In a Lonely Place is a 1950 American film noir directed by Nicholas Ray and starring Humphrey Bogart and Gloria Grahame, produced for Bogart's Santana Productions. The script was written by Andrew P. Solt from Edmund H. North's adaptation of Dorothy B. Hughes' 1947 novel of the same name. Bogart stars as Dixon (Dix) Steele, a troubled, violence-prone screenwriter suspected of murder. Grahame co-stars as Laurel Gray, a lonely neighbor who falls under his spell. Beyond its surface plot of confused identity and tormented love, the story is a mordant comment on Hollywood mores and the pitfalls of celebrity and near-celebrity, similar to two other American films released that same year, Billy Wilder's Sunset Boulevard and Joseph L. Mankiewicz's All About Eve. Although less famous than his other work, Bogart's performance is considered by many critics to be among his finest and the film's reputation has grown over time, along with Ray's. It is now considered one of the best films noir of all time, as evidenced by its inclusion on the Time "All-Time 100 Movies" list as well as Slant Magazines "100 Essential Films" and it is ranked number one on Slant's "The 100 Best Film Noirs of All Time". The BBC ranked it number 89 in their list of the 100 greatest American films of all time. In 2007, In a Lonely Place was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant." Plot Dixon "Dix" Steele is a down-on-his-luck Hollywood screenwriter who has not had a successful movie since before World War II. While driving to meet his agent, Mel Lippman, Dix’s explosive temper is revealed when, at a stoplight, he engages with another motorist in a confrontation that almost becomes violent. Meeting with Mel at a nightclub, Dix is cajoled into adapting a book for a movie. The hat-check girl, Mildred Atkinson, is engrossed in reading the copy meant for Dix; since she only has a few pages left to go, she asks to be allowed to finish it. Dix claims to be too tired to read the novel, so he asks Mildred to go home with him to explain the plot. As they enter the courtyard of his apartment, they pass a new tenant, Laurel Gray. Mildred describes the story, confirming what Dix had suspected—the book is no good. Rather than drive