André, who disliked to travel, was on tour for the first (and for the only) time abroad, in European countries as Austria, Germany and Switzerland. In 1984 it was released Crêuza de mä, in collaboration with the polystrumentist Mauro Pagani, a former component of PFM. This album is very unusual, with music inspired by the mediterranean music involving a rich set of instruments from different traditions of that area, resulting in an original contaminated kind of World music, and entirely sung in Genoese. David Byrne, talking to Rolling Stone, named the album as one of the most important releases of the decade. In 1985 De André promised to his dying father to stop of his abuse of alcohol. Anyway, he continued to be a heavy smoker. In 1989 De André married Dori Ghezzi. Their marriage testimony was the actor and long-life friend Beppe Grillo. In the same year, died his brother Mauro, who used to work as a corporate lawyer and who helped also Fabrizio in pursuing his career. 1990s In 1990 De André released Le nuvole, with the collaboration of Pagani for the music compositions. The album is arranged by Piero Milesi. The first half of album (side A) is sung in Italian, when the second half (side B) is sung in different languages from Italy (Sardinian, Genoese, Neapolitan). The album credited also Francesco Baccini for some verses of the song Ottocento; later Baccini recorded a duo with De André named Genova Blues. In 1991 made a tour, from which was released the double live album 1991 Concerti. De André collaborated also with the band Tazenda, singing a song in Sardinian (Etta Abba Chelu) and coauthored the song Pitzinnos in sa gherra, both included in their album Limba released in 1992. He sang in Old Occitan with the band Troubaires de Coumboscuro (Mis Amour) in 1995. In 1994 he performed the song Cielito Lindo singing in Spanish as opening in an Italian TV show with this same name. In 1996 he released his last album, Anime Salve in collaboration with Ivano Fossati. The arrangements are by Milesi. Fossati also duets with De André in two of the songs, the tile-track and Â cùmba. This album is a concept album about the topic of solitude. The first song of the album, Prinçesa, is inspired by the autobiography of the transsexual Fernanda Farias De Albuquerque. This song was awarded of the