synopses for some plays. Myrmidons This play was based on books 9 and 16 of the Iliad. Achilles sits in silent indignation over his humiliation at Agamemnon's hands for most of the play. Envoys from the Greek army attempt to reconcile Achilles to Agamemnon, but he yields only to his friend Patroclus, who then battles the Trojans in Achilles' armour. The bravery and death of Patroclus are reported in a messenger's speech, which is followed by mourning. Nereids This play was based on books 18 and 19 and 22 of the Iliad. It follows the Daughters of Nereus, the sea god, who lament Patroclus' death. A messenger tells how Achilles (perhaps reconciled to Agamemnon and the Greeks) slew Hector. Phrygians, or Hector's Ransom After a brief discussion with Hermes, Achilles sits in silent mourning over Patroclus. Hermes then brings in King Priam of Troy, who wins over Achilles and ransoms his son's body in a spectacular coup de théâtre. A scale is brought on stage and Hector's body is placed in one scale and gold in the other. The dynamic dancing of the chorus of Trojans when they enter with Priam is reported by Aristophanes. Niobe The children of Niobe, the heroine, have been slain by Apollo and Artemis because Niobe had gloated that she had more children than their mother, Leto. Niobe sits in silent mourning on stage during most of the play. In the Republic, Plato quotes the line "God plants a fault in mortals when he wills to destroy a house utterly." These are the remaining 71 plays ascribed to Aeschylus which are known:AlcmeneAmymoneThe Archer-WomenThe Argivian WomenThe Argo, also titled The RowersAtalantaAthamasAttendants of the Bridal ChamberAward of the ArmsThe BacchaeThe BassaraeThe Bone-GatherersThe CabeiroiCallistoThe Carians, also titled EuropaCercyonChildren of HerculesCirceThe Cretan WomenCycnusThe DanaidsDaughters of HeliosDaughters of PhorcysThe DescendantsThe EdoniansThe EgyptiansThe EscortsGlaucus of PontusGlaucus of PotniaeHypsipyleIphigeniaIxionLaiusThe Lemnian WomenThe LionLycurgusMemnonThe Men of EleusisThe MessengersThe MyrmidonsThe MysiansNemeaThe Net-DraggersThe Nurses of DionysusOrethyiaPalamedesPenelopePentheusPerrhaibidesPhiloctetesPhineusThe Phrygian WomenPolydectesThe PriestessesPrometheus the Fire-BearerPrometheus the Fire-KindlerPrometheus UnboundProteusSemele, also titled The Water-BearersSisyphus the RunawaySisyphus the Stone-RollerThe Spectators, also titled Athletes of the Isthmian GamesThe SphinxThe Spirit-RaisersTelephusThe Thracian WomenWeighing of SoulsWomen of Aetna (two versions)Women of SalamisXantriaeThe YouthsInfluence Influence on Greek drama and culture The theatre was just beginning to evolve when Aeschylus started writing for it. Earlier playwrights such as Thespis had already expanded the cast to include an actor who was able to interact with the chorus. Aeschylus added