the infrastructure that determines capitalism’s priorities. Deciding on the allocation of investment implies governing the frontiers of research and innovation, it means constructing the future. Financial capitalism should be the proper place to start any critical assessment of contemporaneity. Twenty Red Lights consists of a video and three series of 20 photographs each. It also includes a book published by La Virreina/La Fabrica with essays by Franco Bifo Berardi and Michel Feher. This project has been exhibited in La Virreina Centre de L'Imatge (2018), XIII La Habana Biennale (2019) and CGAC- Centro Gallego de Arte Contemporánea (2019). A selection was also included in the Yokohama Triennale 2020, curated by Raqs Media Collective. The second series of this ongoing project is A Forest (2018). A Forest reflects upon the implications of Artificial Intelligence technology and the ideological frameworks under which it operates. Its focus is not the technology itself or its aesthetic imaginary, instead it is the exploration of the social values at stake due to the potential dominance of this digital infrastructure and the ideology behind its leading investors. The series consists of a video and 21 photographs. It was exhibited at the XIII Cairo Biennale in 2019, and in the 10th room of MUAC in Mexico City. The third series is White Noise (2020), and explores the implications of extinction. In a world under environmental risk, the premature extinction of humans is a plausible scenario. A major catastrophe, such as a nuclear crisis, or a chain of smaller events that could go unnoticed until too late could be the cause. White noise, the first video of the series, combines texts in English and Latin from Ovid's Metamorphosis with warnings from Earth to Capitalism about the end of the world if the glut continues. A group of photographs also fantasizes about the nonexistence of colors in a world without humans. Black book (2021) is the fourth and, for the time being, the last series of the project. It focuses on the inequalities of capitalism, and the imperfect tools that Western society has developed to counter its effects. The 17-minute black and white animation video, tells the story of Pepe, an unscrupulous lawyer that creates a complex web to avoid taxation in an international operation. The lack of ethics of a whole system created in order to allow big corporations to skip contributing to social progress is revealed. The Oxfam photo