Sara Garden Armstrong is an American artist who lives and works in New York City. Armstrong creates sculptures, paintings, drawings (from miniature to wall size), artist's books, multimedia artworks involving computers sound and light, and constructs permanent installations in atrium spaces. Armstrong received her Master of Fine Arts from the University of Alabama in Tuscaloosa and her Master of Art Education from the University of Alabama at Birmingham. Armstrong also studied art at New York University and with the University of Windsor, Windsor, Ontario in Yeovil, England while attending UAB. She was an educator for several years at the University of Alabama at Birmingham, later she moved to New York City in 1981. Armstrong's early period with the exploration of sound had exhibitions at the Visual Arts Gallery at UAB and the Birmingham Museum of Art, Birmingham, Alabama. Her first exhibition in New York City was at PS1 in 1982, "'the Sound Corridor'" curated by William Hellermen. This installation began her multimedia series of work entitled "'Airplayer'" which ended in 1992 at the CB's 313 Gallery and Bar (next door to CBGB) on the Bowery with "'Airplayer XIV'" – both installations utilized mechanisms for movement and sound. Armstrong's work has been published extensively. Among the publications are Southern Accents, "'The New Yorker,'" "'The New York Art World,'" "'Birmingham Magazine,'" "'Port Folio Weekly,'" "'Seattle Post-Intelligencer'" and "'The New York Times'". Work 1991 Airplayer XIII, Bronx Museum of the Arts, New York, NY In 1992, Armstrong was invited to be part of “'At the intersection of cinema & books: photographic & digital installations'” curated by Emily Hartzell for Granary Books Gallery. In 1995 The Book and Beyond, curated by Douglas Dodd, National Art Library at the Victoria and Albert Museum, London, England In 1996 Stiftung für Konkrete Kunst, Reutlingen, Germany In 1998 Art and Technology, Bellevue Art Museum, WA In 1999, "'Marking Time, Large Scale Drawing, Sara Garden Armstrong,'" was covered extensively. Among the various revues were The New Yorker, The New York Art World, M and Internet ArtResources. This exhibition was curated by Grady T. Turner and included a catalogue. Alabama School of Fine Arts – Littoral series, 2002 2002 Space One Eleven, Birmingham, AL 2003 – 2010 Lucky Draw, SculptureCenter, New York, NY In 2004, David Moos curated Armstrong's work into "'Contemporary American Art,'" at the United States Embassy in Prague," Prague, The Czech Republic In 2006, Armstrong's work was