of House Rearden, and the Best Short Screenplay was given to David Shushan's Over the Line (And Far Away). The awards were given at the Writers Guild of America West in Los Angeles. The 2015 Screenplay Competition received a record-breaking 50% increase in submissions, with nearly 3,500 total submissions. Narrative Feature script The Delegation by Shane Andries was awarded the Best Narrative Feature and Grand Prize Award, Best Horror Screenplay was awarded to Speak of the Devil by Jesse J. Cook, Best Short Screenplay was awarded to Deep Storage by Susan Earl, and the Best Teleplay was awarded to Castle Rock by Jamie King. The awards were given at the Writers Guild of America West in Los Angeles for the second time. The 2016 Screenplay Competition received a record-breaking number of submissions, with 3,600 total scripts submitted. Narrative Feature script Great White Shark by Andrew Kightlinger was awarded the Best Narrative Feature and Grand Prize Award, Best Horror Screenplay was awarded to The Housesitter by Suju Vijayan, Best Short Screenplay was awarded to Conviction by Anju Andre-Bergmann, and Best Teleplay was awarded to Feral by Bryan Kett. The awards were given at the Writers Guild of America West in Los Angeles for the third time. Andrew Kightlinger has received representation from Principato-Young Entertainment and is currently in development on a new narrative feature which focuses on sex trafficking. The 2017 Screenplay Competition received over 3,000 submissions. Horror Feature "Day Shift" by Tyler Tice was awarded $2,000 for Best Horror Screenplay and $8,000 for the Grand Prize Award. Best Narrative Feature was awarded to Escher by Jason Kessler, Best Short Screenplay was awarded to The Clown-Faced Plumber by Frederick Jones, and Best Teleplay to Jackrabbit by David Schlow. The awards were given at the Writers Guild of America West in Los Angeles for the fourth time. Slamdance on the Road The Slamdance organization has established Slamdance on the Road, a traveling showcase supported by the festival and its filmmakers. On the Road brings popular Slamdance films to audiences that otherwise would not have the chance to see them and provide theatrical venues with an alternative film program experience. On the Road events usually take place in U.S. cities such as New York, Los Angeles, Austin, and Detroit, but have also traveled to countries like Canada, China, Poland, France, and Chile. Slamdance Cinema Club In 2015, as a further development of its