in the Glass Chain utopian expressionist correspondence under the pseudonym "Mass." Usually more notable for his functionalist approach, the Monument to the March Dead, designed in 1919 and executed in 1920, indicates that expressionism was an influence on him at that time. In 1923, Gropius designed his famous door handles, now considered an icon of 20th-century design and often listed as one of the most influential designs to emerge from Bauhaus. Gropius designed the new Bauhaus Dessau school building in 1925–26 on commission from the city of Dessau. He collaborated with Carl Fieger, Ernst Neufert and others within his private architectural practice. He also designed large-scale housing projects in Berlin, Karlsruhe and Dessau in 1926–32 that were major contributions to the New Objectivity movement, including a contribution to the Siemensstadt project in Berlin. Gropius left the Bauhaus in 1928 and moved to Berlin. Hannes Meyer took over the role of Bauhaus director. His work was also part of the architecture event in the art competition at the 1932 Summer Olympics. Post-Bauhaus (1933–1945) The rise of Hitler in the 1930s would soon drive Gropius out of Germany. Before that, however, he did accept an invitation in early 1933 to compete for the design of the new Reichsbank building and submitted a detailed plan. With the help of the English architect Maxwell Fry, Gropius was able to leave Nazi Germany in 1934, on the pretext of making a temporary visit to Italy for a film propaganda festival; he then fled to Britain to avoid the fascist powers of Europe. He lived and worked in the artists' community associated with Herbert Read in Hampstead, London, as part of the Isokon group with Fry and others for three years, before moving on to the United States with his family. Gropius and his second wife, Ise Gropius, arrived in the United States in February 1937, while their twelve-year-old daughter, Ati, finished the school year in England. Though built in 1938, the Gropiuses believed their house could embody architectural qualities similar to those practiced today, such as simplicity, economy, and aesthetic beauty. In designing his house, Gropius used the approach developed at the Bauhaus. The house the Gropiuses built for themselves in Lincoln, Massachusetts (now known as Gropius House), was influential in bringing International Modernism to the U.S., but Gropius disliked the term: "I made it a point to absorb into my own conception those features