the Kent Archaeological Rescue Unit performed a measurement survey of the monument. The barrow is located on private land, and is accessible for a small fee. The eastern stones Kit's Coty House Kit's Coty House represents the surviving remains of another chambered tomb, and has been described by archaeologist Timothy Champion as "perhaps the best-known monument in Kent". The long mound has eroded away, leaving only a dolmen on the eastern end of the monument, which consists of three large upright stones, with a fourth capstone on top. Traces of the mound and peristalith were identified in January 1982 during a measured survey by the Kent Archaeological Rescue Unit, in which they showed it to be 70m long, estimating that it was about 1m high. Archaeologist Paul Garwood noted that the chamber's closest parallels come from western Britain. Garwood's team investigated the site from 2009 to 2012, using excavations and geophysical surveys. They revealed that the chamber was not directly connected to the long mound, being offset to the south, and thus was potentially part of a structure that predated the long mound. They also revealed that the long mound had gone through at least two main phases of construction. Due to its accessibility, Kit's Coty House has attracted continual notice since the 16th century. In the latter part of that century, the stones were discussed in print by three antiquarians: William Lambarde, William Camden, and John Stow. Although not featured in the first edition, Lambarde discussed Kit's Coty in the second edition of his Perambulation of Kent, published in 1596. Here he compares it to Stonehenge in Wiltshire, describing it as having been erected by ancient Britons to the memory of Catigern, a figure whom he presumably knew about through the work of Nennius. He also noted that the site was associated with the mythical hero Horsa, whom he believed had been buried nearby. However, it was the discussion of the work in Camden's Britannia that resulted in it becoming more widely known and developing into a visitor's attraction; for instance, Samuel Pepys recorded his 1669 visit to the site in his diary. It attracted the interest of antiquarian John Aubrey, who wrote about it in his Monumenta Britannica, in which he included an image of the site drawn by classical scholar Thomas Gale. William Stukeley first visited the site in October 1722, making various drawings and plans of