of hand like his officers, she suggests they have him stoke coal into the locomotive all the way to Petrograd, where he will be publicly hanged. This however is a ruse to keep him alive and, when everyone on board is drunk, she helps him escape, giving him back the pearl necklace to finance his way out of the country. Sergius jumps from the train, then watches in horror as it tumbles off a nearby bridge into the icy river below, taking Natalie with it. This moment is when Sergius develops his head twitch. Ten years later, Sergius is reduced to poverty, eking out a living as a Hollywood extra. When he and the director finally meet, Sergius recognizes him. Leo, in an ironic act calculated to humiliate him, casts him as a Russian general in a battle scene. He is directed to give a speech to a group of actors playing his dispirited men. When one soldier tries to incite a mutiny, telling the general that "you've given your last command", he whips the man in the face as instructed, just as he had once struck Leo. Losing his grip on reality, he imagines himself genuinely on the battlefield, besieged by enemies, and passionately urges his men to fight for Russia. Overstraining himself, he dies, inquiring with his last words if they have won. Moved, Leo tells him they have. The assistant remarks, "That guy was a great actor." Leo replies, "He was more than a great actor - he was a great man." Cast Emil Jannings as Grand Duke Sergius Alexander Evelyn Brent as Natalie "Natacha" Dabrova William Powell as Leo Andreyev Jack Raymond as the Assistant Director Nicholas Soussanin as the Adjutant Michael Visaroff as the Bodyguard Fritz Feld as A revolutionist. Background Proving the Hollywood adage that movie directors are "only as good as their last picture", Sternberg was given a free hand by Paramount when Underworld (1927) proved to be "an instant success". The following three years experienced the industry-wide transition from silent to sound technology, during which Sternberg completed The Last Command (1928), The Drag Net (1929) and The Case of Lena Smith (1929), his last silent works, and his first talkie, Thunderbolt, in 1929. Though these films were praised by critics for their distinct style, none achieved great box-office success. Before embarking on The Last Command, Paramount tasked Sternberg with editing portions of