doesn't exist, and the foreground, which is usually your character". Shooting began in mid-1991, and it lasted for about 100 days. It was a mid-summer shoot and while on location on a huge castle set that was built near Acton, California, on the edge of the Mojave Desert, the cast and crew endured very hot conditions during the day and very cold temperatures at night. Most of the film took place at night and the filmmakers shot most of the film during the summer when the days were longest and the nights were the shortest. It would take an hour and a half to light an area leaving the filmmakers only six hours left to shoot a scene. Money problems forced cinematographer Bill Pope to shoot only for certain hours Monday through Friday because he could not be paid his standard fee. Mesa shot many of the action sequences on the weekend. It was a difficult shoot for Campbell who had to learn elaborate choreography for the battle scenes, which involved him remembering a number system because the actor was often fighting opponents that were not really there. Mesa remembers, "Bruce was cussing and swearing some of the time because you had to work on the number system. Sam would tell us to make it as complicated and hard for Bruce as possible. 'Make him go through torture!' So we'd come up with these shots that were really, really difficult, and sometimes they would take thirty-seven takes". Some scenes, like Evil Ash walking along the graveyard while his skeleton minions come to life, blended stop-motion animation with live-action skeleton puppets that were mechanically rigged, with prosthetics and visual effects. During the filming of a scene in which Campbell flipped a stuntman down a set of stairs, the lower part of his face contacted with a piece of armor, which resulted in him bleeding. Campbell was brought to a local emergency room to have the wound mended by a plastic surgeon, who, upon seeing the number of artificial cuts and slashes on Campbell's face, asked, "Which one is it?" In order to maintain the continuity of the injuries and dirt on Ash's face, the on-set makeup specialist utilized a plastic template that fit over Campbell's face. The filmmakers initially intended to reshoot the shot from Evil Dead II in which Ash and the Oldsmobile fall from the sky onto the ground