selected three emotive attributes from the Sefirot for Sinfonia No. 4 and placed them in three parts for the composition: I. Keter (crown), II. Tiferet (beauty), and III. Gevurah (might). The work is written for trumpets I, II, III; horns I, II, III, IV; trombones I, II, III; tuba; harps I, II; piano; celesta; timpani; percussion; organ; violins I, II; viola; violoncello and double bass. Facsimile copies of Sinfonia No. 4 are housed at the Library of Congress and the Library of the Jewish Theological Seminary. Sinfonia No. 5 for organ was composed between 1964 and 1968 and like the previous sinfonia was dedicated to Bethel Knoche, who premiered the work on the Auditorium organ in Independence, Missouri, on 6 May 1967. This is a five movement work in which each movement is based on an excerpt from the poetry of Nelly Sachs taken from the collection entitled "O The Chimneys". Berlinski recorded the poetry excerpts on his score against each movement as follows: I. Footsteps – Age-old game of hangman and victim, persecutor and persecuted, hunter and hunted. "Auf dass die Verfolgten nicht Verfolger werden." (That the persecuted may not become persecutors). From "In the Habitations of Death". II. Here amen must be said, this crowning of words which moves into hiding and peace. You great eyelid closing on all unrest, your heavenly wreath of lashes, you most gentle of all births. "Einer" (Someone). From "Flight and Metamorphosis". III. The blood's circulation weeps toward its spiritual sea there where the blue flame of agony bursts through night. "Wan endlich" (When at last). From "Glowing Engimas II". IV. Only death draws out of them the truth of misery, these recurring rhymes cut out of night's blackness, these reed exercises at the end of the organ of sounds. "Nur Sterben" (Only death). From "Glowing Enigmas I". V. Footsteps - Which turn time ravenous emblazing the hour with wolves extinguishing the flight in the fugitive's blood. "Auf dass die Verfolgten nicht Verfolger werden" (That the persecuted may not become persecutors). From "In the Habitations of Death". In 1969 Berlinski began his Sinfonia No. 10 for cello and organ, completing it in 1976. It has two movements, the second of which is a theme and set of variations based on the traditional memorial prayer melody, Av Ha-rachamim (Merciful Father). Works from the earliest stage of his retirement include: a song cycle, Dost thou