Fear of a Black Hat is a 1993 American mockumentary film on the evolution and state of American hip hop music. The film's title is derived from the 1990 Public Enemy album Fear of a Black Planet. First screened at Sundance Film Festival on January 24, 1993, and later released on June 3, 1994, Fear of a Black Hat co-stars and was written, produced and directed by Rusty Cundieff in his directorial debut. Plot The film is a comedic mockumentary depicting the perspective of a filmmaker as she trails a hardcore gangsta rap group called N.W.H. ("Niggaz With Hats"), a play on the name of the popular group N.W.A. In many ways, Fear of a Black Hat is similar to the satirical film about early 1980s heavy metal, This is Spinal Tap. The members of N.W.H. are: Ice Cold (Cundieff), the main rapper and the intelligent and vulgar backbone of the group. Tasty Taste (Larry B. Scott), the ultra-violent secondary rapper who always seems to be armed with a variety of dangerous assault weaponry. His name is spelled "Tasty-Taste" in the credits but not in other parts of the movie. Tone Def (Mark Christopher Lawrence), the esoteric DJ who is talented enough to scratch with his buttocks and his penis (the latter is not shown directly, but strongly and humorously implied). His name is spelled "Tone-Def" in the credits but not in other parts of the movie. The film is told from the point of view of Nina Blackburn (Kasi Lemmons), a sociologist who analyzes hip hop as a form of communication for her degree. She chooses N.W.H. as the subject of her thesis and follows them around for a year. She familiarizes herself with the band members, their beliefs, and their often strange behavior. The members wear outrageous headwear during their performances. This is explained as an act of rebellion, remembering their slave ancestors, who had to work bare-headed in the sun. According to N.W.H., hats are a symbol for resistance and revolution since their hatless ancestors were too tired from working all day in the sun to revolt. This is a typical example of the bizarre logic the group uses to explain the deeper meanings behind their otherwise crude and base music and images. A steady source of comedy is N.W.H.'s use of over-the-top graphic language (e.g. sex, violence and rantings against the police), which detractors see as