and Moritz von Rohr, and later by Allvar Gullstrand. Curvature of the field of the image If the above errors be eliminated, the two astigmatic surfaces united, and a sharp image obtained with a wide aperture—there remains the necessity to correct the curvature of the image surface, especially when the image is to be received upon a plane surface, e.g. in photography. In most cases the surface is concave towards the system. Distortion of the image Even if the image is sharp, it may be distorted compared to ideal pinhole projection. In pinhole projection, the magnification of an object is inversely proportional to its distance to the camera along the optical axis so that a camera pointing directly at a flat surface reproduces that flat surface. Distortion can be thought of as stretching the image non-uniformly, or, equivalently, as a variation in magnification across the field. While "distortion" can include arbitrary deformation of an image, the most pronounced modes of distortion produced by conventional imaging optics is "barrel distortion", in which the center of the image is magnified more than the perimeter (figure 3a). The reverse, in which the perimeter is magnified more than the center, is known as "pincushion distortion" (figure 3b). This effect is called lens distortion or image distortion, and there are algorithms to correct it. Systems free of distortion are called orthoscopic (orthos, right, skopein to look) or rectilinear (straight lines). This aberration is quite distinct from that of the sharpness of reproduction; in unsharp, reproduction, the question of distortion arises if only parts of the object can be recognized in the figure. If, in an unsharp image, a patch of light corresponds to an object point, the center of gravity of the patch may be regarded as the image point, this being the point where the plane receiving the image, e.g., a focusing screen, intersects the ray passing through the middle of the stop. This assumption is justified if a poor image on the focusing screen remains stationary when the aperture is diminished; in practice, this generally occurs. This ray, named by Abbe a principal ray (not to be confused with the principal rays of the Gaussian theory), passes through the center of the entrance pupil before the first refraction, and the center of the exit pupil after the last refraction. From this it follows that correctness of drawing depends solely upon the principal rays;