were published in 1967 as The Road Goes Ever On: A Song Cycle, and a recording of the songs performed by singer William Elvin with Swann on piano was issued that same year by Caedmon Records as Poems and Songs of Middle Earth. Rock bands of the 1970s were musically and lyrically inspired by the fantasy-embracing counter-culture of the time. The British rock band Led Zeppelin recorded several songs that contain explicit references to The Lord of the Rings, such as mentioning Gollum and Mordor in "Ramble On", the Misty Mountains in "Misty Mountain Hop", and Ringwraiths in "The Battle of Evermore". In 1970, the Swedish musician Bo Hansson released an instrumental concept album entitled Sagan om ringen ("The Saga of the Ring", the title of the Swedish translation at the time). The album was subsequently released internationally as Music Inspired by Lord of the Rings in 1972. From the 1980s onwards, many heavy metal acts have been influenced by Tolkien. In 1988, the Dutch composer and trombonist Johan de Meij completed his Symphony No. 1 "The Lord of the Rings". It had 5 movements, titled "Gandalf", "Lothlórien", "Gollum", "Journey in the Dark", and "Hobbits". The 1991 album Shepherd Moons by the Irish musician Enya contains an instrumental titled "Lothlórien", in reference to the home of the wood-elves. Impact on popular culture The Lord of the Rings has had a profound and wide-ranging impact on popular culture, beginning with its publication in the 1950s, but especially during the 1960s and 1970s, when young people embraced it as a countercultural saga. "Frodo Lives!" and "Gandalf for President" were two phrases popular amongst United States Tolkien fans during this time. Its impact is such that the words "Tolkienian" and "Tolkienesque" have entered the Oxford English Dictionary, and many of his fantasy terms, formerly little-known in English, such as "Orc" and "Warg", have become widespread in that domain. Among its effects are numerous parodies, especially Harvard Lampoon Bored of the Rings, which has had the distinction of remaining continuously in print from its publication in 1969, and of being translated into at least 11 languages. In 1969, Tolkien sold the merchandising rights to The Lord of The Rings (and The Hobbit) to United Artists under an agreement stipulating a lump sum payment of £10,000 plus a 7.5% royalty after costs, payable to Allen & Unwin and the author. In 1976, three years after