released without the "Opeth" logo on the front cover. Musical style and lyrical themes Along with Orchid, Morningrise shows a sound that is influenced by progressive rock, folk, black metal and death metal, but with more clean vocals than that of the previous record. Despite the singing, Murat Batmaz of Sea of Tranquility magazine said that the song "Black Rose Immortal" "ends with one of Akerfeldt's most violent and longest screams in his career which could only be rivaled by his guesting on Edge of Sanity's Crimson album", and that Opeth created a "dark atmosphere on this album, which is simply unique." The album has a "dark melancholic" sound, and features acoustic and jazz styles. However, according to William York of AllMusic, "Morningrise is, as far as the metal scale goes, possibly their least heavy album". Mikael Åkerfeldt has stated that following the success of this album, he became tired of its style and the number of "copycat" bands using the counterpoint melodies found in this album and its predecessor. He also says that he finds certain sections of Morningrise "unlistenable" and was compelled to change Opeth's sound for My Arms, Your Hearse accordingly. Lyrically, the song "The Night and the Silent Water" is about the grandfather of vocalist/guitarist Mikael Åkerfeldt, who had died shortly before the recording of the album. "To Bid You Farewell", the album's final song, was notable at the time for having a lighter sound and featuring only clean vocals. This album also features Opeth's longest recorded song, "Black Rose Immortal", which lasts over 20 minutes. The reissue bonus track "Eternal Soul Torture" is a demo that was recorded in 1992, and includes some sections that were reused in the studio track "Advent", as well as "In Mist She Was Standing" off of the previous album Orchid. Reception The album was well-received critically. Vincent Eldefors of Tartarean Desire stated "ever since I first heard my first Opeth song "To Bid You Farewell" ... they have been among my favorite bands". "Dan Swanö helped record this epic piece", said John Chedsey of Satan Stole My Teddybear in his review, and also mentioned that "generally the songs flow well from one part to the next, though individual songs are not immediately noticeable. The twin guitars work well with each other, creating some great melodies in the guitars, and often lapsing into very tasteful acoustic moods. In my opinion,