Maulwerke (1968–74); staged in 1977 by Achim Freyer at the Musiktheaterwerkstatt Wiesbaden Version 2010 Körpersprache / Organkomposition (Body Language / Organ Composition), for 3–9 players (1979/1980) Memento, for voice and accordion (1981) Montiano-Song, for one or more voices and instruments (1983) Beethoven-Symphonie (Re-Visionen I2), for chamber ensemble (1985) Metamorphosenmusik, for voice and chamber ensemble (1986/1987) Metamorphosen des Ovid or Die Bewegung von den Rändern zur Mitte hin und umgekehrt, incidental music for 11 voices and 11 strings (1986–87) Mit diesen Händen, for voice and cello with curved bow (1992) Baumzucht (J. P. Hebel), musical reading after Johann Peter Hebel for speaker and chamber ensemble (1992/1995) Schau-Stücke (Body Études) (1995) Keine grossen Sprünge, for two performers Kopfschütteln, for five performers Schlängeln, for two performers Magnificat (1996/97) String Quartet No. 2 (2000–2007) Flipper, chamber music for Spielautomaten, actors, instruments and tape (2002/2003) String Quartet No. 3 "Im Raum" (2005–2006) Drei Kafka-Dramolette, Der plötzliche Spaziergang, Entschlüsse and Gib's auf! (2009) Vocal Für Stimmen (… missa est): I. dt 31,6 for 12 vocal groups (1956–58), II. AMN for 7 vocal groups (1958–67), III. :! (madrasha II) for 3 choir groups and magnetic tape ad lib. (1958–68), IV. Choralvorspiele I/II for organ, side instruments, magnetic tape and amplifier (1966–69) Maulwerke, for amplified voices and electronics (1968–74) Körper-Sprache, for 3–9 performers (1979–80) Bach-Contrapuncti (I, VI, XI) (Re-Visionen I1, for voices (1972–76); revised as O Liebe! – süsser Tod (1984–95) Motetus I, for two choruses (1989–93) "Mein Herz ruht müde", for alto voice and piano (1994) Motetus II, for two choruses (1997–98) Behütet ... : Psalm 121, for chorus (SSMezAATTBarBB), with organ or synthesizer ad lib. (2012) Bibliography Sources Further reading Gligo, Nikša. "Schrift ist Musik? Ein Beitrag zur Aktualisierung eines nur anscheinend veralteten Widerspruchs". International Review of the Aesthetics and Sociology of Music 18 (1987), 1, pp. 145–162 (part 1); 19 (1988), 1, pp. 75–115 (part 2) (includes an analysis of Schnebel's project MO-NO: Musik zum Lesen) Pöllmann, Rainer, and Achim Freyer. "Zum Tod von Dieter Schnebel Ein radikaler Avantgardist". Deutschlandfunk Kultur (20 May 2018; accessed 25 May 2018). Stolba, K. Marie. The Development of Western Music: A History. Boston: McGraw Hill, 1998. Warnaby, John. "Dieter Schnebel and His Sinfonie X". Tempo, New Series, no. 186 (September 1993), pp. 26–31. Weiland, Andreas. "KÖRPERSPRACHE. Eine Organkomposition von Dieter Schnebel, uraufgeführt in der Neuen Galerie in Aachen am 24. März 1986". Art in Society, No. 11 (Spring/Summer, 2011):