art often apparent in examples of architecture and mosaics throughout Albania. The Albanian Renaissance proved crucial to the emancipation of the modern Albanian culture and saw unprecedented developments in all fields of literature and arts whereas artists sought to return to the ideals of Impressionism and Romanticism. Onufri, founder of the Berat School, Kolë Idromeno, David Selenica, Kostandin Shpataraku and the Zografi Brothers are the most eminent representatives of Albanian art. Albanians in Italy and Croatia have been also active among others the Renaissance influenced artists such as Marco Basaiti, Viktor Karpaçi and Andrea Nikollë Aleksi. In Greece, Eleni Boukouras is noted as being the first great female painter of post independence Greece. In 1856, Pjetër Marubi arrived in Shkodër and established the first photography museum in Albania and probably the entire Balkans, the Marubi Museum. The collection of 150,000 photographs, captured by the Albanian-Italian Marubi dynasty, offers an ensemble of photographs depicting social rituals, traditional costumes, portraits of Albanian history. The Kulla, a traditional Albanian dwelling constructed completely from natural materials, is a cultural relic from the medieval period particularly widespread in the southwestern region of Kosovo and northern region of Albania. The rectangular shape of a Kulla is produced with irregular stone ashlars, river pebbles and chestnut woods, however, the size and number of floors depends on the size of the family and their financial resources. Literature The roots of literature of the Albanian people can be traced to the Middle Ages with surviving works about history, theology and philosophy dating from the Renaissance. The earliest known use of written Albanian is a baptismal formula (1462) written by the Archbishop of Durrës Paulus Angelus. In 1555, a Catholic clergyman Gjon Buzuku from the Shestan region published the earliest known book written in Albanian titled Meshari'' (The Missal) regarding Catholic prayers and rites containing archaic medieval language, lexemes and expressions obsolete in contemporary Albanian. Other Christian clergy such as Luca Matranga in the Arbëresh diaspora published (1592) in the Tosk dialect while other notable authors were from northern Albanian lands and included Pjetër Budi, Frang Bardhi, and Pjetër Bogdani. In the 17th century and onwards, important contributions were made by the Arbëreshë people of Southern Italy who played an influential role in encouraging the Albanian Renaissance. Notable among them was figures such as Demetrio Camarda, Gabriele Dara, Girolamo de Rada, Giulio Variboba and Giuseppe Serembe who produced inspiring nationalist