Hidden Away () is a 2014 Spanish romantic drama film written and directed by Mikel Rueda. Filmed in neighbourhoods throughout Bilbao, Rueda's goal was to create a scene that could be from any neighbourhood in any city. Rueda dedicated the project to Álex Angulo, a Basque actor who died in a car crash in July 2014. Themes that are present throughout the film are adolescent first love, sociocultural dilemmas, racism and deportation, and connecting emotionally through some of these barriers. Summary The film follows Rafa and Ibrahim, two teenage boys that befriend each other. Ibrahim is a Moroccan immigrant who does not want to return home. Lost and desperate in the streets of Bilbao, he meets Rafa. Rafa is a typical Spanish middle-class boy that is having problems with his friends and pressures around his sexuality. Once they meet each other, they become inseparable. Rueda captures their friendship as they navigate through Ibra's deportation, racism and their sexual identities. Cast Germán Alcarazu as Rafa Adil Koukouh as Ibra Joseba Ugalde as Guille Moussa Echarif as Youssef Ana Wagener as Alicia Álex Angulo as Jose Conversation Rueda wanted to center the idea of adolescence and homosexuality in the discussion around Hidden Away. In his own words, he felt that most areas of society feel uncomfortable talking about the sexuality of teenagers. One of interesting aspects of his casting is that he did not want to limit the actors to identifying as gay themselves. His logic behind this process was that by limiting who could audition, the turnout would be lower and he might not find the actors that he was looking for. The result were two actors who were not gay—-or at least Rueda is unaware of their sexuality. While the process was difficult for both actors, they found that their innocence and transition with discomfort was not that far from what someone who is in the closet at their age would have to confront. Additionally, Adil had a serious connection with Ibra's character as a Moroccan immigrant who had personally experienced racism himself. Despite critics who noted the lack of sexual activity between the two actors, Rueda maintains that the sexual nature of their relationship was not the purpose of the film, but rather the moments before sex and the feelings that one cannot control emotionally. Rueda found that the relationship between Moroccan adolescence and queer adolescence had parallel realities