Carlos Franqui (December 4, 1921 – April 16, 2010) was a Cuban writer, poet, journalist, art critic, and political activist. After the Fulgencio Batista coup in 1952, he became involved with the 26th of July Movement which was headed by Fidel Castro. Upon the success of the Cuban Revolution in 1959, he was placed in charge of the rebellion's newspaper Revolución, which became an official government publication. When he came to have political differences with the regime, he left Cuba with his family. In 1968 he broke with the Cuban government when he signed a letter condemning the Soviet invasion of Czechoslovakia. He became a vocal critic of the Castro government, writing frequently until his death on April 16, 2010. Early years Born in a cane field, he entered a vocational school, where he joined the Communist Party of Cuba. He gave up the opportunity to enter the University of Havana to become a professional organizer for the party at the age of 20. After successfully organizing the party in several small towns, he left the organization and became an unaffiliated leftist. He turned to journalism to make a living and became involved in several literary and artistic movements. He developed friendships with Cuban artists, including writer Guillermo Cabrera Infante and painter Wifredo Lam. Role in the Cuban revolution After the Fulgencio Batista coup in 1952, he became involved with the 26th of July Movement headed by Fidel Castro. He co-edited the underground newspaper Revolución in Havana, taking responsibility for public information. One article in particular reported the landing of the Granma and confirmed that Castro was safe in the Sierra Maestra. For this he was jailed and tortured by the police. Upon his release, he went into exile first in Mexico and then in Florida, but was soon drafted by Castro into the Sierra Maestra to continue work on Revolución and also on Radio Rebelde, the guerilla movement's clandestine radio station. Upon the success of the Cuban Revolution in 1959, he was placed in charge of Revolución, which became an official organ of the government. During his tenure as editor, he maintained a degree of independence from the official line and emphasized the arts and literature, launching the literary supplement Lunes de Revolución, which was directed by Guillermo Cabrera Infante and featured high quality work by Cuban and international authors. His position allowed him to travel extensively outside of