Album was Mark of the Mole, released in 1981. The album was a reaction to the group feeling betrayed by a suddenly disinterested music press. Shortly after the release of Mark of the Mole, the Residents purchased one of the first ever E-mu Emulator samplers, number #00005 specifically. The instrument was revolutionary for the band, as the sampling capacities of the keyboard not only allowed them to recreate instruments the members were not able to play, but also gave them the opportunity to create their meticulously crafted studio sound in a live setting. The first album the band recorded using the emulator was The Tunes of Two Cities, the second part of the Mole Trilogy, which was nearly entirely recorded using the Emulator. Following the release of Cities, the Residents started rehearsing for a possible live show, eventually developing their first touring project, the Mole Show, a theatrical retelling of their Mark of the Mole album. The band debuted the show with a test performance, on April 10, 1982, before a tour of California in October, and a European tour throughout mid 1983. The show featured Penn Jillette as the narrator, playing a similar role as he had previously done with the Ralph Records 10th Anniversary radio special. A third leg, featuring dates in New York, was booked, but had to be cancelled after one performance due to lack of funding. Following the Mole Show, the band was broke, and as such attempted to recoup some of their losses with several archival releases, including a collection of outtakes called Residue in 1983, and a VHS containing recordings from the Mole Show as well as a newly scored edit of Vileness Fats footage. The American Composers Series, 13th Anniversary Show, and the end of Ralph (1984–1987) Deciding to take a break from part three of the Mole Trilogy, the Residents began a new project entitled the American Composers Series, a planned series of 10 albums which would pay tribute to pop artists and instrumental composers from the United States. The first result of this pairing was George & James, featuring the music of George Gershwin and James Brown. Following the release of George & James, the Residents finally abandoned part three of the Mole Trilogy, choosing instead to record a fourth entry entitled The Big Bubble, featuring very stripped-down instrumentation in order to portray a fictional garage rock band. No further