plot that had actually been conceived only as filler, but its aesthetics and stereotypical narrative patterns now make it easy to contextualize. The project tried to analyze these "re-released" shorts and to filter out interesting subtexts. Towers of Hanoi (2002) Members of the group entered a bank and exchanged 50 euros for dollars, then back again to euros - and so on - until the money was gone. Afterward the group calculated how many times you have to exchange the global amount of cash (20 trillion euros) from euros to dollars until it vanishes completely. It was calculated that if this process was completed a total of 849 times using the global amount of cash, 18 cents would remain. Blattoptera (2003–2005) Artists were invited to design a gallery-space for their tribe of South American cockroaches. Each month a different international artist, or arts group, was invited to design an environment in which the cockroaches are placed, to act as audience for, and as aesthetic judges of the work. Brandmarker (2003-) How well do people remember the logos of large corporations that sell consumer goods? An attempt to evaluate the actual power of commercial brands by making people draw famous logos from memory. Eignblunzn (2003) Members of the group prepared blood sausage out of their own blood and ate it ('auto blood sausage'). The performance was accompanied by political essays about the 'autocannibalistic' tendencies of the global economy. The event also can be interpreted as a critical statement about art, art history, and the art market (Viennese Actionism). Instant Blitz Copy Fight (2004-) People from all over the world are asked to take flash pictures of copyright warnings in movie theaters. Monochrom (in cooperation with Cory Doctorow) collects and exhibits those pictures as a copyleft/Free Culture statement. The Flower Currency (2005) A project to explore a value exchange system, created and owned by children, to enable artists to collaborate on the creation of interdisciplinary artworks. Udo 77 (2004) A musical about Udo Proksch, a criminal figure in recent Austrian history. Born to a poor family he rose to become the darling of Austrian high society before landing in jail on a life sentence for sinking a ship and its crew in order to cash in on insurance of nonexistent goods. His perfectly tuned network of sponsors, friends, and political functionaries could not hush up the scandal and many of his associates