comic, an ironic showbiz insider who punctured himself before an audience by disassembling his mastery of comedic stagecraft, influenced other '70s post-modern comedians, including Steve Martin, Martin Mull, and Andy Kaufman. After two successful comedy albums, Comedy Minus One (1973) and the Grammy Award–nominated A Star Is Bought (1975), Brooks left the stand-up circuit to try his hand as a filmmaker. He had already made his first short film, The Famous Comedians School, a satiric short and an early example of the mockumentary subgenre that was aired in 1972 on the PBS show The Great American Dream Machine. In 1975, Brooks directed six short films for the first season of NBC's Saturday Night Live. In 1976, he appeared in his first mainstream film role, in Martin Scorsese's landmark Taxi Driver; Scorsese allowed Brooks to improvise much of his dialogue. Brooks had landed the role after moving to Los Angeles to enter the film business. Brooks directed his first feature film, Real Life, in 1979. The film, in which Brooks (playing a version of himself) films a typical suburban family in an effort to win both an Oscar and a Nobel Prize, was a sendup of PBS' An American Family documentary. It has also been viewed as foretelling the future emergence of reality television. Brooks also made a cameo appearance in the film Private Benjamin (1980), starring Goldie Hawn. 1981–1999 Through the 1980s and 1990s, Brooks co-wrote (with long-time collaborator Monica Johnson), directed and starred in a series of well-received comedies, playing variants on his standard neurotic and self-obsessed character. These include 1981's Modern Romance, where Brooks played a film editor desperate to win back his ex-girlfriend (Kathryn Harrold). The film received a limited release and ultimately grossed under $3 million domestically. It was well received by critics, with one reviewer commenting that the film was "not Brooks at his best, but still amusing". His best-received film, Lost in America (1985), featured Brooks and Julie Hagerty as a couple who leave their yuppie lifestyle and drop out of society to live in a motor home as they have always dreamed of doing, meeting disappointment. Brooks' Defending Your Life (1991) placed his lead character in the afterlife, put on trial to justify his human fears and determine his cosmic fate. Critics responded to the off-beat premise and the chemistry between Brooks and Meryl Streep, as his post-death love interest. His later efforts