The Last Chronicle of Barset is a novel by English author Anthony Trollope, published in 1867. It is the sixth and final book in the Chronicles of Barsetshire series, preceded by The Small House at Allington. The novel is set in the county of Barsetshire and deploys characters from the earlier novels, whilst concentrating on the personnel associated with the cathedral. The main narrative thread is catalyzed by the loss of a cheque which had been in the possession of the Reverend Josiah Crawley, and the subsequent reactions of his friends and enemies. Trollope drew inspiration from his father and mother in the creation of the Rev. and Mrs. Crawley. In his autobiography, Trollope regards this novel as "the best novel I have written.", though later commentators do not agree with this judgement. The serialization was illustrated by G H Thomas who was selected by the publisher, though Trollope had wished for Millais who had illustrated The Small House. Plot summary The Last Chronicle of Barset features the receipt of a cheque by the indigent but learned perpetual curate of Hogglestock, the Reverend Josiah Crawley. The novel then develops the attitudes and reactions of those around him, some of whom, not least Mrs Proudie, instantly conclude that Crawley stole the cheque. The narrative is maintained by numerous sub-plots. One, which is continued from The Small House at Allington, involves Lily Dale and Johnny Eames tenuously connected to the main thread. By contrast, Crawley's daughter, Grace, is courted by Henry Grantly, son of Archdeacon Grantly, which poses problems for the archdeacon who recoils from her lack of family rank or wealth. Initially therefore he joins the accusatory group led by Mrs Proudie; the Bishop does not agree but succumbs to Mrs Proudie's familiar dominance. Almost broken by poverty and trouble, the Crawley hardly knows himself if he is guilty or not; fortunately, the mystery is resolved just as Major Grantly's determination and Grace Crawley's own merit force the Archdeacon to overcome his prejudice against her. As with Lucy Robarts in Framley Parsonage, the objecting parent finally invites the young lady into the family; this new connection also inspires the Dean and Archdeacon to find a new, more prosperous, post for Grace's impoverished curate father. Through death or marriage, this final volume manages to tie up more than one thread from the beginning of the series. One subplot deals with the death