Lydia Millet (born December 5, 1968) is an American novelist. Her 2020 novel A Children's Bible, was a finalist for the National Book Award for Fiction and named one of the ten best books of the year by the New York Times Book Review. She has been a finalist for the Pulitzer Prize and the Los Angeles Times Book Prize. Salon wrote of Millet's work, "The writing is always flawlessly beautiful, reaching for an experience that precedes language itself." Biography Millet was born in Boston, Massachusetts and raised in Toronto, Ontario, Canada, where she attended the University of Toronto Schools. She holds a Bachelor of Arts in interdisciplinary studies, with highest honors in creative writing, from the University of North Carolina at Chapel Hill and a master's degree from Duke University. Formerly married to Kieran Suckling, Millet lives in Tucson, Arizona with her two children. She holds a master's in environmental policy from Duke University's Nicholas School of the Environment and worked for Natural Resources Defense Council for two years before joining the Center for Biological Diversity in 1999 as a staff writer. Career Millet is best known for her dark sense of humor, stylistic versatility, and political bent. Her first book, Omnivores (1996), is a subversion of the coming-of-age novel, in which a young girl in Southern California is tormented by her megalomaniac father and invalid mother and finally sold in marriage to a real estate agent. Her second, George Bush, Dark Prince of Love (2000), is a political comedy about a trailer-park woman obsessed with the 41st American president. My Happy Life (2002) Brief but weighty, her third book, My Happy Life (2002), is a poetic, language-oriented work about a lonely misfit trapped in an abandoned hospital, who writes the poignant story of her life on the walls. It is narrated by, as the Village Voice glowing deems her, "an orphan cruelly mistreated by life who nevertheless regards her meager subsistence as a radiant gift." Despite the horrors that amount to her life, she still calls herself happy. Jennifer Reese of The New York Times Book Review commented on Millet's new approach to the treatment of the literary victim, saying "Millet has created a truly wretched victim, but where is the outrage? She has coolly avoided injecting so much as a hint of it into this thin, sharp and frequently funny novel; one of the narrator's salient characteristics