Donau, Save, Morawa und Drina oder Gerechtigkeit für Serbien (published in English as A Journey to the Rivers: Justice for Serbia) created controversy, as Handke portrayed Serbia as being among the victims of the Yugoslav Wars. In the same essay, Handke also criticised Western media for misrepresenting the causes and consequences of the war. Sebastian Hammelehle wrote that Handke's view of the Yugoslav Wars, which has provoked numerous controversies, was probably romanticized, but that it represented the view of a writer, not a war reporter. The American translator Scott Abbott, who traveled with Handke through Yugoslavia after which numerous essays were published, stated that Handke considered Yugoslavia as the "incredible, rich multicultural state that lacked the kind of nationalisms that he saw in Germany and Austria". Abbott added that Handke viewed the disintegration of country as the disappearance of utopia. Reviewing The Moravian Night, Joshua Cohen stated that Handke's Yugoslavia was not a country, but a symbol of himself, a symbol of literature or the "European Novel". Volker Hage wrote that The Moravian Night is "extremely cosmopolitan" and connected to the present, while also that the book represents the autobiographical summary of Handke's life as a writer. Tanjil Rashid noted that "Handke’s novels, plays and memoirs demonstrate the evil of banality". After his play Voyage by Dugout was staged in 1999, Handke was condemned by other writers: Susan Sontag proclaimed Handke to be "finished" in New York. Salman Rushdie declared him as a candidate for "International Moron of the Year" due to his "idiocies", while Alain Finkielkraut said that he was an "ideological monster", and Slavoj Žižek stated that his "glorification of the Serbs is cynicism". When Handke was awarded the International Ibsen Award in 2014, it caused some calls for the jury to resign. However, disputing such interpretations of his work as listed above as misinterpreted by the English press, Handke has described the Srebrenica massacre as an "infernal vengeance, eternal shame for the Bosnian Serbs responsible." This concern about the imprecision and political nature of language, carries through Handke's view. In a 2006 interview, Handke commented on concerns about the stereotyped language of the media that "knew everything", endlessly recycling words like "the butcher of Belgrade". Handke’s literary fame was overshadowed in 2006 by his politics. The writer’s public support of Slobodan Milošević, the former president of Yugoslavia who died that year while on trial for genocide and