he removes the girl and marries her himself. Too late Chremes realises that the poor girl is his own daughter. He tries to undo the arrangement with Phormio, but Phormio has already paid the money to Phaedria to buy his slave girl. Phormio escapes punishment since Chremes' wealthy wife Nausistrata is furious not only about Chremes' secret second marriage but that he had been embezzling her money to pay for it. Antipho is allowed to keep his wife, Phaedria to keep his girlfriend, and Phormio is invited to dinner. Adelphoe (The Brothers) (160 BC) Micio, a wealthy Athenian bachelor, has brought up Aeschinus, the adopted elder son of his brother Demea, in town in an indulgent way. Meanwhile Demea has brought up his younger son Ctesipho in the village in a strict fashion. When Ctesipho falls in love with a slave-girl, Aeschinus on his behalf abducts the girl from the slave-dealer, Sannio, who owns her. Meanwhile, however, the widowed neighbour, Sostrata, alarmed that Aeschinus seems to have abandoned her daughter whom Aeschinus had made pregnant, sends her relative Hegio to complain to Micio, to Aeschinus's embarrassment. A rascally slave, Syrus, plays his part by negotiating with the slave-dealer, and by keeping Demea out of the way of Ctesipho by various ruses. When Demea at last finds Ctesipho and his girlfriend in Micio's house, he is furious and reproaches Micio for interfering in Ctesipho's upbringing. The situation is resolved when Demea takes control. Changing from strictness to indulgence, he suggests that they should forego Aeschinus's wedding procession and simply knock down the dividing wall between the two houses; in addition he insists that Micio must marry Sostrata, give Syrus his freedom and some business capital, and grant Hegio an income from part of his land. Ctesipho is allowed to keep his music-girl. The first printed edition of Terence appeared in Strasbourg in 1470, while the first certain post-antique performance of one of Terence's plays, Andria, took place in Florence in 1476. There is evidence, however, that Terence was performed much earlier. The short dialogue Terentius et delusor was probably written to be performed as an introduction to a Terentian performance in the 9th century (possibly earlier). Manuscripts of Terence The manuscripts of Terence can be divided into two main groups. One group has just one representative, the codex Bembinus (known as A), dating to the 4th or early 5th century AD,