Sun Books accepted The Futility Machine but did not proceed with publication, and Adventures on Board the Marie Celeste was accepted by Outback Press before being withdrawn by Carey himself. These and other unpublished manuscripts from the period—including twenty-one short stories—are now held by the Fryer Library at the University of Queensland. Carey's only publications during the 1960s were "Contacts" (a short extract from the unpublished novel of the same name, in Under Twenty-Five: An Anthology, 1966) and "She Wakes" (a short story, in Australian Letters, 1967). Towards the end of the decade, Carey and Weetman abandoned Australia with "a certain degree of self-hatred", travelling through Europe and Iran before settling in London in 1968, where Carey continued to write highly regarded advertising copy and unpublished fiction. Middle career: 1970–1990 Returning to Australia in 1970, Carey once again did advertising work in Melbourne and Sydney. He also kept writing, and gradually broke through with editors, publishing short stories in magazines and newspapers such as Meanjin and Nation Review. Most of these were collected in his first book, The Fat Man in History, which appeared in 1974. In the same year Carey moved to Balmain in Sydney to work for Grey Advertising. In 1976, Carey moved to Queensland and joined an alternative community named Starlight in Yandina, north of Brisbane, with his new partner, the painter Margot Hutcheson, with whom he lived in the 1970s and 1980s. He remained with Grey, writing in Yandina for three weeks, then spending the fourth week at the agency in Sydney. It was during this time that he produced most of the stories collected in War Crimes (1979), as well as Bliss (1981), his first published novel. Carey started his own advertising agency in 1980, the Sydney-based McSpedden Carey Advertising Consultants, in partnership with Bani McSpedden. After many years of separation, Leigh Weetman asked for a divorce in 1980 so that she could remarry and Peter agreed. In 1981, he moved to Bellingen in northern New South Wales. There he wrote Illywhacker, published in 1985. In the same year he married theatre director Alison Summers. Illusion, a stage musical Carey wrote with Mike Mullins and composer Martin Armiger, was performed at the 1986 Adelaide Festival of the Arts and a studio cast recording of the musical was nominated for a 1987 ARIA Award (for which Carey as lyricist was nominated). The decade—and the Australian phase