Norie Neumark is a sound and media artist who lives and works in Melbourne, Australia. She is part of the art group Out-of-Sync, an art collaboration with Maria Miranda. Work Neumark was Professor of Media Art at University of Technology, Sydney, where she was founding Director of the Centre for Media Arts Innovation (CMAI) at UTS. Neumark is founding editor of Unlikely Journal for Creative Arts, and founding director of the Centre for Creative Arts at La Trobe University in Melbourne. She is Emeritus Professor at La Trobe and Honorary Professorial Fellow at the Victorian College of the Arts, University of Melbourne. Publications Books Voicetracks: Attuning to Voice in Media and the Arts, MIT Press, 2017 Voice: Vocal Aesthetics in Digital Arts and Media (2010). Co-edited with Ross Gibson and Theo van Leeuwen. Cambridge, MA: MIT Press. At a Distance: Precursors to Internet Art and Activism (2005). Co-edited with Annemarie Chandler. Cambridge, MA: MIT Press. Radio essays and media art In the 1990s Neumark made a series of audio essays for the Listening Room, the premier radio arts program of the Australian Broadcasting Corporation (ABC Radio National). Several were also broadcast on New American Radio. Radiophonic essays include Jobs for the Girls, or What Do You See When You Look in the Mirror? (1991) Into the Interface (1994) Shock (1995) Separation Anxiety: not the truth about alchemy (1996) Dead Centre: the body with organs (1998) Esprit de Corps: oscillating with emotion (1999) First Report (2003) In 2003 she initiated and collaborated on the radio/internet drama Checklist for an Armed Robber. This was an ABC/UTS project. From the early 1990s Neumark initiated several significant projects in new media art, understanding immediately the enormous potential for sound in the new medias. Initially she made CDROM art, making one of the first Australian art CDROMs, the multi-award-winning Shock in the Ear, with an innovative use of sound. It was one of the first CDROMs to be funded by the Australian Film Commission (1997). Shock in the Ear was included in the international CDROM exhibition Contact Zones: the art of CDROM, curated by Timothy Murray. (1999) Awards for Shock in the Ear First Prize for multimedia, VideoFormes 2000 (Clermont Ferrand, 2000) First Prize for experimental CD-ROM, ATOM awards (Melbourne, 1999) First Prize, CD-ROM award at COMTECart (Dresden, 1998) --CynetArt replaced COMTECart in 2001 Silver Medal at Invision 98 (San Francisco, 1998) Third Prize in