hired Pyne on the spot and paid him $25,000 a year, which was then a huge salary for a radio personality. Pyne was given the night show on KLAC. Part of the agreement with Pyne was that Henry and Lightfoot would give him broad control of his program content. The show was an immediate success. Henry encouraged the confrontation with listeners and guests for which Pyne became famous. Pyne coined the line "Go gargle with razor blades," for guests with whom he disagreed. The Pyne show was the beginning of the confrontational talk format that later spread across the radio spectrum. At one point in the 1960s, the Joe Pyne show was syndicated on over 250 radio stations in the United States. In an odd turn of events, Pyne's radio show led him to television. Henry suggested to John Kluge that Joe Pyne should be put on Metromedia's newly acquired TV station in Los Angeles, KTTV-TV. Kluge told Henry to speak to KTTV-TV general manager Al Kriven, but Henry had already done that, and Kriven had adamantly refused. Kluge telephoned Kriven, and Pyne soon became the nation's first controversial late-night talk television host. The Joe Pyne Show on KTTV-TV quickly shot to the top of the ratings. The format later proliferated on cable television with a variety of new hosts, many of them taking on a similar persona to Joe Pyne. Joe Pyne and Alan Henry were major factors in establishing a new trend in radio and television programming. Alan Henry elaborates on the launching of Joe Pyne on KLAC radio and KTTV-TV in his memoir A Man and His Medium. Two radio stations – KMOX, 1120 AM in St. Louis, Missouri, and KABC, 790 AM in Los Angeles – adopted an all-talk show format in 1960, and both claim to be the first to have done so. KABC station manager Ben Hoberman and KMOX station manager Robert Hyland independently developed the all-talk format. KTKK, 630 AM in Salt Lake City, then known as KSXX, adopted a full-time talk schedule in 1965 and is the third station in the country to have done so. KSXX started with all local talent, and KTKK, which now airs on 1640 AM, has a larger portion of its schedule featuring local talent than most other stations that run a full schedule of talk. In the 1970s and early 1980s, as many listeners abandoned AM