"Everything's Gone Green" is the third single by the English rock band New Order, released in December 1981. As usual per New Order and Joy Division's releases, the recording date and location of the music is not disclosed on the original sleeve. The single was originally released in Belgium on Factory Benelux and bears the catalogue number FBN8. The single was later released in New Zealand in 1982 and was made available in the UK through import copies. The artwork was designed by Peter Saville with computer graphics on the cover designed by Stephen Morris and Gillian Gilbert. Recording and music The song had already been released in an edited form, as a double A side with the song "Procession" in September 1981. Two original songs, "Cries and Whispers" and "Mesh", are included as B-sides. Both have been commonly mistitled on New Order's releases. The track names of the B-sides are correctly identified on the label, but are printed in incorrect order on the sleeve. As a result, the songs were misidentified on subsequent releases; for example, the track identified as "Mesh" on the CD version of the Substance compilation is actually "Cries and Whispers". For the 2019 12" single reissue, the tracks are properly labelled on the rear sleeve cover, with "Cries and Whispers" listed before "Mesh". Stephen Morris wrote the lyrics to "Cries and Whispers" and "Mesh," earning Morris the scorn of critic Julie Burchill ("Sixth form drivel"). The title "Cries and Whispers" is taken from the Ingmar Bergman film. Morris later wrote about the origin of the title for "Everything's Gone Green:" "The song's title arrived spontaneously as we were programming the rhythm track at Pinky's. After a few hours of button stabbing, synth-chattering and drum bashing, I sat down on a rickety chair, rolled a joint and inhaled deeply. The weak sunlight was reflected off the glazing of the swimming baths opposite and diffused through the grease-smeared window of our room. Momentarily, the light seemed to me to take on a crystalline glow, giving the room an aquamarine haze. 'Everything's gone Green,' I observed. 'That's good, let's call it that then,' said Bernard, who hadn't noticed my Condor moment." All three tracks were produced by Martin Hannett, the last that he would produce with Bernard Sumner, Peter Hook, and Stephen Morris. Hannett, who had previously produced Movement and both of Joy Division's studio albums, had a