sound stand out, came about by accident thanks to Jimmy Miller and Anita Pallenberg. Pallenberg was in the engineering booth with Miller while Jagger was belting out an early vocal take of the song. According to Pallenberg, Miller was half talking to himself as Jagger sang, saying stuff like "Come on Mick, give it your all, who are you singing about? – Who, who?" He then repeated "Who who" several times after that as Jagger sang on, and Pallenberg realised how wonderful that all sounded. After the take, she told Jagger what transpired in the booth and suggested that "who who" be used in the song as a backing vocal chant. The Stones then gave it a go and after the first take, "Who who" became "woo-woo", with most of this caught on film by director Jean-Luc Godard for his One Plus One (aka Sympathy for the Devil) movie. Aftermath In an interview with Creem, Jagger said, "[When people started taking us as devil worshippers], I thought it was a really odd thing, because it was only one song, after all. It wasn't like it was a whole album, with lots of occult signs on the back. People seemed to embrace the image so readily, [and] it has carried all the way over into heavy metal bands today. Some people have made a living out of doing this; for example, Jimmy Page." Of the change in public perception the band experienced after the song's release, Richards said in a 1971 interview with Rolling Stone, "Before, we were just innocent kids out for a good time, they're saying, 'They're evil, they're evil.' Oh, I'm evil, really? So that makes you start thinking about evil ... What is evil? Half of it, I don't know how many people think of Mick as the devil or as just a good rock performer or what? There are black magicians who think we are acting as unknown agents of Lucifer and others who think we are Lucifer. Everybody's Lucifer." Hunter S. Thompson and his attorney Oscar Zeta Acosta kept replaying the song hundreds of times during their drug-induced Chevy ride to Las Vegas in 1971 to maintain focus whilst high on class A drugs. In Thompson's novel, Fear and Loathing in Las Vegas and the film of the same name, the song is referenced several times. Contrary to a widespread misconception, it was "Under My