is a group of compositions related to "language and body" which concerns the physical sound production, with the performers utilizing speech and breathing organs in unusual ways. His earliest works were strongly influenced by his fellow Darmstadt students Karlheinz Stockhausen, about whose early works he wrote an extended essay, and Mauricio Kagel, about whom he edited a book. Starting in 1959, he also came under the influence of John Cage.) Schnebel made arrangements of works by Bach, Beethoven, Webern and Wagner, called Re-Visions, sometimes using their traditional concepts to reflect new techniques and different ways of looking at them. Awards Schnebel's awards include the Arts Prize of Lahr in 1991. He received the first European Church Music Prize in Schwäbisch Gmünd the same year. He was a member of the Berlin Akademie der Künste from 1991, and of the Bayerische Akademie der Schönen Künste since 1996. In 2015, he was awarded the Bundesverdienstkreuz am Bande. Works Schnebel's works are held by the German National Library. Many of them are published by Schott Music. Music with orchestra Compositio (1955–56, rev. 1964/1965) Orchestra / Symphonische Musik für mobile Musiker (1974–1977) Canones (1975–1977; 1993/1994) Schubert-Phantasie (Re-Visionen I5, for divided orchestra and voices) (1978, rev. 1989 as Blendwerk, for string orchestra) Thanatos-Eros (Traditione III1), symphonic variations for large orchestra (1979–82, rev.1984–85) Sinfonie-Stücke (Traditione III2) (1984–85) Missa, Dahlem Mass for four solo voices, two mixed choirs, orchestra and organ (1984–1987) Mahler-Moment, for strings (1985) Sinfonie X (Tradition VI) (1987–1992; 2004/2005) Mozart-Moment (1988/1989) Schumann-Moment (Re-Visionen II2, for voices, winds, harp, and percussion (1989) Verdi-Moment (Re-Visionen II5, for orchestra (1989) St. Jago (Tradition IV2, 3 speakers, 4 singers, and ensemble: music and images to Heinrich von Kleist (1989–1991) (rev. 1995) Janáček-Moment (Re-Visionen II1), for orchestra (1991) Totentanz, ballet-oratorio for two speakers, soprano, bass, choir, orchestra and live electronic (1992–1994) inter, for chamber orchestra (1994) O Liebe! – süßer Tod..., five sacred songs after Johann Sebastian Bach for mezzo-soprano, chamber choir, and small orchestra (1995) Ekstasis for soprano, speaker, two children's voices, percussion, choir and large orchestra (1996/1997; 2001/2002) Chamber music Analysis, for strings and percussion (1953) Stücke, for string quartet or string octet (1954–55) Fragment, for chamber ensemble and voice obligato (1955) Das Urteil after Franz Kafka, Raummusik für Instrumente, Stimmen und sonstige Schallquellen (Space music for instruments, voices and other sound sources) (1959, rev. 1990) Glossolalie (1959–61), instructions for composition Glossolalie 61 (1959–1961) Glossolalie 94 (1994)