College, Wexford. Despite having intended to be a painter and an architect, he did not attend university. Banville has described this as "A great mistake. I should have gone. I regret not taking that four years of getting drunk and falling in love. But I wanted to get away from my family. I wanted to be free." Alternately he has stated that college would have had little benefit for him: "I don't think I would have learned much more, and I don't think I would have had the nerve to tackle some of the things I tackled as a young writer if I had been to university – I would have been beaten into submission by my lecturers." After school he worked as a clerk at Aer Lingus, which allowed him to travel at deeply discounted rates. He took advantage of these rates to travel in Greece and Italy. On his return to Ireland, he became a sub-editor at The Irish Press, rising eventually to the position of chief sub-editor. before The Irish Press collapsed in 1995, Banville became a sub-editor at The Irish Times. He was appointed literary editor in 1998. The Irish Times, too, endured financial troubles, and Banville was offered the choice of taking a redundancy package or working as a features department sub-editor. He left. Banville has two sons from a marriage to the American textile artist Janet Dunham, whom he met in the United States during the 1960s. Asked in 2012 about the breakdown of that marriage, Banville's immediate thoughts focused on the effect it had on his children; "It was hard on them", he said. Banville later went on to have two daughters from another relationship. He lives in Dublin. Writing Banville published his first book, a collection of short stories titled Long Lankin, in 1970. He has disowned his first published novel, Nightspawn, describing it as "crotchety, posturing, absurdly pretentious". As an unknown writer in the 1980s, he toured Dublin's bookshops — "and we had a lot of bookshops back then" — around the time of the publication of his novel Kepler "and there wasn't a single one of any of my books anywhere". But, he noted in 2012, "I didn't feel badly about it because I was writing the kinds of books I wanted to write. And I had no one but myself to blame if I wasn't making money, that wasn't