played the guitar. She performed regularly in stage shows at the Manila Grand Opera House. Subsequently, her reputation grew and during her international stints, she has performed with internationally acclaimed artists like Sammy Davis Jr., the Beatles and on July 4, 1966, Bob Hope, Pat Boone, Frank Sinatra and Julie Andrews. She also appeared in movies, most of them musicals. Her film debut was a lead role in the 1968 film Miss Wawaw and was followed by 11 films for the next two years. Corrales later recorded songs in Spanish in the early 1960s as well as songs in English, Tagalog and Cebuano during the 1970s under Vicor Music Corporation. Her multi-awarded TV program at ABS-CBN, An Evening with Pilita (1965–1972), is widely considered as one of the benchmarks in Philippine broadcasting history. Corrales frequently performed for Seeing Stars with Joe Quirino on IBC-Channel 13 after the martial law years where she demonstrated her range as a gifted performer of Spanish, English, Cebuano and Tagalog music. Aquarius Record Philippines produced a compilation of Pilita's Spanish songs on CDs like Noche de Ronda, Vaya Con Dios. Her signature song A Million Thanks to You by Alice Doria-Gamilla was translated into seven languages. She eventually recorded songs composed by Filipino composers like Danny Holmsen, George Canseco, Willy Cruz, Ryan Cayabyab and several others. Under Vicor Records, Corrales interpreted numerous Filipino classics and introduced them to younger audiences. Corrales first met Canseco in Your Evening with Pilita (aired on pre-Martial Law ABS-CBN) as a guest in the composers' portion of the show". For the show Canseco brought with him You're All I Love. Canseco later wrote Filipino lyrics for the song, which became Kapantay ay Langit, the first song Canseco sold to a record label in 1966. The song was first recorded by Amapola aka Maria Cabase for the movie theme of Kapantay ay Langit starring Marlene Dauden and Eddie Rodríguez. The song won for George Canseco and Amapola the Manila Film Festival award for best song of the year. The song did not fare well commercially, because Amapola had left (for her U.S. concert tours) and the song was not promoted properly, according to Canseco during an interview with the Philippine Daily Inquirer. But when Corrales revived the song, it turned into a classic and defied trends and time. "The song," Corrales said, "was included in my album Philippine Love Songs Vol.