whom Thomas took advice when writing poetry and he was invariably the first to read his finished work. They remained lifelong friends, despite Thomas's failure, in the capacity of best man, to turn up to the wedding of Vernon and Gwen in 1944. Thomas used to laugh affectionately at his friend's gossamer-like personality and extreme sensibility. A story is told that one evening in Chelsea, during the war time blackout, they were walking along and Vernon tripped over something and fell to the ground. Thomas looked with a torch to see what the offending object was and to his delight all that they could find was a small, black feather (FitzGibbon 1966). Vernon was godfather to Thomas's son Llewelyn, the others being Richard Hughes and Augustus John. Letters to Vernon Watkins by Thomas was published in 1957. The 1983 book Portrait of a Friend by Watkins' wife Gwen, née Davies, deals with the relationship. Others in the Swansea Group known as the "Kardomah boys" were the composer Daniel Jenkyn Jones, writer Charles Fisher and the artists Alfred Janes and Mervyn Levy. Vernon wrote the obituary for Dylan Thomas and when he died, Philip Larkin wrote his obituary. Bletchley Park and marriage Watkins met Gwen, who came from Harborne, Birmingham, at Bletchley Park, where he worked during the Second World War as a cryptographer, and she, as a member of the WAAF. They were both engaged in breaking the Luftwaffe AuKa tactical codes in Block F (A). Gwen was at first billeted at Stony Stratford but later moved to RAF Church Green at Bletchley. They were both Flight Sergeants and were stationed at Bletchley from June 1942 until May 1945. They were married at the church of St Bartholomew-the-Great, in London on 2 October 1944. The couple had five children. Poetry His ambitions were for his poetry; in critical terms they were not to be fulfilled. On the other hand, he became a major figure for the Anglo-Welsh poetry tradition, and his poems were included in major anthologies. During the war he was for a time associated with the New Apocalyptics group. With his first book Ballad of the Mari Llwyd (1941) accepted by Faber and Faber, he had a publisher with a policy of sticking by their authors. In his case this may be considered to have had an adverse long-term effect on his reputation, in that it is generally