Samuel Weller Singer (1783–1858) was an English author and scholar on the work of William Shakespeare. He is also now remembered as a pioneer historian of card games. Life Born in London, he was son of Thomas Singer, a feather and artificial-flower maker, who carried on business in Princes Street, Cavendish Square. George John Singer was his younger brother. His father died when Samuel was ten years old, and his mother, whose maiden name was Elizabeth Weller, continued the feather and flower business. Samuel attended a day school kept by a Frenchwoman, and acquired facility in French. As a boy he read widely, and taught himself Italian. At an early age he was apprenticed to a hatter, but the indentures were cancelled. His mother then employed him, and about 1808 he set up for himself in the same trade in Duke Street, St. James's, though without success. He then opened a bookseller's shop in St. James's Street: collectors such as Heber, Grenville, and Francis Douce were among his customers, and Douce became a lifelong friend. With bookselling he combined literary work. In 1815 Singer gave up his shop and began to write full-time. Leaving London, he settled first at Bushey, Hertfordshire, and later at Boxhall. Robert Triphook, the antiquarian publisher, and Charles Whittingham, owner of the Chiswick Press, gave him employment. Singer was elected a Fellow of the Society of Antiquaries in 1825, but in 1827 his literary activity was checked by his acceptance of the office of librarian to the Royal Institution in Albemarle Street. He retained the post till 1835. A year earlier his friend Francis Douce had died, and left him a legacy. Singer finally retired in 1835 to Mickleham, Surrey. He died suddenly at Mickleham on 20 December 1858, and was buried there. He had married, in 1808, Miss Harriet Robinson, by whom he was father of a son, Alfred (1816–1898), and three daughters. His library, which included many Italian books, was sold by auction in 1860. Works In 1811 he prepared for private circulation a limited edition of a reprint of Fénelon's 'Deux Dialogues sur la Peinture,' with a preface in French. There followed similar editions of 'Lionora de' Bardi ed Hippolito Buondelmonte' (1813), 'Novelle Scelte Rarissime stampate a spese di XL Amatori' (1814), and 'Baliverneries ou Contes nouveaux d'Eutrapel' (1815). In 1812, too, he entered into literary controversy by printing for private distribution 'Some