and its usage suggests that it is less about sexual orientation and more about gender. One-third of the boys in Pascoe's study claimed that they would not call a homosexual peer a fag, leading Pascoe to argue that fag is used in this setting as a form of gender policing, in which boys ridicule others who fail at masculinity, heterosexual prowess, or strength. Because boys do not want to be labeled a fag, they hurl the insult at another person. Pascoe felt the fag identity does not constitute a static identity attached to the boy receiving the insult. Rather, fag is a fluid identity that boys strive to avoid, often by naming another as the fag. As Pascoe asserts, "[the fag identity] is fluid enough that boys police their behaviors out of fear of having the fag identity permanently adhere and definitive enough so that boys recognize a fag behavior and strive to avoid it." Use in popular culture There is a long history of using both fag and faggot in popular culture, usually in reference to gay and bisexual men. Rob Epstein and Jeffrey Friedman's 1995 documentary The Celluloid Closet, based on Vito Russo's book of the same name notes the use of fag and faggot throughout Hollywood film history. The Think Before You Speak campaign has sought to stop fag and gay being used as generic insults. Theater In 1973 a Broadway musical called The Faggot was praised by critics but condemned by gay liberation proponents. Books and magazines Larry Kramer's 1978 novel Faggots discusses the gay community including the use of the word within and towards the community. A description of Pamela Moore's 1956 novel Chocolates for Breakfast in the Warner Books 1982 culture guide The Catalog of Cool reads: "Her fifteen-year-old heroine first balls a fag actor in H'wood, then makes it with some hermetic, filthy rich, hotel-bound Italian count." In its November 2002 issue, the New Oxford Review, a Catholic magazine, caused controversy by its use and defense of the word in an editorial. During the correspondence between the editors and a gay reader, the editors clarified that they would only use the word to describe a "practicing homosexual." They defended the use of the word, saying that it was important to preserve the social stigma of gays and lesbians. Music Arlo Guthrie uses the epithet in his 1967 signature song "Alice's Restaurant," noting it