also peaked at number two in the UK, seven in Austria and Australia, and ten in France and Germany. The second single, "Hollywood", released on July 3, 2003 in Europe and July 8, 2003 in the US, failed to chart in the Hot 100, becoming Madonna's first single in twenty years not to do so since "Burning Up" (1983). The song was a top five hit in Canada, Italy and the United Kingdom. "Nothing Fails" was released in October 26, 2003 as the third single, and backed with remixes of "Nobody Knows Me". It was a minor chart success, but did not match the success of previous singles from American Life, charting outside the top twenty in some countries. It peaked in the top ten in Canada and Spain. In late 2003, "Nothing Fails" was remixed as "Nothing Fails (Nevins Mix)" for Madonna's remix EP Remixed & Revisited. "Love Profusion", was the fourth and final single from the album, released on December 8, 2003. It peaked in the top ten only in Greece and Canada, her fifth top ten Canadian hit from the album and thirteenth top ten in-a-row. Also, it debuted and peaked at eleven on UK Singles Chart, becoming Madonna‘s fifth single, of fifty-six, to miss the top ten on that chart, and first since "One More Chance" (1996). The promotional releases, "Nobody Knows Me" and "Mother and Father", became very successful in American clubs, peaking at number four and number nine, respectively, on the US Hot Dance Club Songs chart. American Life became the first album to achieve seven top ten songs on this chart. Tour In 2003, Madonna collaborated with photographer Steven Klein for an art installation project called X-Static Process. The installation portrayed Madonna in different incarnations of her spiritual practices – from yogi, prophet, queen to freak and pole dancer. The publication was a worldwide success, leading to a number of exhibitions in New York, London, Paris, Düsseldorf, Berlin and Florence. After the exhibition was over, Madonna was inspired by the images from the exhibitions and decided to incorporate them into her then unplanned tour and asked Klein to help her with the task. She then began developing her sixth concert tour called Re-Invention World Tour. The poster released for the tour used one of the images from the installation project. It featured Madonna in a seventeenth-century-style dress, crawling on all fours towards the