two albums Fisherman's Blues (1988) and Room to Roam (1990) were instead Celtic music-inspired folk music, a sound similar to that of We Free Kings, a band that Scott and Wickham performed with in 1986. Scott's musical style changed again to a more guitar based sound when he, under the name The Waterboys but without any other members, recorded Dream Harder, in 1993. It was a return to the "Big Music" sound but the last album to come out under the band's name until 2000. The band had dissolved over personnel issues and Wickham's desire to remain with a folk-rock, or purely folk music, sound. After two Mike Scott solo albums, A Rock in the Weary Land was released under The Waterboys name, demonstrating yet another musical style, which Scott called "Sonic rock". 2002's Universal Hall was a return to a folk-rock sound. It was followed by Karma to Burn, released in 2005, which was the group's first official live album, Book of Lightning, released in 2007, and An Appointment With Mr Yeats, released in 2011. Solo albums In addition to the albums he released with The Waterboys, Scott released two solo albums in the 1990s. The first Bring 'Em All In (1995), was recorded at the Findhorn Foundation in north Scotland, with Mike Scott playing all instruments himself. Musician and author Daniel Levitin ends his 2009 book The World in Six Songs with an extended discussion of the song "Bring 'Em All In", calling it "one of the greatest love songs ever written." For his second solo album, Still Burning (1997), Scott assembled a group of session musicians including Pino Palladino and Jim Keltner. Guesting on the album was former Icicle Works frontman Ian McNabb. Songs from the two albums appeared on 1998's compilation album The Whole of the Moon: The Music of Mike Scott and the Waterboys along with songs from The Waterboys. Scott's solo albums were positively received by critics but sales were significantly down from Waterboys releases. Following the commercial failure of Still Burning in 1997 Scott was dropped by Chrysalis Records and decided to revive the Waterboys name to achieve wider marketplace exposure, a process described in detail in his autobiography. Scott created his own record label in 2003, Puck Records, which released The Waterboys' Universal Hall. In 2005, Karma to Burn was released, also by Puck Records, and included tracks from Scott's solo career