film in 1922. US General Omar Bradley was given the nickname "Omar the Tent-Maker" in World War II, and the name has been recorded as a slang expression for "penis". FitzGerald's translations also reintroduced Khayyam to Iranians, "who had long ignored the Neishapouri poet". Literature The title of Rex Stout's Nero Wolfe novel Some Buried Caesar comes from one of the Tentmaker's quatrains (FitzGerald's XIX), for example. Eugene O'Neill's drama Ah, Wilderness! derives its title from the first quoted quatrain above. Agatha Christie used The Moving Finger as a story title, as did Stephen King. See also And Having Writ.... Lan Wright used Dawn's Left Hand as the title of a science fiction story serialized in New Worlds Science Fiction (January–March 1963). The title of Allen Drury's science fiction novel The Throne of Saturn comes from a quatrain which appears as the book's epigraph. The title of Nevil Shute Norway's novel The Chequer Board is taken from Stanza LXIX, and that stanza appears as the book's epigraph. The titles of Mike Shupp's science fiction novels With Fate Conspire and Morning Of Creation, the first two books of the series The Destiny Makers, are taken from Stanzas LXXIII and LIII. These stanzas are quoted during the novels by the main character. The first quote in particular ties in with his mission as a time traveler trying to change past history to alter the outcome of a future war: Ah Love! could thou and I with Fate conspire To grasp this sorry Scheme of Things entire, Would not we shatter it to bits - and then Re-mould it nearer to the Heart's Desire! Equally noteworthy are these works likewise influenced: The satirist and short story writer Hector Hugh Munro took his pen name of 'Saki' from Edward FitzGerald's translation of the Rubaiyat. The American author O. Henry humorously referred to a book by "Homer KM" with the character "Ruby Ott" in his short story "The Handbook of Hymen. " O. Henry also quoted a quatrain from the Rubaiyat of Omar Khayyam in "The Rubaiyat of a Scotch Highball". Oliver Herford released a parody of the Rubaiyat called "The Rubaiyat of a Persian Kitten" in 1904, which is notable for its charming illustrations of the kitten in question on his philosophical adventures. The artist/illustrator Edmund Dulac produced some much-beloved illustrations for the Rubaiyat, 1909. The play The Shadow of a Gunman (1923) by