Anywhere but Home is the first live album and concert DVD release by American rock band Evanescence. It was released on November 23, 2004, by Wind-up Records. It includes a recording of a concert at Le Zénith in Paris, an hour of behind the scenes footage, three previously-unreleased songs, and all four of the Fallen music videos. Background Anywhere but Home was filmed during Evanescence's concert at Le Zénith in Paris on May 25, 2004. The tour supported their debut album Fallen (2003) and every song from that album except "Hello" was performed at that show. Three new songs were released on Anywhere but Home: "Missing", "Breathe No More" (which was featured on the soundtrack to the 2005 film Elektra), and "Farther Away". While placed at the end of the disc, the CD insert shows "Missing" as track eight but it is actually track 14 and incorrectly labeled "Whisper". Controversy In December 2004, Trevin and Melanie Skeens of Maryland, who had bought the album for their thirteen-year-old daughter, filed a class action lawsuit against Wal-Mart after hearing the word "fuck" sung during the song "Thoughtless", a cover of a Korn song. The lawsuit claimed that while the album contained this explicit word, there was no Parental Advisory sticker on the package. It also claimed that this album violated Wal-Mart's policy of not stocking music with explicit lyrics, and that the company had to be aware of the problem because the word was dubbed out of a free sample on the Walmart.com website. The lawsuit was resolved by court order of a deal which would allow those people who bought the album at a Maryland Wal-Mart location to receive a refund. Some copies have the Parental Advisory notice, yet other copies are still sold without it now. Extras A secret performance of "Bring Me to Life" in Las Vegas, Nevada can be found on the DVDs main menu by moving the cursor to the largest thorn on the left-hand side of the screen. The band symbol then becomes visible. When selected, this will take the user to the hidden footage. Reception Johny Loftus of AllMusic deemed the album a "fine holdover" until the band's second studio album, and stated that it "reasserts Amy Lee's position at Evanescence's center" while she was "always the singular force" of Evanescence, with her "powerful vocals, strident public persona, and striking fashion sense [breaking] down the