influence anger. A brochure The Antichrist in Moscow, devoted entirely to the diffusion of the film and the events related to it, is distributed. The film is described as the most blasphemous film created in the last decade. The magnitude of unprecedented blasphemy, the pamphlet says, is proven by the tens of millions of people who are affected by the film. During the 2012 expert appraisal, experts from the Russian Institute of Culture, however, found nothing in Scorsese's film that could be criticized. A new wave of censorship is emerging, which is linked to the policy led by the Minister of Culture Vladimir Medinski, from his appointment to this post in 2012. The film critic, former director of the Guild of film critics, Russian filmmaker Viktor Matisen is provided as an example of refusal to broadcast for censorship the movie Clip of the director Maï Miloche and the film Order of forgetting of the director Hussein Erkenov, but also the requirements of modification of the scenario of the project of Alexander Mindadze Gentil Hans, dear Piotr (Милый Ганс, дорогой Петр), considered as a factual modification of the constitutional rules on censorship. Adopted in 2014, the law prohibiting the use of uncensored (obscene) language is applicable in cinemas and is interpreted as an introduction to censorship in Russia. According to these new requirements, director and director Valeria Gaï Germanica's film Yes and Yes ("Да и да") saw its dialogues changed to become law-abiding, while the non-standard vocabulary was part of the artistic conception of melodrama and was dictated by the content and logic of the developed subject. In November 2014, the Ministry of Culture of the Russian Federation refused to fund the Artdokfest International Documentary Film Festival. His reasons are based on the fact that the festival's president, director Vitali Manski, would be, according to the minister, an opponent of the state from a political point of view. Minister Medinski said he would not be funding the festival for as long as he was minister of culture. On the other hand, in October 2016, there was the premiere of the film Twenty-eight Panfilovs (in), whose scenario is based on the story of the exploits of the twenty-eight Panfilovs, a holy Soviet legend of the Second World War. The Ministry of Culture financially supported this project. On November 4, 2016, the film went on the channel Rossiya 1. The first screenshot of