sense of place and community to the town.” The sign and crest feature historic and more modern elements including All Saints Church and its stained glass window.” Design Located on High Street, "[t]he church is on the main road (A5120) through Houghton Regis from the A5 to the M1 and beyond." Park next door in the shopping centre. Charles O'Brien and Nikolaus Pevsner, in the 2014 revised edition of Bedfordshire, Huntingdonshire and Peterborough in the Pevsner Buildings of England series, describe All Saints as "a stately church". The style of the building is mainly Decorated Gothic. It consists of a chancel, cloistered nave of five bays, aisles, and a south porch. An embattled western tower with an octagonal battlemented turret at the south-west angle contains six bells. The chancel is Decorated style, and the nave arcades belong to the same period. The clerestory and roof are Perpendicular Gothic. Both nave and aisles are embattled. The Norman font is cylindrical, widening towards the top, and the whole exterior is richly carved in three bands, the lowermost being fluted. The base is cushioned, with cable moulding. There are brasses to previous vicars, and several memorial slabs. The register dates from the year 1538. A tomb with the effigy of a knight, with a guardian lion at his feet, is on the south aisle wall. This likely depicts John de Sewell who accompanied the Black Prince to Aquitaine in the retinue of Hugh, Earl of Stafford during the Black Prince's chevauchée of 1356. Only the figure's head and torso remain, along with the lion protecting the missing feet. The tomb is "in need of some repair. Under the tomb are carvings representing a chevron between three bees the Sewell Arms. In front of the tomb is a "fine circular Norman [baptismal] font of Totternhoe stone." Antedating the construction of the present church, the "Norman font is the oldest known part of the church... The font is one of a number of fonts known collectively as the 'Aylesbury Group' after a particularly fine example in the parish church at Aylesbury." These fonts are normally dated late in the 12th Century around the years 1170 to 1190. The vicinity of the Sewell tomb, the Lady Chapel and the tower contain good examples of Victorian stained glass. These includes windows of the Risen Christ, the Resurrection, the Baptism of the Lord, and the Institution of the