at Buckfast Abbey, near Buckfastleigh in Devon. Scholarly and literary work History of King Richard III Between 1512 and 1519 More worked on a History of King Richard III, which he never finished but which was published after his death. The History is a Renaissance biography, remarkable more for its literary skill and adherence to classical precepts than for its historical accuracy. Some consider it an attack on royal tyranny, rather than on Richard III himself or the House of York. More uses a more dramatic writing style than had been typical in medieval chronicles; Richard III is limned as an outstanding, archetypal tyrant—however, More was only seven years old when Richard III was killed at the Battle of Bosworth in 1485 so he had no first-hand, in-depth knowledge of him. The History of King Richard III was written and published in both English and Latin, each written separately, and with information deleted from the Latin edition to suit a European readership. It greatly influenced William Shakespeare's play Richard III. Modern historians attribute the unflattering portraits of Richard III in both works to both authors' allegiance to the reigning Tudor dynasty that wrested the throne from Richard III in the Wars of the Roses. According to Caroline Barron, Archbishop John Morton, in whose household More had served as a page , had joined the 1483 Buckingham rebellion against Richard III, and Morton was probably one of those who influenced More's hostility towards the defeated king. Clements Markham asserts that the actual author of the chronicle was, in large part, Archbishop Morton himself and that More was simply copying, or perhaps translating, Morton's original material. Utopia More's best known and most controversial work, Utopia, is a frame narrative written in Latin. More completed and theologian Erasmus published the book in Leuven in 1516, but it was only translated into English and published in his native land in 1551 (16 years after his execution), and the 1684 translation became the most commonly cited. More (also a character in the book) and the narrator/traveller, Raphael Hythlodaeus (whose name alludes both to the healer archangel Raphael, and 'speaker of nonsense', the surname's Greek meaning), discuss modern ills in Antwerp, as well as describe the political arrangements of the imaginary island country of Utopia (a Greek pun on 'ou-topos' [no place] and 'eu-topos' [good place]) among themselves as well as to Pieter Gillis and Hieronymus