Nicolas Coustou (9 January 1658 – 1 May 1733) was a French sculptor and academic. Biography Born in Lyon, Coustou was the son of a woodcarver, François Coustou, who gave him his first instruction in art, and Claudine Coysevox. When he was eighteen years old, in 1676, he moved to Paris, to study under C. Antoine Coysevox, his maternal uncle, who presided over the recently established Académie royale de peinture et de sculpture. At the age of twenty-three, Coustou won the Colbert prize (the Prix de Rome), which entitled him to four years of education at the French Academy at Rome. He subsequently became rector and chancellor of the Academy of Painting and Sculpture. From 1700, he worked with Coysevox at the palaces of Marly and Versailles. He was remarkable for his facility. Influenced by Michelangelo and Algardi, he tried to combine the best characteristics of each. A number of his works were destroyed during the French Revolution; the most famous of those that remain are "La Seine at la Marne", the "Berger Chasseur", and "Daphne Pursued by Apollo" in the gardens of the Tuileries, the bas-relief "Le Passage du Rhin" in the Louvre, the statues of Julius Caesar and Louis XV in the Louvre, and the "Descent from the Cross" behind the choir altar of the cathedral of Notre Dame de Paris. His sculpture of Apollo pursuing Daphne is one of a pair bearing the single title that was created with his younger brother, who is ascribed as the sculptor of Daphne. Both have been in the Louvre since 1940 and were restored between 2004 and 2006. Regularly, he worked closely with his brother, Guillaume Coustou, also a renowned sculptor and director of the academy. Because of their collaborations, it is not always possible to ascribe a particular work to one or the other, thus one may find a single sculpture ascribed to each of them. His brother's son, Guillaume Coustou the Younger, also was a sculptor. Nicolas Coustou died in Paris in 1733 at the age of 75. Works in Public Collections Beauvais, cathedral: tomb of Cardinal Forbin Janson, marble, after 1715. Brest: Méléagre tuant un sanglier, 1706. Lyon, place Bellecour : Allégorie de La Saône, 1720, sharing a pedestal with the Monument à Louis XIV by François-Frédéric Lemot. Paris, Notre-Dame cathedral: Descente de croix, marble group, also known as Le vœu de Louis XIV, 1713-1715, in the