recorded as a duet with Bhupen Hazarika in 1972. Her second ever recorded song by All India Radio was O Rojonigondha in 1968. This song was written Lila Gogoi and composed by Lakhi Saikia. She gained much respect for being one of the few singers who could sing raga based songs in Assam. Some of her most popular songs recorded in the late 1960s included Xouwa Neel Neel (1969) and Mon Dilu Tomak (1969). 1970s Since the 1970s, Beauty Sharma Barua sang songs for various Music Directors of the time including Bhupen Hazarika, Jayanta Hazarika, Khagen Mahanta, Indreshwar Sarma, Subir Mukherjee, Lakshi Saikia, Jitu Tapan, Dr. Birendra Nath Datta, Mukul Barua, Jiten Deb, Hemen Hazarika, Amiadhar Barua, Anil Barua, Birendra Nath Phukan, Dilip Sarma, Mohammad Hussain, Jagadish Barua, Deben Sarma, Prabhat Sarma, J.P Das, Bipul Barua, Utpal Sarma, Atul Dev Sarma, Ramen Choudhury, Anupam Choudhury, Hiren Gohain and Jyotish Bhattacharya. Her voice was rendered to some of the legendary song writers of Assam, including, Jyoti Prasad Agarwala, Bishnu Prasad Rabha, Laxminath Bezbarua, Parvati Prasad Baruwa, Mitradev Mahanta, Bhupen Hazarika, Nabakanta Barua, Darpanath Sarma, Lila Gogoi, Lakhyahira Das, Keshav Mahanta, Tafajul Ali, Usuf Hazarika, Nurul Haque, Sandhya Devi, Idris Ali, Hiren Bhattacharyya, Amit Sarkar, Anuradha Das, Hemanta Goshwami, Kirti Kamal Bhuyan, Nagen Bora and Mukul Barua. Her gramophone record album with Bhupen Hazarika released by HMV Records in 1972 was a best seller. Duets like Tumaloi Monot Pore and Tumi Joon Ne Xoon with Bhupen Hazarika introduced a new trend of modern folk music in Assam. Some of her famous songs during the 1970s included Proja Poti Jhilmil Pakhi (1970), Etiya Polom Hol (1970), Chandrawoli Nixa (1971), Un Mona Hoi Mone (1971), Tumi Joon Ne Xoon (1972), Tumaloi Monot Pore (1972), Tumi Xudha (1973), Xorot Ahile Henu (1973), Prothom Torati (1974), Maya Mrigo (1974), Akash Neela (1975), Tumar Kotha Jetiya Bhabu (Later sung by Jayanta Hazarika)(1975), Monore Xima Rekha (1975), He Maya Bini (1975), Gharmua Pokhi (1976), Ei Xapoon Mur (1976), Mah Halodhi (1977), Kokalot Gagori (1977), Xipare Jamuar (1978), Devi Buli Matisilu (1978), Moi Nodit (1979) and Moi Sondo Hara (1979). After her marriage to Poet and Lyricist, Dwijendra Mohan Sharma in 1976, Assam saw another new trend in melody blended between Assamese Folk Music and light Classical. The birth of evergreen compositions like Mah Halodhi, Ghar Mua Pokhi, Xipare Jamunar, Devi Buli Matisilu, Dighal Koi Uroni, Habiye Habiye, Ujoni