established a communal settlement called New Australia two years earlier. At Lane's breakaway settlement Cosme she married William Gilmore in 1897. By 1900 the socialist experiment had clearly failed. Will left to work as a shearer in Argentina and Mary and her two-year-old son Billy soon followed, living separately in Buenos Aires for about six months, and then the family moved to Patagonia until they saved enough for a return passage, via England, in 1902 to Australia, where they took up farming near Casterton, Victoria. Gilmore's first volume of poetry was published in 1910, and for the ensuing half-century she was regarded as one of Australia's most popular and widely read poets. In 1908 she became women's editor of The Worker, the newspaper of then Australia's largest and most powerful trade union, the Australian Workers' Union (AWU). She was the union's first woman member. The Worker gave her a platform for her journalism, in which she campaigned for the preservation of the White Australia Policy, better working conditions for working women, for children's welfare and for a better deal for the indigenous Australians. Later life By 1931, Gilmore's views had become too radical for the AWU, but she soon found other outlets for her writing. She later wrote a regular column for the Communist Party's newspaper Tribune, although she was never a party member herself. In spite of her somewhat controversial politics, Gilmore accepted appointment as a Dame Commander of the Order of the British Empire in 1937, becoming Dame Mary Gilmore. She was the first person to be granted the award for services to literature. During World War II, she wrote stirring patriotic verse such as No Foe Shall Gather Our Harvest. In her later years, Gilmore, separated from her husband, moved to Sydney, and enjoyed her growing status as a national literary icon. Before 1940, she published six volumes of verse and three editions of prose. After the war, Gilmore published volumes of memoirs and reminiscences of colonial Australia and the literary giants of 1890s Sydney, thus contributing much material to the mythologising of that period. Dame Mary Gilmore died in 1962, aged 97, and was accorded the first state funeral for a writer since the death of Henry Lawson in 1922. Recognition and legacy Dobell's 1957 portrait of Dame Mary Gilmore was a finalist in that year's Archibald Prize, and can be seen in the Art Gallery