Anyone Can Whistle is a musical with music and lyrics by Stephen Sondheim, and a book by Arthur Laurents. Described as "a satire on conformity and the insanity of the so-called sane," the show tells a story of an economically depressed town whose corrupt mayor decides to create a fake miracle in order to attract tourists. The phony miracle draws the attention of an emotionally inhibited nurse, a crowd of inmates from a local asylum, and a doctor with secrets of his own. Following a tryout period in Philadelphia, Anyone Can Whistle opened at the Majestic Theatre on Broadway on April 4, 1964. The show received widely varied reviews (including negative notices from the New York Times and the New York Herald Tribune), and closed after a run of 12 previews and 9 performances. The show's original run marked the stage musical debut of Angela Lansbury. In the decades since its closing, Anyone Can Whistle has seen relatively few productions compared to other Sondheim musicals; notable productions include a 1995 concert version at Carnegie Hall, a pair of stagings in London and Los Angeles in 2003 that incorporated revisions, and a 2010 concert staging for the Encores! program at New York City Center. However, its score has become acclaimed as a part of Sondheim's canon, and songs such as the title tune, "Everybody Says Don't", and "There Won't Be Trumpets" have been performed widely. Background The show was first announced in The New York Times on October 5, 1961: "For the winter of 1962, [Arthur Laurents] is nurturing another musical project, The Natives Are Restless. The narrative and staging will be Mr. Laurent's handiwork; music and lyrics that of Stephen Sondheim. A meager description was furnished by Mr. Laurents, who refused to elaborate. Although the title might indicate otherwise, it is indigenous in content and contemporary in scope. No producer yet." No news of the show appeared until July 14, 1963, in an article in The New York Times about Kermit Bloomgarden, where it discussed the four shows he was producing for the coming season; two were maybes, two were definite. One of the latter was a Sondheim-Laurents musical (now named Side Show). In a letter to Bloomgarden, Laurents wrote, "I beg you not to mention the money problems or any difficulties to Steve anymore. It depresses him terribly and makes it terribly difficult for him to work...It is damn