Travis Alabanza (born 15 November 1995) is a British performance artist, writer and theatre maker. Career Alabanza's poems were first published in 2015, in the Black and Gay in the UK Anthology. Later that year Alabanza went on tour for their theatre show Stories of a Queer Brown Muddy Kid, performing at clubs, bookstores, and performance venues across the United Kingdom and abroad. They have been featured as a guest lecturer and panelist at over forty universities in the United Kingdom during LGBTQ and Black History month to discuss issues related to race, sexual orientation, and gender. Their work has been featured in Duckie, Bar Wotever, And What! Festival, Hamburg International Feminist Festival, Late at Tate, the V&A, and Transmission Gallery. They are currently the youngest person to be awarded a residency at The Tate in 2017/2018. In 2016, Alabanza starred in the five star roundhouse production of Putting Words in Your Mouth by Scottee and became one of the 2016–2017 Artists in Residence at the Tate Britain. In 2017, they began working on a solo exhibition, The Other'd Artist for Transmission Gallery in Glasgow. Alabanza released their first chapbook titled Before I Step Outside. (You Love Me); a compilation of visual art, poetry, diary entries, and essays. They also performed the leading role in the stage adaptation of Derek Jarman's punk film Jubilee. Alabanza has critiqued mainstream feminism for having been rooted in transphobia and mainstream feminists for often neglecting trans and gender non-conforming people in their discussions of progress. In 2018, Alabanza started a new show called Burgerz. This show focuses on audience participation regarding an incident in 2016 where a person threw a burger at them while walking across a bridge in London. The show ran its UK Tour from October 19 to November 17 in 2018. In 2019, Alabanza and Kaulbach, childhood friends, collaborated on an immersive installation titled All the Ways We Could Grow for the Free Word Centre, London. The installation explores the question, "What's it like to be trans?" while also provoking exploration into the calmness one experiences in their safe place, their bedroom. Disguised as a sleepover with pink satin sheets and pillows, the audience is encourage to take the space and imagine/reflect. The installation challenges the need for gender in society through works of imagery and poetry. In 2020, during the first COVID lockdown in England, Alabanza and Danielle Brathwaite-Shirley gave