also numerous pictorial representations. (c) Funerary furniture, for example, coffins in painted terracotta. Art products: for example, plastic objects, carved in stone, or ivory, cast or beaten in metals (gold, silver, copper and bronze), or modelled in clay, faience, paste, etc. Very little trace has yet been found of large free-standing sculpture, but many examples exist of sculptors' smaller work. Vases of many kinds, carved in marble or other stones, cast or beaten in metals or fashioned in clay, the latter in enormous number and variety, richly ornamented with coloured schemes, and sometimes bearing moulded decoration. Examples of painting on stone, opaque and transparent. Engraved objects in great number for example, ring-bezels and gems; and an immense quantity of clay impressions, taken from these. Weapons, tools and implements: In stone, clay, and bronze, and at the last iron, sometimes richly ornamented or inlaid. Numerous representations also of the same. No actual body armour, except such as was ceremonial and buried with the dead, like the gold breastplates in the circle-graves at Mycenae or the full length body armour from Dendra. Articles of personal use: for example, brooches (fibulae), pins, razors, tweezers, often found as dedications to a deity, for example, in the Dictaean Cavern of Crete. No textiles have survived other than impressions in clay. Written documents: for example, clay tablets and discs (so far in Crete only), but nothing of more perishable nature, such as skin, papyrus, etc.; engraved gems and gem impressions; legends written with pigment on pottery (rare); characters incised on stone or pottery. These show a number of systems of script employing either ideograms or syllabograms (see Linear B). Excavated tombs: Of either the pit, chamber or the tholos kind, in which the dead were laid, together with various objects of use and luxury, without cremation, and in either coffins or loculi or simple wrappings. Public works: Such as paved and stepped roadways, bridges, systems of drainage, etc. External evidence Monuments and records of other contemporary civilizations: for example, representations of alien peoples in Egyptian frescoes; imitation of Aegean fabrics and style in non-Aegean lands; allusions to Mediterranean peoples in Egyptian, Semitic or Babylonian records. Literary traditions of subsequent civilizations: Especially the Hellenic; such as, for example, those embodied in the Homeric poems, the legends concerning Crete, Mycenae, etc.; statements as to the origin of gods, cults and so forth, transmitted to us by Hellenic antiquarians