inactive since 2011 and were unlikely to perform together again. Of a new studio album, he told Classic Rock, "We all listened to it and thought, 'We can't do this. It's not going to be any good. Let's just bin it.' And so it's just sitting there on our personal computers. Maybe one day it'll get finished. But there's no point in putting it out if it's not great." On 29 March 2019, Roxy Music (Ferry, Mackay, Manzanera, Thompson, Eno, and Jobson) were inducted to the Rock and Roll Hall of Fame; Thompson and Eno were unable to attend the induction, which saw Ferry, Mackay, Manzanera and Jobson perform a six-song set at the Barclays Center in Brooklyn, New York. Roxy Music reformed in 2022 for a 50th anniversary tour of the United Kingdom and the United States to be held that autumn. Most North American tour dates featured St. Vincent as a supporting act. Nilüfer Yanya was the UK starter act. Style The early style and presentation of Roxy Music was influenced by the art school backgrounds of its principal members. Ferry, Mackay and Eno all had studied at prominent UK art colleges during the mid-to-late 1960s, when these institutions were introducing courses that avoided traditional art teaching practice, with its emphasis on painting, and instead focused on more recent developments, most notably pop art, and explored new concepts such as cybernetics. As writer Michael Bracewell notes in his book Roxy: The Band that Invented an Era, Roxy Music was created expressly by Ferry, Mackay and Eno as a means of combining their mutual interests in music, modern art and fashion. Ferry studied at Newcastle University in the 1960s under renowned pop artist and educator Richard Hamilton, and many of Ferry's university friends, classmates and tutors – e.g. Rita Donagh and Tim Head – became well-known artists in their own right. Eno studied at Winchester School of Art and although his iconoclastic style became apparent early and caused some conflict with the college establishment, it also resulted in him meeting important artists and musicians including Cornelius Cardew and Gavin Bryars. His interest in electronic music also resulted in his first meetings with Andy Mackay, who was studying at Reading University and who had likewise developed a strong interest in avant garde and electronic music. The three eventually joined forces in London during 1970–71 after meeting through mutual friends and