he and his family, now including two daughters, Mary ("Molly", 1750–1826) and Margaret ("Peggy", 1751–1820), moved to Ipswich. Commissions for portraits increased, but his clients included mainly local merchants and squires. He had to borrow against his wife's annuity. Toward the end of his time in Ipswich, he painted a self-portrait, now in the permanent collection of the National Portrait Gallery, London. Bath In 1759, Gainsborough and his family moved to Bath, living at number 17 The Circus. There, he studied portraits by van Dyck and was eventually able to attract a fashionable clientele. In 1761, he began to send work to the Society of Arts exhibition in London (now the Royal Society of Arts, of which he was one of the earliest members); and from 1769 he submitted works to the Royal Academy's annual exhibitions. The exhibitions helped him enhance his reputation, and he was invited to become a founding member of the Royal Academy in 1769. His relationship with the academy was not an easy one and he stopped exhibiting his paintings in 1773. Despite Gainsborough's increasing popularity and success in painting portraits for fashionable society, he expressed frustration during his Bath period at the demands of such work and that it prevented him from pursuing his preferred artistic interests. In a letter to a friend in the 1760s Gainsborough wrote: "I'm sick of Portraits and wish very much to take my Viol da Gamba and walk off to some sweet Village where I can paint Landskips [landscapes] and enjoy the fag End of Life in quietness and ease". Of the men he had to deal with as patrons and admirers, and their pretensions, he wrote:... damn Gentlemen, there is not such a set of Enemies to a real artist in the world as they are, if not kept at a proper distance. They think ... that they reward your merit by their Company & notice; but I ... know that they have but one part worth looking at, and that is their Purse; their Hearts are seldom near enough the right place to get a sight of it.Gainsborough was so keen a viol da gamba player that he had at this stage five of the instruments, three made by Henry Jaye and two by Barak Norman. London In 1774, Gainsborough and his family moved to London to live in Schomberg House, Pall Mall. A commemorative blue plaque