Frances Ridley Havergal (14 December 1836 – 3 June 1879) was an English religious poet and hymnwriter. Take My Life and Let it Be and Thy Life for Me (also known as I Gave My Life for Thee) are two of her best known hymns. She also wrote hymn melodies, religious tracts, and works for children. She did not occupy, and did not claim for herself, a prominent place as a poet, but she carved out a niche for herself. Early life and education Frances Ridley Havergal was born into an Anglican family, at Astley in Worcestershire, 14 December 1836. Her father, William Henry Havergal (1793–1870), was a clergyman, writer, composer, and hymnwriter. Her brother, Henry East Havergal, was a priest in the Church of England and an organist. When she was five, her father moved to the Rectory of St. Nicholas, Worcester. In August, 1850, she entered Mrs. Teed's school, who had a strong influence on her. In the following year she says, "I committed my soul to the Saviour, and earth and heaven seemed brighter from that moment." A short sojourn in Germany followed. In 1852/3, she studied in the Louisenschule, Düsseldorf, and at Oberkassel. Havergal's scholastic acquirements were extensive, embracing several modern languages, together with Greek and Hebrew. On her return to England, she was confirmed in Worcester Cathedral, 17 July 1853. Career In 1860, she left Worcester upon her father resigning the Rectory of St. Nicholas, and resided at different periods in Leamington, and at Caswell Bay, Swansea, broken by visits to Switzerland, Scotland, and North Wales. It was during this time—1873—that she read J. T. Renford's little booklet All For Jesus, which "lifted her whole life into sunshine, of which all she had previously experienced was but as pale and passing April gleams, compared with the fullness of summer glory." She led a quiet life, not enjoying consistent good health. She supported the Church Missionary Society. Havergal's hymns were frequently printed by J. & R. Parlane as leaflets, and by Caswall & Co. as ornamental cards. They were gathered together from time to time and published in her works as follows:— (1) Ministry of Song, 1869; (2) Twelve Sacred Songs for Little Singers, 1870; (3) Under the Surface, 1874; (4) Loyal Responses, 1878; (5) Life Mosaic, 1879; (6) Life Chords, 1880; and (7) Life Echoes, 1883. About fifteen of the more important of Havergal's hymns,