and Anthologie du cinéma invisible (Christian Janicot). Climate agent (2012) Interactive installation with a black book that, when flipping the pages generates the air that makes the Mexican flag wave. The flag was an animation displayed on the wall so, the installation worked with a sensor of movement which changed the image displayed. The FILIJ selected this project, because of the materials of the piece and the invitation to think and reframe some national notions in an electoral year. Cross Coordinates (Ciudad Juárez MX | El Paso US, 2010–2011) http://us.crosscoordinates.mx Residents of El Paso and Ciudad Juárez were filmed when they played a game of cooperation by balancing a specially designed carpenter's level, as a gesture of the delicate balance of life on the border and a reflection of political will in the cooperation and the balance between the involved parts. The gallery visitors played with the same carpenter's level, accumulating meters of cooperation in order to achieve the goal of exceed the length of the MX-US border (3,169,000m), and to construct an aesthetic-political gesture of balance and collaboration possibility between two cities, countries or points of view. The website works like the project´s open documentation, allowing to see, share and think, expanding the documentation and generating support gestures and sensitivity to the border´s problematic. Project commissioned by the Rubin Center of the University of Texas at El Paso. Segundo Aire (Second wind, 2010) Four dead birds remain in the air by electronic devices of magnetic levitation. Next to them, drawings with the flow of the magnetic field to visualize the invisible forces that make hang up in the air possible. Apnea (2010) Apnea was a kinetic installation located in the air vents of the Bellas Artes station of the Mexico City Metro. In this installation, 900 propellers reacted and turned at any air movement of the subway station. Besides, each propeller had a Twitter account, that generated tweets registering the last time they turn, so, this time between breaths were their periods of apnea. The design of the propellers is as particular as the location of the installation. These artifacts are made of an acrylic piece, two magnets, bicycle spokes and plastic propeller. High Tide (Pleamar, 2009) Installation synchronized with Singapore's coastal-tide. This project uses buoys that previously were taken to the sea between Singapore and Malaysia until the salt residue marked the flotation level. The buoys, once suspended