Spike is the 12th studio album by the British rock singer and songwriter Elvis Costello, and his first since My Aim Is True without the Attractions, released on vinyl and compact disc as Warner Brothers 25848. It was his first album for the label and peaked at No. 5 on the UK Albums Chart. It also reached No. 32 on the Billboard 200 thanks to the single and his most notable American hit, "Veronica", which reached No. 19 on the Billboard Hot 100 and No. 1 on the US Modern Rock chart. In The Village Voices annual Pazz & Jop critics poll for the year's best albums, Spike finished at No. 7. Content In 1987, Costello began writing with Paul McCartney for the latter's Flowers in the Dirt album. They composed a dozen songs together, which showed up on multiple albums by McCartney and Costello. Two of those songs appear on this album, "Pads, Paws and Claws" and the hit single "Veronica". As his first album for a new label, in his own words Costello had the budget of "a small independent movie", and having in mind the blueprint for five different albums, decided to make all of them. He brought back his foil from King of America, T Bone Burnett, to facilitate the sessions and produce the album. Studio time was booked in four different locations: Ocean Way in Hollywood; Southland Studios in New Orleans; Windmill Lane Studios in Dublin; and AIR Studios in London. Four different groups of musicians were assembled in each location. Writing credits on the album are given to both Elvis Costello and Declan MacManus, Costello's birth name. The single "Veronica" peaked at No. 31 on the UK singles chart and at No. 19 in America, his best showing ever on the Billboard Hot 100. It also reached No.1 on the US Modern Rock chart. "This Town" was also released as a single but missed both of the main singles chart in both nations. An extended play single was also released for "Baby Plays Around", peaking at No. 65 in the UK. The second track, "Let Him Dangle", is a protest song opposing capital punishment, recounting the 1953 conviction and execution of Derek Bentley. The seventh track, "Tramp the Dirt Down", is a fiery lament, depicting Costello's anger at the Thatcher government and its effect on Britain's society. In the song, Costello expresses his desire