remained until the close of his career. On 14 November 1746 Quin played Horatio and Garrick Lothario to the Calista of Mrs Cibber in Rose's Fair Penitent. The applause of the audience was so great as to disconcert if not actually to alarm the two actors. Public interest was yet more keenly stimulated in comparing Garrick's and Quin's impersonations of Richard III, the popular verdict being loudly in favour of Garrick. But Quin's Falstaff in King Henry IV was emphatically preferred to the Hotspur of his rival. In consequence of an attempt made by Garrick in 1750–51 to draw him away from Covent Garden, Quin was enabled to extort from his manager a salary of £1000 a year, the highest figure then reached in the profession. Quin's last regular appearance was on 15 May 1757, as Horatio in the Fair Penitent, though in the following year he twice played Falstaff for the benefit of friends. He had retired to Bath, where he lived a happy life, with late hours and much eating and drinking, until his death on 21 January 1766. He was buried in the abbey church at Bath. Some coolness which had arisen between Quin and Garrick before the former's retirement was dissipated on their subsequent meeting at Chatsworth at the duke of Devonshire's, and Quin paid many a visit to Garrick's villa at Hampton in the latter part of his life. The epitaph in verse on his tomb was written by Garrick. Quin's will displayed a generous nature, and among numerous bequests was one of fifty pounds to "Mr Thomas Gainsborough, limner." In the Garrick Club in London are two portraits of the actor ascribed to Hogarth, and a portrait by Gainsborough is in Buckingham Palace. His personality was not gracious. His jokes were coarse; his temper irascible; his love of food, his important airs, and his capacity for deep drinking do not command respect; on the other hand, a few of his jokes were excellent, and there was no rancour in him. On many occasions, he showed his willingness to help persons in distress. His character is summarised by Smollett in Humphry Clinker. As an actor his manner was charged with an excess of gravity and deliberation; his pauses were so portentous as in some situations to appear even ludicrous, but he was well fitted for the delivery of Milton's poetry, and for the portrayal of