of Eden was not a commercial success and although it would be acclaimed in later retrospective reviews, it initially polarized music critics. Their record label EMI had doubts about whether it could have been successful many months in advance. They asked Hollis to re-record a song or replace material, but he refused to do so. By the time the masters were delivered later in the month, however, the label conceded that the album had been satisfactorily completed, and chose to extend the band's recording contract. The band, however, wanted out of the contract. "I knew by that time that EMI was not the company this band should be with," manager Keith Aspden told Mojo. "I was fearful that the money wouldn't be there to record another album." EMI and Talk Talk went to court to decide the issue. Centered around whether EMI had notified the band in time about the contract extension, because as part of the agreement, the label had to send a written notice within three months after the completion of the album, but the band said they had notified them too late, arguing that the three-month period began once recording had finished; EMI argued that the three-month period did not begin until they were satisfied with the recording. Justice Andrew Morritt ruled in favour of EMI, but his decision was overturned in the Court of Appeal of England and Wales. Talk Talk were released from the contract. Nonetheless, in 1990, bassist Paul Webb left the band, officially reducing Talk Talk to the duo of Hollis and Harris. EMI also issued two compilations without the band's consent in 1990 and 1991; Natural History: The Very Best of Talk Talk – a best-of/greatest hits album, and History Revisited – a collection of new remixes of old material from the band. Hollis was vocal in his opposition to both releases. Before the latter was released, Hollis sent letters requesting that the compilation be stopped, but EMI did not respond. In November 1991, Talk Talk sued EMI, delivering four writs against their former record label. The band claimed that material had been falsely attributed to them and that they were owed money from unpaid royalties. Talk Talk won the case in 1992, and EMI agreed to withdraw and destroy all remaining copies of the album. Manager Keith Aspden hoped that the case would set a precedent for future recording contracts. As