cityscape. It is often discussed along with William Gibson's novel Neuromancer as initiating the cyberpunk genre. Stephen Minger, stem cell biologist at King's College London, states, "It was so far ahead of its time and the whole premise of the story – what is it to be human and who are we, where we come from? It's the age-old questions." Scott has described Blade Runner as his "most complete and personal film". In 1985, Scott directed Legend, a fantasy film produced by Arnon Milchan. Scott decided to create a "once upon a time" tale set in a world of princesses, unicorns and goblins, filming almost entirely inside the studio. Scott cast Tom Cruise as the film's hero, Jack; Mia Sara as Princess Lili; and Tim Curry as the Satan-horned Lord of Darkness. Scott had a forest set built on the 007 Stage at Pinewood Studios in Buckinghamshire, with trees 60 feet high and trunks 30 feet in diameter. In the final stages of filming, the forest set was destroyed by fire; Jerry Goldsmith's original score was used for European release, but replaced in North America with a score by Tangerine Dream. Rob Bottin provided the film's Academy Award-nominated make-up effects, most notably Curry's red-coloured Satan figure. Despite a major commercial failure on release, the film has gone on to become a cult classic. The 2002 Director's Cut restored Goldsmith's original score. Scott made Someone to Watch Over Me, a romantic thriller starring Tom Berenger and Mimi Rogers in 1987, and Black Rain (1989), a police drama starring Michael Douglas and Andy García, shot partially in Japan. Both achieved mild success at the box office. Black Rain was the first of Scott's six collaborations with the composer Hans Zimmer. "1984" Apple Macintosh commercial In 1984, Scott directed a big-budget ($900,000) television commercial, "1984", to launch Apple Computer's Macintosh computer. Scott filmed the advertisement in England for about $370,000; which was given a showcase airing in the US on 22 January 1984, during Super Bowl XVIII, alongside screenings in cinemas. Some consider this advertisement a "watershed event" in advertising and a "masterpiece". Advertising Age placed it top of its list of the 50 greatest commercials. Set in a dystopian future modelled after George Orwell's Nineteen Eighty-Four, Scott's advertisement used its heroine (portrayed by English athlete Anya Major) to represent the coming of the Macintosh (indicated by her white tank top adorned with