very inspired by those bands. They made us want to make our music more interesting and more complex and we tried to blend that with our own personalities to see what we could come up with that was indisputably us." Increased synthesizer use, lengthy songs, and highly dynamic playing featuring complex time signature changes became a staple of Rush's compositions. To achieve a broader, more progressive sound, Lifeson began to experiment with classical and twelve-string guitars, and Lee added bass-pedal synthesizers and Minimoog. Likewise, Peart's percussion became diversified in the form of triangles, glockenspiel, wood blocks, cowbells, timpani, gong, and chimes. Beyond instrument additions, the band kept in stride with the progressive rock trends by continuing to compose long, conceptual songs with science fiction and fantasy overtones. As the new decade approached, Rush gradually began to dispose of its older styles of music in favour of shorter and sometimes softer arrangements, due in part to the band's exhaustion from recording Hemispheres. The lyrics up to this point were heavily influenced by classical poetry, fantasy literature, science fiction, and the writings of novelist Ayn Rand, as exhibited most prominently by their 1975 song "Anthem" from Fly By Night and a specifically acknowledged derivation in 2112 (1976). The first single from A Farewell to Kings, "Closer to the Heart", was the band's first successful song in the UK, peaking at No. 36, while reaching No. 76 in the US and No. 45 in Canada. A Farewell to Kings did not sell as well as 2112, but still went platinum in both Canada and the United States By this time, Rush's record deal allowed them a CA$250,000 advance on each album and a 16% royalty rate. Permanent Waves (1980) shifted Rush's style of music with the introduction of reggae and new wave elements. Although a hard rock style was still evident, more synthesizers were introduced. Because of the limited airplay Rush's previous extended-length songs received, Permanent Waves contained shorter, more radio-friendly songs, such as "The Spirit of Radio" and "Freewill", which helped the album become Rush's highest-charting album to date. "The Spirit of Radio" became the group's biggest hit single to date, peaking at No. 22 in Canada, No. 51 on the US Billboard Hot 100, and No. 13 on the UK Singles Chart. Peart's lyrics on Permanent Waves shifted toward an expository tone with subject matter that dwelled less on fantastical or