the heritage it preserves. The coming of age theme is dramatized through the events of Mia's Trial, a rite of passage that ensures her adulthood will be earned and meaningful. The theme is artfully elaborated in three folktales that appear in the narrative: “Bright Sam and Charming Ned,” told by a young scoutship pilot; “The Lady of Carlisle,” told by Mia herself; and a third tale (reduced at the editor's behest to a brief summary) told by Daniel Kutsov. All three feature young people who face tests of courage or resourcefulness. The ethical discussions in the novel are at an elementary level, as is appropriate for a teenage narrator. Mia's final moral stance is broadly Kantian (Kant is the only philosopher she mentions by name) in that it demands respect for the personhood of others and forbids treating others as mere means. Mia's moral maturity comes with her recognition that “the universe is filled with people, and there is not a single solitary spear carrier among them.” Many classic science fiction novels end with the destruction of an entire planet and its inhabitants. Typically, as in the Skylark and Lensman novels of E. E. “Doc” Smith, such destruction is presented as a starkly necessary defense against alien beings who are incorrigibly dangerous or evil. Rite of Passage departs from this tradition by condemning the destruction of Tintera as an act that no one, in principle, could ever have the right to commit. In the Ship's Assembly, the proposal to destroy Tintera is debated in the context of an ongoing political controversy over what, if anything, the Ships owe to the planetary colonists. Mia's father takes the position that the colonists will do best if they learn to fend for themselves and not expect aid from the Ships. Mia and Jimmy's mentor, Joseph Mbele, believes that the Ships have an obligation to assist the colonists by sharing their knowledge, which Daniel Kutsov says is the heritage of all who survived the destruction of Earth. Both sides of the debate receive a respectful hearing at various places in the novel, and neither is presented as indisputably correct, but by the end of her story Mia has clearly come around to the view that the Ships have an obligation to the colonies. Many of these themes appear in three other Panshin stories set in the same fictional future: “The Sons of Prometheus” (Analog,