a novel about Hollywood, Tinsel (1979), which sold well. He wrote two more films for Levine, The Sea Kings and Year of the Comet, but did not write a third. He did a script about Tom Horn; Mr. Horn (1979), was filmed for TV. Goldman was the original screenwriter for the film version of Tom Wolfe's novel The Right Stuff; director Philip Kaufman wrote his own screenplay without using Goldman's material, because Kaufman wanted to include Chuck Yeager as a character; Goldman did not. He wrote a number of other screenplays around this time, including The Ski Bum; a musical adaptation of Grand Hotel (1932) that was going to be directed by Norman Jewison; and Rescue, the story of the rescue of Electronic Data Systems employees during the Iranian Revolution. None were made into films. Adventures in the Screen Trade and the "Leper Period" After several of his screenplays were not filmed, Goldman found himself in less demand as a screenwriter. He published a memoir about his professional life in Hollywood, Adventures in the Screen Trade (1983), which summed up the entertainment industry in the opening sentence of the book, "Nobody knows anything." He focused on novels: Control (1982), The Silent Gondoliers (1983), The Color of Light (1984), Heat (1985), and Brothers (1986). The latter, a sequel to Marathon Man, was Goldman's last published novel. Return to Hollywood Goldman attributed his return to Hollywood to signing with talent agent Michael Ovitz at Creative Artists Agency. He went to work on Memoirs of an Invisible Man, although he left the project relatively early. Hollywood's interest in Goldman was reawakened; he wrote the scripts for film versions of Heat (1986) and The Princess Bride (1987). The latter was directed by Rob Reiner for Castle Rock, which hired Goldman to write the screenplay for Rob Reiner's 1990 adaptation of Stephen King's novel Misery, considered "one of [King's] least adaptable novels". The movie, for which Kathy Bates received an Academy Award, performed well with critics and at the box office. Goldman continued to write nonfiction regularly. He published a collection of sports writing, Wait Till Next Year (1988) and an account of his time as a judge at both the Cannes Film Festival and the Miss America Pageant, Hype and Glory (1990). Goldman began to work steadily as a "script doctor", doing uncredited work on films including Twins (1988), A Few Good Men (1992),