Movie 4, Ice Age: The Meltdown, and The Benchwarmers. The Wild grossed $37.4 million in the United States and $64.9 million in other countries for a worldwide total of $102.3 million. Critical response On Rotten Tomatoes, the film has an approval rating of 19% based on 112 reviews and an average rating of 4.5/10. The site's critical consensus reads, "With a rehashed plot and unimpressive animation, there's nothing wild about The Wild." On Metacritic, the film has a score of 47 out of 100 based on 24 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale. Jonathan Rosenbaum of the Chicago Reader wrote that "The CGI characters seem less like artwork than humans wearing animal suits, but despite the overall ugliness and sitcom timing, this has enough action, violence, and invention to keep kids amused." Roger Ebert of the Chicago Sun-Times gave the film three stars out of four. He praised the film's animation, but acknowledged the film's realism ventured towards the uncanny valley. He remarked that the "framing of some of the characters is too close; they hog the foreground and obscure the background. And the fur, hair and feathers on the creatures look so detailed, thanks to the wonders of CGI, that once again we're wandering toward the Uncanny Valley." Marc Savlov, reviewing for The Austin Chronicle, wrote "The animation is top-notch, and the film sports some of the most realistic and colorful fur, feathers, and hair this side of Fashion Week in Milan. However, The Wild feels as though much of its backstory, along with most of the good jokes, have been cut out along the circuitous path to your neighborhood cineplex, resulting in a finished film that will probably delight the under-10 set, while leaving everyone else marveling at how bored they are." Carrie Rickey of The Philadelphia Inquirer gave the film two stars out of four writing: "Though dull, there are three reasons one might want to see the film: The computer animators' ability to realistically represent animal fur is nothing short of dazzling. So detailed are the lion's mane and squirrel's tail that younger viewers could mistake it for a petting zoo." Comparisons to Madagascar Critics considered The Wild to be heavily derivative of the 2005 DreamWorks film, Madagascar. Claudia Puig, reviewing for USA Today, suggested that The Wild