(Sept.-Oct. 1983 and Feb.-April 1984). One lasting change was the reintroduction of Mary Jane Watson as a more serious, mature woman who becomes Peter's confidante after she reveals that she knows his secret identity. Stern also wrote "The Kid Who Collects Spider-Man" in The Amazing Spider-Man #248 (Jan. 1984), a story which ranks among his most popular. By mid-1984, Tom DeFalco and Ron Frenz took over scripting and penciling. DeFalco helped establish Parker and Watson's mature relationship, laying the foundation for the characters' wedding in 1987. Notably, in #257 (Oct. 1984), Watson tells Parker that she knows he is Spider-Man, and in #259 (Dec. 1984), she reveals to Parker the extent of her troubled childhood. Other notable issues of the DeFalco-Frenz era include #252 (May 1984), the first appearance of Spider-Man's black costume, which the hero would wear almost exclusively for the next four years' worth of comics; the debut of criminal mastermind the Rose in #253 (June 1984); the revelation in #258 (Nov. 1984) that the black costume is a living being, a symbiote; and the introduction of the female mercenary Silver Sable in #265 (June 1985). DeFalco and Frenz were both removed from The Amazing Spider-Man in 1986 by editor Jim Owsley under acrimonious circumstances. A succession of artists including Alan Kupperberg, John Romita Jr., and Alex Saviuk penciled the series from 1987 to 1988, and Owsley wrote the book for the first half of 1987, scripting the five-part "Gang War" story (#284–288) that DeFalco plotted. Former Spectacular Spider-Man writer Peter David scripted #289 (June 1987), which revealed Ned Leeds as being the Hobgoblin although this was retconned in 1996 by Roger Stern into Leeds not being the original Hobgoblin after all. David Michelinie took over as writer in the next issue, for a story arc in #290–292 (July–Sept. 1987) that led to the marriage of Peter Parker and Mary Jane Watson in Amazing Spider-Man Annual No. 21. The "Kraven's Last Hunt" storyline by writer J.M. DeMatteis and artists Mike Zeck and Bob McLeod crossed over into The Amazing Spider-Man #293 and 294. Issue #298 (Mar. 1988) was the first Spider-Man comic to be drawn by future industry star Todd McFarlane, the first regular artist on The Amazing Spider-Man since Frenz's departure. McFarlane revolutionized Spider-Man's look. His depiction – "Ditko-esque" poses, large eyes; wiry, contorted limbs; and messy, knotted, convoluted webbing – influenced the way virtually all subsequent