Anton Vidokle is an artist and founder of e-flux. Born 1965, Vidokle lives in New York and Berlin. Work In 2004 Vidokle co-organized e-flux video rental with Julieta Aranda, which traveled to Berlin, Frankfurt; Extra City, Antwerp; Carpenter Center, Harvard University and others. As founder of e-flux, he has produced projects such as Next Documenta Should Be Curated by an Artist (curated by Jens Hoffmann), Do it (curated by Hans-Ulrich Obrist), Utopia Station poster project, and organized An Image Bank for Everyday Revolutionary Life (based on the image archive of David Alfaro Siqueiros) and Martha Rosler Library. In 2005, Vidokle initiated research into education as site for artistic practice as co-curator for Manifesta 6, which was canceled. In response to the cancellation, Vidokle set up an independent project in Berlin called Unitednationsplaza (2006–2007) a twelve-month project involving more than a hundred artists, writers, philosophers, and diverse audiences. Located behind a supermarket in East Berlin, Unitednationsplaza's program featured public seminars, lectures, screenings, performances and various projects. In 2008 Unitednationsplaza traveled to Mexico City and was hosted by PAC, and opened in New York's New Museum for Contemporary Art under the name Nightschool (2008–2009). In 2008, with Brian Kuan Wood and Julieta Aranda, Vidokle founded the e-flux journal, a monthly online publication on art and critical theory with contributions from writers such as Hito Steyerl, Martha Rosler, Liam Gillick, Boris Groys, Franco Berardi (Bifo), Jalal Toufic, Slavoj Žižek, and others. The journal's international readership has led to the translation and republishing of many of the journal's essays. Jointly with the Sternberg Press, Berlin, e-flux journal started a new imprint which has put out a series of paperback readers consisting of monographic publications and thematic compilations of essays, including: What is Contemporary Art? (2010); Boris Groys: Going Public (2010), Are You Working Too Much? Post Fordism, Precarity, and the Labor of Art (2011), Moscow Symposium: Conceptualism Revisited (2012), Hito Steyerl: The Wretched of the Screen (2012), Martha Rosler: Culture Class (2013), Jalal Toufic: Forthcoming (2014), The Internet Does Not Exist (2015), Benjamin H. Bratton: Dispute Plan to Prevent Future Luxury Constitution (2015), What’s Love (or Care, Intimacy, Warmth, Affection) Got to Do with It? (2017), and Art Without Death: Conversations on Russian Cosmism (2017). In 2015, e-flux journal initiated a new book series entitled e-flux Classics, distributed by University of Minnesota Press. The first book in the series is Avant Garde Museology (2015),