Thomas Louis Berger (July 20, 1924 – July 13, 2014) was an American novelist. Probably best known for his picaresque novel Little Big Man and the subsequent film by Arthur Penn, Berger explored and manipulated many genres of fiction throughout his career, including the crime novel, the hard-boiled detective story, science fiction, the utopian novel, plus re-workings of classical mythology, Arthurian legend, and the survival adventure. Berger's biting wit led many reviewers to refer to him as a satirist or "comic" novelist, descriptions he preferred to reject. His admirers often bemoaned that his talent and achievement were underappreciated, in view of his versatility across many forms of fiction, his precise use of language, and his probing intelligence. Biography Born in Cincinnati, Ohio, Thomas Berger grew up in the nearby community of Lockland. He interrupted his college career to enlist in the United States Army in 1943. Berger served in Europe during World War II and was stationed with a medical unit in the first U.S. Occupation Forces in Berlin, experiences which later provided him with background for his first novel, Crazy in Berlin, published in 1958. On his return, he studied at the University of Cincinnati, receiving a B.A. in 1948. He then pursued graduate work in English at Columbia University, leaving his thesis unfinished to enroll in the writer's workshop at the New School for Social Research. Here Berger met and married an artist, Jeanne Redpath, in 1950. He supported himself during this time by working as a librarian at the Rand School of Social Science, and was briefly on staff at the New York Times Index. Berger later became a copy editor at Popular Science Monthly, and performed freelance editing during the early years of his writing career. Eventually, Berger was able to devote himself to writing full-time, particularly after the notoriety gained by his third book, Little Big Man, in 1964. Although he would occasionally put his hand to a short story, play, or non-fiction article (including a stint as film critic for Esquire), Berger preferred the long narrative form of the novel, and produced a steady run of critically acclaimed books throughout his career. In 1984 his book The Feud was nominated by the Pulitzer committee for fiction for the Pulitzer Prize, but the Pulitzer board overrode their recommendation and instead chose William Kennedy's Ironweed. In 1974, Berger was a writer in residence at the University