with occasional articles in The Journal of Aesthetics and Art Criticism and The British Journal of Aesthetics, as well as monographs by writers such as Malcolm Budd, James Kirwan and Kirk Pillow. As in the postmodern or critical theory tradition, analytic philosophical studies often begin with accounts of Kant or other philosophers of the 18th or early 19th centuries. Noteworthy is a general theory of the sublime, in the tradition of Longinus, Burke and Kant, in which Tsang Lap Chuen takes the notion of limit-situations in human life as central to the experience. Jadranka Skorin-Kapov in The Intertwining of Aesthetics and Ethics: Exceeding of Expectations, Ecstasy, Sublimity argues for sublimity as the common root to aesthetics and ethics, "The origin of surprise is the break (the pause, the rupture) between one's sensibility and one's powers of representation... The recuperation that follows the break between one's sensibility and one's representational capability leads to sublimity and the subsequent feelings of admiration and/or responsibility, allowing for the intertwining of aesthetics and ethics... The roles of aesthetics and ethics—that is, the roles of artistic and moral judgments, are very relevant to contemporary society and business practices, especially in light of the technological advances that have resulted in the explosion of visual culture and in the mixture of awe and apprehension as we consider the future of humanity." See also Digital sublime Overview effect Sublime (literary) References Further reading Addison, Joseph. The Spectator. Ed. Donald E. Bond. Oxford, 1965. Beidler. P. G. ‘The Postmodern Sublime: Kant and Tony Smith’s Anecdote of the Cube’. The Journal of Aesthetics and Art Criticism, Vol. 53, No. 2 (Spring 1995): 177–186. Brady, E. ‘Imagination and the Aesthetic Appreciation of Nature’. The Journal of Aesthetics and Art Criticism, Vol. 56, No. 2 (Spring 1998): 139–147. Brett, R.L. The Third Earl of Shaftesbury. London, 1951. ASIN: B0007IYKBU Budd, M. The Aesthetic Appreciation of Nature. Oxford, Oxford University Press, 2003. Burke, Edmund. A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful. London, 1958. Clewis, Robert, ed. The Sublime Reader. London: Bloomsbury Academic, 2019. Clewis, Robert, ed. The Kantian Sublime and the Revelation of Freedom. Cambridge: Cambridge University Press, 2009. Collingwood, R.G. The Idea of Nature. Oxford, 1945. Cooper, Anthony Ashley, Third Earl of Shaftesbury. The Moralists: A Philosophical Rhapsody, in Characteristicks, Vol. II. Ed. John M. Robertson. London, 1900. Crowther, P. How Pictures Complete Us; The Beautiful,