The Lovell House or Lovell Health House is an International style modernist residence designed and built by Richard Neutra between 1927 and 1929. The home, located at 4616 Dundee Drive in the Los Feliz neighborhood of Los Angeles, California, was built for the physician and naturopath Philip Lovell. It is considered a major monument in architectural history, and was a turning point in Neutra's career. It is often described as the first steel frame house in the United States, and also an early example of the use of gunite (sprayed-on concrete). Neutra was familiar with steel construction due to his earlier work with the Chicago firm Holabird & Roche. Neutra served as the contractor for the project in order to manage the cost and quality. History Philip Lovell was enchanted with the house and praised his architect publicly. Lovell had previously commissioned architect Rudolf Schindler to build the landmark Lovell Beach House in 1926. Neutra and Schindler were contemporaries in Europe and the Neutras lived with the Schindlers (Schindler House) when they first settled in Los Angeles in 1925. Lovell chose Neutra instead of Schindler to build his Los Angeles home while they were living under the same roof. Neutra was known for his relationships with his clients—he thought of himself as a therapist and the client his patient. He spent time getting to know his clients and analyzed their needs. The Lovell House was purchased in 1961 by Morton and Betty Topper. It was added to the list of Registered Historic Places in Los Angeles in 1971. In 2021, art dealers Iwan and Manuela Wirth purchased the property for $8.75 million, "with plans to bring back its original lustre." Design The , three-story house aesthetically follows many of the principles of the International Style. It was included in the 1932 exhibit at the Museum of Modern Art in New York that retrospectively defined the style. In essence it reflects Neutra's interest in industrial production, and this is most evident in the repetitive use of factory-made window assemblies. In fact, Neutra's apprentice Harwell Hamilton Harris suggested that Neutra was drawn to America because of Henry Ford. The interior reflects Neutra's interest in Cubism, transparency, and hygiene. The "minimal" detailing shows the influence of Irving Gill. In another nod to industrial production, Neutra installed two Ford Model-A headlights in the main stairwell. (The headlights were provided by Neutra apprentice Gregory Ain.)