James S. The Form of Transformed Vision (Macon GA: Mercer, 1987). (Argues that Coleridge wants to transform his reader's consciousness, to see nature as a living presence.) Engell, James. The Creative Imagination (Cambridge: Harvard, 1981). (Surveys the various German theories of imagination in the eighteenth century) Fruman, Norman. Coleridge the Damaged Archangel (London: George Allen and Unwin). (Examines Coleridge's plagiarisms, taking a critical view) Hough, Barry, and Davis, Howard. Coleridge's Laws: A Study of Coleridge in Malta (Cambridge: Open Book Publishers, 2010). . (Detailed, recent discussion of the Conversation Poems.) Leadbetter, Gregory. Coleridge and the Daemonic Imagination (Houndmills: Palgrave Macmillan, 2011). Lowes, John Livingston. The Road to Xanadu (London: Constable, 1930). (Examines sources for Coleridge's poetry). Magnuson, Paul. Coleridge and Wordsworth: A Lyrical Dialogue (Princeton: Princeton UP, 1988). (A 'dialogical' reading of Coleridge and Wordsworth.) McFarland, Thomas. Coleridge and the Pantheist Tradition (Oxford: OUP, 1969). (Examines the influence of German philosophy on Coleridge, with particular reference to pantheism) Modiano, Raimonda. Coleridge and the Concept of Nature (London: Macmillan, 1985). (Examines the influence of German philosophy on Coleridge, with particular reference to nature) Muirhead, John H. Coleridge as Philosopher (London: George Allen and Unwin, 1930). (Examines Coleridge's philosophical texts) Murray, Chris. Tragic Coleridge (Farnham: Ashgate, 2013).link Parker, Reeve, Romantic Tragedies (Cambridge: CUP, 2011). Perkins, Mary Anne. Coleridge's Philosophy: The Logos as Unifying Principle (Oxford: OUP, 1994). (Draws the various strands of Coleridge's theology and philosophy together under the concept of the 'Logos'.) Perry, Seamus. Coleridge and the Uses of Division (Oxford: OUP, 1999). (Brings out the play of language in Coleridge's Notebooks.) Riem, Natale Antonella. The One Life. Coleridge and Hinduism (Jaipur-New Delhi: Rawat, 2005). Reid, Nicholas. Coleridge, Form and Symbol: Or the Ascertaining Vision (Aldershot: Ashgate, 2006). (Argues for the importance of Schelling as a source for Coleridge's philosophical texts). Richards, I. A. Coleridge on Imagination (London: Kegan Paul, 1934). (Examines Coleridge's concept of the imagination) Richardson, Alan. British Romanticism and the Science of the Mind (Cambridge: CUP, 2001). (Examines the sources for Coleridge's interest in psychology.) Shaffer, Elinor S. Kubla Khan and the Fall of Jerusalem (Cambridge: CUP, 1975). (A broadly structuralist reading of Coleridge's poetical sources.) Stockitt, Robin. Imagination and the Playfulness of God: The Theological Implications of Samuel Taylor Coleridge’s Definition of the Human Imagination (Eugene, OR, 2011) (Distinguished Dissertations in Christian Theology). Toor, Kiran. Coleridge's Chrysopoetics: Alchemy, Authorship and Imagination (Newcastle: Cambridge Scholars, 2011). Vallins, David.