Kander. Kander, also an alumnus of Oberlin, was working on his PhD in music, and the Goldman brothers wrote the libretto for his dissertation. Kander was the composer of more than a dozen musicals, including Cabaret and Chicago, and all three of them eventually won Academy Awards. On June 25, 1956, Goldman began writing his first novel The Temple of Gold, completing it in less than three weeks. He sent the manuscript to agent Joe McCrindle, who agreed to represent him; McCrindle submitted the novel to Knopf, who agreed to publish it if he doubled the length. It sold well enough in paperback to launch Goldman on his career. He wrote his second novel Your Turn to Curtsy, My Turn to Bow (1958) in a little more than a week. It was followed by Soldier in the Rain (1960), based on Goldman's time in the military. It sold well in paperback and was turned into a film, though Goldman had no involvement in the screenplay. Theater work Goldman and his brother received a grant to do some rewriting on the musical Tenderloin (1960). They then collaborated on their own play, Blood, Sweat and Stanley Poole (1961), and on the musical, A Family Affair (1962), written with John Kander. Both plays had short runs. Goldman began writing Boys and Girls Together, but found that he suffered writer's block. His writer's block continued, but he had an idea for the novel No Way to Treat a Lady (1964) based on the Boston Strangler. He wrote it in two weeks, and it was published under the pseudonym Harry Longbaugh—a variant spelling of the Sundance Kid's real name, which Goldman had been researching since the late 1950s. He then finished Boys and Girls Together, which became a best seller. Screenwriter Cliff Robertson read an early draft of No Way to Treat a Lady and hired Goldman to adapt the short story Flowers for Algernon for the movies. Before he had even finished the script, Robertson recommended him to do some rewriting on the spy spoof Masquerade (1965), in which Robertson was starring. Goldman did that, then finished the Algernon script. Robertson disliked it, though, and hired Stirling Silliphant, instead, to work on what became Charly (1968). Producer Elliot Kastner had optioned the film rights to Boys and Girls Together. Goldman suggested that Kastner make a film of the Lew Archer novels of Ross Macdonald