1916–1928. Yale University Press, 1987 Golding, John. Cubism: A History and an Analysis 1907–1914. 3rd ed., Cambridge, MA, 1988 Gersh-Nesic, Beth S. The Early Criticism of André Salmon, A Study of His Thought on Cubism. Dissertation, City University of New York, 1989 Alibert, Pierre. Gleizes, galerie Michèle Heyraud, Paris, 1990 Antliff, Mark. Inventing Bergson: Cultural Politics and the Parisian Avant-Garde. Princeton, 1993 Franscina, Francis and Harrison, Charles. Realism and Ideology: An Introduction to Semiotics and Cubism. Primitivism, Cubism, Abstraction: The Early Twentieth Century. Chapter 2, New Haven/ London, 1993 Gleizes, Albert. L'Homme devenu peintre, preface by Alain Tapié, Paris, SOMOGY éditions d'art/Fondation Albert Gleizes, 1998, . Written in 1948, Gleizes's last book-length writing which may be read as his testament. Varichon, Anne. Albert Gleizes – Catalogue Raisonné, 2 vols, Paris, SOMOGY éditions d'art/Fondation Albert Gleizes, 1998, . Indispensable work of reference. Massent, Michel. Albert Gleizes, Paris, SOMOGY éditions d'art/Fondation Albert Gleizes/Fondation Albert Gleizes, 1998, . Personal reflections by a distinguished French writer and former President of the Fondation Albert Gleizes, Paris, 1998 Cottington, David. Cubism in the Shadow of War: The Avant-garde and Politics in Paris, 1905–1914. New Haven/London, 1998 Gleizes, Albert. Art and Religion, Art and Science, Art and Production, translation, introduction and notes by Peter Brooke, London, Francis Boutle publishers, 1999, . Talks given in the 1930s reflecting Gleizes's mature views on the relations of Cubism to other aspects of our intellectual and moral life. Cox, Neil. Cubism. London, 2000 Green, Christopher. Art in France 1900–1940. New Haven/ London, 2000 Briend, Christian. Albert Gleizes au Salon de la Section d'Or de 1912. La Section d'or 1912, 1920, 1925 (exh. cat.). Paris, 2000 Hourcade, Olivier. Courrier des Arts (reprint). La Section d'or 1912, 1920, 1925 (exh. cat.). Musées de Châteauroux/Musés Fabre, Montpellier, Édition Cercle d'Art, 2000–2001 Antliff, Mark; Leighten, Patricia. Cubism and Culture. London/New York, 2001 Brooke, Peter. Albert Gleizes – For and Against the Twentieth Century, New Haven and London, Yale University Press, 2001, Briend, Christian; Brooke, Peter et al. Albert Gleizes: Le cubisme en majesté (exh. cat.). Museu Picasso, Barcelona/Musée des Beaux-Arts, Lyon, 2001 Gleizes, Albert. Painting and its laws, (with Gino Severini: From Cubism to Classicism), translation, introduction and notes by Peter Brooke, London, Francis Boutle publishers, 2001, . Originally published in 1923–4. The key text in which Gleizes formulated the technique of 'translation' and 'rotation' as the permanent acquisition of Cubism. Briend, Christian. Between Tradition