the Willie Dixon's blues "I Just Want to Make Love to You" etc. There were also claims they had dabbled in Satanism (their previous album, while containing no direct Satanic references in its music or lyrics, was titled Their Satanic Majesties Request). "Sympathy" brought these concerns to the fore, provoking media rumours and fears among some religious groups that the Stones were devil worshippers and a corrupting influence on youth. The lyrics focus on atrocities in mankind's history from Satan's point of view, including the trial and death of Jesus Christ ("Made damn sure that Pilate washed his hands to seal his fate"), European wars of religion ("I watched with glee while your kings and queens fought for ten decades for the gods they made"), the violence of the Russian Revolution of 1917 and the 1918 execution of the Romanov family during World War I ("I stuck around St. Petersburg when I saw it was a time for a change/Killed the Tsar and his ministers/Anastasia screamed in vain"), and World War II ("I rode a tank, held a general's rank when the blitzkrieg raged, and the bodies stank"). The song was originally written with the line "I shouted out 'Who killed Kennedy?'" After Robert F. Kennedy's death on 6 June 1968, the line was changed to "Who killed the Kennedys?". The song may have been spared further controversy when the first single from the same album, "Street Fighting Man", became even more controversial in view of the race riots and student protests occurring in many cities in Europe and in the United States. Recording The recording of "Sympathy for the Devil" began at London's Olympic Sound Studios on 4 June 1968; overdubs were done on 8, 9 and 10 June. Personnel included on the recording include Nicky Hopkins on piano, Rocky Dijon on congas and Bill Wyman on shekere. Marianne Faithfull, Anita Pallenberg, Brian Jones, Charlie Watts, producer Jimmy Miller, Wyman, and Richards performed backup vocals, singing the "woo woos". Richards plays bass on the original recording, and also electric guitar. Brian Jones plays a mostly mixed out acoustic guitar, although in isolated tracks of the studio cut, it is audible playing along with the piano. In the 2003 book According to the Rolling Stones, Watts commented: On the overall power of the song, Jagger continued in Rolling Stone: The backing "who who-woo-woo' vocals, which helped to make the song's