by rural people in high mountain regions. Shen Kuo also wrote the Changxing Ji (; Collected Literary Works of [the Viscount of] Changxing). However, this book was without much doubt a posthumous collection, including various poems, prose, and administrative documents written by Shen. By the 15th century (during the Ming dynasty), this book was reprinted, yet only the 19th chapter remained. This chapter was reprinted in 1718, yet poorly edited. Finally, in the 1950s the author Hu Daojing supplemented this small yet valuable work with additions of other scattered poems written by Shen, in the former's Collection of Shen Kua's Extant Poetry (Shanghai: Shang-hai Shu-tian, 1958). In the tradition of the popular Song era literary category of 'travel record literature' ('youji wenxue'), Shen Kuo also wrote the Register of What Not to Forget, a traveler's guide to what type of carriage is suitable for a journey, the proper foods one should bring, the special clothing one should bring, and many other items. In his Sequel to Numerous Things Revealed, the Song author Cheng Dachang (1123–1195) noted that stanzas prepared by Shen Kuo for military victory celebrations were later written down and published by Shen. This includes a short poem "Song of Triumph" by Shen Kuo, who uses the musical instrument mawei huqin ('horse-tail barbarian stringed instrument' or 'horse-tail fiddle') of the northwestern Inner Asian nomads as a metaphor for prisoners-of-war led by Song troops: Historian Jonathan Stock notes that the bent bow described in the poem above represents the arched bow used to play the huqin, while the sound of the instrument itself represented the discontent expressed by the prisoners-of-war with their defeated khan. Legacy Praise, critique, and criticism In the Routledge Curzon Encyclopedia of Confucianism, Xinzhong Yao states that Shen Kuo's legacy was tainted by his eager involvement in Wang Anshi's New Policies reforms, his actions criticized in the later traditional histories. However, Shen's reputation as a polymath has been well regarded. Joseph Needham stated that Shen Kuo was "one of the greatest scientific minds in Chinese history." The French sinologist Jacques Gernet is of the opinion that Shen possessed an "amazingly modern mind." Yao states of Shen's thorough recording of natural sciences in his Dream Pool Essays: We must regard Shen Kuo's collection as an indispensable primary source attesting to the unmatched level of attainment achieved by Chinese science prior to the twelfth century. However, Toby E. Huff