cholera in the town takes on the additional symbolic meaning of ridding Fermina's life of rage, but also the passion. It is this second meaning to the title that manifests itself in Florentino's hatred for Urbino's marriage to Fermina, as well as in the social strife and warfare that serves as a backdrop to the entire story. Aging and death Jeremiah Saint-Amour's death inspires Urbino to meditate on his own death, and especially on the infirmities that precede it. It is necessary for Fermina and Florentino to transcend not only the difficulties of love but also the societal opinion that love is a young person's prerogative (not to mention the physical difficulties of love when one is older). Critical reception The novel received critical acclaim. The literary critic Michiko Kakutani praised the book in a review for The New York Times, saying: "Instead of using myths and dreams to illuminate the imaginative life of a people as he's done so often in the past, Mr. Garcia Marquez has revealed how the extraordinary is contained in the ordinary ... The result is a rich, commodious novel, a novel whose narrative power is matched only by its generosity of vision." The writer Thomas Pynchon, also for The New York Times, argued: "This novel is also revolutionary in daring to suggest that vows of love made under a presumption of immortality – youthful idiocy, to some – may yet be honored, much later in life when we ought to know better, in the face of the undeniable. ... There is nothing I have read quite like this astonishing final chapter, symphonic, sure in its dynamics and tempo, moving like a riverboat too ... at the very best it results in works that can even return our worn souls to us, among which most certainly belongs Love in the Time of Cholera, this shining and heartbreaking novel." Film adaptation Stone Village Pictures bought the movie rights from the author for US$3 million, and Mike Newell was chosen to direct it, with Ronald Harwood writing the script. Filming started in Cartagena, Colombia, during September 2006. The $50 million film, the first major foreign production filmed in the scenic walled city in twenty years, was released on November 16, 2007, by New Line Cinema. On his own initiative, García Márquez persuaded singer Shakira, who is from the nearby city of Barranquilla, to provide two songs for