Sweden. In 2019, her work was displayed in the exhibition La Tierra Habla (The Earth Speaks) at Galerie Lelong, NYC, New York. Public Collections Mendieta's work is featured in many major public collections, including the Solomon R. Guggenheim Museum, Metropolitan Museum of Art, Whitney Museum of American Art, and Museum of Modern Art in New York; the Art Institute of Chicago; Centre Pompidou, Paris; Musée d'Art Moderne et Contemporain, Geneva; Tate Collection, London; the Nasher Sculpture Center, Dallas; and the Pérez Art Museum Miami. Death and controversy Ana Mendieta died on September 8, 1985, in New York City, after falling from her 34th-floor apartment in Greenwich Village at 300 Mercer Street. She lived there with her husband of eight months, minimalist sculptor Carl Andre, who may have pushed her out the window. She fell 33 stories onto the roof of a deli. Just prior to her death, neighbors heard the couple arguing violently. The neighbors heard Mendieta scream out "no" right before her death, and Andre had scratches all over his face. There were no eyewitnesses to the events that led up to Mendieta's death. A recording of Andre's 911 call showed him saying: "My wife is an artist, and I'm an artist, and we had a quarrel about the fact that I was more, eh, exposed to the public than she was. And she went to the bedroom, and I went after her, and she went out the window." During three years of legal proceedings, Andre's lawyer described Mendieta's death as a possible accident or a suicide. After a nonjury trial, Andre was acquitted of second-degree murder in February 1988. The acquittal caused an uproar among feminists in the art world, and remains controversial. In 2010, a symposium called Where Is Ana Mendieta? was held at New York University to commemorate the 25th anniversary of her death. In May 2014, the feminist protest group No Wave Performance Task Force staged a protest in front of the Dia Art Foundation's retrospective on Carl Andre. The group deposited piles of animal blood and guts in front of the establishment, with protesters donning transparent tracksuits with "I Wish Ana Mendieta Was Still Alive" written on them. In March 2015, the No Wave Performance Task Force and a group of feminist poets from New York City traveled to Beacon, New York, to protest the Andre retrospective at Dia Beacon, where they cried loudly