work (Afrique et Toussaint Louverture à New York, 1960; Venus Hottentote et Comics pour Harlem, 1962 ; My Darling Clementine and Black Magic, 1963; Voir ELLE et Banania 1, 1964; Convergence, 1966; Port-au-Prince, le fils prodigue, 1970; Le Silence veille à Saint-Marc (Haiti), 1975; Afrique, 1980; La Mère-patrie, 1981; Mère Afrique, 1982; Le Voyage d'Hector Hyppolite en Afrique n°1, 2000 ; Deep South, 2001, etc.). Fonds d'actualité n°1 (at the MNAM) is an indirect tribute to the satirical cartoonists Plantu and Pancho, with the figure of Jacques Chirac, then "elected as in Africa" with 82.21% of the votes. In 2002, the IUFM of Lyon made an exhibition around this large painting and coffee grounds objects. On the occasion of the publication of a first monograph by Anne Tronche at Flammarion, in "La Création contemporaine"; collection, Louis Carré & Cie gallery presents on its stand at Fiac 2003 an exhibition bringing together a set of major works from the 1960s, entitled "Paris 1961". In 2005, he created a cycle of three monumental murals for the courtroom of the Court House in Laval. In 2010, following the 2010 Haiti earthquake of January 12, Télémaque sponsored the "Haiti Action Artists" auction, which aimed to give Haitian artists the means to rework and to create durable solutions. A retrospective exhibition of his work dedicated was held by the Musée national d'art moderne at the Centre Pompidou from February 25, 2015, to May 18, 2015, with 74 paintings, drawings, collages, objects, and assemblages, replicated at the Musée Cantini, then in 2016 at the Fondation Clément in Martinique, with a selection of about 50 paintings directly related to the West Indies and Africa. The MoMA (Museum of Modern Art) acquired a painting from the New York years No Title (The Ugly American) thanks to the patronage of Marie-Josée and Henry Kravis in honour of Jerry Speyer, three personalities close to the New York Museum. A painting of his was exhibited at the Guttklein Fine Art Gallery in Paris in 2018. In this exhibition entitled "Jalons", Télémaque for the first time exhibited Témoins (1998) a mural painting symbolizing a return to his Haitian roots. In 2019, he created a surprise at the Rabouan Moussion gallery in Paris where, in the exhibition "L'inachevée conception", he presented an imposing canvas of ten meters long. Produced in the calm of his workshop in Verneuil-sur-Avre in Normandy, the painting Al l'en