and harmonica player Sonny Boy Williamson. They wanted to record with him, offering to become his backing band, but Williamson died not long after their meeting. Later in 1965, Bob Dylan hired them for his U.S. tour in 1965 and world tour in 1966. Following the 1966 tour, the group moved with help from Dylan and his manager, Albert Grossman, to Saugerties, New York, where they made the informal 1967 recordings that became The Basement Tapes, the basis for their 1968 debut album, Music from Big Pink. Because they were always "the band" to various frontmen and the locals in Woodstock, Helm said the name "the Band" worked well when the group came into its own. The group began performing as the Band in 1968 and went on to release ten studio albums. Dylan continued to collaborate with the Band over the course of their career, including a joint 1974 tour. 1965–1967: With Bob Dylan In late summer 1965, Bob Dylan was looking for a backup band for his first U.S. "electric" tour. Levon and the Hawks were recommended by blues singer John Hammond Jr., who earlier that year had recorded with Helm, Hudson and Robertson on his Vanguard album So Many Roads. Around the same time, one of their friends from Toronto, Mary Martin, was working as secretary to Dylan's manager, Albert Grossman. She told Dylan to visit the group at Le Coq d'Or Tavern, a club on Yonge Street, in Toronto—though Robertson recollects it was the Friar's Tavern, just down the street. Her advice to Dylan: "You gotta see these guys." After hearing the band play and meeting with Robertson, Dylan invited Helm and Robertson to join his backing band. After two concerts backing Dylan, Helm and Robertson told Dylan of their loyalty to their bandmates and told him that they would continue with him only if he hired all of the Hawks. Dylan accepted and invited Levon and the Hawks to tour with him. The group was receptive to the offer, knowing it could give them the wider exposure they craved. They thought of themselves as a tightly rehearsed rock and rhythm and blues group and knew Dylan mostly from his early acoustic folk and protest music. Furthermore, they had little inkling of how internationally popular Dylan had become. With Dylan, the Hawks played a series of concerts from September 1965 through May 1966, billed as Bob