of the period, with ionic pilasters and penetrating vaults, and an interior that resembled the high baroque style. The dome, by Hardouin-Mansart, was more revolutionary, sitting upon a structure with the plan of a Greek Cross. The design used superimposed orders of columns, in the classical style, but the dome achieved greater height, by resting on a double or drum, and the facade and dome itself were richly decorated with sculptures, in niches, and ornaments of gilded bronze alternating with the , or ribs of the dome. The finest church interior of the late Louis XIV period is the chapel of the Chateau of Versailles, created between 1697 and 1710 by Hardouin-Mansart and his successor as court architect, Robert de Cotte. The decor was carefully restrained, with light colors and sculptural detail in slight relief on the columns. The interior of the chapel opened up and lightened by the use of classical columns placed on the tribune, one level above the ground floor, to support the weight of the vaulted ceiling. The Grand Style: Paris Though Louis XIV was later accused of having ignored Paris, his reign saw several massive architectural projects which opened up space and ornamented the center of the city. The idea of monumental urban squares surrounded by uniform architecture had begun in Italy, like many architectural ideas of Baroque period. The first such square in Paris was the Place Royal (now Place des Vosges) begun by Henry IV of France, completed later with an equestrian statue of Louis XIII; then the Place Dauphine on the , which featured, adjacent to it, an equestrian statue of Henry IV. The initial grand Paris projects of Louis XIV were new facades on the Louvre, especially the Colonnade, facing to the east. These were showcases of the new monumental style of Louis XIV. The old brick and stone of the Henry IV squares was replaced by the Grand Style of monumental columns, which usually were part of the facade itself, rather than standing separately. All the buildings around the square were connected and built to the same height, in the same style. The ground floor featured a covered arcade for pedestrians. The first such complex of buildings built under Louis XIV was the (now the ) (1662–1668), facing the Louvre. It was designed by Louis Le Vau and François d'Orbay, and combined the new college donated by Mazarin, a chapel,