bass on three tracks while Taylor plays on four. Richards started using open tunings for rhythm parts (often in conjunction with a capo), most prominently an open-E or open-D tuning in 1968. Beginning in 1969, he often used 5-string open-G tuning (with the lower 6th string removed), as heard on the 1969 single "Honky Tonk Women", "Brown Sugar" (Sticky Fingers, 1971), "Tumbling Dice" (capo IV), "Happy" (capo IV), (Exile on Main St., 1972), and "Start Me Up" (Tattoo You, 1981). The feuds between Jagger and Richards originated in the 1970s when Richards was a heroin addict, resulting in Jagger managing the band's affairs for many years. When Richards got himself off heroin and became more present in decision making, Jagger was not used to it and did not like having his authority diminished. This led to the period Richards has referred to as "World War III". Musical collaboration between members of the band and supporting musicians was key, due to the fluid lineups typically experienced by the band in the studio, as tracks tended to be recorded "by whatever members of the group happened to be around at the time of the sessions". Over time, Jagger has developed into the template for rock frontmen and, with the help of the Stones, has, in the words of the Telegraph, "changed music" through his contributions to it as a pioneer of the modern music industry. Legacy Since their formation in 1962, the Rolling Stones have survived multiple feuds. They have released 30 studio albums, 23 live albums, 12 official compilation albums, many recognised bootleg recordings, all of which compromise over 340 songs. According to OfficialCharts.com, the Stones are ranked the fourth bestselling group of all time. Their top single is "(I Can't Get No) Satisfaction", regarded by many at the time as "the classic example of rock and roll". The Stones contributed to the blues lexicon, creating their own "codewords" and slang, such as "losing streak" for menstrual period, which they have used throughout their catalogue of songs. They pioneered the "raw, blues-based sound" that came to define hard rock and has been viewed as the musical "vanguard of a major transfusion" of various cultural attitudes, making them accessible to youth in Britain and the rest of the world. Muddy Waters was quoted as saying that the Rolling Stones and other English bands piqued the interest of American youth in blues musicians.