UNAM" organized in 2007, the exhibition La Era de la Discrepancia. Arte y cultura visual en México 1968-1997 In 1990 the exhibition Mexico: Esplendor de Treinta Siglos, started its world tour at Metropolitan Museum of Art in New York. Neo-expressionism From the 1960s to the 1980s Neo-expressionist art was represented in Mexico by Manuel Felguerez, Teresa Cito, Alejandro Pinatado, and Jan Hendrix. Swiss-German artist, Mathias Goeritz, in the 1950s created public sculptures including the Torres Satélite in Ciudad Satélite. In the 1960s, he became central to the development of abstract and other modern art along with José Luis Cuevas and Pedro Friedeberg. Neomexicanismo In the mid-1980s, the next major movement in Mexico was Neomexicanismo, a slightly surreal, somewhat kitsch and postmodern version of Social Realism that focused on popular culture rather than history. The name neomexicanismo was originally used by critics to belittle the movement. Works were not necessarily murals: they used other mediums such as collage and often parodied and allegorized cultural icons, mass media, religion, and other aspects of Mexican culture. This generation of artists were interested in traditional Mexican values and exploring their roots—often questioning or subverting them. Another common theme was Mexican culture vis-à-vis globalization. Postmodern Art from the 1990s to the present is roughly categorized as Postmodern, although this term has been used to describe works created before the 1990s. Major artists associated with this label include Betsabeé Romero, Monica Castillo, Francisco Larios, Martha Chapa and Diego Toledo. The success of Mexican artists is demonstrated by their inclusion in galleries in New York, London, and Zurich. Art collections and galleries In 1974 Museo de Arte Carrillo Gil (MACG), a gallery and museum, opened. Museo Tamayo de Arte Contemporáneo opened in Mexico City in 1981. The National Museum of Art (MUNAL) opened in 1982. In 1994, the foundation behind Colección Jumex and its collection of contemporary art, was established; it's located in the industrial outskirts of Mexico City. Kurimanzutto—a private gallery was founded in 1999. In 1994 the Olmedo Museum was opened to the public. In 1996 the Gelman collection was donated to Metropolitan Museum of Art (in New York); part of the Gelmans' collection is on display in the Muros Museum in Cuernavaca. Museo Universitario Arte Contemporáneo (MUAC) opened in 2008. Private art exhibition is concentrated to major urban centers, in particular Monterrey, Nuevo Léon, Guadalajara, Oaxaca City and Puebla. Art criticism Octavio Mercado said