(featured in the Larry Clark film Kids then with Gary Pini by launching Sm:)e communications for Profile Records and releasing the first Jungle singles and compilations in the U.S, as well as signing DJ Dara, thus kick starting his artist career. He and Dara then opened Breakbeat Science, dedicated to Drum & Bass. It was the first record store solely devoted to Drum & Bass in the U.S. In 2006 Breakbeat Science was responsible for the first compilation in the U.S. of the burgeoning genre of Dubstep. In 2011 he produced an eclectic monthly mix show called BLURRINGRadio for Clocktower Radio that ran for five years. Now retired from being a club and rave DJ, he worked in the music industry as A&R for AM Only, then Paradigm Talent Agency, also acting as their creative director, curating the art in all four of their U.S. offices till 2021. In 2010, DB moved into art and publishing by working with Rizzoli to publish a book focusing on the culture and history of stickers called "Stickers: From Punk Rock to Contemporary Art:." AKA "Stuck Up Piece of Crap". In 2014, he and Philip Kuperberg created "Star Warps," an online digital book spotlighting art and artists who have re-appropriated imagery from Star Wars. Since then he has written three more books, "Stickers Volume 2" in 2020, & "Art Sleeves" in 2021, a 40-year history of art & design on album covers, both for Rizzoli. He & Rich Browd used Kickstarter to self-publish "The Sm;)e Book" in 2021, focused on the re-appropriation of the Smiley face, and they are currently working on a second volume. Early career DB dropped out of school with severe learning disabilities at age 16 and began pursuing aspirations of being a photographer. He attempted this with little success. In the late 1970s and early 1980s, he worked as an assistant to multiple photographers, one of whom specialized in photographing works of art using large plate cameras. Another was Peter (Kodik) Gravelle, the punk rock photographer responsible for many of the Stiff Records sleeves. Some photos taken by DB did make it to print, including sessions he did for the Flying Lizards. 1983 After having had "an epiphany listening to Evil Eddie Richards & Colin Faver" at the Camden Palace Theater, he got himself a job DJing at Stocks, "a ridiculous yuppie & Arab club" on the Kings Road, learning