in 1919, married in 1921, and returned to legal practice. He became a respected and loved figure in the Forest of Dean. He worked largely as a defence solicitor (his own captivity convincing him that incarceration was destructive and pointless), and became known as the "poor man's solicitor". His work was not financially successful, and in the 1930s he sold off his practice. In 1920 he published a memoir of his prison-camp experiences, Comrades in Captivity; and in 1921 Farewell, an acknowledgement of his intention to remove himself from the literary world. He had a brief creative union with his great friend and collaborator, Ivor Gurney. Gurney had written "After-Glow" and "To His Love" for Harvey, on hearing of his supposed death in 1916; and "Ypres-Minsterworth" as a gesture of solidarity with him in his captivity. Their reunion was cut sadly short by Gurney's mental breakdown in 1922. Harvey's gift for oration and his versatile voice and scripting led him to become a popular broadcaster at the BBC, Bristol, where he used his popularity to promote the Forest of Dean, its people and traditions. He furthered local choirs, musicians and young authors such as Leonard Clark. He was friends with Rutland Boughton and the local MP, Morgan Philips Price, who worked with him to promote the arts and the interests of Foresters. Later years In later life Harvey craved the comradeship he had found in the trenches and was saddened that the new social order he had expected never appeared. His later poetry of remembrance captured those feelings, but retained the essential humour of his early work and included verse in local dialect. He died in 1957 and was buried at Minsterworth. Personal life In 1921 Harvey married Anne Kane, an Irish nurse. They had two children, Eileen Anne (born 1922) and Patrick (born 1925). He led a Bohemian lifestyle, rejecting material values, and often recklessly gave away his professional services and income. Reputation and legacy Harvey's poems published during and immediately after World War I were acclaimed, and his status was acknowledged when a collection was published in 1926 in the Augustan Books of Modern Poetry series, edited by Edward Thompson. The lyricism of his poetry led to it being set to music by his friends Ivor Gurney, Herbert Howells and Sir Herbert Brewer, and others, including post-war composers such as Johnny Coppin. His work is noted particularly for