called by palaeographer Schubart the "severe" style, has a more angular appearance and not infrequently slopes to the right; though handsome, it has not the sumptuous appearance of the former. There are various classes of a less pretentious style, in which convenience rather than beauty was the first consideration and no pains were taken to avoid irregularities in the shape and alignment of the letters. Lastly may be mentioned a hand which is of great interest as being the ancestor of the type called (from its later occurrence in vellum codices of the Bible) the biblical hand. This, which can be traced back at least the late 2nd century, has a square, rather heavy appearance; the letters, of uniform size, stand upright, and thick and thin strokes are well distinguished. In the 3rd century the book-hand, like the cursive, appears to have deteriorated in regularity and stylistic accomplishment. In the charred rolls found at Herculaneum and dating from about the beginning of our era, are specimens of Greek literary hands from outside Egypt; and a comparison with the Egyptian papyri reveals great similarity in style and shows that conclusions drawn from the henads of Egypt may, with caution, be applied to the development of writing in the Greek world generally. Byzantine period The cursive hand of the 4th century shows some uncertainty of character. Side by side with the style founded on the Chancery hand, regular in formation and with tall and narrow letters, which characterised the period of Diocletian, and lasted well into the century, we find many other types mostly marked by a certain looseness and irregularity. A general progress towards a florid and sprawling hand is easily recognisable, but a consistent and deliberate style was hardly evolved before the 5th century, from which unfortunately few dated documents have survived. Byzantine cursive tends to an exuberant hand, in which the long strokes are excessively extended and individual letters often much enlarged. But not a few hands of the 5th and 6th centuries are truly handsome and show considerable technical accomplishment. Both an upright and a sloping type occur and there are many less ornamental hands, but there gradually emerged towards the 7th century two general types, one (especially used in letters and contracts) a current hand, sloping to the right, with long strokes in such characters at τ, ρ, ξ, η (which has the h shape), ι, and