the rude boy subculture—includes footage of the band on tour, at a London Rock Against Racism concert, and in the studio recording Give 'Em Enough Rope. The band was so disenchanted with it that they had Better Badges make buttons that declared "I don't want RUDE BOY Clash Film". On 27 February 1980, it premiered at the 30th Berlin International Film Festival, where it won an honourable mention. The Clash had planned to record and release a single every month in 1980. CBS balked at this idea, and the band came out with only one single—an original reggae tune, "Bankrobber", in August—before the December release of the 3-LP, 36-song Sandinista! The album again reflected a broad range of musical styles, including extended dubs and one of the first forays into rap by a major rock band, following "Ant Rap" by Adam and the Ants, which had been released a month earlier. Produced by the band members with the participation of Jamaican reggae artist Mikey Dread, Sandinista! was their most controversial album to date, both politically and musically. Critical opinion was divided, often within individual reviews. Trouser Presss Ira Robbins described half the album as "great", half as "nonsense" and worse. In the New Rolling Stone Record Guide, Dave Marsh argued, "Sandinista! is nonsensically cluttered. Or rather seems nonsensically cluttered. One of the Clash's principal concerns ... is to avoid being stereotyped." The album fared reasonably well in America, charting at number 24. In 1981, the band came out with a single, "This Is Radio Clash", that further demonstrated their ability to mix diverse influences such as dub and hip hop. They set to work on their fifth album in September, originally planning it as a 2-LP set with the title Rat Patrol from Fort Bragg. Jones produced one cut, but the other members were dissatisfied. Production duties were handed to Glyn Johns, and the album was reconceived as a single LP, and released as Combat Rock in May 1982. Though filled with offbeat songs, experiments with sound collage, and a spoken word vocal by Beat poet Allen Ginsberg, it contained two "radio friendly" tracks. The leadoff single in the US was "Should I Stay or Should I Go", released in June 1982. Another Jones feature in a rock and roll style similar to "Train in Vain", it received heavy airplay on AOR stations. The follow-up, "Rock the Casbah", put lyrics