album—"Burning Up", "Borderline" and "Lucky Star"—as well as the then current single "Like a Virgin". The music video for "Lucky Star" was a special extended dance mix, and when she says "ooh yeah" it is echoed three times and her image is repeated three times. "Like a Virgin" omits the scene where the lion's tongue moves in time with the beat of the music. These videos were later released on the 1990 greatest hits compilation The Immaculate Collection with these edits changed. The video was promoted at the Cabaret Metro club in Chicago, on February 9, 1985. Dubbed as 'The Virgin Party', the event drew a crowd of around 1,200 and promoted Madonna's LPs, cassettes, CDs and the videocassette. Attendees were encouraged to wear white, and for $5 admission fees, were able to view the Madonna videocassette and the premiere of the music video of her then upcoming single "Material Girl". The event was organised as a drive to promote music videos, which at that point did not have a large market. Madonna topped the Music Videocassette chart of Billboard for the period from April 13, 1985, to November 9, 1985. Jim McCullaugh from Billboard attributed the strong sales of the video to Madonna's recent studio album Like a Virgin and The Virgin Tour concert. It placed at number one on the year-end music videocassette chart for 1985. Madonna was certified platinum by the Recording Industry Association of America (RIAA) for shipments of 100,000 units of the video. It won the award for the "Best Selling Video Cassette Merchandised as Music Video" from the National Association of Recording Merchandisers. Critical reception Madonna received generally positive reviews. Stephen Thomas Erlewine from AllMusic wrote that the album "cleverly incorporated great pop songs with stylish, state-of-the-art beats, and it shrewdly walked a line between being a rush of sound and a showcase for a dynamic lead singer. This is music where all of the elements may not particularly impressive on their own — the arrangement, synth, and drum programming are fairly rudimentary — but taken together, it's utterly irresistible." Tony Power from Blender said that the album consisted of "quacking synths, overperky bass and state-of-the-art mechanical disco, with Madonna strapped to the wing rather than holding the controls. It's a breathless, subtlety-free debut, with overtones of Soft Cell and Tom Tom Club." Reviewing the remastered version of the album, released in 2001, Michael