Berau Gulf region, Papua, and on the island of Arguni and in the Kai Island. Apart from the hand shadow motif, the motifs found in many places are human figures, boats, sun, moon, birds, fish, turtles, humans, lizards, legs, and hog deer. Classical Hindu-Buddhist art After the end of prehistoric times, the Indonesian people had various kinds of expertise such as making large stones in the form of stepped pyramids, metal casting, agriculture and tools, sculpture, and batik making which were developed with the addition of new elements at the time of the influx of Hindu influence. This period is a new chapter in the periodization of culture in Indonesia and can be said to be a historical era because at this time there have been found relics in the form of writing. This happened because of cultural contact with India around the 5th century AD. Common themes used in works of art at this time include religion, mythology, legends, and historical stories. For example, a classical Balinese painting containing the Ramayana and Mahabharata stories. The style used in the wall carvings of the Majapahit era is the wayang style with a dense, stylized composition of the horizontal plane. The term wayang style here shows a sign of similarity in the stylized forms of the characters from wayang kulit stories and classical Balinese paintings. Painting color is limited to the colors that can be achieved by natural materials such as bark, leaves, soil, and soot. The painting is made on elongated fabric without being attached to the span frame so that the result resembles a scroll painting. As well as temple wall carvings and lontar pictures, the function of classical Balinese painting is as an educational medium in accordance with religious teachings or the philosophy of life in the Hindu era. Painting in Bali began to take place when the Hindu culture of East Java was pressured by Islamic culture. The existence of painting that blends and acculturates Hindu culture is unique and recognized by various countries until now. The development of Hindu-Balinese painting can be described in three parts, namely Kamasan painting, Pita Maha painting and Young Artists painting. Islamic art As in the Hindu era, Islamic art in Indonesia is centered in the Kraton or palace. An artist's job is not only to create works of art, but he is also an expert in various sciences and philosophies,