distinction—the distinction of uniting genuine substance and artistic form in a closely woven pattern with a spiritual sincerity so earnest, and a creative belief so strong, that each of these stories may fairly claim, in my opinion, a position of some permanence in our literature as a criticism of life. O'Brien further listed these stories "in a special 'Roll of Honor.'" In this special list, O'Brien further attached an additional asterisk to those stories that O'Brien personally enjoyed. "Stories indicated by this asterisk seem to me not only distinctive but so highly distinguished as to necessitate their ultimate preservation between book covers. It is from this final shortlist that the stories reprinted in this volume have been selected." Oliver Herford's essay Say it with Asterisks, quips "Never, I think, where a mob of overworked employees so pitifully huddled together in an ill-ventilated factory as are the Asterisks in this Sweatshop of Twaddle." Literary editor Katrina Kenison dismisses O'Brien's grading systems as "excessive at best, fussy and arbitrary at worst." Book reviewers generally do not use a star-rating system though there are exceptions. The West Coast Review of Books rates books on a scale of one ("poor") to five ("superior") stars. According to editor D. David Dreis, readers love the ratings but publishers don't. Films In the 31 July 1928 issue of the New York Daily News, the newspaper's film critic Irene Thirer began grading movies on a scale of zero to three stars. Three stars meant 'excellent,' two 'good,' and one star meant 'mediocre.' And no stars at all 'means the picture's right bad,'" wrote Thirer. Carl Bialik speculates that this may have been the first time a film critic used a star-rating system to grade movies. "The one-star review of The Port of Missing Girls launched the star system, which the newspaper promised would be 'a permanent thing.' According to film scholar Gerald Peary, few newspapers adopted this practice until the French film magazine Cahiers du cinéma "started polling critics in the 1950s and boiling their judgment down to a star rating, with a bullet reserved for movies that the magazine didn't like." The highest rating any film earned was five stars. The British film magazine Sight and Sound also rated films on a scale of one to four stars. Some critics use a "half-star" option in between basic star ratings. Leonard Maltin goes one further and gives Naked