the Visions of the Beast DVD. Although not listed on the record's release, the From Fear to Eternity album sleeve credits David Patchett with creating the Dance of Death cover. According to MusicRadar, Patchett asked for his name to be removed from the album's credits after the band decided to use an unfinished version of his design. The artwork was negatively received, with Sputnikmusic deeming it "terrible". Tim Bradstreet, best known for his contributions to The Punisher comics, created the cover of A Matter of Life and Death. Anthony Dry created the "El Dorado" and "The Final Frontier" radio promo covers, featuring Melvyn Grant's The Final Frontier Eddie in a comic book cover style. Various incarnations Iron Maiden, the first artwork featuring Eddie, originally created for a possible punk record, based on an American's head allegedly stuck to a Vietnamese tank. "Running Free", the band's first release to depict Eddie, painted after the album cover so his face was hidden to protect his identity. "Sanctuary", showing Eddie above Margaret Thatcher's corpse, wielding a knife. According to Riggs, the band's management censored the image themselves to gain publicity. "Women in Uniform", according to Riggs features Margaret Thatcher about to get "her own back" on Eddie. Killers, featuring Eddie with an axe and his victim clawing at his shirt. Based on a block of flats in which Riggs lived at the time, it contains several references to the band, such as the "Ruskin Arms" and "Charlotte the Harlot". "Twilight Zone", features Eddie's spirit reaching towards a woman through a mirror. According to Rod Smallwood, Iron Maiden's manager, the band were criticised as Eddie appeared to be attacking the woman. "Purgatory", depicts the devil's face crumbling away to reveal Eddie. Maiden Japan, shows Eddie with a samurai sword. The cover was painted at short notice as the original, featuring Eddie decapitating Paul Di'Anno, was withdrawn as the band were considering replacing him. The Number of the Beast, depicts Eddie controlling the Devil like a puppet, who, in turn, also controls a puppet Eddie, causing controversy with American evangelists. Originally painted for the "Purgatory" song, Smallwood withheld the artwork for the following album, deeming it too good for a single. "Run to the Hills", shows Eddie fighting Satan with a Native American tomahawk, a reference to the song itself. "The Number of the Beast", the single cover showing Eddie holding the devil's severed head,