film received negative reviews and has a "Rotten" rating of 32% on Rotten Tomatoes from 34 reviews with the consensus: "Detective Alex Cross makes his inauspicious cinematic debut in Kiss the Girls, a clunky thriller that offers few surprises". Stephen Holden of The New York Times said the film "is cut from the same cloth as The Silence of the Lambs, but the piece of material it uses has the uneven shape and dangling threads of a discarded remnant.... [It] begins promisingly, then loses its direction as the demand for accelerated action overtakes narrative logic". Holden writes of Morgan Freeman that he "projects a kindness, patience and canny intelligence that cut against the movie's fast pace and pumped-up shock effects. His performance is so measured it makes you want to believe in the movie much more than its gimmicky jerry-rigged [sic] plot ever permits". In the Chicago Sun-Times, Roger Ebert gave the film three and a half out of four stars and said, "David Klass, the screenwriter, gives Freeman and Judd more specific dialogue than is usual in thrillers; they sound as if they might actually be talking with each other and not simply advancing plot points.... [They] are so good, you almost wish they'd decided not to make a thriller at all - had simply found a way to construct a drama exploring their personalities". Rita Kempley of The Washington Post called the film "a tense, scary, perversely creepy thriller" and added that "David Klass ... blessedly deletes the graphic descriptions of torture and rape included in the novel. Unfortunately, he also neglects to include any explanation of Casanova's behavior. Otherwise Kiss the Girls does what it's supposed to do. A solid second film from director Gary Fleder, it's sure to set pulses racing and spines tingling". In the same newspaper, Desson Howe felt that "the movie ... operates on the crime-movie equivalent of automatic pilot. It takes off, flies and lands without much creative intervention". In the San Francisco Chronicle, Peter Stack thought "the story ... goes on too long. It has too many confusing plot twists and keeps losing energy. Blame it on Hollywood excess, or director Gary Fleder's uncertain hand. A cut of 15 minutes would have helped". He was more impressed by the film's stars, calling Morgan Freeman "compelling" and "a hero of extraordinary power that comes almost entirely from his unemotional, calculating calm", and