model for the Cathedral of Malaga and Guadix; the centers of Úbeda and Baeza, dating largely from this era, are UNESCO World Heritage Sites. Seville and its kingdom also figured prominently in this era, as is shown by the Casa consistorial de Sevilla, the Hospital de las Cinco Llagas, or the Charterhouse of Jerez de la Frontera. The Palace of Charles V in Granada is uniquely important for its Italianate purism. Andalusia also has such Baroque-era buildings as the Palace of San Telmo in Seville (seat of the current autonomic presidency), the Church of Our Lady of Reposo in Campillos, and the Granada Charterhouse. Academicism gave the region the Royal Tobacco Factory in Seville and Neoclassicism the nucleus of Cádiz, such as its city hall, Royal Prison, and the Oratorio de la Santa Cueva. Revivalist architecture in the 19th and 20th centuries contributed the buildings of the Ibero-American Exposition of 1929 in Seville, including the Neo-Mudéjar Plaza de España. Andalusia also preserves an important industrial patrimony related to various economic activities. Besides the architecture of the cities, there is also much outstanding rural architecture: houses, as well as ranch and farm buildings and dog houses. Sculpture The Iberian reliefs of Osuna, Lady of Baza, and León de Bujalance, the Phoenician sarcophagi of Cádiz, and the Roman sculptures of the Baetic cities such as Italica give evidence of traditions of sculpture in Andalusia dating back to antiquity. There are few significant surviving sculptures from the time of al-Andalus; two notable exceptions are the lions of the Alhambra and of the Maristán of Granada (the Nasrid hospital in the Albaicín). The Sevillian school of sculpture dating from the 13th century onward and the Granadan school beginning toward the end of the 16th century both focused primarily on Christian religious subject matter, including many wooden altarpieces. Notable sculptors in these traditions include Lorenzo Mercadante de Bretaña, Pedro Millán, Juan Martínez Montañés, Pedro Roldán, José de Arce, Jerónimo Balbás, Alonso Cano, and Pedro de Mena. Non-religious sculpture has also existed in Andalusia since antiquity. A fine example from the Renaissance era is the decoration of the Casa de Pilatos in Seville. Nonetheless, non-religious sculpture played a relatively minor role until such 19th-century sculptors as Antonio Susillo. Painting As in sculpture, there were Sevillian and the Granadan schools of painting. The former has figured prominently in the history of Spanish art since the 15th century