State University Press, 2013. Imagining Winter. Brisbane: Interactive Press, 2006. Creative Writing and the New Humanities. London/New York: Routledge, 2005. Chapters “How Many ‘Turns’ Does it Take to Change a Discipline: Narratology and the Interdisciplinary Rhetoric of the Narrative Turn.” Emerging Vectors of Narratology. Eds Per Krogh Hansen, John Pier, Philippe Roussin and Wolf Schmid. Narratologia series. Berlin: De Gruyter, 2017. 405-34. “Fictional ‘Word Bytes’.” Word Bytes: Writing in the Information Society. Ed. Carolyne Lee. Melbourne: Melbourne University Press, 2009. 138-56. “The Future of Creative Writing.” The Creative Writing Handbook. Ed. Steve Earnshaw. Edinburgh: University of Edinburgh Press, 2007. 78-90. “Writers, Critics, and Literary Authority.” Creative Writing: Theory Beyond Practice. Eds Nigel Krauth and Tess Brady. Brisbane: Post Pressed, 2006. 21-31. Journal articles "Fictional Minds and Female Sexuality: The Consciousness Scene from Pamela to Lady Chatterley's Lover." ELH (English Literary History) (forthcoming). "Narrativizing Novel Studies, Historicizing Narrative Theory." Introduction to special issue on Narrative Theory and the History of the Novel. Poetics Today 39.1 (2018): (forthcoming). "Delving into the Narratological 'Toolbox': Concepts and Categories in Narrative Theory." Style 51.2 (2017): 228-46. "From Digressions to Intrusions: Authorial Commentary in the Novel." Studies in the Novel 48.2 (2016): 145-67. "Ten Theses Against Fictionality." Narrative 23.1 (2015): 74-100. "Style, the Narrating Instance, and the 'Trace' of Writing." Style 47.4 (2013): 466-89. “Emerging Vectors of Narratology: Toward Consolidation or Diversification? (A Response).” Enthymema 9 (2013): 109-<114http://riviste.unimi.it/index.php/enthymema/article/view/3533/3708> “Real Readers and Real Authors: Omniscient Narration and a Discursive Approach to the Narrative Communication Model.” Journal of Narrative Theory 42.1 (2012): 91-116. “The Return of Omniscience in Contemporary Fiction.” Narrative 17.2 (May 2009): 143-161. (it was the winner of 2010 Prize for Best Essay published in Narrative. An Italian translation published in Enthymema 13 (2015): 37-63) “State of Play: Australian Poetry and Poetics Now.” Five Bells: Australian Poetry 15.4 & 16.1 (2009): 30-39. “Historicizing Craft in the Teaching of Fiction.” New Writing: International Journal for the Practice and Theory of Creative Writing 5.3 (2008): 211-224. “Creative Writing and Postmodern Interdisciplinarity.” TEXT 12.1 (2008) <http://www.textjournal.com.au/april08/dawson.htm> "What is a Literary Intellectual?: Creative Writing and the New Humanities." Cultural Studies Review 9.1 (2003): 161-79. “Towards a New Poetics in Creative Writing Pedagogy.” TEXT 7.1 (2003) <http://www.gu.edu.au/school/art/text/april03/dawson.htm> "A Place for the Space Between: Fictocriticism and the University." Westerly 47 (2002): 139-51. "Creative Writing in Australia: The Development of a Discipline." TEXT 5.1 (2001) <http://www.gu.edu.au/school/art/text/april01/dawson.htm>. “Writing Programmes in Australian Universities: Creative Art