Luiz Gonzaga do Nascimento (standard orthography 'Luís'; ; Exu, December 13, 1912 – Recife, August 2, 1989) was a Brazilian singer, songwriter, musician and poet and one of the most influential figures of Brazilian popular music in the twentieth century. He has been credited with having presented the rich universe of Northeastern musical genres to all of Brazil, having popularized the musical genre baião and has been called a "revolutionary" by Antônio Carlos Jobim. According to Caetano Veloso, he was the first significant cultural event with mass appeal in Brazil. Luiz Gonzaga received the Shell prize for Brazilian Popular Music in 1984 and was only the fourth artist to receive this prize after Pixinguinha, Antônio Carlos Jobim and Dorival Caymmi. The Luiz Gonzaga Dam was named in his honor. Gonzaga's son, Luiz Gonzaga do Nascimento Jr, known as Gonzaguinha (1945–91), was also a noted Brazilian singer and composer. Biography The son of a farmer, Gonzaga was attracted to the accordion at a very early age, and he used to accompany his father at parties and religious celebrations. He later went to do his military service, where he learned to play the cornet. On leaving the army he decided to remain in Rio de Janeiro, performing in the streets and in bars. After noticing that the north-eastern people living in Rio de Janeiro missed the music from their home states, he started to give listeners the sort of music they craved to hear: xaxados, baiões, chamegos and cocos. At Ary Barroso's talent show, Luiz Gonzaga played his chamego "Vira e Mexe" and was acclaimed by the audience and by the host, who gave him the highest score. After discovering this niche in the market, Gonzaga became a regular at radio shows and started making records. In 1943, he dressed up in typical north-eastern costumes for the first time to perform live, and got hyped. Later on, as well as playing popular tunes on the accordion, he began to sing his own material, and his skills as a songwriter were revealed. His greatest hit ever, "Asa Branca" (written with Humberto Teixeira), was recorded in 1947 and covered countless times by many artists. He worked on the radio until 1954, enjoying huge popularity. He became (in the words of Caetano Veloso, Caderno de Confessões Brasileiras, 1988) a "pop music" star, taking a genre straight from folklore to the pop music, creating with the