Florent Schmitt, William Walton and Malcolm Williamson again used the name sinfonia concertante for their compositions. Martin's work, more reminiscent of the classical works with multiple soloists, features a piano, a harpsichord, and a harp. Karol Szymanowski also composed a sinfonia concertante (for solo piano and orchestra), also known as his Symphony No. 4 "Symphonie-Concertante." Other examples include Joseph Jongen's 1926 Symphonie Concertante, Op. 81, with an organ soloist, the Sinfonia Concertante (Symphony No. 4), for flute, harp and small string orchestra by Andrzej Panufnik written in 1973, and Peter Maxwell Davies's Sinfonia Concertante for wind quintet, timpani and string orchestra of 1982. The Czech composer Bohuslav Martinů wrote two works in this genre: Sinfonia Concertante for Two Orchestras, H. 219 (1932) and Sinfonia Concertante No. 2 in B-flat major for Violin, Cello, Oboe, Bassoon and Orchestra with Piano, H. 322 (1949). In fact, all but one of the composer's symphonies feature a piano, as do most of his orchestral works, but the two afore-mentioned works were the only two in his output which he labelled concertante symphonies. Wilhelm Furtwängler completed in 1937 his Symphonic Concerto for Piano and Orchestra in B minor, which lasts over one hour and is one of the longest piano concertos ever written. Sergei Prokofiev called his work for cello and orchestra Symphony-Concerto, stressing its serious symphonic character, in contrast to the light character of the Classical period sinfonia concertante. Benjamin Britten's Cello Symphony and Ellen Taaffe Zwilich's Symphony No. 2 also showcase a solo cello within the context of a full-scale symphony. Peter Schickele as P. D. Q. Bach produced a spoof "Sinfonia Concertante" utilizing lute, balalaika, double reed slide music stand, ocarina, left-handed sewer flute, and bagpipes. See also The Concerto for Orchestra differs from the sinfonia concertante in that concertos for orchestra have no soloist or group of soloists that remains the same throughout the composition. Concerto for Group and Orchestra, reviving some of the "Sinfonia concertante" characteristics. Notes For example, in the explanatory notes from the booklet to the CD "BEETHOVEN – Triple Concerto/Choral Fantasia" (Capriccio Classic Productions No. 180240, 1988). References Sources Encyclopædia Britannica Collins: Encyclopedia of Music, William Collins Sons & Company Ltd., 1976 Concertos Symphonies