Candlebox, were from Seattle, but the subgenre was marked by a broadening of the geographical base of grunge, with bands like Los Angeles' Audioslave, and Georgia's Collective Soul and beyond the US to Australia's Silverchair and Britain's Bush, who all cemented post-grunge as one of the most commercially viable subgenres of the late 1990s. Although male bands predominated post-grunge, female solo artist Alanis Morissette's 1995 album Jagged Little Pill, labelled as post-grunge, also became a multi-platinum hit. Post-grunge morphed during the late 1990s as post-grunge bands like Creed and Nickelback emerged. Bands like Creed and Nickelback took post-grunge into the 21st century with considerable commercial success, abandoning most of the angst and anger of the original movement for more conventional anthems, narratives and romantic songs, and were followed in this vein by newer acts including Shinedown, Seether, 3 Doors Down and Puddle of Mudd. Pop punk The origins of 1990s pop punk can be seen in the more song-oriented bands of the 1970s punk movement like Buzzcocks and the Clash, commercially successful new wave acts such as the Jam and the Undertones, and the more hardcore-influenced elements of alternative rock in the 1980s. Pop-punk tends to use power-pop melodies and chord changes with speedy punk tempos and loud guitars. Punk music provided the inspiration for some California-based bands on independent labels in the early 1990s, including Rancid, Pennywise, Weezer and Green Day. In 1994 Green Day moved to a major label and produced the album Dookie, which found a new, largely teenage, audience and proved a surprise diamond-selling success, leading to a series of hit singles, including two number ones in the US. They were soon followed by the eponymous debut from Weezer, which spawned three top ten singles in the US. This success opened the door for the multi-platinum sales of metallic punk band the Offspring with Smash (1994). This first wave of pop punk reached its commercial peak with Green Day's Nimrod (1997) and the Offspring's Americana (1998). A second wave of pop punk was spearheaded by Blink-182, with their breakthrough album Enema of the State (1999), followed by bands such as Good Charlotte, Simple Plan and Sum 41, who made use of humour in their videos and had a more radio-friendly tone to their music, while retaining the speed, some of the attitude and even the look of 1970s punk. Later pop-punk bands, including All Time Low,