have performed live sporadically thereafter. After being wooed back on stage together for the 2001 All Tomorrow's Parties festival at Camber Sands, England, they played a number of dates around the world on an irregular basis. In 2007, Richard Lloyd announced he would be amicably leaving the band after a midsummer show in New York City's Central Park. Due to an extended hospital stay recovering from pneumonia, he was unable to make the Central Park concert. Jimmy Rip substituted for him that day and was subsequently asked to join the band full-time in Lloyd's place. On July 7, 2011, the new lineup performed at the Beco 203 music festival in São Paulo, Brazil. In an MTV Brazil interview, the band confirmed that an album with about ten new tracks was close to being finished, but as of 2023, that album has not surfaced. In the 2010s, the band kept on touring performing Marquee Moon in its entirety; they notably did European tours in 2014 and 2016. In New York in October 2015, the band performed a four-song show that lasted an hour: Village Voice reviewed it saying the hightlight of the set was a new number "Persia", dubbing it "a pulsing, rhythmic exploration lasting close to 20 minutes, to which each member of the band contributed in equal strength". Verlaine died on January 28, 2023, at the age of 73. Musical style and influences As with many emerging punk bands, the Velvet Underground was a strong influence. Television also drew inspiration from minimalist composers such as Steve Reich. Tom Verlaine has often cited the influence of surf bands the Ventures and Dick Dale on Television's approach to the guitar, and he has also expressed a fondness for the bands Love and Buffalo Springfield, two groups noted for their dual-guitar interplay. Television's ties to punk were underscored by their late '60s garage rock leanings; the band often covered the Count Five's "Psychotic Reaction" and the 13th Floor Elevators' "Fire Engine" in concert. Lester Bangs heard in Television's music the influence of Quicksilver Messenger Service, noting a similarity between Verlaine's guitar playing and John Cipollina's. Tom Verlaine has downplayed the comparison, citing The Ventures as a more apt reference point. Though Verlaine and Lloyd were nominally "rhythm" and "lead" guitarists, they often rendered such labels obsolete by crafting interlocking parts, where the ostensible rhythm role could be as intriguing as the lead.