Antoine-Joseph "Adolphe" Sax (; 6 November 1814 – 7 February 1894) was a Belgian inventor and musician who invented the saxophone in the early 1840s, patenting it in 1846. He also invented the saxotromba, saxhorn and saxtuba. He played the flute and clarinet. Early life Antoine-Joseph Sax was born on 6 November 1814 in Dinant, in what is now Belgium, to Charles-Joseph Sax and his wife Marie-Joseph (Masson). While his given name was Antoine-Joseph, he was referred to as Adolphe from childhood. His father and mother were instrument designers themselves, who made several changes to the design of the French horn. Adolphe began to make his own instruments at an early age, entering two of his flutes and a clarinet into a competition at the age of 15. He subsequently studied performance on those two instruments as well as voice at the Royal Conservatory of Brussels. Sax faced many brushes with death. As a child, he once fell from a height of three floors, hit his head on a stone and was believed dead. At the age of three, he drank a bowl full of acidic water, mistaking it for milk, and later swallowed a pin. He received serious burns from a gunpowder explosion and once fell onto a hot cast-iron frying pan, burning his side. Several times he avoided accidental poisoning and asphyxiation from sleeping in a room where varnished furniture was drying. Another time young Sax was struck on the head by a cobblestone and fell into a river, almost dying. His mother once said that "he's a child condemned to misfortune; he won't live". His neighbors called him "little Sax, the ghost". Career and later life After leaving the Royal Conservatory of Brussels, Sax began to experiment with new instrument designs, while his parents continued their business of making conventional instruments. Sax's first important invention was an improvement in bass clarinet design, which he patented at the age of 24. He relocated permanently to Paris in 1842 and began working on a new set of valved bugles. While he did not invent this instrument, his examples were much more successful than those of his rivals and became known as saxhorns. Hector Berlioz was so enamoured of these that he arranged in February 1844 for one of his pieces to be played entirely on saxhorns. They were made in seven different sizes and paved the way for the