acquaintances of Capp have stressed that the cartoonist also had a sensitive side. In 1973, upon learning that 12-year-old Ted Kennedy Jr., the son of his political rival Ted Kennedy Sr., had his right leg amputated, Capp wrote the boy an encouraging letter that gave candid advice about dealing with the loss of a limb, which Capp himself had experienced as a boy. One of Capp's grandchildren recalls that at one point, tears were streaming down the cartoonist's cheeks while he was watching a documentary about the Jonestown massacre. Capp gave money anonymously to charities and "people in need" at various points in his life. Sexual harassment and assault claims In her autobiography, American actress Goldie Hawn stated that Capp sexually propositioned her on a casting couch and exposed himself to her when she was 19 years old. When she refused his advances, Capp became angry and told her that she was "never gonna make anything in your life" and that she should "go and marry a Jewish dentist. You'll never get anywhere in this business." Two biographies, one about Goldie Hawn and the other about Grace Kelly, describe Capp as trying to force Kelly into having sex with him, and he later tried to do the same with Hawn. In 1971, investigative journalist Jack Anderson wrote that Capp had exposed his genitals to four female students at the University of Alabama. In 1972, after an incident at the University of Wisconsin–Eau Claire, Capp was arrested. He pleaded guilty to a charge of attempted adultery, while charges of indecent exposure and sodomy were dropped. He was fined US$500 (). In 2019, Jean Kilbourne was inspired by the MeToo movement to publish in Hogan’s Alley her own experience of being groped and sexually solicited by Al Capp while doing freelance writing and research work for him in contemplation of a permanent job in 1967. Production methods Like many cartoonists, Capp made extensive use of assistants (notably Andy Amato, Harvey Curtis, Walter Johnson, and Frank Frazetta). During the extended peak of the strip, the workload grew to include advertising, merchandising, promotional work, public service comics, and other specialty work—in addition to the regular six dailies and one Sunday strip per week. From the early 1940s to the late 1950s, there were scores of Sunday strip-style magazine ads for Cream of Wheat using the Abner characters, and in the 1950s, Fearless Fosdick became