Internet. However, such videos are produced by the murderers to make an impact on an audience or for their own satisfaction, and not for financial profit. Some specialized websites show videos of actual killings for profit, as their shock value will attract an audience; but these websites are not operated by the perpetrators of the murders. According to Snopes, the idea of an actual snuff film "industry" clandestinely producing such "entertainment" for monetary gain is preposterous because "capturing a murder on film would be foolhardy at best. Only the most deranged would consider preserving for a jury a perfect video record of a crime he could go to the executioner for. Even if he stays completely out of the camera’s way, too much of who the killer is, how the murder was carried out, and where it took place would be part of such a film, and these details would quickly lead police to the right door. Though someone whose mania has caused him to lose touch with reality might skip over this point, those who are supposedly in the business for the money would be all too aware of this. It doesn’t make sense to flirt with the electric chair for the profits derived from a video." Fangoria called snuff films a "myth" and "a scare tactic, dreamt up by the media to terrify the public." History of the concept Origins of the urban legend The noun snuff originally meant the part of a candle wick that has already burned; the verb snuff meant to cut this off, and by extension to extinguish or kill. The word has been used in this sense in English slang for hundreds of years. It was defined in 1874 as a "term very common among the lower orders of London, meaning to die from disease or accident". Film studies professor Boaz Hagin argues that the concept of films showing actual murders originated decades earlier than is commonly believed, at least as early as 1907. That year, Polish-French writer Guillaume Apollinaire published the short story "A Good Film" about newsreel photojournalists who stage and film a murder due to public fascination with crime news; in the story, the public believes the murder is real but police determine that the crime was faked. Hagin also proposes that the film Network (1976) contains an explicit (fictional) snuff film depiction when television news executives orchestrate the on-air