of the desired recipients. A form of music that focuses the most on propaganda is the patriotic and war music from any one country. With songs like "Slavic Woman's Farewell", "Over There", "God Bless the USA", " Fortunate Son", and Jimi Hendrix's cover of the American national anthem, these songs are designed to provoke an emotion of either respect and patriotism for your country, or rebellion and disgust at your country's actions. To quote the Chicago Tribune, patriotic songs are designed to, "make us feel good about our country even when our country does something we believe is wrong." According to Putman, musical propaganda has a great deal to do with the audience. Each musical genre can reach a specific demographic within a few minutes, along with the propaganda intertwined. Purfleau brings a more social view to the concept of politically motivated music, stating that musical propaganda is "the basis for a certain kind of political art that aspires to contest the contemporary economic and social order". Purfleau's approach to understanding musical propaganda explains the timeless manner by which music has been used to portray viewpoints. Though music is not always the first media thought of when contemplating propaganda, it is an extremely effective mode and has proved to influence popular culture throughout human history. Manufactured consent Edward S. Herman's and Noam Chomsky's book titled “Manufacturing Consent” tackles this notion as Chomsky uses the analogy of a media machine that divide methods used by media into five different filters, including how media works through ownership, advertising, media-elite, flack and an agreed upon common enemy. The relationship between viewer and broadcaster- consumer and producer in the context of media, has been explored since the beginning of mass communication. This has been carried out not only arguing how the invention of the television changed the make-up of households, but also how news outlets and the Internet have become powerful tools in pushing propaganda and selected information on consumers. Manufactured spaces in media create "information bubbles" through mechanisms such as algorithmic capitalism. They seek to control the ideologies of consumers by bombarding them with information that is leaning to one side whilst depriving them of objectivity. Mass media is selective and influential in its content shared to consumers. Ownership looks at how people in power and those affected by information brought to the media seek to either destroy it or "spin" it around