It reached the top-ten peaks in Austria, Canada, Netherlands, Finland, Germany, Italy, Spain, Sweden, Switzerland, the United Kingdom. In the United States, the song peaked at number eleven on the Hot 100. Its music video was directed by Matthew Rolston. The Power of Good-Bye" was released as a dual single with "Little Star" in the United Kingdom. "The Power of Good-Bye" also charted at number 91 as a standalone single. "Nothing Really Matters" was released as the album's sixth and final single on March 2, 1999. It became a top-ten hit in Canada, Finland, Italy, New Zealand and the United Kingdom. In the United States, it became Madonna's lowest-charting single on the Hot 100, peaking at number 93, but was a number-one hit on its dance chart. Its music video, directed by Johan Renck, was inspired by Arthur Golden's book Memoirs of a Geisha, and featured Madonna dressed as a geisha. Critical reception Ray of Light received universal acclaim from critics. Stephen Thomas Erlewine from AllMusic called it Madonna's "most adventurous record" and "most mature and restrained album." Paul Verna of Billboard commented: "Easily her most mature and personal work to date, Ray of Light finds Madonna weaving lyrics with the painstaking intimacy of diary entries and wrapping them in hymn-like melodies and instrumentation swathed in lush, melancholy ambience—with forays into classic house, trance, and even guitar pop. Of course, she balances the set's serious tone with chewy pop nuggets that allow her to flex her immeasurably widened vocal range to fine effect." He finished the review by calling the album "a deliciously adventurous, ultimately victorious effort from one of pop music's most compelling performers." Sal Cinquemani of Slant Magazine described the album as "one of the great pop masterpieces of the '90s" and stated that: "Its lyrics are uncomplicated but its statement is grand" and "Madonna hasn't been this emotionally candid since Like a Prayer". Rob Sheffield's review for Rolling Stone called the album "brilliant", but was critical of Orbit's production, saying that he doesn't know enough tricks to produce a whole album, and so becomes repetitive. "Until Simply Red enlist John Zorn, or Mariah Carey works with Tortoise," Stuart Maconie wrote in Q, "she remains the only pop aristocrat who's keeping her ears open." David Browne of Entertainment Weekly wrote: "For all her grapplings with self-enlightenment, Madonna seems more relaxed and less contrived than she's been in years,