will Roll, Binary Code and, the latest still in process, Elements of Geometry. Propositions pose uncomfortable questions. In Proposition One, translucent X-ray images magnify mechanical devices that have become outdated, although they continue to function perfectly according to their purpose. In Proposition Three, de Esteban examines the cold, gray inner life of cell phones or tablets and the increasing enmeshment of the body and digital technology. In Heads Will Roll, Proposition number four of the series, he uses seductive photo collages made of film stills, flower photos, and fragments of text to convey the essence of the parameters that are penetrated by the postmodern patchwork of our lives. The media define everyday life: we are permanently made to feel insecure by the wars and disasters that are always happening in the world; the individual is in danger of drowning in the masses; genuine and fake have become almost indistinguishable; and a vague fear of the East pervades political policy. Reality is largely conveyed as a media experience. Heads will Roll was listed as a photobook of the year by LensCulture magazine; its New York exhibition was shown on the cover of Photograph Magazine in its September–October, 2015 issue (Volume 13, Number 1); and Artslant said it was a "must see exhibitions in North America" Propositions next project was Binary Code (2015), a series that deals with the symbolic end of humanism and its relation to digital materiality. Binary Code has been exhibited in Mirbach Palais in Bratislava in 2017, Pingyao International Photography Festival in 2017 and Klompching Gallery in New York in 2018. Infrastructures of Contemporaneity In 2016, and in parallel with Propositions, Max de Esteban engaged in a second long-term project under the concept of Infrastructures of Contemporaneity. As the 20th century cannot be understood without taking into account the "infrastructures" that made it possible, De Esteban long-term project pretends to identify those that will be key in the understanding of the 21st century and unveil their ideological nature. For the purpose of the project, infrastructures are defined as "the key technologies, systems and physical conditions that enable the circulation of meaning and power". The first series of the project is Twenty Red Lights (2016). Its objective is to unveil the implications of economy’s digital financialization and its relation to the radicalized neoliberal agenda. Finance is the key technology for the allocation of economic resources and as such, is