by the artist, and the output is fed to several speakers spread throughout the room. Thus this art work can create a situation that not only provides an audio-visual experience, but also a transformation of the architectonic space itself. The concept of generating a tornado is dedicated, through the distortion of norms, more to the idea of creating consciousness of space, and less to the idea of producing a reevaluation of the ambient air. The sound installation, which "enacts" the wind of a tornado, effects a minimal gesture that changes the appearance and the experience of the space. The artist has reinterpreted the everyday act of leafing through a book so that the book, normally known simply as a container for text, can itself become responsible for a tangible, narrative event. The flip of the conductor (2012–13) The flip of the conductor is an installation that consists of a modified conductor's music stand and seven books of different weights and sizes. Those books were designed in order to generate different sounds when the public activated them on the music stand by flipping the pages. The place where the installation was located produced two strong effects in the visitors: the experience of becoming the conductor of an unknown sound and the feeling of embracing of a surround sound. The project was exhibited also in Museo del juguete antiguo de México, as part of the commemoration of the 100th anniversary of the publishing of the art of the noises of Luigi Russolo. This was performed as a live act although with different sounds from the one exhibited in CENART. The characteristics of the event bounded the project to generate a new experience for the public in a live act. So, this time, as part of the experimentations of the artist with factors such as the intensity and the rhythm, each book had a specific sound that was recognized and repeated with the turn of each page. Two elements were relevant in the selection of the books: their physical features and their content. The whole selection is in one way or another, connected to the ideas and principles contained in the Futurist Manifesto. The selected books were: Theory of Bloom (Tiqqun), Art and Society in Industrial Times (William Morris), The Rest Is Noise (Alex Ross), The Viewer's Dialectic (Tomás Gutiérrez Alea), Historia de las artes gráficas (Alfonso Salazar Rovirosa), Understanding Comics (Scott McCloud)