other tenderly. Cast Laia Costa as Elena Aldana Josh O'Connor as Jake Peter Wight as Andrew Lisa McGrillis as Carly Stuart Martin as Shane Isabelle Barth as Rose Orion Lee as Eddie Production Development Harry Wootliff was primarily interested in telling a modern love story, that explores how life and people's expectations of love are in conflict. Yasmin Omar interviewed Wootliff alongside writer-director Tamara Jenkins, discussing whether infertility is the last taboo in cinema, Wootliff is quoted as saying “You’re grieving the loss of a future and you’re grieving the loss of nothing. People are still keeping it very secret... I think it’s more acceptable to talk about miscarriage than not being able to bear a child.” Wootliff was interested in subverting stereotypes, “I loved that he’s the one who’s open and she’s less into wearing her heart on her sleeve... I wasn’t pedaling this notion of a deranged woman pushed by her hormones to meet a man and have a baby.” Wootliff is interested in the subtlety of female experience, as opposed to two-dimensional representations, “I sometimes think it’s all about showing women to be very strong. I like my character because she’s a lot of things: she’s vulnerable, irrational, funny. That’s a woman. We have qualities that are deemed as less admirable – perhaps because we are in a male-dominated society – so why shouldn’t we see them?” Filming Shot in Finnieston, Glasgow, over 25 days. Music The film's original score was composed by Emilie Levienaise-Farrouch of FatCat Records. Other music used in the film included songs by, among others, Elvis Costello, Bronski Beat and Lhasa de Sela. Several critics cited the use of Costello's "I Want You" twice in the film; Mark Kermode made note of the soundtrack more broadly: "Musically, the piano and cello themes of Emilie Levienaise-Farrouch's sparse score are counterposed against an eclectic jukebox selection of tracks, most notably the anguished vocals of Elvis Costello's I Want You – one of the most emotionally astute deployments of a pop song in a movie since Barry Jenkins's killer use of Barbara Lewis's Hello Stranger in Moonlight." Reception Only You has been critically acclaimed. On Rotten Tomatoes the film has approval rating on review aggregator website Rotten Tomatoes, based on reviews. The site's critical consensus reads, "Beautifully filmed and powerfully acted, Only You traces the arc of a relationship with refreshing honesty -- and marks Harry