to record a concert. New York crowds have always been great, but what made the Fillmore special was Bill Graham. He was the best promoter rock has ever had and you could feel his influence in every little single thing at the Fillmore. It was just special. The bands felt it and the crowd felt it and it lit all of us up. The Fillmore was the high octane gig to play in New York - or anywhere else, really. (...) It was a great sounding room with a great crowd. (...) The Fillmores were so professionally run, compared to anything else at the time. And he would gamble on acts, bringing in jazz and blues (...) and he had taken a chance on the Brothers. ' The list includes: The Allman Brothers Band – At Fillmore East. The breakthrough double album of the ABB, recorded on March 12 and 13, 1971, and released on Capricorn Records in July 1971. Producer Tom Dowd edited some of the performances down into the issued tracks and so showcased the group's terrific instrumental interplay. The Allman Brothers Band - Eat A Peach. The follow-up double album of studio and further Fillmore East Recordings, dedicated by the band to their lead guitar player Duane Allman, who died in a motor crash shortly after the release and initial success of 'At Fillmore East'. Released on Capricorn Records in February 1972. The Allman Brothers Band – Fillmore East, February 1970. In February 1970 the ABB played their second run of Fillmore East shows, supporting Grateful Dead and Love. The GD sound engineer, Owsley "Bear" Stanley recorded the soundboard live feed and in 1996 Grateful Dead Records released a cd of selected tracks from February 11 & 14. In 2018 the Owsley Stanley Foundation remastered this album and added a 3-CD set of the February 11, 13 and 14 performances as a 'Deluxe Edition', in their 'Bear's Sonic Journals'-series. The Allman Brothers Band – The 1971 Fillmore East Recordings. A six-CD set of the complete recordings of both early and late shows from March 12 and 13, 1971, and the Fillmore East closing show from June 27, 1971. The March 11 shows were also recorded, but deemed unusable by producer Tom Dowd as the band had, for the occasion, invited a horn section, but their contribution didn't gel with the group sound Released on Mercury in July