including Filmsite.org, Film.com, and Entertainment Weekly. Muir called it "the best science fiction-horror film of 1982, an incredibly competitive year, and perhaps even the best genre motion picture of the decade". Complex named it the ninth-best of the decade, calling it the "greatest genre remake of all time". Numerous publications have ranked it as one of the best science fiction films, including number four by IGN (2016); number12 by Thrillist (2018); number17 by GamesRadar+ (2018); number 31 by Paste (2018); number 32 by Esquire (2015) and Popular Mechanics (2017); and number 76 by Rotten Tomatoes (2017) based on its average review score. Similarly, The Thing has appeared on several lists of the top horror films, including number one by The Boston Globe; number two by Bloody Disgusting (2018); number four by Empire (2016); and number six by Time Out (2016). Empire listed its poster as the 43rd best film poster ever. In 2016, the British Film Institute named it one of ten great films about aliens visiting Earth. It was voted the ninth best horror film of all time in a Rolling Stone readers poll, and is considered one of the best examples of body horror. GamesRadar+ listed its ending as one of the 25 best of all time. Contemporary review aggregation website Rotten Tomatoes reports that 83% of 75 critics gave the film a positive review, with an average rating of 7.40/10. The site's critics consensus reads: "Grimmer and more terrifying than the 1950s take, John Carpenter's The Thing is a tense sci-fi thriller rife with compelling tension and some remarkable make-up effects." On Metacritic the film has a weighted average score of 57 out of 100 based on 13 critics, indicating "mixed or average reviews". In a 2011 interview, Carpenter remarked that it was perhaps his favorite film from his own filmography. He lamented that it took a long time for The Thing to find a wider audience, saying, "If The Thing had been a hit, my career would have been different. I wouldn't have had to make the choices that I made. But I needed a job. I'm not saying I hate the movies I did. I loved making Christine (1983) and Starman (1984) and Big Trouble in Little China (1986), all those films. But my career would have been different." Cultural influence The film has had a significant impact on popular culture, and by 1998, The