their eighth album, Omega, in February 2021. History Cry for the Moon (2002) In early 2002, at only 22 years old, Mark Jansen left After Forever over creative differences. He then began looking for musicians who would work towards a more classical/symphonic type of music project; this was initially named Sahara Dust. In late 2002, the band courted Helena Iren Michaelsen (from Trail of Tears) as its frontwoman, but shortly after she was replaced by the then unknown Simone Simons, who was Jansen's girlfriend at the time. The band's line-up was completed by guitarist Ad Sluijter, drummer Jeroen Simons, bassist Yves Huts, and keyboard player Coen Janssen. The name was later changed to Epica, inspired by Kamelot's album of the same name. Epica then assembled a choir (made up of two men and four women) and a string orchestra (three violins, two violas, two cellos and an upright bass) to play along with them. Still under the name Sahara Dust, they produced a two-song demo entitled Cry for the Moon in 2002. As a result, they were signed to Transmission Records. The Phantom Agony (2002–2004) The Phantom Agony is the first full-length studio album by Epica. It is the first album recorded by guitarist Mark Jansen after his departure from the band After Forever. The album was produced by Sascha Paeth (known for having produced bands such as Angra, Rhapsody of Fire and Kamelot) and released in June 2003. This album, Mark Jansen continues with the collection of songs that make up "The Embrace That Smothers". The first three parts can be found on Prison of Desire (2000), After Forever's debut album, and the following three parts can be found on The Divine Conspiracy (2007), Epica's third album. These songs deal with the dangers of organized religion. The song "Façade of Reality" on the album was written about the September 11 attacks and includes fragments from speeches by Tony Blair. The album was followed by three singles: “The Phantom Agony”, “Feint” and “Cry for the Moon”. Consign to Oblivion/The Score – An Epic Journey (2004–2006) Their second release, entitled Consign to Oblivion, was influenced by the culture of the Maya civilization, which can be noticed on songs in the "A New Age Dawns" series. "A New Age Dawns" refers to the time system of the Mayan people, which extends up to 2012, and makes no reference of what may happen