(Tahir Bilgic) secretly film his sexual encounters without the women's knowledge. While Pauly is getting ready to go clubbing with the other delivery drivers, Sahib steals his employee uniform from his clothes line and uses it to sneak into the pizzeria and tamper with the phonelines, redirecting all incoming calls to steal their business. Upon leaving, he is spotted by a group of the clown mascots who mistake him for Pauly and beat him up. As a result of their tampering, Phat Pizza then receives a phone call from the bikie gang asking for their address. During the night out with the other delivery drivers, Sleek runs into Toula (Rebel Wilson), one of the girls he has been leading on. Toula and her friends drug Sleek and abduct him. Upon awaking, they tell Sleek that they are sick of men using them to date their attractive friends and rape him as an act of revenge. Come the next day, Sleek is on his way to the wedding when he is attacked by a coalition of organised crime syndicates who have allied against Sleek because the mafia leaders' daughters were victims of Sleek and Habib's voyeurism. Scared for his life, Sleek calls Rocky for help, who rallies a Lebanese mob to come to Sleek's defence. However, Rocky discovers that his sister was one of the girls Sleek slept with and had Habib film, leading him to turn on Sleek and join the gangs in beating him up. Bobo, his bride and their guests discover at the wedding that the priest quadruple booked the church, causing the priest to hastily marry all of the couples. Pauly then declares in a cut-away that "At this point, all that was left to do was go and get pissed". In the post-credit scenes, Sleek calls Bobo from the hospital to ask for workers compensation only to be fired. The bikie gang members then kill the Phat Pizza employees mistaking them for the staff of Fat Pizza. Cast Reception The film received a mostly positive response from critics. Adrian Martin, a PhD in Film Style, gave the film a 3 out of 5 rating, praising it for its strong, outrageous jokes, saying they elevate it above most Australian comedies. Martin also commended its energy, brash confidence and appeal to its target audience. Louise Keller of Urban Cinefile said that the film's offensive humour was "very funny"