The Seattle Times called the series an update to the "classic California film noir". She felt that Veronica Mars was the best new series on UPN, and that the title character was potentially "this season's most interesting character creation". McFadden described the series as "Alias in its attitude, Raymond Chandler in its writing and The O.C. in its class-consciousness." Stephanie Zacharek of Salon praised the first-season finale for being "just the sort of satisfying capper you look for in a series that, week after week, keeps you asking questions." Veronica Mars was also positively received by other writers. Joss Whedon, who made a guest appearance in the second-season episode "Rat Saw God", said that it was the "Best. Show. Ever. Seriously, I've never gotten more wrapped up in a show I wasn't making, and maybe even more than those [...] These guys know what they're doing on a level that intimidates me. It's the Harry Potter of shows." Kevin Smith, who guest starred in the episode "Driver Ed", said that Veronica Mars was "hands-down, the best show on television right now, and proof that TV can be far better than cinema." Stephen King described the series as "Nancy Drew meets Philip Marlowe, and the result is pure nitro. Why is Veronica Mars so good? It bears little resemblance to life as I know it, but I can't take my eyes off the damn thing." Ed Brubaker called it "the best mystery show ever made in America." Despite being a critical success throughout its run, criticisms began to emerge in its third season. Keith McDuffee of TV Squad described the third season as "disappointing," mainly because the episodes offered nothing new: "most fans of Veronica Mars felt that season three was clearly its weakest." Eric Goldman of IGN said that the main issue was the shift in the overall tone, with a lighter feeling than the previous seasons. He felt that Logan had been most affected by the tone change, robbed of his darker aspects, and changed into an "increasingly extraneous character." Goldman felt that despite the concerns over the final five episodes, the series ended with "three very strong episodes, with lots of strong dialogue and Veronica proving again just how tough she can be, and what a strong character she is." Goldman concluded that although the third season "was very choppy," it still had "plenty of witty dialogue and