Native American fashion (also known as Indigenous American fashion) encompasses the design and creation of high-fashion clothing and fashion accessories by the Native peoples of the Americas. Indigenous designers frequently incorporate motifs and customary materials into their wearable artworks, providing a basis for creating items for the haute couture and international fashion markets. Their designs may result from techniques such as beadwork, quillwork, leather, and textile arts, such as weaving, twining, and tufting. In some cases, however, they choose not to include any materials associated with indigenous cultures. In the United States, in accordance with the Indian Arts and Crafts Act of 1990, in order to qualify as Native American designers, artists must be enrolled in a state or federally recognized tribe or be certified by a specified tribal council. In Canada, there are no specific laws to protect First Nations iconography and traditional arts, though two trademarks, "igloo tag" and "Genuine Cowichan Approved" have been registered to protect Inuit and clothing designs for the Cowichan Tribes. In Latin America legislation is sparse, but some countries or individual states within countries with high indigenous populations have passed laws to protect indigenous heritage and design. When Native American designers first broke into the modern fashion industry in the 1950s, they adopted a pan-Indian approach. By selecting motifs and iconography easily identified as part of indigenous culture, they were able to gain acceptance and develop a market share with mainstream buyers. As the field of Native designers in high fashion expanded, individual designers moved away from pan-Indianism, expressing their individual identity, whether or not it was based on their traditional tribal heritage. Many have taken traditional themes and incorporated them into their works, while others have taken specific garments and updated them to contemporary aesthetics by changing necklines, sleeve lengths, hemlines and other features. Controversy has emerged over the misappropriation or inappropriate use of cultural heritage by non-Native designers. Respectful use of imagery by mainstream designers who are not indigenous can help expand appreciation of Native cultures, but plagiarism of design or malapropos use reinforces negative stereotypes and spurs controversy. Similarly, utilizing artisan craftwork can expand awareness if designers are fairly compensated for their work and given credit for their contributions. Contemporary controversies have spurred both crowd-sourced and legislative action to protect the designs and cultural heritage of indigenous designers. History Historical clothing of Native American peoples has been collected and displayed