sculpture and painting by encouraging the use of colour in his work. Annesley then went on to use the simple structures of geometrical shapes as a means of exploring colour relationships. His exhibitions at the Waddington Galleries in 1966 and 1968 were notable for his use of brightly coloured paint to portray the different aspects of his sculptures. Alongside Annesley's dynamic compositions, this helped him project a sense of weightlessness and movement that was at odds with the heavy steel construction of his work. This sense of movement was further delineated by titles of his work, such as 'Godroon' and 'Loquat', picked by Annesley for their unique sounds. References Living people 1936 births British sculptors British expatriates in Zimbabwe British expatriates in Australia