Victor Benjamin Neuburg (6 May 1883 – 31 May 1940) was an English poet and writer. He also wrote on the subjects of theosophy and occultism. He was an associate of Aleister Crowley and the publisher of the early works of Pamela Hansford Johnson and Dylan Thomas. Early life Neuburg was born into and raised in an upper middle-class Jewish family in Islington. His father, Carl Neuburg, who had been born in 1857 in Pilsen, Bohemia, and was a commission agent based in Vienna, abandoned the family shortly after his son's birth. Victor was brought up by his mother, Jeanette Neuburg, née Jacobs (1855–1939), and his maternal aunts. He was educated at the City of London School and Trinity College, Cambridge, where he studied medieval and modern languages. Relationship with Aleister Crowley When he was 25, in around 1906, Neuburg came in contact with Crowley, also a poet, who had read some of Neuburg's pieces in the Agnostic Journal. Crowley's description of him was: He was an agnostic, a vegetarian, a mystic, a Tolstoyan, and several other things all at once. He endeavoured to express his spiritual state by wearing the green star of Esperanto, though he could not speak the language; by refusing to wear a hat, even in London, to wash, and to wear trousers. Whenever addressed, he wriggled convulsively, and his lips, which were three times too large for him, and had been put on hastily as an afterthought, emitted the most extraordinary laugh that had ever come my way; to these advantages he united those of being extraordinarily well-read, overflowing with exquisitely subtle humour, and being one of the best natured people that ever trod this planet. Crowley initiated Neuburg into his magical Order, the A∴A∴, in which he took the magical name "Frater Omnia Vincam". Crowley also began a long-lasting sentimental and sexual relationship with Neuburg. In 1909 Crowley took Neuburg to Algiers, and they set off into the desert, where they performed a series of occult rituals based on the Enochian system of Doctor John Dee, later chronicled in The Vision and the Voice. In the midst of these rituals Crowley put the ideas of sex and magick together, and performed his first "Sex Magick" ritual. Neuburg's anthology of poems The Triumph of Pan (1910) dates from shortly after these events and shows the distinct influence of Crowley: Sweet Wizard, in whose footsteps I