"Is There Something I Should Know?" is the eighth single by British pop band Duran Duran, released on 14 March 1983. The song was released as a stand-alone single and became the band's first UK number one record. It debuted in the number one position on the UK Singles Chart on 26 March 1983. The single also had great success in America, where it was released in late May. The song reached number four on the US Billboard Hot 100 on 6 August 1983 and sold more than a million copies. Background "Is There Something I Should Know?" was recorded at Tony Visconti’s Good Earth Studios in Soho, London with producer Ian Little, who was recommended to the group by Roxy Music’s Phil Manzanera. Eventually, the song would undergo several rounds of mixing due to a lack of compression on the drums as Little asserted: one mix was done at Good Earth, one at Eel Pie Studios, one at The Gallery and one at The Power Station in New York with Bob Clearmountain. Keyboardist Nick Rhodes remembered being present most of the night during the mix with Clearmountain and leaving the next day thinking the band had something special on their hands. But upon reflection some days later, it was decided that despite being what they considered a "beautiful mix", it was a little too soft for the sound they were trying to achieve for the record. So the final mix would be done with producer Alex Sadkin (who’d be brought in to produce the band’s next album alongside Little, Seven and the Ragged Tiger) and Phil Thornalley at RAK Studios, London, who replaced the drums with samples triggered via AMS delay units. Although generally regarded as a stand-alone single, it was added to the 1983 US re-issue of the band's 1981 debut album, Duran Duran. The first album on which the song featured in the UK was the inaugural Now That's What I Call Music compilation at the end of the year. The singles from the Duran Duran album did not receive much airplay in the United States on the album's first release; both the band and the New Romantic fashion style were unknown, and very few British bands were able to break into American radio at that time. However, by the end of 1982, the band's Rio album was rapidly climbing the American charts, fueled by saturation airplay