part of "Contour: The Definitive Line" curated by Jon Coffelt. One of 17 artists who were asked to define the concept of contour, the exhibit was the culmination of this subjective approach. This exhibition also included "Clayton Colvin, Travis Childers, Lee Isaacs and Sean Slemon. James Nelson comments on Armstrong's work in The Birmingham News on June 18, 2006. In 2008, Armstrong was selected and curated by Miranda McClintic for 41 Park' "Sara Garden Armstrong: distant views: works on paper." There was a catalogue included with this exhibition In 2009 Armstrong's work was chosen to be part of the exhibition "Anthropology: Revisited, Reinvented, Reinterpreted" along with the work of Lee Isaacs, Karen Graffeo, Janice Kluge, Pinky Bass, Mona Hatoum, Beatrice Coron. The exhibition was curated by Jon Coffelt and Maddy Rosenberg for Central Booking in Brooklyn, NY. John Davis Gallery, 2009 In 2010 Armstrong was selected to be part of "'A Reader's Art,'" curated by Jon Coffelt for Susan Hensel Gallery in Minneapolis, MN. This was a 10-year survey of artist's books including works by Pinky Bass, Janice Kluge, Joan Lyons, Qi peng, Luce, Beatrice Coron, Buzz Spector and Mary Ann Sampson. This exhibition included a catalogue. Quotes "In the Airplayer series of Sara Garden Armstrong, one can observe a growing mastery of multifaceted media and the inclusion of increasingly sophisticated technologies. Large hand-made paper forms, hoses, blower boxes and sound are elements in the language she uses, always articulated within the parameters of a given installation space. In her later works, one can see a shift from mechanical to electronic controls of the air sounds-reminiscent of sea and wind-and an increase in the artist's mix of "real" and digital. Wire mesh and paper forms have become powerful humanoid shapes and, when combined with movement and sound, suggest the basic mechanisms of life support and human functions. The artist does not hesitate to seek collaboration with technical specialists and in so doing has accelerated the development of her art. -Anna Campbell Bliss, "Explorers", LEONARDO, Vol.28, No. 4, pp. 239–242, 1994 "Sara Garden Armstrong utilizes the effects of ocean tides to show us contour in the waters edge, a graceful play of the ebb and flow of the universe itself and in disparate areas in our own lives." -Jon Coffelt for "'Contour: The Definitive Line,'" Schedler Minchin Gallery, Birmingham AL "When Art meets Technology and the marriage works, the magic can