provided "the raw material for a 3-D spin in a kitchen of chaos"; all the filmed elements were then layered over Stevens, who was filmed separately with the camera on the same set. A similar process was used for the other sequence, where Haller destroys a table in the interrogation room, with plates filmed showing Stevens' acting, stunt men flying backwards, and a table being blown up, that were later layered together. While deciding on sequences to shoot for the love story montage, which was not elaborated on in the script, Hawley and the crew came up with a Bollywood dance number, with Hawley saying, "what else does falling in love feel like other than a Bollywood dance routine, really?" Later, during editing of the episode with Regis Kimble, the sequence was moved from the montage to its own full sequence in the episode. The sequence gave Hawley the chance to say that the series has "whimsy to it and music is a part of it. It's not a musical but you should expect the unexpected". The dance was choreographed by Vanessa Young, the creative director of Vancouver-based dance group The Lovers Cabaret. Young produced five or six routines choreographed to a real Bollywood song, and spent a Saturday rehearsing the sequence with Stevens and Hawley so the latter could plan how to film the dance. He noted that it was the first time he had filmed a dance sequence. On the day of filming the sequence, Stevens had food poisoning. Hawley called him "a trooper", saying Stevens "worked all day and he looked terrible and felt terrible. But every time we counted down to one [to begin rolling], the big smile came on his face and he did the dance routine perfectly." Hawley wasn't able to get the last two or three shots that he wanted for the sequence, because he called off the shoot once Stevens finally threw up. The climactic "prison break" sequence was described by Stevens as "the payoff that people are waiting for ... you're going, OK, this is a superhero show, but where are the explosions? Nobody's died yet! What's going on? And then it suddenly goes full action, very very quickly." The scene is a long, uninterrupted take following a group of mutants as they use their abilities to fight off the government's soldiers. Hawley did not originally conceive of the long take,