the term ‘instantaneous photography movement’ to describe the mania for taking photographs of rapidly occurring action in the mid- to late nineteenth century. Prodger has also written extensively about Modern photography. He is the author of a series, so far including three books (one with Terence Pepper), on Edwardian photographer Emil Otto Hoppé, produced in collaboration with Graham Howe and the E.O. Hoppé Estate in Pasadena, California. He is also an author or co-author of books on Ansel Adams, Ernst Haas, and the partnership between Man Ray and Lee Miller. In contemporary art, Prodger has written monographs on William Eggleston, Martin Parr, and Jerry Uelsmann. He has also written short texts for monographs by Anderson & Low, Katharine Cooper, Harold Feinstein, Sharon Harper, Anna Kuperberg, Yann Mingard, Suzanne Opton, Paul Outerbridge, Anne Rearick, and Joni Sternbach. In 2018, he was curator and primary author of an exhibition and catalogue on early Chinese photography produced in association with Tsinghua University and the Loewentheil Collection Publications Books and catalogues Martin Parr: Only Human, London: Phaidon, 2019. E. O. Hoppé: The English, (forthcoming), Gottingen: Steidl, 2019. The Real Me: Understanding Photo Portraiture in the 21st Century, (forthcoming), London and New York: Thames & Hudson, 2019. Vision and Reflection: Photographs of 19th Century China from the Loewentheil Collection, Beijing: Tsinghua University Press, 2018. 100 Photographs (editor and introduction), London: National Portrait Gallery, 2018. Victorian Giants: the Birth of Art Photography. Julia Margaret Cameron, Lewis Carroll, Clementina Hawarden, and Oscar Rejlander, London: National Portrait Gallery, 2018. William Eggleston Portraits, London: National Portrait Gallery and New Haven: Yale University Press, 2016. E.O. Hoppé, The German Work 1925–1938, Gottingen: Steidl, 2015. Ansel Adams: At the Water’s Edge, Salem: Peabody Essex Museum, 2012. Man Ray | Lee Miller: Partners in Surrealism, New York and London: Merrell Publishers, 2011. Ernst Haas: Color Correction, Gottingen: Steidl, 2011. Hoppé Portraits: Society, Studio, and Street, London: National Portrait Gallery, 2011. The Mind’s Eye: Fifty Years of Photography by Jerry Uelsmann, San Francisco: ModernBook, 2010. Paul Outerbridge: New Color Photographs from California and Mexico, 1948-55, Portland, Oregon: Nazraeli, 2009. Darwin’s Camera: Art and Photography in the Theory of Evolution, New York and London: Oxford University Press, 2009. Hoppé’s Amerika: Modernist Photographs from the 1920s, New York and London: W. W. Norton & Co., April 2007. Impressionist Camera: Pictorial Photography in Europe, 1888-1918, London and New York: Merrell, 2006. Time Stands Still: Muybridge and