much in command of himself and of the play". Wilde's name did not appear on the cover, it was "By the Author of Lady Windermere's Fan". His return to work was brief though, as he refused to write anything else, "I can write, but have lost the joy of writing". On 19 October 2007, a first edition (number 349 of 1,000) was discovered inside a handbag in an Oxfam shop in Nantwich, Cheshire. The staff was unable to trace the donor. It was sold for £650. In translation The Importance of Being Earnests popularity has meant it has been translated into many languages, though the homophonous pun in the title ("Ernest", a masculine proper name, and "earnest", the virtue of steadfastness and seriousness) poses a special problem for translators. The easiest case of a suitable translation of the pun, perpetuating its sense and meaning, may have been its translation into German. Since English and German are closely related languages, German provides an equivalent adjective ("ernst") and also a matching masculine proper name ("Ernst"). The meaning and tenor of the wordplay are exactly the same. Yet there are many different possible titles in German, mostly concerning sentence structure. The two most common ones are "Bunbury oder ernst / Ernst sein ist alles" and "Bunbury oder wie wichtig es ist, ernst / Ernst zu sein". In a study of Italian translations, Adrian Pablé found thirteen different versions using eight titles. Since wordplay is often unique to the language in question, translators are faced with a choice of either staying faithful to the original – in this case, the English adjective and virtue earnest – or creating a similar pun in their own language. Translators have used four main strategies. The first leaves all characters' names unchanged and in their original spelling: thus, the name is respected, and readers are reminded of the original cultural setting, but the liveliness of the pun is lost. Eva Malagoli varied this source-oriented approach by using both the English Christian names and the adjective earnest, thus preserving the pun and the English character of the play, but possibly straining an Italian reader. A third group of translators replaced Ernest with a name that also represents a virtue in the target language, favouring transparency for readers in translation over fidelity to the original. For instance, in Italian, these versions variously call the play L'importanza di essere Franco/Severo/Fedele, the