straps, and he slips free just before the pendulum can begin to slice into his chest. The pendulum is withdrawn into the ceiling, and the walls become red-hot and start to move inwards, forcing him slowly toward the center of the room and into the pit. As he loses his last foothold and begins to topple in, he hears a roar of voices and trumpets, the walls retract, and an arm pulls him to safety. The French Army has captured the city of Toledo and the Inquisition has fallen into its enemies' hands. Lack of historical authenticity Poe makes no attempt to describe accurately the operations of the Spanish Inquisition, and takes considerable dramatic license with the broader history premised in this story. The rescuers are led by Napoleon's General Lasalle (who was not, however, in command of the French occupation of Toledo) and this places the action during the Peninsular War (1808–14), centuries after the height of the Spanish Inquisition. The elaborate tortures of this story have no historic parallels in the activity of the Spanish Inquisition in any century, let alone the nineteenth when under Charles III and Charles IV only four persons were condemned. The Inquisition was, however, abolished during the period of French intervention (1808–13). The original source of the pendulum torture method is one paragraph in the preface of the 1826 book The history of the Inquisition of Spain by the Spanish priest, historian, and activist, Juan Antonio Llorente, relating a second-hand account by a single prisoner released from the Inquisition's Madrid dungeon in 1820, who purportedly described the pendulum torture method. Most modern sources dismiss this as fantasy. One theory is that Llorente misunderstood the account he heard; the prisoner was actually referring to another common Inquisition torture, the strappado (garrucha), in which the prisoner has his hands tied behind his back and is hoisted off the floor by a rope tied to his hands. This method was also known as the "pendulum". Poe places a Latin epigraph before the story, describing it as "a quatrain composed for the gates of a market to be erected upon the site of the Jacobin Club House at Paris". The epigraph was not Poe's invention; such an inscription had been reported, no later than 1803, as having been composed with the intention (possibly facetious) of having it placed on the site, and it had appeared, without attribution,