British hip hop, also known as UK hip hop, is a genre of music, and a culture that covers a variety of styles of hip hop music made in the United Kingdom.<ref name="times">{{cite news |work=The Times |title=Home grown – profile – British hip-hop – music |first=Angus |last=Batey |date=26 July 2003}}</ref> It is generally classified as one of a number of styles of R&B/Hip-Hop. British hip hop can also be referred to as Brit-hop, a term coined and popularised mainly by British Vogue magazine and the BBC. British hip hop was originally influenced by the dub/toasting introduced to the United Kingdom by Jamaican migrants in the 1950s–70s, who eventually developed uniquely influenced rapping (or speed-toasting) in order to match the rhythm of the ever-increasing pace and aggression of Jamaican-influenced dub in the UK. Toasting and soundsystem cultures were also influential in genres outside of hip hop that still included rapping – such as grime, jungle, and UK garage. In 2003, The Times described British hip hop's broad-ranging approach: ..."UK hip-hop" is a broad sonic church, encompassing anything made in Britain by musicians informed or inspired by hip-hop's possibilities, whose music is a response to the same stimuli that gave birth to rap in New York in the mid-Seventies. History Origins As in the US, British hip hop emerged as a scene from graffiti and breakdancing, and then through to DJing and rapping live at parties and club nights, with its supporters predominantly listening to and influenced by US hip hop. Unlike in the US, the British hip hop scene was cross-racial from the beginning, as diverse ethnic groups in Britain tend not to live in segregated areas, even in areas with a high percentage of non-white individuals. Such places allow youth to share culture with one another, including musical genres such as hip hop. Cross pollination through migrating West Indians helped develop a community interested in the music. The integration of sound systems represent a distinct British Caribbean influence. Sound systems allowed for powerful syncopated bass runs and the ability to bring this sound to other venues creating a club culture. There were, however, British tunes starting to appear. There are an abundance of records that are often credited with being the first British hip hop release, "Christmas Rapping" by Dizzy Heights (Polydor, 1982), is often credited as such, as well as the slightly later released "London Bridge" by Newtrament (Jive