has already occurred (1996). From 1999, he started with the Center team Petion-Bolivar, whose Oldy August (camera and editing) and Mathieu Painvier, production assistant, in conducting a series of documentary portraits of workers in lower classes country's small museums and personal emblematic figures of Haitian art as Tiga, Cédor Albert Mangonès, Andre Pierre, Patrick Vilaire, Marithou. From a text by Gary Victor, he adapts the satirical film Piwouli and zenglendo in 2001. Many videographers working in the field, either as producers or as camera operators, or as editors. Some of them also work as directors. It should be mentioned among them names like; Mario Delatour Jean Fabius, Richard J. Arens, Claude Mancuso, Jean-Pierre Grasset, Richard Senecal, Rachel Magloire, Patrick Barth, Karl Lafontant, Romane Simon, Guy Cantave, Laurence Magloire, Jean Claude Bourjoly Camille Moses said Kharmeliaud etc.. Jean-Gardy Bien-Aime, include: Cape Town to a (1993. Arc-en-Ciel Video Production). Scars (1997. Arc-en-Ciel Video Production). Millionaire in error (2003) Frederick Surprised: The people here Honey, I love you (1998) It may also include a video produced by Raphael Stines, Kraze Lanfa with an actor in the popular farce "Jessifra. This actor is a hugely popular with the public for his imitation of the accent considered colorful by those who live in the north of Haiti. Videos of his theatrical works—filmed without any attention to shooting or editing—have found unbeatable success, especially in the diaspora. Raphael Stines was also the director of a television series entitled Pè Toma and Bouqui nan Paradi, from part of Fouche. Mention also the fear of loving and Reginald Lubin Barricades Richard Senecal. Characteristics of film production in Haiti There is weak artistic and technical preparation in the Haitian film industry. Most technicians and artists, including actors, learned on the job. They are forced to solve technical problems, instead of dealing with creative problems. Professionalism is virtually absent. There is no Haitian legislation on cinema, and the state has shown no interest in film production. There is only one film school in Haiti, the Ciné Institute. In 2000 the Haitian filmmakers association was created with the most prominent filmmakers living in Haiti at the time and was presided first by Claude L.C. Mancuso and then by Arnold Antonin. The Motion Picture Association of Haiti (MPAH) was founded in 2007 by Hans Patrick Domercant. Once a year, it invites various businesspeople, civic leaders, renowned Haitian actors, and Hollywood actors of