it has mostly been associated with the common people, and was propagated by Europeans who emigrated around the world. The accordion in both button and piano forms became a favorite of folk musicians and has been integrated into traditional music styles all over the world: see the list of music styles that incorporate the accordion. Use in jazz Early jazz accordionists include Charles Melrose, who recorded Wailing Blues/Barrel House Stomp (1930, Voc. 1503) with the Cellar Boys; Buster Moten, who played second piano and accordion in the Bennie Moten orchestra; and Jack Cornell, who did recordings with Irving Mills. Later jazz accordionists from the United States include Steve Bach, Milton DeLugg, Orlando DiGirolamo, Dominic Frontiere, Guy Klucevsek, Yuri Lemeshev, Frank Marocco, John Serry Sr., Lee Tomboulian, and Art Van Damme. French jazz accordionists include Richard Galliano, Bernard Lubat, and Vincent Peirani. Norwegian jazz accordionists include Asmund Bjørken, Stian Carstensen, Gabriel Fliflet, Frode Haltli, and Eivin One Pedersen. While the accordion's left hand preset chord buttons are limited to triads and seventh chords (for the dominant seventh chord and the diminished seventh chord), jazz accordionists expand the range of chord possibilities by using more than one chord button simultaneously, or by using combinations of a chord button and a bass note other than the typical root of the chord. An example of the former technique is used to play a minor seventh chord. To play an "a minor" seventh chord (with an added ninth), the "a minor" and "e minor" preset buttons are pressed simultaneously, along with an "A" bassnote. An example of the latter technique is used to play the half-diminished chord. To play an "e" half-diminished seventh chord, a "g minor" preset button is pressed along with an "E" bassnote. Use in popular music The accordion appeared in popular music from the 1900s to the 1960s. This half-century is often called the "golden age of the accordion". Five players, Pietro Frosini, the two brothers Count Guido Deiro and Pietro Deiro and Slovenian brothers Vilko Ovsenik and Slavko Avsenik, Charles Magnante were major influences at this time. Most vaudeville theaters closed during the Great Depression, but accordionists during the 1930s–1950s taught and performed for radio. Included among this group was the concert virtuoso John Serry, Sr.Jacobson, Marion (21 February 2012). Squeeze This: A Cultural History of the Accordion in America. University of Illinois Press, Chicago, Il. 2012, Pg. 61. During