Basel Miami Beach. ... There is acute evidence that he is carrying a rare, but highly contagious sub-form of the Arad-II Virus (family Onoviridae), of which Freiburg virus is also a member. ... Friesinger is walking around the different art fairs in Miami Beach and is spreading the pathogen. The situation is critical. A worldwide outbreak – due to the many visitors from all over the world – is imminent. ... We want to find all the people that Günther Friesinger small talked to and handshaked with. We want to retrieve and destroy the business cards he has spread. Additionally, we must take him into custody and in the event of his death cremation is absolutely necessary." Café King Soccer (Café König Fußball) (2006) In June 2006, Monochrom created the art installation 'Café King Soccer' at NGBK Gallery in Berlin. The installation deals with the soccer corruption case in whose centre we find referee Robert Hoyzer. Monochrom reflect on the fact that soccer has at all times mirrored the dialectics between the culture of subjectivity of the working class and the assertion of objectivity of middle-class culture. The former is represented by the collectives that meet in the game, the latter by the referee, an exemplary civil subject conducting the game by acting as its objective opponent. The Hoyzer case violated this agreement. In it, Hoyzer is – especially in the forefront of the 2006 FIFA World Cup in Germany – also a tragic character, because he acted out his inner self-contradiction as an exemplary civil subject in a publicly effective way. At the same time, the Hoyzer case is itself an integral part of the game – merely because of his exemplary immolation as a scapegoat which seems to correspond exactly to his role on the field - and conditio sine qua non of its perpetuation. Campaign for the Abolition Of Personal Pronouns (2006): Monochrom propagates the creation of gender-neutral personal pronouns. In an activist way the group states that there is a relationship between the structure of language and the way people think and act (see Constructivism). Waiting for GOTO (2006): The reference point Monochrom chose for their theatre-project 'Waiting for GOTO' (Volkstheater Wien) is the theatre classic 'Waiting for Godot' which is projected into the future by modernistic references to science-fiction. In 'Waiting for Goto' we meet 'ideological delinquents' in a distant interstellar future who are separated