Gino Robair, Paul Serralheiro, Vergil Sharkya, Ben Wilson - 2017. Spurn2 Equivalent Insecurity Shed Metal (dk & Dan Lander) - 2017. Spurn3 The Machine is Broken, Terry Rusling - 2019. References Further reading Tiina Kiik, "Spool Spurn series: The Machine is Broken / Shed Metal / Car Dew Treat Us (pages from Cornelius Cardew’s Treatise randomly selected)" Whole Note Magazine, Vol. 25, No. 2 (October 2019) pp. 71–72. Nick Storring, "Spool: Music in the Margins" Musicworks Issue 129, Winter 2017. David Dacks, "Label Life; Spool," Exclaim Magazine, Alexander Varty, "Preaching Improv's Gospel: The minds behind the Spool record label have a missionary zeal," The Georgia Straight, February 3–10, 2000. Miller, Mark. Jazz Education Journal; Manhattan, Kan. Vol. 35, Iss. 4, (Jan 2003): C10-C12, C14. Passionate Pairing, Vancouver's NOW Orchestra artfully blends New Music and the Blues, The Globe and Mail, September 7, 2000, p. R4 by Mark Miller. The Toronto Star, August 22, 1998, Vancouver duo puts best footwear forward by Geoff Chapman. The Toronto Star, October 16, 1999, The Peggy Lee Band reviewed by Geoff Chapman. The Globe and Mail, December 27, 2000, p. R5, Year overview by Mark Miller cites Spool recording Francois Houle's Au Couer du Litige. The Globe and Mail, February 8, 2001, p. R5, Review of Tony Wilson Sextet's The Lowest Note by Mark Miller. The Toronto Star, April 28, 2001, Tony Wilson Sextet The Lowest Note reviewed by Geoff Chapman. The Toronto Star, August 4, 2001, George Lewis and the NOW Orchestra The Shadowgraph Series reviewed by Geoff Chapman. The Globe and Mail, August 17, 2001, p. R6, Review of Francois Houle's Au Couer du Lier du Litage by Mark Miller. The Toronto Star, 07 Nov 2002, page J8, George Lewis and NOW Orchestra Floating 1...2...3 reviewed by Geoff Chapman. The Globe and Mail, June 7, 2001, p. R7, Review of The Shadowgraph Series by Mark Miller. The Globe and Mail, December 27, 2001, p. R6, Review of Au Couer du Litage by Mark Miller. The Globe and Mail, December 27, 2001, p. R3, Burns, Krall and all that hype by Mark Miller: "It’s work supported not by the majors, but by smaller companies — as small as Uxbridge, Ont., label Spool which released two of the most interesting Canadian CDs of 2001, West coast guitarist Tony Wilson’s melancholic Lowest Note and a boisterous collaboration between trombonist/composer George Lewis and Vancouver’s NOW Orchestra, The