picture and a 41.25 MHz IF frequency-modulated audio carrier. The IF amplifiers are centered at 44 MHz for optimal frequency transference of the audio and frequency carriers. What centers this frequency is the IF transformer. They are designed for a certain amount of bandwidth to encompass the audio and video. It depends on the number of stages (the amplifier between the transformers). Most of the early television sets (1939–45) used 4 stages with specially designed video amplifier tubes (the type 1852/6AC7). In 1946 the RCA presented a new innovation in television; the RCA 630TS. Instead of using the 1852 octal tube, it uses the 6AG5 7-pin miniature tube. It still had 4 stages, but it was 1/2 the size. Soon all of the manufactures followed RCA and designed better IF stages. They developed higher amplification tubes, and lower stage counts with more amplification. When the tube era came to an end in the mid-70s, they had shrunk the IF stages down to 1-2 (depending on the set) and with the same amplification as the 4 stage, 1852 tube sets. Like radio, television has Automatic Gain Control (AGC). This controls the gain of the IF amplifier stages and the tuner. More of this will be discussed below. The video amp and output amplifier consist of a low linear pentode or a high powered transistor. The video amp and output stage separate the 45.75 MHz from the 41.25 MHz. It simply uses a diode to detect the video signal. But the frequency-modulated audio is still in the video. Since the diode only detects AM signals, the FM audio signal is still in the video in the form of a 4.5 MHz signal. There are two ways to attach this problem, and both of them work. We can detect the signal before it enters into the video amplifier, or do it after the audio amplifier. Many television sets (1946 to late 1960s) used the after video amplification method, but of course, there is the occasional exception. Many of the later set late (1960s-now) use the before-the-video amplifier way. In some of the early television sets (1939–45) used its own separate tuner, so there was no need for a detection stage next to the amplifier. After the video detector, the video is amplified and sent to the sync separator and then to the picture tube. The audio signal is detected by a 4.5 MHz