the night punk broke … we were in the right place doing the right thing at the right time”(Joe Strummer). That same month, CBS released "Remote Control" as the debut LP's second single, defying the wishes of the band, who saw it as one of the album's weakest tracks. Headon's first recording with the band was the single "Complete Control", which addressed the band's anger at their record label's behaviour. It was co-produced by famed reggae artist Lee "Scratch" Perry, though Foote was summoned to "ground things" a bit and the result was pure punk rock. Released in September 1977—NME noted how CBS allowed the group to "bait their masters"—it rose to number 28 on the British chart and has gone on to be cited as one of punk's greatest singles. In October 1977, The Clash set out on the “Out of Control” UK tour. The tour was due to open at the Ulster Hall, Belfast but the insurance was pulled and the gig was cancelled at the last moment. This led to punks blocking the road outside the venue and a confrontation between the punks and the police, which became known as the “Battle of Bedford Street”. Compared to many other riots in 1970’s Belfast it was small scale but it was unique in that it was a non-sectarian “riot” of Protestant and Catholic punks. In February 1978, the band came out with the single "Clash City Rockers". In a rare BBC TV appearance the group played "Clash City Rockers", along with "Tommy Gun", in a live performance on youth TV programme Something Else in early 1978. On 30 April, The Clash played the Rock Against Racism Carnival in Victoria Park, London. Late 1970s England had seen an increase in racist attacks and a growth in support for the far-right National Front. Rock Against Racism was launched to use music to counter racism and the rise of the far-right. RAR tapped into the radical politics and popularity of punk and reggae. X-Ray Spex, Steel Pulse, Misty in Roots, headliners Tom Robinson Band, and The Clash played to 100,000 people who marched through London and attended the RAR Carnival. June saw the release of "(White Man) In Hammersmith Palais", which surprised fans with its reggae rhythm and arrangement. The song quickly became a firm favourite with Clash fans and was voted single of the year in the 1978 NME Readers'