a critique of the West: its "vivisected, gouged idol covered in blotchy graffiti could be from any photograph seen daily of the mayhem in the Middle East, just part of the carnage, interventions, and wars [Bhabha] has called a 'systematic demonization and humiliation of the people and their ancient and present Islamic cultures' ... [h]er Met installation is a vivid rebuke of what the West says to all the cultures it invades: We come in peace." He assessed the work as "among the best Met roof sculpture installations since the program began in 1987." References Further reading (Exhibition catalogue) Installation art works Sculptures of the Metropolitan Museum of Art