of witchcraft among themselves and entire royal families, which then led to further preoccupation with the fear of prominent Muscovite witchcraft circles. After the Time of Troubles, seventeenth-century Muscovite rulers held frequent investigations of witchcraft within their households, laying the groundwork, along with previous tsarist reforms, for widespread witchcraft trials throughout the Muscovite state. Between 1622 and 1700 ninety-one people were brought to trial in Muscovite courts for witchcraft. Although Russia did partake in the witch craze that swept across Western Europe, the Muscovite state did not persecute nearly as many people for witchcraft, let alone execute a number of individuals anywhere close to the number executed in the west during the witch hysteria. Contemporary witchcraft beliefs worldwide A 2022 study found that belief in witchcraft is still widespread in some parts of the world. It found that belief in witchcraft varied from 9% of people in some countries to 90% in others, and was linked to cultural and socioeconomic factors. Stronger belief in witchcraft correlated with poorer economic development, weak institutions, lower levels of education, lower life expectancy, lower life satisfaction, and high religiosity. It contrasted two hypotheses about future changes in witchcraft belief: witchcraft beliefs should decline "in the process of development due to improved security and health, lower exposure to shocks, spread of education and scientific approach to explaining life events" according to standard modernization theory "some aspects of development, namely rising inequality, globalization, technological change, and migration, may instead revive witchcraft beliefs by disrupting established social order" according to literature largely inspired by observations from Sub-Saharan Africa. Witches in art Witches have a long history of being depicted in art, although most of their earliest artistic depictions seem to originate in Early Modern Europe, particularly the Medieval and Renaissance periods. Many scholars attribute their manifestation in art as inspired by texts such as , a demonology-centered work of literature, and , a "witch-craze" manual published in 1487, by Heinrich Kramer and Jacob Sprenger. , a ninth-century text that explored the subject of demonology, initially introduced concepts that would continuously be associated with witches, such as their ability to fly or their believed fornication and sexual relations with the devil. The text refers to two women, Diana the Huntress and Herodias, who both express the duality of female sorcerers. Diana was described as having a heavenly body and as the "protectress of childbirth and fertility" while Herodias