was devoted to the development of working class and campesino, or peasant culture. Therefore, the ministry sponsored cultural workshops throughout the country until October 1988 when the Ministry of Culture was integrated into the Ministry of Education because of financial troubles. The objective of the workshops was to recognize and celebrate neglected forms of artistic expression. The ministry created a program of cultural workshops known as, Casas de Cultura and Centros Populares de Cultura. The workshops were set up in poor neighbourhoods and rural areas and advocated universal access and consumption of art in Nicaragua. The ministry assisted in the creation of theatre groups, folklore and artisanal production, song groups, new journals of creation and cultural criticism, and training programs for cultural workers. The ministry created a Sandinista daily newspaper named Barricada and its weekly cultural addition named Ventana along with the Television Sandino, Radio Sandino and the Nicaraguan film production unit called the INCINE. There were existing papers which splintered after the revolution and produced other independent, pro-Sandinista newspapers, such as El Nuevo Diario and its literary addition Nuevo Amanecer Cultural. Editorial Nueva Nicaragua, a state publishing house for literature, was also created. The ministry collected and published political poetry of the revolutionary period, known as testimonial narrative, a form of literary genre that recorded the experiences of individuals in the course of the revolution. The ministry developed a new anthology of Rubén Darío, a Nicaraguan poet and writer, established a Rubén Darío prize for Latin American writers, the Leonel Rugama prize for young Nicaraguan writers, as well as public poetry readings and contests, cultural festivals and concerts. The Sandinista regime tried to keep the revolutionary spirit alive by empowering its citizens artistically. At the time of its inception, the Ministry of Culture needed, according to Cardenal, "to bring a culture to the people who were marginalized from it. We want a culture that is not the culture of an elite, of a group that is considered 'cultivated', but rather of an entire people." Nevertheless, the success of the Ministry of Culture had mixed results and by 1985 criticism arose over artistic freedom in the poetry workshops. The poetry workshops became a matter for criticism and debate. Critics argued that the ministry imposed too many principles and guidelines for young writers in the workshop, such as, asking them to avoid metaphors in their poetry and advising them to write