Martha Tilton (November 14, 1915 – December 8, 2006) was an American popular singer during America's swing era and traditional pop period. She is best known for her 1939 recording of "And the Angels Sing" with Benny Goodman. Tilton was born in Corpus Christi, Texas, United States. Her family moved to Edna, Kansas, when she was three months old. They relocated to Los Angeles when she was seven years old. While attending Fairfax High School in Los Angeles, she was singing on a small radio station when she was heard by an agent who signed her and began booking her with larger stations. She then dropped out of school in the eleventh grade to join Hal Grayson's band. After singing with the quartet Three Hits and a Miss, she joined the Myer Alexander Chorus on Benny Goodman's radio show, Camel Caravan. Goodman hired Tilton as a vocalist with his band in August 1937. She was with Goodman in January 1938, when the band performed at Carnegie Hall. She continued to appear as Goodman's star vocalist until the end of 1939. She had a No. 1 hit with Benny Goodman's recording of "And the Angels Sing" in 1939. Recordings Tilton had a major success from 1942 to 1949 as one of the first artists to record for Capitol Records. Her first recording for Capitol was "Moon Dreams", Capitol 138, with Orchestra and The Mellowaires, composed by Johnny Mercer and Glenn Miller pianist Chummy MacGregor in 1942. "Moon Dreams" would be recorded by Glenn Miller in 1944 and by Miles Davis in 1950. Among her biggest hits as a solo artist were "I'll Walk Alone", a wartime ballad which rose to No. 4 on the charts in 1944; "I Should Care" and "A Stranger in Town," which both peaked at No. 10 in 1945; and three in 1947: "How Are Things in Glocca Morra" from Finian's Rainbow, which climbed to No. 8; "That's My Desire", which hit No. 10; and "I Wonder, I Wonder, I Wonder", which reached No. 9. After she left Capitol, Tilton recorded for other labels, including Coral and Tops. Among her later albums was We Sing the Old Songs (1957, Tops), a mix of older songs and recent standards, recorded with baritone Curt Massey. Reviewing the two-CD set, The Liltin' Miss Tilton, (Capitol, 2000), critic Don Heckman wrote: There are those who would say that Martha Tilton wasn't