Lewis Theobald (baptised 2 April 1688 – 18 September 1744), English textual editor and author, was a landmark figure both in the history of Shakespearean editing and in literary satire. He was vital for the establishment of fair texts for Shakespeare, and he was the first avatar of Dulness in Alexander Pope's The Dunciad. Life and work Lewis Theobald was the son of Peter Theobald, an attorney, and his second wife, Mary. He was born in Sittingbourne, Kent, and baptized there on 2 April 1688. When Peter Theobald died in 1690, Lewis was taken into the Rockingham household and educated with the sons of the family, which gave him the grounding in Greek and Latin that would serve his scholarship throughout his career. As a young man, he was apprenticed to an attorney and then set up his own law practice in London. In 1707, possibly while he was apprenticing, he published A Pindaric Ode on the Union of Scotland and England and Naufragium Britannicum.. In 1708 his tragedy The Persian Princess was performed at Drury Lane. Theobald translated Plato's Phaedo in 1714 and was contracted by Bernard Lintot to translate the seven tragedies of Aeschylus but didn't deliver. He translated Sophocles's Electra, Ajax, and Oedipus Rex in 1715. Theobald also wrote for the Tory Mist's Journal. He attempted to make a living with drama and began to work with John Rich at Drury Lane, writing pantomimes for him including Harlequin Sorcerer (1725), Apollo and Daphne (1726), The Rape of Proserpine (1727), and Perseus and Andromeda (1730); many of these had music by Johann Ernst Galliard. He also probably plagiarized a man named Henry Meystayer. Meystayer had given Theobald a draft of a play called The Perfidious Brother to review, and Theobald had it produced as his own work. Theobald's fame and contribution to English letters rests with his 1726 Shakespeare Restored, or a Specimen of the many Errors as well Committed as Unamended by Mr Pope in his late edition of this poet; designed not only to correct the said Edition, but to restore the true Reading of Shakespeare in all the Editions ever published. Theobald's variorum is, as its subtitle says, a reaction to Alexander Pope's edition of Shakespeare. Pope had "smoothed" Shakespeare's lines, and, most particularly, Pope had, indeed, missed many textual errors. In fact, when Pope produced a second edition of his Shakespeare in 1728, he