Research Fellowship program; edited the Institute’s publishing; and with liocal oartners initiated the Yorkshire Sculpture Triangle, which became Yorkshire Sculpture International. As well as supporting a team to develop a robust exhibition program, she led on exhibitions including Jiro Takamatsu: The Temperature of Sculpture (2017), Aleksandra Domanović: Votives (2017) The Body Extended: Sculpture and Prosthetics (2016), Paul Neagu: Palpable Sculpture (2015), Katrina Palmer: The Necropolitan Line (2015), The Event Sculpture (2014), Ian Kiaer: Tooth House (2014) Gego: Line as Object (2013), Robert Filliou: The Institute of Endless Possibilities (2013) Sarah Lucas: Ordinary Things (2012), and Mario Merz: What Is To Be Done? (2011). During her tenure Le Feuvre was instrumental in developing the vision and external profile of the Foundation, led by the core values of Henry Moore. While directing the Institute she raised the international profile of the Institute, initiated sustainable links with local communities and implemented effective business working practices, striving to create a new model for an artist foundation. In 2017 she was invited to be the first Executive Director of Holt/Smithson Foundation, an artist-endowed foundation dedicated to the creative legacies of the artists Nancy Holt (1938-2014) and Robert Smithson (1938-73). Holt/Smithson Foundation is a new model of artist-endowed foundation in this growing sector of the arts ecology. Collaborating with artists, writers, thinkers, and institutions, Holt/Smithson Foundation realizes exhibitions, published books, initiates artist commissions, programs educational events, encourages research, and develops collections globally from its headquarters in New Mexico. Writing, editing, public speaking Le Feuvre’s editorial work includes the Henry Moore Institute’s journal ‘Essays on Sculpture', and the Institute’s publication program between 2010 and 2017;[23] the MIT Press compilation 'Failure' in the MIT / Whitechapel Art Gallery’s 'Documents on Contemporary Art' series and the second issue of 'NOIT,' the journal of John Latham's Flat Time House, on the topic of burning. Since 2000 Le Feuvre has contributed to art journals and written extensively in publications on topics that include prosthetics, sculpture and failure. Since 2017 she has written on artists including Auguste Rodin (2021, Tate Modern, London), Kiki Smith (2021; Musée cantonal des Beaux-Arts de Lausanne), Mario Merz (2021 Hangar Bicocca, Milan), Eva Rothschild (2019, Ireland at Venice), Günther Förg (2018, Yale University Press), Michael Kienzer (2017, Gerhard Marcks Haus), and has published interviews with Thomas J. Price (2021,The Powerplant, Toronto), Christine Corday (2019, Contemporary Art Museum St Louis) and Emilia Kabakov (2017, Art Monthly, London). Le