and Miracle of Sravasti. Cave 7 has a grand facade with two porticos. The veranda has eight pillars of two types. One has an octagonal base with amalaka and lotus capital. The other lacks a distinctly shaped base, features an octagonal shaft instead with a plain capital. The veranda opens into an antechamber. On the left side in this antechamber are seated or standing sculptures such as those of 25 carved seated Buddhas in various postures and facial expressions, while on the right side are 58 seated Buddha reliefs in different postures, all placed on lotus. These Buddhas and others on the inner walls of the antechamber are a sculptural depiction of the Miracle of Sravasti in Buddhist theology. The bottom row shows two Nagas (serpents with hoods) holding the blooming lotus stalk. The antechamber leads to the sanctum through a door frame. On this frame are carved two females standing on makaras (mythical sea creatures). Inside the sanctum is the Buddha sitting on a lion throne in cross legged posture, surrounded by other Bodhisattva figures, two attendants with chauris and flying apsaras above. Perhaps because of faults in the rock, Cave 7 was never taken very deep into the cliff. It consists only of the two porticos and a shrine room with antechamber, with no central hall. Some cells were fitted in. The cave artwork likely underwent revisions and refurbishments over time. The first version was complete by about 469 CE, the myriad Buddhas added and painted a few years later between 476 and 478 CE. Cave 8 Cave 8 is another unfinished monastery (15.24 × 24.64 m). For many decades in the 20th-century, this cave was used as a storage and generator room. It is at the river level with easy access, relatively lower than other caves, and according to Archaeological Survey of India it is possibly one of the earliest monasteries. Much of its front is damaged, likely from a landslide. The cave excavation proved difficult and probably abandoned after a geological fault consisting of a mineral layer proved disruptive to stable carvings. Spink, in contrast, states that Cave 8 is perhaps the earliest cave from the second period, its shrine an "afterthought". It may well be the oldest Mahayana monastery excavated in India, according to Spink. The statue may have been loose rather than carved from the living rock, as it has now vanished. The cave