Richard Hell and the Voidoids were an American punk rock band, formed in New York City in 1976 and fronted by Richard Hell, a former member of the Neon Boys, Television and the Heartbreakers. History Kentucky-born Richard Meyers moved to New York City after dropping out of high school in 1966, aspiring to become a poet. He and his best friend from high school, Tom Miller, founded the rock band the Neon Boys which became Television in 1973. The pair adopted stage names; Miller called himself Verlaine after Paul Verlaine, a French poet he admired, and Meyers became Richard Hell because, as he has said, it described his condition. The group was the first rock band to play the club CBGB, which soon became a breeding ground for the early punk rock scene in New York. Hell had an energetic stage presence and wore torn clothing held together with safety pins and his hair spiked, which was to be influential in punk fashion - in 1975, after a failed management deal with the New York Dolls, impresario Malcolm McLaren claimed to have brought these ideas back with him to England and eventually incorporated them into the Sex Pistols' image, a claim which Sex Pistols' front man John Lydon/Johnny Rotten disputes, citing his own existing use of safety pins and spiked hair (dyed green) prior to joining the Pistols. Disputes with Verlaine led to Hell's departure from Television in April 1975, and he co-founded the Heartbreakers with New York Dolls guitarist Johnny Thunders. Hell did not last long with this band, and he began recruiting members for a new band in early 1976. For guitarists, Hell found Robert Quine and Ivan Julian—Quine had worked in a bookstore with Hell, and Julian responded to an advertisement in The Village Voice. They lifted drummer Marc Bell, later Marky Ramone, from Wayne County. The band was named "the Voidoids" after a novel Hell had been writing. Musically, Hell drew inspiration from acts such as Bob Dylan, the Rolling Stones, the Beatles, protopunk band the Stooges and fellow New Yorker group the Velvet Underground, a group with a reputation for heroin-fueled rock and roll with poetic lyrics. Quine's admiration of the Velvet Underground led him to make hours' worth of bootleg recordings of the band in the late 1960s. Hell also drew from—and covered—garage rock bands such as the Seeds and the Count Five that