throne includes a relief showing an olive tree and a table on which rests a Panathenaic amphora with the front leg in the form of an owl. Herodes Atticus built it as "an architectural means of self-representation, and it did something analogous. The architecture of the building makes allusions to the Classical past while remaining unmistakably modern. It is Roman in scale, but it self-consciously rejects the distinguishingly Roman features of monumental facade and extensive vaulting." Its cavea was decorated with owls in relief, which symbolize Athena. Katherine Welch wrote in a 1998 article "Greek stadia and Roman spectacles": Abandonment After Hellenistic festivals and bloody spectacles were banned by Roman Emperor Theodosius I in the late 4th century, the stadium was abandoned and fell into ruin. Gradually, its significance was forgotten and a field of wheat covered the site. During the Latin rule of Athens, Crusader knights held feats of arms at the stadium. A 15th century traveler saw "not only several rows of white marble benches, but also the portico at the entrance of the Stadion, which he calls the North entrance, and the Stoa round the koilon, which he calls the South entrance." The derelict stadium's marbles were incorporated into other buildings. European travelers wrote of "magical rites enacted by young Athenian maidens in the ruined vaulted passage, aimed at finding a good husband." Modern reconstruction Excavations and Zappas Olympics Following Greece's independence, archaeological excavation as early as 1836 uncovered traces of the stadium of Herodes Atticus. Further, more thorough, excavation was conducted by the German-born architect Ernst Ziller in 1869–70. Some marbles of the stadium and four Hermai were found. The Zappas Olympics, an early attempt to revive the ancient Olympic Games, were held at the stadium in 1870 and 1875. They were sponsored by the Greek benefactor Evangelis Zappas. The games had an audience of 30,000 people. 1896 Olympics The Greek government, through crown prince Constantine, requested the Egypt-based Greek businessman George Averoff, to sponsor the second refurbishment of the stadium prior to the 1896 Olympics. Based on the findings of Ziller, a reconstruction plan was prepared by the architect Anastasios Metaxas in the mid-1890s. Darling writes that "He duplicated the dimensions and design of the second-century structure, arranging the tiers of seats around the U-shaped track." It was rebuilt in Pentelic marble and is "distinguished by its high degree of fidelity to the ancient monument