literature. Since the arrival of more complex conceptions of gender and subjectivity, feminist literary criticism has taken a variety of new routes. It has considered gender in the terms of Freudian and Lacanian psychoanalysis, as part of the deconstruction of existing power relations. Film theory Many feminist film critics, such as Laura Mulvey, have pointed to the "male gaze" that predominates in classical Hollywood film making. Through the use of various film techniques, such as shot reverse shot, the viewers are led to align themselves with the point of view of a male protagonist. Notably, women function as objects of this gaze far more often than as proxies for the spectator. Feminist film theory of the last twenty years is heavily influenced by the general transformation in the field of aesthetics, including the new options of articulating the gaze, offered by psychoanalytical French feminism, like Bracha Ettinger's feminine, maternal and matrixial gaze. Art history Linda Nochlin and Griselda Pollock are prominent art historians writing on contemporary and modern artists and articulating Art history from a feminist perspective since the 1970s. Pollock works with French psychoanalysis, and in particular with Kristeva's and Ettinger's theories, to offer new insights into art history and contemporary art with special regard to questions of trauma and trans-generation memory in the works of women artists. Other prominent feminist art historians include: Norma Broude and Mary Garrard; Amelia Jones; Mieke Bal; Carol Duncan; Lynda Nead; Lisa Tickner; Tamar Garb; Hilary Robinson; Katy Deepwell. History Feminist history refers to the re-reading and re-interpretation of history from a feminist perspective. It is not the same as the history of feminism, which outlines the origins and evolution of the feminist movement. It also differs from women's history, which focuses on the role of women in historical events. The goal of feminist history is to explore and illuminate the female viewpoint of history through rediscovery of female writers, artists, philosophers, etc., in order to recover and demonstrate the significance of women's voices and choices in the past. Geography Feminist geography is often considered part of a broader postmodern approach to the subject which is not primarily concerned with the development of conceptual theory in itself but rather focuses on the real experiences of individuals and groups in their own localities, upon the geographies that they live in within their own communities. In addition to its analysis of the real world, it