India, and the United Kingdom. Said movements used distributed manufacturing methods; some cooperated with local government entities, local police and the national military to help locate supply shortages and manage distribution. Total production figures sides the maker community exceeded 48.3 million units produced, totaling a market value of about $271 million. The most-produced items included face shields (25 million), medical gowns (8 million) and face masks (6 million). The primary modes of production utilized were familiar tools like 3D printing, laser cutting or sewing machines, but multiple maker organizations scaled their production output by pooling funds to afford high-output methods like die cutting or injection molding. Criticisms The maker movement has at times been criticized for not fulfilling its goals of inclusivity and democratization. One of the most famous critiques came from Deb Chachra's piece, Why I Am Not a Maker in The Atlantic, criticizing the movement's gendered history and present; Evgeny Morozov's Making It in The New Yorker, challenging the movement's potential to actually disrupt or democratize innovation; and Will Holman's The Toaster Paradox, about Thomas Thwaites' the Toaster Project's challenges to the DIY and "Maker impulse." Critical making can also be seen as an argument against or a comment on maker culture, which has been explored by Garnet Hertz, Eric Paulos, John Maeda, Matt Ratto and others. The primary argument is that maker culture is unnecessarily fascinated with technology, and that projects are improved when they work to critically consider social concerns - borrowing from the more established disciplines of industrial design and media art practice. Others criticize the maker movement as not even being a movement, and posit that fundamental hypocrisy extends to limit the scope and impact of every aspect of the "Movement." Gender Over the past years, various incidents have heightened awareness for gender inclusiveness issues within and outside the movement. A discussion on the public discussion-list from lists.hackerspaces.org in 2013 highlighted the problems women experience within maker culture. A frequently cited message from this discussion is the contribution by David Powell who wrote: “If a hackerspace has one female and she wants more females in the hackerspace then she should start a campaign to find more females. It could be that she host a class about e-textiles or whatever it is females like to talk about.” This post outraged many. Another example is that of Dale Dougherty, by many considered the father of the