between 1998 and 2000, she started to sign a weekly chronicle in the Rio newspaper O Dia. In addition, for ten years (2006-2016) she wrote about life experience, travel and music in her blog Other Bossas. Soon after publishing her book, she started to create and present television programs for MultiRio, the public TV channel of the City of Rio de Janeiro. In 1999 she released Cantos do Rio ("Rio Corners"), a series in which she mapped the city and its music, interviewing composers and performers in their neighborhoods of reference and musical inspiration. In 2010 it was the turn of the series No Compasso da História (“In The Beat of History”): 15 documentaries in which the History of Brazil is told through MPB songs. Two years later, the project Pequenos Notáveis (“Remarkable Kids”) was presented, in which he addressed the childhood of some of the greatest composers of Brazilian music.[13] New Book And Recent Works In November 2020, Joyce published Aquelas Coisas Todas, her second book of memoirs, edited in two parts. Part One is the updated version of Fotografei Você na Minha Rolleiflex, while in Part Two, Tudo é uma Canção , the artist presents new stories based on the idea that MPB "has an answer for everything". In a report about the release, the Estado de Minas newspaper highlighted: "Manifestations against the dictatorship, travels, festivals, growing musical movements, such as bossa nova and Tropicália, misunderstandings and confusions between artists that would eventually go down in history. When something like this happened, Joyce Moreno was there." [14] [15] The book had great repercussion in the national press and was the basis of a four-chapter miniseries presented on SESC 24 de Maio's YouTube channel, in which the artist approaches texts from the book with complementary accounts and interpretations of songs related to the stories. [16] In parallel, the record company Pau Brasil released in digital format the album Fiz uma Viagem - Songs of Dorival Caymmi, recorded in 2016 in Norway and released in Japan the following year. In this work, Joyce Moreno interprets the songs of the composer from Bahia accompanied by the bassist Rodolfo Stroeter, also producer of the album, by the pianist Hélio Alves and by Tutty Moreno, who signs drums and percussion. [17] The artist was married in the early ‘70s to musician and composer Nelson Angelo, with whom she has two daughters who are