Architectural acoustics (also known as building acoustics) is the science and engineering of achieving a good sound within a building and is a branch of acoustical engineering. The first application of modern scientific methods to architectural acoustics was carried out by the American physicist Wallace Sabine in the Fogg Museum lecture room. He applied his newfound knowledge to the design of Symphony Hall, Boston. Architectural acoustics can be about achieving good speech intelligibility in a theatre, restaurant or railway station, enhancing the quality of music in a concert hall or recording studio, or suppressing noise to make offices and homes more productive and pleasant places to work and live in. Architectural acoustic design is usually done by acoustic consultants. Building skin envelope This science analyzes noise transmission from building exterior envelope to interior and vice versa. The main noise paths are roofs, eaves, walls, windows, door and penetrations. Sufficient control ensures space functionality and is often required based on building use and local municipal codes. An example would be providing a suitable design for a home which is to be constructed close to a high volume roadway, or under the flight path of a major airport, or of the airport itself. Inter-space noise control The science of limiting and/or controlling noise transmission from one building space to another to ensure space functionality and speech privacy. The typical sound paths are ceilings, room partitions, acoustic ceiling panels (such as wood dropped ceiling panels), doors, windows, flanking, ducting and other penetrations. Technical solutions depend on the source of the noise and the path of acoustic transmission, for example noise by steps or noise by (air, water) flow vibrations. An example would be providing suitable party wall design in an apartment complex to minimize the mutual disturbance due to noise by residents in adjacent apartments. Inter-space noise control can take a different form when talking about Acoustics in European football stadiums. One goal in stadium acoustics is to make the crowd as loud as possible and inter-space noise control becomes a factor but in helping reflect noise to create more reverberation and louder decibel level throughout the stadium. Many outdoor soccer stadiums for example have roofs over the fan sections which create more reverberation and echoing which helps raise the general volume in the stadium. Interior space acoustics This is the science of controlling a room's surfaces based on sound absorbing and reflecting