representation of the visible world in a traditional perspective space, but the unusual arrangement of human beings as dummy-like models, objects in strange, illogical contexts, the unreal lights and colors, the unnatural static of still figures. Novecento Italiano Novecento movement, group of Italian artists, formed in 1922 in Milan, that advocated a return to the great Italian representational art of the past. The founding members of the Novecento (Italian: 20th-century) movement were the critic Margherita Sarfatti and seven artists: Anselmo Bucci, Leonardo Dudreville, Achille Funi, Gian Emilio Malerba, Piero Marussig, Ubaldo Oppi, and Mario Sironi. Under Sarfatti's leadership, the group sought to renew Italian art by rejecting European avant-garde movements and embracing Italy's artistic traditions. Other artists associated with the Novecento included the sculptors Marino Marini and Arturo Martini and the painters Ottone Rosai, Massimo Campigli, Carlo Carrà, and Felice Casorati. Spatialism Movement founded by the Italian artist Lucio Fontana as the movimento spaziale, its tenets were repeated in manifestos between 1947 and 1954. Combining elements of concrete art, dada and tachism, the movement's adherents rejected easel painting and embraced new technological developments, seeking to incorporate time and movement in their works. Fontana's slashed and pierced paintings exemplify his theses. Arte Povera Arte Povera an artistic movement that originated in Italy in the 1960s, combining aspects of conceptual, minimalist, and performance art, and making use of worthless or common materials such as earth or newspaper, in the hope of subverting the commercialization of art. The phrase is Italian, and means literally, "impoverished art." Transavantgarde The term Transavantgarde is the invention of the Italian critic Achille Bonito Oliva. He has defined Transavantgarde art as traditional in format (that is, mostly painting or sculpture); apolitical; and, above all else, eclectic. List of major museums and galleries in Italy Advocacy and restrictions According to the 2017 amendments to the Italian Codice dei beni culturali e del paesaggio, a work of art can be legally defined of public and cultural interest if it was completed at least 70 years before. The previous limit was 50 years. To make easier the exportations and the international commerce of art goods as a store of value, for the first time it was given to the private owners and their dealers the faculty to self-certify a commercial value less than 13.500 euros, in order to be authorized to transport goods out of the country's borders and into the