In This Moment We Are Free – Cities is the debut studio album by progressive metal band VUUR. It was released on 20 October 2017, via Inside Out Music. Apart from the regular edition, the album was released on special editions including a CD digipak and a gatefold 2LP + CD (including etching on side D). Band leader and vocalist Anneke van Giersbergen viewed past collaborator Devin Townsend as an influence on the album. Marcela Bovio was initially going to act as secondary vocalist for the album, but left the band mid-production due to divergences about the direction the vocals should take. Song information All songs on the album are inspired by cities visited by van Giersbergen during her years of touring. The cities involved are: Berlin, Rotterdam, Beirut, San Francisco, Rio, London, Santiago, Mexico City, Helsinki, Istanbul and Paris. According to van Giersbergen: On 8 September 2017, a video for the opening track "My Champion – Berlin" was released. Commenting on this particular track, van Giersbergen said that it "serves as a kind of master of ceremonies. It's both heavy and melodic, it showcases the technical abilities of the band, but you can still sing along to it. [...] This song is about Berlin after World War II. The goddess on the Berlin Victory Column was raised to commemorate military victories, but in the song the city speaks to her and is asking her for help to overcome troubled times". The song was composed by guitarist Jord Otto. "The Fire – San Francisco" talks about people's lives before, during and after the 1906 San Francisco earthquake. The track "Days Go By – London" talks about the Great Fire of London from the perspective of the fire itself, although it is also a song about hope. It was the first song to be written for the album. Critical reception The album received mixed to positive reviews by critics, with most reviewers praising van Giersbergen's performance, but some criticizing the songwriting. Angry Metal Guy's GardensTale pointed some problems like an underrepresented bass and an "attempt at a wall of sound during the episodes of triumphant grandeur [that] limit the dynamics", but ended up calling the album "truly excellent" and considered it perhaps "the heaviest music she has put out to date". In a review for The Prog Report, Craig Ellis Bacon praised the album's heaviness and the individual performances of van