led to much lurid speculation in the French press that Bonnet had received bribes from Abetz, though no firm evidence has ever emerged to support the rumors. He was present in Adolf Hitler's entourage at the fall of Warsaw, and served as a translator for the German Führer. He returned to France in June 1940 following the German occupation and was assigned by Joachim von Ribbentrop to the embassy in Paris. Following Hitler's June 30 directive, Abetz was assigned by Ribbentrop the project of "safeguarding" all objects of art, public, private, and especially Jewish-owned. Abetz embarked on the job with enthusiasm and announced to the Wehrmacht that the embassy had been "charged with the seizure of French works of art... and with the listing and seizure of works owned by Jews." On 17 September 1940 Hitler allowed Einsatzstab Rosenberg into the game too and soon pushed Abetz out of the confiscation business. The Pétain government protested Abetz's undertakings in late October, but nothing could stop the German agencies. By the end of October so much material had accumulated at the Louvre that it was decided more space was needed. Ambassador to Vichy France In November 1940 Abetz was appointed to the German Embassy in Paris, in occupied France, at the age of 37 – a post he held until July 1944. He was also head of the French fifth columnists through Ribbentrop's special unit within the Foreign Service. He advised the German military administration in Paris and was responsible for dealings with the French Government now based at Vichy. In May 1941, he negotiated the Paris Protocols to expand German access to French military facilities. Otto Abetz was one of the few German functionaries who admired and respected von Ribbentrop. His primary objective was to secure complete collaboration from the French, through negotiations with Laval and Admiral Darlan. Abetz's function eventually evolved into becoming the catalyst for society, the arts, industry, education, and above all, propaganda. He assembled a team of journalists and academics. In addition to running the German embassy in Paris, Abetz acquired the Château de Chantilly in the countryside. He often entertained guests in both these places, living and working like a self-styled autocrat. One of the guests, the French writer Louis-Ferdinand Céline, jokingly referred to him as "King Otto I", and France as "the Kingdom of Otto". The Embassy was theoretically responsible for all political questions