but Santana persisted and he was released from the label without paying compensation for the early termination. Santana, along with band manager Greg DiGiovine and attorney John Branca, approached several labels, but they struggled to find one suitable and the guitarist recalled that some considered him too old. In 1995, he was invited to participate in a documentary about Arista founder Clive Davis, who first signed the band to Columbia in 1969. Santana, with encouragement from his wife, approached Davis about the possibility of signing with Arista. Eventually Santana, DiGiovine and Branca scored interest from three labels: Arista, EMI, and Tommy Boy; the three were most interested in EMI, however, as they were willing to pay as much as four times as much money than the others. In early 1997, Santana entered the studio to start on Supernatural while the contract was being finalized, but he soon had second thoughts as he recognised Davis' ability to generate hit records. After the contract was scrapped in May 1997, Santana reconnected with Davis and later said he "Didn't rub it in my face. He said the company was still interested." However, Davis needed to see if the band were still a commercially viable attraction, so Santana invited him to attend the band's upcoming concert at Radio City Music Hall in July, which featured a new line-up of the group. Davis was impressed, and offered to sign the band. Davis agreed to sign Santana on the condition that he have some creative input. This did not bother the guitarist, as he felt "safe" with Davis and knew he would not be told to play anything "crass." Santana complied and expressed his desire to produce more radio-friendly songs with strong melodies and lyrics that appealed to a broad audience. He convinced Davis that he "wasn't stuck in the '60s; I was adaptable to these times", and cited Miles Davis and John Coltrane as artists who had successful changes in musical direction towards pop in their later careers. Davis wanted Supernatural to surpass the sales of the band's best selling album, Abraxas (1970), their second, by which time had sold over 4 million copies in the US. Davis wanted half the album to be "vintage Santana" in the style of their early hit song "Oye Como Va", and the other to be "the most natural" collaborations of "contemporary influences that Carlos was very much feeling."