Yvette Guilbert (; born Emma Laure Esther Guilbert, 20 January 1865 – 3 February 1944) was a French cabaret singer and actress of the Belle Époque. Biography Born in Paris into a poor family as Emma Laure Esther Guilbert, she began singing as a child but at age sixteen worked as a model at the Printemps department store in Paris. She was discovered by a journalist. She took acting and diction lessons, which enabled her in 1886 to appear on stage at several smaller venues. Guilbert debuted at the Varieté Theatre in 1888. She eventually sang at the popular Eldorado club, then at the Jardin de Paris before headlining in Montmartre at the Moulin Rouge in 1890. The English painter William Rothenstein described this performance in his first volume of memoirs: One evening Lautrec came up to the rue Ravignan to tell us about a new singer, a friend of Xanrof, who was to appear at the Moulin Rouge for the first time... We went; a young girl appeared, of virginal aspect, slender, pale, without rouge. Her songs were not virginal – on the contrary; but the frequenters of the Moulin were not easily frightened; they stared bewildered at this novel association of innocence with Xanrof's horrific double entendre; stared, stayed and broke into delighted applause. For her act, she was usually dressed in bright yellow with long gloves and stood almost perfectly still, gesturing with her long arms as she sang. An innovator, she favored monologue-like "patter songs" (as they came to be called) and was often billed as a "diseuse" or "sayer". The lyrics (some of them her own) were raunchy; their subjects were tragedy, lost love, and the Parisian poverty from which she had come. During the 1890s she appeared regularly alongside another star of the time, Kam-Hill, often singing songs by Tarride. Taking her cue from the new cabaret performances, Guilbert broke and rewrote all the rules of music-hall with her audacious lyrics, and the audiences loved her. She was noted in France, England, and the United States at the beginning of the twentieth century for her songs and imitations of the common people of France. Author Patrick Bade believed that Guilbert "derived her trademark black gloves form Pornocrates" a famous painting by symbolist artist Félicien Rops. She was a favorite subject of artist Henri de Toulouse-Lautrec, who made many portraits and caricatures of Guilbert and