unsmiling on the cover of their first album. He also encouraged the press to use provocative headlines such as: "Would you let your daughter marry a Rolling Stone?" By contrast, Wyman says, "Our reputation and image as the Bad Boys came later, completely there, accidentally. ... [Oldham] never did engineer it. He simply exploited it exhaustively." In a 1972 interview, Wyman stated, "We were the first pop group to break away from the whole Cliff Richard thing where the bands did little dance steps, wore identical uniforms and had snappy patter." A cover version of Chuck Berry's "Come On" was the Rolling Stones' first single, released on 7 June 1963. The band refused to play it at live gigs, and Decca bought only one ad to promote the record. At Oldham's direction, fan-club members bought copies at record shops polled by the charts, helping "Come On" rise to number 21 on the UK Singles Chart. Having a charting single gave the band entrée to play outside London, starting with a booking at the Outlook Club in Middlesbrough on 13 July, sharing the billing with the Hollies. Later in 1963, Oldham and Easton arranged the band's first big UK concert tour as a supporting act for American stars, including Bo Diddley, Little Richard, and the Everly Brothers. The tour gave the band the opportunity to hone their stagecraft. During the tour the band recorded their second single, a Lennon–McCartney-penned number entitled "I Wanna Be Your Man". It reached number 13 on the UK charts. The Beatles 1963 album, With the Beatles, includes their version of the song. On 1 January 1964, the Stones' were the first band to play on the BBC's Top of the Pops, performing "I Wanna Be Your Man". The third single by the Stones, Buddy Holly's "Not Fade Away", reflecting Bo Diddley's style, was released in February 1964 and reached number 3. Oldham saw little future for an act that gave up the chance to get significant songwriting royalties by only playing songs of what he described as "middle-aged blacks", and limiting their appeal to teenage audiences. Jagger and Richards decided to write songs together. Oldham described the first batch as "soppy and imitative". Because the band's songwriting developed slowly, songs on their first album The Rolling Stones (1964; issued in the US as England's Newest Hit Makers), were primarily covers, with only one Jagger/Richards original—"Tell Me