dupe the public, when in fact it was me that was making the attempt to maintain the integrity. So, the press went into a full-scale war against us. Telling us the Monkees are four guys who have no credits, no credibility whatsoever, who have been trying to trick us into believing that they are a rock band. Number one, not only was it not the case, the reverse was true. Number two, [for] the press to report with genuine alarm that the Monkees were not a real rock band was looney tunes. It was one of the great goofball moments of the media, but it stuck." February 4, 1967: Although the Monkees have continued to play and record their own music for their upcoming album, Jones records some songs with hired producer Jeff Barry. February 25, 1967: Jones is interviewed for the New Musical Express, and says, "I can only speak for myself. I am an actor and I have never pretended to be anything else. The public have made me into a rock 'n' roll singer. No one is trying to fool anyone! People have tried to put us down by saying we copied the Beatles. So, all right, maybe the Monkees is a half-hour Hard Day's Night. But now we read that the Who are working on a TV a group. Now who's copying who?" February 27, 1967: Kirshner is dismissed as Music Coordinator for the Monkees, primarily due to his handling of the third would-be-but-withdrawn single from the Monkees. Lester Sill takes his place. The Monkees continue recording their own songs, with them playing instruments, getting ready for their next album. In the meantime, the Nesmith-penned "The Girl I Knew Somewhere" is released as part of the Monkees third single, which features the Monkees playing as a self-contained band, which becomes a top 40 hit. May 1967: The Monkees' first self-made album, Headquarters, is released. After Headquarters, the Monkees started using a mixture of themselves playing along with other musicians, including members of the Wrecking Crew and Candy Store Prophets along with other musicians such as Stephen Stills, Neil Young, and Harry Nilsson; but they still wrote, sang, produced, and played on their remaining albums, except for their final offering from the original incarnation in 1970, Changes, which was recorded after Nesmith and Tork had left the group and featured Dolenz and Jones singing to the backing