there were three witnesses, one of whom was no longer alive. A bitterly fought court case confirmed the codicil. Twenty years pass. Lady Mason lives at Orley Farm with her adult son, Lucius. Samuel Dockwrath, a tenant, is asked to leave by Lucius, who wants to try new intensive farming methods. Aggrieved, and knowing of the original case (John Kenneby, one of the codicil witnesses, had been an unsuccessful suitor of his wife Miriam Usbech), Dockwrath investigates and finds a second deed signed by the same witnesses on the same date, though they can remember signing only one. He travels to Groby Park in Yorkshire, where Joseph Mason the younger lives with his comically parsimonious wife, and persuades Mason to have Lady Mason prosecuted for perjury. The prosecution fails, but Lady Mason later confesses privately that she committed the forgery, and is prompted by conscience to give up the estate. There are various subplots. The main one deals with a slowly unfolding romance between Felix Graham (a young and relatively poor barrister without family) and Madeline Staveley, daughter of Judge Stavely of Noningsby. Graham has a long-standing engagement to the penniless Mary Snow, whom he supports and educates while she is being "moulded" to be his wife. Between the Staveleys at Alston and Orley Farm at Hamworth lies the Cleve, where Sir Peregrine Orme lives with his daughter-in-law, Mrs. Orme, and grandson, Peregrine. Sir Peregrine falls in love with Lady Mason and is briefly engaged to her, but she confesses her crime to Sir Peregine, and they call off the match. Meanwhile, Mr. Furnival, another barrister, befriends Lady Mason, arousing the jealousy of his wife. His daughter, Sophia, has a brief relationship with Augustus Stavely and a brief engagement to Lucius Mason. Eventually Furnival and his wife are reconciled, and Sophia's engagement is dropped. Sophia is portrayed as an intelligent woman who writes comically skilful letters. Major themes Against a vast panorama of carefully depicted human types and their relationships, the basic themes are guilt (the different manifestations of its acknowledgment by Mary Mason and by her son), revenge (its nature and reasons as indulged in by Joseph Mason and by Samuel Dockwrath), suffering (by the guilty party herself and by others who love her), and love/hate (their respective presence or absence in individual characters among the Ormes, the Staverleys, the Furnivals, Felix Graham, and Mary Snow). Another major theme