most prominent double act is that of an intelligent person and his inferior sidekick, such as Basil and Manuel of Fawlty Towers, Blackadder and Baldrick of Blackadder, or Ted and Father Dougal of the Irish sitcom Father Ted. In recent years, double acts as sitcoms appear to have gone full circle, as illustrated by the cult success of The Mighty Boosh. For the relationship between the two main characters this series uses a formula very similar to that between Sid and Tony in Hancock's Half Hour – that of a pompous character whose best friend can see right through him and brings him back down to Earth. A similar dynamic is used in Peep Show in which the characters of Mitchell and Webb were adapted for the sitcom formula. In this case both characters suffer from pomposity. The difference between the pair is the laidback, cool arrogance (yet stupidity) of Jeremy and the intellectual arrogance (yet social-awkwardness) of Mark. U.S. and Canada In the United States and Canada, the tradition was more popular in the earlier part of the 20th century with vaudeville-derived acts such as Laurel and Hardy, Abbott and Costello, Burns and Allen, Wheeler & Woolsey, and Lyons and Yosco and continuing into the television age with Martin and Lewis, Kenan & Kel, Bob and Ray, the Smothers Brothers, Wayne and Shuster, Allen and Rossi, Jack Burns and Avery Schreiber, Rowan and Martin, Mike Nichols and Elaine May, the Wayans Brothers, Troy and Abed from Community and Shawn and Gus in Psych. The series I Love Lucy was known for its double acts, and Lucille Ball served as foil to both her husband Desi Arnaz and to Vivian Vance. Vance could also serve as foil to William Frawley when the situation required. Vance and Ball would again serve as a double act in their next series The Lucy Show. More recently, the model has been largely supplanted by that of the "buddy movie" genre, which has introduced several notable comedy partnerships not formally billed as a single "act" in the traditional manner. The earliest example of such a team may have been Bob Hope and Bing Crosby; later examples include Gene Wilder and Richard Pryor, Dan Aykroyd and John Belushi, Mike Myers and Dana Carvey, David Spade and Chris Farley and child stars Kenan Thompson and Kel Mitchell. Based on the gag-man/straight-man concept, "Stoner" duos like Cheech and