by XXL's "The Greatest Day in Hip Hop". An Atlanta radio station gathered musicians for "A Great Day in Doo-Wop". A New York cellist, inspired by both the original photograph and the film, assembled chamber musicians for "A Great Day in New York". The New York Post ran "A Great Day in Spanish Harlem". The photograph was a key plot point in Steven Spielberg's 2004 film The Terminal. The film starred Tom Hanks as Viktor Navorski, a character who comes to the United States in search of Benny Golson's autograph, with which he can complete his deceased father's collection of autographs from the musicians pictured in the photo. Golson himself made a cameo appearance in the film.Lorne Graham, "A Great Day in Harlem/The Terminal", NEMC article. Homages 1998: "A Great Day in Hip-Hop" — for this photograph by Gordon Parks, commissioned by XXL magazine, 177 hip-hop artists gathered on the stoop of number 17 as well as those of the buildings on either side.Sarah Goodyear, "Stoop Summit — How a Harlem brownstone was immortalized when the living legends of jazz assembled there for an iconic photograph" , New York Daily News, August 12, 2016. 2004: "A Great Day in London" — in an initiative inspired by Art Kane's photograph, 50 writers of Caribbean, Asian and African descent making a significant contribution to contemporary British literature gathered to be photographed on the steps of the British Museum in London. 2007: "A Great Day on Eldridge St." - inspired by Kane's photograph, Yale Strom corralled a score of leading klezmer musicians who gathered on the steps of the Eldridge St. Synagogue to commemorate the 30 years of the klezmer revival. 2008: "A Great Day in Paris" — more than 50 musicians from the US who were then residing in Paris, France, took part in a historic photo session. The project was initiated by Ricky Ford, who has said: "2008 was the 50th anniversary of the photo "A Great Day in Harlem” that Art Kane had taken in 1958 of all those jazz musicians in Harlem. I thought it would be a good idea to do the same thing with the American jazz musicians that lived in France. It took a year to prepare. Musicians from all over France came. Philippe Lévy-Stab took a group photo on the steps of Montmartre and Michka Saäl started to work on a documentary film of those