fees, he wrote daily short, humorous sketches and vignettes of contemporary Russian life, many under pseudonyms such as "Antosha Chekhonte" (Антоша Чехонте) and "Man Without Spleen" (Человек без селезенки). His prodigious output gradually earned him a reputation as a satirical chronicler of Russian street life, and by 1882 he was writing for Oskolki (Fragments), owned by Nikolai Leykin, one of the leading publishers of the time. Chekhov's tone at this stage was harsher than that familiar from his mature fiction. In 1884, Chekhov qualified as a physician, which he considered his principal profession though he made little money from it and treated the poor free of charge. In 1884 and 1885, Chekhov found himself coughing blood, and in 1886 the attacks worsened, but he would not admit his tuberculosis to his family or his friends. He confessed to Leykin, "I am afraid to submit myself to be sounded by my colleagues." He continued writing for weekly periodicals, earning enough money to move the family into progressively better accommodations. Early in 1886 he was invited to write for one of the most popular papers in St. Petersburg, Novoye Vremya (New Times), owned and edited by the millionaire magnate Alexey Suvorin, who paid a rate per line double Leykin's and allowed Chekhov three times the space. Suvorin was to become a lifelong friend, perhaps Chekhov's closest. Before long, Chekhov was attracting literary as well as popular attention. The sixty-four-year-old Dmitry Grigorovich, a celebrated Russian writer of the day, wrote to Chekhov after reading his short story "The Huntsman" that "You have real talent, a talent that places you in the front rank among writers in the new generation." He went on to advise Chekhov to slow down, write less, and concentrate on literary quality. Chekhov replied that the letter had struck him "like a thunderbolt" and confessed, "I have written my stories the way reporters write up their notes about fires—mechanically, half-consciously, caring nothing about either the reader or myself." The admission may have done Chekhov a disservice, since early manuscripts reveal that he often wrote with extreme care, continually revising. Grigorovich's advice nevertheless inspired a more serious, artistic ambition in the twenty-six-year-old. In 1888, with a little string-pulling by Grigorovich, the short story collection At Dusk (V Sumerkakh) won Chekhov the coveted Pushkin Prize "for the best literary production distinguished by high artistic worth". Turning points In 1887, exhausted from overwork