Revolution The relationship between Fidel Castro and Korda could not be defined by one label or title. For Castro, Korda was more than an official photographer, a friend or personal photographer. They never discussed salary or title, their relationship wasn't boss and worker. Korda was very relaxed, and interested in everything and everyone. Every photo he took was a symbol of the revolution, instead of a documentary of the events of the revolution. The Cuban Revolution was the turning point in Korda's career; his career plans were completely changed with the success of the revolutionaries. In 1959 the newly established newspaper offered the largest space for photographers to display their photographs, and Korda became part of the revolutionary cause. Korda Says, "Nearing 30, I was heading toward a frivolous life when an exceptional event transformed my life: The Cuban Revolution. It was at this time that I took this photo of a little girl, who was clutching a piece of wood for a doll. I came to understand that it was worth dedicating my work to a revolution which aimed to remove these inequalities.” He got caught up in the ideals of the revolution and began photographing its leaders. As photographer of the Revolution, Korda always worked at his own photographic tempo; he wasn't pushed by the press or by any other requests. Wherever the revolution took Castro, Korda followed. One of Korda's most recognizable images was of Castro's visit to the Lincoln Memorial in Washington, D.C., in April 1959. Castro's travels took Korda all around Cuba, overseas, and the Soviet Union. In 1963 photos of Fidel and Nikita Khrushchev, taken by Korda, illustrated the differences in both men that were evident in their respective politics. In 1959 Fidel went back to the Sierra Maestra, the remote mountain region, where the revolutionary army began its attacks on the army of the Batista Regime. Korda's style was to move to the front of whatever group Fidel was leading to get the shots he wanted. When Korda came back to his home, his daughter barely recognized him: his hair and beard were long and he hadn't showered for months. Korda took many pictures for the newspaper and called the series "Fidel Returns to the Sierra." Fidel always liked Korda's photos and never stopped him when he attempted to take his picture. He worked freely without thinking about political consequences to get what