Berenson, who met Morelli in 1890. The first generation of Morellian scholars also included Gustavo Frizzoni, Jean Paul Richter, Adolfo Venturi and Constance Jocelyn Ffoulkes. Legacy as art historian Morellian scholarship penetrated the English field from 1893, with the translation of his master work. The Morellian technique of connoisseurship was extended to the study of Attic vase-painters by J. D. Beazley and by Michael Roaf to the study of the Persepolis reliefs, with results that further confirmed its validity. Morellian recognition of "handling" in undocumented fifteenth and sixteenth-century sculpture, in the hands of scholars like John Pope-Hennessy, have resulted in a broad corpus of securely attributed work. At the same time, modern examination of Classical Greek sculpture, in the wake of pioneering reassessments by Brunilde Sismondo Ridgway, has also turned away from attributions based on broad aspects of subject and style that are reflected in copies and later Roman classicising pastiche. The complementary field of document-supported art history traces its origins to the somewhat earlier work of Joseph Archer Crowe and Giovanni Battista Cavalcaselle. The Morellian method of finding essence and hidden meaning in details had also a much wider cultural influence. There are references to his work in the works of Sigmund Freud. Like Morelli, Freud had a medical background. The Morellian method was re-examined by R. Wollheim, "Giovanni Morelli and the origins of scientific connoisseurship", On Art and the Mind: Essays and Lectures, 1973. Collector and donor Morelli began collecting art in the mid-1850s, "follow[ing] his own tastes and scholarly interests, but without a particular plan" - his earliest acquisitions were the Portrait of a Young Man by Ambrogio de Predis and the Saint John the Evangelist and Saint Martha by Bergognone. Morelli's collection expanded "mainly in the 1860s and early ’70s [...] partly thanks to the help of his cousin Giovanni Melli, who purchased several paintings for Morelli, which then came back to him by inheritance." Morelli acquired works "from Florence, Siena, and Umbria [...] from ancient Tuscan families, and paintings from Emilia and Ferrara came from the sale of the prestigious Costabili Collection" - including "real gems" such as "The Young Smoker by Molenaer, Botticelli’s The Stories of Virginia, both of which were purchased at the Monte di Pietà auction in Rome, and Pisanello’s Portrait of Leonello d’Este, bought in London." Morelli's collection was completed in about 1874. It decorated the rooms of his residence in