though it shared the same tube length as a modern E tuba, has a narrower bore and as such cannot be called by the name tuba except as a convenience when comparing it to other sizes of the saxhorn. Most music for the tuba is written in bass clef in concert pitch, so tuba players must know the correct fingerings for their specific instruments. Traditional British-style brass band parts for the tuba are usually written in treble clef, with the B tuba sounding two octaves and one step below and the E tuba sounding one octave and a major sixth below the written pitch. This allows musicians to change instruments without learning new fingerings for the same written music. Consequently, when its music is written in treble clef, the tuba is a transposing instrument but not when the music is in bass clef. The lowest pitched tubas are the contrabass tubas, pitched in C or B, referred to as CC and BB tubas respectively, based on a traditional distortion of a now-obsolete octave naming convention. The fundamental pitch of a CC tuba is 32 Hz, and for a BB tuba, 29 Hz. The CC tuba is used as an orchestral and concert band instrument in the U.S., but BB tubas are the contrabass tuba of choice in German, Austrian, and Russian orchestras. In the United States, the BB tuba is the most common in schools (largely due to the use of BB sousaphones in high school marching bands) and for adult amateurs. Many professionals in the U.S. play CC tubas, with BB also common, and many train in the use of all four pitches of tubas. The next smaller tubas are the bass tubas, pitched in F or E (a fourth above the contrabass tubas). The E tuba often plays an octave above the contrabass tubas in brass bands, and the F tuba is commonly used by professional players as a solo instrument and, in America, to play higher parts in the classical repertoire (or parts that were originally written for the F tuba, as is the case with Berlioz). In most of Europe, the F tuba is the standard orchestral instrument, supplemented by the CC or BB only when the extra weight is desired. Wagner, for example, specifically notates the low tuba parts for Kontrabasstuba, which are played on CC or BB tubas in most regions. In the United