White's The Twyborn Affair tries to conform to expectations of pre–World War II Australian masculinity but cannot, and instead, post-war, tries out another identity—and gender—overseas. Peter Carey has toyed with the idea of a national Australian identity as a series of 'beautiful lies', and this is a recurrent theme in his novels. Andrew McGahan's Praise (1992), Christos Tsiolkas's Loaded (1995), Justine Ettler's The River Ophelia (1995) and Brendan Cowell's How It Feels (2010) introduced a grunge lit, a type of 'gritty realism' take on questions of Australian identity in the 1990s, though an important precursor to such work came some years earlier with Helen Garner's Monkey Grip (1977), about a single mother living on and off with a male heroin addict in Melbourne share housing. Australian literature has had several scandals surrounding the identity of writers. In the 1930s, a misunderstanding with a printer caused Maude Hepplestone's bush poetry collection "Songs of the Kookaburra" to be mistakenly lauded internationally as a modernist masterpiece. The 1944 Ern Malley affair led to an obscenity trial and is often blamed for the lack of modernist poetry in Australia. To mark the 60th anniversary of the Ern Malley affair, another Australian writer, Leon Carmen, set out to make a point about the prejudice of Australian publishers against white Australians. Unable to find publication as a white Australian he was an instant success using the false Aboriginal identity of "Wanda Koolmatrie" with My Own Sweet Time. In the 1980s Streten Bozik also managed to become published by assuming the Aboriginal identity of B. Wongar. In the 1990s, Helen Darville used the pen-name "Helen Demidenko" and won major literary prizes for her Hand that Signed the Paper before being discovered, sparking a controversy over the content of her novel, a fictionalised and highly tendentious account of the Nazi occupation of the Ukraine. Mudrooroo—previously known as Colin Johnson—was acclaimed as an Aboriginal writer until his Aboriginality came under question (his mother was Irish/English and his father was Irish/African-American, however he has strong connections with Aboriginal tribes); he now avoids adopting a specific ethnic identity and his works deconstruct such notions. Poetry Poetry played an important part in early Australian literature. The first poet to be published in Australia was Michael Massey Robinson (1744-1826), convict and public servant, whose odes appeared in The Sydney Gazette. Charles Harpur and Henry Kendall were the first poets of any consequence. Henry