new Hyborian age. In a letter to Clark Ashton Smith in October 1933, he wrote that its sequel "The Garden of Fear" was "dealing with one of my various conceptions of the Hyborian and post-Hyborian world." In May 1933, a British publisher, Denis Archer, contacted Howard about publishing a book in the United Kingdom. Howard submitted a batch of his best available stories, including "The Tower of the Elephant" and "The Scarlet Citadel", on June 15. In January 1934 the publisher rejected the collection but suggested a novel instead. Though the publisher was "exceedingly interested" in the stories, the rejection letter explained that there was a "prejudice that is very strong over here just now against collections of short stories." The suggested novel, however, could be published by Pawling and Ness Ltd in a first edition of 5,000 copies for lending libraries. In late 1933 Howard returned to Conan, starting again slightly awkwardly with "The Devil in Iron". However, this was followed with the beginning of the latter group of Conan stories which "carry the most intellectual punch," starting with "The People of the Black Circle". Howard probably began to work on the novel in February 1934, starting to write Almuric (a non-Conan, sword and planet science fiction novel) but abandoned it half way. This was followed by another abortive attempt at a novel, this time a Conan novel which later became Drums of Tombalku. The third attempt at writing the novel was more successful, resulting in Howard's only Conan novel The Hour of the Dragon, which was probably started on or around March 17, 1934. This novel combines elements of two previous Conan stories, "Black Colossus" and "The Scarlet Citadel," with Arthurian myth and provides an overview of Conan and the Hyborian age for the new British audience. Howard sent his final draft to Denis Archer on May 20, 1934. He had worked exclusively on the novel for two months, writing approximately 5,000 words per day, seven days a week. Although he told acquaintances that he had little hope for this novel, he had put a lot of effort into it. However, the publisher went into receivership in late 1934, before it could print the novel. The story was briefly held as part of the company's assets before being returned to Howard. It was later printed in Weird Tales as a serial over five months, beginning with the December