Christian typology, such as those of William Gilbank and Elizabeth Smith of Birmingham. He notes Heraud's familiarity with Coleridge's apologetics, and his reference to Martin in the annotations. Heraud later wrote a political epic, which remained unpublished. This work was under the influence of William James Linton. Works Heraud was the author of: The Legend of St. Loy, with other Poems, 1820. Tottenham, a poem, 1820. The Descent into Hell, a poem, 1830; second edition, to which are added Uriel, a fragment, and three odes. A Philosophical Estimate of the Controversy respecting the Divine Humanity, 1831. An Oration on the Death of S. T. Coleridge, 1834. The Judgment of the Flood, a poem, 1834; new ed. 1857. Substance of a Lecture on Poetic Genius as a Moral Power, 1837. Voyages up the Mediterranean of William Robinson, with Memoirs, 1837. Expediency and Means of Elevating the Profession of the Educator, a prize essay, printed in the Educator, 1839, pp. 133–260. The other prize winners were John Lalor, Edward Higginson, James Simpson, and Sarah Ricardo-Porter. Salvator, the Poor Man of Naples, a dramatic poem, privately printed, 1845, Videna, or the Mother's Tragedy. A Legend of Early Britain, 1854. The British Empire, written with Sir Archibald Alison and others, 1856. Henry Butler's Theatrical Directory and Dramatic Almanack, editor, 1860. Shakespeare, his Inner Life as intimated in his Works, 1865. The Wreck of the London, a lyrical ballad, 1866. The In-Gathering, Cimon and Pero, a Chain of Sonnets, Sebastopol, 1870. The War of Ideas, a poem, 1871. Based on the Franco-Prussian War. Uxmal: an Antique Love Story. Macée de Léodepart: an Historical Romance, 1877. The Sibyl among the Tombs, 1886. Heraud's knowledge of German was unusual; he was a follower of Friedrich Schelling. He is also regarded as a disciple of Coleridge. Family On 15 May 1823 Heraud married, at Old Lambeth Church, Ann Elizabeth, daughter of Henry Baddams, and by her, who died at Islington on 21 September 1867, had two children, Claudius William Heraud of Woodford, and Edith Heraud, an actress. References Alan D. McKillop, A Victorian Faust, PMLA Vol. 40, No. 3 (Sep. 1925), pp. 743–768. Published by: Modern Language Association. Stable URL: https://www.jstor.org/stable/457567 Janice Nadelhaft, Punch and the Syncretics: An Early Victorian Prologue to the Aesthetic Movement, SEL: Studies in English Literature 1500–1900 Vol. 15, No. 4, Nineteenth Century (Autumn, 1975), pp. 627–640. Published by: Rice University. Stable URL: https://www.jstor.org/stable/450016