Prince Far I (23 March 1945 – 15 September 1983) was a Jamaican reggae deejay and producer, and a Rastafarian. He was known for his gruff voice and critical assessment of the Jamaican government. His track "Heavy Manners" used lyrics about government measures initiated at the time against violent crime. Biography He was born Michael James Williams in Spanish Town, Jamaica. Williams' first job in the music industry was as a deejay on the Sir Mike the Musical Dragon sound system, also working as a security guard at Joe Gibbs' studio, and later as a bouncer at Studio One, but after recording "The Great Booga Wooga" for Bunny Lee in 1969 (under the name King Cry Cry, a reference to his habit of breaking into tears when angered), he got the chance in 1970 to record for Coxsone Dodd when King Stitt failed to turn up for a session. Dodd was sufficiently impressed to release the resulting recordings, Williams now using the name Prince Far I at the suggestion of another producer he had worked with, Enos McLeod). With a unique deep bass voice and talking over style, preferring to describe himself as a "chanter" rather than a "toaster", he became a popular reggae musician, styling himself "The Voice of Thunder". His first album, Psalms For I, featuring the Lord's Prayer and various psalms, was dedicated to the illiterate who could not read the Bible for themselves. He then worked with Joe Gibbs on the second album, Under Heavy Manners, before being signed by Virgin Records for their Frontline label. Twelve albums followed between 1978 and 1981, including the highly regarded Cry Tuff Dub Encounter series of dub albums, produced by Williams and released on his Cry Tuff label, and featuring the Roots Radics under the pseudonym The Arabs. Spending an increasing amount of time in England, he also collaborated with UK On-U Sound Records including providing vocals in the reggae collective Singers & Players and may be considered a mentor figure to Adrian Sherwood. His final live performance took place on 7 December 1982 at Band on the Wall, Manchester, where he performed with Suns of Arqa This performance is captured on his album Musical Revue. In 1983, he provided vocals on Suns of Arqa's second LP Wadada Magic, and many of these vocals have been reused by the band repeatedly on a variety of tracks and remixes, ranging