judiciously with regard for his historical method, by corroborating the stories through enquiry and testing their probability. While the gods never make personal appearances in his account of human events, Herodotus states emphatically that "many things prove to me that the gods take part in the affairs of man" (IX, 100). In Book One, passages 23 and 24, Herodotus relates the story of Arion, the renowned harp player, "second to no man living at that time," who was saved by a dolphin. Herodotus prefaces the story by noting that "a very wonderful thing is said to have happened," and alleges its veracity by adding that the "Corinthians and the Lesbians agree in their account of the matter." Having become very rich while at the court of Periander, Arion conceived a desire to sail to Italy and Sicily. He hired a vessel crewed by Corinthians, whom he felt he could trust, but the sailors plotted to throw him overboard and seize his wealth. Arion discovered the plot and begged for his life, but the crew gave him two options: that either he kill himself on the spot or jump ship and fend for himself in the sea. Arion flung himself into the water, and a dolphin carried him to shore. Herodotus clearly writes as both historian and teller of tales. Herodotus takes a fluid position between the artistic story-weaving of Homer and the rational data-accounting of later historians. John Herington has developed a helpful metaphor for describing Herodotus's dynamic position in the history of Western art and thought – Herodotus as centaur: Herodotus is neither a mere gatherer of data nor a simple teller of tales – he is both. While Herodotus is certainly concerned with giving accurate accounts of events, this does not preclude for him the insertion of powerful mythological elements into his narrative, elements which will aid him in expressing the truth of matters under his study. Thus to understand what Herodotus is doing in the Histories, we must not impose strict demarcations between the man as mythologist and the man as historian, or between the work as myth and the work as history. As James Romm has written, Herodotus worked under a common ancient Greek cultural assumption that the way events are remembered and retold (e.g. in myths or legends) produces a valid kind of understanding, even when this retelling is not entirely factual. For Herodotus, then,