theatre. It has since been used by other serif font designers such as Martin Majoor and Cyrus Highsmith. Jonathan Hoefler comments on Hingham that it contains “many unusual things”: “that lower-case ‘o’ that's heaviest at the upper-left corner is just kind of mystifying, or the lower-case ‘e’ that's thinnest at the lower-left corner”. Besides Dwiggins' type design, a text written by Dwiggins in Layout in Advertising on choosing a font, beginning "Why do the pace-makers in the art of printing rave over a specific face of type? What do they see in it?", has been used by many font designers as a filler text, similar to Quousque tandem or lorem ipsum. Marionettes Dwiggins' love of wood carving led to his creation of a marionette theatre in a garage at 5 Irving Street, which was behind his home at 30 Leavitt Street in Hingham, Massachusetts. He also created a puppet group named the Püterschein Authority. In 1933 he performed his first show there, "The Mystery of the Blind Beggarman." Dwiggins built his second theatre under his studio at 45 Irving Street. Further productions of the Püterschein Authority included "Prelude to Eden," "Brother Jeromy," "Millennium 1," and "The Princess Primrose of Shahaban in Persia." Most of his marionettes were twelve inches tall. The marionettes were donated to the three-room Dwiggins Collection at the Boston Public Library in 1967. Legacy In 1957, a year after his death, Bookbuilders of Boston, an organization of book publishing professionals that Dwiggins helped to establish, renamed their highest award the W.A. Dwiggins Award. Dwiggins has sometimes been credited with introducing the term "graphic design" in a 1922 article, but the term was being used before this. Bibliography La Dernière Mobilisation (1915). Story in The Fabulist and in The Best Short Stories of 1915. An Investigation into the Physical Properties of Books (1919) Layout in Advertising (1928) Towards a Reform of the Paper Currency, Particularly in Point of its Design (The Limited Editions Club, 1932) Form Letters: Illustrator to Author (William Edwin Rudge, 1930) The Power of Print—and Men (1936), with Thomas Dreier Marionette in motion; the Püterschein system diagrammed, described (1939) WAD to RR: A Letter about Designing Type (1940) Millennium 1 (Alfred A. Knopf, 1945) Books illustrated or designed The Witch Wolf: An Uncle Remus Story, Joel Chandler Harris (Bacon & Brown, 1921) A History of Russian Literature, from the Earliest Times to the Death of