Demolition Man role. Gunton wanted to portray Norton with hair as this could then be grayed to convey his on-screen aging as the film progressed. Gunton performed his screen test with Robbins, which was filmed by Deakins. After being confirmed for the role, he used the wig in the film's early scenes until his hair regrew. Gunton said that Marvin and Darabont saw that he understood the character, which went in his favor, as did the fact his height was similar to Robbins', allowing Andy to believably use the warden's suit. Portraying the head guard Byron Hadley, Clancy Brown was given the opportunity to speak with former guards by the production's liaison officer but declined, believing it would not be a good thing to say that his brutal character was in any way inspired by Ohio state correctional officers. William Sadler, who portrays Heywood, said that Darabont had approached him in 1989 on the set of the Tales from the Crypt television series, where he was a writer, about starring in the adaptation he was intending to make. Freeman's son Alfonso has a cameo as a young Red in mug shot photos, and as a prisoner shouting "fresh fish" as Andy arrives at Shawshank. Among the extras used in the film were the former warden and former inmates of the reformatory, and active guards from a nearby incarceration facility. The novella's original title attracted several people to audition for the nonexistent role of Rita Hayworth, including a man in drag clothing. Filming On a $25 million budget, principal photography took place over three months between June and August 1993. Filming regularly required up to 18-hour workdays, six days a week. Freeman described filming as tense, saying, "Most of the time, the tension was between the cast and director. I remember having a bad moment with the director, had a few of those." Freeman referred to Darabont's requiring multiple takes of scenes, which he considered had no discernible differences. For example, the scene where Andy first approaches Red to procure a rock hammer took nine hours to film and featured Freeman throwing and catching a baseball with another inmate throughout it. The number of takes that were shot resulted in Freeman turning up to filming the following day with his arm in a sling. Freeman sometimes simply refused to do the additional takes. Robbins said that the long days were difficult.