in elaborate curls and knots. Caroline, Countess of Holnstein wears her hair severely parted in the center front and across the top of her head. Her long hair is braided, and the braids are looped over either ear and wound into a knot at the crown of her head. She wears a white gown with a wide belt and gathers at the front to emphasise the bust under a pink satin coat with a fur collar and fur trim. German, 1834. Fashion plate from Wiener Zeitschrift shows the fashion for fabrics printed with combinations of stripes and floral designs. Eugénia, Duchess of Palmela wears a black gown with short, puffed sleeves and mid-length gloves. Her hair is dressed in elaborate curls and a looped braid is gathered into a topknot. Isabella Colbran, wife of Gioachino Rossini wears a brown silk dress with puffed sleeves, and low square-toed slippers. Undergarments, corset, petticoat and dressing gown, ca 1835. Style gallery 1835–1839 1830s Riding habits with fashionable full sleeves. Marie Lafont-Porcher's hair is styled in a high knot with wide side-curls; her gauzy gown has a neck ruff and a wide collar, and she wears a fur piece similar to that in the Gazette des Salons fashion plate above, 1835. Conservative, middle-class fashion: Eliza Clarke Cory Clench wears a white cap with a large striped ribbon bow that contrasts with her bright green dress. Canada, 1834–36. Portrait of Ada Lovelace in British court dress. She wears a red train over a white satin gown. Note her square-toed satin slippers, 1836. African-American trans woman Mary Jones, 1836. Viennese fashion plate for February 1837 shows front and back views of the newly fashionable dangling clusters of curls on the sides worn with an ornate knot of hair at the crown. A headband is worn for evening. The waist is still defined by a wide belt, but it sits lower on the body. By 1837, fullness was dropping from just off the shoulder to the middle of the arm. The bonnet is smaller than those worn earlier in the decade, and black lace mitts (fingerless gloves) are worn with the white day dress. Hair is worn in wide clusters of short sausage curls. French. Mathilde, Gräfin Lynar wears a brown velvet gown with snug shoulders and lower sleeves, and fullness at the middle of the arm. The waist is darted to fit and comes to a