Machine Project, Emmanuel Goldstein, Jason Scott, Jonathan Mann, Jasmin Hagendorfer and the Porn Film Festival Vienna), Michael Zeltner, Anouk Wipprecht, VSL Lindabrunn). Monochrom supports initiatives like the Radius Festival, Play:Vienna, the Buckminster Fuller Institute Austria, RE/Search, the Semantic Web Company and the Vienna hackerspace Metalab. For a couple of years, Monochrom ran the DIY project "Hackbus" in cooperation with David "Daddy D" Dempsey (of FM4) Since 2007, Monochrom is the European correspondent for Boing Boing Video. Art residency Monochrom offers a collaborative art residency in Vienna. Since 2003 the group has invited and created projects with artists, researchers, and activists like Suhrkamp's Johannes Ullmaier, pop theorist Stefan Tiron, performance artist Angela Dorrer, DIY blogger (and later: entrepreneur) Bre Pettis, photographer and activist Audrey Penven, digital artist Eddie Codel, sex work activist Maggie Mayhem, glitch artist Phil Stearns, illustrator Josh Ellingson, DIY artist Ryan Finnigan, digital artist Jane Tingley, digital rights activist Jacob Appelbaum, sex tech expert Kyle Machulis, hacker Nick Farr, filmmakers Sophia Cacciola and Michael J. Epstein, writer Jack Sargeant, and others.All former resident artists are considered ambassadors. Johannes Grenzfurthner sees Monochrom as a community and social incubator of critical and subversive thinkers. An example is Bre Pettis of MakerBot Industries, who got inspired to create 3d printers during his art residency with Monochrom in 2007. Pettis wanted to create a robot that could print shot glasses for Monochrom's cocktail-robot event Roboexotica and did research about the RepRap project at Metalab. Shot glasses remained a theme throughout the history of MakerBot. Main projects (in chronological order) Mackerel Fiddlers (1996-) A radical anti-representation/anti-recording music movement that partially refers to Hakim Bey's Temporary Autonomous Zone. To quote the manifesto: "We set value on developing a form of viral resistance by systematic infiltration of symphonic orchestras. A New Year's Concert of the Vienna Philharmonic Orchestra (1984) could have been transformed by at least one Mackerel Fiddler and Austria's image would have been ruined worldwide. ... These days, self-production and 'embarrassment sells' have become the golden rules of media, be it radio, TV, or telegraph. Thus it is not only legitimate to be ashamed of ones activity as a Mackerel Fiddler, it is also thankworthy. Failure is beautiful! Disgrace is sunshine!" Schubumkehr (1995–1996) A manifesto propagating 'internet demarketing' and deals with negative aspects of early net culture. Paz Sastre reprinted and contextualized the manifesto in this 2021 publication "Manifiestos sobre el arte y