view he devoted much attention to designs for textiles and wallpapers, and to house decoration; but he also used his art for the direct advancement of the Socialist cause. For a long time he provided the weekly cartoons for the socialist organs Justice, Commonweal and The Clarion. Many of these were collected as Cartoons for the Cause. He devoted much time and energy to the work of the Art Workers Guild, of which he was master in 1888 and 1889 and to the Arts and Crafts Exhibition Society, which he helped to found in 1888. He was also a Vice President of the Healthy and Artistic Dress Union, a movement begun in 1890, whose aim was to promote loose-fitting clothing, in opposition to "stiffness, tightness and weight". They produced numerous pamphlets setting out their cause, including one entitled "How to Dress Without a Corset" which Crane illustrated. Although not himself an anarchist, Crane contributed to several libertarian publishers, including Liberty Press and Freedom Press. He is credited with the design and decoration of the front façade of "The Bomb Shop", Henderson's bookshop at 66 Charing Cross Road specialising in left-wing and radical literature. Crane was controversial in his support of the four Chicago anarchists executed in 1887 in connection with the Haymarket affair. Visiting the United States for the first time in connection with an exhibition of his work in 1891, Crane scandalised polite society by appearing at a Boston anarchist meeting and expressing the opinion that the Haymarket defendants had been put to death wrongfully. Returning to his hotel, Crane found a letter stating that he faced "hopeless ruin" among American patrons of the arts owing to his support of those who were commonly considered to be terrorist conspirators in public opinion of the day. Financial support was withdrawn and planned dinners in Crane's honour were cancelled. In response to the controversy, Crane wrote a letter to the press explaining that he had not meant to cause insult and did not himself favour the use of explosives, but had merely been expressing his principled opinion that those convicted were innocent of the crime for which they were charged. The incident was memorialised in the press as "probably the most dramatic episode" in the artist's career. Death and legacy Walter Crane died on 14 March 1915 in Horsham Hospital, West Sussex. His body was cremated at the Golders Green Crematorium,