente of the province of Catania. They encouraged the young man to petition the city fathers for a stipend to support his musical studies. This was successfully achieved in May 1819 with unanimous