Yi Won (born 1968) is a South Korean poet. She was born in 1968 in Hwaseong, Gyeonggi-do, and she graduated from Seoul Institute of the Arts in creative writing. She received a master's degree in creative writing from Dongguk University. She began her career in poetry when she published “Sigangwa binilbongji” (시간과 비닐봉지 Time and the Plastic Bag) and 3 other poems in the 1992 Fall issue of the quarterly journal Segye-ui Munhak. Though she became known as a poet that writes about human characters in the age of technological advancement, recently she has been writing much about the underlying loneliness of humanity. Life Yi Won (born 1968) is a South Korean poet. She was born in 1968 in Hwaseong, Gyeonggi-do, but she grew up in Seoul. She graduated from Seoul Institute of the Arts in creative writing, and afterwards she received a master's degree in creative writing from Dongguk University's Graduate School of Culture & Arts. She began her career in poetry when she published “Sigangwa binilbongji” (시간과 비닐봉지 Time and the Plastic Bag) and 4 other poems in the 1992 Fall issue of Segye-ui Munhak. In 2002 she was awarded the Contemporary Poetics Award, and in 2005 the Contemporary Poetry Award. She has published (야후!의 강물에 천개의 달이 뜬다 A Thousands Moons Rising Over the River of Yahoo!) (2001), (세상에서 가장 가벼운 오토바이 The World's Lightest Motorcycle), (불가능한 종이의 역사 The History of the Impossible Paper) (2012), and (그들이 지구를 지배했을 때 When They Ruled the Earth) (2015). Though she became known as a poet that writes about human characters in the age of technological advancement, recently she has been writing much about the underlying loneliness of humanity. Writing In her first poetry collection (그들이 지구를 지배했을 때 When They Ruled the Earth), Yi Won often uses the image of electronic technology, a product of digital civilization. Those images become a device to criticize the atmosphere of today's age. In her poetry, life is where people are controlled by a digital matrix and value. Yi Won describes the familiar but unfamiliar world within the digital system as ‘the electronic desert’. Her poetry showed the despair and sadness of lonely, desolate and forlorn individuals thrown in the barren ‘desert’. This type of critical mindset continues in her second poetry collection (야후!의 강물에 천개의 달이 뜬다 A Thousands Moons Rising Over the River of Yahoo!). Among the Korean literary world