the group in March 1986 following a religious conversion. Anastasio and Fishman relocated in mid-1986 to Goddard College after a recommendation from McConnell. Phish distributed at least six experimental self-titled cassettes during this era, including The White Tape. While based at Goddard College, Phish began to collaborate with fellow students Richard "Nancy" Wright and Jim Pollock. Pollock and Wright were musical collaborators who made experimental recordings on multi-track cassettes, and had been introduced to Phish through McConnell, who co-hosted a radio program on WGDR with Pollock. Phish adopted a number of Nancy's songs into their own set, including "Halley's Comet", "I Didn't Know", and "Dear Mrs. Reagan", the latter song being written by Nancy and Pollock. In his book Heads: A Biography of Psychedelic America, music journalist Jesse Jarnow observed that Wright and his music were highly influential to Phish's early style and experimental sound. Wright amicably ended his association with Phish in 1989, but Pollock has continued to collaborate with Phish over the years, designing some of their album covers and concert posters. By 1985, the group had encountered Burlington luthier Paul Languedoc, who would eventually design custom instruments for Anastasio and Gordon. In October 1986, he began working as their sound engineer. Since then, Languedoc has built exclusively for the two, and his designs and traditional wood choices have given Phish a unique instrumental identity. During the late 1980s, Phish began to play regularly at Nectar's bar and restaurant in downtown Burlington, and performed dozens of concerts across multiple residencies through March 1989. The band's 1992 album A Picture of Nectar was named in honor of the bar's owner, Nectar Rorris, and its cover features his face superimposed onto an orange. As his senior project for Goddard College, Anastasio penned The Man Who Stepped into Yesterday, a nine-song progressive rock concept album that would become Phish's second studio experiment. Recorded between 1987 and 1988, it was submitted in July of that year, accompanied by a written thesis. The song cycle that developed from the project – known as Gamehendge – grew to include an additional eight songs. The band performed the suite in concert on five occasions: in 1988, 1991, 1993, and twice in 1994 without replicating the song list. The Man Who Stepped Into Yesterday has never received an official release, but a bootleg tape has circulated for decades, and songs such as "Wilson" and "The Lizards"