45 reviews, with an average score of 8.90/10. The site's critical consensus reads: "Wild Strawberries were never so bittersweet as Ingmar Bergman's beautifully written and filmed look at one man's nostalgic journey into the past." On Metacritic, the film has a weighted average score of 88 out of 100 based on 17 critic's reviews, indicating "universal acclaim". Awards and honors The film won the Golden Bear for Best Film and the FIPRESCI Prize at the 8th Berlin International Film Festival, "Best Film" and "Best Actor" at the Mar del Plata Film Festival and won the Golden Globe Award for Best Foreign Film in 1960. The Film was nominated for a BAFTA Award in Best Film From Any Source category in 1959. It was also nominated for an Academy Award for Original Screenplay, but the nomination was refused by Bergman. The film won the Pasinetti Award at 1958 Venice Film Festival. It won the Bodil Award for Best European Film in 1959 and the Nastro d'Argento for Best Non-Italian Film in 1960. The film is included on the Vatican Best Films List, recommended for its portrayal of a man's "interior journey from pangs of regret and anxiety to a refreshing sense of peace and reconciliation". Influence Wild Strawberries influenced the Woody Allen films Stardust Memories (1980), Another Woman (1988), Crimes and Misdemeanors (1989), and Deconstructing Harry (1997). In Stardust Memories, the film's plot is similar in that the protagonist, filmmaker Sandy Bates (Woody Allen), is attending a viewing of his films, while reminiscing about and reflecting on his life and past relationships and trying to fix and stabilize his current ones, which are infused with flashbacks and dream sequences. In Another Woman, the film's main character, Marion Post (Gena Rowlands), is also accused by friends and relatives of being cold and unfeeling, which forces her to reexamine her life. Allen also borrows several tropes from Bergman's film, such as having Lynn (Frances Conroy), Post's sister-in-law, tell her that her brother Paul (Harris Yulin) hates her and having a former student tell Post that her class changed her life. Allen has Post confront the demons of her past via several dream sequences and flashbacks that reveal important information to a viewer, as in Wild Strawberries. In Crimes and Misdemeanors, Allen made reference to the scene in which Isak watches his family have dinner. In Deconstructing Harry, the plot (a writer going on