tablets in the auditorium-gym of the First Baptist Church of Los Angeles, an enormous Spanish Gothic edifice built in 1927. The room was reconfigured to accommodate the work. Floors were sanded to remove the basketball court's markings, and the wall for the reliquary paintings was constructed inside the space. In 2010 the piece was installed at the Art Gallery of Ontario museum in Toronto, where Kiefer created eight new panels specifically for the AGO's exhibition of this work. In Next Year in Jerusalem (2010) at Gagosian Gallery, Kiefer explained that each of the works was a reaction to a personal "shock" initiated by something he had recently heard of. In September 2013, The Hall Art Foundation, in partnership with the Massachusetts Museum of Contemporary Art, opened a long-term installation of sculpture and paintings in a specifically repurposed, 10,000 square-foot building on the MASS MoCA campus. In 2014, the Foundation landscaped the area surrounding this building in order to present long-term installations of outdoor sculpture. <About – Hall Art Foundation> The long-term exhibition—includes Étroits sont les Vaisseaux (Narrow are the Vessels) (2002), an 82-foot long, undulating wave-like sculpture made of cast concrete, exposed rebar, and lead; The Women of the Revolution (Les Femmes de la Revolution) (1992), composed of more than twenty lead beds with photographs and wall text; Velimir Chlebnikov (2004), a steel pavilion containing 30 paintings dealing with nautical warfare and inspired by the quixotic theories of the Russian mathematical experimentalist Velimir Chlebnikov; and a new, large-format photograph on lead created by the artist for the installation at MASS MoCA. <Anselm Kiefer | MASS MoCA> In 2015, the Centre Pompidou, the Bibliothèque Nationale in Paris, and the Museum der bildenden Künste in Leipzig hosted a retrospective exhibition in honor of Kiefer's 70th birthday. In 2016 the Albertina in Vienna dedicated an exhibition to his woodcuts, showing 35 made between 1977 and 2015, with an accompanying catalogue. He unveiled his first public art commission in the United States in May 2018, at Rockefeller Center. The Uraeus sculpture was inspired in part by the religious symbols of Egypt and Thus Spoke Zarathustra. It was put on view until 22 July. Collections Kiefer's works are included in numerous public collections, including the Hamburger Bahnhof, Berlin; the Museum of Modern Art and the Solomon R. Guggenheim Museum, New York; Detroit Institute of Arts, Detroit; the Tate Modern, London; the San Francisco Museum of