likely in October 2000. Ultimately she finished recording the album in March 2001; after a year of recording tracks that began in March of the previous year. Eventually, Aaliyah was released five years after One in a Million on July 17, 2001, and it debuted at number two on the Billboard 200, selling 187,000 copies in its first week. The first single from the album, "We Need a Resolution", peaked at number 59 on the Billboard Hot 100. The week after Aaliyah's death, her third album rose from number 19 to number 1 on the Billboard 200. "Rock the Boat" was released as a posthumous single. The music video premiered on BET's Access Granted, and it became the most viewed and highest rated episode in the history of the show. The song peaked at number 14 on the Billboard Hot 100. Promotional posters for Aaliyah that had been put up in major cities such as New York and Los Angeles became makeshift memorials for grieving fans. In February 2002, the album was certified double Platinum by the RIAA. "More than a Woman" and "I Care 4 U" were released as posthumous singles and peaked within the top 25 of the Billboard Hot 100. "More than a Woman" reached number one on the UK singles chart making Aaliyah the first female deceased artist to reach number one on the UK singles chart. "More than a Woman" was replaced by George Harrison's "My Sweet Lord" which is the only time in the UK singles chart's history when a dead artist has replaced another dead artist at number one. Aaliyah was signed to appear in several future films, including a romantic film titled Some Kind of Blue, and a Whitney Houston–produced remake of the 1976 film Sparkle. Houston recalled Aaliyah being "so enthusiastic" about the film; the project was shelved after she died. Before her death Aaliyah filmed some scenes for the sequels of The Matrix as the character Zee. A portion of her role in The Matrix Reloaded was filmed; these unused scenes were included in the tribute section of the Matrix Ultimate Collection series. Artistry Voice and musical style Aaliyah had the vocal range of a soprano, and with the release of her debut album Age Ain't Nothing but a Number, writer Dimitri Ehrlich of Entertainment Weekly compared her style and sound to R&B group En Vogue. Ehrlich also expressed that