York and Israel. The Hernandez sisters sell primarily from their home and known for their painting style. The Fuentes family gained fame from Efrain's carving talents. He was featured in an exhibit in Santa Fe, NM when he was only 13 and his work has been featured in at least one book. Margarito Melchor specializes in cats, and Coindo Melchor carves elaborate ox teams with bulls, driver, and a cart filled with animals and crops as well as creatures that have been described as "bird headed women." Maria Jimenez and her brothers specialize in saints and angels as well as some animals. Maria is the best known painter in the Oaxacan community. She says that she has about thirty designs that she has developed for carvings, many of which are related to when she made embroidered dresses. The most successful artisan is Jacobo Angeles, whose work have been prominently displayed at The Smithsonian and the National Museum of Mexican Art in Chicago. It can also be found in numerous museums, art colleges and galleries in the world. Jacobo learned to carve from his father when he was twelve, and later was mentored by elders in his and other communities. While alebrijes designs have been innovative and incorporating modern elements, the Angeles family's designs focus on representations of Zapotec culture. This can be seen in the painted designs, based on influences such as the friezes of Mitla, and other ancient symbols as well as the continued use in aniline paints made from natural ingredients such as the bark of the copal tree, baking soda, lime juice, pomegranate seeds, zinc, indigo, huitlacoche and cochineal. Each year, Jacobo travels the United States to promote Oaxacan folk art in general to educational institution as well as a speaker at art institutions. Arrazola The making of alebrijes in Oaxaca was initially established in Arrazola by Manuel Jimenez. Jimenez began carving wooden figures since he was a boy tending animals in the 1920s. By the late 1950s and early 1960s, Jimenez's work was being sold in the city of Oaxaca, which led them to being shown to folk art collectors such as Nelson Rockefeller. By the late 1960s, he was giving exhibitions in museums in Mexico City and the United States and tourists began visiting his workshop in the 1970s. He kept his carving techniques strictly within the family with only his sons and a son