much of his production work including his songs "Love is a Wind that Screams" and his cover of T. Rex's "The Visit". The Church used the EBow in the song Under the Milky Way featuring a 12-string acoustic guitar melody along with a solo composed with an EBow on a Fender Jazzmaster, and recorded on a Synclavier, leading to a sound reminiscent of bagpipes. It has been used by Daniel Ash from Bauhaus, Tones On Tail, and Love and Rockets. "One thing that changed everything for me to my advantage was discovering the e-bow. A lot of people think it's keyboards on various songs, but it's actually e-bow which basically turns the guitar into a keyboard cos' it just sustains on the one note. Seventh Dream of Teenage Heaven and Burning Skies are probably good examples of that. As soon as I saw that thing on the shelf I just had to have it and it changed everything for me. It completely opened up the sound of the guitar. It was very inspirational for me to get hold of that little gizmo." Besides its appearance in rock and jazz music, the EBow also made its way in the domain of contemporary art music, being used by John Cage in his harp piece A Postcard from Heaven (1982), Karlheinz Essl in Sequitur VIII (2008) for electric guitar and live-electronics, Elliott Sharp on SFERICS (1996), Arnold Dreyblatt in E-Bow Blues (1998) and David First in A Bet on Transcendence Favors the House (2008). Alternative use Although the EBow is most commonly played on the electric guitar, because of its ease of use and the responsiveness obtainable from the pickup, many artists have experimented with the EBow on other types of guitars and string instruments to various effect. While the EBow is not normally used with the electric bass guitar, which has heavier strings, Michael Manring (who uses light bass strings) uses it on his 1995 album Thönk. He has also been known to use two at once. Another instrument that the EBow is sometimes used on is the steel-string acoustic guitar. For example, guitarist David Gilmour of Pink Floyd used one on his Gibson J-200 acoustic in their 1994 song "Take It Back". Generally an acoustic guitar gives a limited response for varying reasons, including the density and spacing of the guitar strings. But despite these limitations, using an EBow on an