Approaches to Her Cultural Transformations, "Music" is a 'disco anthem, and the beat commands [the people] to get up and dance'. He also said that the song is an expression to her public and it is one of Madonna's catchiest singles of her career. The second track "Impressive Instant" is a club-savvy stomper marked by futuristic keyboard lines and vocals that darken from distorted, and robotic passages. Madonna claimed that the song was the hardest to write. Madonna sings, "I like to singy, singy, singy, like a bird on a wingy, wingy, wingy", with childlike abandon amid a vibrant, celebratory swirl of electronic keyboard riffs and thumpy dance beats. The third track, "Runaway Lover", is a trance/house rave track. It is one of Madonna's collaborations with William Orbit for the album. The following track, "I Deserve It", is an acoustic-framed track that is anchored by a hip-hop inflected groove. Madonna said the track "has the strangest juxtaposition of this folky, simple song and this high-tech, ominous synth line." The song lends weight to rich, introspective lyrics, such as the chorus lines: "Many miles, many roads I have traveled, fallen down of the way/Many hearts, many years have unraveled, leading up to today." "Amazing", the fifth track, is a vibrant tempo-shifter that opens with a soft, music-box-like keyboard/string flourish. The song has been compared by Madonna to "Beautiful Stranger" (1999), saying the reason she fought with her record company to cancel the release as a single was because of the similarity. The sixth track, "Nobody's Perfect", includes ethereal vocals and a dreamy keyboard. The following track and second single, "Don't Tell Me", was written by Joe Henry, Madonna's brother-in-law. He performed and released the track, originally named "Stop", on his 2001 album Scar. His wife Melanie sent a demo of the track to her sister, who liked it and recorded her version. It is framed by soft acoustic guitars and subtle keyboard lines. The eighth track and third single, "What It Feels Like for a Girl", comments on female role-playing in society. The following track, "Paradise (Not for Me)", has lyrics sung in French, and the lyric "I can't remember, when I was young, I can't explain if it was wrong" reflected an artistic palette, "encompassing diverse musical, textual and visual styles in its lyrics." Musically, it draws influence from Edith Piaf. The song was also included on Mirwais Ahmadzaï's album