hits on that chart. The song also topped the Latin Pop Songs chart, becoming the third song off the album to do so. "Si Tu No Existieras" was released in November 2012, and managed to peak at number 14 in Mexico. To promote the album, Arjona embarked on the Metamorfosis World Tour. The show, his first since 2009's Quinto Piso Tour, comprised five legs across North and Latin America. It ran from January 2012 until March 2013 and included 102 shows in 18 countries, with an estimated attendance of over one million people. The tour opened in Toluca, where he had started all of his concert tours, and grossed more than $13.4 million in the United States. 2021: Blanco y Negro tour In September 2021, Arjona announced a 25-date North America tour, named Blanco y Negro. The tour, presented by Loud and Live, will kick off March 24, 2022 at the Kiva Auditorium in Albuquerque and conclude on June 11, 2022 at Coliseo de Puerto Rico in San Juan. Music and style Arjona's primary musical style is Latin pop. He usually sings without the help of featured or additional singers. His style varied over the years, as Arjona took risks to keep his music from becoming stale. In contrast to the ballad-laden Déjame Decir Que Te Amo, on the following two albums Arjona experimented with a range of pop/rock styles. Animal Nocturno intersperses energetic rock songs among heartfelt ballads, and the instrumentation is heavy on guitar, synthesizer, and drums. On Historias, each song is stylistically distinct and the instrumentation is varied. Around two dozen instruments were used on the album, including horns, piano and Hammond B-3, and strings. On Si El Norte Fuera El Sur, he crafted a relatively low-key effort characterized by intimate songs about love, culture, and politics. Most of the songs were written in 1995 while Arjona was touring and are performed acoustically with Caribbean touches. Besides a couple of rockers, the songs are fairly even in tone and tempo. In Galería Caribe, Arjona explored Afro-Caribbean sounds, employing traditional rhythms such as guaracha, bachata, merengue, and salsa. On Santo Pecado, Arjona explored the use of symphonic sounds on his ballads, amidst a couple of rock songs stylistically similar to those on Sin Daños a Terceros. This album included the song "La Nena (Bitácora de un Secuetro)", in which Arjona relates the story of a girl who is