the techno-utopist magazine Wired as a counterweight to catapult wireless devices (e.g. cell phones or PDAs) at the greatest possible distance. ("Catapulting Wireless Devices" was part of the "Experience The Experience" tour.) Farewell to Overhead (2005) The group created a melancholic electro pop song about the "dead medium" overhead projector and adolescence/socialisation. Growing Money (2005) To quote Monochrom's press statement: "Money is frozen desire. Thus it governs the world. Money is used for all forms of trade, from daily shopping at the supermarket to trafficking in human beings and drugs. In the course of all these transactions, our money wears out quickly, especially the smaller banknotes that are changing hands constantly. ... Money is dirty, and thus it is a living entity. This is something we take literally: money is an ideal environment for microscopic organisms and bacteria. We want to make your money grow. In a potent nutrient fluid under heat lamps we want to get as much life as we can out of your dollar bills." ("Growing Money" was part of the "Experience The Experience" tour.) Illegal Space Race (2005) Monochrom placed the planets true to scale (sun, 4 meters in diameter at Machine Gallery, Alvarado Street, near Echo Park) throughout the Los Angeles cityscape. Then they conducted an 'illegal space car race' through the solar system. ("Illegal Space Race" was part of the "Experience The Experience" tour.) Magnetism Party (2005) In form of a staged college party, Monochrom deleted all the electromagnetic storage media that they could find with a couple of heavy-duty neodymium magnets. Monochrom stated that the Magnetism Party was an attempt to actively come to terms with one aspect of the information society that is almost completely ignored by our epistemological machinery: forgetting. The slogan was "Delete is just another word for nothing left to lose". ("Magnetism Party" was part of the "Experience The Experience" tour.) Arad-II (2005): The members of Monochrom staged a fake (public theatre performance) about a deadly virus outbreak at 'Art Basel Miami Beach', one of the biggest art fairs in North America. Monochrom dealt with the networking/business aspect of the art market, the post-September 11, 2001 attacks hysteria about biological warfare, and the media coverage about Avian influenza (bird flu). Press release quote: "In mid-November 2005, Günther Friesinger visited the Ulaangom Biennial in the Republic of Mongolia. ... He directly departed to Miami to attend some meetings at Art