(Allison & Busby, 1986), Wish You Were Here (Jonathan Cape, 1990) and Not Fade Away (Bloodaxe Books, 1994). He was the leading light of a band, the Liverpool Scene, which released four LPs of poetry and music. Earlier, in 1955, he played washboard in the King's College, Newcastle, Skiffle Group. He was a firm believer in live poetry reading, and read his poetry at many and varied venues as well as holding poetry workshops at schools and colleges. One of his last major poetry readings was at the launch of The Argotist magazine in 1996. In 1986 Henri became the first President of the National Acrylic Painters' Association, a post he held until 1991, after which he became its first Fellow and Patron until his death in 2000. He died in Liverpool, aged 68, having never properly recovered from a stroke that he had suffered two years previously. The night before his death, Liverpool City Council conferred on him the Freedom of the City in recognition of his contribution to Liverpool's cultural scene. He also received an honorary doctorate from the University of Liverpool. He described his early philosophy as "If you think you can do it and you want to do it—then do it." In 2012 Adrian Henri: Total Artist was released. Total Artist concentrates on Henri's work from the 1960s and 1970s, as well as capturing some of the excitement and dynamics of the art scene in Britain during this time. Henri was at the centre of a distinctive yet highly connected counter-culture, providing an opportunity to consider his embrace of total art as a template for interdisciplinary art practice. Published by Occasional Papers, the Exhibition Research Centre, Liverpool John Moores University and Université Paris Diderot. The Liverpool Scene The Liverpool Scene was a poetry band, formed around 1967, which included Adrian Henri, Andy Roberts, Mike Evans, Mike Hart (ex Liverpool Roadrunners), Percy Jones and Brian Dodson. Four LPs were issued with Henri's poetry heavily featured. The first one was produced by Liverpool DJ John Peel, who was then working on the pirate radio station Radio London. Despite his support, the album achieved little success: the following three were equally unsuccessful. Public performances by the band included a (financially unsuccessful) 1969 tour when they opened for Led Zeppelin. Henri was described in performance as "bouncing thunderously and at risk to audience and fellow performers, the stage vibrating out