composition, microrhythm and improvisation. He has referred to this radical blending of styles, concepts and processes as “liminalism”, a "challenging, blending and melding of the boundaries of musical style, and of the limits of music perception, processes and accessibility". His data sonification work Bloodlines was broadcast on BBC Radio 4 Midweek, and featured in the Times Higher Education Supplement. A later data sonification work, Careful, was featured in The Guardian. He has written music for plays (Derry Playhouse), Film Scores (Martino: Unstrung), arrangements for string quartet (D Rail, played live on BBC Radio 4's Intune), sound installations (Microcosmos at the Royal Academy of Music). In 2018, Milton Mermikides was interviewed by Evelyn Glennie on BBC Radio 4 on data sonification and his translations of Bridget Riley prints into music. Collaborations Mermikides has collaborated extensively with a diverse range of artists, academics and scientists. Collaborations include; writing the score for Pat Martino's film Martino:Unstrung (2008), arranging and production credits (with Bridget Mermikides) on Tim Minchin's Storm animation, and arranging music for Brian Eno for Hiroko Koshino's fashion shows in China and Japan. Mermikides was previously guitarist and arranger for band Stax (previously called Souled Out) with singer Sam Brown whose guest artists included Steve Winwood and Tim Rice. He has also worked with Sleep experts and his Sound Asleep project was exhibited in the Design Museum, London, and featured on BBC Radio 4 Inside Science. Most recently he has been working with Professor Morten Kringelbach of Oxford University drawing parallels between circadian rhythms and musical theory, culminating in a presentation of new music at a public lecture hosted by the British Neuroscience Association. In 2006 Mermikides founded the Eclectic Guitar Orchestra (Milton's Big EGO) – a guitar orchestra made up entirely of eminent guitarists. Members have included Craig Ogden, John Williams, Paco Peña, Jake Willson, Thomas Leeb, Declan Zapala, Stephen Goss, Gary Ryan, George Hrab and Bridget Mermikides. In 2020, a long term collaboration with music technology pioneer Peter Zinovieff climaxed in the presentation of a paper at the EVA London 2020 conference . The paper ‘Revisiting December Hollow: Unearthing emotive shape’ was a description of the project - a developed realisation of Zinovieff’s 1969 December Hollow ‘fold-out score’ concept. The compositional system is designed to generate electronic music and/or conventional scores by slicing through a three-dimensional topographical score of ‘emotional zones’. Each zone is associated with a vector of musical