Lindsey Ferrentino is an American contemporary playwright and screenwriter. Career Ugly Lies the Bone was a New York Times Critic's Pick and played a sold-out, extended run at Roundabout Theatre before being produced at The National Theatre in London in the 900 seat Lyttleton Theatre. In The New York Times review of Ugly Lies the Bone, Charles Isherwood wrote that Ferrentino is "a brave playwright of dauntless conviction whose unflinching portraits are hard to come by outside of journalism." Deadline Hollywood described Ugly Lies the Bone as, "clearly the work of a young talent with plenty ahead of her. It’s timely, compelling and as current as you could want; brava to a playwright who focuses on the combat experiences of a woman." The Observer described it as, "raw and inescapably moving. A play of small moments that hide big emotions." Ferrentino received the 2016 Kesselring Prize for Ugly Lies the Bone. In 2018, Amy and the Orphans, premiered at Roundabout Theatre Company and was called “barrier breaking” in the New York Times. Featuring American Horror Story'''s Jamie Brewer, Amy and the Orphans is the first Off-Broadway (or Broadway) show to have an actor with Down syndrome in a leading role. In the New York Times review of Amy and the Orphans, Brantley wrote that Ferrentino "possesses a muscular empathy which seeks to enter the minds of people for whom life is often a struggle of heroic proportions." Ferrentino, Jamie Brewer, and Eddie Barbanell received the Catalyst Awards Entertainment Industry Excellence Award for Amy and the Orphans., Also in 2018, This Flat Earth ran at Playwrights Horizons. The New York Times wrote that This Flat Earth is "Ferrentino's most daring play to date, with profound and essential subjects. She is bravely attempting to contextualize 21st-century horrors within the sort of existential framework in which Thornton Wilder and Edward Albee specialized." In December 2018, The Year to Come opened at La Jolla Playhouse and was a Critic's Pick by the San Diego Tribune. According to the San Diego Tribune, "The rewards of Lindsey Ferrentino's captivating new play should be the last thing you'd want to pass up. The world-premiere La Jolla Playhouse work proves a funny and probing exploration not just of one extended Florida family's journey, but of the course of our country over two eventful, sometimes traumatic decades. That scale of domestic epic is lot to take on. Doing so