piano) is a kind of piano that includes a pedalboard There are two types of pedal piano: A pedal board integrated with a manual piano instrument, using the same strings and mechanism as the manual keyboard An independent, pedal played piano with its own mechanics and strings, placed below a regular piano Wolfgang Amadeus Mozart owned a fortepiano with independent pedals, built for him in 1785. Robert Schumann had an upright pedal piano with 29 notes. In the 21st century, pedal pianos, the Doppio Borgato are made in the Borgato workshop in Italy. The bass pedalboard has 37 notes, A0 to A3 (rather than the standard 30 or 32 on an organ). Carillon Some large carillon systems for playing church bells include a pedalboard for the lowest-pitched bells. Carillon pedal keys activate a pull-down coupler that visibly moves the keys of the manual clavier and heavy clappers for the largest bells. These keys resemble the "button keys" of early organs, and are played by the player's toes. Because this non-legato technique involves no sliding, shoes with leather soles are not required. In non-classical music Jazz organ After jazz organist Jimmy Smith popularized the Hammond organ in jazz in the 1950s, many jazz pianists "... who thought that getting organ-ized would be a snap ..." realized that the Hammond "... B-3 required not only a strong left hand, but studied coordination on the pedals to create the strong and solid "jazz bass" feel." Barbara Dennerlein combines advanced pedalboard techniques with agile playing on the manuals. Organists who play the bassline on the lower manual may do short taps on the bass pedals – often on the tonic of a tune's key and in the lowest register of the pedalboard – to simulate the low, resonant sound of a plucked upright bass string. In popular music, pedaling style may be more varied and idiosyncratic, in part because jazz or pop organists may be self-taught. Also, pedaling styles may differ due to the design of electromechanical organs and spinet organs, many of which have shorter pedalboards designed to play primarily with the left foot, so that the right foot can control a volume (swell) pedal. Rock and fusion In the 1970s, some progressive rock groups such as Yes, Pink Floyd, Genesis, Atomic Rooster and Rush used standalone Moog Taurus bass pedalboard synths, which were nicknamed "bass pedals" (despite the fact that the Taurus