non-Mormon Egyptologist Robert Ritner of the University of Chicago (also John Gee's instructor). The papyri were written in hieratic Egyptian characters (a sort of cursive hieroglyphic), and is read from right to left. (Lacunae in the manuscript are shown with an ellipsis or "[?]"). The translations below were presented side by side, with line breaks for ease of comparison, but were not part of their translation. The Pilcrow symbol (¶) denotes a paragraph that translator added to their translation, but is not part of the Egyptian text. In Baer's translation, missing text that was inferred from other similar book of breathings were noted in italic. Nibley did not translate missing text, only translating words that were on the papyri. Rhodes and Ritner denoted missing text with brackets []. Text in-between brackets were inferred from other similar book of breathings. Fragment A JSP Fragment I, text surrounding the vignette known as facsimile #1. This is an introductory section of the Book of Breathing. Hugh Nibley did not make a translation of this opening vignette. JSP Fragment I, Vignette According to Baer, Coenen and Quaegebeur, the scene represents the resurrection of Hor (as Osiris) aided by Anubis. Osiris lies on a lion couch, with Anubis, the jackal headed god standing over him. Four canopic jars are shown below the figures, which have lids representing the four sons of Horus, Imset, Hapi, Qebeh-senuwef, and Duwa-mutef. According to Baer, Osiris was "almost certainly represented as ithyphallic, ready to beget Horus", grasping his phallus. Michael D. Rhodes says this interpretation is unlikely because in all other conception scenes the reclining figure is nude and in this one he is wearing a kilt. JSP XI (two columns) Fragment B The translation from the papyri ends here, as the remaining fragments is presumed not to have survived. The Book of Breathing continues for another four paragraphs (paragraphs 11-14). These final paragraphs typically include continued discussion of Hôr entering the afterlife, an abbreviated Negative Confession where Hôr would proclaim before gods and demons that he had not committed a variety of sins, and finally a proclamation of the Hôr's purity and readiness to live forever on earth. This would make up about two more columns. Closing Vignette (Facsimile #3) The culminating vignette, also known as facsimile #3, is the presentation of Hor to the Egyptian god of death and rebirth Osiris (seated), and his wife Isis (standing) after