Personal life Throughout his life Picasso maintained several mistresses in addition to his wife or primary partner. Picasso was married twice and had four children by three women: Paulo (4 February 1921 – 5 June 1975, Paul Joseph Picasso) – with Olga Khokhlova Maya (5 September 1935 – 20 December 2022, Maria de la Concepcion Picasso) – with Marie-Thérèse Walter Claude (born 15 May 1947, Claude Pierre Pablo Picasso) – with Françoise Gilot Paloma (born 19 April 1949, Anne Paloma Picasso) – with Françoise Gilot Photographer and painter Dora Maar was also a constant companion and lover of Picasso. The two were closest in the late 1930s and early 1940s, and it was Maar who documented the painting of Guernica. The women in Picasso's life played an important role in the emotional and erotic aspects of his creative expression, and the tumultuous nature of these relationships has been considered vital to his artistic process. Many of these women functioned as muses for him, and their inclusion in his extensive oeuvre granted them a place in art history. A largely recurring motif in his body of work is the female form. The variations in his relationships informed and collided with his progression of style throughout his career. For example, portraits created of his first wife, Olga, were rendered in a naturalistic style during his Neoclassical period. His relationship with Marie-Thérèse Walter inspired many of his surrealist pieces, as well as what is referred to as his "Year of Wonders". Reappearance of acrobats theme in 1905 put an end to his "Blue Period" and transitioned into his "Rose Period". This transition has been incorrectly attributed to the presence of Fernande Olivier in his life. Picasso has been commonly characterised as a womaniser and a misogynist, being quoted as having said to one of his mistresses, Françoise Gilot, "Women are machines for suffering." He later told her, "For me there are only two kinds of women: goddesses and doormats." In her memoir, Picasso, My Grandfather, Marina Picasso writes of his treatment of women, "He submitted them to his animal sexuality, tamed them, bewitched them, ingested them, and crushed them onto his canvas. After he had spent many nights extracting their essence, once they were bled dry, he would dispose of them." Of the several important women in his life, two, Marie-Thèrése Walter, a mistress, and Jacqueline Roque, his second wife, died by suicide.