last year (1889), yet he dated his debut to an unexpected event, Salvador was studying for trade expert, when he got a substitution of a leading actor, the character was "anchor" of The Fist of Roses Ruperto Chapí, since that success no one expected what was going to get into the Spanish theatrical history. Without knowing it, because at the time of his early performance art was confusing, as a theater director would conduct the initial success of what would be called after the musical comedy in the early 20th century. In its early years, the early twentieth century, with the help of their parents start acting in a few roles as a substitute against eventualities actor with repertory works like The Fist of Roses, Giants, Rogues jealousy, The white house, The Feast of San Anton, The Ballad of light, The Barber of Seville, The unruly, The saint of the Isidra ... Then after the death of his father, continues to support his mother and brother of the famous master, Antonio Videgain in many provinces such as Cordoba, Barcelona, Bilbao, Zaragoza, Burgos and Alicante premiered his first works at the national level: the tunnel, heaven and earth, The girl's temple, Nido galante, La patria chica, the girl's boyfriend, and gets The huertanica go make a name as a comic tenor. The second stage "The launch of the Star" (1909–1919) After making a name as a comic actor in the provinces and having his first company, will begin in 1909 engaged in the Teatro de la Zarzuela in works such as chopping, Bohemians, The Horseman of the guard and the brand new club single by Pablo Luna a disastrous event occurs one night in November, after he kicked last night by the absence of a soprano, someone with a cigarette caused the fire most important of the genre, the theater is completely obliterated and only save the rooms of some artists and these by and have completed their trabajo. De there will be recruited for the Grand Theatre where the comedy begins to create music with titles like The Riviera, The soul of love, The white deer, The poet of life, or magazine with the fairyland all in (1910). Apollo Theater in Madrid triumphed in the genre of zarzuela in the 1910–1911–1912 and 1913 seasons. The titles speak for themselves: The trust of philanderers José Serrano, The car of the devil,