the less he seemed to realise it". On 3 June he set off with Olga for the German spa town of Badenweiler in the Black Forest in Germany, from where he wrote outwardly jovial letters to his sister Masha, describing the food and surroundings, and assuring her and his mother that he was getting better. In his last letter he complained about the way German women dressed. Chekhov died on 15 July 1904 at the age of 44 after a long fight with tuberculosis, the same disease that killed his brother. Chekhov's death has become one of "the great set pieces of literary history"retold, embroidered, and fictionalized many times since, notably in the 1987 short story "Errand" by Raymond Carver. In 1908 Olga wrote this account of her husband's last moments: Chekhov's body was transported to Moscow in a refrigerated railway-car meant for oysters, a detail that offended Gorky. Some of the thousands of mourners followed the funeral procession of a General Keller by mistake, to the accompaniment of a military band. Chekhov was buried next to his father at the Novodevichy Cemetery. Legacy A few months before he died, Chekhov told the writer Ivan Bunin that he thought people might go on reading his writings for seven years. "Why seven?" asked Bunin. "Well, seven and a half", Chekhov replied. "That's not bad. I've got six years to live." Chekhov's posthumous reputation greatly exceeded his expectations. The ovations for the play The Cherry Orchard in the year of his death served to demonstrate the Russian public's acclaim for the writer, which placed him second in literary celebrity only to Tolstoy, who outlived him by six years. Tolstoy was an early admirer of Chekhov's short stories and had a series that he deemed "first quality" and "second quality" bound into a book. In the first category were: Children, The Chorus Girl, A Play, Home, Misery, The Runaway, In Court, Vanka, Ladies, A Malefactor, The Boys, Darkness, Sleepy, The Helpmate, and The Darling; in the second: A Transgression, Sorrow, The Witch, Verochka, In a Strange Land, The Cook's Wedding, A Tedious Business, An Upheaval, Oh! The Public!, The Mask, A Woman's Luck, Nerves, The Wedding, A Defenceless Creature, and Peasant Wives. Chekhov's work also found praise from several of Russia's most influential radical political thinkers. If anyone doubted the gloom and miserable poverty of Russia in the 1880s, the anarchist theorist Peter