affected the direction of the music, as Yorkie noted: "Some of the tracks have no noticeable guitar whereas you know Jamie being a proper sort of guitar hero type person wouldn't allow that, it would, if there was a space there for guitar there would be guitar. So its a little bit sparser, maybe a little bit more disciplined the sound and its allowed I think texture wise like the keyboards and other things that we use like the samples to come through a bit more." The band credited the New York synth punk duo Suicide as a big influence on the album, and would often listen to their debut album on their way to the studio, providing inspiration for the track "Pretty Suicide". Keyboardist Franny Griffiths defended the album's lack of dance tracks, which had been somewhat of a tradition on previous Space releases: "For me it's better. People might say why's there no dance tracks or maybe there's no Yorkie tracks, but I think when you listen back to it you'll see why them things aren't on it because its more consistent, even though it's all our different ideas, it's at a better blend, it runs better and you can listen to each track after each other no problem. You're not jumping from one track to another, you want to actually listen to it from start to finish." Release Suburban Rock 'n' Roll was released in March 2004. The band had initially proposed for it to be released through producer Stephen Lironi's label Mutant, who had already released the album's lead single "Zombies" in November 2002 almost 18 months earlier. However, the label began to experience financial problems, so at the end of 2003, the band eventually signed a deal with RandM Records, a label formed by veteran music industry executives Mike Andrews and Roy Eldridge from within the Chrysalis Group. The band also ran into problems having the album artwork approved. The original sleeve was intended to depict a suburban household from the point of view of a sniper's target, but the band had lost the rights to use the original photograph. Instead, a series of collages designed by Tommy Scott was used as the artwork for the album and its accompanying singles. The eyes on the cover are lifted from a promotional photo of actor Conrad Veidt from the film The Cabinet of Dr. Caligari, which