film to break out of its claustrophobic set and give us a typical teenage movie sex-or-violence scene. That doesn't happen, much to our delight." Kathleen Carroll from the New York Daily News stated, "Hughes has a wonderful knack for communicating the feelings of teenagers, as well as an obvious rapport with his exceptional cast–who deserve top grades." Other reviews were less positive. Janet Maslin of The New York Times wrote, "There are some good young actors in The Breakfast Club, though a couple of them have been given unplayable roles", namely Ally Sheedy and Judd Nelson, adding, "The five young stars would have mixed well even without the fraudulent encounter-group candor towards which The Breakfast Club forces them. Mr. Hughes, having thought up the characters and simply flung them together, should have left well enough alone." James Harwood of Variety panned the film as a movie that "will probably pass as deeply profound among today's teenage audience, meaning the youngsters in the film spend most of their time talking to each other instead of dancing, dropping their drawers and throwing food. This, on the other hand, should not suggest they have anything intelligent to say." Among retrospective reviews, James Berardinelli wrote in 1998: "Few will argue that The Breakfast Club is a great film, but it has a candor that is unexpected and refreshing in a sea of too-often generic teen-themed films. The material is a little talky (albeit not in a way that will cause anyone to confuse it with something by Éric Rohmer), but it's hard not to be drawn into the world of these characters." On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 89% based on 64 reviews, with an average rating of 7.8/10. The website's critics consensus reads, "The Breakfast Club is a warm, insightful, and very funny look into the inner lives of teenagers". Review aggregator Metacritic assigned the film a weighted average score of 66/100 based on 25 reviews from mainstream critics, considered to be "generally favorable reviews". Writing in 2015, P. J. O'Rourke called The Breakfast Club and Ferris Bueller's Day Off "Hughes's masterwork[s]". He described the former film as an example of Hughes's politics, in that the students do not organize a protest but, "like good conservatives do, as individuals and place the highest value, like this conservative does, on goofing off. Otherwise known as individual