of the actor's role as Delzante anticipated the part of Count Dracula in his Dracula (1931). Browning endows Lugosi's Delzante with bizarre eccentricities, including a guttural, broken English and heavily accented eyebrows, characteristics that Lugosi made famous in his film roles as vampires. Film historian Alfred Eaker remarks: "Serious awkwardness mars this film, a product from that transitional period from silent to the new, imposing medium of sound. Because of that awkwardness The Thirteenth Chair is not Browning in best form." Outside the Law (1930) A remake of Browning's 1921 silent version starred Priscilla Dean and Lon Chaney who appeared in dual roles. Outside the Law concerns a criminal rivalry among gangsters. It stars Edward G. Robinson as Cobra Collins and Mary Nolan as his moll Connie Madden. Film critic Alfred Eaker commented that Browning's remake "received comparatively poor reviews." Dracula (1931): The first talkie horror picture Browning's Dracula initiated the modern horror genre, and it remains his only "one true horror film." Today the picture stands as the first of Browning's two sound era masterpieces, rivaled only by his Freaks (1932). The picture set in motion Universal Studios' highly lucrative production of vampire and monster movies during the 1930s. Browning approached Universal's Carl Laemmle Jr. in 1930 to organize a film version of Bram Stoker's 1897 gothic horror novel Dracula, previously adapted to film by director F. W. Murnau in 1922. In an effort to avoid copyright infringement lawsuits, Universal opted to base the film on Hamilton Deane's and Louis Bromfield's melodramatic stage version Dracula (1924), rather than Stoker's novel. Actor Lon Chaney, then completing his first sound film with director Jack Conway in a remake of Browning's silent The Unholy Three (1925), was tapped for the role of Count Dracula. Terminally ill from lung cancer, Chaney withdrew early from the project, a significant personal and professional loss to long-time collaborator Browning. The actor died during the filming of Dracula. Hungarian expatriate and actor Bela Ferenc Deszo Blasco, appearing under the stage name Bela Lugosi, had successfully performed the role of Count Dracula in the American productions of the play for three years. According to film historian David Thomson, "when Chaney died it was taken for granted that Lugosi would have the role in the film." Lugosi's portrayal of Count Dracula is inextricably linked to the vampire genre established by Browning. As film critic Elizabeth Bronfen observes, "the notoriety