This led to a lot of her photographs having an abstract quality to them while also being a representational image before the lens. The printing process is very straightforward. A lot of the prints she makes are traditional analog prints and are not manipulated during the printing process. They are also not manipulated digitally after the fact. The effects, the colors, and the quality of lighting are all manipulated in the studio. She physically makes the manipulation before taking the pictures and playing around with the space of the objects she is shooting. A lot of what is seen in the prints is actually what she sees while she is shooting and putting the pictures together. For example, she took a few mirrors propped up against one another and then uses a strobe light that has a red gel on the light. The shadows moving in her images is actually a shadow from her moving the lights around the space. When she shoots she spends a lot of time arranging objects, looking back at the lens to see how the composition is coming together. Once she finds an interesting composition she is content with and wants to continue working with it she locks down the camera to not move the setup. Then she plays around with the lighting. Looking through the lens is no longer important, but rather the lighting around the space. This allows her to get an idea of where the shadows are falling. In studio lighting there's a light to see where the arrangements are but the strobe light itself fires off lighting in a different manner really quickly, so she is somewhat aware of what she will get but not entirely. This allows her to work with dramatic shadows and get a sense of light. Notable exhibitions Group exhibitions 2017, Viva Arte Viva, 57th Venice Biennale, Venice 2014, A Moveable Feast - Part XI, with Cheyney Thompson, Campoli Presti, Paris 2014, Technokinesis, Blum & Poe, New York & Los Angeles 2014, Rites of Spring, Contemporary Arts Museum Houston, Houston, TX 2014, What Is a Photograph?, Organized by Carol Squiers, International Center of Photography, New York 2014, L'épreuve de l'abstraction, FRAC Poitou-Charentes 2009, Slow Movement or: Half and Whole, Kunsthalle Bern, Switzerland 2008, TBA with Cheyney Thompson, Arnolfini, Bristol, UK. 2007 Strange Magic, Luhring Augustine Gallery, New York. 2007, Undone, Whitney Museum of American Art at Altria,