other period dramatists, for instance, Bernard Shaw, who used their characters to draw audiences to grander ideals. As a satire of society The play repeatedly mocks Victorian traditions and social customs, marriage and the pursuit of love in particular. In Victorian times earnestness was considered to be the overriding societal value; originating in religious attempts to reform the lower classes, it spread to the upper ones too throughout the century. The play's very title, with its mocking paradox (serious people are so because they do not see trivial comedies), introduces the theme; it continues in the drawing room discussion, "Yes, but you must be serious about it. I hate people who are not serious about meals. It is so shallow of them," says Algernon in Act 1; allusions are quick and from multiple angles. The men follow traditional matrimonial rites, whereby suitors admit their weaknesses to their prospective brides, but the foibles they excuse are ridiculous, and the farce is built on an absurd confusion of a book and a baby. When Jack apologises to Gwendolen during his marriage proposal, it is for not being wicked: JACK: Gwendolen, it is a terrible thing for a man to find out suddenly that all his life he has been speaking nothing but the truth. Can you forgive me? GWENDOLEN: I can. For I feel that you are sure to change. In turn, Gwendolen and Cecily have the idea of marrying a man named Ernest, a popular and respected name at the time. Gwendolen, quite unlike her mother's methodical analysis of Jack Worthing's suitability as a husband, places her entire faith in a Christian name, declaring in Act I, "The only really safe name is Ernest". This is an opinion shared by Cecily in Act II, "I pity any poor married woman whose husband is not called Ernest". They indignantly declare that they have been deceived when they discover the men's real names. Wilde embodied society's rules and rituals artfully into Lady Bracknell: minute attention to the details of her style created a comic effect of assertion by restraint. In contrast to her encyclopaedic knowledge of the social distinctions of London's street names, Jack's obscure parentage is subtly evoked. He defends himself against her, "A handbag?" with the clarification, "The Brighton Line". At the time, Victoria Station consisted of two separate but adjacent terminal stations sharing the same name. To the east was