based on the lives of colorful businessmen Addison and Wilson Mizner. A Broadway production, starring Nathan Lane and Victor Garber, directed by Sam Mendes and planned for the spring of 2000, was delayed. Renamed Bounce in 2003, it was produced at the Goodman Theatre in Chicago and the Kennedy Center in Washington, D.C., in a production directed by Harold Prince, his first collaboration with Sondheim since 1981. Although after poor reviews Bounce never reached Broadway, a revised version opened off-Broadway as Road Show at the Public Theater on October 28, 2008. Directed by John Doyle, it closed on December 28, 2008. The production won the 2009 Obie Award for Music and Lyrics and the Drama Desk Award for Outstanding Lyrics. Asked about writing new work, Sondheim replied in 2006: "No ... It's age. It's a diminution of energy and the worry that there are no new ideas. It's also an increasing lack of confidence. I'm not the only one. I've checked with other people. People expect more of you and you're aware of it and you shouldn't be." In December 2007, he said that in addition to continuing work on Bounce, he was "nibbling at a couple of things with John Weidman and James Lapine". Lapine prepared the multimedia production iSondheim: aMusical Revue, which was scheduled to open in April 2009 at the Alliance Theatre in Atlanta; it was canceled due to "difficulties encountered by the commercial producers attached to the project ... in raising the necessary funds". Later revised as Sondheim on Sondheim, the revue was produced at Studio 54 by the Roundabout Theatre Company; previews began on March 19, 2010, and ran from April 22 to June 13. The revue's cast included Barbara Cook, Vanessa L. Williams, Tom Wopat, Norm Lewis, and Leslie Kritzer. Sondheim collaborated with Wynton Marsalis on A Bed and a Chair: A New York Love Affair, an Encores! concert on November 13–17, 2013, at New York City Center. Directed by John Doyle with choreography by Parker Esse, it consisted of "more than two dozen Sondheim compositions, each piece newly reimagined by Marsalis". The concert featured Bernadette Peters, Jeremy Jordan, Norm Lewis, Cyrille Aimée, four dancers and the Jazz at Lincoln Center Orchestra conducted by David Loud. In Playbill, Steven Suskin called the concert "neither a new musical, a revival, nor a standard songbook revue; it is, rather, a staged-and-sung chamber jazz rendition of a