Alvin's tractor is fixed, and he is presented with an exorbitant bill by the mechanics, who are twins and are constantly bickering. Alvin successfully negotiates the price down and explains his mission to help his brother. The twins seem to relate to Alvin's struggle. Alvin crosses the Mississippi River and makes camp in a cemetery. He chats with a Catholic priest who recognizes Lyle's name and is aware of his stroke. The priest says that Lyle did not mention he had a brother. Alvin responds that all he wants is to make peace with Lyle after their falling out ten years prior. Finally arriving in Mount Zion, Alvin stops at a bar to have a single beer: his first drink in years. He asks the bartender for directions to Lyle's house. Alvin experiences engine trouble just a few miles from Lyle's house and stops in the middle of the road. A large farm tractor driving by stops to help, then leads the way to make sure Alvin gets to his destination. When he arrives, Alvin finds the house dilapidated. He calls for his brother, who appears using a walking frame. Using two canes, Alvin makes his way to the door. Lyle invites Alvin to sit down on the porch. Lyle tearfully looks at Alvin's mower-tractor contraption and asks if Alvin had ridden it just to see him. Alvin simply responds, "I did, Lyle." The two men sit together silently and gaze up at the stars. Cast Production Development In 1994, 73-year-old Alvin Straight rode a lawnmower across 300 miles of the American Midwest to visit his ailing brother. Mary Sweeney, David Lynch's frequent collaborator, read about Straight's story in The New York Times that summer. Said Sweeney, "Growing up in Wisconsin, I easily connected with that kind of stoic, non-verbal, stubborn, idiosyncratic American character. I get how hard it is to have quiet pride and dignity when you're old and poor and are living in the middle of nowhere. I understand what these people's dreams and frustrations are. And I loved how much his journey captured the national imagination, so, wearing my producer's hat, I started trying to secure the rights." Producer Ray Stark had already acquired the rights to Straight's story and envisioned the project as a potential star vehicle for Paul Newman. Straight died in 1996, and the rights to his story became available again. Sweeney co-wrote the