J. Anderson ("The Man from Another Place"). An instrumental version of the song "Falling" became the theme to the show, and the songs "Rockin' Back Inside My Heart", "The Nightingale", "The World Spins", and "Into the Night" (found in their full versions on the album) were all, except the last, used as Cruise's roadhouse performances during the show's run. The lyrics for all five songs were written by Lynch. A second volume of the soundtrack was released on October 30, 2007, to coincide with the Definitive Gold Box DVD set. In March 2011, Lynch began releasing The Twin Peaks Archive – a collection of previously unavailable tracks from the series and the film via his website. Filming locations FBI Special Agent Dale Cooper states, in the pilot episode, that Twin Peaks is "five miles south of the Canadian border, and twelve miles west of the state line". This places it in the Salmo-Priest Wilderness. Lynch and Frost started their location search in Snoqualmie, Washington, on the recommendation of a friend of Frost. They found all of the locations that they had written into the pilot episode. The towns of Snoqualmie, North Bend and Fall City – which became the primary filming locations for stock Twin Peaks exterior footage – are about an hour's drive from the town of Roslyn, Washington, the town used for the series Northern Exposure. Many exterior scenes were filmed in wooded areas of Malibu, California. Most of the interior scenes were shot on standing sets in a San Fernando Valley warehouse. The soap opera show-within-the-show Invitation to Love was not shot on a studio set, but in the Ennis House, an architectural landmark designed by Frank Lloyd Wright in the Hollywood area of Los Angeles. Filming Mark Frost and David Lynch made use of repeating and sometimes mysterious motifs such as trees (especially fir and pines), coffee and doughnuts, cherry pie, owls, logs, ducks, water, fire — and numerous embedded references to other films and TV shows. During the filming of the scene in which Cooper first examines Laura's body, a malfunctioning fluorescent lamp above the table flickered constantly, but Lynch decided not to replace it, since he liked the disconcerting effect that it created. Cooper's dream at the end of the third episode, which became a driving plot point in the series's first season and ultimately held the key to the identity of Laura's murderer,