poem "The Jailer", in which the speaker condemns her husband's brutality, was included in the 1970 anthology Sisterhood Is Powerful: An Anthology of Writings from the Women's Liberation Movement. Radical feminist poet Robin Morgan published the poem "Arraignment", in which she openly accused Hughes of the battery and murder of Plath. There were lawsuits, Morgan's 1972 book Monster which contained that poem was banned, and underground, pirated editions of it were published. Other radical feminists threatened to kill Hughes in Plath's name. In 1989, with Hughes under public attack, a battle raged in the letters pages of The Guardian and The Independent. In The Guardian on 20 April 1989, Hughes wrote the article "The Place Where Sylvia Plath Should Rest in Peace": In the years soon after [Plath's] death, when scholars approached me, I tried to take their apparently serious concern for the truth about Sylvia Plath seriously. But I learned my lesson early... If I tried too hard to tell them exactly how something happened, in the hope of correcting some fantasy, I was quite likely to be accused of trying to suppress Free Speech. In general, my refusal to have anything to do with the Plath Fantasia has been regarded as an attempt to suppress Free Speech... The Fantasia about Sylvia Plath is more needed than the facts. Where that leaves respect for the truth of her life (and of mine), or for her memory, or for the literary tradition, I do not know.Hughes, Ted. "The Place Where Sylvia Plath Should Rest in Peace". Guardian Article. 20 April 1989 As Plath's widower, Hughes became the executor of Plath's personal and literary estates. He oversaw the publication of her manuscripts, including Ariel (1965). Some critics were dissatisfied by his choice of poem order and omissions in the book and some critics of Hughes argued that he had essentially driven her to suicide and therefore should not be responsible for her literary legacy. He claimed to have destroyed the final volume of Plath's journal, detailing their last few months together. In his foreword to The Journals of Sylvia Plath, he defends his actions as a consideration for the couple's young children. Following Plath's suicide, he wrote two poems "The Howling of Wolves" and "Song of a Rat" and then did not write poetry again for three years. He broadcast extensively, wrote critical essays and became involved in running Poetry International