in the Lhasa club in Hollywood. At the last minute, they discovered another band had registered the Bangs name and would not let them use it without payment, so they dropped "The" and added the letters "les" to the end to become Bangles. Erik Visser, the Dutch sound engineer, came up with the name The Bangles because he felt that their music was a sort of Beatle-ish. . Their first EP was retitled Bangles and released. In 1983, Faulty Products issued a 12-inch "remix" single of "The Real World" to radio and media, but another setback came as the label folded. I.R.S. Records picked up distribution and reissued the EP. After Zilinskas left the band to focus on her own project Blood on the Saddle, she was replaced by Michael Steele, formerly of the all-female band the Runaways, Toni & the Movers, Slow Children and Elton Duck. Career peak (1984–1989) The Bangles' full-length debut album on Columbia Records, All Over the Place (1984), captured their power pop roots, featuring the singles "Hero Takes a Fall" and the Kimberley Rew-penned Beatlesque "Going Down to Liverpool" (originally recorded by Rew's band Katrina and the Waves). The record received good reviews and the video for "Liverpool" featured Leonard Nimoy, which helped to generate further publicity. This came about through a friendship between the Hoffs and Nimoy families. They received a much wider audience serving as the opening act for Cyndi Lauper on her Fun Tour. All this went some way to attracting the attention of Prince, who gave them "Manic Monday" originally written for his group Apollonia 6. "Manic Monday" went on to become a number-two hit in the US, the UK and Germany, outsold at the time only by another Prince composition, his own "Kiss". The band's second album, Different Light (January 1986), was more polished than its predecessor, and with the help of the worldwide number-one hit "Walk Like an Egyptian" (written by Liam Sternberg), put the band firmly in the mainstream, reaching number two on the Billboard 200. The song was sent to them in midsession and the group was divided about whether it would be a failure or a success. When the song was released, the group was amazed to discover that it brought them a new audience of female fans, most of them very young. Commented Michael Steele to a Nine-O-One Network Magazine writer: "When I go out