of the Q is by simply adding a tail to the letter O. Old-style serif fonts, such as Garamond, may contain two capital Qs: one with a short tail to be used in short words, and another with a long tail to be used in long words. Some early metal type fonts included up to 3 different Qs: a short-tailed Q, a long-tailed Q, and a long-tailed Q-u ligature. This print tradition was alive and well until the 19th century, when long-tailed Qs fell out of favor: even recreations of classic typefaces such as Caslon began being distributed with only short Q tails. Not a fan of long-tailed Qs, American typographer D. B. Updike celebrated their demise in his 1922 book Printing Types, claiming that Renaissance printers made their Q tails longer and longer simply to "outdo each other". Latin-language words, which are much more likely than English words to contain "Q" as their first letter, have also been cited as the reason for their existence. The long-tailed Q had fallen out of use with the advent of early digital typography, as many early digital fonts could not choose different glyphs based on the word that the glyph was in, but it has seen something of a comeback with the advent of OpenType fonts and LaTeX, both of which can automatically typeset the long-tailed Q when it is called for and the short-tailed Q when it is not. Owing to the allowable variation between letters Q, Q is a very distinctive feature of a typeface; as , Q is oft cited as a letter that gives type designers a greater opportunity at self-expression. Identifont, an automatic typeface identification service that identifies typefaces by questions about their appearance, asks about the Q tail second if the "sans-serif" option is chosen. In the Identifont database, the distribution of Q tails is: Some type designers prefer one "Q" design over another: Adrian Frutiger, famous for the airport typeface that bears his name, remarked that most of his typefaces feature a Q tail that meets the bowl and then extends horizontally. Frutiger considered such Qs to make for more "harmonious" and "gentle" typefaces. "Q" often makes the list of their favorite letters; for example, Sophie Elinor Brown, designer of Strato, has listed "Q" as being her favorite letter. Lowercase "q" The lowercase "q" is usually seen as a lowercase "o" or "c" with a