2007, Paul Reid-Bowen wrote the text "Goddess as Nature: Towards a Philosophical Thealogy", which can be regarded as another systematic approach to thealogy, but which integrates philosophical discourse. In the past decade, other thealogians like Patricia 'Iolana and D'vorah Grenn have generated discourses that bridge thealogy with other academic disciplines. 'Iolana's Jungian thealogy bridges analytical psychology with thealogy, and Grenn's metaformic thealogy is a bridge between matriarchal studies and thealogy. Contemporary thealogians include Carol P. Christ, Melissa Raphael, Asphodel Long, Beverly Clack, Charlotte Caron, Naomi Goldenberg, Paul Reid-Bowen, Rita Nakashima Brock, and Patricia 'Iolana. Criticisms At least one Christian theologian dismisses thealogy as the creation of a new deity made up by radical feminists. Paul Reid-Bowen and Chaone Mallory point out that essentialism is a problematic slippery slope when Goddess feminists argue that women are inherently better than men or inherently closer to the Goddess. In his book Goddess Unmasked: The Rise of Neopagan Feminist Spirituality, Philip G. Davis levies a number of criticisms against the Goddess movement, including logical fallacies, hypocrisies, and essentialism. Thealogy has also been criticized for its objection to empiricism and reason. In this critique, thealogy is seen as flawed by rejecting a purely empirical worldview for a purely relativistic one. Meanwhile, scholars like Harding and Haraway seek a middle ground of feminist empiricism. Art and culture Artist Edwina Sandys' 250-pound bronze statue of a bare-breasted female Crucifixion statue, Crista, was removed from the Cathedral of Saint John the Divine at the order of the Jesus Suffragan Bishop of the Episcopal Diocese of New York during Holy Week in 1984. The bishop accused the Cathedral Dean of "descrating our symbols" even though viewer reaction had been "overwhelmingly positive." In 2016, Sandy's Crista was reinstalled at the cathedral, on the altar, as the centerpiece of the "groundbreaking" The Christa Project: Manifesting Divine Bodies. The Bishop of the Episcopal Diocese of New York wrote an article for the cathedral's booklet stating, "In an evolving, growing, learning church, we may be ready to see ‘Christa’ not only as a work of art but as an object of devotion, over our altar, with all of the challenges that may come with that for many visitors to the cathedral, or indeed, perhaps for all of us." This exhibition of more than 50 contemporary works that "interpret — or reinterpret — the symbolism associated with the image of Jesus", in order to