Hill and Ace High directed by Giuseppe Colizzi. The humor started in those movies already, with scenes with comedy fighting, but the Barboni films became burlesque comedies. They feature the quick but lazy Trinity (Hill) and his big, strong and irritable brother Bambino (Spencer). The stories lampoon stereotypical Western characters such as diligent farmers, lawmen and bounty hunters. There was a wave of Trinity-inspired films with quick and strong heroes, the former kind often called Trinity or perhaps coming from "a place called Trinity", and with no or few killings. Because the two model stories contained religious pacifists to account for the absence of gunplay, all the successors contained religious groups or at least priests, sometimes as one of the heroes. The music for the two Trinity westerns (composed by Franco Micalizzi and Guido & Maurizio De Angelis, respectively) also reflected the change into a lighter and more sentimental mood. The Trinity-inspired films also adopted this less serious and often maligned style. Some critics deplore these post-Trinity films and their soundtracks as a degeneration of the "real" Spaghetti Westerns. Indeed, Hill's and Spencer's skillful use of body language was a hard act to follow and it is significant that the most successful of the post-Trinity films featured Hill (Man of the East, A Genius, Two Partners and a Dupe), Spencer (It Can Be Done Amigo) and a pair of Hill/Spencer look-alikes in Carambola. Spaghetti Western old hand Franco Nero also worked in this subgenre with Cipolla Colt and Tomas Milian plays an outrageous "quick" bounty hunter modeled on Charlie Chaplin's Little Tramp in Sometimes Life Is Hard, Eh Providence? and Here We Go Again, Eh, Providence?Twilight of the genre In 1975, Terence Hill still could draw large audiences in the post-Trinity caper story Western A Genius, Two Partners and a Dupe, and the following year Franco Nero achieved likewise as a Django-style hero in Keoma. However, by the end of the 1970s, the different types of Spaghetti Westerns had lost their following among mainstream cinema audiences and the production had ground to a virtual halt. Belated attempts to revive the genre included the comedy film Buddy Goes West (1981), the Spanish-American coproduction Comin' at Ya! (also 1981) shot in 3D, and Django Strikes Again (1987). Other notable themes in Spaghetti Westerns "Cult" Spaghetti Westerns Some movies that were not very successful at the box office still earn a "cult" status