is especially prominent in works produced in Athens. In classical depictions, Athena is usually portrayed standing upright, wearing a full-length chiton. She is most often represented dressed in armor like a male soldier and wearing a Corinthian helmet raised high atop her forehead. Her shield bears at its centre the aegis with the head of the gorgon (gorgoneion) in the center and snakes around the edge. Sometimes she is shown wearing the aegis as a cloak. As Athena Promachos, she is shown brandishing a spear. Scenes in which Athena was represented include her birth from the head of Zeus, her battle with the Gigantes, the birth of Erichthonius, and the Judgement of Paris. The Mourning Athena or Athena Meditating is a famous relief sculpture dating to around 470-460 BC that has been interpreted to represent Athena Polias. The most famous classical depiction of Athena was the Athena Parthenos, a now-lost gold and ivory statue of her in the Parthenon created by the Athenian sculptor Phidias. Copies reveal that this statue depicted Athena holding her shield in her left hand with Nike, the winged goddess of victory, standing in her right. Athena Polias is also represented in a Neo-Attic relief now held in the Virginia Museum of Fine Arts, which depicts her holding an owl in her hand and wearing her characteristic Corinthian helmet while resting her shield against a nearby herma. The Roman goddess Minerva adopted most of Athena's Greek iconographical associations, but was also integrated into the Capitoline Triad. Post-classical culture Art and symbolism Early Christian writers, such as Clement of Alexandria and Firmicus, denigrated Athena as representative of all the things that were detestable about paganism; they condemned her as "immodest and immoral". During the Middle Ages, however, many attributes of Athena were given to the Virgin Mary, who, in fourth-century portrayals, was often depicted wearing the Gorgoneion. Some even viewed the Virgin Mary as a warrior maiden, much like Athena Parthenos; one anecdote tells that the Virgin Mary once appeared upon the walls of Constantinople when it was under siege by the Avars, clutching a spear and urging the people to fight. During the Middle Ages, Athena became widely used as a Christian symbol and allegory, and she appeared on the family crests of certain noble houses. During the Renaissance, Athena donned the mantle of patron of the arts and human endeavor; allegorical paintings involving Athena were