University in Toronto announced that its new 25,000-square-foot arts centre would be named the Princess of Wales Visual Arts Centre. Princess Diana Drive was named in her memory in Trenton, New Jersey. Diana's granddaughters, Princess Charlotte Elizabeth Diana (born 2015) and Lilibet Diana Mountbatten-Windsor (born 2021), as well as her niece, Lady Charlotte Diana Spencer (born 2012), are named after her. On 29 September 2021 a blue plaque, placed in her honour by English Heritage, was unveiled at her former flat at Coleherne Court, Old Brompton Road, London. Diana in contemporary art Before and after her death, Diana has been depicted in contemporary art. The first biopics about Diana and Charles were Charles & Diana: A Royal Love Story and The Royal Romance of Charles and Diana that were broadcast on American TV channels on 17 and 20 September 1981, respectively. In December 1992, ABC aired Charles and Diana: Unhappily Ever After, a TV movie about marital discord between Diana and Charles. In the 1990s, British magazine Private Eye called her "Cheryl" and Prince Charles "Brian". In July 1999, Tracey Emin created a number of monoprint drawings featuring textual references about Diana's public and private life for Temple of Diana, a themed exhibition at The Blue Gallery, London. Works such as They Wanted You To Be Destroyed (1999) related to Diana's bulimia, while others included affectionate texts such as Love Was on Your Side and Diana's Dress with puffy sleeves. Another text praised her selflessness—The things you did to help other people, showing Diana in protective clothing walking through a minefield in Angola—while another referenced the conspiracy theories. Of her drawings, Emin maintained "They're quite sentimental... and there's nothing cynical about it whatsoever." In 2005, Martín Sastre premiered during the Venice Biennale the film Diana: The Rose Conspiracy. This fictional work starts with the world discovering Diana alive and enjoying a happy undercover new life in a dangerous cantegril on the outskirts of Montevideo. Shot at an Uruguayan slum using a Diana impersonator from São Paulo, the film was selected by the Italian Art Critics Association as one of the Venice Biennial's best works. In 2007, following an earlier series referencing the conspiracy theories, Stella Vine created a series of Diana paintings for her first major solo exhibition at Modern Art Oxford gallery. Vine intended to portray Diana's combined strength and vulnerability as well as her closeness to her two