Missing Child is an American neo-noir psychological thriller film directed and co-written by Luke Sabis, and produced by 9W Productions. It stars Luke Sabis, Kristen Ruhlin, and Charles Gorgano. Plot Gia is a young woman in her 20s, with a troubled past. Having never met her natural parents, Gia was raised in foster care where she experienced physical and sexual abuse as a young girl, which lead to many unhealthy experiences and relationships in her teenage years. Now Gia tries to put her past behind focusing on her ambitions. Gia's goals are interrupted when she discovers, through her boyfriend Joe, an age-progressed photo of a missing child, who she resembles. Her friend Debbie, a single mother going through her own financial troubles, is concerned that Gia is repeating unhealthy habits by being with her boyfriend Joe, who is nearly twice Gia's age. Gia, however, develops a stronger bond with Joe, who is supportive of Gia's desire to learn of her roots. More than anything else, she wants an answer to the question of where she came from. Gia and Joe drive to the house of Henry Whittle, the man they believe may be Gia's father. When Gia sees the room of Henry's daughter she feels a connection, however when she looks at old photos she sees a discrepancy that makes her believe she is not the missing child. Gia is heartbroken but Joe encourages her not to give up hope. Her primal desire to learn about her past drives her to go along with Joe. Henry's bond with Gia becomes stronger. Gia notices similarities between herself and Henry's missing daughter. Hearing Henry speak about his child and wife makes Gia imagine what life would have been, if she was Henry's daughter. While having dinner, Gia and Joe become disoriented and Henry takes on a darker tone. It becomes clear that Henry has drugged Gia and Joe as the two become incapacitated. Gia and Joe pass out. Gia and Joe lie shackled in the living room. They awaken to see Henry sitting nearby in a rocking chair, viewing them with disgust. Gia has spent her life being figuratively held prisoner to her unresolved past. Now the chains are real. Henry expresses a devout religious side. With a shotgun in his hands, he stands over Joe, condemning him for trying to make Henry believe Gia is his daughter. Henry shifts his attention