Lawson, son of a Norwegian sailor born in 1867, was widely recognised as Australia's poet of the people and, in 1922, became the first Australian writer to be honoured with a state funeral. Two poets who are amongst the great Australian poets are Christopher Brennan and Adam Lindsay Gordon; Gordon was once referred to as the "national poet of Australia" and is the only Australian with a monument in Poets' Corner of Westminster Abbey in England. Both Gordon's and Brennan's (but particularly Brennan's) works conformed to traditional styles of poetry, with many classical allusions, and therefore fell within the domain of high culture. However, at the same time Australia was blessed with a competing, vibrant tradition of folk songs and ballads. Henry Lawson and Banjo Paterson were two of the chief exponents of these popular ballads, and 'Banjo' himself was responsible for creating what is probably the most famous Australian verse, "Waltzing Matilda". At one point, Lawson and Paterson contributed a series of verses to The Bulletin magazine in which they engaged in a literary debate about the nature of life in Australia. Lawson said Paterson was a romantic and Paterson said Lawson was full of doom and gloom. Lawson is widely regarded as one of Australia's greatest writers of short stories, while Paterson's poems "The Man From Snowy River" and "Clancy of the Overflow" remain amongst the most popular Australian bush poems. Romanticised views of the outback and the rugged characters that inhabited it played an important part in shaping the Australian nation's psyche, just as the cowboys of the American Old West and the gauchos of the Argentine pampa became part of the self-image of those nations. Other poets who reflected a sense of Australian identity include C J Dennis and Dorothea McKellar. Dennis wrote in the Australian vernacular ("The Songs of a Sentimental Bloke"), while McKellar wrote the iconic patriotic poem "My Country". Prominent Australian poets of the 20th century include Dame Mary Gilmore, A. D. Hope, Judith Wright, Gwen Harwood, Kenneth Slessor, Les Murray, Bruce Dawe and more recently Robert Gray, John Forbes, John Tranter, John Kinsella and Judith Beveridge. Contemporary Australian poetry is mostly published by small, independent book publishers. However, other kinds of publication, including new media and online journals, spoken word and live events, and public poetry projects are gaining an increasingly vibrant and popular presence. 1992–1999 saw poetry and art collaborations in