paired alongside Baskin's instrumental version of "The Bar", which contains an instrumental sample of Streisand's song "Here We Are at Last", taken from her twenty-third studio album, Emotion (1984). Reception Initial reviews for the film's soundtrack were mostly negative, with them targeting the singer's role as a composer. Acknowledging the album's poor reception, Streisand reacted: "I don't get angry. I get hurt. It's a strange phenomenon that our society is not ready for a Renaissance woman. It is only ready for a Renaissance man." Contemporary reviews leaned towards being more positive; due to its short length, author Allison J. Waldman described the soundtrack as a "minimalist score" and "mini-CD soundtrack" in her 2001 biographical book The Barbra Streisand Scrapbook. Although she considered the score to be "subtle and slight," she concluded: "to [Streisand's] credit, it was an effective complement to the movie." Tom Santopietro, author of The Importance of Being Barbra: The Brilliant, Tumultuous Career of Barbra Streisand, wrote that "Here We Are at Last" was originally meant for Nuts rather than Emotion and praised it, calling it the "only song [that] registers at all" with Streisand at this point in her career. Track listing All tracks produced by Streisand. On the cassette release of Nuts, "The Finale" and "The End Credits" are combined into one track, titled "The Finale / The End Credits", which has a duration of four minutes and 50 seconds. Credits and personnel Credits adapted from the liner notes of the original version of Nuts. Recording Recorded and mastered at Lorimar Studios in Culver City, California Personnel Barbra Streisand writer, music Richard Baskin writer (track 2) Bob Fernandez recording engineer Jeremy Lubbock arranger, conductor Randy Waldman arranger, player (track 2) Dan Wallin recording engineer References Citations Bibliography External links 1987 soundtrack albums Barbra Streisand soundtracks Columbia Records soundtracks