Another one of her short stories, "Mata Indah", was included in the lesbian-themed anthology (An Evening in Paris); other writers in the anthology included Seno Gumira Ajidarma, Ucu Agustin, and Noor. In 2010, Ng, Agus Noor, and Eka Kurniawan established the Fiksimini community on Facebook as a way to critique each other's work, later branching out to Twitter. the community, with approximately 70,000 followers, allows writers, both professional and aspiring, to tweet an idea within the 140-character technical limitations of the software which could make the reader think. On 1 July 2011, Ng published Ramuan Drama Cinta (Love Potion Drama), and in November she released Dongeng Sekolah Tebing (Fairytales from the School on the Cliff), a collection of 53 stories about children who attend a school on a cliff. Aside from writing novels and short stories, she also writes children's books, a genre that she entered due to a lack of Indonesian-language works. , Ng has written 21 such books in three series: Berbagi Cerita Berbagi Cinta (Sharing Stories, Sharing Love; started in 2006 and numbering seven books), Sejuta Warna Pelangi (A Million Colours of the Rainbow; started in 2007 and numbering nine books), and Bagai Bumi Berhenti Berputar (As If the Earth Stopped Rotating; started in 2008 and numbering five books). Style Ng's main characters are generally female. These characters generally do not hold the same employment; some occupations held by her characters include office worker, animal nursery employee, and automotive repair shop owner. Her children's stories are written simply, illustrated, and deal with children's feelings; they are intended to give children more empathy. The characters' names are chosen to be easy to remember. Reception Ng has received several awards. Her 2006 children's story Rambut Pascal (Pascal's Hair, from the Berbagi Cerita series) won an Adhikarya Award for Best Children's Book from the Indonesian Publishers Association (, or IKAPI). The following year she won the same award for Sejuta Warna Pelangi. Another followed suit in 2008 for Jangan Bilang Siapa-Siapa (does not Tell Anybody). A. Junaidi, writing for The Jakarta Post, notes that Gerhana Kembar was well received by Indonesia's LGBT community as it did not link homosexuality to negative issues like drug use. Ng notes that her children's stories have been generally well-received. However, some educators disagree with the lack of an explicit moral message; Ng argues that her books have multiple interpretations: those by children and those