Kelvingrove Art Gallery and Museum is a museum and art gallery in Glasgow, Scotland. It reopened in 2006 after a three-year refurbishment and since then has been one of Scotland's most popular visitor attractions. The museum has 22 galleries, housing a range of exhibits, including Renaissance art, taxidermy, and artefacts from ancient Egypt. Location The gallery is located on Argyle Street, in the West End of the city, on the banks of the River Kelvin (opposite the architecturally similar Kelvin Hall, which was built in matching style in the 1920s, after the previous hall had been destroyed by fire). It is adjacent to Kelvingrove Park and is near the main campus of the University of Glasgow on Gilmorehill. Original museum The original Kelvingrove Museum opened in 1876. It was housed in a much enlarged 18th-century mansion called Kelvingrove House, to the north-east of the current site, that was originally the home of Lord Provost Patrick Colquhoun. Creation (1888–1901) The construction of Kelvingrove was partly financed by the proceeds of the 1888 International Exhibition held in Kelvingrove Park. The gallery was designed by Sir John W. Simpson and E.J. Milner Allen, and opened in 1901 as the Palace of Fine Arts for the Glasgow International Exhibition held in that year. It is built in a Spanish Baroque style, follows the Glaswegian tradition of using Locharbriggs red sandstone, and includes an entire program of architectural sculpture by George Frampton, William Shirreffs, Francis Derwent Wood and other sculptors. The centrepiece of the Centre Hall is a concert pipe organ constructed and installed by Lewis & Co. The organ was originally commissioned as part of the Glasgow International Exhibition, held in Kelvingrove Park in 1901. The organ was installed in the concert hall of the exhibition, which was capable of seating 3,000 people. The Centre Hall of the then newly completed Art Gallery and Museum was intended from the beginning to be a space in which to hold concerts. When the 1901 exhibition ended, a Councillor urged the Glasgow Corporation (now Glasgow Council) to purchase the organ, stating that without it, "the art gallery would be a body without a soul". Purchase price and installation costs were met from the surplus exhibition proceeds, and the organ was installed in the Centre Hall by Lewis and Co. The present case front in walnut with non-functional display pipes was commissioned at this time from John W.