is Risen collection regarding Betsey and Anarcha, who were women that were unjustly experimented on while enslaved. The piece, "After Her Harvest," refers to the piece, "Henrietta: After the Harvest," about Henrietta Lacks and the cancer cells that were taken from her without her consent. All four of these pieces showcase the flesh from the experimentation of black women. Tattoos In winter of 2018, Garner held a pop-up tattoo parlor every Friday and Saturday through March 3, 2018 entitled, Invisible Man Tattoo. It was located in Recess in Clinton Hill, Brooklyn. There, she allowed people to either pick from her designated designs, or create their own. These created tattoos were anywhere from cotton flowers to Martin Luther King Jr. and black panther heads. Additionally, anyone who identified as a brown or black person of color would receive a free tattoo from a selected list. The purpose of this pop-up tattoo parlor was to address tattoo culture, which tended to eliminate black history, and to create a space in which people of color would feel welcome. Podcast #trashDAY is a podcast run by Garner and Kenya (Robinson). Their podcast offers a wide range of ideas, anywhere from strategies to help oneself, to intensive critique. The podcast appears on Clocktower Radio and the purpose of this podcast is to be a starting point for social commentary displayed in a bit of mockery or sarcasm. Exhibitions Solo exhibitions Revolted, New Museum, New York, 2022 The Remains, JTT, New York, NY, 2020 Doreen Garner, CAPRI, Düsseldorf, DE, 2019 She is Risen, JTT, New York, NY, 2019 Doreen Garner: Alternative Modes of Penetration, MoMA PS1, Long Island City, NY (performance), 2019 Statements, Art Basel, Basel, CH, 2018 Doctor's Hours, Larrie, New York, NY, 2017 Doreen Garner: Full Body, George Mason University, Washington, D.C., 2017 Ether and Agony, Antenna Gallery, New Orleans, LA, 2016 Removing The Veil: Vanity as Material for Incision, Essex Flowers, New York, NY, 2016 Flora: Viscera, Wavehill, Bronx, NY 2016 Shiny / Red / Pumping, Vox Populi Gallery, Philadelphia, PA, 2015 Abjection, Bannister Gallery, Providence, RI, 2014 Selected two-person exhibitions White Man on a Pedestal with Kenya (Robinson), Pioneer Works, Brooklyn, NY, 2017 Surrogate Skin: The Biology of Objects with Keisha Scarville, Museum of Contemporary African Diasporan Art, Brooklyn, NY, 2016 Selected group exhibitions The Hela Project, The National Museum of African American History, Washington, D.C., 2017 Emerging Artist Exhibition, Socrates Sculpture