The Underground Literary Alliance is a Philadelphia-based and internationally membered group of writers, zinesters and DIY writers. They seek to expose what they see as the corruption and insularity in the American book-publishing establishment while providing alternative avenues for writers who don't easily fit into mainstream institutions and agendas. Among many other activities, they have gained considerable attention for their exposure of an insular literary practice whereby establishment authors serve on juries to award monetary prizes to their writing friends. In particular they have been able to point out cases where the prizewinning authors are in fact already wealthy, and thus can be seen as taking money from other authors who actually need it. In general the ULA favors direct, vernacular writing over the more cryptic and mannered styles of the present-day academy. They present their literary aesthetic in their communal lit-zine, Slush Pile. A quote from Karl Wenclas, the organization's Publicity Director: "The Underground Literary Alliance is the most controversial writers' group in America. We stand up for writers, expose corruption in the publishing world, and work to create a fun & exciting alternative to the literary mainstream." History The Underground Literary Alliance has its roots in the independent zine scene that flourished in the 1990s. The founders of the group were zinesters who connected with each other through A Reader's Guide to the Underground Press or through other underground writers. These founders, and their zines, were: Karl Wenclas, New Philistine; Michael Jackman, inspector 18; Steve Kostecke, Seoul in Slices; Joe Smith, The Die; Ann Sterzinger, Bottle-Fed; and Doug Bassett, a literary theorist. The six of them met in Hoboken, New Jersey, in October, 2000, in order to launch the group and commence their activism by signing a statement of protest against a Guggenheim grant given to Rick Moody, an already-wealthy writer. The text of the statement read as follows: We the undersigned protest the year 2000 Guggenheim grant to well-known author Rick Moody, because it exemplifies the practice of giving financial assistance to already successful and affluent writers, well-connected, who clearly don’t need the help—while other writers abjectly struggle—and because this runs counter to the implicit charitable purpose behind the tax-exempt status of a foundation like John Simon Guggenheim. In addition to the six who met in Hoboken, this protest was later signed by over 30 other zinesters. It was also sent out to approximately 300 of the