Steven Jay "Jesse" Bernstein (December 4, 1950 – October 22, 1991) was an American underground writer and performance artist. He remains famous for his recordings with Sub Pop records and close relationship with William S. Burroughs. Bernstein's substance abuse issues and mental illness contributed to his provocative local celebrity, though they ultimately culminated in his suicide. History Bernstein was born in Los Angeles, California. His substance abuse issues began as the aftermath of his stay in the Camarillo State Hospital in Camarillo, California as an adolescent. He moved to Seattle, Washington in January 1967, where he adopted the moniker Jesse, and began performing and self-publishing chapbooks of his poetry, the first of which was Choking On Sixth, 1979). Bernstein would become something of an icon to many in Seattle's underground music scene. Notable fans included Kurt Cobain and Oliver Stone. Though often noted for his connection to grunge and punk rock, Bernstein saw himself primarily as a poet and his live performances in Seattle, such as his regular readings at the Dogtown Poetry Theater and Red Sky Poetry Theatre, were influential in Seattle, and he is credited as a major influence by many local poets from his era. Bernstein's mental illness was not as alarming as it might have been off the stage, as his drug-reinforced manic episodes were harnessed and channeled into engrossing, often perverse, entertainment. He opened for music acts such as Nirvana, Big Black, Soundgarden, U-Men, and Cows. According to Regina Hackett, art critic for the Seattle Post-Intelligencer: Some of Bernstein's bizarre on-stage antics were fueled by alcohol and some (like the performance with a mouse), were deliberate. Bernstein was clean and sober from 1981 to 1990, despite the ravages of bipolar disorder and posttraumatic stress disorder. The concept for the Bernstein album Prison was for Jesse to do a raw live performance at the State Penitentiary Special Offenders unit in Monroe, Washington in 1991. Jesse went with his manager Barbara Buckland, Bruce Pavitt from Sub Pop Records, Grant Alden (then a writer for Rocket magazine and later the co-founder of No Depression magazine), photographer Arthur S. Aubry, and various technical assistance people. None of the session except for the photos taken by Aubry was usable. Sub Pop later contracted Steve Fisk to finish the project. The album was intended to be produced along the same lines as Johnny Cash's At Folsom Prison, but Fisk later decided