Europe for nearly 25 years, placed the double-headed eagle on his flag and seal. The country's national motto, Ti Shqipëri, më jep nder, më jep emrin Shqipëtar ("You Albania, you give me honour, you give me the name Albanian"), finds its origins in the Albanian National Awakening. The first to express this motto was Naim Frashëri in his poem Ti Shqipëri më jep nder. Arts The artistic history of Albania has been particularly influenced by a multitude of ancient and medieval people, traditions and religions. It covers a broad spectrum with mediums and disciplines that include painting, pottery, sculpture, ceramics and architecture all of them exemplifying a great variety in style and shape, in different regions and period. The rise of the Byzantine and Ottoman Empire in the Middle Ages was accompanied by a corresponding growth in Christian and Islamic art in the lands of Albania which are apparent in examples of architecture and mosaics throughout the country. Centuries later, the Albanian Renaissance proved crucial to the emancipation of the modern Albanian culture and saw unprecedented developments in all fields of literature and art whereas artists sought to return to the ideals of Impressionism and Romanticism. However, Onufri, Kolë Idromeno, David Selenica, Kostandin Shpataraku and the Zografi Brothers are the most eminent representatives of Albanian art. The architecture of Albania reflects the legacy of various civilisations tracing back to the classical antiquity. Major cities in Albania have evolved from within the castle to include dwellings, religious and commercial structures, with constant redesigning of town squares and evolution of building techniques. Nowadays, the cities and towns reflect a whole spectrum of various architectural styles. In the 20th century, many historical as well as sacred buildings bearing the ancient influence were demolished during the communist era. Ancient architecture is found throughout Albania and most visible in Byllis, Amantia, Phoenice, Apollonia, Butrint, Antigonia, Shkodër and Durrës. Considering the long period of rule of the Byzantine Empire, they introduced castles, citadels, churches and monasteries with spectacular wealth of visible murals and frescos. Perhaps the best known examples can be found in the southern Albanian cities and surroundings of Korçë, Berat, Voskopojë and Gjirokastër. Involving the introduction of Ottoman architecture there was a development of mosques and other Islamic buildings, particularly seen in Berat and Gjirokastër. A productive period of Historicism, Art Nouveau and Neoclassicism merged into the 19th century, best exemplified in Korçë. The