designed by Seattle architect James Stephen, and was located on the cathedral block, at the corner of Terry Avenue and Columbia Street. The diocese of Nisqually was officially renamed the Diocese of Seattle on September 11, 1907, and the cathedral was dedicated on December 22 of that year. On February 2, 1916, the 60-foot dome which crowned the cathedral collapsed under the weight of heavy snow accumulation. The dome was never rebuilt, and when the cathedral reopened on March 18, 1917, the interior had changed dramatically. Another major renovation took place in 1950, marking the centennial of the diocese. In 1984, the Seattle city council designated the cathedral, rectory, and grounds as a city landmark. In 1994, the cathedral underwent its most recent major restoration and renovation, which sought to incorporate changes brought about by the Second Vatican Council. The liturgical design consultant for the renovation was Father Richard S. Vosko, a priest of the Diocese of Albany who has overseen the redesign and renovation of numerous churches and cathedrals around the country. These changes included moving the altar from its original location at the east end of the cathedral to the crossing at the center of the building. The renovation also included the installation of an oculus and skylight above the new altar, where the dome had been. As part of the 1994 renovation, relics of St. Frances Xavier Cabrini were sealed beneath the altar; Cabrini had worshiped at the cathedral while she worked in Seattle from 1903 to 1916. The cathedral today sponsors numerous outreach ministries, to the poor, the homeless, and the marginalized, such as the Cathedral Kitchen, Homeless Ministry & Nightwatch, St. Vincent de Paul, Environmental Justice, Housing Advocacy, and St. James Immigrant Assistance Program. These are operated out of Cathedral Hall and the Pastoral Outreach Center, once the convent of the Sisters of the Holy Names of Jesus and Mary, who run Holy Names Academy. Exterior Major artwork at St. James Cathedral include an extensive collection of stained glass by Charles Connick, installed in 1917-1920 during the rebuilding of the cathedral following the collapse of the dome. In 1994, three new windows were added, the work of Hans Gottfried von Stockhausen, a noted German stained-glass artist, who has served on the faculty of the Pilchuck School. In 1999, ceremonial bronze doors were added, the work of German sculptor Ulrich Henn. The central bronze doors portray