Martin Böttcher (17 June 1927 – 20 April 2019) was a German composer, arranger and conductor. The beginning Böttcher (on foreign records and articles often written "Bottcher" or "Boettcher", the latter being the correct transliteration of the German umlaut "ö") began taking piano lessons at an early age. But his first passion was flying, and he wanted to become a test pilot. Not yet seventeen years old, he got his military training in the German Luftwaffe. However, due to lack of fuel, he never went into action. As a prisoner of war, Böttcher managed to get hold of a guitar and taught himself to play it. Following his release from captivity, he went to Hamburg. There he started his musical career with the then Nordwestdeutscher Rundfunk, in the dance and entertainment orchestra which had been newly founded by Willi Steiner, and which was held in high esteem in England. He also gained important experience as an arranger for film composers, among them Michael Jary and Hans-Martin Majewski, for whom he arranged part of the music for Love '47. Early years In 1950, Böttcher, who liked to work on new sounds, recorded the first trick guitar pieces in Germany in the style of Les Paul. In 1954, Böttcher left the music stand and turned to manuscript paper. His talent did not escape the attention of the German film industry, which was just gaining new momentum at that time. Thanks to film producer Artur Brauner, Böttcher made his cinematic debut in 1955, composing the music for the military satire The Captain and His Hero. His second film score turned out to be a milestone in German film history. Teenage Wolfpack directed by Georg Tressler and starring Horst Buchholz, met with tremendous success. Mr. Martin's Band comprised the top German jazz musicians, among them Horst Fischer, Fatty George, Bill Grah, Ernst Mosch and Hans 'James' Last. Böttcher also composed for Hans Albers and for Heinz Rühmann's 'Father Brown' movies. Max the Pickpocket (1962) contained the track "Hawaii Tattoo" (recorded by "The Waikikis"), which Böttcher had written under the pseudonym of Michael Thomas. Within a short time, this theme became famous all over the world, and even received attention in the American Billboard charts. The hit writer Martin Böttcher found his greatest success in the 1960s composing the score for ten of the Karl May films, the first being Der Schatz im Silbersee with