Planetarian: The Reverie of a Little Planet related products. The combined total of the products Key sells at a given Comiket range in price between 3,000 and 5,000 yen. This includes the selling of music albums released under Key's record label Key Sounds Label which has been releasing albums since Comiket 60 in August 2001 with the release of the label's first two albums, Humanity... and "Natsukage / Nostalgia". If there are any unsold products by the end of a given Comiket, Visual Arts has been known to set up an online mail order to sell the remaining goods from all the brands under Visual Arts that participated at Comiket. After Comiket 73 in December 2007, Visual Arts started taking mail orders on March 4, 2008, and only six days later on March 10, 2008, Key reported that all of Key's goods sold at Comiket 73 were now sold out. At the end of the second day of Comiket 75 in December 2008, all of Key's goods at the convention were sold out. Staff Main Key's main staff members are attached to the visual novel studio, and therefore Visual Arts. One of the founding members of Key, Jun Maeda, has worked on the planning for the individual projects and was one of the main scenario writers; he has also composed music for the majority of Key's games. Maeda stepped down as the main scenario writer after Little Busters! Ecstasy, but continues to work on the music for Key's games. However, Maeda designed the Angel Beats! 1st Beat visual novel and partially wrote its scenario, in addition to providing the original concept for Summer Pockets. Na-Ga, Key's main artist, mainly worked with background art in earlier games, but was first given the position of co-art director with former Key artist Itaru Hinoue with Little Busters!. Further computer graphics have been provided in the past by Shinory and Mochisuke, two graphic artists in Key. Shinji Orito, another founding member and Key's main composer, has composed music for the majority of Key's games. Former and outsourced Many of Key's staff have left the brand over time, or have been employed as outsourced contributors. Naoki Hisaya had worked as one of the main scenario writers for Kanon, but once the project was complete, he left the brand. Another member of the staff that made Kanon was OdiakeS, an outsourced composer who has since helped