Lord Richard Buckley (born Richard Myrle Buckley; April 5, 1906 – November 12, 1960) was an American stand-up comedian and recording artist, who in the 1940s and 1950s created a character that was, according to The New York Times, "an unlikely persona ... part English royalty, part Dizzy Gillespie." Michael Packenham, writing in The Baltimore Sun, described him as "a magnificent stand-up comedian ... Buckley's work, his very presence, projected the sense that life's most immortal truths lie in the inextricable weaving together of love and irony—affection for all humanity married to laughter." Buckley's unique stage persona anticipated aspects of the Beat Generation sensibility, and influenced contemporary figures as various as Dizzy Gillespie, Lenny Bruce, Wavy Gravy, Del Close, and, even after Buckley's death, Ken Kesey, George Harrison, Tom Waits, Frank Zappa, Robin Williams, and Jimmy Buffett. Bob Dylan, in his book Chronicles, said "Buckley was the hipster bebop preacher who defied all labels." Early life Buckley's father, William Buckley, was from Manchester, England. He stowed away on a ship that eventually arrived in San Francisco. In California, William met Annie Bone. They married, and their son, Richard, was born in Tuolumne, in a mountainous region where lumbering was a major industry. As children, Buckley and his sister, Nell, would often perform on the streets of Tuolumne, singing for change from passersby. When he was a bit older, Buckley got a job in the local lumber camps as a "tree topper", which was considered an especially dangerous position. It involved climbing up to the very top of a tall tree, cutting off the tip and then securing ropes that would guide the rest of the tree as it was felled. Career By the mid-1930s, he was performing as emcee in Chicago at Leo Seltzer's dance marathons at the Chicago Coliseum, and worked his own club, Chez Buckley, on Western Avenue through the early 1940s. During World War II, Buckley performed extensively for armed services on USO tours, where he formed a lasting friendship with Ed Sullivan. In the 1950s, Buckley hit his stride with a combination of exaggeratedly aristocratic bearing and carefully enunciated rhythmic hipster slang. He was known for wearing a waxed mustache along with white tie and tails. He sometimes wore a pith helmet. Occasionally performing to music, he punctuated his monologues with scat singing and sound effects. His most significant tracks are retellings of historical or legendary