possible to fight the plague. A few days after the sermon, Paneloux is taken ill. His symptoms do not conform to those of the plague, but the disease still proves fatal. Tarrou and Rambert visit one of the isolation camps, where they meet Othon. When Othon's period of quarantine ends, he chooses to stay in the camp as a volunteer because this will make him feel less separated from his dead son. Tarrou tells Rieux the story of his life and, to take their mind off the epidemic, the two men go swimming together in the sea. Grand catches the plague and instructs Rieux to burn all his papers. However, Grand makes an unexpected recovery, and deaths from the plague start to decline. Part five By late January the plague is in full retreat, and the townspeople begin to celebrate the imminent opening of the town gates. Othon, however, does not escape death from the disease. Cottard is distressed by the ending of the epidemic from which he has profited by shady dealings. Two government employees approach him, and he flees. Despite the epidemic's ending, Tarrou contracts the plague and dies after a heroic struggle. Rieux is later informed via telegram that his wife has also died. In February, the town gates open and people are reunited with their loved ones from other cities. Rambert is reunited with his wife. Cottard goes mad and shoots at people from his home, and is soon arrested after a brief skirmish with the police. Grand begins working on his novel again. The narrator of the chronicle says that he is Dr. Rieux and states that he tried to present an objective view of the events. He reflects on the epidemic and declares he wrote the chronicle "to simply say what we learn in the midst of plagues: there are more things to admire in men than to despise". Critical analysis Germaine Brée has characterised the struggle of the characters against the plague as "undramatic and stubborn", and in contrast to the ideology of "glorification of power" in the novels of André Malraux, whereas Camus' characters "are obscurely engaged in saving, not destroying, and this in the name of no ideology". Lulu Haroutunian has discussed Camus' own medical history, including a bout with tuberculosis, and how it informs the novel. Marina Warner notes its larger philosophical themes of "engagement", "paltriness and generosity", "small heroism