Speak & Spell is the debut studio album by English electronic music band Depeche Mode. It was released on 5 October 1981, or possibly 29 October 1981, by Mute Records. It was the band's only album to feature Vince Clarke, and is much lighter in tone than their subsequent releases. The album peaked at number 10 on the UK Albums Chart, and was ranked number 991 in the 2000 book All Time Top 1000 Albums. Background This was the only Depeche Mode album with Vince Clarke as a member. Clarke wrote most of the songs for the band, before departing to form Yazoo and later Erasure. The album is significantly lighter in tone and melody than their later work, a direction which can largely be attributed to Clarke's writing. After he left, Martin Gore took over songwriting duties, writing almost all of the band's material. Later albums written by him would explore darker subjects and melodies. When interviewed by Simon Amstell for Channel 4's Popworld programme in 2005, Gore and Fletcher both stated that the track "What's Your Name?" was their least favourite Depeche Mode song of all time. Critical reception Upon its release, Speak & Spell received generally positive reception from critics. Record Mirror praised Depeche Mode's smart simplicity and noted the album offers "much to admire and little to disappoint." Reviewer Sunie commented that the band's chief skill "lies in making their art sound artless; simple synthesiser melodies, Gahan's tuneful but undramatic singing and a matter-of-fact, gimmick-free production all help achieve this unforced effect." As a whole she describes it as "a charming, cheeky collection of compulsive dance tunes". Mike Stand of Smash Hits wrote: "Synthesisers and bubblegum go together like tinned peaches and Carnation, hence [Depeche Mode's] hit singles: melody, uncluttered electronics and nice voices in humanising harmony." Paul Morley of the New Musical Express described the album as "generous, silly, susceptible electro-tickled pop... that despite its relentless friskiness and unprincipled cheerfulness is encouraging not exasperating", noting the music's "diverting vitality", and concluding that "Depeche Mode, apparently, could quickly move... far up and away from constructing slightly sarcastic jingles." Paul Colbert of Melody Maker felt that Depeche Mode speak with "a winning immediacy" and called the album "a wriggling giant of motivation, persuading each muscle to jump in time with the music", while at the same time criticising the presence of certain tracks such as "Nodisco" that