performance of "Faster Disco" with Patton on vocals, at a 1990 concert in Kaiserslautern, Germany. "Anne's Song" is one of three Mosley songs to have never been sung live by Patton, with the others being "Arabian Disco" and "New Beginnings", both from We Care a Lot. Touring and promotion After the album's release, Faith No More joined fellow funk metal/punk band Red Hot Chili Peppers on The Uplift Mofo Party Tour. Faith No More opened for the Red Hot Chili Peppers during the first two and a half months of the North American tour. Guitarist Jim Martin recalled: "We were travelling in a box van with no windows. We drove all the way to the east coast for the first show. Flea asked me if we liked to smoke weed. I said: ‘Yes’ and he said: ‘We're going to get along just fine’. We did something like 52 dates in 56 days." The band's future singer Mike Patton later became involved in several controversies and disputes with Anthony Kiedis, frontman of the Red Hot Chili Peppers. To further promote the album, Faith No More embarked on their first tour of the UK in 1988. Release history The album was originally released in April 1987 on vinyl and cassette. The album cover for this release is a centered ink splatter, with text to the extremes of the cover. The tape has a larger smear of the ink that looks more like a green spot. Bassist Billy Gould's initial idea was a red splatter, but the color was then changed at the request of the record label. The second release of this album was on November 15, 1996, through Slash/Uni Records, and also featured the centered ink splatter. The last North American release of this album was on October 17, 2000, through Slash/Rhino Records; they later released This Is It: The Best of Faith No More in 2003. This version has a close-up of the ink splatter with the wording a bit further from the edges. Reception The record has garnered positive reviews from music critics, although as with the band's previous studio effort We Care a Lot, some criticisms have been directed at vocalist Chuck Mosley. AllMusic stated that "the album is consistent and interesting, with Mosley's out-of-tune vocals being an acquired taste to most". In 1988, Neil Perry of Sounds Magazine referred to the album as "a breathtaking harmonisation of