was also in the group at that time. Hawkins's act was popular in and around Toronto and nearby Hamilton, and he had an effective way of eliminating his musical competition: when a promising band appeared, Hawkins would hire their best musicians for his own group; Robertson, Danko, and Manuel came under Hawkins's tutelage this way. While most of the Hawks were eager to join Hawkins's group, getting Hudson to join was a different story. He had earned a college degree, planned on a career as a music teacher, and was interested in playing rock music only as a hobby. The Hawks admired his wild, full-bore organ style and asked him repeatedly to join. Hudson finally agreed, under the condition that the Hawks each pay him $10 per week to be their instructor and purchase a new state-of-the-art Lowrey organ; all music theory questions were directed to Hudson. With Hawkins, they recorded a few singles in this period and became well known as the best rock group in the thriving Toronto music scene. Hawkins regularly convened all-night rehearsals following long club shows, with the result that the young musicians quickly developed great technical prowess on their instruments. In late 1963, the group split from Hawkins over personal differences. They were tired of playing the same songs so often and wanted to perform original material, and they were wary of Hawkins's heavy-handed leadership. He would fine the Hawks if they brought their girlfriends to the clubs (fearing it might reduce the numbers of "available" girls who came to performances) or if they smoked marijuana. Robertson later said, "Eventually, [Hawkins] built us up to the point where we outgrew his music and had to leave. He shot himself in the foot, really, bless his heart, by sharpening us into such a crackerjack band that we had to go on out into the world, because we knew what his vision was for himself, and we were all younger and more ambitious musically." Upon leaving Hawkins, the group was briefly known as the Levon Helm Sextet, with sixth member sax player Jerry Penfound, and then as Levon and the Hawks after Penfound's departure. In 1965, they released a single on Ware Records under the name the Canadian Squires, but they returned as Levon and the Hawks for a recording session for Atco later that year. Also in 1965, Helm and the band met blues singer