Production. The tenth and final track on the album, "Gone", contrasts acoustic guitars with electronic elements. Soulful vocals give depth to such striking, cautionary lyrics as "Turn to stone, lose my faith, and I'll be gone." Artwork For the album artwork, Madonna wears a blue sequin shirt, embellished jeans, red high heels and a blue cowboy hat. In it, she faces the camera, while in the background a car and a house are seen. In other pictures from the same shoot, Madonna is photographed lying on a bed of hay and wearing a fringed, rhinestone encrusted cowboy shirt, embellished jeans, gold mules and a pink cowboy hat and tiara. The country was a constant theme throughout the design, as the album's title, which was a logo that simulated a buckle, showing the silhouette of a cowboy while riding a horse and a yellow background; the bright colors give a sharp contrast compared to the photograph. Photo sessions were conducted by Jean Baptiste Mondino, who had worked previously with the singer on photoshoots and music videos. According to Fouz-Hernández, the artwork is "a complete celebration to the field" western United States. He also added that it was "distinctly "camp", and notably Madonna's "combination of Western clothing with expensive shoes and bright red high heels". He pointed out that there was "a clear evocation of Judy Garland – a major gay icon – in the artwork". The art direction and design for the album were done by Kevin Reagan. The pictures were shot in Los Angeles, California, in April 2000. In an interview with CNN's Style with Elsa Klensch, Mondino said that he was the one who had the idea of the western themes for the album, and also stated: "[Madonna] wasn't sure at first, but I told her that if she didn't like it I won't charge her. But she loved the final result!". Madonna also decided to use her new country style during her public appearances for Musics promotion; including jeans, shirts and cowboy hats. On her next tour in 2001, Madonna included a segment based entirely on this ambient. Meanwhile, Fouz-Hernández explained that "in this appearance Madonna may be parodying and criticizing Country, which symbolizes among other things, the supremacy of the white man, the ambition of the European pioneers and the American Dream. However, we do not realize that while recognizing the importance that the country has in