(; born , ; 16 April 1844 – 12 October 1924) was a French poet, journalist, and novelist with several best-sellers. Ironic and skeptical, he was considered in his day the ideal French man of letters. He was a member of the Académie Française, and won the 1921 Nobel Prize in Literature "in recognition of his brilliant literary achievements, characterized as they are by a nobility of style, a profound human sympathy, grace, and a true Gallic temperament". France is also widely believed to be the model for narrator Marcel's literary idol Bergotte in Marcel Proust's In Search of Lost Time. Early years The son of a bookseller, France, a bibliophile, spent most of his life around books. His father's bookstore specialized in books and papers on the French Revolution and was frequented by many writers and scholars. France studied at the Collège Stanislas, a private Catholic school, and after graduation he helped his father by working in his bookstore. After several years, he secured the position of cataloguer at Bacheline-Deflorenne and at Lemerre. In 1876, he was appointed librarian for the French Senate. Literary career France began his literary career as a poet and a journalist. In 1869, Le Parnasse contemporain published one of his poems, "". In 1875, he sat on the committee in charge of the third Parnasse contemporain compilation. As a journalist, from 1867, he wrote many articles and notices. He became known with the novel (1881). Its protagonist, skeptical old scholar Sylvester Bonnard, embodied France's own personality. The novel was praised for its elegant prose and won him a prize from the Académie Française. In (1893) France ridiculed belief in the occult; and in (1893), France captured the atmosphere of the . He was elected to the Académie Française in 1896. France took a part in the Dreyfus affair. He signed Émile Zola's manifesto supporting Alfred Dreyfus, a Jewish army officer who had been falsely convicted of espionage. France wrote about the affair in his 1901 novel Monsieur Bergeret. France's later works include Penguin Island (, 1908) which satirizes human nature by depicting the transformation of penguins into humans – after the birds have been baptized by mistake by the almost-blind Abbot Mael. It is a satirical history of France, starting in Medieval times, going on to the author's own time with special attention to the Dreyfus affair and concluding with a dystopian future. The