such ABBA-esque ditties as "All That She Wants" and "The Sign" turns its attention toward Bananarama, faithfully covering one of that group's bigger '80s-era hits. Producers Cutfather & Joe bring a few new rhythm ideas to the table dropping the tempo to a jeep-inspired funk beat and injecting an ear-tickling keyboard twist or two. However, the vocals hold few surprises, which is exactly what fans of both Ace Of Base and the original recording will want. In all, a potential smash that could keep this Swedish quartet on the front burner of top 40 radio for much of the summer." Kelly Pickerel from Daily Kent Stater said she liked this remake better than Bananarama's original, noting that "it’s also one of those songs you can never get out of your head as soon as you hear it". Chuck Campbell from The Daily News noted it as a "slick-but-faithful remake". A reviewer from Entertainment Weekly commented that "it's clear what Ace of Base Svengali Jonas Berggren is aiming for — the iridescent sonic symmetry of Swedish forebears ABBA. A pretty lofty ambition. But he and his seraphic singing sisters, Linn and Jenny, actually attain ABBA's perfect pop-Euro-disco balance on this third outing. There isn't a note out of concordant place, no potential hook overlooked. Excepting the pointless title track, Berggren has done his homework. Just don't hate him because they sound so pretty." Evening Herald said it is a gem, adding "more of the same can often be a good thing". Swedish newspaper Expressen stated that the song "shows why Ace of Base once ruled the pop world". Gary Shipes from The Stuart News wrote in his review, that "the bubble-gum juvenilia of the original is replaced with updated hardware and a contemporary dance arrangement that launches the arc the rest of the CD will follow. At once melancoholic and jovial, the band's driving rhythmic force leaves no option but to fill dance floors on a dime." Chart performance "Cruel Summer" was successful on the charts in Europe, Canada and the US. In Europe, it made it to the top 10 in Hungary, on MTV's European Top 20 and in the United Kingdom. In the latter, the single peaked at number eight in its first week at the UK Singles Chart, on 4 October 1998. Additionally, it climbed into the top 20 in Scotland, as well as on the Eurochart Hot