1975, has been available on Arista Records cassettes and CDs. Well-known songs include "It's All Right to Cry," sung by football hero Rosey Grier; the title track by the New Seekers; "Helping," a Shel Silverstein poem performed by Tom Smothers; "Sisters and Brothers" by the Voices of East Harlem; and "When We Grow Up" performed by Diana Ross on the album and by Roberta Flack and a teenage Michael Jackson on the special. Other sketches, some of them animated in the television special, include "Atalanta," co-narrated by Thomas and Alda, a retelling of the ancient Greek legend of Atalanta; "Boy Meets Girl" with Thomas and Mel Brooks providing the voices for puppets, designed, performed and manipulated by Wayland Flowers, resembling human babies, who use cultural gender stereotypes to try to discover which is a boy and which a girl; "William's Doll", based on Charlotte Zolotow's picture book about a boy whose family resists his requests for a doll until his grandmother explains that William wishes to practice being a good father; and "Dudley Pippin" with Robert Morse and Billy De Wolfe, based on stories by Phil Ressner. A number of pieces from the record did not make the special, most for lack of time, although "Housework" was left off due to the somewhat condescending tone it lent to its description of domestic workers. Thomas says in the Emmy Legends 40th anniversary interview: In among all the praise we got for the project as a whole, we kept getting all these letters and phone calls talking about the track sounding as if it wasn't normal to be fond of cooking and cleaning and caretaking etc. So we left that off the special for that reason. The children pictured on the original LP jacket were schoolmates of Abigail, Robin, and David Pogrebin, children of Letty Cottin Pogrebin, then editor of Ms. Most of the children attended Corlears School. "Marlo Thomas and Friends" followed Free to Be... You and Me with a 1988 sequel, Free to Be... a Family, the first primetime variety show created and produced in both the United States and the Soviet Union. Reception Reviewing the LP in Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau wrote: "I've been giving this high-minded feminist kiddie record to various young Americans on the theory that it is not necessary, or easy, to like the New York Dolls at age