reinforcement and restoration works have been carried out in the palace. Building The palace is a lengthened structure of 252.62 feet long with a width varing from 19.02 to 63.64 feet, with four floors, three floors when seeing from the square. The first palace built in the late fifteenth century had already an aristocratic residence appearance and it was placed around the western tower, next to the main entrance of the walled enclosure. The large façade opens up to the Major Square. Originally, it was not the main façade, but the southern lateral one. Due to the fact that the main façade is inside the parade ground, where only remains as a proof the Vileta's small square. The lateral access of the church is here. In its great façade, three symmetrical towers stand out, and there is a half pointed arcade between the western tower and the middle one. This arcade is made with ashlars, bricks, turned and plaster later. The second arcade leads to the façade of the church and to the medieval town. The façade was built in the 18th century. The second arch, placed between the middle and the eastern towers leads directly to the lobby of the palace. This is the latest one to be opened to the public, and can be dated back to the late 19th century, when the palace no longer belonged to the marquisses. The light comes directly through many windows and balconies that have been opened over time and show the different heights of the building. At the top of the façade is the emblematic gallery with Roman arches. The gallery section located between the middle tower and the east one, in renaissance style, opened from the chamber and was visible from the main square. It was demolished on 17 September 1997 and then rebuilt. The building was built mainly with poor materials, such as taipa and masonry with later reforms with ashlar masonry and bricks. The building is a mixture of rustic style with gothic, and renaissance with baroque. The building is connected to Santa Maria's church. At that time, a door of the main floor allowed passage from the marqui's bedroom to a private grandstand facing to the presbytery. During the baroque period it was common to connect palaces to churches, doing the liturgy a domestic thing, which can also be observed in other Valencian palaces, such as the