an international level and is still viewed as a cult film. Arnold Antonin's other films include: Les Duvalier condamnés (1975, 40 minutes, 16mm, black and white). Art naïf et répression en Haïti (1975, medium-length, color). Un tonton macoute peut-il être un poète? (1980, 16mm, 40 minutes, color) Le droit à la parole (1981, 20 minutes, 16mm, color). Also of note is Paul Arcelin's feature-length documentary Canne amère (16mm, color), filmed in 1975 and released in 1983. At the fall of Duvalier, a new activist cinema emerged. It no longer consists exclusively of documentaries but also includes dramatic films, like those of Raoul Peck, whose movies include: Haitian Corner (1989, 109 minutes, 16mm, color, drama) L'homme sur les quais (1992, 105 minutes, 35mm, color, drama), officially selected at the Cannes Film Festival in 1993 Desounen (1994, 52 minutes, 16mm, color) Lumumba, ou la mort du prophète (2000) The semi-biographical film Lumumba was successfully released in Africa and the United States. Other notable films include: Ayisyen leve kanpe (1982 short film directed by Haiti Film; color, documentary) Nou tout se refijye (1983 short film directed by Willy Exumé) Se mèt Kò (1990, short film, 16mm, color, directed by Patricia Benoit) The Haitian filmmaker Roland Paret, who lives in Canada, has also directed many short films on various topics. In Paris, Michèle Lemoine and Elsie Hass are also notable. Most Haitian movies are made by directors of Haitian nationality or origin, but they are often financed by foreigners. Haitian filmmakers making a name for themselves in Hollywood include Jean-Claude La Marre, director of Trapped: Haitian Nights, and award-winning filmmaker Romane Antoine Simon who Directed Many films such as I am not for sale the fight to end Human Trafficking, Blood Runs Thick, Hybristophilia Romane Simon is also the author for the best selling novel red to black The power of love. Video and film The creation and production of images in the social and economic conditions of Haiti seem to find a way into the media light, especially in the video. Indeed, many independent producers, next to the television, which continues to produce very little, make shooting in video, feature films and documentaries in a number that far exceeds the film itself. Arnold Antonin himself since his return in 1986, in a first period that has made corporate videos and educational, except for a short film about Port-au-Prince, entitled The Third World War