the museum to ask for help in identifying them. By November 1948, the restoration appeared aged and it was decided to restore the vase again. It was dismantled by conservator J.W.R. Axtell in mid-November 1948. The pieces were examined by D.B. Harden and W.A. Thorpe, who confirmed that the circular glass base removed in 1845 was not original. Axtell then carried out a reconstruction, completed by 2 February 1949, in which he was only successful in replacing three of the 37 loose fragments. He reportedly used "new adhesives" for this restoration, which some thought might be epoxy resins or shellac, but were later discovered to simply be the same type of animal glue that Doubleday used in 1845. He also filled some areas with wax. No documentation of his work was produced. By the late 1980s, the adhesive was again yellowing and brittle. Although the vase was shown at the British Museum as part of the Glass of the Caesars exhibition (November 1987 – March 1988), it was too fragile to travel to other locations afterwards. Instead, another reconstruction was performed between 1 June 1988 and 1 October 1989 by Nigel Williams and Sandra Smith. The pair was overseen by David Akehurst (CCO of Glass and Ceramics) who had assessed the vase's condition during the Glass of the Caesars exhibition and decided to go ahead with reconstruction and stabilization. The treatment had scholarly attention and press coverage. The vase was photographed and drawn to record the position of fragments before dismantling; the BBC filmed the conservation process. Conservation scientists at the museum tested many adhesives for long-term stability, choosing an epoxy resin with excellent ageing properties. Reassembly revealed some fragments had been filed down during the restorations, complicating the process. All but a few small splinters were integrated. Gaps were filled with blue or white resin. Little sign of the original damage is visible, and, except for light cleaning, it is hoped that the vase should not require major conservation work for at least another century. Notes References Further reading L. Burn, The British Museum book of Greek and Roman Art (London, The British Museum Press, 1991), pp. 204–5 H. Tait (ed.), Five Thousand Years of Glass, 2nd paperback edition (London, The British Museum Press, 1999), pp. 4–5, fig.75 I. Jenkins and K. Sloan, Vases and Volcanoes: Sir William Hamilton and his Collection (London, The British Museum Press, 1996), pp.