to tell the story in German. Giovanni Boccaccio wrote about her in De Mulieribus Claris (1353). The Chronicon of Adam of Usk (1404) gives her a name, Agnes, and furthermore mentions a statue in Rome that is said to be of her. This statue had never been mentioned by any earlier writer anywhere; presumably it was an actual statue that came to be taken to be of the female pope. A late-14th-century edition of the Mirabilia Urbis Romae, a guidebook for pilgrims to Rome, tells readers that the female Pope's remains are buried at St. Peter's. It was around this time that a long series of busts of past Popes was made for the Duomo of Siena, which included one of the female pope, named as "Johannes VIII, Foemina de Anglia" and included between Leo IV and Benedict III. At his trial in 1415 Jan Hus argued that the Church did not necessarily need a pope because, during the pontificate of "Pope Agnes" (as he also called her), it got on quite well. Hus's opponents at the trial insisted that his argument proved no such thing about the independence of the Church but they did not dispute that there had been a female pope at all. During the Reformation In 1587 Florimond de Raemond, a magistrate in the parlement de Bordeaux and an antiquary, published his first attempt to deconstruct the legend, Erreur Populaire de la Papesse Jeanne (also subsequently published under the title L'Anti-Papesse). The tract applied humanist techniques of textual criticism to the Pope Joan legend, with the broader intent of supplying sound historical principles to ecclesiastical history, and the legend began to come apart, detail by detail. Raemond's Erreur Populaire went through successive editions, reaching a fifteenth as late as 1691. In 1601, Pope Clement VIII declared the legend of the female pope to be untrue. The famous bust of her, inscribed Johannes VIII, Femina ex Anglia, which had been carved for the series of papal figures in the Duomo di Siena about 1400 and was noted by travelers, was either destroyed or recarved and relabeled, replaced by a male figure, that of Pope Zachary. The legend of Pope Joan was "effectively demolished" by David Blondel, a mid-17th-century Protestant historian, who suggested that Pope Joan's tale may have originated in a satire against Pope John XI, who died in his early 20s. Blondel, through detailed analysis of