spear-like points of it, as though they were arrows, at the wall of the prison-temple, thereby forming a series of steps up which he can easily walk to reach the girl's holding cell. The girl's keeper locks her cuffs, swallows the key, and steps out of the room, leaving the girl to be terrified by the imprisoned, fire-breathing dragon across the room from her. Buddy enters, but can not seem to break the lock; so he knocks on the door, and stands aside, picking up a nearby barrel: the keeper steps inside, and Buddy slams the barrel over the villain's head and body, dazing him. A swift kick in the pants, and the jailer coughs up the key. The brave little sailor frees the girl, but no sooner does he that than the bars entrapping the dragon rise and free the beast. At Buddy's direction, the girl leaps from the window to a waiting rickshaw beneath: Buddy, after enduring the dragon's flame on his behind, follows. As the vehicle speedily makes away, a throng of angry, spear-wielding people notice that their sacrifice is escaping! When their rickshaw breaks upon hitting a rock, the driver himself becomes the escape vehicle, off of which Buddy and the girl get, preferring to run. They come to a bridge of wooden planks, suspended by ropes tied to stakes. Once on the bridge, Buddy, the rescued girl at his side, severs the ropes with a saw; the two run across as the bridge just as surely as it falls, plank-by-plank, behind them. From one side of the valley, the angry people helplessly protest the escape as Buddy and the girl tease their pursuers. One such pursuer hurls his spear all the way across; dodging this, the two continue to tease, but the spear, imbued with malevolent life, turns about and pricks Buddy's rear end before falling, lifeless, to the ground. A victorious but dazed Buddy stares into the camera as the cartoon ends. Footage reused The opening scene, in which the ship sails towards the camera and fires her guns, is recycled for a cinematic sequence in 1935's Buddy's Theatre. Also the Mice play Yankee Doodle of the Drums was reused from It's Got Me Again!. References Schneider, Steve (1990). That's All Folks!: The Art of Warner Bros. Animation. Henry Holt & Co. Beck, Jerry and Friedwald, Will (1989): Looney Tunes and Merrie Melodies: A