to waveforms other than the sawtooth wave. Filters, envelopes, low frequency oscillators and control matrix Each of the two scenes that make up a single voice is composed of an amplitude envelope, a filter envelope, a pitch envelope, and a three-band equaliser. These affect the combined two oscillators on a per-note basis. The AN1x has two LFOs. LFO1 comprises 21 waveforms: 5× sine variations, 5× triangle variations, 3× square variations, 4× saw variations and 4× sample and hold variations. LFO2 consists of a triangle wave only. These affect all notes at once, i.e. monophonic LFOs. The LFOs are fast, up to the audible note range. The AN1x has a non-resonant high-pass filter, which is situated in series with a multimode resonant filter, the latter offering a low-pass filter (LPF), high-pass filter (HPF), band-pass filter (BPF) and band elimination filter (BEF). The multimode filter is capable of resonant self oscillation. Additionally, feedback from the voltage controlled amplifier (VCA) is routed back to the oscillator mixer before the main filter, and frequency modulation can be used alongside oscillator sync. The AN1x has a comprehensive modulation matrix, comprising 16 sources and 96 destinations. Sequencing capabilities The AN1x features an arpeggiator with 30 preset patterns, a step sequencer with 16 steps, 256 total sequence patterns, 128 voice patterns 'one per voice' + 128 user patterns. All 256 patterns can be overwritten for use, and a 'Free Envelope Generator' '128 user patterns, one per voice'. The arpeggiator and sequencer can both output to MIDI and sync to MIDI timecode, and the arpeggiator can also be applied to incoming MIDI data. Furthermore, the notes may be fixed or transposed via the synthesizer's keyboard or MIDI input. The step sequencer can be used to send control data, such as filter cutoff values or notes to the synthesizer's tone generator or to MIDI output. Both the arpeggiator and step sequencer have several looping modes. The 'Free Envelope Generator' (Free EG) is a powerful motion control feature that allows the user to record controller movements for up to four parameters, '4 tracks, 1 parameter per track' for a duration of up to 16 seconds each, or 8 bars that are tempo linked. Note: If the tempo is set to 40bpm, with a 4/4 count, this would result in 48 seconds of recording time per track. When applied to a voice, the Free EG becomes an intrinsic component of the