main thing is the SILENCE, and how it makes the camera's eye open wide in a way few movies manage." Nick Allen of RogerEbert.com called A Quiet Place "Krasinski's breakthrough as a triple-threat entertainer, but it's been a long time coming... By no accident, he's tackled the horror genre while relying on the unique strength that can be seen throughout his acting work, and one that has made him relatable as an everyman across TV and film—expressive silence." Peter Bradshaw of The Guardian says: "In its simplicity and punch, this is a film that feels as if it could have been made decades ago, in the classic age of Planet of the Apes or The Omega Man. It is a cracking back-to-basics thriller that does not depend too much on what these creatures look like." Matthew Monagle of Film School Rejects said A Quiet Place seemed to be "the early frontrunner for the sparsely intellectual horror movie of the year", like previous films The Babadook (2014) and The Witch (2015). Monagle said Krasinski, who had directed two previous films, was "making an unusual pivot into a genre typically reserved for newcomers", and considered it to be part of a movement toward horror films layered "in storytelling, [with] character beats not typically found in a horror movie". Tatiana Tenreyro, writing for Bustle, said while A Quiet Place was not a silent film, "It is the first of its kind within the modern horror genre for how little spoken dialogue it actually has." She said the rare moments of spoken dialogue "give depth to this horror movie, showing how the narrative defies the genre's traditional films even further". Accolades Commentary and themes Parenthood Krasinski identified the primary theme of the film as a dramatization of "fears associated with modern parenthood". Krasinski, who had recently become a father, said in a conference interview that he "was already in a state of terror about whether or not [he] was a good enough father", and added that the meaning of parenthood had been elevated for him by imagining being a father in a nightmare world, struggling to simply keep his children alive. Krasinski has told CBS News that "the scares were secondary to how powerful this could be as an allegory or metaphor for parenthood. For me, this is all about parenthood." Travers' Rolling Stone review argued that "the question Krasinski tackles is what defines