enjoyable song-writing partnership, with Levy writing words and Dylan contributing ideas. The session lasted until the early hours of the morning, after which Dylan and Levy traveled to The Other End. Dylan read the lyrics to the gathered crowd, to favorable reactions. The partnership went on to pen "Hurricane" and other tracks later featured on Desire. Dylan finally held a recording session on July 14, recording two songs co-written with Levy: "Joey," an epic ballad about gangster Joey Gallo, and "Rita Mae," a short song about lesbian writer Rita Mae Brown. At this time, the Rolling Thunder Revue had not yet formed. The participating musicians instead consisted of the Dave Mason Band, Scarlet Rivera (the only future member of the Rolling Thunder Revue to participate in this session), and a number of other session players. Disappointed with the results, the session merely encouraged Dylan to form his own working band for his upcoming album. Following the session, Dylan and Levy isolated themselves in the Hamptons to work on their songs. According to Levy, they finished off a total of fourteen songs over a three-week period. In total, an entire album's worth of songs was written in less than four weeks of collaboration with Levy. Two weeks after the first, failed session, Dylan returned to Studio E on July 28 with approximately 21 musicians at his disposal. By most accounts, the recording process was very haphazard. Dylan was determined to record the songs live, while producer Don DeVito's inexperience led him to 'stack' instruments on the multitrack tapes, making it virtually impossible to properly remix any of the songs or to overdub any off-key accompaniments. Neil Hubbard, who was present at the session, felt that there were too many musicians present and the session lacked leadership. Guitarist Eric Clapton was present, just one of five guitarists in the studio. Clapton recalled later that Dylan appeared to be seeking an opportunity to work with new people he had met, although Clapton felt that Dylan was uncomfortable performing personal songs with such a large group present, and left the session after advising Dylan to use a smaller band, a sentiment later reiterated by Rob Stoner to producer Don DeVito. Others at this session included Rob Stoner, Scarlet Rivera, Emmylou Harris, and the English pub rock band Kokomo. Many of them would later, and at the time, recount their frustrations regarding the recording process