back to the audience. Throughout his childhood, he had a wide range of musical influences, including The Beatles, Fleetwood Mac, The Who, Pearl Jam, Soundgarden, Alice in Chains, and Nirvana, and, in high school, Bob Marley, Bill Withers, Al Green, Stevie Wonder, Marvin Gaye, Phish and Michael Jackson. He has also incorporated elements of The Police and Prince into his music. In an interview with Billboard, he explained the diversity of his influences: "I love every single kind of music ... even the most saccharine, sugary pop song can be the greatest thing ever. But so can a 25-minute crazy avant-garde fusion gnarly Herbie Hancock jam from the '70s". Levine remembers that listening to "Are You That Somebody?" by Aaliyah convinced him to pursue a more soulful sound than that of the band he was performing with at the time, Kara's Flowers. His move to New York introduced him to a new music scene that involved hip-hop, R&B, gospel and soul music. He took to changing his musical style, extensively emulating Stevie Wonder. Subsequently, Songs About Jane was released, deemed "bluesy funk" and similar to the sound of English pop rock band Busted. Critics also drew comparisons between Levine and Jamiroquai singer Jay Kay. While earlier work was deemed "vaguely funky white-soul" and "rock", recent ones have been judged to have a more reggae, anthemic pop sound, evoking comparisons to Coldplay. Levine refuses to fit his music into a genre, saying: "There's so much variety in music, it's silly to belong to a specific club and try to sound a certain way". He considers himself an orthodox lyricist sticking to conventional themes, acknowledging: "Romance, love, the lack thereof are still very big themes. I haven't figured out a way to use everything yet. As a songwriter, I'm still limited to that one thing." He also claims he does not like mincing words, stating in a Rolling Stone interview: "I was so sick of typical lyrics like 'Ooh, baby' and 'I love you' and all this vague shit. I thought the more explicit I got without being totally explicit was a nice approach". Levine is a tenor, with a 4 octave vocal range and has been noted for his falsettos. Salon wrote: "When he's crooning come-ons, his voice lends the music a satisfying lewdness, a sense of sticky physicality that gives his snaky hooks a pheromonal urgency." In a review of