"Cheer Down", which was Harrison's contribution to the 1989 film Lethal Weapon 2, is also not included, although a live version appears on Live in Japan, and non-album single "I Don't Want to Do It" is missing as well. Also missing is the song "Sat Singing" that was among other songs intended for Somewhere in England in 1980 but rejected by Dark Horse distributor Warner Bros. Records, forcing Harrison to record new material for that album. On the DVD, the videos for his singles "True Love", "Blow Away" and "All Those Years Ago" are similarly not included. Release and reception The Dark Horse Years 1976–1992 was released on 23 February 2004 on the Dark Horse label, but distributed by EMI rather than Warner Bros. The release date roughly coincided with what would have been Harrison's 61st birthday and a period of recognition for his achievements as a solo artist, through the Concert for George and his induction into the Rock and Roll Hall of Fame. Each of the six albums in the box set was also available individually, and the DVD was later issued as an independent release. In his review for Rolling Stone, Parke Puterbaugh wrote that, while Harrison's career on Dark Horse Records lacked an album as strong as his 1970 triple album All Things Must Pass, he released "some minor gems" between 1976 and 1992 that showed him "refin[ing] his craft" and grappling with conflicting philosophies regarding his sense of individuality and spiritual purpose. Puterbaugh concluded: "With all the honesty he could muster, Harrison addressed these philosophical divides while trying to create appealing pop music, too. The joy is that he succeeded so often." John Harris of Mojo admired the set as "beautifully presented" but he said the quality of the albums was indicative of all the former Beatles' decline as artists and that only Somewhere in England and Cloud Nine represented a consistent focus on Harrison's part. Writing in The Guardian, James Griffiths opined that the box set "provides an illuminating service" by offering evidence of Harrison's humour and the quality of his songwriting long after the Beatles. Griffiths summed up the message: "The Under-Rated One, rather than the Quiet One, shall we say." Paul Du Noyer, writing in The Word, identified Thirty Three & 1/3 and Cloud Nine as the high points of the set. He said that Harrison, as a musician first and foremost,