Kenneth Adolphe Slessor (27 March 190130 June 1971) was an Australian poet, journalist and official war correspondent in World War II. He was one of Australia's leading poets, notable particularly for the absorption of modernist influences into Australian poetry. The Kenneth Slessor Prize for Poetry is named after him. Early life Slessor was born Kenneth Adolphe Schloesser in Orange, New South Wales. As a boy, he lived in England for a time with his parents and in Australia visited the mines of rural New South Wales with his father, a Jewish mining engineer whose father and grandfather had been distinguished musicians in Germany. His family moved to Sydney in 1903. Slessor attended Mowbray House School (1910–1914) and the Sydney Church of England Grammar School (1915–1918), where he began to write poetry. His first published poem, "Goin'", about a wounded digger in Europe, remembering Sydney and its icons, appeared in The Bulletin in 1917. Slessor passed the 1918 NSW Leaving Certificate with first-class honours in English and joined the Sydney Sun as a journalist. In 1919, seven of his poems were published. He married for the first time in 1922. Career Slessor made his living as a newspaper journalist, mostly for The Sun, and was a war correspondent during World War II (1939–1945). In that capacity, he reported not only from Australia but from Greece, Syria, Libya, Egypt, and New Guinea. Slessor also wrote on rugby league football for the popular publication Smith's Weekly. The bulk of Slessor's poetic work was produced before the end of World War II. His poem "Five Bells"—relating to Sydney Harbour, time, the past, memory, and the death of the artist, friend and colleague of Slessor at Smith's Weekly, Joe Lynch—remains probably his best known poem, followed by "Beach Burial", a tribute to Australian troops who fought in World War II. In 1965, Australian writer Hal Porter wrote of having met and stayed with Slessor in the 1930s. He described Slessor as: ...a city lover, fastidious and excessively courteous, in those qualities resembles Baudelaire, as he does in being incapable of sentimentalizing over vegetation, in finding in nature something cruel, something bordering on effrontery. He prefers chiselled stone to the disorganization of grass. Ronald McCuaig was the first to produce an in-depth review of Kenneth Slessor (in The Bulletin in August 1939 and republished in "Tales out of bed" (1944)). The review was favourable, ranking Slessor