its soaring atrium clad in coloured bricks representing the factory’s dye products, and an exterior in dark clinker bricks with clocktower and dramatic arch, it is one of the most representative examples of the style in Germany. In 1922, he accepted an invitation to teach at the Academy of Fine Arts Vienna, becoming head of the architecture school, a post he kept until 1936, whilst also designing for a range of clients across Europe. In 1926, Behrens was commissioned by the Englishman Wenman Joseph Bassett-Lowke to design a family home in Northampton, UK. The house named 'New Ways', a stark white walled rectangular volume (with jagged parapets), is often regarded as probably the first modernist house in Britain, and marks Behrens' turn towards the Modernism of New Objectivity. In 1925 he was invited by his former student Mies van der Rohe, along with many of the leading German architects working in the new style, to design a residential building in Stuttgart, in the development now known as the Weissenhof. His contribution was a set of apartments in stacked cubic volumes, allowing many apartments to open to large terraces. In 1928 Behrens won an international competition for the construction of the New Synagogue, in Zilina, Slovakia, which was restored in 2012–17 as a cultural centre. The same year he designed a renovation of the Feller-Stern department store in central Zagreb, Croatia, transforming it from Art Nouveau to a complex almost De Stijl Modernist composition. His 1931 hillside villa for the Clara Gans, daughter of Frankfurt industrialist Adolf Gans, was a similarly complex interplay of rectangular volumes, clad in stone, a fine example of New Objectivity. In 1929, Behrens was invited to the competition for the design of buildings around a proposed radical redesign of Alexanderplatz in Berlin, and though he came second, his designs for the buildings on the south west side of the new square was preferred by the subsequent developer, and the Alexanderhaus and the Berolinahaus were built by 1932. In 1929, Behrens, in partnership with former student Alexander Popp, was commissioned to design a new factory for the state-run Austria Tabak in Linz, which was built over a long period, due to the economic conditions, finally completed in 1935. The main building has a very long completely horizontal slightly curved facade, Behrens’ most striking design in the style of New Objectivity. In 1936 Behrens left Vienna to teach