Alice White (born Alva White; August 25, 1904 – February 19, 1983) was an American film actress. Her career spanned late silent films and early sound films. Early years Alice White was raised by her maternal grandparents in Paterson, New Jersey, and she attended schools in Paterson and East Orange, New Jersey. Her grandfather owned a fruit business. Film After leaving school, White became a secretary and "script girl" for director Josef von Sternberg. She also worked as a switchboard operator at the Hollywood Writers' Club. After clashing with von Sternberg, White left to work for Charlie Chaplin, who decided before long to place her in front of the camera. Her bubbly and vivacious persona led to comparisons with Clara Bow, but White's career was slow to progress. In his book Silent Films, 1877-1996: A Critical Guide to 646 Movies, Robert K. Klepper wrote: "Some critics have said that Ms. White was a second-string Clara Bow. In actuality, Ms. White had her own type of charm, and was a delightful actress in her own, unique way. Whereas Clara Bow played the quintessential, flaming redheaded flapper, Alice White was more of a bubbly, vivacious blonde." After playing a succession of flappers and gold diggers, she attracted the attention of director and producer Mervyn LeRoy, who saw potential in her. Her screen debut was in The Sea Tiger (1927). Her early films included Show Girl (1928), which had Vitaphone musical accompaniment but no dialog, and its musical sequel Show Girl in Hollywood (1930), both released by Warner Brothers and both based on novels by J.P. McEvoy. In these two films, White appeared as Dixie Dugan. In October 1929, McAvoy started the comic strip Dixie Dugan with the character Dixie having a "helmet" hairstyle and appearance similar to actress Louise Brooks. White also used the services of Hollywood 'beauty sculptor' Sylvia of Hollywood to stay in shape. White was featured in The Girl from Woolworth's (1929), having the role of a singing clerk in the music department of a Woolworth's store. Karen Plunkett-Powell wrote in her book Remembering Woolworth's: A Nostalgic History of the World's Most Famous Five-and-Dime: "First National Pictures produced this 60-minute musical as a showcase for up-and-coming actress Alice White." Later career She left films in 1931 to improve her acting abilities, returning in 1933 only to have her career hurt by a scandal that erupted over her involvement with