solo towards the end of the track. Music and lyrics According to AllMusic, Madonna is a dance-pop and post-disco album, while Sal Cinquemani of Slant Magazine stated that the album's sound is "post-disco, post-punk dance." The overall sound of the album is dissonant, and is in the form of upbeat synthetic disco, using some of the new technology of the time, like the usage of Linn drum machine, Moog bass and the OB-X synthesizer. This equipment has dated since, consequently the sound of the album comes off as somewhat harsh. Madonna commented on her debut album: "The songs were pretty weak and I went to England during the recordings so I wasn't around... I wasn't in control. [...] I didn't realize how crucial it was for me to break out of the disco mold before I'd already finished the [first] album. I wish I could have got a little more variety there." The album starts with the song "Lucky Star", a medium-paced dance track, beginning with a sparkle of synth note and is followed by heavy beats of electronic drum and handclaps. A guitar is played in high riff and a bubbling bass synth is produced to accompany the guitar sound. The song revolves around the "Starlight, starbright" hook for more than a minute, before going to the chorus. According to author Rikky Rooksby, the lyrics are repetitive and inane, revolving around the transparent ambiguity of the stars, and juxtaposition of the male character with being a heavenly body in the sky. "Borderline" is a sentimental track, talking about a love that is never quite fulfilled. According to author Santiago Fouz-Hernández and his book Madonna's drowned worlds, the lyrics of the song like "Something in the way you love me won't let me be/I don't want to be your prisoner so baby won't you set me free" depicted a rebellion against male chauvinism. Madonna used a refined and expressive voice to sing the song, backed by Lucas's instrumentation. It opens with a keyboard rich intro and a catchy synth melody provided by Fred Zarr. Bass player Anthony Jackson doubled Dean Gant's synth bass to provide a solid and more complex texture. The chords in the song were inspired by Seventies disco sound in Philadelphia as well as Elton John's musical style during the mid-seventies. The chord sequences cite from Bachman–Turner Overdrive's song "You Ain't Seen Nothing Yet" while the synth