appears to have been introduced after the Spanish conquest by the uprooted foreign Quechua yanakuna slave-servants belonging to the defunct Inca Empire who were brought by the local Spanish hacendados in order to work the lands during the early Colonial period. Colombia Boyacá y Cundinamarca In Colombia there are two festivals in honor of the ruana, both in municipalities of the department of Boyacá: the World Day of Ruana, in Nobsa, and the National Festival of Ruana, Pañolón, Almojábana and Amasijo, in Paipa. This unique garment is also a fundamental part of the idiosyncrasy of Boyacense popular music known as Carranga, music that was born in the rural areas of that department and is mainly accompanied by the Tiple, the Guitar and the Tiple Requinto (chordophone) of Colombia. Currently this genre has been renewed with more alternative groups such as the "Velo de Oza" and the "Rolling Ruanas". Antioquia In Antioquia, the ruana was part of the clothing worn by the peasants of this region, as also was the cabuya espadrilles, Aguadeño hat, machete, Carriel, the cowhide and of course the ruana. The ruana is made of sheep's wool and has dark colors. Formerly it had as ornament large red and yellow stripes, but day by day the ruana has been made simpler. Over the days the black ruana became very common. Also the dark blue and the dark gray, almost black. Caldas In the department of Caldas, the ruana is derived both from the Antioqueña ruana (poncho) and from the Boyacense ruana made of sheep's wool, thanks to the colonizations that people of these regions made at different times. The ruana is popular and in cold-weather towns such as Marulanda, Manzanares, Letras and in other paramo areas near Nevado del Ruiz. Venezuela In Venezuela it is the typical attire of the Mérida mountain range, becoming the characteristic clothing of the "gochos". In Venezuela, before the "Andean hegemony", the ruana or blanket was used by the entire population as a garment to protect themselves from the sun in the hot lands or as a garment to protect themselves from the cold in the highlands, as noted by Ramón Páez in "Wild Scenes in South America; or life in the Venezuelan llanos" and Captain Vowels in "las sabanas de Barinas" In the Venezuelan Andes they were used without discrimination by all the population, which fascinated the German painter Ferdinand Bellermann. According