simultaneous complexity and popularity. In his 1980 review of The Role of the Reader, philosopher Roger Scruton, attacking Eco's esoteric tendencies, writes that, "[Eco seeks] the rhetoric of technicality, the means of generating so much smoke for so long that the reader will begin to blame his own lack of perception, rather than the author’s lack of illumination, for the fact that he has ceased to see." In his 1986 review of Faith in Fakes and Art and Beauty in the Middle Ages, art historian Nicholas Penny, meanwhile, accuses Eco of pandering, writing "I suspect that Eco may have first been seduced from intellectual caution, if not modesty, by the righteous cause of ‘relevance’ (a word much in favour when the earlier of these essays appeared) – a cause which Medievalists may be driven to embrace with particularly desperate abandon." At the other end of the spectrum, Eco has been praised for his levity and encyclopedic knowledge, which allowed him to make abstruse academic subjects accessible and engaging. In a 1980 review of The Name of the Rose, literary critic and scholar Frank Kermode refers to Theory of Semiotics, as "a vigorous but difficult treatise", finding Eco's novel, "a wonderfully interesting book – a very odd thing to be born of a passion for the Middle Ages and for semiotics, and a very modern pleasure." Gilles Deleuze cites Eco's 1962 book The Open Work approvingly in his seminal 1968 text Difference and Repetition, a book which poststructuralist philosopher Jacques Derrida is said to have also taken inspiration from. In an obituary by the philosopher and literary critic Carlin Romano, meanwhile, Eco is described as having "[become], over time, the critical conscience at the center of Italian humanistic culture, uniting smaller worlds like no one before him." In 2017, a retrospective of Eco's work was published by Open Court as the 35th volume in the prestigious Library of Living Philosophers, edited by Sara G. Beardsworth and Randall E. Auxier, featuring essays by 23 contemporary scholars. Honors Following the publication of The Name of the Rose in 1980, Eco was awarded the Strega prize in 1981, Italy's most prestigious literary award, receiving the Anghiari prize the same year. The following year, he received the Mendicis prize, and in 1985 the McLuhan Teleglobe prize. In 2005, Eco was honoured with the Kenyon Review Award for Literary Achievement, along with Roger Angell. In 2010,