the original designs of the stage elements were animated with modern video technology and synchronized with the music according to the preparatory notes of Kandinsky and the director's script of Felix Klee. In another episode with Münter during the Bavarian abstract expressionist years, Kandinsky was working on his Composition VI. From nearly six months of study and preparation, he had intended the work to evoke a flood, baptism, destruction, and rebirth simultaneously. After outlining the work on a mural-sized wood panel, he became blocked and could not go on. Münter told him that he was trapped in his intellect and not reaching the true subject of the picture. She suggested he simply repeat the word uberflut ("deluge" or "flood") and focus on its sound rather than its meaning. Repeating this word like a mantra, Kandinsky painted and completed the monumental work in a three-day span. Signature style Wassily Kandinsky's art has a confluence of music and spirituality. With his appreciation for music of his times and kinesthetic disposition, Kandinsky's artworks have a marked style of expressionism in his early years. But he embraced all types of artistic styles of his times and his predecessors i.e. Art Nouveau (sinuous organic forms), Fauvism and Blaue Reiter (shocking colours), Surrealism (mystery) and Bauhaus (constructivism) only to move towards abstractionism as he explored spirituality in art. His object-free paintings display spiritual abstraction suggested by sounds and emotions through a unity of sensation. Driven by the Christian faith and the inner necessity of an artist, his paintings have the ambiguity of the form rendered in a variety of colours as well as resistance against conventional aesthetic values of the art world. His signature or individual style can be further defined and divided into three categories over the course of his art career: Impressions (representational element), Improvisations (spontaneous emotional reaction), Compositions (ultimate works of art). As Kandinsky started moving away from his early inspiration from Impressionism, his paintings became more vibrant, pictographic and expressive with more sharp shapes and clear linear qualities. But eventually, Kandinsky went further; rejecting pictorial representation with more synesthetic swirling hurricanes of colours and shapes, eliminating traditional references to depth, laying out bare and abstracted glyphs; but what remained consistent was his spiritual pursuit of expressive forms. Emotional harmony is another salient feature in the later works of Kandinsky. With diverse dimensions and bright hues balanced through a careful juxtaposition of proportion