off the women and children. David led the pursuit, and they were subsequently rescued. Both wives then settle with David in Hebron, where Abigail gives birth to David's second son, Chileab (also called Daniel). Abigail is also listed as one of the seven Jewish women prophets, the other six being Miriam, Deborah, Hannah, Sarah, Huldah, and Esther. In terms of her moral character, Abraham Kuyper argues that Abigail's conduct indicates "a most appealing character and unwavering faith," but Alice Bach regards her as subversive. Adele Berlin contrasts the story of Abigail with that of Bathsheba. In one, the wife prevents David from murdering her foolish and greedy husband. In the second, David orders the death of a good man because he desires his wife. "In the Abigail story, David, the potential king, is seen as increasingly strong and virtuous, whereas in the Bathsheba story, the reigning monarch shows his flaws ever more overtly and begins to lose control of his family." Levenson and Halpern suggest that Abigail may, in fact, also be the same person as Abigail, mother of Amasa. Richard M. Davidson, however, points out that "on the basis of the final form of Old Testament canon, references to Abigail in the biblical accounts indicate two different individuals." Generic use Abigail's self-styling as a handmaid led to Abigail being a traditional term for a waiting-woman, for example as the waiting gentlewoman in Beaumont and Fletcher's The Scornful Lady, published in 1616. Jonathan Swift, Tobias Smollett, and Henry Fielding use Abigail in this generic sense, as does Charlotte Brontë. Scott, in The Abbot frequently refers to Lilias, Lady Avenel's maid as an “Abigail.” Anthony Trollope makes two references to the abigail (all lower case) in The Eustace Diamonds, at the beginning of Chapter 42, whilst Thomas Mann makes the same reference at the start of the second chapter of Part 2 in Buddenbrooks (published in 1901). William Rose Benet notes the notoriety of Abigail Hill, better known as "Mrs Masham", a lady-in-waiting to Queen Anne. George MacDonald Fraser makes mention of "an abigail fussing about the room" in his novel Flashman from The Flashman Papers series. In art Abigail, and especially her meeting with David, was a common subject of European artwork in the Renaissance and post-Renaissance period. Artists depicting her, or them, include Antonio Molinari, Juan Antonio Escalante, and Peter Paul Rubens. Abigail is a featured figure on Judy