authorities to be the oldest part of the cathedral, and it exhibits some Norman work, notably the eastern wall with its arcades. Until its removal in the 1960s there was a wrought iron choir-screen, painted and gilt. Designed by Scott, it was executed by Messrs. Skidmore, of Coventry, from whose works also came the earlier metal screen at Lichfield. After being kept in storage for many years, the screen was completely restored in the late 1990s and re-erected at the Victoria and Albert Museum in London. The choir, consisting of three Norman bays of three stages, is full of objects of beauty and interest. The reredos, designed by the younger Cottingham, consists of five canopied compartments, with elaborate sculpture representing our Lord's Passion. Behind it is a pier from which spring two pointed arches; the spandrel thus formed is covered with rich modern sculpture, representing Christ in his majesty, with angels and the four Evangelists; below is a figure of King Ethelbert. Against the most easterly point on the south side of the choir is to be seen a small effigy of this king, which was dug up at the entrance to the Lady Chapel about the year 1700. The Bishop's throne and the stalls, of 14th century work and restored, and the modern book desks and figures of angels on the upper stalls, deserve attention. There is also a very curious ancient episcopal chair. Misericords The choir stalls support forty 14th-century misericords. These misericords show a mixture of mythological beasts, grotesques and everyday events, there appears to be no pattern to the content. In addition to the misericords in the choir, there are five others contained in a row of "Judges' Seats". It is unclear if these were used as misericords, or if they are just ornamentation. East transept In the north-east transept, of which the vaulting is supported by a central octagonal pier, a large number of monumental fragments are preserved, forming a rich and varied collection. There is also a beautiful altar-tomb of alabaster and polished marbles erected as a public memorial to a former Dean, Richard Dawes, who died in 1867. The effigy, by Mr. Noble, is a good likeness of the Dean, who was an ardent supporter of the education movement about the middle of the 19th century. The south-east transept contains memorials of several Bishops of Hereford. The remains of Gilbert Ironside (died 1701),