of the production. The next production of Miles Gloriosus that is known from limited records was given by the Westminster School in 1564. Other records also tell us about performances of the Menaechmi. From our knowledge, performances were given in the house of Cardinal Wolsey by boys of St. Paul's School as early as 1527. Shakespeare Shakespeare borrowed from Plautus as Plautus borrowed from his Greek models. C.L. Barber says that "Shakespeare feeds Elizabethan life into the mill of Roman farce, life realized with his distinctively generous creativity, very different from Plautus' tough, narrow, resinous genius." The Plautine and Shakespearean plays that most parallel each other are, respectively, the Menaechmi and The Comedy of Errors. According to Marples, Shakespeare drew directly from Plautus "parallels in plot, in incident, and in character," and was undeniably influenced by the classical playwright's work. H. A. Watt stresses the importance of recognizing the fact that the "two plays were written under conditions entirely different and served audiences as remote as the poles." The differences between the Menaechmi and The Comedy of Errors are clear. In the Menaechmi, Plautus uses only one set of twins—twin brothers. Shakespeare, on the other hand, uses two sets of twins, which, according to William Connolly, "dilutes the force of [Shakespeare's] situations". One suggestion is that Shakespeare got this idea from Plautus' Amphitruo, in which both twin masters and twin slaves appear. It can be noted that the doubling is a stock situation of Elizabethan comedy. On the fusion between Elizabethan and Plautine techniques, T. W. Baldwin writes, "...Errors does not have the miniature unity of Menaechmi, which is characteristic of classic structure for comedy". Baldwin notes that Shakespeare covers a much greater area in the structure of the play than Plautus does. Shakespeare was writing for an audience whose minds weren't restricted to house and home, but looked toward the greater world beyond and the role that they might play in that world. Another difference between the audiences of Shakespeare and Plautus is that Shakespeare's audience was Christian. At the end of Errors, the world of the play is returned to normal when a Christian abbess interferes with the feuding. Menaechmi, on the other hand, "is almost completely lacking in a supernatural dimension". A character in Plautus' play would never blame an inconvenient situation on witchcraft—something that is quite common in Shakespeare. The relationship between a master and a