out of an attempt to distinguish Fela Kuti's music from the soul music of American artists such as James Brown. Prevalent in his and Lagbaja's music are native Nigerian harmonies and rhythms, taking different elements and combining, modernizing, and improvising upon them. Politics is essential to Afrobeat, since founder Kuti used social criticism to pave the way for social change. His message can be described as confrontational and controversial, which can be related to the political climate of most of the African countries in the 1970s, many of which were dealing with political injustice and military corruption while recovering from the transition from colonial governments to self-determination. As the genre spread throughout the African continent many bands took up the style. The recordings of these bands and their songs were rarely heard or exported outside the originating countries but many can now be found on compilation albums and CDs from specialist record shops. Influence Many jazz musicians have been attracted to Afrobeat. From Roy Ayers in the 1970s to Randy Weston in the 1990s, there have been collaborations that have resulted in albums such as Africa: Centre of the World by Roy Ayers, released on the Polydore label in 1981. In 1994, Branford Marsalis, the American jazz saxophonist, included samples of Fela's "Beasts of No Nation" on his Buckshot LeFonque album. Afrobeat has also profoundly influenced important contemporary producers and musicians, such as Brian Eno and David Byrne, who credit Fela Kuti as an essential influence. Both worked on Talking Heads' highly acclaimed 1980 album Remain in Light, which brought polyrhythmic Afrobeat influences to Western music. The new generation of DJs and musicians of the 2000s who have fallen in love with both Kuti's material and other rare releases have made compilations and remixes of these recordings, thus re-introducing the genre to new generations of listeners and fans of afropop and groove. In the late 1990s and early 2000s, a small Afrobeat scene began in Brooklyn, New York, with projects including Antibalas, The Daktaris and the Kokolo Afrobeat Orchestra. Since then, other artists like Zongo Junction have come onto the scene. Many others have cited Afrobeat as an influence like Daptone Records-adjacent groups The Budos Band and El Michels Affair. The horn section of Antibalas have been guest musicians on TV on the Radio's highly acclaimed 2008 album Dear Science, as well as on British band Foals' 2008 album Antidotes.