for the Sex Pistols to come and perform at the Lesser Free Trade Hall in Manchester, in June 1976. Buzzcocks intended to play at this concert, but the other musicians dropped out, and Shelley and Devoto were unable to recruit replacements in time for the gig. Once they had recruited bass guitarist Steve Diggle and drummer John Maher, they made their debut opening for the Sex Pistols' second Manchester concert in July 1976. A brief clip of Devoto-era Buzzcocks performing The Troggs' "I Can't Control Myself" appears in the Punk: Attitude documentary directed by Don Letts. In September 1976 the band travelled to London to perform at the two-day 100 Club Punk Festival, organised by Malcolm McLaren. Other performers included: the Sex Pistols, Subway Sect, Siouxsie and the Banshees, The Clash, The Vibrators, The Damned and the French band Stinky Toys. By the end of the year, Buzzcocks had recorded and released a four-track EP, Spiral Scratch, on their own New Hormones label, making them one of the first punk groups to establish an independent record label, trailing only Fatal Records, created by The Saints to release "(I'm) Stranded". Produced by Martin Hannett, the music was roughly recorded, insistently repetitive, and energetic. "Boredom" announced punk's rebellion against the status quo while templating a strident musical minimalism (the guitar solo consisting of two repeated notes). The demos recorded while Devoto was in the band were later issued officially as Time's Up. Long available as a bootleg, this album includes the alternative takes of all the tracks from the Spiral Scratch EP as well as early version of tracks that later appeared on the official debut Another Music in a Different Kitchen. After a few months, Devoto left the group, expressing his dissatisfaction at the direction that punk was taking in his statement: "I don’t like movements. What was once unhealthily fresh is now a clean old hat". He returned to college for a year, then formed Magazine. Pete Shelley took on the vocal duties; his high-pitched, melodic singing stood in stark contrast to the gruff pub rock vocal stylings of many punk contemporaries. Steve Diggle switched from bass to guitar, and Garth Davies (a.k.a. Garth Smith) rejoined on bass. While Davies appeared on the band's first Radio 1 Peel Session, in September 1977, his alleged unreliability led to his expulsion from the band. (He later joined New York band Dirty Looks.)