women honored by the Downtown DC Business Improvement District on a project that converted unused emergency call boxes into historical markers. There is another historical marker dedicated to her along U.S. Route 250 (Three Notch Road) in Zion Crossroads, Virginia. Later years In 1963, Molton met a white guitar player, Ed Morris, who liked her music and began playing with her at her home. Molton had never performed a scheduled gig at that time. Morris began helping her book appearances at local venues and at events such as the 1967 Philadelphia Folk Festival. Molton often played at locales associated with the American folk music revival, such as the Ontario Place Coffee House in Washington's Adams Morgan neighborhood. In addition to booking events, Morris formed part of the Truth Band. He died in the early 1980s, and Eleanor Ellis joined the band in his place. Molton also performed at venues such as the Library of Congress and at events such as the Smithsonian Folklife Festival. In 1978, the Truth Band drove down to the New Orleans Jazz & Heritage Festival without a booked gig and convinced the organizers to let them play. The Rolling Stones hired Molton as backstage entertainment before a 1981 concert at the Capital Centre. The Truth Band was recorded at Molton's home for an album titled Living Country Blues USA, Vol. 3 (1981). The DC Commission on the Arts and Humanities presented Molton with four awards, and she went on a 1987 tour of Europe. While they were in Europe, Ocora recorded Molton and Ellis's album Gospel Songs. The commission gave her a grant to record another album, I Want to Be Ready to Hear God When He Calls (1987). Molton sold copies of her recordings on the street. In 1988, she was selling copies of I Want to Be Ready to Hear God When He Calls for US$6. By 1988, Molton said she was still singing on the streets to support herself. "I have to do it," she said. "It ain't that I just want to sit out here. I need to." She died at Greater Southeast Community Hospital in Washington on May 31, 1990, after experiencing liver problems. Though she was in her eighties, Molton had continued to perform as a street singer until she got sick about six months before her death. Before she became ill, she had been scheduled for a second tour