in London and travelled to Czechoslovakia (then under communist control), where he met dissident playwright and future president Václav Havel, whose writing he greatly admires. Stoppard became involved with Index on Censorship, Amnesty International, and the Committee Against Psychiatric Abuse and wrote various newspaper articles and letters about human rights. He was instrumental in translating Havel's works into English. Every Good Boy Deserves Favour (1977), "a play for actors and orchestra" was based on a request by conductor/composer André Previn and was inspired by a meeting with a Russian exile. This play, as well as Dogg's Hamlet, Cahoot's Macbeth (1979), The Coast of Utopia (2002), Rock 'n' Roll (2006), and two works for television Professional Foul (1977) and Squaring the Circle (1984), all concern themes of censorship, rights abuses, and state repression. Stoppard's later works have sought greater inter-personal depths, whilst maintaining their intellectual playfulness. Stoppard acknowledges that around 1982 he moved away from the "argumentative" works and more towards plays of the heart, as he became "less shy" about emotional openness. Discussing the later integration of heart and mind in his work, he commented "I think I was too concerned when I set off, to have a firework go off every few seconds... I think I was always looking for the entertainer in myself and I seem to be able to entertain through manipulating language... [but] it's really about human beings, it's not really about language at all." The Real Thing (1982) uses a meta-theatrical structure to explore the suffering that adultery can produce and The Invention of Love (1997) also investigates the pain of passion. Arcadia (1993) explores the meeting of chaos theory, historiography, and landscape gardening. He was inspired by a Trevor Nunn production of Gorky's Summerfolk to write a trilogy of "human" plays: The Coast of Utopia (Voyage, Shipwreck, and Salvage, 2002). Stoppard has commented that he loves the medium of theatre for how "adjustable" it is at every point, how unfrozen it is, continuously growing and developing through each rehearsal, free from the text. His experience of writing for film is similar, offering the liberating opportunity to "play God", in control of creative reality. It often takes four to five years from the first idea of a play to staging, taking pains to be as profoundly accurate in his research as he can be. Personal life Family and relationships Stoppard has been married three times.