George Gershwin "I Got Rhythm" (1930) Jerry Lee Lewis' "Great Balls of Fire" (1957) The Everly Brothers' "All I Have to Do Is Dream" (1958) The Shirelles' "Will You Love Me Tomorrow" (1960) The Beach Boys' "Surfer Girl" (1963) Though more prevalent in the first half of the 20th century, many contemporary songs show similarity to the form, such as "Memory", from Cats, which features expanded form through the B and A sections repeated in new keys. Songwriters such as Lennon–McCartney and those working in the Brill Building also used modified or extended 32-bar forms, often modifying the number of measures in individual or all sections. The Beatles ("From Me to You" (1963) and "Yesterday" (1965)), like many others, would extend the form with an instrumental section, second bridge, break or reprise of the introduction, etc., and another return to the main theme. Introductions and codas also extended the form. In "Down Mexico Way" "the A sections… are doubled in length, to sixteen bars—but this affects the overall scheme only marginally". The theme tune of the long-running British TV series Doctor Who has, in some incarnations, followed 32 bar form. See also Bar form (AAB) Ternary form (ABA) References Further reading Appen, Ralf von / Frei-Hauenschild, Markus "AABA, Refrain, Chorus, Bridge, Prechorus — Song Forms and their Historical Development". In: Samples. Online Publikationen der Gesellschaft für Popularmusikforschung/German Society for Popular Music Studies e.V. Ed. by Ralf von Appen, André Doehring and Thomas Phleps. Vol. 13 (2015). Song forms Musical terminology Jazz terminology