so he snipped the "one, two, three" (leaving the "four") from Vee-Jay's mono and stereo masters. Except for those omissions, the order and contents of the album were untouched, resulting in a US album that bore the closest resemblance to a British Beatles LP until Revolver in 1966. Preparations for the LP's release continued in late June and early July 1963, including the manufacturing of masters and metal parts and the printing of 6,000 front covers. But, despite the claims of many older Beatles books and discographies that Introducing... The Beatles was first released on 22 July 1963, no documentation exists to confirm that the album was released at any time in 1963. A management shake-up at Vee-Jay, which included the resignation of the label's president Ewart Abner after he used company money to cover personal gambling debts, resulted in the cancellation of the release of Introducing... The Beatles and albums by Frank Ifield, Alma Cogan and a Jewish cantor. Version one Vee-Jay's financial problems forced it to take care of its most pressing debt first. Because the Beatles and Ifield were low priorities, the label chose not to report royalties on their sales. As a result, Transglobal declared its contract with Vee-Jay null and void on 8 August 1963. The next single, "She Loves You", was licensed by Transglobal to the Swan label of Philadelphia. On 14 December 1963, Billboard magazine mentioned that Capitol Records planned an all-out promotional campaign for the Beatles in the United States. Following that, the single "I Want to Hold Your Hand" was rush released on 26 December. On 7 January 1964, Vee-Jay's board of directors met for the first time since the single was released, and it discussed the Beatles' material it had in the vault. Desperate for cash, the board decided to release Introducing... The Beatles, even if it meant legal trouble in the future. Metal parts were already at Vee-Jay's three primary pressing plants, and 6,000 front covers were already printed. But it had no back cover prepared. So, as a stopgap, the label used a back cover slick made from one side of its standard inner sleeve, consisting of full-colour reproductions of the covers of 25 "other fine albums of significant interest". This cover is known by collectors as the "Ad Back" version and is highly sought. A second stopgap back cover was used when the "Ad Back" slicks were