a working title of "Duke". The group chose this name because the fanfare melodies on "Behind the Lines" and "Duke's End" conjured an image of royalty. The band decided against sequencing the tracks this way on the album, partly to avoid comparisons to their 23-minute track "Supper's Ready" from Foxtrot, but also to have certain segments of the suite, such as "Duchess" and "Turn It On Again", released as singles. The six tracks were performed live on the album's supporting tour with Collins introducing it as "The Story of Albert". "Turn It On Again" was originally a short connecting piece in the middle of this medley, but the band enjoyed playing it so much, they decided to double its length and make it more of a standout track. It came from a piece that Rutherford discarded from Smallcreep's Day and a separate piece from Banks that they joined together. The group considered placing the band-written songs on side one and the individually written tracks on the other, but this was rejected. Rutherford described the final running order as "a very balanced album". Release Duke was released in the US on 24 March 1980 and in the UK on 28 March. It was the band's greatest commercial success at the time of its release; it spent two weeks at No. 1 on the UK Albums Chart and peaked at No. 11 on the US Billboard 200. The album spawned three singles; "Turn It On Again" reached No. 8 in the UK and No. 58 in the US; "Duchess" reached No. 46 in the UK; "Misunderstanding" reached No. 42 in the UK and No. 14 in the US. Duke was certified Platinum by the British Phonographic Industry on 3 July 1980 and by the Recording Industry Association of America on 11 March 1988. Critical reception Duke received a mostly positive reception from music critics. In his review for Rolling Stone, David Fricke noted that "Turn It On Again" is "vibrant rock & roll" and thought that "Man of Our Times", "Duchess", "Duke's Travels", and "Duke's End" "possess a refreshing urgency". Fricke points out the band's losses without Gabriel and Hackett in the line-up, yet summarised Duke as "comforting: a reassurance that Genesis aren't for an exodus yet." Sounds Hugh Fielder gave the album four stars out of five, enjoying the opening of "Behind the Lines" and considering Collins's vocals to be "more