the same principles, and the final cost, $9,800,449.07, was completely paid when the Capitol Commission dissolved in 1935. Competition program One of the Capitol Commission's first actions was to hire Omaha architect Thomas Rogers Kimball to serve as the commission's professional advisor. Kimball, who was president of the American Institute of Architects, devised a two-stage competition for the selection of a capitol architect. In the preliminary stage, the commission invited Nebraska architects to submit capitol designs and hired Irving Kane Pond to serve as judge. Together, Pond and the commission selected Ellery L. Davis (Lincoln), John Latenser & Sons (Omaha), and John McDonald and Alan McDonald (Omaha) to compete in the final stage. Next the commission opened the final stage to nationally known architects including: Bliss & Faville (San Francisco), Bertram Grosvenor Goodhue (New York), H. Van Buren Magonigle (New York), McKim, Mead, and White (New York), John Russell Pope (New York), Tracy & Swartwout (New York), and Paul Cret and Zantzinger, Borie and Medary (Philadelphia). Kimball wrote an innovative competition program that did not dictate plan, style, or material for the capitol. The program did state, however, the commission's desire that the architect collaborate with "sculptor, painter, and landscapist" to create a unified design. Finally, Kimball organized the competition so that the jury was selected only after the ten competitors had submitted their designs to the Capitol Commission. The designs were identified by numbers and "separate sealed envelopes contained the architects' names and plan numbers." Next, the Capitol Commission chose the first of three competition jurors, Waddy Butler Wood; the competitors chose the second, James Gamble Rogers; and Wood and Rogers chose the third, Willis Polk. On June 26, 1920, the jury chose the author of design "Number 4" as the architect of the Nebraska State Capitol. The author of design "Number 4" was Bertram Grosvenor Goodhue. Goodhue's design Goodhue designed the Nebraska State Capitol in a roughly Classical architectural style, and he felt "impelled to produce something quite unlike the usual...thing of the sort, with its veneered order and invariable Roman dome." Goodhue employed Classical principles of geometric form and hierarchical arrangement but eliminated the traditional use of columns, pediments, and domes. In addition to the restrained Classical vocabulary, Goodhue mixed elements of Achaemenid, Assyrian, Byzantine, Gothic, and Romanesque architecture. Goodhue was a well-established church architect. He designed St. Bartholomew's Church (New York), the West Point Cadet Chapel,