Medusa, Moors and Turks. A grand was held on June 5–6, 1662 to celebrate the birth of the Dauphin, the son of Louis XIV. It was held on the square separating the Louvre from the Tuileries Palace, which afterwards became known as the . The ceremonial entry of the King into Paris also became an occasion for festivities. The return of Louis XIV and Queen Marie-Thérèse to Paris after his coronation in 1660 was celebrated by a grand event on a fairground at the gates of the city, where large thrones were constructed for the new monarchs. After the ceremony the site became known as the , or place of the Throne, until it became the in 1880. An office existed in the royal household of Louis XIV called , which was responsible the decoration at royal ceremonies and spectacles, including ballets, masques, illuminations, fireworks, theater performances and other entertainments. This office was held from 1674 to 1711 by Jean Bérain the Elder (1640–1711). He was also designer of the King's bedchamber and offices, and had an enormous influence upon what became known as Louis XIV style; his studio was located in the Grand Gallery of the Louvre, along with those of the royal furniture designer André Charles Boulle. He was particularly responsible for introducing the a modified version of the grotesque style of ornament, originally created in Italy by Raphael, into French interior design. He used the grotesque stele not only on wall panels, but also on tapestries made by the Aubusson tapestry workshops. His many varied other designs included the highly-ornate design of transom of the warship (1670), named for the King. In addition to interior decoration, he designed the costumes and scenery for the royal theaters, including for the opera Amadis by Jean-Baptiste Lully performed at the Theater of the Palais Royal (1684), and for the opera-ballet Les Saisons by Lully's successor, Pascal Colasse, in 1695. The garden One of the most enduring and popular forms of the Style Louis XIV is the or French formal garden, a style based on symmetry and the principle of imposing order on nature. The most famous example is the Gardens of Versailles designed by André Le Nôtre, which inspired copies all across Europe. The first important garden was the Château of Vaux-le-Vicomte, created for Nicolas Fouquet, the superintendent of finances to Louis XIV, beginning in 1656. Fouquet commissioned Louis Le