Story of a Woman, opposite Susan Hayward. As character actor From 1948 on, Albert guest-starred in nearly 90 television series. He made his guest-starring debut on an episode of The Ford Theatre Hour. This part led to other roles such as Chevrolet Tele-Theatre, Suspense, Lights Out, Schlitz Playhouse of Stars, Studio One, Philco Television Playhouse, Your Show of Shows, Front Row Center, The Alcoa Hour, and in dramatic series The Eleventh Hour, The Reporter, and General Electric Theater. In 1959, Albert was cast as businessman Dan Simpson in the episode "The Unwilling" of the NBC Western series Riverboat. In the story line, Dan Simpson attempts to open a general store in the American West despite a raid from pirates on the Mississippi River, who stole from him $20,000 in merchandise. Debra Paget is cast in this episode as Lela Russell; Russell Johnson is Darius, and John M. Picard is uncredited as a river pirate. On stage The 1950s also had a return to Broadway for Albert, including roles in Miss Liberty (1949–1950) and The Seven Year Itch (1952–1955). In 1960, Albert replaced Robert Preston in the lead role of Professor Harold Hill, in the Broadway production of The Music Man. Albert also performed in regional theater. He created the title role of Marc Blitzstein's Reuben, Reuben in 1955 in Boston. He performed at The Muny Theater in St. Louis, reprising the Harold Hill role in The Music Man in 1966 and playing Alfred P. Doolittle in My Fair Lady in 1968. 1950s and 1960s film career In the 1950s, Albert appeared in film roles such as that of Lucille Ball's fiancé in The Fuller Brush Girl (1950), Bill Gorton in The Sun Also Rises (1957), and a traveling salesman in Carrie (1952). He was nominated for his first Oscar as Best Supporting Actor with Roman Holiday (1953). In Oklahoma! (1955), he played a womanizing Persian peddler, and in Who's Got the Action? (1962), he portrayed a lawyer helping his partner (Dean Martin) cope with a gambling addiction. In Teahouse of the August Moon (1956), he played a psychiatrist with an enthusiasm for farming. He appeared in several military roles, including The Longest Day (1962), about the Normandy invasion. The film Attack (1956) provided Albert with a dark role as a cowardly, psychotic Army captain whose behavior threatens the safety of his company. In a similar vein, he played a psychotic