the bassists who had the biggest impact on his playing style. Lee's style, technique, and ability on the bass guitar have been influential to rock and heavy metal musicians, inspiring players including Steve Harris, John Myung, Les Claypool, and Cliff Burton. Lee is able to operate various pieces of instrumentation simultaneously during live concert, most evidently when Lee plays bass and keyboards, sings, and triggers foot pedals as in the song "Tom Sawyer". Alex Lifeson Lifeson as a guitarist is best known for his signature riffing, electronic effects and processing, unorthodox chord structures, and a copious arsenal of equipment used over the years. During his adolescent years, he was influenced by Jimi Hendrix, Pete Townshend, Jeff Beck, Eric Clapton and Jimmy Page. Lifeson incorporated touches of Spanish and classical music into Rush's sound during the 1970s, reflecting his interest in progressive rock guitarists like Steve Hackett and Steve Howe. To adapt to Lee's expanding use of synthesizers in the 1980s, Lifeson took inspiration from guitarists like Allan Holdsworth, Andy Summers of The Police and The Edge of U2, who gave him models for rethinking the guitar's role in Rush's music. Lifeson's guitar returned to the forefront in the 1990s, and especially on Vapor Trails (2002). During live performances, he was responsible for cuing various guitar effects, the use of bass-pedal synthesizers and backing vocals. Neil Peart Peart has been voted the greatest rock drummer by music fans, critics and fellow musicians, according to Drummerworld. He was also regarded as one of the finest practitioners of the in-concert drum solo. Initially inspired by Keith Moon, Peart absorbed the influence of other rock drummers from the 1960s and 1970s such as Ginger Baker, Carmine Appice, and John Bonham. Incorporation of unusual instruments (for rock drummers of the time) such as the glockenspiel and tubular bells, along with several standard kit elements, helped create a highly varied setup. Continually modified, Peart's drumkit offered an enormous array of percussion instruments for sonic diversity. For two decades Peart honed his technique; each new Rush album introduced an expanded percussive vocabulary. In the 1990s, he reinvented his style with the help of drum coach Freddie Gruber. Peart also served as Rush's primary lyricist, attracting attention over the years for his eclectic style. During the band's early years, Peart's lyrics were largely fantasy/science fiction-focused, though after 1980 he focused more on social, emotional, and humanitarian issues. In