was then 74 years and still very much in good shape. He participated with the Brazilian delegation of the "First International Festival de Artes Negras" in Dakar, Senegal (1966), bringing with him João Grande, Gato Preto, Gildo Alfinete, Roberto Satanás and Camafeu de Oxossi. Twilight Years Pastinha worked as shoeshiner, tailor, gold prospector, security guard (leão de chácara) at a gambling house (casa de jogo) and construction worker at the Porto de Salvador to support himself financially so that he could do what he loved the most, to be an Angoleiro. Eventually Pastinha's academy fell on hard times. Pastinha, old, sick and almost totally blind, was asked by the government to vacate his building for renovations. But the space was never returned to him. Instead it became a restaurant and entertainment outlet. Pastinha died a broken man and bitter about his treatment, but never regretted living the life of a Capoeirista. Pastinha was left abandoned in a city shelter (abrigo D. Pedro II - Salvador). Having dedicated his entire life to Capoeira Angola, he played his last game of Capoeira on April 12, 1981. Pastinha, the father and protector of Capoeira Angola, died at the age of 92 on November 13, 1981. He was survived by two of his most learned students, João Grande and João Pequeno (died 2011) who continued to share Pastinha's Capoeira Angola with the world. C. Daniel Dawson would later write, 'Pastinha was a brilliant Capoeirista whose game was characterized by his agility, quickness and intelligence (…). Pastinha wanted his students to understand the practice, philosophy and tradition of pure Capoeira Angola. As he said, "I practice the true Capoeira Angola and in my school they learn to be sincere and just. That is the Angola law. I inherited it from my grandfather. It is the law of loyalty. The Capoeira Angola that I learned - I did not change it here in my school… When my students go on they go on to know about everything. They know; this is fight, this is cunning. We must be calm. It is not an offensive fight. Capoeira waits (…). The good Capoeirista must know how to sing, play Capoeira and the instruments of Capoeira."' Excerpt from Capoeira Angola and Mestre João Grande by C. Daniel Dawson Lineage The concept of lineage is one that is of primary importance to the practitioners of Capoeira Angola. Lineage, the chain