visual style of the show. Spiers particularly used tracking shots, sometimes requiring more dialogue to be written to accommodate the length of the shot. The other directors would come in and "do a Spiers". All of the directors were encouraged to attend the others' shoots so that the visual style would be consistent. The first two episodes were directed by Colin Nutley. However, he was unhappy with the final edit and requested that his name be removed from the credits. Lorne Magory directed many episodes, notably the two-part stories "How To Make A Killing" and "The Last Word." One of the founders of Richmond Films and Television, Bill Ward, directed three episodes, and Bren Simson directed some of series two. The show's cinematographer James Devis took the directorial reins for "Windfall", the penultimate episode. Location Whilst the show was set in the fictional town of Norbridge, it was mostly filmed in Uxbridge, in the west of Greater London. Many of the scenes were shot at Haydon School in Pinner. The first series was filmed entirely on location, but after the demolition of the building used as the original newspaper office, interior shots were filmed in Pinewood Studios for the second series, and the exterior of the building was not seen beyond that series. Subsequent series were filmed at Lee International Studios at Shepperton (series three and four) and Twickenham Studios (series five). Music and title sequences The theme music was composed by Peter Davis (who after the second series composed the rest of the series alone as principal composer), John Mealing and John G. Perry. The opening titles show the main characters striking a pose, with the name of the respective actor in a typewriter style typeface. Steven Moffat and Julia Sawalha were not very impressed with the opening titles when discussing them for a DVD commentary in 2004. They were re-recorded for series three, in the same style, to address the actors' ages and alterations to the set. Many of the closing titles in the first two series were accompanied by dialogue from two characters. Episodes that ended on a particularly sombre tone, such as "Monday-Tuesday" and "Yesterday's News", used only appropriately sombre music to accompany the end credits. After an emphatic climax, "At Last a Dragon" used an enhanced version of the main theme with more extravagant use of electric guitar. Moffat felt that the voiceovers worked well