echoes of Satan from John Milton's Paradise Lost: she climbs over the wall of the paradisal garden in contempt of the command to enter only by the gate, and proceeds to tempt Digory as Satan tempted Eve, with lies and half-truths. Similarly, the Lady of the Green Kirtle in The Silver Chair recalls both the snake-woman Errour in The Faerie Queene and Satan's transformation into a snake in Paradise Lost. Lewis read Edith Nesbit's children's books as a child and was greatly fond of them. He described The Lion, the Witch, and the Wardrobe around the time of its completion as "a children's book in the tradition of E. Nesbit". The Magician's Nephew in particular bears strong resemblances to Nesbit's The Story of the Amulet (1906). This novel focuses on four children living in London who discover a magic amulet. Their father is away and their mother is ill, as is the case with Digory. They manage to transport the queen of ancient Babylon to London and she is the cause of a riot; likewise, Polly and Digory transport Queen Jadis to London, sparking a very similar incident. Marsha Daigle-Williamson argues that Dante's Divine Comedy had a significant impact on Lewis's writings. In the Narnia series, she identifies this influence as most apparent in The Voyage of the Dawn Treader and The Silver Chair. Daigle-Williamson identifies the plot of The Voyage of the Dawn Treader as a Dantean journey with a parallel structure and similar themes. She likewise draws numerous connections between The Silver Chair and the events of Dante's Inferno. Colin Duriez, writing on the shared elements found in both Lewis's and J. R. R. Tolkien's works, highlights the thematic similarities between Tolkien's poem Imram and Lewis's The Voyage of the Dawn Treader. Influences on other works The Chronicles of Narnia is considered a classic of children's literature. Influences on literature The Chronicles of Narnia has been a significant influence on both adult and children's fantasy literature in the post-World War II era. In 1976, the scholar Susan Cornell Poskanzer praised Lewis for his "strangely powerful fantasies". Poskanzer argued that children could relate to Narnia books because the heroes and heroines were realistic characters, each with their own distinctive voice and personality. Furthermore, the protagonists become powerful kings and queens who decide the fate of kingdoms, while the adults in the Narnia books tended to be buffoons, which by