William Gifford (April 1756 – 31 December 1826) was an English critic, editor and poet, famous as a satirist and controversialist. Life Gifford was born in Ashburton, Devon, to Edward Gifford and Elizabeth Cain. His father, a glazier and house painter, had run away as a youth with vagabond Bampfylde Moore Carew, and he remained a carouser throughout his life. He died when William was thirteen; his mother died less than a year later. He was left in the care of a godfather who treated him with little consistency. Gifford was sent in turn to work as a plough boy, a ship's boy, student, and cobbler's apprentice. Of these, Gifford cared only for the life of a student, and he continued to write verses as he learned the cobbler's trade. Gifford's fortunes changed when his first poetical efforts came to the attention of an Ashburton surgeon, William Cookesley. Cookesley raised a subscription to have the boy's apprenticeship bought out and he returned to school. By 1779 he had entered Exeter College, Oxford as a bible clerk (that is, a servitor), matriculating on 16 February 1779 and graduating B.A. 10 October 1782. Already while at Oxford, he had begun work on his translation of Juvenal. After graduation, he earned the patronage of Lord Grosvenor. He spent most of the ensuing decade as tutor to Grosvenor's son. In course of time he produced his first poem, The Baviad (1791), a satire directed against the Della Cruscans, a group of sentimental and to Gifford's conservative mentality dangerously radical poets. The Baviad is a 'paraphrastic' (that is, according to the OED, a work having 'the nature of a paraphrase') 'imitation' of the first satire of the Roman poet Persius (34–62 A.D.). Persius's satire deals with the degenerate state of contemporary literature. Both literature and literary taste have become corrupt, and for him as for Gifford, poetic corruption mirrors political corruption: the decline in modern poetry reflects the decline of modern morals. The Baviad was followed by another satire, The Maeviad (1795), against some minor dramatists. His last effort in this line was his Epistle to Peter Pindar (Dr. John Wolcot) (1800), inspired by personal enmity, which evoked a reply, A Cut at a Cobbler and a public letter in which Wolcot threatened to horse-whip Gifford. Gifford and Wolcot met in Wright's bookshop in Piccadilly on 18 August 1800. According to most contemporary accounts, Wolcot