LOVE Wall, AHAVA, AMOR, and ONE Through ZERO (The Ten Numbers). Indiana’s own hard-edged painterly aesthetic paved the way for the later sculptural editions which would translate this into three dimensions. In the aftermath of the September 11, 2001, attacks, Indiana created his series of Peace Paintings which were exhibited at the Paul Kasmin Gallery in New York in 2004. Between 1989 and 1994, Indiana painted a series of 18 canvases inspired by the shapes and numbers in the War Motif paintings that Marsden Hartley did in Berlin between 1913 and 1915. Indiana was also a theatrical set and costume designer; he designed Santa Fe Opera's 1976 production of Virgil Thomson's The Mother of Us All, based on the life of suffragist Susan B. Anthony. He was the star of Andy Warhol's film Eat (1964), which is a 45-minute film of Indiana eating a mushroom. Warhol also made the brief silent film Bob Indiana Etc. (4 minutes, 1963), a portrait of the artist with appearances by Wynn Chamberlain and John Giorno. Indiana's series of monumental sculptures of the digits zero through to nine, ONE Through ZERO (The Ten Numbers) has been displayed in several cities since its 1980 creation. LOVE Indiana's best known image is the word love in upper-case letters, arranged in a square with its trademarked tilted letter "O". The iconography first appeared in a series of poems originally written in 1958, in which Indiana stacked LO and VE on top of one another. The first paintings addressing the subject of love were 4-Star Love (1961) and Love Is God (1964). The art historian Susan Elizabeth Ryan wrote that in 1964 LOVE had been a "more explicit four-letter word — beginning with F, and with a second letter, a U, intriguingly tilted to the right." Indiana and Kelly had been in a rocky relationship and Indiana had been working on word paintings. She adds "The two men were in the habit of exchanging postcard-size sketches, with Mr. Kelly laying down fields of color and Mr. Indiana adding large words atop the abstractions." Indiana’s red, blue, and green LOVE painting was then selected to appear on the Museum of Modern Art’s annual Christmas card in 1965. In an interview Robert Indiana said "It was the most profitable Christmas card the museum ever published." Indiana said he was inspired to use these colors because his father used to work at