Messter entered the business of film production, creating his first films, such as A Skater at the West Railway Station (1896) and At the Brandenburg Gate, Berlin (1896). In 1916, Oskar Messter founded with the director of cinema Sascha Kolowrat-Krakowsky, the Wiener Sascha-Messter Film GmbH, Viennese daughter of the Messter-Film GmbH. However, at the end of the First World War, Messter sold his companies in Berlin and Vienna to the newly founded Universum-Film Aktiengesellschaft (UFA). He donated his collection of historical film equipment to the German Museum in 1932. Messter died in 1943 in Tegernsee. Contributions Oskar Messter was characterized for having an innovative mentality that he knew how to apply to the exploration of the new medium of cinematography, whether for scientific purposes or for commercial purposes. Among his most indicated contributions are: The slow motion photograph of the blossoming of flowers in early 1897. Various experiments in microscopic cinematography made between 1900 and 1910. Construction of the first film studio in Germany in 1900, which had artificial lighting with four lamps, where you could work independently of sunlight and time. In 1901, he moved the studio to another very similar location due to the space available. Later, in 1905 Messter adapted a glass atelier or workshop as a cinema studio with double height and adjacent rooms to store the sets and costumes of each performance. In this new study, he did depend on natural lighting, although he gradually began to use arc reflectors that allowed him to work with a mixed light. However, after some years this study proved insufficient and he rented two more floors to build a hanging structure, which had an electric motor to move the reflectors or the cameras around the stage. The first projections voiced in Germany in 1903. The equipment of its electromechanical synchronization system with the Tonbilder biophon in more than 500 cinemas between 1905 and 1913. It was an electromechanical synchronization mechanism that consisted of an electrical system that operated at the same speed the motors of a movie projector and a gramophone. The presentation of films spoken in English at the World Fair in Saint Louis, Missouri, United States in 1904. The realization a total of three hundred and twenty six silent films between 1896 and 1918. Until 1910, all of them were short films of very short duration and from 1911, they were already medium-length films and feature