of Time film series ended in 1951, when the widespread adoption of television and daily TV news shows made the newsreel format obsolete. Newsreel series such as Pathé News (1910–1956), Paramount News (1927–1957), Fox Movietone News (1928–1963), Hearst Metrotone News/News of the Day (1914–1967), and Universal Newsreel (1929–1967) continued for a while longer. Episodes Unless noted, sources for episode information are The March of Time, 1935–1951 by Raymond Fielding, and the HBO Archive's summary of The March of Time newsreels. Reviews and commentary Writing for The Spectator in 1935, Graham Greene favorably contrasted the film with contemporary British news films whose stories he described as "scraps of unimportant material [...] flung without arrangement on to the screen". Praising the producers of The March of Time, Greene suggested that "their fortnightly programmes can be compared with an authoritative article by a special correspondent rather than with a haphazard page of photographs from the Daily Mirror", and went on to discuss the danger of censorship for this nascent news medium in light of England's stronger libel laws and the British Board of Film Censors' decision to severely cut scenes of the Parisian riots related to the Croix de Feu, and to remove the film's final scene revealing the source of the Croix de Feu's funding - an act of censorship that Greene noted as making the film "Fascist in tone". Alistair Cooke, The Listener (November 20, 1935) — The March of Time is not the result of bright inspiration. Behind it is ten years' experience with a magazine of the same style; an army of correspondents and cameramen scattered throughout the world; an historical film library it took two years to prepare; a newspaper cutting library as exhaustive as anything extant; and in New York and Chicago a vast research staff alert to trace the origins of any family, war, author, statesman, treaty, or breath or rumour. With no less than this should any other film company irresponsibly compete. Bosley Crowther, The New York Times (October 31, 1937) — And now, less than three years old but already an institution, the March of Time is today one of the most successful and forward-looking features on the screen — a dynamic force for the purveyance of information through the medium of the film. D. A. Spencer and H. D. Waley, The Cinema Today (1939) — Although the ideal behind these films is to