hand of fingerspelling. Modified as described below, it indicates that at least one of the four fingers touches the palm of the hand. A circle represents an "open fist", a hand where the thumb and fingers are flexed so as to touch at their tips. Unadorned, this is the O hand of fingerspelling. Modified, it indicates that at least one finger touches the thumb this way. A pentagon (triangle atop a rectangle), as in the illustration used for the Orientation section above, represents a flat hand, where all fingers are straight and in contact. This is similar to the B hand of fingerspelling, though without the thumb crossing over the palm. A 'C' shape represents a hand where the thumb and fingers are curved, but not enough to touch. This is used for the C hand of fingerspelling, and can be modified to show that the fingers are spread apart. An angled shape, like a fat L, shows that the four fingers are flat (straight and in contact), but bent at 90° from the plane of the palm. It does not occur as a simple shape, but must include an indication of where the thumb is, either out to the side or touching the tips of the fingers. A line halfway across the square or pentagon shows the thumb across the palm. These are the E, B, and (with spread fingers) 4 hands of fingerspelling. These basic shapes are modified with lines jutting from their faces and corners to represent fingers that are not positioned as described above. Straight lines represent straight fingers (these may be at an angle to indicate that they are not in line with the palm; if they point toward or away from the signer, they have a diamond shape at the tip); curved lines for curved (cupped) fingers; hooked lines for hooked fingers; right-angle lines, for fingers bent at only one joint; and crossed lines, for crossed fingers, as shown in the chart at right. The pentagon and C are only modified to show that the fingers are spread rather than in contact; the angle is only modified to show whether the thumb touches the finger tips or juts out to the side. Although there are some generalizations which can be made for the dozens of other glyphs, which are based on the circle and square, the details are somewhat idiosyncratic and each needs to