Madrid, notes the influence Rosa had on Turner's landscapes. Rosa's influence can also be seen in American art of the period. Thomas Cole counted Rosa among his heroes, and his impact has been identified in the work of artist such as Washington Allston, George Caleb Bingham, Thomas Moran, William Sidney Mount, John Trumbull, Benjamin West and other American artist. Rosa's reputation and influence waned in the nineteenth century; when his Monks Fishing was displayed in Dulwich in 1843 it was criticized by John Ruskin as telling "unmitigated falsehoods" and containing "laws of nature set at open defiance". Since the 1970s, Rosa's work has received renewed attention from scholars. including museum exhibitions, a catalog raisonné, catalogs of his drawings, the publication of his letters, biographical works, and other volumes ranging from paperback picture books to scholarly monographs.Hoare, Alexandra. 2018. Salvator Rosa, Friendship and the Free Artist in Seventeenth-century Italy (Studies in Baroque Art). Harvey Miller Publishers. 521 pp. Satires Cesareo (1892) and Cartelli (1899) wrote books taking account of Rosa's satires. The satires, though considerably spread abroad during his lifetime, were not published until 1719. They are all in terza rima, written without much literary correctness, but spirited. Rosa here appears as a very severe castigator of all ranks and conditions of men, not sparing the highest, and as a champion of the poor and down-trodden, and of moral virtue and Catholic faith. The satire on Music exposes the insolence and profligacy of musicians, and the shame of courts and churches in encouraging them. Poetry dwells on the pedantry, imitativeness, adulation, affectation and indecency of poets—also their poverty, and the neglect with which they were treated; and there is a very vigorous sortie against oppressive governors and aristocrats. Tasso's glory is upheld; Dante is spoken of as obsolete, and Ariosto as corrupting.Painting inveighs against the pictorial treatment of squalid subjects, such as beggars, against the ignorance and lewdness of painters, and their tricks of trade, and the gross indecorum of painting sprawling half-naked saints of both sexes. War (which contains a eulogy of Masaniello) derides the folly of mercenary soldiers, who fight and perish while kings stay at home; the vile morals of kings and lords, their heresy and unbelief. In Babylon ofrece, Rosa represents himself as a fisherman, Tirreno, constantly unlucky in his net-hauls on the Euphrates; he converses with a native of the country, Ergasto. Babylon (Rome) is very