The portraits of Vincent van Gogh (1853–1890) are the self-portraits, portraits of him by other artists, and photographs—one of which is dubious—of the Dutch artist. Van Gogh's dozens of self-portraits were an important part of his œuvre as a painter. Most probably, van Gogh's self-portraits are depicting the face as it appeared in the mirror he used to reproduce his face, i.e. his right side in the image is in reality the left side of his face. Self-portraits 1885 On July 14, 2022, an almost certainly authentic self-portrait of van Gogh was uncovered under his 1885 painting "Head of a peasant woman". Lesley Stevenson, a conservator at the Scottish National Gallery of Modern Art, discovered it during an X-ray examination of their existing pieces. It shows a bearded van Gogh in a brimmed hat and a neckerchief around his throat. His left ear was clearly visible. The portrait is covered under layers of cardboard and glue, which experts are searching for ways to remove in order to confirm its authenticity. They believe it was painted when van Gogh moved to France and learnt about the work of the impressionists there, an experience that influenced his more colourful and expressive style that is much admired today. The Dutch painter is known to often reuse his canvases or work on their reverse in order to save money. The X-ray image will be featured at a Royal Scottish Academy exhibit in Edinburgh and displayed using a specially made lightbox. Paris 1886 The first self-portrait by van Gogh that survived, is dated 1886. Paris 1887 Arles Saint-Rémy All the self-portraits executed in Saint-Rémy show the artist's head from the left, i.e. the side with non-mutilated ear. Auvers-sur-Oise No self-portraits were executed by van Gogh in Auvers-sur-Oise, during the final weeks of his life. Remarks F208a: Self-Portrait with Dark Felt Hat is amongst the earliest of van Gogh's self-portraits. It was discovered late in the family collection and was not exhibited before 1945. Opinions differ about the date and place of its execution. De la Faille thought it painted in Antwerp before 1886, while Hulsker thought it painted in Paris in spring 1886. Hendriks and Tilborgh opt for autumn 1886, based on its resemblance to van Gogh's work that winter when he began to embrace Neo-impressionism. X-ray analysis reveals a nude figure study below. Since students did not work from nude models at Antwerp, this