the hall and exits her room as Tara sprints into her, sending them both tumbling. They lock themselves into a laundry room and try to barricade the door with a vending machine, but it is too heavy for them to move. Willow, injured, sits and concentrates on moving the machine with telekinesis; she fails, but Tara sees what she is doing. They clasp hands and the machine moves swiftly across the room, blocking the door. On patrol, Riley notices shadows in the belfry and goes to investigate. Buffy finds two of the Gentlemen's minions, kills one and runs after the other. Riley fights his way into the belfry and while he is embattled, Buffy crashes through a window, fighting. He turns to attack and finds himself face to face with Buffy; she sees him as an agent of the Initiative for the first time. When a minion pins her down she sees and recognizes the box from her dream and gesticulates wildly for Riley to destroy it. When he does so, the stolen voices escape. With her voice returned, Buffy screams until the heads of the Gentlemen and their minions explode. The next day, Tara tells Willow she is special and has significant power. Olivia tells Giles that she now believes that everything he told her about witchcraft and darkness is true and that she is scared by the experience. Riley comes to visit Buffy in her dorm room and they awkwardly begin to talk about the events of the previous night. Production and writing Joss Whedon's impetus to create "Hush" was his reaction to hearing that the primary reason behind Buffy'''s success was the dialogue. He felt that he was stagnating as a director, turning into a "hack" by making formulaic episodes. Whedon tended to concentrate so much on the visual aspects of the series' production that he was chastised by Fox executives in earlier seasons. Thus, writing and producing "Hush" depended almost solely on visuals and not on dialogue, a prospect that Whedon found terrifying, worried that viewers would find the episode boring. Much like the fourth-season finale "Restless"—which consisted almost entirely of dream sequences—and the sixth season musical "Once More, with Feeling", Whedon was certain he would fail at attempting to present the show in such a novel way. Initially, this was to be the episode where Riley and Buffy have sex, and Whedon took comfort in