specialist Jonathan Kenoyer, the reading of the figure as a dancer is "based on a colonial British perception of Indian dancers, but it more likely represents a woman carrying an offering" (which he also thinks the second figure is doing), although most sources, such as the National Museum of India, continue to see her as a dancer. The statue led to two important discoveries about the civilization: first that they knew metal blending, casting and other sophisticated methods, and secondly that entertainment, especially dance, was part of the culture. The bronze girl was made using the lost-wax casting technique and shows the expertise of the people in making bronze works during that time. A similar bronze statuette was found by Mackay during his final full season of 1930–31 at DK-G area in a house at Mohenjo-daro. The preservation, as well as quality of craftsmanship, is inferior to that of the well known Dancing Girl. This second bronze female figure is displayed at the National Museum of Pakistan, Pakistan. An engraving on a piece of red potsherd, discovered at Bhirrana, India, a Harappan site in Fatehabad district in Haryana, shows an image that is evocative of Dancing Girl. The excavation team leader, L. S. Rao, Superintending Archaeologist, Excavation Branch, ASI, remarked that, "the delineation [of the lines in the potsherd] is so true to the stance, including the disposition of the hands, of the bronze that it appears that the craftsman of Bhirrana had first-hand knowledge of the former". History After excavation at Mohenjo-daro in 1926, this and the other finds were initially deposited in the Lahore Museum, but later moved to the Archaeological Survey of India headquarters at New Delhi, where a new "Central Imperial Museum" was being planned for the new capital of the British Raj, in which at least a selection would be displayed. It became apparent that Indian independence was approaching, but the Partition of India was not anticipated until late in the process. The new Pakistani authorities requested the return of the Mohenjo-daro pieces excavated on their territory, but the Indian authorities refused. Eventually an agreement was reached, whereby the finds, totalling some 12,000 objects (most sherds of pottery), were split equally between the countries; in some cases this was taken very literally, with some necklaces and girdles having their beads separated into two piles. In the case of the "two most celebrated sculpted figures", Pakistan