and walrus ivory. Andrew Gronholdt of the Shumagin Islands has played a vital role in reviving the ancient art of building the chagudax or bentwood hunting visors. Aleut women sewed finely stitched, waterproof parkas from seal gut and wove fine baskets from sea-lyme grass (Elymus mollis). Some Aleut women continue to weave ryegrass baskets. Aleut arts are practiced and taught throughout the state of Alaska. As many Aleut have moved out of the islands to other parts of the state, they have taken with them the knowledge of their arts. They have also adopted new materials and methods for their art, including serigraphy, video art, and installation art. Aleut carving, distinct in each region, has attracted traders for centuries, including early Europeans and other Alaska Natives. Historically, carving was a male art and leadership attribute whereas today it is done by both genders. Most commonly the carvings of walrus ivory and driftwood originated as part of making hunting weapons. Sculptural carvings depict local animals, such as seals and whales. Aleut sculptors also have carved human figures. The Aleut also carve walrus ivory for other uses, such as jewelry and sewing needles. Jewelry is made with designs specific to the region of each people. Each clan would have a specific style to signify their origin. Jewelry ornaments were made for piercing lips (labrum), nose, and ears, as well as for necklaces. Each woman had her own sewing needles, which she made, and that often had detailed end of animal heads. The main Aleut method of basketry was false embroidery (overlay). Strands of grasses or reeds were overlaid upon the basic weaving surface, to obtain a plastic effect. Basketry was an art reserved for women. Early Aleut women created baskets and woven mats of exceptional technical quality, using only their thumbnail, grown long and then sharpened, as a tool. Today, Aleut weavers continue to produce woven grass pieces of a remarkable cloth-like texture, works of modern art with roots in ancient tradition. Birch bark, puffin feathers, and baleen are also commonly used by the Aleut in basketry. The Aleut term for grass basket is . One Aleut leader recognized by the State of Alaska for her work in teaching and reviving Aleut basketry was Anfesia Shapsnikoff. Her life and accomplishments are portrayed in the book Moments Rightly Placed (1998). Masks were created to portray figures of their myths and oral history. The