Richard Shaw (born 1941 in Los Angeles, California, United States) is an American ceramicist and professor known for his trompe-l'œil (French for "fool the eye") style. A term often associated with paintings, referring to the illusion that a two-dimensional surface is three-dimensional. In Shaw's work, it refers to his replication of everyday objects (such as tin cans, playing cards, and cutlery) in porcelain. He then glazes these components and groups them in unexpected and even jarring combinations. Interested in how objects can reflect a person or identity, Shaw poses questions regarding the relationship between appearances and reality. Education and career The child of an artist mother and a Walt Disney cartoonist/animator father, Shaw was surrounded by art from a young age. Though he is now known for his work with ceramics, he initially planned on becoming a painter. For the last three years of high school, he attended Desert Sun School, located in the San Jacinto Mountains – a private school which had, according to Shaw, an environment that fostered creativity in its students. Still set on becoming a painter, Shaw then briefly attended Orange Coast College. At Orange Coast, he met Martha, a painter who would become his wife, and he first began to work with ceramics. Following his time at Orange Coast College, Shaw attended the San Francisco Art Institute. He identifies 1963 as the year during which he began seriously working with ceramics and pottery, citing professors Ron Nagle, Jim Melchert, Peter Voulkos, and John Mason as inspiring figures during his time at the Institute. From Voulkos and Mason – who Shaw credits with "revolutionizing" the ceramics scene in the later twentieth century – he learned to experiment with new kiln firing techniques. The trend in the artistic ceramics world (as opposed to the "commercial pottery" world) had been to create high-fire pieces – pieces fired at higher temperatures, which maximized durability. However, in 1965, Shaw's work was displayed in the Museum of Arts and Design (previously the Museum of Contemporary Crafts) in New York, and many of his pieces there were low-fire, which resulted in their having a different surface finish than traditional high-fire pieces. In 1965, Shaw earned a Bachelor of Fine Arts from San Francisco Art Institute, after which he attended the New York State College of Ceramics at Alfred University for a semester, about which he has said, "Where else do you go