the New German Cinema era. Much of the distinctive cinematography in his movies is the result of a long-term collaboration with Dutch cinematographer Robby Müller. Paris, Texas and Wings of Desire were the result of collaborations with avant-garde authors Sam Shepard and Peter Handke. Handke's novel The Goalie's Anxiety at the Penalty Kick was adapted for Wenders's second feature film, The Goalkeeper's Fear of the Penalty. Handke co-wrote the script for Wings of Desire. Wenders has directed several highly acclaimed documentaries, most notably Buena Vista Social Club (1999), about Cuban musicians, and The Soul of a Man (2003), on American blues. He also directed a documentary-style film on the Skladanowsky brothers, known in English as A Trick of the Light. The Skladanowsky brothers were inventing "moving pictures" when several others like the Lumière brothers and William Friese-Greene were doing the same. Buena Vista Social Club and his documentaries on Pina Bausch, Pina, and Sebastiao Salgado, The Salt of the Earth, received nominations for the Academy Award for Best Documentary Feature. Wenders has also directed many music videos for groups such as U2 and Talking Heads, including "Stay (Faraway, So Close!)" and "Sax and Violins". His television commercials include a UK advertisement for Carling Premier Canadian beer. Wenders's book Emotion Pictures, a collection of diary essays written as a film student, was adapted and broadcast as a series of plays on BBC Radio 3, featuring Peter Capaldi as Wenders, with Gina McKee, Saskia Reeves, Dennis Hopper, Harry Dean Stanton and Ricky Tomlinson, dramatised by Neil Cargill. In 2015, Wenders collaborated with artist/journalist and longtime friend Melinda Camber Porter on a documentary feature about his body of work, Wim Wenders – Visions on Film, when Porter died. The film remains incomplete. Wenders is a member of the advisory board of World Cinema Foundation. The project was founded by Martin Scorsese and aims to find and reconstruct world cinema films that have been neglected. As of 2015 he served as a Jury Member for the digital studio Filmaka, a platform for undiscovered filmmakers to show their work to industry professionals. In 2011, Wenders was selected to stage the 2013 cycle of Richard Wagner's Der Ring des Nibelungen at the Bayreuth Festival. The project fell through when he insisted on filming in 3-D, which the Wagner family found too costly and disruptive. In 2012, while promoting his 3-D dance film Pina, Wenders told the