like The Boys From Doraville, struggled with sales. In 1982 ARS worked on a second album for CBS, to be titled Longing For A Feeling ("Sleep With One Eye Open", another title on the unreleased album, had also been put forth as a possible title). Before completion, CBS wanted the band to drop some of the tracks and record more. Buie and the band refused, the album was shelved, and CBS dropped its contract with ARS. "It kind of put the brakes on their career", said producer Bill Lowery, "And the other problem was that we couldn't get out of our contract. From what I remember, they toyed with us for months." Late in 1982, singer Ronnie Hammond decided to leave ARS for a solo career, joined by Buie (who ceased managing ARS), though their work with Alabama musicians never resulted in commercial release. After buying out his partners, Buie continued to run Studio One until 1986 when he sold it to Georgia State University. Unfortunately, the cost of running the studio was too high and it was closed in 1989. Buie died at age 74 on July 18, 2015. Drummer Roy Yeager tripped over a fallen tree while the band was on tour in Daytona Beach in 1982 and suffered a severe broken leg. One of the band's road crew, Danny Biget, took over on drums, and ARS persuaded Rodney Justo to return to do some shows in early 1983. Justo had moved from session singer to lead singer again in the mid-1970s with a group from Alabama called Beaverteeth. He then left the music industry for a number of years and eventually took up a sales position with a wine company. During 1983–1984, the group went to Nashville and tried working with Buddy Buie's former associate Chips Moman, a more country-oriented producer, on a proposed new record label called Triad, in conjunction with producer Buddy Killen and former Capricorn Records head Phil Walden. But results were slow to come and, dissatisfied with the country music direction, bassist Paul Goddard and drummer Biget left to work with British producer Eddy Offord in another band with former Dixie Dregs keyboardist T Lavitz and guitarist Pat Buchanan, called Interpol, that was in a more progressive rock direction; unfortunately, Interpol never got off the ground. The Chips Moman Nashville project, which was given the tentative name Hardball, was completed but the album,