Indecent Proposal (1993), Last Action Hero (1993), Malice (1994), Dolores Claiborne (1995), and Extreme Measures. Most of these movies were by Castle Rock. He was credited on several other movies: Year of the Comet (1992), which was eventually filmed by Castle Rock, but was not a success; the biopic Chaplin (1992), directed by Richard Attenborough; Maverick (1994), a popular hit; The Chamber (1996), from a novel by John Grisham; The Ghost and the Darkness (1996), an original script based on a true story; Absolute Power (1997) for Clint Eastwood; and The General's Daughter (1999), from the novel by Nelson DeMille. Later career Goldman wrote another volume of memoirs, Which Lie Did I Tell? (2000), and a collection of his essays, The Big Picture: Who Killed Hollywood? and Other Essays (2001). His later screenplay credits include Hearts in Atlantis (2001) and Dreamcatcher (2003), both from novels by Stephen King. He adapted Misery into a stage play, which made its debut on Broadway in 2015 in a production starring Bruce Willis and Laurie Metcalf. His script for Heat was filmed again as Wild Card (2015), starring Jason Statham. Critical reception In their feature on Goldman, IGN said, "It's a testament to just how truly great William Goldman is at his best that I actually had to think hard about what to select as his 'Must-See' cinematic work". The site described his script for All the President's Men as a "model of storytelling clarity... and artful manipulation". Art Kleiner, writing in 1987, said, "William Goldman, a very skilled storyteller, wrote several of the most well-known films of the past 18 years—including Marathon Man, part of All the President's Men, and Butch Cassidy and the Sundance Kid." Three of Goldman's scripts have been voted into the Writers Guild of America hall-of-fame's 101 Greatest Screenplays list. In his book evaluating Goldman's work, William Goldman: The Reluctant Storyteller (2014), Sean Egan said Goldman's achievements were made "without ever lunging for the lowest common denominator. Although his body of work has been consumed by millions, he has never let his populism overwhelm a glittering intelligence and penchant for upending expectation." Self-appraisal In 2000, Goldman said of his writing: Goldman also said of his work: "I [don't] like my writing. I wrote a movie called Butch Cassidy and the Sundance Kid and I wrote a novel called The Princess Bride and those are the only two things I've