Park released their fourth and fifth studio albums A Thousand Suns and Living Things. The albums, both produced by Rick Rubin and Mike Shinoda, marked a shift in the band's musical direction from a nu metal-oriented sound, recognized with Hybrid Theory (2000) and Meteora (2003), to a more experimental and "cutting edge" sound. The electronica-influenced albums were commercially successful. Production on the band's sixth studio album began as a result of a series of events in which Shinoda decided to drop the electronic and experimental sound of the band's previous two studio albums. Shinoda had originally recorded and produced demos, which continued the sound of A Thousand Suns and Living Things, for the band's sixth studio album during the band's Living Things World Tour in 2013. He presented the demos to his bandmates, which received positive reception from the rest of the band, and to Rubin, who was also positive towards the demos, though describing them to Shinoda as more "poppy" than he expected. However, Shinoda, after listening to the demos again after the end of the tour, felt a strong negativity towards his material, especially after Rubin's statements. In a Warner Music interview, Shinoda stated that "I don't even believe in this music. This is a mistake; I don't like what I'm making. I kind of went backwards into the process and scrapped all of it and started new stuff." Following A Thousand Suns and Living Things, albums which were created with leaving behind a sound that was "not new and not cool anymore" in mind, the band's sixth studio album was approached as a return to the band's early sound, with the electronic sounds of their previous two studio albums being dropped in favor of the band's traditional rock instrumentation. Using Hybrid Theory as a template, the band composed and recorded it in context of modern times, in 2014 rather than 2000. Guitarist Brad Delson jokingly stated that the album was an "alternative Hybrid Theory" and "maybe its prequel", with the album being inspired by artists the band listened to before they started their musical career. Shinoda told Rolling Stone about the ideas surrounding The Hunting Party: "We're not 18-year-old kids making a loud record – we're 37-year-old adults making a loud record. And what makes a 37-year-old angry is different than what made us angry back in the day." Composition The band took a different method in