Cookies With So Little to Be Sure Of — Fay and Hapgood I've Got You to Lean On (Reprise) — Cora and Schub* I'm Like the Bluebird (Reprise 2) — Cookies Finale Ultimo (instrumental) — Orchestra Notes Asterisk (*) denotes song cut during Previews. Despite being cut from the original production, "There Won't Be Trumpets" was nonetheless recorded for the original Broadway cast recording, though it remained unreleased until a 1989 remastered CD. Officially licensed scripts and scores now reinstate the song. The 1995 concert production restored the songs "There Won't Be Trumpets" (Fay Apple) and "There's Always a Woman" (Fay and Cora), both previously cut. "Finale Ultimo" is attached to the end of "With So Little to Be Sure Of" on the Original Cast Recording. Critical response Howard Taubman in his The New York Times review wrote that Laurents's "book lacks the fantasy that would make the idea work, and his staging has not improved matters. Mr. Sondheim has written several pleasing songs but not enough of them to give the musical wings. The performers yell rather than talk and run rather than walk. The dancing is the cream." Steven Suskin wrote in his 2000 book about Broadway composers: The "fascinating extended musical scenes, with extended choral work...immediately marked Sondheim as the most distinctive theatre composer of his time. The first act sanity sequence...and the third act chase...are unlike anything that came before." Stuart King writing for London Box Office (April 2022) noted: "Southwark Playhouse (with Guildford graduate Georgie Rankcom at the directorial helm for this gender-fluid production) has resurrected the piece for a short run — just in time for Easter! But the burning question on Press Night was whether or not the cult 60s show would need a miracle to find a new, modern fan base, OR, have the subjects of political corruption, sexual identity and mental wellbeing potentially given the fundamentally flawed piece new meaning for a young and previously unfamiliar audience? This reviewer’s answer would be that it will almost certainly depend entirely on who you are, how you identify (if indeed you bother with such matters), whether corruption in public office bothers you (why wouldn’t it?) and probably most significantly of all, whether you consider yourself a Sondheim purist/aficionado/devotee." Awards and nominations Original Broadway production References Balancing Act, The Authorized Biography of Angela Lansbury by Martin Gottfried, published byLittle, Brown and Company, 1999 Notes