musical interludes. ... These also perfectly typify the Bourbon Street honky-tonks that Mr. Curtiz and his fine photographer, Russ Harlan, have beguilingly drenched with atmosphere. Matching, or balancing, the tunes are at least seven characterizations that supply the real backbone and tell the story of the picture. ... for Mr. Presley, in his third screen attempt, it's a pleasure to find him up to a little more than Bourbon Street shoutin' and wigglin'. Acting is his assignment in this shrewdly upholstered showcase, and he does it, so help us over a picket fence. The Spectator, however, criticized the relationship of Presley's character with his love interests: The girls in his (Michael Curtiz's) latest film, King Creole, are both played by good, serious actresses: Carolyn Jones .. and Dolores Hart, ... both are shown to be hungrily, desperately, unpridefully in love with him (Presley's character). They have no existence, except in him; do nothing but wait for him; hope for nothing but a little rough affection ... Instead of being kissed, they beg for kisses, which Mr. Presley sulkily and reluctantly hands out now and then, with the air of a small, fastidious boy being press to eat marshmallow and, though he feels a bit sick not quite knowing how to get out of it ... (it) really seems to suggest this is a god come down among us for a spell; and when tender and infinitely patient in spite of the long past of infidelity, nonchalance, and what looks to an observer like plain indifference from him, her lips poised for the kiss that doesn't come ... As the most extreme example of a contemporary idol, Mr. Presley is pretty fascinating, and, though you may be put off at first by his pale, puffy, bruised looking babyish face, by the weary cherubic decadence you might imagine in Nero, and the excessive greasiness of his excessively long, spiky locks, his films, however bad (and King Creole is pretty low on his list), are well worth taking a look at. About Presley's performance, Down Beat wrote: "Let it be noted that Elvis Presley's latest, King Creole, is his best picture thus far--comparatively speaking, of course. Maybe about 10 more films (and as many drama coaches) from now Elvis might begin to get an inkling of what acting's all about." TV-Radio Mirror magazine praised Presley's acting over his past roles: "Elvis Presley does