a limited edition of 350 by Editions Alecto, 1970). In the 1960s and 1970s, Paolozzi artistically processed man-machine images from popular science books by German doctor and author Fritz Kahn (1888–1968), such as in his screenprint "Wittgenstein in New York" (1965), the print series Secrets of Life – The Human Machine and How it Works (1970), or the cover design for John Barth's novel Lost in the Funhouse (Penguin, 1972). As recently as 2009, the reference to Kahn was discovered by Uta and Thilo von Debschitz during their research of work and life of Fritz Kahn. Later career Paolozzi was appointed CBE in 1968 and in 1979 he was elected to the Royal Academy. During the late 1960s, he started contributing to literary magazine Ambit, which began a lifelong collaboration. In 1980, the Institute of Chartered Accountants in England and Wales (ICAEW) commissioned a set of three tapestries from Paolozzi to represent 'present day and future societies in relation to the role played by ICAEW', as part of the institute's centenary celebrations. The three highly distinctive pieces - which Paolozzi wanted to "depict our world of today in a manner using the same bold pictorial style as the Bayeux tapestries in France" - currently hang in Chartered Accountants' Hall. He was promoted to the office of Her Majesty's Sculptor in Ordinary for Scotland in 1986, which he held until his death. He also received an Honorary Doctorate from Heriot-Watt University in 1987. Paolozzi was knighted by Queen Elizabeth II in 1989 as Knight Bachelor (). In 1994, Paolozzi gave the Scottish National Gallery of Modern Art a large body of his works, and much of the content of his studio. In 1999 the National Galleries of Scotland opened the Dean Gallery to display this collection. The gallery displays a recreation of Paolozzi's studio, with its contents evoking the original London and Munich locations and also houses Scottish-Italian a restaurant, Paolozzi's Kitchen, which was created by Heritage Portfolio in homage to the local artist. In 2001, Paolozzi suffered a near-fatal stroke, causing an incorrect magazine report that he had died. The illness made him a wheelchair user, and he died in a hospital in London in April 2005. In 2013, Pallant House Gallery in Chichester held a major retrospective Eduardo Paolozzi: Collaging Culture (6 July −13 October 2013), featuring more than 100 of the artist's works, including sculpture, drawings, textile, film,