ceremony of the Nobel Peace Prize in Oslo. "God Has Pity on Kindergarten Children" was one of the poems he read. This poem is inscribed on a wall in the Rabin Museum in Tel Aviv. There are streets named for him in cities in Israel, and also one in Würzburg. Amichai was married twice. He was first married to Tamar Horn, with whom he had one son, and then to Chana Sokolov; they had one son and one daughter. His two sons were Ron and David, and his daughter was Emmanuella. Amichai died of cancer in 2000, at age 76. Poetry Amichai's poetry deals with issues of day-to-day life, and with philosophical issues of the meaning of life and death. His work is characterized by gentle irony and original, often surprising imagery. Like many secular Israeli poets, he struggles with religious faith. His poems are full of references to God and the religious experience. He was described as a philosopher-poet in search of a post-theological humanism. Amichai has been credited with a "rare ability for transforming the personal, even private, love situation, with all its joys and agonies, into everybody's experience, making his own time and place general." Some of his imagery was accused of being sacrilegious. In his poem "And this is Your Glory" (Vehi Tehilatekha), for example, God is sprawled under the globe like a mechanic under a car, futilely trying to repair it. In the poem "Gods Change, Prayers Stay the Same" (Elim Mithalfim, ha-Tfillot Nisharot la-Ad), God is a portrayed as a tour guide or magician. Many of Amichai's poems were set to music in Israel and in other countries. Among them: the poem Memorial Day for the War Dead was set to music for solo voices, chorus and orchestra in Mohammed Fairouz's Third Symphony. Other poems were set by the composers Elizabeth Alexander ("Even a fist was once an open palm and fingers"), David Froom, Matthias Pintscher, Jan Dušek, Benjamin Wallfisch, Ayelet Rose Gottlieb, Maya Beiser, Elizabeth Swados, Daniel Asia and others. Language and poetic style In an interview published in the American Poetry Review, Amichai spoke about his command of Hebrew: I grew up in a very religious household ... So the prayers, the language of prayer itself became a kind of natural language for me ... I don't try—like sometimes poets do—to 'enrich' poetry by getting more cultural material or more ethnic material