was jailed for 48 days from 1972 to January 11, 1973 on a contempt of court citation. Although he was released from custody by order of U.S. Supreme Court Justice William O. Douglas while the decision was on appeal, his case dragged through the courts for several years. The courts, however, recognized that a journalist could spend the rest of his life in jail if he refuses to divulge his sources on moral principle. In 1974, a California State Court of Appeal determined in In re Farr (36 C.A. 3d 577, 1974) that a procedure had to be adopted that allowed the courts to hold a hearing to consider a contempt of court citation involving the shield law. The first issue was whether a reporter was refusing to reveal sources by invoking the shield on "moral principle". The second consideration by the court was whether incarcerating the reporter would likely induce him or her to reveal the sources. In 1976, the state appellate court finally set aside the contempt citation. The Farr case in effect strengthened the California shield law and served as a precedent in future shield law cases involving journalists. Building The Los Angeles Herald Examiner Building is at the southwest corner of Broadway and 11th Streets in southern Downtown Los Angeles. Hearst paid $1 million in 1913 for the parcel, which was part of railroad magnate Henry Huntington's land holdings. The building was designed in the Mission Revival and Spanish Colonial Revival styles, largely by San Francisco architect Julia Morgan, then associated with Los Angeles architects J. Martyn Haenke and William J. Dodd, whose contributions have not yet been determined by scholars. It was completed in 1914, and is a Los Angeles Historic-Cultural Monument. After the newspaper closed in 1989, the building remained in use as a popular filming location for 26 years, with its ornate, period appropriate lobby to 15 standing sets ranging from a modern police station, a courtroom, a hospital, to an industrial basement perfect for horror. It was once the second-most-filmed location in Los Angeles having hosted over 1,250 individual productions as of 2013, ranging from Hollywood blockbusters such as Short Cuts (1993), The Usual Suspects (1995), the Academy Award winner, Dreamgirls (2006), to its last production, the indie film Fixed (2017), produced by longtime property manager Bryan Erwin. It was also featured in television series as varied as Murder, She Wrote, Brooklyn