in the lyrics of the song "Wow", which is a song about the music business and show business in general. "Kashka from Baghdad", inspired by American detective series, is about the inhabitants of a town wondering about a couple living in an old house. Lionheart was the first Kate Bush album to feature Del Palmer, who played bass and had previously been in the KT Bush Band. Palmer went on to play bass, or to engineer and record on every subsequent Kate Bush album up to and including 50 Words for Snow (2011). He and Bush also had a long-term relationship between the late 1970s and early 1990s. Release The album was released in November 1978, the title being taken from side one's closing track "Oh England My Lionheart". The front cover shot depicts Bush in an attic wearing a lion outfit, which she described as being "slightly comical". The photographer was Gered Mankowitz. The lead single chosen was "Hammer Horror", which peaked at a low 44 in the UK (although fared better in many other countries). The album however performed well in the UK, peaking at No. 6. It remained on the chart well into 1979, its promotion being continued by the second single and Bush's UK tour. In total it spent 36 weeks on the chart and was certified Platinum by the BPI for sales of over 300,000, making it one of Bush's better-selling albums. The second single from the album was "Wow", which was released in early 1979. This fared better than the first, peaking at No. 14 in the UK and performing well in many other countries also. In some territories, "Symphony in Blue" was released instead. Around this time, Bush embarked on her first tour, which featured a number of songs from Lionheart – one of these ("Don't Push Your Foot on the Heartbrake") was included on the On Stage EP in September 1979. In the US, the album was initially unreleased following the failure of her debut. As Bush gained a cult following over the coming years however, Lionheart was belatedly released in 1984 following the entry into the charts of her fourth album The Dreaming. Critical reception Reception to the album was average, with the album almost universally being looked upon as an inferior version of her debut. NMEs Ian Penman wrote: "'Mature' lyrics sung in that twee irritating schoolgirl-siren voice [...] Actually