other fine craft concepts. The Center for Art in Wood, founded in 1986 as The Wood Turning Center, houses a collection in Philadelphia with over 1,000 objects from international artists as well as a research library and gallery. Other turners have chosen an artisan-based focus on traditional work, custom work, and the pleasure of studio practice. Techniques Complex forms made on a wood lathe develop from surprisingly few types of cuts: parting, planing, bead, cove, and hollowing. Parting separates the wood from the holding device or establishes depth cuts. Planning is done with a tool in which the bevel below the cutting edge supports wood fibers, just as in a typical wood planer. Beads are a convex shape relative to the cylinder, and coves are concave shape. Hollowing techniques are a combination of drilling and scooping out materials. The woodturner is at liberty to choose from a variety of tools for all of these techniques, and the quality of the cuts improves with practice wielding the tool selected. Turners rely upon three points of contact making any type of cut: the tool presses down on the tool rest, and against the woodturner's body before contacting the surface of the wood, most often with a bevel edge riding the surface of the wood. The objective is to position the tool correctly so that the wood comes around to the cutting edge, generating a thin shaving without chipping or tearing out sections of the wood. Woodturners prefer to use very clean cuts to minimize the time spent with abrasives. When it is necessary to sand the piece, they do so on the lathe, using abrasives held by a hand, in an inertial sander that revolves with the wood's rotation, or with power tools—drills or right-angle drills. The lathe also becomes a useful holding device for carving, burning, texturing, coloring, and finishing the form. Holding devices The wood rotates between the headstock of the lathe which includes the drive mechanism and the tailstock support, which only rotates if its center is 'live' or supported by a rotating holding device. The headstock end may use points or spurs which are driven into the wood. This type of turning is described as 'between centers.' The headstock spindle may also use a cup, collet, or scroll chuck to hold a tenon on the workpiece which will be removed in the finished product. The wood can also