Gloria in excelsis, The fate of Isabelita, For peteneras, Blood and Sand by Pablo Luna, The boy in the cafeteria of Rafael Calleja Gómez, Barbarossaof Sinesio Delgado, Anita Amadeo Vives's cheerful, lily among thorns drama Gregorio Martínez Sierra, La Romerito 1912 Paul Luna, El Goya fresco, The Daughters of Lemos, Cadets Queen Cuisine, The Tale dragon castizo Child, The musical lothario, Don Juan Women's, sing Mills, Brook, La Cocagne, Latino muses Manuel Penella, The joy of love, The new capital testamento. Curiosamente makes no room so many new players and began a tour ending in Spain, which lasts several years settling in Barcelona and Valladolid and manages to maintain its reputation and prestige and wait for his next great opportunity. The third stage "as a great recognition of the scene" (1919–1936) Martín achieved in the theater make great 1919–1920–1921–1922–1923 full seasons. Even the titles speak for themselves as large musical genre and revista. The corsair (1919), The Fall of the late (1920s), The perfect wife of Francisco Alonso, Linnet Courting (1921), Eye for an Eye, The Jewish capricious, The pretty haggard, Sanatorium of love, The great Pasha (1922), Venus in Chamberí, Women's body, The rush of pure, Dumb Time, The wedding gift (1923), Cabinet model, Present arms, The Land of the stars, The pool of Buddha (1923) by Vicente Lleo Balbastre. In the twenties his success as a director and comic actor are countless, especially after the bombing achieve gender starting to reach frivolous life is friendly, The Venetian Antonio Paso Díaz (1925), To brave love, The Garden of touch (1926), Date Night (1927), Aligui, Daddy doll, The Raja of Cochin and Punishes (1928) even helping out the careers of Celia Gámez. In the thirties continues with alternating successes genres in works such as carnations, The Severe released in Portugal, Beautiful women and Key (1933), The Founding Fathers (1935), The eager Pablo Luna (1935), which consolidate its reputation in both genders and revista. La zarzuela will take you through the theaters in northern Morocco and Andalusia in 1935–1936 premiering works such as The bunch of roses, Katie both of Pablo Sorozábal. The fourth stage "Sustaining the opera" (1936–1947) At this stage Salvador shows how for years has been keeping alive a genre like this for years zarzuela in a serious crisis of authors, without any subsidies and get their own money to revive the genre endures as something typically Spanish.