(And the Crows Will Dig Your Grave), an army officer and an outlaw (Bury Them Deep), an avenger and a (covert) army officer (The Hills Run Red), an avenger and a (covert) guilty party (Viva! Django aka W Django!), an avenger and a con-man (The Dirty Outlaws), an outlaw posing as a sheriff and a bounty hunter (Man With the Golden Pistol aka Doc, Hands of Steel) and an outlaw posing as his twin and a bounty hunter posing as a sheriff (A Few Dollars for Django). The theme of age in For a Few Dollars More, where the younger bounty killer learns valuable lessons from his more experienced colleague and eventually becomes his equal, is taken up in Day of Anger and Death Rides a Horse. In both cases Lee Van Cleef carries on as the older hero versus Giuliano Gemma and John Phillip Law, respectively. Zapata Westerns One variant of the hero pair was a revolutionary Mexican bandit and a mostly money-oriented American from the United States frontier. These films are sometimes called Zapata Westerns. The first was Damiano Damiani's A Bullet for the General and then followed Sergio Sollima's trilogy: The Big Gundown, Face to Face and Run, Man, Run. Sergio Corbucci's The Mercenary and Compañeros and Tepepa by Giulio Petroni are also considered Zapata Westerns. Many of these films enjoyed both good takes at the box office and attention from critics. They are often interpreted as a leftist critique of the typical Hollywood handling of the Mexican Revolution, and of imperialism in general. The Good, the Bad and the Ugly and universal betrayal In Leone's The Good, the Bad and the Ugly there is still the scheme of a pair of heroes vs. a villain but it is somewhat relaxed, as here all three parties were driven by a money motive. In subsequent films like Any Gun Can Play (which's Italian title, "Vado... l'ammazzo e torno", is itself a quote from Leone's masterpiece), One Dollar Too Many and Kill Them All and Come Back Alone several main characters repeatedly form alliances and betray each other for monetary gain.Sabata and If You Meet Sartana Pray for Your Death, directed by Gianfranco Parolini, introduce into similar betrayal environments a kind of hero molded on the Mortimer character from For a Few Dollars More, only without any vengeance motive and with more outrageous trick weapons. Fittingly enough Sabata is