an invitation to Tully and Rachel's wedding and first class tickets. Tully, Rachel, Tammy, Brick, J.D. and Marley reflect on how much their lives have changed in the past few years as the wedding is being prepared and the guests arrive ("A Pirate Looks at Forty"). The two are married and everyone celebrates at Margaritaville ("One Particular Harbor"). Musical numbers Act I "License to Chill" – Tully, Company "Fins" – Rachel, Tammy, Chadd, Goons, Ensemble "It's Five O'Clock Somewhere" – Tully, Brick, J.D., Tammy, Company "Ragtop Day" – Brick, Tammy, Tully, Rachel "It's My Job" – Rachel "Why Don't We Get Drunk" – J.D., Ensemble "Three Chords" – Tully, Rachel "We Are the People Our Parents Warned Us About/The Natives Are Restless" – Brick, Tammy "Son of a Son of a Sailor" – Tully, Rachel "My Head Hurts, My Feet Stink and I Don't Love Jesus" – Marley, Jamal, JD, Ensemble "Medley: Coconut Telegraph/Last Mango in Paris/Changes in Latitudes, Changes in Attitudes" – Company "Margaritaville" – Tully, Brick, Company Act II "Volcano" – Jamal, Ensemble "Grapefruit—Juicy Fruit" – Brick, Tully, J.D. "He Went to Paris" – Tully, Brick, J.D. "Cheeseburger in Paradise" – Brick, Tammy, Ensemble "Tin Cup Chalice" – Tully, Ensemble "Love and Luck" – Tully, Rachel, Ensemble "Come Monday" – Tully, Rachel "A Pirate Looks at Forty" – Company "One Particular Harbor" – Company Characters and original cast Critical reception The show's 2018 Broadway debut received generally negative reviews. Jesse Green, writing for The New York Times began by saying, "If ever there were a time to be drunk in the theater, this is it," and The Washington Post called it "insufferably dumb." NJ.com praised the main actors as they "do their best" with the story, but also called the musical "an unfortunate mishmash of Buffett staples" and "a handful of tepid new compositions." It said the first act was a "garishly-colored explosion of randomness and kitsch that you (almost) start to root for," before devolving into a second act that is "merely terrible." It also noted that a romance plot with two chorus members "inexplicably upstaged" the leads, proving distracting. Bloomberg gave it a very negative review, calling it a "bland ode to wastin' away." It said it "blends the greatest hits of Jimmy Buffett, a set of cheery cardboard characters, and a simple—if occasionally demented—plot into a concoction syrupy enough to taste sort of like a