phases display her typical musical style. The third track "Burning Up" has a starker arrangement, brought about by bass, single guitar and Linn drum machine. The drum beats used in the song were reminiscent to the records of singer Phil Collins. It also incorporated electric guitars and the most state-of-the-art synthesizers of that time. The chorus is a repetition of the same three lines, while the bridge consists of a series of double entendres; the lyrics describing what Madonna is prepared to do for her lover, and that she is individualistic and shameless. The next track "I Know It" has a gentler swing to it and features music from piano, a saxophone, synth phrases while having an offbeat chord change. "Holiday" consists of a four-bar sequence, featuring instrumentation from guitars, electronic drums and handclaps from the Oberheim DMX, cowbell played by Madonna and a synthesized string arrangement. A side-by-side repetitive progression is achieved by making use of the chorus. Towards the end of the song, a change in the arrangement happens, where a piano break is heard. Lyrically, the song expresses the universal sentiment that everybody needs a holiday. In "Think of Me", Madonna warns her erring lover that he should pay her attention or else she would leave. The song consists of beats from the Linn drum machine and a saxophone interlude. "Physical Attraction" is a medium paced track, with synth bass, a guitar line, sounds of a brass and Madonna singing in a shrill voice, about the attraction between herself and a boy. The last song on the album is "Everybody", which starts with a heavily synthesized and spoken introduction, with Madonna taking a loud intake of breath. She displayed her bubblegum-pop like voice in the song, which was also doubletracked. Release and artwork The album was first released in the United States by Sire Records on July 27, 1983. It was originally slated to be titled Lucky Star, after the track of the same name. The original album cover was shot by photographer Edo Bertoglio and the sleeve designed by Madonna's friend Martin Burgoyne, but according to Seymour Stein, Madonna felt "it just wasn't iconic enough." The album was eventually titled simply Madonna, perhaps that this singular name could have star power. The album cover was shot by photographer Gary Heery and directed by Carin Goldberg. The front cover shows Madonna with short-cropped platinum hair, wearing a