"easy", "Funny enough", "Let Bob tell", "new moon", "selfless", "Sorry, Ross", "Talk, Scott", "to boot", "top spot" (also an orthographic palindrome), "Y'all lie", "You're caught. Talk, Roy", and "You're damn mad, Roy". Longest palindromes The longest single-word palindrome in the Oxford English Dictionary is the 12-letter onomatopoeic word tattarrattat, coined by James Joyce in Ulysses (1922) for a knock on the door. The Guinness Book of Records gives the title to the 11-letter detartrated, the preterite and past participle of detartrate, a chemical term meaning to remove tartrates. The 9-letter word Rotavator, a trademarked name for an agricultural machine, is listed in dictionaries as being the longest single-word palindrome. The 9-letter term redivider is used by some writers, but appears to be an invented or derived term; only redivide and redivision appear in the Shorter Oxford English Dictionary; the 9-letter word Malayalam, a language of southern India, is also of equal length. According to Guinness World Records, the Finnish 19-letter word saippuakivikauppias (a soapstone vendor), is the world's longest palindromic word in everyday use. English palindrome sentences of notable length include mathematician Peter Hilton's "Doc, note: I dissent. A fast never prevents a fatness. I diet on cod", and Scottish poet Alastair Reid's "T. Eliot, top bard, notes putrid tang emanating, is sad; I'd assign it a name: gnat dirt upset on drab pot toilet." In English, two palindromic novels have been published: Satire: Veritas by David Stephens (1980, 58,795 letters), and Dr Awkward & Olson in Oslo by Lawrence Levine (1986, 31,954 words). Another palindromic English work is a 224-word long poem, "Dammit I'm Mad", written by Demetri Martin. "Weird Al" Yankovic's song "Bob" is composed entirely of palindromes. Other occurrences Classical music Joseph Haydn's Symphony No. 47 in G is nicknamed "the Palindrome". In the third movement, a minuet and trio, the second half of the minuet is the same as the first but backwards, the second half of the ensuing trio similarly reflects the first half, and then the minuet is repeated. The interlude from Alban Berg's opera Lulu is a palindrome, as are sections and pieces, in arch form, by many other composers, including James Tenney, and most famously Béla Bartók. George Crumb also used musical palindrome to text paint the Federico García Lorca poem "¿Por qué nací?", the first movement of three in his fourth book of Madrigals. Igor Stravinsky's final composition, The Owl and