Pastoral Care, the Alfredian text deals very freely with the original and, though the late Dr. G. Schepss showed that many of the additions to the text are to be traced not to the translator himself but to the glosses and commentaries which he used, still there is much in the work which is distinctive to the translation and has been taken to reflect philosophies of kingship in Alfred's milieu. It is in the Boethius that the oft-quoted sentence occurs: "To speak briefly: I desired to live worthily as long as I lived, and after my life to leave to them that should come after, my memory in good works." The book has come down to us in two manuscripts only. In one of these the writing is prose, in the other a combination of prose and alliterating verse. The latter manuscript was severely damaged in the 18th and 19th centuries. The last of the Alfredian works is one which bears the name Blostman ('Blooms') or Anthology. The first half is based mainly on the Soliloquies of St Augustine of Hippo, the remainder is drawn from various sources. The material has traditionally been thought to contain much that is Alfred's own and highly characteristic of him. The last words of it may be quoted; they form a fitting epitaph for the noblest of English kings. "Therefore, he seems to me a very foolish man, and truly wretched, who will not increase his understanding while he is in the world, and ever wish and long to reach that endless life where all shall be made clear." Alfred appears as a character in the twelfth- or 13th-century poem The Owl and the Nightingale where his wisdom and skill with proverbs is praised. The Proverbs of Alfred, a 13th-century work, contains sayings that are not likely to have originated with Alfred but attest to his posthumous medieval reputation for wisdom. The Alfred jewel, discovered in Somerset in 1693, has long been associated with King Alfred because of its Old English inscription AELFRED MEC HEHT GEWYRCAN ('Alfred ordered me to be made'). The jewel is about long, made of filigreed gold, enclosing a highly polished piece of quartz crystal beneath which is set in a cloisonné enamel plaque with an enamelled image of a man holding floriate sceptres, perhaps personifying Sight or the Wisdom of God. It was at one time attached to a