Ryman Auditorium (originally Union Gospel Tabernacle and renamed Grand Ole Opry House for a period) is a 2,362-seat live-performance venue located at 116 Rep. John Lewis Way North, in Nashville, Tennessee. It is best known as the home of the Grand Ole Opry from 1943 to 1974. It is owned and operated by Ryman Hospitality Properties, Inc. Ryman Auditorium was listed on the National Register of Historic Places in 1971 and was later designated as a National Historic Landmark on June 25, 2001, for its pivotal role in the popularization of country music. History Union Gospel Tabernacle The auditorium opened as the Union Gospel Tabernacle in 1892. Its construction was spearheaded by Thomas Ryman (1843–1904), a Nashville businessman who owned several saloons and a fleet of riverboats. Ryman conceived the idea of the auditorium as a tabernacle for the influential revivalist Samuel Porter Jones. He had attended one of Jones' 1885 tent revivals with the intent to heckle, but was instead converted into a devout Christian who pledged to build the tabernacle so the people of Nashville could attend large-scale revivals indoors. It took seven years to complete and cost . Jones held his first revival at the site on May 25, 1890, when only the building's foundation and walls had been completed. Architect Hugh Cathcart Thompson designed the structure. Exceeding its construction budget, the tabernacle opened in debt. Jones sought to name the tabernacle in Ryman's honor, but Ryman denied the request several times. When Ryman died in 1904, his memorial service was held at the tabernacle, with Jones officiating. During the service, Jones proposed the building be renamed as Ryman Auditorium, which was met with the overwhelming approval of the attendees. Jones died less than two years later in 1906. The building was originally designed to contain a balcony, but a lack of funds delayed its completion. The balcony was built and opened in time for the 1897 gathering of the United Confederate Veterans, with funds provided by members of the group. As a result, the balcony was once called the Confederate Gallery. Upon completion of the balcony, the Ryman's capacity rose to 6,000. A stage was added in 1901 that reduced the capacity to just over 3,000. Under the leadership of Lula C. Naff Though the building was designed as a house of worship – a purpose it continued to serve throughout most of its early years