although (unlike the Ryman) they are cushioned. Eventually and without fanfare, the building downtown resumed using the Ryman Auditorium name to differentiate it from the new Grand Ole Opry House. Facing demolition When the plans for Opryland USA were announced, WSM president Irving Waugh also revealed the company's intent to demolish the Ryman and use its materials to construct a chapel called "The Little Church of Opryland" at the amusement park. Waugh brought in a consultant to evaluate the building, noted theatrical producer Jo Mielziner, who had staged a production at the Ryman in 1935. He concluded that the Ryman was "full of bad workmanship and contains nothing of value as a theater worth restoring." Mielziner suggested the auditorium be razed and replaced with a modern theater. But Waugh's plans were met with resounding resistance from the public, including many influential musicians of the time. Architectural critic Ada Louise Huxtable ridiculed the decision in The New York Times, writing: "First prize for the pious misuse of a landmark, and a total misunderstanding of the principles of preservation. Gentlemen, for shame." (She had won a Pulitzer Prize for her writing.) However, Roy Acuff, an Opry stalwart and a major stakeholder of Opryland USA, reportedly said, "I never want another note of music played in that building." He led the unsuccessful charge to tear down the Ryman. Acuff, a staunch supporter of moving the Opry to a modern home, told The Washington Post in 1974, "Most of my memories of the Ryman auditorium are of misery, sweating out here on this stage, the audience suffering too... We've been shackled all of my career." Acuff notably hated the dressing room situation at the Ryman so much that he bought a nearby building just to have a bigger one. A life-sized statue of Acuff (alongside one of Sarah Cannon as Minnie Pearl) has been installed in the lobby of the preserved Ryman Auditorium. Members of historic preservation groups argued that WSM, Inc. (and Acuff, by proxy) exaggerated the Ryman's poor condition, saying the company was worried that attachment to the old building would hurt business at the new Opry House. Preservationists emphasized the building's importance to regional religious history and gained traction for their case as a result. The building was formally assessed and approved for the National Register of Historic Places in 1971. In 1974, United States Senators from Tennessee Howard Baker and