impossible for the characters to have authenticity. Every member of both gangs was always a potential killer even then. Now they actually will be. Only Tony and Maria try to live in a different world". In August 2009, some of the lyrics for "A Boy Like That" ("Un Hombre Asi") and "I Feel Pretty" ("Me Siento Hermosa"), which were previously sung in Spanish in the revival, were changed back to the original English. The Spanish lyrics sung by the Sharks in the "Tonight" (Quintet) remained in Spanish. The cast featured Matt Cavenaugh as Tony, Josefina Scaglione as Maria, and Karen Olivo as Anita. Olivo won the Tony Award for Best Featured Actress, while Scaglione was nominated for the award for Leading Actress. The cast recording won the Grammy Award for Best Musical Show Album. In July 2010, the producers reduced the size of the orchestra, replacing five musicians with an off-stage synthesizer. The production closed on January 2, 2011, after 748 performances and 27 previews. The revival sold 1,074,462 tickets on Broadway over the course of nearly two years and was a financial success. 2020 Broadway revival A Broadway revival of West Side Story began previews on December 10, 2019, and officially opened on February 20, 2020, at the Broadway Theatre. It was directed by Ivo van Hove, with choreography by Anne Teresa De Keersmaeker and was produced by Scott Rudin, Barry Diller and David Geffen. The cast included Shereen Pimentel as Maria, Isaac Cole Powell as Tony, Amar Ramasar as Bernardo, Thomas Jay Ryan as Lt. Schrank and Yesenia Ayala as Anita. Scenic and lighting design were by Jan Versweyveld, with costumes by An d'Huys. The production cut the song "I Feel Pretty" and trimmed the book to one hour and forty-five minutes (with no intermission). The setting was "loosely updated to the present", and direction was "determined to snuff out any lightness that might temper the full-blown tragedy to come". The original balletic, finger snapping choreography was replaced by swaggering, hip-hop and latin-influenced dancing. The set consisted mostly of large screens featuring video, several cast members carried iPhones, and the Jets were not all white. Some theatergoers felt that the set turned the theatre into a cinema, but critic Charles McNulty argued that it wove technology into a multimedia "performance work that defies our usual vocabulary". The production also drew criticism for its casting of Ramasar, who had