Yellowbeard. Aragonés, who was filming nearby and was dressed for his role as an armed policeman, had introduced himself to Feldman that night. He encountered Feldman abruptly, startling and frightening him, which may have induced Feldman's heart attack. Aragonés has recounted the story with the punchline "I killed Marty Feldman". The story was converted into a strip in Aragonés' issue of DC Comics' Solo. In the early 1980s, Aragonés collaborated with the Belgian cartoonist François Walthéry on Natacha, l'hotesse de l'air, a well known series from the magazine Spirou. This story was titled "Instantané pour Caltech". Aragonés appears in the strip as a police officer character ( / DUPUIS Editor – Belgium). In April 2022, Aragonés was reported among the more than three dozen comics creators who contributed to Operation USA's benefit anthology book, Comics for Ukraine: Sunflower Seeds, a project spearheaded by IDW Publishing Special Projects Editor Scott Dunbier, whose profits would be donated to relief efforts for Ukrainian refugees resulting from the February 2022 Russian invasion of Ukraine. Aragonés' work can be found in other compilations, including The Big Book of the Weird, Wild West, in which he illustrates a retelling of the Donner Party incident. His cartoons have appeared in a series of paperback editions for Mad. Film and television In 1976, he had a rare acting role in the film Norman... Is That You? where he played one of the desk clerks at the Buenos Noches Hotel. In addition to printed work, Aragonés has worked in television animation. He worked on the NBC program Speak Up America (1980) where he would draw during the show. His segments were used for many years on the Dick Clark Bloopers programs. Frequent collaborator Mark Evanier related an anecdote from their time on the short-lived 1983 NBC series The Half Hour Comedy Hour, which featured a guest appearance by model Jayne Kennedy: This was one of the most beautiful women in the world, and she wore this dress that was very revealing. So much so, the censors wouldn't let us put her on the air in it without adding some material. So we're all talking to her, the writers and whoever, just in awe of this woman. And Sergio comes walking in looking like a homeless person, carrying his portfolio. And Jayne sees him and she shouts, 'Sergio!' and she runs over and starts kissing him passionately. They'd worked together