Caroline Philippine von Briest (better known as Caroline de la Motte Fouqué; 7 October 1773 – 20 July 1831) was one of the most prolific women writers of the Romantic period. She wrote novels, short stories, fairy tales, as well as essays, on Greek mythology, on the history of fashion, and travelogues. Her numerous works gained her a high degree of celebrity. Early years Caroline Philippine von Briest was born in Nennhausen in 1773 (1775 is also mentioned). She grew up at the Nennhausen estate, which belonged to her father, Philipp Friedrich August Wilhelm von Briest (1749–1822), who had served in the Prussian Army. Her mother was Caroline Wilhelmine Zinkow (or Zinnow), and she had a younger brother, August Jakob Friedrich von Briest (1789–1790). After her mother's death, her father married Marie Friederike Helene von Luck, and they had two children, Caroline Friederike Auguste von Briest and Clara Friederike Charlotte von Briest. The home was frequently visited by literary men from Berlin. Career Briest first married Friedrich Ehrenreich Adolf Ludwig Rochus von Rochow (1770–1799), a young officer, who possessed an estate in the neighbourhood, and was attached to a regiment quartered at Potsdam. None of her work during this period was published. Rochow became a gambler and the marriage deteriorated until his wife returned home to her father at Nennhausen with her children, two sons, including Gustav von Rochow, who became Prussian Minister of the Interior and Minister of State, and an illegitimate daughter. She divorced Rochow in 1798 (1799 is also mentioned); he died by suicide in 1799. She married writer Friedrich de la Motte Fouqué in 1803. It was a second marriage for both. Together they had one daughter, Marie Luise Caroline de la Motte Fouqué (1803–1864). Fouqué retired from the army with claims of poor health and lived at the Nennhausen estate, publishing his first book in 1804; her first book was published two years later. Several of Briest's novels, her Letters as to the Purpose and Tendency of Female Culture (Berlin, 1811), as well as her Letters on Greek Mythology (Berlin, 1812), are of note. Some of her narrative poems are distinguished for their insight into matters of the human, particularly the feminine, heart. Regarding the literary quality of her works, Arno Schmidt in his authoritative biography of Friedrich de la Motte Fouqué, quotes E. T. A. Hoffmann as follows: "In the afternoon to see Frau