S. S. Van Dine (also styled S.S. Van Dine) is the pseudonym used by American art critic Willard Huntington Wright (October 15, 1888 – April 11, 1939) when he wrote detective novels. Wright was active in avant-garde cultural circles in pre-World War I New York, and under the pseudonym (which he originally used to conceal his identity) he created the fictional detective Philo Vance, a sleuth and aesthete who first appeared in books in the 1920s, then in films and on the radio. Early life Willard Huntington Wright was born to Archibald Davenport Wright and Annie Van Vranken Wright on October 15, 1888, in Charlottesville, Virginia. His younger brother, Stanton Macdonald-Wright, became a respected painter, one of the first American abstract artists, and co-founder (with Morgan Russell) of the school of modern art known as "Synchromism". Willard and Stanton were raised in Santa Monica, California, where their father owned a hotel. Willard, a largely self-taught writer, attended St. Vincent College, Pomona College, and Harvard University without graduating. In 1907, he married Katharine Belle Boynton of Seattle, Washington; they had one child, Beverley. He abandoned Katherine and Beverley early in their marriage. Katharine was granted a divorce in October 1930. he married for a second time in October 1930. His second wife was Eleanor Rulapaugh, known professionally as Claire De Lisle, a portrait painter and socialite. Writing career At age 21, Wright began his professional writing career as literary editor of the Los Angeles Times, where – describing himself as "'Esthetic expert and psychological shark" – he was known for his scathing book reviews and irreverent opinions. He was particularly caustic about romance and detective fiction. His friend and mentor H.L. Mencken was an early inspiration. Other important literary influences included Oscar Wilde and Ambrose Bierce. Wright was an advocate of the naturalism of Theodore Dreiser, and Wright's own novel, The Man of Promise (1916), was written in a similar style. In 1909, Wright wrote a perceptive profile of Edgar Allan Poe for the Los Angeles Times. Wright moved to New York City in 1911. He published realist fiction as editor of the New York literary magazine The Smart Set, from 1912 to 1914, a job he attained with Mencken's help. He was fired from that position when the magazine's conservative owner felt that Wright was intentionally provoking their middle-class readership with his interest in unconventional and often sexually explicit fiction.