almost 50 years of distinguished service to the Crown. Legacy Alford's marches have been favourably compared to those of John Philip Sousa, both having a thorough grounding in classical music. Although he is best known for his marches, he wrote many other pieces –- hymns, fantasias, humoresques, xylophone solos, and duets. He often combined well-known tunes with new compositions or juxtaposed one with another. His championing of the saxophone played its part in getting the instrument accepted in military bands, and he is also credited with the first arrangements for bagpipes with military band. Like Sousa, he had a remarkable memory and tended to conduct without scores. He had the ear of 'top brass' and could use it to protect the band, something which was much appreciated. There was a great esprit de corps in his bands—even a family atmosphere. He was very well-liked, was very personable, and always made himself available for conversation after concerts. His life and works are remembered in many ways, not the least of which are his timeless marches. A memorial book was presented by a colleague to the Regimental Museum of the Argyll and Sutherland Highlanders called "A Collection of the Works of F.J. Ricketts". The Royal Marines Commando Training Centre at Lympstone, Devon, is named "Ricketts Hall", and the centenary of his birth in 1981 was marked by a series of concerts at the Albert Hall and in Plymouth—the latter triggering a three-column article in the Daily Telegraph. Sadly, Ricketts was not honoured by the British Establishment, neither by being admitted to the Order of the British Empire nor the Royal Victorian Order, the personal order of the Monarch, yet he alone established British military music, causing it to be recognized throughout the world. The Bridge on the River Kwai There is some confusion about the march Colonel Bogey and its use in the film The Bridge on the River Kwai. While Sir Malcolm Arnold did use Colonel Bogey in his score for the film, it was only the first theme and a bit of the second theme of Colonel Bogey, whistled unaccompanied by the British prisoners several times as they marched into the prison camp, the whistled theme eventually supported by the first theme of Arnold's original "River Kwai March", the opening theme of which was based on the same chord progression as the first theme of Colonel Bogey. From that point