canvas) of a few London train writers as well as TV documentaries on London hip hop culture like the BBC's Bad Meaning Good, which included a section featuring interviews with London train writers and a few examples of their pieces. While many early rappers from the UK, such as Derek B, imitated the styles and accents of their US heroes, there were many who realised that to merely transpose US forms would rob UK hip-hop of the ability to speak for a disenfranchised British constituency in the way that US hip-hop so successfully spoke to, and for, its audience. Attempts were made by UK rappers to develop styles more obviously rooted in British linguistic practices — Rodney P of the London Posse deliberately chose a London accent – although many succeeded only in adopting a slurred hybrid that located the rap "somewhere in the middle of the Atlantic Ocean". Development: Late 1980s–early 1990s The first record label devoted to releasing UK hip hop acts was founded in 1986. Simon Harris' Music of Life label was home to rapper Derek B, the first UK rapper to achieve chart success. He even collaborated with Public Enemy on his album Bullet from a Gun and was the first British rapper to appear on Top of the Pops. Building on Derek B's success, Music of Life went on to sign groups such as Hijack, the Demon Boyz, Hardnoise (later Son of Noise) and MC Duke. Their Hard as Hell series mixed homegrown talent like Thrashpack and the She Rockers with US artists such as Professor Griff. Music of Life was swiftly followed by other labels such as Mango Records and Kold Sweat. Another successful British hip-hop artist that emerged from Music of Life was Asher D, whose Jamaican origins showed through in his vocal style. Moving away from its US roots, British hip hop started to develop its own sounds: acts like Hijack, II Tone Committee, Hardnoise, and Silver Bullet developed a fast and hardcore style, while many other acts took influences from elsewhere. Caveman and Outlaw Posse developed a jazz influenced style, whilst MC Mell'O' mixed jazz and hardcore. London Posse, Black Radical Mk II and DJ Ruf Cut And Tuf C were more influenced by reggae and disco whilst the Wee Papa Girl Rappers, Cookie Crew and Monie Love achieved chart success with more radio-friendly hip hop. However, despite the chart success