discussions, and films at the Serpentine Gallery. Through the 2000s Le Feuvre was based in academia. Until 2004 she was Course Director of the postgraduate program in Arts Policy and Management at Birkbeck College, London and then taught on the postgraduate Curatorial Program at Goldsmiths, University of London. In addition she contributed to the MA in Contemporary Art at Sotheby’s Institute, BA Arts Management at London Southbank University, and the Foundation in Art and Design at Chelsea School of Art, London. She continues to examine doctoral research and deliver guest lectures to international art schools and universities. Le Feuvre lives in London, UK and New Mexico, USA. She is married to the artist Oswaldo Maciá. Curatorial projects and institutional Leadership Le Feuvre has curated more than sixty exhibitions, as an institutional and independent curator. Her independent exhibition projects include 'Gordon Matta-Clark: The Space Between' (2003; CCA, Glasgow; Architectural Association, London); 'Avalanche 1970-1976' (2005; Chelsea Space, London); 'Economies of Attention: Leisure, Resistance, Desire and Labour' at Arts Council England; and a series of exhibitions at Stills, Edinburgh: 'Simon Faithfull: Iceblink' (2006), 'Joachim Koester: Poison Protocols and Other Histories' (2009), 'Alexander and Susan Maris: The Pursuit of Fidelity (a ‘retrospective’)' (2010) and (2011). In 2010-11 she curated (with Tom Morton) the seventh edition of the British Art Show, the quinquennial survey exhibition; titled In the Days of the Comet it was presented in Nottingham (Nottingham Contemporary, Nottingham Castle Museum and New Art Exchange), London (Hayward Gallery), Glasgow (CCA, Tramway, Gallery of Modern Art, Glasgow) and across four venues in Plymouth. At the National Maritime Museum, Greenwich she directed the directing the New Visions contemporary art program between 2005 and 09. Her program invited artists to develop new work in response to the social-political histories of the sea, ships, stars, and time. She worked with Renée Green, Dan Holdsworth, Jeremy Millar, Simon Patterson, Esther Shalev-Gerz, and Lawrence Weiner. to develop expansive exhibition projects. Between 2010 and 2017 Le Feuvre was a member of the Strategic Management Team at the Henry Moore Foundation, leading the Henry Moore Institute. Running the research component of the largest artist foundation in Europe, she directed a programme of education, publications and exhibitions of the highest standard; led the Leeds Museums & Galleries Sculpture Collection and Archive, one of the strongest public collections of British sculpture; and sat on the Foundation's Grants Committee; oversaw a world-leading sculpture library and