started as a conservative Islamic reform movement inspired by the Maliki school of jurisprudence. The writings of Abu Imran al-Fasi, a Moroccan Maliki scholar, influenced Yahya Ibn Ibrahim and the early Almoravid movement. Art Amira Bennison describes the art of the Almoravid period as influenced by the "integration of several areas into a single political unit and the resultant development of a widespread Andalusi–Maghribi style", as well as the tastes of the Sanhaja rulers as patrons of art. Bennison also challenges Robert Hillenbrand's characterization of the art of al-Andalus and the Maghreb as provincial and peripheral in consideration of Islamic art globally, and of the contributions of the Almoravids as "sparse" as a result of the empire's "puritanical fervour" and "ephemerality." At first, the Almoravids, subscribing to the conservative Maliki school of Islamic jurisprudence, rejected what they perceived as decadence and a lack of piety among the Iberian Muslims of the Andalusi taifa kingdoms. However, monuments and textiles from Almería from the late Almoravid period indicate that the empire had changed its attitude with time. Artistic production under the Almoravids included finely constructed minbars produced in Córdoba; marble basins and tombstones in Almería; fine textiles in Almería, Málaga, Seville; and luxury ceramics. Marble work A large group of marble tombstones have been preserved from the first half of the 12th century. They were crafted in Almería in Al-Andalus, at a time when it was a prosperous port city under Almoravid control. The tombstones were made of Macael marble, which was quarried locally, and carved with extensive Kufic inscriptions that were sometimes adorned with vegetal or geometric motifs. These demonstrate that the Almoravids not only reused Umayyad marble columns and basins, but also commissioned new works. The inscriptions on them are dedicated to various individuals, both men and women, from a range of different occupations, indicating that such tombstones were relatively affordable. The stones take the form of either rectangular stelae or of long horizontal prisms known as mqabriyyas (similar to the ones found in the much later Saadian Tombs of Marrakesh). They have been found in many locations across West Africa and Western Europe, which is evidence that a wide-reaching industry and trade in marble existed. A number of pieces found in France were likely acquired from later pillaging. Some of the most ornate tombstones found outside Al-Andalus were discovered in Gao-Saney in the African Sahel, testament to the reach