consisted of a high-necked, tight-waisted jacket with the fashionable dropped shoulder and huge gigot sleeves, worn over a tall-collared shirt or chemisette, with a long matching petticoat or skirt. Tall top hats with veils were worn. Shawls were worn with short-sleeved evening gowns early in the decade, but they were not suited to the wide gigot sleeves of the mid-1830s. Full-length mantles were worn to about 1836, when mantles became shorter. A mantlet or shawl-mantlet was a shaped garment like a cross between a shawl and a mantle, with points hanging down in front. The burnous was a three-quarter length mantle with a hood, named after the similar garment of Arabia. The paletot was knee-length, with three cape-collars and slits for the arms, and the pardessus was half or three-quarter length coat with a defined waist and sleeves. For evening, voluminous mantles of velvet or satin, with fur trim or fur linings in cold climates, were worn with the gown. Footwear Low, square-toed slippers were made of fabric or leather for daytime and of satin for evening wear. Low boots with elastic insets appeared in this decade. Style gallery 1830–1835 Fashion plate from Mercure des Salons Sophie Guillemette, Grand Duchess of Baden wears a white gown that just skims her ankles and a tawny-colored shawl. Her flat shoes have ribbon laces and square toes. 1831. Therese von Schenk wears long sheer oversleeves over short puffed sleeves and an elaborate fabric-covered hat with plumes, 1831. Lucia Carranza de Rodríguez Orey, elite woman from Buenos Aires, wears a peinetón (derived from the Spanish peineta) and a pale dress with large sleeves, a small waist and a leather cord around her neck. Manuela Suárez Lastra de Garmendia, elite woman from Buenos Aires, wears a gown with gigot sleeves and a small waist, multiple jewelry and an elaborate hairstyle. Mrs. Edward Kellogg wears the frilled indoor day cap of a married woman with a wide ribbon bow tied under her chin. Her simple dark gown has gigot sleeves and a modestly broad neckline, filled in with a ruffed chemisette. Fashion plate from Wiener Moden, in which anatomical accuracy gives way to the desire to present a trendy fashion silhouette. The day dress has a wide, low neckline and long sleeves. German fashion of 1834 with echoes of the Renaissance: a wide-necked black gown features a tight belt at the raised waistline. Hair is worn