Bernard Palissy (; c. 1510c. 1589) was a French Huguenot potter, hydraulics engineer and craftsman, famous for having struggled for sixteen years to imitate Chinese porcelain. He is best known for his so-called "rusticware", typically highly decorated large oval platters featuring small animals in relief among vegetation, the animals apparently often being moulded from casts taken of dead specimens. It is often difficult to distinguish examples from Palissy's own workshop and those of a number of "followers" who rapidly adopted his style. Imitations and adaptations of his style continued to be made in France until roughly 1800, and then revived considerably in the 19th century. In the 19th century, Palissy's pottery became the inspiration for Mintons Ltd's Victorian majolica, which was exhibited at the London Great Exhibition of 1851 under the name "Palissy ware". Palissy is known for his contributions to the natural sciences, and is famous for discovering principles of geology, hydrology and fossil formation. A Protestant, Palissy was imprisoned for his belief during the tumultuous French Wars of Religion and sentenced to death. He died of poor treatment in the Bastille in 1589 (1590 according to Burty 1886). Early life According to his friend Pierre de L'Estoile, Palissy was born in 1510. The location of Palissy's birth is not certain, but it is believed to be either Saintes, Périgord, Limousin or Agen. He lived most of his life in Saintonge. Palissy was born to a poor family, and while his education did not include Greek or Latin, it did instruct him in practical sciences including geometry and surveying. Early in his life, Palissy was commissioned by the crown to survey the salt marshes of Saintonge. In his memoirs, Palissy tells us that he was apprenticed to a glass-painter. At the end of his apprenticeship he spent a journeyman year acquiring fresh knowledge in many parts of France, including Guyenne, Languedoc, Provence, Dauphiné, Burgundy and the Loire. He later traveled north to the Low Countries, perhaps even in the Rhine Provinces of Germany, and to Italy. Palissy returned to Saintonge where he married and had children. Other than what he tells us in his autobiography, namely that he worked as a portrait-painter, glass-painter and land-surveyor, we have little record of how he lived during the first years of his married life. Interest in ceramics In 1539 or 1540, Palissy was shown a white enamelled cup that astonished him, and