The comparable percentage has not been this low since 1983." Astrology apps became popular in the late 2010s, some receiving millions of dollars in Silicon Valley venture capital. India and Japan In India, there is a long-established and widespread belief in astrology. It is commonly used for daily life, particularly in matters concerning marriage and career, and makes extensive use of electional, horary and karmic astrology. Indian politics have also been influenced by astrology. It is still considered a branch of the Vedanga. In 2001, Indian scientists and politicians debated and critiqued a proposal to use state money to fund research into astrology, resulting in permission for Indian universities to offer courses in Vedic astrology. In February 2011, the Bombay High Court reaffirmed astrology's standing in India when it dismissed a case that challenged its status as a science. In Japan, strong belief in astrology has led to dramatic changes in the fertility rate and the number of abortions in the years of Fire Horse. Adherents believe that women born in hinoeuma years are unmarriageable and bring bad luck to their father or husband. In 1966, the number of babies born in Japan dropped by over 25% as parents tried to avoid the stigma of having a daughter born in the hinoeuma year. Literature and music The fourteenth-century English poets John Gower and Geoffrey Chaucer both referred to astrology in their works, including Gower's Confessio Amantis and Chaucer's The Canterbury Tales. Chaucer commented explicitly on astrology in his Treatise on the Astrolabe, demonstrating personal knowledge of one area, judicial astrology, with an account of how to find the ascendant or rising sign. In the fifteenth century, references to astrology, such as with similes, became "a matter of course" in English literature. In the sixteenth century, John Lyly's 1597 play, The Woman in the Moon, is wholly motivated by astrology, while Christopher Marlowe makes astrological references in his plays Doctor Faustus and Tamburlaine (both c. 1590), and Sir Philip Sidney refers to astrology at least four times in his romance The Countess of Pembroke's Arcadia (c. 1580). Edmund Spenser uses astrology both decoratively and causally in his poetry, revealing "...unmistakably an abiding interest in the art, an interest shared by a large number of his contemporaries." George Chapman's play, Byron's Conspiracy (1608), similarly uses astrology as a causal mechanism in the drama. William Shakespeare's attitude towards astrology is unclear, with contradictory