of geo-location technology, electronic paper, foldable screens, tablet devices, and the dominance of touch-screen interfaces, three years before the launch of the iPhone.”. Built in Flash MX. Gift Mixer 3000 - 2004 A hybrid of HAL 9000 and a mixing deck, Firstborn's Gift Mixer 3000 for Borders is Artificial Intelligence with a sense of humor, a “living, breathing, walking, talking, gift-matching machine.”. Built in Flash MX. IKEA Dream Kitchens - 2005 Forsman & Bodenfors's groundbreaking website for IKEA consists of six kitchens frozen in time and space. In one, a champagne bottle erupts and the bubbles hang in midair. In another, steam suspends inanimately above a frying pan. As visitors explore the 3D panoramic views of each kitchen, they are treated to Matrix-style special effects. Combining bullet time and kitchens is about as ambitious as it gets. The IKEA Dream Kitchen website is possibly the most awarded website of all time. Built in Flash 8.0 We Feel Fine - 2006 Constantly searching the web for new occurrences of the phrases “I feel” and “I am feeling” and recording the subsequent adjective, We Feel Fine is a barometer for the world's emotions. By categorizing these feelings by the age, gender, and location of the author and beautifully displaying the results as individual colored dots, the site becomes “an artwork authored by everyone.” Are women more emotional than men? Do our feelings change as we age? Are people happier when the sun is shining? Jonathan Harris and Sep Kamvar's We Feel Fine answers these questions through millions of individual stories yet reduces them to a data set, dehumanizing us and humanizing the machine in the process. Built in Java, Perl, Processing. Agent Provocateur - 2007 Large Design created a series of websites for Agent Provocateur between 2004 and 2007. They were cited in Vogue magazine as being the “sexiest sites on the web.” Starring Maggie Gyllenhaal, the 2007 website was based on one of the most neglected areas of popular culture, the trashy novel. In the early twentieth century, pulp fiction was churned out in every imaginable genre, and their covers and titles were intense, exploitative, sexy, and graphic featuring some of the most provocative imagery of the time. McHarg reimagined this cover art for Agent Provocateur, retaining the intensity but ensuring women were portrayed in positions of strength. In the words of Joe Corré, “The website does more than sell; it’s