order with brief descriptions. See also 21 Years of inNovation Novation official web site article.MM10 (1992) was a battery-powered portable keyboard system for the Yamaha QY10 music workstation. Later updated as the MM10-X. BassStation (1993: aka BassStation Keyboard) included a pair of digitally controlled analogue oscillators (DCOs) with square, pulse and sawtooth waveforms, plus an LFO with random, triangle and sawtooth waveforms, and replicated the sound of a monophonic twin-oscillator analogue synth for bass and lead lines and synth effects plus MIDI controller data. BassStation Rack (1994) included dual ADSR envelope shapers, 12/24db per octave filter, oscillator sync, and LFO, DCOs and built-in MIDI/Control Voltage (CV) converter. Users include William Orbit, Biosphere, Massive Attack, Orbital, Apollo 440, Nine Inch Nails, Radiohead, Jimi Tenor, Laurent Garnier, ATB, Sneaker Pimps, Out of Logic and Underworld. DrumStation (1995) used 'Analogue Sound Modelling' (ASM), DrumStation included all the sounds of the TR808 and its successor the TR909, and the same tone controls for each sound, including tone, attack, decay, tuning, 'snappiness' and distortion (depending on the sound). Super BassStation (1997) added an arpeggiator, noise source, ring modulator, an additional LFO bringing the complement to two, a sub-oscillator (an octave below Oscillator 1), analogue chorus and distortion effects, keyboard filter tracking, stereo outputs and panning, enhanced memory, analogue trigger signal output and more to the original design. Supernova (1998) Polyphonic synth providing a complete multi-effects processor for each of its eight audio output parts – and a total of 56 programmable effects available on all voices all the time. Supernova originally featured 16-note polyphony, later expanded to 20 with a new operating system, and three DCOs with ASM to recreate the classic analogue synth sound. A comprehensive filter provided low-, high- and bandpass filtering with 12, 18 and 24 dB/octave, with resonance and self-oscillation, plus overdrive and key tracking, where the filter tuning could follow the keyboard. Two powerful LFOs and two ring modulators completed the sound modification capabilities and the Supernova specification was rounded out with eight analogue outputs and full MIDI implementation. Supernova and its successor, Supernova II, have been used by Orbital, ATB, The Faint, Sin, Jean-Michel Jarre and A Guy Called Gerald. Nova (1999) essentially repackaged the Supernova into a desktop performance module based around the same synthesiser engine. Supernova II (2000) was available in 24, 36 and 48-voice models with additional 12 or 24-voice expansion boards. Available again in a