writers and scholars. In 1972, he purchased the lease to the station from Ricardo Widmaïer and renamed it Radio Haiti-Inter. It was the first radio station in Haiti to broadcast political analysis, interviews, and investigative reporting in Haitian Creole, the language spoken by the entire population of Haiti, in addition to French, which was the language of the ruling elite. During the 1960s, Dominique also founded Haiti's first film club at the Institut Français in Port-au-Prince, which he understood to be a way of subverting and resisting the political repression of the Duvalier dictatorship. In 1965, the film club was banned following a screening of Alain Resnais's Night and Fog, an anti-fascist film about the Nazi concentration camps. In 1961, Dominique co-directed and narrated Haiti's first documentary film, Mais, je suis belle (But, I Am Beautiful), an ironic film about Caribbean beauty pageants. Dominique remained a staunch supporter of Haitian cinema, and collaborated with Haitian filmmakers such as Rassoul Labuchin. Dominique was married to fellow journalist Michèle Montas, who became the co-director of Radio Haiti after Dominique's assassination. He had three daughters by previous marriages: the writer Jan J. (J.J.) Dominique, Nadine Dominique, and Dolores Dominique Neptune. He also had a son, the novelist Denis Boucolon from a relationship with an Afro-Caribbean student from Guadeloupe, Maryse Boucolon. Career at Radio Haïti-Inter 1971–1980 Throughout the 1970s, Jean Dominique used Radio Haiti to highlights aspects of Haitian culture rooted in its Creole-speaking majority and repressed for almost two centuries by its French-speaking elite. Dominique and Radio Haiti also reported increasingly on events that would challenge the regime of Jean-Claude Duvalier, often strategically and indirectly to circumvent the regime's censorship laws. For example, Radio Haiti reported in 1972 for weeks, on the fall of the dictator of Nicaragua, Anastasio "Tachito" Somoza Debayle, as a proxy for talking about Duvalier. In 1973 and 1976, Dominique reported from the annual Vodou pilgrimage at Saut-d’Eau on worshippers’ lamentations and entreaties to the spirits: an implicit way of talking about peasant resistance : “We were under Jean-Claude Duvalier, we were under [high-ranking Macoutes like] Luc Désir, Jean Valmé, Luckner Cambronne, and company We were under the tigers!” Dominique later explained. “The people opened their arms in front of the pilgrimage site, they looked toward the church, and they described their misery. They described their oppression, how the life was squeezed out of them [peze-souse]. They described how