been tipped and then the user starts over. Loud The second, louder, method is to divide the beads into two groups. On one end is the shield and a small number of the beads. On the other end is the rest of the beads. Where the two threads are empty, that space is laid between the index and middle fingers. The hand should be in a position where the palm is facing the torso. Then the end behind the hand is swung up and forward so that it hits the other beads, making a noise. The threads are then switched back into the space between the index and middle fingers by holding the threads between the thumb and the side of the index finger. This is repeated rhythmically, creating a louder clicking noise than the quiet method. Another method is to hold all of the worry beads in one hand and roll them against each other, creating soft clicking sounds. As musical instrument Worry beads can be a musical instrument, related to rebetiko. Sound is emitted using a drinking glass and rubbing the lip against the worry bead, which is suspended from one button. See also Baoding balls Mala Misbaha Prayer rope Rosary Stress ball Worry stone Begleri Notes References Aris Evangelinos, The Komboloi and Its History, Komboloi Museum Publications, 1998. Beadwork Greek culture https://books.google.co.uk/books?id=W06GGmFZXoAC&pg=PA280&dq=google+books+worry+beads+in+turkey&hl=en&sa=X&ved=0ahUKEwiVhIKwya_lAhWjunEKHcYtDy0Q6AEIOjAD#v=onepage&q=google%20books%20worry%20beads%20in%20turkey&f=false