- «Belujian» (1972), «Belujian Woman» (1971). One of the specialties of Izzat Klychev's style is the concordant apprehension of other cultures. Izzat Klychev travelled a lot and created several comprehensive and sophisticated image series, which visualize the spirit and distinctiveness of the country of his visit and its people: Egypt (1966), Italy (1969, 1981), Cuba (1971), Bulgaria (1976), Ethiopia (1973), Angola (1978) are among some of his destinations which inspired series. In these works, Izzat Klychev demonstrates himself to be an outstanding landscape artist. Starting from tondo «Happiness» (1979), Izzat Klychev's works of the 1980s become cheerful, featured with intense colors, especially in term of contrast of deep red and orange tones. Such an improvisational ornamental style in these paintings led the American painter Anton Refregier to express his thoughts in a letter to Izzat Klychev "I think in terms of your images and feelings you reveal the impressionist style" See, for example, «For Wedding» (1979), «On the Start» (1980), «Dancing Africa» (1981), «Autumn Song» (1982). Izzat Klychev also pays a lot of attention to hedonistic still-life paintings: «Flower-piece with Venetian glass», «Autumn Flowers» (1981), «Still-life champagne» (all of 1980). At the same time, the artist is working on a ceramic panel design for the Turkmen National Circus. A series of exquisite miniatures of the eastern tales and excellence in making sophisticated possession of ornament once again make us pay tribute to the traditions of the Turkmen culture that is manifested in a unique perfection of Tekin carpets, jewelry silver, and in rare aesthetic details of nomadic mode of life objects. His artistic heritage is huge, it is priceless and will never disappear as it appears to be the most important contribution to both Turkmen and world art. Thistreasure will always demystify people to the world of beauty, foster a sense of love for the motherland, wake our desire to know the world better and preserve kind traditions and customs. The last years of the artist demonstrate a rare fruitful vivacity in the arts. The initially inherent scenic element of his works become stronger; Izzat Klycheva is fascinated with composition of complicated ornamental patterns. Thanks to his potential as a designer, many now enjoy such masterpieces as «Bride» (1996), «Oriental market» (1996), and «Embroiderers» (1998). Klychev's graphic series inspired by Turkmen tales are known for their flawless coloring and shapes. Within the last decade of his life, he passionately threw