On September 28, 2000, Music debuted at number one on the Swedish Singles Chart, before falling out at number 52. Similarly in Switzerland, the album also peaked at number one, and spent 42 weeks fluctuating inside the chart. The album managed to sell 50,000 units in Poland in its first five days and was later certified with a platinum award from ZPAV for sales of 100,000 units. Music ended as the best-selling foreign album of 2000 in Poland. The album enjoyed success in Asia-Pacific countries. In Australia, Music peaked at number two on the ARIA Albums Chart failing to reach the top spot due to the success of The Games of the XXVII Olympiad: Official Music from the Opening Ceremony. The album was certified three times platinum by the Australian Recording Industry Association (ARIA), and was highlighted by ARIA as one of the biggest releases in their year-end report of 2000. In New Zealand, Music debuted and peaked at number two on October 8, 2000, staying on the chart for thirty-three weeks. The album debuted at number seven on the Oricon weekly album chart in Japan. The album was awarded at the Hong Kong Record Sales Award 2001 by the IFPI Hong Kong for becoming one of ten biggest-selling international album of the year. Legacy Tom Breihan of Stereogum, wrote that Music anticipated "a lot of things", while Madonna didn't invent any of these things, most of them had been just about "absent from mainstream pop music around the turn of the millennium". In his review, he added examples such as "thudding big-room" electro-house, "aggressive" vocal manipulation, "ecstatic" lyrical meaninglessness, acoustic guitars chopped up and refracted into unrecognizable shapes, joyous hedonism, robot voices and the half-ironic embrace of cowboy kitsch. Writing for the Grammy Awards, Zel McCarthy called this Madonna era as "a reminder of a less complicated time and a blueprint for our future", noting that Madonna could be analog and digital, acoustic or electronic. He particularly praised "Impressive Instant", describing it like "nothing anyone had heard before—20 years later, it still does." Joe Lynch from Billboard in the 20th anniversary of Music, called it "a key piece of 21st century dancefloor canon". The album was conceived in the time that America was divided, by music genres and also presented an ageing Madonna in an era dominated by newer artists focused in teen-pop and urban-style oriented music. Lynch praised