Conor McPherson (born 6 August 1971) is an Irish playwright, screenwriter and director of stage and film. In recognition of his contribution to world theatre, McPherson was awarded a doctorate of Literature, Honoris Causa, in June 2013 by the University College Dublin. Early life McPherson was born in Dublin. He was educated at University College Dublin and began writing his first plays there as a member of UCD Dramsoc, the college's dramatic society, and went on to found Fly by Night Theatre Company which produced several of his plays. He is considered one of the best contemporary Irish playwrights; his plays have attracted good reviews, and have been performed internationally (notably in the West End and on Broadway). Career The Weir opened at the Royal Court before transferring to the West End and Broadway. It won the Laurence Olivier Award for Best New Play for 1999. In the same year he was one of the recipients of the V Europe Prize Theatrical Realities awarded to the Royal Court Theatre (with Sarah Kane, Mark Ravenhill, Jez Butterworth, Martin McDonagh). His 2001 play, Port Authority tells of three interwoven lives. The play was first produced by the Gate Theatre of Dublin but premiered at the New Ambassadors Theatre in London in February 2001, before moving to the Gate Theatre in April of that year. The production was directed by McPherson himself. New York's Atlantic Theater Company staged a production of the play in spring of 2008, starring Brian d'Arcy James, and Tony Award winners John Gallagher Jr. and Jim Norton. The New York Times critic Ben Brantley said, "I found myself holding on to what these actors had to say as if I were a five-year-old at bedtime being introduced to The Arabian Nights." McPherson also directed his play, Dublin Carol, at the Atlantic Theater Company, New York, in 2003. His 2004 play Shining City opened at the Royal Court and prompted The Daily Telegraph to describe him as "the finest dramatist of his generation". A meditation on regret, guilt and confusion, the play is set entirely within the Dublin offices of a psychiatrist who himself has psychological secrets. Whilst much of the play takes the form of monologues delivered by a patient, the everyday stories and subtle poignancy and humour make it a riveting experience. It subsequently opened on Broadway in 2006 and was nominated for two Tony Awards, including Best