John Treville Latouche (La Touche) (November 13, 1914, Baltimore, Maryland – August 7, 1956, Calais, Vermont) was a lyricist and bookwriter in American musical theater. Biography John Treville Latouche was born in Baltimore, Maryland. His family moved to Richmond, Virginia, when he was four months old. There he attended school, before going north to Columbia University. He became involved in music and theater, writing for the Varsity Show and joining the Philolexian Society. He did not graduate. In 1937 Latouche contributed two songs in the revue Pins and Needles. For the show Sing For Your Supper (1939), he wrote the lyrics for "Ballad for Uncle Sam", later retitled "Ballad for Americans", with music by Earl Robinson. It was featured at both the 1940 Republican Convention and the convention of the American Communist Party, and was extremely popular in 1940s America. This 13-minute cantata to American democracy was written for a soloist and as well a full orchestra. When performed on the CBS Radio network by singer Paul Robeson, it became a national success. Subsequently, both Robeson and Bing Crosby regularly performed it. Actor and singer Brock Peters also made a notable recording of the cantata. Latouche provided the lyrics for Vernon Duke's songs (including, with Ted Fetter, "Taking A Chance On Love") for the musical Cabin in the Sky (1940). He also wrote lyrics for Duke's musical Banjo Eyes (1941), which starred Eddie Cantor. He appeared as The Gangster in the experimental film Dreams That Money Can Buy (1947). He returned to music, writing the lyrics for the song "The Girl With the Pre-Fabricated Heart" (music by Louis Applebaum), which accompanies a sequence conceived by French artist Fernand Léger. Latouche wrote the book and lyrics for The Golden Apple (1954) with music by Jerome Moross; it won the New York Drama Critics' Circle Award for Best Musical. In 1955 he provided additional lyrics for Leonard Bernstein's Candide. Latouche also wrote the libretto to Douglas Moore's opera The Ballad of Baby Doe, one of the few American operas to join the standard repertoire. In 1955, he collaborated with co-writer Sam Locke and composer James Mundy on the Carol Channing vehicle The Vamp, which closed after a run of only 60 performances. He had been working with David Merrick on setting the Eugene O'Neill play Ah, Wilderness to music, but died during working on the adaptation. It was later developed as Take