Falling Star" on TV show Ready Steady Go! English audiences initially preferred her recordings in French, with "Tous les garçons et les filles" entering the UK Singles Chart on 1 July 1964 at number thirty-six. Her 1965 English-language single "All Over the World" was a substantial hit in the United Kingdom, reaching the Top 20 and staying in the charts for fifteen weeks. It was also successful in South Africa, Australia and New Zealand, probably being her most popular recording among English-speaking audiences. She promoted the song with performances on the British TV shows Ready Steady Go!, Ollie and Fred's Five O'Clock Club, Thank Your Lucky Stars and Top of the Pops. In 1965, Hardy flew to New York City to sign a record deal with Kapp, allowing them to distribute her records in the United States. The label released her debut studio album under the title The "Yeh-Yeh" Girl From Paris!, as well as the single "However Much"—an English-language version of the previously released track "Et même..." While in the United States, Hardy made her first appearance in American television in NBC's program Hullabaloo, where she performed "However Much", a bilingual version of Charles Trenet's "Que reste-t-il de nos amours ?" and a rendition of "The Girl from Ipanema". The singer became famous overnight in Germany after her 28 April 1965 appearance on TV show Portrait in Musik, in a series of staged musical performances directed by Truck Branss. Shortly after, the album In Deutschland was released, which, in addition to containing translated versions of her previous songs, included five original compositions. Her most popular track in Germany was "Frag' den Abendwind", which remained in the national singles' chart for twenty-four weeks. Pressured by her French and Italian record companies, Hardy took part in the Sanremo Music Festival 1966, where she reached the finals with the Edoardo Vianello-penned song "Parlami di te". On 12 April 1966, Hardy was among the forty-six performers that took part in the famous group photograph shot by Jean-Marie Périer for Salut Les Copains, which became a symbol of the yé-yé era and came to be known in France as the "photo of the century" (French: "photo du siècle"). Beginning in late 1967, Hardy began to release her records under her own production company Asparagus, although Vogue continued to distribute them. She later regretted this decision, recalling in 1999: "Wolfsohn had sensed that the singers