Kropotkin responded, "read only Chekhov's novels!" Raymond Tallis further recounts that Vladimir Lenin believed his reading of the short story Ward No. 6 "made him a revolutionary". Upon finishing the story, Lenin is said to have remarked: "I absolutely had the feeling that I was shut up in Ward 6 myself!" In Chekhov's lifetime, British and Irish critics generally did not find his work pleasing; E. J. Dillon thought "the effect on the reader of Chekhov's tales was repulsion at the gallery of human waste represented by his fickle, spineless, drifting people" and R. E. C. Long said "Chekhov's characters were repugnant, and that Chekhov revelled in stripping the last rags of dignity from the human soul". After his death, Chekhov was reappraised. Constance Garnett's translations won him an English-language readership and the admiration of writers such as James Joyce, Virginia Woolf, and Katherine Mansfield, whose story "The Child Who Was Tired" is similar to Chekhov's "Sleepy". The Russian critic D. S. Mirsky, who lived in England, explained Chekhov's popularity in that country by his "unusually complete rejection of what we may call the heroic values". In Russia itself, Chekhov's drama fell out of fashion after the revolution, but it was later incorporated into the Soviet canon. The character of Lopakhin, for example, was reinvented as a hero of the new order, rising from a modest background so as eventually to possess the gentry's estates. Despite Chekhov's reputation as a playwright, William Boyd asserts that his short stories represent the greater achievement. Raymond Carver, who wrote the short story "Errand" about Chekhov's death, believed that Chekhov was the greatest of all short story writers: Style One of the first non-Russians to praise Chekhov's plays was George Bernard Shaw, who subtitled his Heartbreak House "A Fantasia in the Russian Manner on English Themes", and pointed out similarities between the predicament of the British landed class and that of their Russian counterparts as depicted by Chekhov: "the same nice people, the same utter futility". Ernest Hemingway, another writer influenced by Chekhov, was more grudging: "Chekhov wrote about six good stories. But he was an amateur writer." And Vladimir Nabokov criticised Chekhov's "medley of dreadful prosaisms, ready-made epithets, repetitions". But he also declared “yet it is his works which I would take on a trip to another planet” and called "The Lady with the Dog" "one of the greatest stories ever written" in