the recording of the basic track and he probably played acoustic guitar on it. The stereo album version differs from the take released as a single, also heard on the mono album. The stereo and mono versions feature slightly different vocals by Micky on the opening verse (particularly obvious in the phrase "just came out to mow his lawn" — in the mono, the word "out" is heavily enunciated, while in the stereo version, it sounds more natural). Additionally, there are group backing vocals in the stereo version after Micky sings "hard for me to see" in the bridge; these are absent in the mono version. The distortion occurring on the fade of the stereo version also happens much more gradually than in mono. The musical takes may also be different. The fade on both released mixes is deliberately drowned in reverb and noise, but a karaoke mix released in 2004 features a conventional fade. First used in summer 1967 rebroadcast of the episodes "Case of The Missing Monkee" and "Captain Crocodile," then in the second-season episodes "The Picture Frame" and "Monkee Mayor." Recorded at RCA Victor Studios, Hollywood, June 10 and 11, 1967 after their Hollywood Bowl performance. "Daily Nightly" Written by Michael Nesmith Lead vocal by Micky Dolenz Electric guitar: Michael Nesmith Bass: Chip Douglas Drums: Eddie Hoh Moog synthesizer: Micky Dolenz Organ: Peter Tork Percussion: Davy Jones Nesmith's inspiration for this song stemmed from the infamous Sunset Strip curfew riots and the misinformation that the media reported about the event; the event was first discussed by the boys in the epilogue interview segment of the episode "Find The Monkees." The mono and stereo mixes have slightly different Moog parts. Used in the episodes "Fairy Tale" and "The Monkees Blow Their Minds" Recorded at RCA Victor Studios, Hollywood, June 19 and August 1967 "Don't Call on Me" Written by Michael Nesmith and John London Lead vocal by Michael Nesmith Spoken words: Micky Dolenz and Davy Jones Electric guitar: Michael Nesmith Acoustic guitar: Chip Douglas Bass: Chip Douglas Drums: Eddie Hoh Claves: Eddie Hoh Piano: Robert Rafelson Organ: Peter Tork A reworked version of a pre-Monkees Nesmith song Recorded during two Hollywood sessions, not from "the elegant Pump Room (which closed in 2017) of the magnificent Palmer House (still in operation today), high over Chicago", which would not have been possible. The Pump Room restaurant and Palmer House Hotel