receiving a dove from a standing female. The seated figure is holding a pomegranate in the left hand and an unidentified object (possibly fruit or an egg) in the right hand. On the west side are two females seated on thrones and facing each other. Their breasts are large and the nipples and areolae can be seen through their thin clothing. The one on the right holds in her right hand a flower and in her left a pomegranate. The one on the left holds in her right hand a phiale. The opening for insertion of the body is in front of this figure. Above the opening is a cow suckling its calf. This design is also seen on coins from the reign of Sppndaza (475 to 469 BC). On the right of the opening three female figures advance towards the seated figures. The second advancing female holds in her right hand a fruit and in her left a pomegranate flower. The third holds in her raised right hand an object, possibly an egg. On the east side is a male figure seated on a throne, holding in his right hand a pomegranate flower and being offered a cock by a smaller standing figure. Behind the small standing figure is a male holding in his left hand a staff and advancing with a dog. Behind the seated figure are two advancing females, the first holding in her left hand a pomegranate. It is thought the carvings on the monument were originally brightly painted. At the time of Fellows' discovery of the monument, the remains of blue paint were found in the backgrounds of the reliefs. Traces of red paint have also been found on other parts. Assessment The reliefs on the tomb show "a Greek–Lycian version of the audiences depicted at Persepolis". Leo Raditsa, in the Cambridge History of Iran adds; Interpretations The seated figures are thought to be Lycian gods or deified ancestors. Among the possible identities for the seated figures on the north and south sides are Harpagus, the Median general who became the founder of the Lycian dynasty, and Kybernis, a later king of Lycia. Kybernis is proposed as a possible identity of the occupant of the tomb. Another view is that they are generalised scenes of judgement in Hades rather than earthly rulers. Consistent with this view is the interpretation of the south figure as Persephone,