Galicia, 1834. Henry Frick, 1910, bequeathed to the Frick Collection. Related travesty picture In 1993 the artist Russell Connor painted a portrait in the style of Rembrandt showing the Dutch master, palette in hand, standing in front of the incomplete Polish Rider. With a twist of dry irony, Connor attributed the painting to Rembrandt's pupil Carel Fabritius and submitted it to The New Yorker with a joke note saying that the painting had been found in a basement in Pinsk, Poland. The magazine published a reproduction of Connor's painting with a slightly reworked version of his comments, obviously not intending to pass it off as genuine but as a comment on the zeal of the Rembrandt Commission, who at the time were questioning the authenticity of the Polish Rider and many other paintings formerly known as genuine Rembrandt canvases. See also A Polish Nobleman (1637), a painting by Rembrandt van Rijn. Xavier F. Salomon, chief curator at the Frick Collection, "Cocktails with a Curator" 17 April 2020 Maira Kalman and Xavier F. Salomon, Rembrandt's Polish Rider, The Frick Collection, 2019. References Thomas M. Prymak, "Rembrandt's 'Polish Rider' in its East European Context," The Polish Review, vol. 56, no. 3 (2011), 159–86. Portraits by Rembrandt 1655 paintings Horses in art Paintings in the Frick Collection Portrait paintings in the Frick Collection Polish–Lithuanian Commonwealth historical images Unfinished paintings Works of uncertain authorship