church, imported to Saratoga, California) in the San Francisco Bay Area, surrounded by young people: 1980: Barbecue, Burgundy The penultimate time Welles appeared in a television ad in the series, this one had Welles seated at a barbecue, surrounded by young people: 1981: Park, Emerald Dry This was Welles's last physical appearance in a Paul Masson television advert, and was restricted to one brief shot at the end of the ad, although he narrated. The advert has the minuet from Boccherini's String Quintet in E major playing in the background, and after a brief opening shot of the Paul Masson chateau, there follows a montage of rural landscapes and pouring wine, finishing on Welles in a park, as he narrates throughout: 1981: Europeans, Carafe Welles simply provided the voiceover for his last Paul Masson television ad—he did not appear in person. The ad sought to promote a range of Paul Masson wines, focussing on the distinctive "carafe"-shaped bottle they came in, complete with jam-jar top, and portrayed various European families drinking wine with meals. The voiceover backed by guitar music stated: This was the only Paul Masson television ad Welles did in which he did not say the phrase "will sell no wine before its time"—although a caption at the end does repeat this motto. It appears that this version of the advert was short-lived. After Welles was sacked by Paul Masson, later in 1981 the commercial began running in a re-dubbed version, using the voiceover of a different narrator. 1980-1981: Print ads, Pinot Chardonnay and Cabernet Sauvignon The last of Welles's adverts for Paul Masson were two print adverts featuring the director smiling over a glass and a bottle, released to tie in with the television adverts; one for Pinot Chardonnay, the other for Cabernet Sauvignon. and Out-takes Drunken out-takes The best-known series of out-takes consists of three takes for the "French champagne" advertisement. In the first, an off-screen voice yells "Action," but Welles does not react for eight full seconds. "Action Orson, please," the offscreen voice says after a pause. "He doesn't do anything?", asks Welles, referring to the actor holding the champagne bottle, seemingly unaware he himself was intended to act first. The second and third takes consist of Welles attempting his monologue, though his words are slurred: Welles was interrupted by an offscreen voice shouting "Cut!" before finishing his lines. Throughout the takes, Welles appears to