Remixes). When reviewing the extended play, a writer for DJ Mag commented on Leusink's remix, stating that he had gone for a "twitchy, spasmodic bit of dubstep-ery, which is ok, of the type". In the week of November 5, 2011, Leusink entered and peaked at number 11 on Billboard's Next Big Sound chart. 2012 to 2015: Monstercat, Hiatus, "Catfish", and "Machina" On August 3, 2012, Leusink released "Awesome To The Max", which the Your EDM staff described as "heavy but laid back, and a gift for fans of dubstep and Monstercat alike". On August 25, Leusink collaborated with American producer Varien and Canadian duo Project 46 to release "The Anthem". The collaboration was released alongside an animated music video to celebrate Monstercat's one year anniversary. Both "Awesome To The Max" and "The Anthem" appeared on Monstercat's ninth compilation album, Monstercat 009 – Reunion. Both songs were later featured on Monstercat's Best of 2012 compilation album. In November 2012, Leusink left Monstercat, continuing to release music independently. On November 16, he released "Fuck The System", a mashup of himself, Deadmau5, TVDS, and Showtek. The song was released to promote "Fuck the 9to5 jobs". On January 17, 2013, Leusink released "Unraveled Reality", which Steve Jacobs of EDM Sauce wrote that the track "offers a bit of a soothing feel along with some big drum sounds". In 2013, Leusink went on hiatus. During a Reddit AMA, The Monstercat staff were questioned about what happened to Leusink, which they answered: On June 30, 2014, a year after he released "Unraveled Reality" and almost two years after he released "The Anthem", Leusink independently released "Catfish". EDMTunes''' James Brannigan noted the song for its minimalist trance progression, later writing that as soon as "the drop hits, Ephixa brings back the sound he used to win all of our hearts with as he did in his dubstep remix of 'Song of Storms'". On February 5, 2015, Leusink released his remix of American electronic producer Dex Arson's song "Machina" as part of the latter's extended play Welcome to War. Writing for EDMTunes, James Brannigan noted the remix for its diversity and described it as "bearing a resemblance to Excision’s style". Matthew Meadow of Your EDM wrote that Luesink had transformed the original song into a "genre-hopping, deep and rumbling tune bound to blow your speakers", later stating that the synths used were "wonderfully bubbly and sinister at the