action version of Peter Pan, and shared his ideas with Diana, Princess of Wales (who was President of Great Ormond St Hospital), who said she "could not wait to see the production once it was underway." Al-Fayed's father, Mohammed Al-Fayed, co-produced the 2003 adaptation of the tale after his son died in the car crash which also killed Diana, Princess of Wales. Finding Neverland, a film about J. M. Barrie and the creation of Peter Pan, was originally scheduled to be released in 2003, but the producers of this film – who held the screen rights to the story – refused permission for that film to use scenes from the play unless its release was delayed until the following year. Casting Contrary to the traditional stage casting, the film featured a young boy in the title role. In July 2002, at age 13, Jeremy Sumpter was selected for the role of Peter Pan. Since the first stage production of the story, the title role has usually been played by a woman, a tradition followed in the first film adaptation. Two subsequent animated adaptations have featured a male voice actor as Peter Pan, and a Soviet live-action film adaptation for television cast a boy to play the role. This film was the first live-action theatrical release with a boy playing the part. The casting of a single actor to play both George Darling and Captain Hook follows a tradition also begun in the first staging of the play. Jason Isaacs was selected for the part. Brie Larson auditioned for Wendy Darling. Filming Sumpter did nearly all of his stunts for the film himself. To prepare, he says he practiced sword fighting as much as five hours a day, as well as training in gymnastics and lifting weights. Isaacs also trained for sword fighting as well. Principal photography began on 17 September 2002 and concluded on 5 May 2003, taking place entirely inside sound stages on Australia's Gold Coast, Queensland. According to Fisher, the decision to shoot in Australia was based on the low value of the Australian dollar at that time. Hogan had originally planned on filming in a variety of locations such as Tahiti, New Zealand, and London but abandoned this idea after scouting some of the locations. Filming on sound stages did help "retain some of the theatricality of the original play", something which Hogan thought was important. Visual