in its full week of limited release ($1.1 million). It went on to gross $4.3 million over the weekend, an increase of 485%, finishing 7th at the box office. The film was added to another 245 theaters in its third week of release and made $2.8 million, finishing 10th. Critical response On review aggregator Rotten Tomatoes, the film holds an approval rating of based on reviews, with an average rating of . The website's critical consensus reads, "Fearlessly ambitious, scathingly funny, and thoroughly original, Sorry to Bother You loudly heralds the arrival of a fresh filmmaking talent in writer-director Boots Riley." On Metacritic, the film has a weighted average score of 80 out of 100, based on 51 critics, indicating "generally favorable reviews". Audiences polled by PostTrak gave the film an 84% overall positive score and a 72% "definite recommend". James Berardinelli of ReelViews said "Sorry to Bother You blends conventional comedy with political satire to produce a film that will generate laughter and a sense of discomfort in equal doses." David Sims of The Atlantic wrote, "The story's heightened reality works best when it's barely distinguishable from our own—though it starts to lose steam the more it drifts into fantasy. The movie is at times a mess, but a compelling one, and this debut from Boots Riley should herald a fascinating filmmaking career." Peter Debruge of Variety magazine praised the film, calling it "deliriously creative and ambitious to a fault", but expressed reservations about its second half: "As the movie's allegorical relation to real-world problems blurs, audiences are left to wonder what Riley's point is supposed to be." Jesse Hassenger of The A.V. Club described the film as "often wildly funny, and if its broad arc is familiar stuff about a down-on-his-luck everyman experiencing success but at what cost, at least the plot specifics are unpredictable". Randall Colburn of Consequence of Sound called it "a mess, but a glorious one" and said it "is fun until it's overwhelming, and Riley would likely have benefited from a good editor." A.A. Dowd of The A.V. Club reviewed the film at the Sundance Film Festival and dissented from his peers, calling it "a scattershot, intermittently pointed satire whose jokes and insights land with about the same (in)frequency." Dowd was critical of the writing and direction: "There's a messy, first-draft quality to how the film fits said ideas together, and a general sloppiness