song. With all the bass and drum ting now, dem ting just start by accident, a man sing off key, an when you a reach a dat you drop out everything an leave the drum, an lick in the bass, an cause a confusion an people like it... Lee encouraged Tubby to mix increasingly wild dubs, sometimes including sound effects such as thunder claps and gunshots. In addition to King Tubby, dub mixers Prince Jammy and Philip Smart also worked extensively on Lee's productions, with most of Lee's dubs from 1976 onwards mixed by Jammy. In addition to dub sides and instrumentals, Lee would be one of the first producers to realise the potential of reusing the same rhythm tracks time and time again with different singers and deejays, partly out of necessity – unlike some of the other major producers Lee did not have his own studio and had to make the most of the studio time he paid for. The latter half of the 1970s saw Lee work with some of Jamaica's top new talent, including Linval Thompson, Leroy Smart, and Barry Brown. By 1977 Joe Gibbs and Channel One Studios with the Hookim Brothers became "the place to be", reducing Lee's prominence. However, during the late 1970s Lee produced almost every deejay, notably Dennis Alcapone, U-Roy, I-Roy, Prince Jazzbo, U Brown, Dr Alimantado, Jah Stitch, Trinity, and Tapper Zukie. Most of these were quick productions, usually to classic Studio One or Treasure Isle riddims. The aim was to get deejay versions on the street quickly and were usually voiced at Tubby's studio in the Waterhouse district of Kingston. In the early 1980s, Lee purchased Gibbs' studio in Duhaney Park, and continued producing, albeit on a less prolific basis than in the 1970s. In 1983, Lee produced the first album by future star Beenie Man, titled The Invincible Beany Man (The 10 Year Old D.J. Wonder). In March 2015 a fire at Lee's Gorgon Entertainment Studio destroyed equipment with a value estimated by Lee at JA$100 million. Recognition In 1982 an episode of the Channel 4 documentary series Deep Roots was dedicated to Lee. Filmed in the control room of King Tubby's studio, it included a lengthy conversation with him and some of the musicians he has worked with over the years including Delroy Wilson, Johnny Clarke, Prince Jazzbo and Jackie Edwards. It then shows Lee producing a