agree with them in their general moral sentiments, if they have not to converse through the medium of an interpreter. However, in order to gain further information, he would later send for his sister, Sophia Lane Poole, so that she could gain access to women-only areas such as hareems and bathhouses and report on what she found. The result was The Englishwoman in Egypt: Letters from Cairo, written during a residence there in 1842, 3 & 4, with E.W. Lane Esq., Author of "The Modern Egyptians" By His Sister. (Poole's own name does not appear within the publication.) The Englishwoman in Egypt contains large sections of Lane's own unpublished work, altered so that it appears to be from Poole's perspective (for example "my brother" being substituted for "I"). However, it also relates Poole's own experiences in visiting the hareems that were closed to male visitors. The One Thousand and One Nights Lane's next major project was a translation of the One Thousand and One Nights. His version first saw light as a monthly serial from 1838 to 1840, and was published in three volumes in 1840. A revised edition was released in 1859. The encyclopedic annotations from the first edition were published posthumously and separately in 1883 by his great-nephew Stanley Lane-Poole, as Arabian Society in the Middle Ages. Lane's version is bowdlerized, and illustrated by William Harvey. Opinions vary on the quality of Lane's translation. Stanley Lane-Poole commented that "Lane's version is markedly superior to any other that has appeared in English, if superiority is allowed to be measured by accuracy and an honest and unambitious desire to reproduce the authentic spirit as well as the letter of the original." Nights researcher and author Robert Irwin writes that Lane's "style tends towards the grandiose and mock-biblical... Word order is frequently and pointlessly inverted. Where the style is not pompously high-flown, it is often painfully and uninspiringly literal... It is also peppered with Latinisms." Lane himself saw the Nights as an edifying work, as he had expressed earlier in a note in his preface to the Manners and Customs, There is one work, however, which represents most admirable pictures of the manners and customs of the Arabs, and particularly of those of the Egyptians; it is 'The Thousand and One Nights; or, Arabian Nights' Entertainments:' if the English reader had possessed a close translation of it with sufficient illustrative notes,