the character, citing their physical similarities. Producer Shinzō Matsuhashi shared similar feelings as Ōtomo. During the making of this film, both Watsuki and his wife found Satoh as an ideal actor him. Watsuki was surprised by Satoh's work as well as the special effects in the first film which made Kenshin's character realistic. For the Kyoto duology films, Ōtomo said he did not have to put much advice to Satoh as his acting in the first film attracted multiple positive reactions by the staff and the audience. He then stated "Even without saying this or that from the side, he created an image of Kenshin, including his behavior, swordplay, and speech, through the necessary preparation and hard work. So I didn’t worry at all". During an interview, Satoh said Rurouni Kenshin was one of the first manga he read to the point he would play sword-fights with his friends. Additionally, once he was cast as Kenshin, Satoh started intense swordsmanship training. Satoh said he liked Kenshin's character to the point of enjoying role in the three films. However, the actor expressed pressure in doing the role as a result of having to take part in multiple fighting scenes. Nevertheless, Satoh said he enjoyed Kenshin's lines due to the impact they have on most characters, most notably his enemies. Due to the Kyoto films showing a darker characterization of Kenshin as he struggles against different strong rivals, Satoh also said his work became more challenging. Still, he found it interesting. A scene that Satoh enjoyed was Kenshin's fight against Sawagejō Chō due to the fact Kenshin is forced to attack his enemy even though he does not know his weapon is deadly which goes against his morals; as a result, Satoh briefly showed Kenshin's hitokiri side for a brief moment. The actor said he discussed this scene with the director who pleased with the result. Kenshin's strongest technique, the Amakakeru Ryū no Hirameki, was Satoh's favorite move as he likes its meaning. While Kenshin shouts his attacks' names in both manga and anime, Satoh instead decided to say the names after performing those moves. During shooting of the film Rurouni Kenshin: The Final, the battle between Kenshin and Enishi had to be remade several times because Satoh got exhausted of moving four times in total. Satoh praised Arata's work as Enishi as he made the antagonist terrifying to the point the