third part of the story arc "If This Be My Destiny...!", and featuring the dramatic scene of Spider-Man, through force of will and thoughts of family, escaping from being pinned by heavy machinery. Comics historian Les Daniels noted, "Steve Ditko squeezes every ounce of anguish out of Spider-Man's predicament, complete with visions of the uncle he failed and the aunt he has sworn to save." Peter David observed, "After his origin, this two-page sequence from Amazing Spider-Man #33 is perhaps the best-loved sequence from the Stan Lee/Steve Ditko era." Steve Saffel stated the "full page Ditko image from The Amazing Spider-Man #33 is one of the most powerful ever to appear in the series and influenced writers and artists for many years to come." Matthew K. Manning wrote that "Ditko's illustrations for the first few pages of this Lee story included what would become one of the most iconic scenes in Spider-Man's history." The story was chosen as #15 in the 100 Greatest Marvels of All Time poll of Marvel's readers in 2001. Editor Robert Greenberger wrote in his introduction to the story, "These first five pages are a modern-day equivalent to Shakespeare as Parker's soliloquy sets the stage for his next action. And with dramatic pacing and storytelling, Ditko delivers one of the great sequences in all comics." In this series, Ditko also had a lasting effect on Marvel's branding when he inserted a small box on the upper left-hand corner of issue #2 that featured a picture of Spider-Man's face along with the company name and price. Stan Lee approved of this visual motif and soon made it a standard feature on all of Marvel's subsequent comic books that would last for decades. Doctor Strange and other characters Ditko created the supernatural hero Doctor Strange in Strange Tales #110 (July 1963). Ditko in the 2000s told a visiting fan that Lee gave Dr. Strange the first name "Stephen". Though often overshadowed by his Spider-Man work, Ditko's Doctor Strange artwork has been equally acclaimed for its surrealistic mystical landscapes and increasingly psychedelic visuals that helped make the feature a favorite of college students. "People who read 'Doctor Strange' thought people at Marvel must be heads [i.e. drug users]," recalled then-associate editor and former Doctor Strange writer Roy Thomas in 1971, "because they had had similar experiences high on mushrooms. But ... I don't use hallucinogens, nor do I think